Multitalent Adi Goodrich Talks Film Sets, Furnishings, and More

This article features an interview with Mehruss Jon Ahi and Armen Karaoghlanian, the co-founders of "Interiors," a journal that reconstructs sections from famous scenes in classic films as architectural floor plans. Ahi, an architect, and Karaoghlanian, a filmmaker, discuss their collaborative process and the interdisciplinary nature of their work. They explain that "Interiors" was founded in December 2011 to explore the relationship between film and architecture, leveraging their respective backgrounds. The division of labor involves Ahi managing the architectural and creative direction aspects, while Karaoghlanian handles the film side, including writing, editing, and liaising with filmmakers. They emphasize a streamlined workflow with defined roles, which contributes to the consistent layout and structure of each issue, creating a familiar experience for readers. Their design choices, encompassing layout, structure, cover, and icons, were meticulously planned to establish a distinct brand identity, drawing inspiration from companies known for strong graphic identities. Karaoghlanian elaborates on their critical approach to analytical pieces, stressing the importance of thorough research. He avoids overly technical specifications to make the content accessible to a broader audience while maintaining accuracy and detail. The selection process for featured films and scenes is based on their narrative significance or iconic status. A crucial criterion is the ability to accurately diagram the space from available camera angles. Ahi's architectural training is instrumental in estimating dimensions of interior spaces by using fixed elements like doors or windows as reference points. Regarding their audience, Ahi notes that while initially perceived to appeal primarily to film and architecture students, "Interiors" has attracted a wider demographic. The creation of an online store selling art prints of their diagrams highlights the artistic value perceived by their audience. Karaoghlanian expresses a desire for more filmmakers to engage with their work, envisioning "Interiors" becoming an integral part of the filmmaking process, from pre-production through post-production. He suggests collaborations where they could observe and analyze spatial changes during filming and contribute insights before and after a film's creation. Looking ahead, Ahi states that "Interiors" does not have a fixed "end-goal," allowing for continuous evolution and exploration of new avenues. The journal has already expanded into exhibitions, validating the artistic merit of their drawings. Additionally, they have formed a production company to create a short film, aiming to integrate their analytical approach into actual film production. Future plans include teaching a film and architecture class at Woodbury University and organizing related events, further solidifying the interdisciplinary dialogue between film and architecture. Both Ahi and Karaoghlanian underscore the mutual benefits for architects and filmmakers in understanding each other's disciplines, asserting that a broad understanding of various artistic fields enriches a filmmaker's toolkit. In essence, the article details the innovative project "Interiors," which bridges the gap between architecture and filmmaking by dissecting cinematic spaces through architectural drawings and analysis. It delves into the creative process, the collaborative dynamics of its founders, their approach to content, their engagement with diverse audiences, and their vision for the future expansion and impact of their unique interdisciplinary endeavor. #InteriorsJournal #FilmArchitecture #FloorPlans #CinematicSpaces #ArchitecturalDrawing #FilmAnalysis #InterdisciplinaryCollaboration #CreativeDirection

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

The article delves into the distinctive interior design aesthetic prevalent in the television series "Curb Your Enthusiasm," particularly focusing on Larry David's on-screen residences. It highlights the show's consistent use of a "new money" style characterized by large iron staircases, oversized villa-like doors, and an abundance of beige, brass, and gold elements in upholstery and drapes. This style, an amalgamation without a clear country of origin or specific era, is identified as a common aesthetic in Los Angeles during the late 1990s and early 2000s among newly affluent individuals. The interiors, though exaggerated for comedic effect, are grounded in reality, reflecting a hyperreal version of Larry David's personal architectural preferences, as confirmed by production designer David Saenz de Maturana. The article describes the typical decor within these spaces, which often includes marble counters, faux-rustic kitchenware, huge candles, oversized coffee-table books, and bowls of fake fruit or potpourri on pre-distressed wooden tables. This aesthetic predates the minimalist trends that later dominated Los Angeles design, drawing parallels to Kim Kardashian's home in a 2007 "MTV Cribs" episode. The design is presented as both gaudy and bland, indicative of millionaires unfamiliar with sophisticated interior design but keen on conspicuous consumption, favoring an abundance of beige. While Larry David's primary residences maintain this consistent beige theme, the article notes deviations in other characters' homes. Richard Lewis's apartment, for instance, is depicted as an '80s bachelor pad with black marble, leather couches, and a sleek fireplace. Jeff and Susie Greene's evolving homes also reflect different, albeit still exaggerated, design trends, moving from a modernist box to an HGTV-inspired farmhouse style. Susie Greene's character, known for her outrageous wardrobe, influenced her home's decor, which eventually incorporated millennial pastels, including a rose-gold tic-tac-toe board. The consistent yet absurdly bland grandeur of these interiors serves to underscore the humor of Larry David's mundane complaints and his often-incongruous presence within such opulent settings. The article suggests that this specific Los Angeles aesthetic, a mash-up of various cultures and eras rendered indistinct through superficial interpretations, contributes significantly to the show's comedic tone, emphasizing the bad taste as almost a central point of the series. The environments essentially become a backdrop that amplifies the character's personality and situations. #CurbYourEnthusiasm #LarryDavid #InteriorDesign #SetDesign #LosAngelesArchitecture #Television #DesignAesthetics #ProductionDesign

Chris Goddard, founder of his Fayetteville, Arkansas–based design firm, initiated his career during college in the 1980s, driven by a passion for visual merchandising that evolved into interior design. Despite studying business, he found himself doing small design jobs for free, learning painting and wallpapering to understand the process thoroughly. His accidental foray into design became serious when a wealthy client gave him a blank check to redo her house, prompting him to learn about resources, pricing, and the design industry without formal training. He frequented design centers in Tulsa and Dallas, impressing showrooms with his assertiveness and ultimately opening his own 18,000-square-foot store, Beauregard, in 1992, which housed a design studio, workrooms, and a florist. Goddard's early projects were notable, with his first-ever design job published in Architectural Digest when he was just 21. This unexpected recognition led to numerous projects for the same family, including corporate headquarters, boats, and planes. His firm now handles 20 to 60 projects annually, comprising 40% commercial and 60% residential work. He emphasizes the importance of continuous learning, detailing how he educated both himself and his clients on the value of quality materials and bespoke design elements in a region initially lacking high-end design exposure. He also works with institutions like Crystal Bridges Museum of American Art, designing installations that merge art with livable spaces. His career, however, has not been without significant challenges, including a memorable incident where a client's yacht sank due to incorrect screw lengths used during window treatment installation. This experience, though initially terrifying, taught him the critical importance of meticulous measurement and attention to detail. Goddard maintains a philosophy against having a singular “look” as a designer, instead striving to create spaces that perfectly reflect the client's personality, as if a designer was never involved. This commitment extends to never reusing the same fabric or furniture piece twice, meticulously archiving samples from each project to ensure uniqueness. The evolution of the design industry, particularly the rise of the internet and knockoff markets, led Goddard to close his retail store after 15 years, shifting his focus entirely to his design firm. He continues to value the in-person experience of shopping and encourages clients to find unique treasures during travels, rather than relying solely on online purchases. Despite his traditional approach to sourcing, his team incorporates modern tools like 3D renderings to meet contemporary client expectations. He acknowledges the difficulty of social media visibility given the NDAs he signs for high-profile clients, often only sharing tight shots of details. Recognitions in his career include ASID and Interior Design Society awards in 2019, and being named among the top 100 firms globally by the Andrew Martin Interior Design Review. Goddard navigates the challenges of client expectations, pricing transparency, and working abroad, where he has faced issues with customs. He attributes his global growth to word-of-mouth referrals rather than advertising, highlighting the personal nature of service-based businesses. His current endeavors include developing his own fabric, furniture, and bedding lines, marking a new phase in his extensive design career, which he hopes will allow him to expand beyond constant travel and hands-on project management. He also discusses the cyclical nature of design trends, noting a return to '70s and '80s aesthetics with a modern twist, and the importance of allowing creative individuals downtime to recharge. When hiring, he seeks talent that complements his strengths, emphasizing the need for adaptability and technological proficiency in an evolving industry. Goddard values his ability to now decline projects that don't excite him, recognizing that passion is crucial for successful outcomes. His firm's resilience during economic downturns is partly attributed to its recession-proof location and a strategic balance between residential and commercial projects. #InteriorDesign #ChrisGoddard #DesignCareer #LuxuryDesign #BespokeDesign #ClientRelationships #DesignBusiness #ArkansasDesign

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

The field of fabrication technology is continuously evolving, with 3D concrete printing emerging as a promising method for creating complex and large structures efficiently. This innovative process significantly reduces the time required for production and minimizes waste by eliminating the need for traditional molds. A notable application of this technology is seen in the collaboration between designer Philipp Aduatz and Austrian manufacturer incremental3D, resulting in a collection of gradient furniture and vases. This collection includes benches, a chair, and a large vase, all fabricated using 3D concrete printing. A key aspect of this project is the ability to dye the concrete directly during the printing process. This approach offers both ecological and economic advantages by reducing labor, material waste, and production delays. While concrete typically possesses low tensile strength, the designs in this collection incorporate steel reinforcement, seamlessly integrated into the structural integrity of each piece. The reinforcement is crucial for ensuring the durability and stability of the furniture, addressing a common limitation of concrete as a primary material in such applications. Philipp Aduatz's artistic vision for this collection is heavily influenced by the concept of gradients. He describes his long-standing fascination with gradients, perceiving them as embodying elegance and harmony. For Aduatz, the gradient is a fundamental design principle that bridges the perception of the physical environment with its digital representation, attributing to it a mathematical aesthetic and precision. His objective with this project was to merge the inherent beauty and structured nature of gradients with functional objects, leveraging advanced fabrication technologies like 3D concrete printing to bring these intricate designs to fruition. The gradient effect is achieved through precise control over the dyeing process during printing, resulting in visually striking and unique pieces. The collaboration between Aduatz and incremental3D highlights the potential of 3D concrete printing to push the boundaries of design and manufacturing. By combining innovative technology with a thoughtful artistic concept, they have created a series of objects that are not only aesthetically pleasing but also demonstrate the practical benefits of modern fabrication techniques. The collection serves as an example of how technological advancements can support and expand creative expression in industrial design, offering new possibilities for material usage and form creation in furniture and decorative items. The pieces showcase the versatility of 3D printing in producing customized, structurally sound, and visually engaging concrete objects for contemporary spaces. #PhilippAduatz #3DPrinting #ConcreteFurniture #GradientDesign #Incremental3D #InnovativeFabrication #SustainableDesign #ModernFurniture #ProductDesign

Many celebrities extend their creative talents beyond their primary professions, venturing into the world of interior design and home decor. This exploration highlights 25 such individuals who have made notable contributions, ranging from launching their own decor lines to actively participating in house-flipping ventures and personal home renovations. These celebrities often draw from their unique styles and experiences to offer distinct aesthetic visions to the public. Kourtney Kardashian, for instance, is recognized for her serious furniture collecting, notably owning multiple valuable Jeanneret teak conference chairs. She has collaborated with celebrity designer Martyn Lawrence Bullard on her home interiors, including a chic guest room. Blake Lively demonstrates a passion for designing friends' homes pro bono, showcasing a modern organic aesthetic with a preference for navy blue. Reese Witherspoon has expanded her Draper James brand into home decor with a collaboration with Crate & Barrel, featuring Southern-inspired staples like blue check table runners and magnolia-patterned plates. Kanye West, known for his fashion endeavors, has collaborated with minimalist art dealer and Belgian interior designer Axel Vervoordt for his office and personal home furniture, and has expressed intentions to open an architecture school called Yeezy home. Iris Apfel, a celebrated 'Geriatric Starlet' and fashion influencer, began her career as an interior designer and textile company owner. She has since re-entered the furniture business with a collection for Cloth & Company. Tracee Ellis Ross designed a vibrant and maximalist clothing and decor collection for JCPenney, which quickly sold out. Kris Jenner, a matriarch known from reality television, has a notable interest in house-flipping, though a planned show with Scott Disick was canceled. Her personal style is marked by a fondness for black-and-white tile. Mandy Moore, an actress and singer, was deeply involved in the redesign of her Pasadena home, documenting the process on Instagram and releasing a decor collection with Shutterfly. Eva Longoria launched a Mediterranean-inspired home decor line with JCPenney, featuring bedding and window treatments. Ellen DeGeneres, along with Portia de Rossi, are prolific house-flippers. Ellen has published a book titled 'Home,' showcasing their grand estates and revealing her childhood aspiration to be an interior designer. Diane Keaton is a design enthusiast with a focus on historical properties, having published three design-focused books, including one detailing her use of Pinterest for home decoration. Jessica Simpson, a singer and actress, debuted her home decor line in 2014, starting with bright bedding and expanding to towels and bathroom accessories. Lauren Conrad, a reality TV star, maintains a successful home decor line with Kohl's, writes a decor blog, and offers DIY instructions. Cindy Crawford, the iconic supermodel, entered the furniture business in 2005, emphasizing designing with the history of the home in mind. Michelle Williams launched her 'Believe at Home' bedding collection, inspired by her textile-designing grandmother. Iman, a supermodel, introduced her globally-influenced fabric company at New York Fashion Week. Sofia Vergara, an actress, designs contemporary furniture for Rooms To Go. Catherine Zeta Jones launched Casa Zeta-Jones, an ultra-feminine home decor line on QVC. Brad Pitt, after discovering a shared passion for design with Frank Pollaro, partnered with Pollaro Custom Furniture to bring his sketches to life. Lenny Kravitz, a musician, has become an interior designer featured on the A-List and released a furniture collection with CB2. #CelebrityDesigners #InteriorDesign #HomeDecor #FurnitureDesign #LuxuryInteriors #CelebrityHomes #DecorCollections #TextileDesign

Model Gigi Hadid recently unveiled the redecorated interiors of her New York City apartment on Instagram, labeling it as a year-long passion project she undertook with assistance from friends. The apartment's aesthetic is characterized by an eclectic mix of elements, sparking a wide range of public reactions, from support to criticism, regarding its unconventional design choices. Central to the living space is a Missoni couch, distinguished by its vibrant array of colors and patterns, alongside various vintage art pieces, abstract prints, and bohemian accents that contribute to a personalized atmosphere. Among the more polarizing design features are the kitchen cabinet panels, which are notably filled with dyed pasta spirals. This particular choice has been met with mixed opinions, with some finding it quaint and unique, while others view it as an oddity. Another unconventional item in her kitchen is a bowl of billiard balls serving as a centerpiece on the island. The bathroom continues the theme of distinctive decor, featuring a wall entirely covered with New Yorker magazine covers. This design decision, while demonstrating creativity, has prompted suggestions for alternative displays, such as framing the covers or utilizing a single, large framed print for a more refined statement. Further unique touches are observed elsewhere in the apartment, including a prominent giant yellow pen positioned next to a proclamation by artist Eamon Harrington, which hangs on a wall. In contrast to these more eccentric areas, Hadid's bedroom presents a simpler, more subdued design. It incorporates crisp white sheets, a natural wood headboard, matching side tables, decorative wall accents, and Forest Ceramic lamps, indicating a preference for a tranquil and earthy environment in her private space. Despite the varying opinions on specific elements, the article acknowledges Hadid's commitment to individuality in her home design. The bathroom, aside from the magazine covers, is described as possessing an underlying sophistication due to its marble finishes, black frames, and glass panels. The overall impression conveyed is one of a home that distinctly reflects its owner's personality, challenging conventional design norms and encouraging discussion on what constitutes aesthetic appeal in interior decoration. #GigiHadid #InteriorDesign #NewYorkCity #CelebrityHomes #EclecticDecor #HomeDecor #QuirkyDesign #PersonalStyle #ApartmentLiving

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

Achieving publication in a shelter magazine is a common aspiration for many designers, serving as a significant milestone in their careers. The journey to getting published relies on a combination of high-quality work and effective presentation. Editors, often managing numerous submissions, benefit greatly from clearly articulated narratives that highlight a project's unique aspects. Investing in professional public relations support can be invaluable for framing a compelling story and identifying various angles for editors to consider, especially when budgets allow. For those with limited resources, dedicating time to meticulously craft a clear and engaging submission that showcases the project's most impactful details is crucial. When specifically targeting a project for publication, it is highly beneficial to present a distinct and persuasive angle to editors. This approach simplifies their evaluation process by emphasizing what makes the project stand out. Designers should concisely outline three compelling reasons why their work merits attention, providing concrete discussion points. Including a link to high-resolution photographs is also a practical necessity for submissions. Building relationships with local magazine editors through informal meetings, such as a coffee invitation, can offer insights into their editorial preferences and target audience, thereby fostering trust and enhancing the visibility of future projects. Central to securing publication is investing in a strong team and high-quality visuals. Professional photography is indispensable for showcasing interior design work, and partnering with a reputable publicist can yield significant returns. The success of public relations efforts, however, depends on the quality of the materials provided. Therefore, designers should consider how their designs will photograph from the project's inception, focusing on elements like styling and artwork. Collaborating with experienced photographers who have existing relationships with editors can provide an advantage, as these photographers may actively pitch exceptional work. Additionally, engaging a stylist, despite the added investment, can elevate designs to a polished, magazine-worthy standard, making them more appealing to editors. Strategic styling plays a pivotal role in transforming excellent images into captivating narratives. Publications seek photos that convey a lived-in, layered, and intentional feel, where every detail contributes to the overall story of the space. This involves careful consideration of how textiles drape, how light interacts with surfaces, and how objects are arranged to create warmth and authenticity. Thoughtfully placed elements, such as floral arrangements, draped throws, or curated book stacks, can prevent a photo from appearing staged, instead making it effortlessly chic. Incorporating personal objects and lifestyle elements also enhances relatability and engagement, inviting viewers into the moment and significantly increasing the likelihood of publication. Beyond general spaces, designers should prioritize photographing key areas such as kitchens and bathrooms. Feedback from editors often indicates a desire for a comprehensive view of a project, and including these essential spaces provides a more complete understanding of the design's scope and execution. Having a proficient team to manage public relations and ensure images reach the appropriate publications is also critical. Given the complexity of PR, investing in a team that can effectively position a designer's work allows the designer to focus on creating new projects while their team handles the strategic dissemination of their portfolio. #InteriorDesign #DesignPublication #PublicRelations #ProfessionalPhotography #EditorialStyling #DesignMarketing #ShelterMagazine #DesignPortfolio #ProjectPresentation

Yorgos Lanthimos' film, "The Favourite," set in the 18th-century palace of Queen Anne, the last of the Stuarts, presents a visually distinct interpretation of historical settings. The film utilizes Hatfield House in Hertfordshire, built in 1611 by Robert Cecil, as its primary filming location. Although Hatfield House has been a popular set for numerous productions, including "Orlando," "Sherlock Holmes," and "V for Vendetta," its on-screen appearance in "The Favourite" is significantly altered from its actual interiors. Production designer Fiona Crombie intentionally integrated an abundance of tapestries into the set design, particularly in the Queen's chambers. These tapestries are depicted covering walls, paintings, and even doors, creating an immersive, almost suffocating environment. Crombie's creative decision was aimed at conveying the feeling of a "padded prison" for the Queen, suggesting a character who, despite her age and suffering, exhibits traits akin to a teenager. This artistic choice highlights a deliberate departure from strict historical accuracy, emphasizing thematic resonance over factual reconstruction. "The Favourite" embraces an architecture of incoherence, blending historical elements with intentional anachronisms. Examples include the portrayal of rabbits as improbable pets, the presence of wheelchairs despite their undeveloped status during the period, and the use of modern colloquial language, including expletives. This approach allows Lanthimos and Crombie significant creative liberty, a strategy that diverges from the typical pursuit of irrefutable coherence often seen in period pieces. The film's aesthetic aims to evoke emotion and thematic depth rather than provide a literal historical recreation. A key visual aspect of the film is its reliance on natural light, a technique reminiscent of Stanley Kubrick's "Barry Lyndon." Lanthimos insisted on natural illumination, which necessitated significant adjustments to the set. Scenes were often positioned near large windows, and mirrors were strategically placed to maximize light. Tapestries were moved, floors polished, and golden accents incorporated into costumes to enhance reflectivity. Additionally, the set was adorned with a vast number of candles, lanterns, and chandeliers to further augment the lighting, a direct interpretation of the burgeoning "century of Enlightenment." The film also emphasizes the expansive corridors of Hatfield House. Lanthimos articulated his vision of "lonely characters in huge spaces," which is visually underscored by frequent wide-angle and low-angle shots of the corridors. These long, liminal spaces serve multiple functions within the narrative, acting as settings for numerous dialogues and extended walks. They symbolize connections between individuals while simultaneously highlighting social distances and the inherent isolation within the palatial environment. The corridors, often lined with windows, become symbolic pathways that reflect both physical movement and emotional journeys within the film's unique setting. #FilmSetDesign #TheFavourite #YorgosLanthimos #HatfieldHouse #ProductionDesign #HistoricalFiction #InteriorDesign #CinematicLighting #QueenAnne

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

Tony-winning set designer Scott Pask, renowned for his work on Broadway shows like "The Book of Mormon" and "Some Like It Hot," has ventured into interior design with his debut wallpaper and fabric collection, Fizz, in collaboration with Voutsa. This collection draws inspiration from Art Deco glamour and vintage glasswork, featuring six colorways including pearlescent papers and options with gold- and silver-leaf finishes, alongside a metallic jacquard textile. Pask’s transition from theatrical sets to home interiors offers unique perspectives on decorating with drama and emotional resonance. Pask emphasizes the importance of emotional connection when selecting wallpaper, encouraging individuals to choose designs that instinctively appeal to them. He views wallpaper as a non-permanent design element, akin to changing furniture or recovering a sofa, suggesting that personal preferences should guide immediate choices rather than long-term commitments. For those hesitant to embrace bold designs, Pask recommends starting with smaller, contained spaces such as powder rooms, bar nooks, or even dining room ceilings, to introduce dramatic elements without overwhelming a larger area. He highlights how an unexpected application, like a wallpapered ceiling, can create an extraordinary visual impact. The designer also stresses the collaborative role of lighting in design. Drawing from his experience with theatrical lighting, Pask considers how surfaces reflect or absorb light, advocating for finishes that add “life” to walls. He suggests boosting flat paints to eggshell or semigloss to introduce a subtle sheen that interacts dynamically with light. Natural light is equally crucial, and Pask advises homeowners to observe how light changes throughout the day in their spaces, using this understanding to inform design decisions and identify areas that could benefit from a design boost. He illustrates this with his own desert home, which transforms from bright and airy by day to a lantern-like glow at night. Pask, while often working with vibrant colors and bold patterns in his professional life, prefers a more neutral palette in his personal spaces. He achieves visual interest through rich materiality, texture, and a curated selection of art, objects, books, and travel souvenirs, which infuse color and narrative into his home. This approach underscores the idea that a limited palette does not equate to boring design, especially when prioritizing high-quality details and unique textures. He considers this refinement of detail his signature, applicable to all his projects. Ultimately, Pask encourages homeowners to view their living spaces as reflections of their personal stories. He suggests incorporating pieces with sentimental value, such as travel finds, family heirlooms, or mementos, to imbue a home with storytelling. His own throw pillows made from fabric remnants of his Tony-winning set design for "The Book of Mormon" serve as an example of how personal narratives can be woven into home decor. Finally, Pask advocates for embracing drama in residential design, suggesting that awe-inspiring spaces contribute to exuberant spirits. He encourages individuals to start with comfortable-scale changes, whether a small room or a bold throw pillow, to build confidence in transforming their living environments into spaces that delight and inspire, echoing the glamour and confidence of iconic musical theater characters. #ScottPask #WallpaperCollection #VoutsaFizz #InteriorDesign #DecoratingTips #ArtDeco #TheatricalDesign #HomeDecor #LightingDesign

Production designer Kevin Thompson discusses his approach to recreating the various homes of Leonard Bernstein for Bradley Cooper’s film 'Maestro'. The film chronicles Bernstein’s life, transitioning from his humble beginnings to his rise as a celebrated American musician, depicting the personal spaces he shared with his wife, Felicia Montealegre Cohn. Thompson emphasizes the importance of authenticity and intimacy in designing these environments, aiming to reflect Bernstein's personal and professional evolution through his living spaces. The initial setting, Bernstein's Carnegie Hall studio apartment, is a crucial starting point. Thompson details how this space was conceived as a one-shot opening, illustrating Bernstein's frantic departure to conduct at Carnegie Hall. This early apartment, inspired by actual lofts artists used for living and rehearsals, featured a double-height ceiling, a sleeping loft, and two large skylights. The design meticulously considered the film's black-and-white aesthetic and taller aspect ratio, requiring extensive collaboration with the Director of Photography to manage camera movement and architectural elements. The apartment was designed to subtly incorporate elements that hinted at Bernstein's mentors, musical collections, and early life, laying the groundwork for how his subsequent living situations would be portrayed. Thompson explains that key pieces of set dressing were subtly moved between residences, from the initial Carnegie Hall space to the Connecticut house, the Osborne apartment, and finally, the Dakota. This continuous thread of personal items aimed to create a subliminal connection between Bernstein's different life stages, even if not explicitly noticed by every viewer. He highlights a specific example in the Fairfield home, where a replica of Bernstein's childhood piano, gifted by his teacher, was used to maintain historical accuracy and a sense of personal history. Moving to the Osborne Apartments, which depict Lenny and Felicia in a more established, public phase of their lives, Thompson describes designing the space to reflect an elevated, all-American style. He notes details like a curved couch and walls adorned with pictures and documents, suggesting a lifestyle of entertaining and public prominence. Thompson stresses that instead of rigidly adhering to each decade, the design focused on the emotional core of each period in their relationship. For the Osborne apartment, research into the actual building and period was conducted, but ultimately, the design decisions were driven by the cinematic needs and Bradley Cooper's blocking to create an intimate, immersive experience for the audience. Furnishing choices, like the curved couch and fabric textures, were selected to telegraph the time period without explicitly stating it, with significant collaboration from set decorator Rena DeAngelo in curating personal items for the walls and desk. The final and most substantial setting discussed is the Dakota, a New York City landmark used for some of the film's darker, more complex scenes. The architecture of the Dakota, characterized by heavy wood molding, high ceilings, and large windows, influenced the design decisions. Thompson chose darker shades, particularly in the bedroom and study, with dark blue grasscloth walls, to convey the sadness and weight of this period in Bernstein and Felicia's marriage. The grandeur of the space, indicated by the size of the rooms, highlights their success, yet the presence of awards does not alleviate their marital problems. The design of the hallway, with its starkness and minimal decoration, was specifically crafted to support Bradley Cooper's blocking, emphasizing distance and emotional insulation during critical moments, such as Felicia discovering Lenny with Tommy Cochran. The heavy draperies further contribute to the insulated and somber atmosphere of this period. #MaestroFilm #ProductionDesign #KevinThompson #LeonardBernstein #BradleyCooper #FeliciaMontealegreCohn #FilmSetDesign #HistoricalAccuracy #CinematicArchitecture

This article highlights 15 emerging talents in product design who are making significant contributions to the industry. These designers and studios showcase innovation across various materials, techniques, and product categories, ranging from home furnishings to decorative objects. Lucie Roy, a member of the Kaléidosco collective in France, specializes in float-glass wall tiles. Her Blue Lands tiles manipulate translucency and opacity with aqueous hues, achieved through multiple enamels and three firing processes, and finished with subtle gold details. Bond Hardware, founded by Dana Hurwitz and Mariah Pershadsingh, originally known for jewelry made from scrap metal, has expanded its offerings to include home furniture. Ben Erickson's Erickson Aesthetics presents the "Halo Drippp," a product that integrates a rainbow spectrum into a fundamental form. Soft Geometry, led by Palaash Chaudhary and Utharaa Zacharias, focuses on shapes and references dessert in their new collection. Asa Pingree, drawing inspiration from his boat-building apprenticeship, explores fiberglass in his Brooklyn workshop, evident in his experimental stool designs. Jude Heslin Di Leo, inspired by feng shui principles, created "Amplifier," a 15-inch-high table crafted from pure quartz crystal, intended to enhance natural energy. Sasha Burchuk, founder of New Age Design Studio, reinterprets the ancient terrazzo technique for cement tiles and candleholders, utilizing ethically sourced precious and semiprecious stones in her "Gemstone Terrazzo" and "Ziv" lines. Marie Schumann, a Swiss designer, creates vibrant tapestries called "Softspace #5" and "Softspace #6." These textiles feature haptic fringing and draped threads, woven from materials like Lurex, Trevira CS, or cotton on an industrial jacquard loom and distributed through OKRO. Henri Judin’s "Liquorice" shelves, available vertically or horizontally, are crafted from black rods of bent and powder-coated steel by Lankapaja metalsmith, evoking the candy they are named after and sold through Young Finnish Design. Felicia Arvid, a former fashion designer, introduces "Addéra," a reconfigurable daybed. Its wool-covered cushions, armrests, backrests, and painted-birch tablet can be rearranged to slot into a tubular-steel base. Emiliana Gonzalez and Jessie Young, founders of Estudio Persona, launched "Flecha," an angled side table made of mahogany-veneered plywood, coinciding with the opening of their Los Angeles showroom. Virginia Valentini and Francesco Breganze of LatoxLato designed "Aracne," a coffee table with a 40-inch-diameter glass top supported by eight legs in light oak or dark walnut, noted for its innovative structure. Brecht Wright Gander of Birnam Wood Studio collaborated with jeweler Suna Bonometti on "Brutiful U&I," a cocktail table inspired by Carlo Scarpa’s Brion Cemetery, made from Valchromat wood-fiber visible through an acrylic top. Kyle Comeaux, founder of Komolab, offers "Walden," a dog bed featuring a walnut or white oak base topped with a removable wool-upholstered cushion and a waterproof liner. Finally, Daria Belyakova designed "Paspartu," an armchair described as an "inhabitable sculpture." It is made from chromed, molded fiberglass with wool upholstery and is supported by a nearly invisible glass stand, available through Palisander Gallery. These designers represent a diverse range of styles, materials, and functional applications within contemporary product design. #ProductDesign #RisingStars #InteriorDesign #FurnitureDesign #HomeDecor #TextileDesign #GlassArt #ContemporaryDesign

The article discusses the intentional design choices made for the home of Solène, Anne Hathaway's character in the film 'The Idea of You.' Solène's home, described as a cozy Craftsman-style residence, was specifically tailored to reflect her personality as an art gallery owner. A notable detail in its design was the selection of paint colors for the walls, which were chosen to complement Anne Hathaway's complexion. Production designer Amy Williams revealed that all paint colors underwent camera tests against Hathaway's skin tone before final selection, emphasizing the meticulous attention to detail in creating her character's environment. While the film's narrative places Solène's home in Silver Lake, California, the actual property used for filming is located in the Virginia-Highland neighborhood of Atlanta, Georgia. The production team discovered this specific home on Airbnb. Initially, the interiors featured a stark palette of white and gray, lacking original historical details. Recognizing the need to imbue the space with character, the team undertook a two-month renovation process. This extensive renovation aimed to restore the home's historic age and personality, transforming its interior to align with the character's aesthetic. Following the renovation, the home now showcases warm white walls and features painted faux wood grain trim throughout, adding to its Craftsman appeal. A distinct royal blue-painted dining room was introduced to provide a vibrant pop of color within the living space. Further enhancements included the installation of wood beams and a complete overhaul of the kitchen. The kitchen renovation incorporated custom wood cabinets, Craftsman-era tiles, and new window panes, all contributing to a cohesive and period-appropriate design. An interesting aspect of this film set is that the homeowners decided to retain all the updates made by the production team. Consequently, the renovated home remains available for booking on Airbnb, allowing fans and interested individuals to experience the space as seen in the movie. This offers a unique opportunity for people to engage directly with the film's aesthetic and the specific design choices implemented. The article also briefly mentions that Solène's home is not the only Georgia filming location highlighted in the movie. The entire production of 'The Idea of You' took place within the Southern state, encompassing various settings from a French vacation rental to the recreated Coachella festival grounds. This underscores Georgia's versatility as a filming location and the production team's ability to transform local properties to suit diverse narrative needs. The detailed approach to interior design, particularly the consideration of an actor's personal attributes in color selection, illustrates a deep level of commitment to character development through environmental design. #HomeDesign #FilmProduction #InteriorDesign #CraftsmanStyle #PaintColors #AnneHathaway #TheIdeaOfYou #AirbnbLocation #SetDesign