Lindsey Lang designs 3D tiles based on 1930s London Underground patterns

Nikki Chu, an interior designer with over two decades of experience, has launched her inaugural tile collection exclusively with The Tile Shop. Despite not having previously designed tiles, Chu leveraged her extensive knowledge of incorporating tiles into various rooms to create a line that reflects her signature “global modernism” aesthetic. Her collection stands out by focusing on organic, impactful patterns rendered in versatile, earthy neutral tones, a departure from the often brightly colored or overly patterned options she found lacking in the market. Chu emphasizes that while vibrant colors are readily available, finding sophisticated neutral patterns has historically been a challenge. The inspiration for Chu's tile collection, much like her previous lines of decorative pillows, bedding, and rugs, is rooted in her global travels. She specifically cites Africa, Indonesia, and Bali as primary sources, drawing from the textiles and cultural patterns observed in bazaars and markets. These elements are then simplified and refined to be palatable for a wide range of decor styles, maintaining a clean, soft, and contemporary feel without an abundance of color, aligning with her brand's established reputation for neutral textures. The collection features three distinct tile designs: Zulu, Tangier, and Luxor. The Zulu ceramic tile is praised for its modern versatility, allowing for various layout configurations—alternating horizontal and vertical patterns—to create eclectic visual texture while maintaining a peaceful, subtly colored aesthetic. Chu is installing this tile in her own home, highlighting its longevity and classic appeal. Zulu is available in Graphite, Pumice, and Cement colorways, all offering quiet, understated hues. Tangier, a porcelain pattern, showcases loose, concentric diamonds that deliver a bold impact. Its hand-drawn quality lends it a timeless simplicity, preventing it from feeling dated. Chu notes that Tangier's patterns are “flowy, easy-to-understand,” and substantial enough to make a statement without being overwhelming. She plans to use Tangier on a lanai floor for a celebrity client, bordered by Zulu tiles, to create a durable, rug-like effect. Luxor comprises ceramic subway tiles designed to complement Zulu and Tangier. These tiles, available in Winter White, Cement, and Pumice, feature an organic, handmade feel with intentional inconsistencies in texture and slight color variations. Chu’s aim with Luxor was to provide a clean yet artisanal option that enhances the collection's overall aesthetic. Her overarching design philosophy for this collection was to achieve a balance between extremes, creating patterns that are modern and contemporary without being excessively so, thus occupying a “sweet spot” that she intends to build upon in future designs. #NikkiChu #TileDesign #GlobalModernism #InteriorDesign #NeutralTones #PatternedTile #HomeDecor #TheTileShop #CeramicTile #PorcelainTile

The online tile retailer clé has unveiled its new Artist Cement Collection, a series of handmade encaustic cement tiles. This collection is a collaborative effort, featuring designs from eleven artist studios spanning Europe, South America, and the United States. The curated group of artists, architects, designers, and sculptors includes ALT for Living, Boris Aldridge, Coletivo Muda, Deborah Osburn, Erica Tanov, Gachot Studios, John Whitmarsh, Michelle Weinberg, Ruan Hoffmann, Sarah & Ruby, and Smink Things. The Artist Cement Collection showcases a diverse range of aesthetic styles, moving from bold, graphic geometric patterns to motifs inspired by nature, and even incorporating typography. Each tile is available in 8-inch by 8-inch square and hexagonal formats, offering flexibility in design application. A key feature of these tiles is their pre-polished and pre-sealed finish, which enhances their durability and versatility. This treatment makes them suitable for a wide array of applications, both indoors and outdoors, and for installation on either walls or floors, expanding their potential use in various architectural and interior design projects. Among the featured designs, Coletivo Muda contributes the 'Lagoa' tile, which appears multiple times in the illustrations, highlighting its distinct appeal. Michelle Weinberg's contributions include 'Pattern 1' and 'Pattern 2,' demonstrating a varied artistic approach. Smink Things presents several designs that bear its studio name, indicating a unique and recognizable style. Ruan Hoffmann offers a selection of patterns, including 'Amsterdam Express,' 'Arrow Dynamic,' and 'Bio Circuit,' each bringing a different visual narrative to the collection. Deborah Osburn's 'Manuscript Letters' introduces a textual element, adding another dimension to the tile offerings. Boris Aldridge provides 'Pattern 4' and 'Pattern 5,' showcasing his design philosophy. Gachot Studios also features 'Pattern 4,' suggesting a potentially different interpretation or variation from Aldridge's similarly named pattern. Erica Tanov presents 'Baccio' and 'Jacobson,' contributing unique artistic expressions. Finally, Sarah and Ruby's 'Pattern 5' completes the selection of artists and their designs, ensuring a rich and diverse collection for consumers and designers. The collection emphasizes both artistic expression and practical application. The use of cement as a medium for these artistic designs provides a tactile and durable surface, while the handcrafted nature of the tiles ensures uniqueness in each piece. The curated selection of artists from various global locations brings a wide spectrum of cultural and artistic influences to the collection, allowing for a broad appeal across different design preferences and styles. The collection aims to provide distinctive and high-quality options for residential and commercial spaces, allowing for personalization and artistic flair in surface design. #CementTiles #ArtistDesigned #EncausticTiles #HomeDecor #InteriorDesign #TileCollection #ArchitecturalSurfaces #HandmadeTiles #GlobalArtists

Studio GdB, founded by Gilles de Brock and Jaap Giesen in ‘s-Hertogenbosch, The Netherlands, has revolutionized ceramic tile production through the development of a custom-built digital printer. This innovative machine allows for the computer-controlled application of liquid glazes onto ceramic tiles in their biscuit state, resulting in unique and highly customizable designs. The studio's process addresses a previous limitation in finding suitable finishes for their design vision, prompting them to engineer their own solution. This bespoke technology enables them to create a diverse range of patterns and vibrant color schemes, offering endless possibilities for aesthetic expression in tile design. The tiles produced by Studio GdB are characterized by their bold colors and visually complex, almost psychedelic patterns, which evoke a handmade quality despite being digitally fabricated. This blend of precision engineering and artistic flair allows for a broad spectrum of design choices, from subtle and understated to highly intricate and elaborate, catering to various design preferences. The custom printer's capability to accurately apply liquid glazes directly onto the ceramic surface ensures a high level of detail and consistency in each tile, surpassing the limitations of conventional manufacturing methods. The development of this specialized machinery highlights a creative approach to overcoming technical challenges in the design and production of ceramic tiles. By taking control of the manufacturing process, Studio GdB has opened up new avenues for customization and artistic experimentation within the realm of interior design materials. The studio's commitment to innovation has enabled them to achieve desired finishes that were previously unavailable, offering designers and consumers access to truly distinct and personalized tile options for various applications, from staircases to coffee tables and backsplashes. The resulting product line from Studio GdB provides an opportunity for integrating unique and visually striking elements into interior spaces, allowing for highly personalized and dynamic environments. The ability to create seemingly infinite patterns and color combinations means that each project can feature a bespoke tile installation, reflecting individual tastes and design concepts. This innovative method bridges the gap between traditional craftsmanship and modern technology, creating ceramic tiles that are both a functional building material and a work of art. The tiles are suitable for diverse settings, adding a distinctive touch to both residential and commercial projects. #CeramicTiles #DigitalPrinting #CustomDesign #InteriorDesign #StudioGdB #HomeDecor #ArchitecturalSurfaces #GlazeApplication #InnovativeManufacturing

A tile company named Casa Ceramica, located in Manchester, has installed a unique optical illusion floor in their showroom entrance, which was implemented twelve months prior to this report. The design creates the visual effect of a wavy or sinking floor, despite being entirely flat and stable underfoot. This installation was conceived to demonstrate the diverse applications of tiles and to incorporate an optical illusion theme, which the company successfully achieved. The floor is constructed from porcelain tiles that were custom-cut by Aquacut into over 400 individual pieces. Duncan Cook, the director of Casa Ceramica, meticulously tiled these pieces according to a specific design layout to produce the intended visual effect. The result is a floor that challenges perceptions of stability, making individuals feel as though they might walk unsteadily, even when they are on a perfectly level surface. The unique flooring serves as a distinctive feature for the showroom, aiming to capture the attention of visitors and showcase the company's innovative use of tiling. Beyond the optical illusion floor, the showroom also features walls adorned with quotes, which were created by a local artist named Myro, adding another artistic element to the space. #OpticalIllusion #TileDesign #InteriorDesign #ShowroomDisplay #Manchester #CasaCeramica #FloorArt #ArchitecturalInnovation

Subway tiles, originally designed by George C. Heins and Christopher Grant La Farge in 1904 for the New York City subway, have a rich history rooted in both hygiene and aesthetics. These 3″x6″ ceramic tiles were chosen for their easy-to-clean surface and their ability to reflect light in the subterranean stations, a practical consideration for a new mode of public transport. The Victorian era's emphasis on cleanliness had already popularized tiles as a hygienic design solution, making them a suitable choice for the subway environment. Beyond functionality, the initial designs often incorporated decorative mosaics, showcasing the early potential for artistic expression within this utilitarian material. Over the decades, subway tiles transitioned from public infrastructure to a ubiquitous design element in residential kitchens and bathrooms. Their enduring appeal lies in their versatility, managing to embody both traditional and modern aesthetics simultaneously. This adaptability has cemented their place as a classic choice in interior design. However, the traditional flat, glossy white subway tile, while timeless, has seen limited evolution in its fundamental form. Recognizing this, Mission Stone & Tile, a luxury importer and distributor based in Nashville, has introduced a new collection that seeks to redefine and expand the possibilities of this classic material. The company's new "Essentials Collection" introduces a significant update to the traditional subway tile: tactile textures. This innovative line features tiles with pan-glazed surfaces that incorporate various patterns such as pinpoints, pinstripes, honeycombs, and diamonds. This textural variation adds a new dimension to the visual and tactile experience of the tiles, moving beyond the smooth, flat surfaces of their predecessors. The collection was conceived by Mission Stone & Tile founder, Mary Elizabeth Oropeza, with the explicit goal of empowering designers to explore more complex and geometric configurations, much like the breathtaking original installations in the New York City Hall Station. Beyond texture, the Essentials Collection also offers an updated color palette designed to complement contemporary interiors while fostering creative design. The new range includes warm grays, ivories, oyster whites, mists, and a deep, nearly-black mink color. These sophisticated hues, combined with unusual tile sizes like 2.5″, 4.5″, mod pickets, and raised-edged mosaics, provide designers with enhanced flexibility. This allows for diverse applications, from creating bold graphic statements in a kitchen to subtle ombré effects through color and texture variations, or even focusing purely on textural interplay with a simple color scheme. The collection aims to unlock a new level of creativity for subway tile applications, encouraging designers to push the boundaries of this enduring design classic. #subwayTiles #tileDesign #interiorDesign #homeDecor #tactileTiles #missionStoneAndTile #designInnovation #kitchenDesign #bathroomDesign

Eso Surfaces, in collaboration with the Frank Lloyd Wright Foundation, has introduced a new collection of 3D cement tiles and textile blocks inspired by the iconic American architect. This collection allows individuals to incorporate elements of Frank Lloyd Wright's distinct architectural style into their homes, offices, or landscapes. The Southern California-based family business has reinterpreted the geometric patterns found in four of Wright’s notable Southern California residences: the George Ablin House, John Storer House, Alice Millard House, and the Charles Ennis House. These homes are renowned for their innovative use of textile block construction, a system developed by Wright that utilizes pre-cast concrete blocks, often with intricate patterns, to create textured and sculptural walls. The collection offers tiles and blocks that faithfully capture the essence of Wright's original designs. The Millard Cement Tile is inspired by the Alice Millard House, also known as "La Miniatura," built in Pasadena, California, in 1923. The Ennis Cement Tile draws from the Charles Ennis House in Los Angeles, California, constructed in 1924, known for its monumental appearance and elaborate patterned blocks. The Storer Textile Block originates from the John Storer House, also located in Los Angeles and built in 1923, which showcases a distinctive use of textured concrete. Finally, the Ablin Textile Block is a homage to the Dr. George Ablin House in Bakersfield, California, designed in 1958, demonstrating Wright's continued exploration of the textile block system later in his career. Each design in The Frank Lloyd Wright Collection by Eso Surfaces is available for purchase as individual tiles or in bulk quantities, providing flexibility for various design applications, from small decorative accents to large-scale architectural installations. This initiative aims to make Wright's enduring legacy more accessible to designers, architects, and homeowners, enabling them to infuse their spaces with the historical significance and aesthetic appeal of his work. Stuart Graff, CEO of the Frank Lloyd Wright Foundation, emphasizes that Eso Surfaces' interpretations maintain high-quality standards, ensuring that the spirit of Wright's original creations is preserved and celebrated through these modern reproductions. The blank cement tile option also provides a versatile component that can be used alongside the patterned blocks or as a complementary neutral element in a design scheme. This partnership serves to bridge historical architectural innovation with contemporary design needs, allowing a new generation to appreciate and integrate Wright's vision into their environments. #FrankLloydWright #CementTiles #TextileBlocks #ArchitecturalDesign #HomeDecor #EsoSurfaces #ArchitecturalHistory #InteriorDesign #BuildingMaterials

Susan Alexandra, known for its vibrant and beaded accessories, has opened a new store in New York City's Lower East Side, offering a colorful and whimsical retail experience. The store's design, spearheaded by founder Susan Korn in collaboration with Lula Galeano of Studio Galeon and Levi Shaw-Faber of Wiggle Room, transforms the space into a 'pigmented oasis' that draws inspiration from playful, retro aesthetics like '80s roller rinks, watermelons, and bananas. This design ethos extends beyond a mere shopping destination, providing a source of innovative and bold home decor inspiration that can be adapted for various personal styles. The store's exterior immediately captures attention with its bright yellow facade, setting the tone for the interior's vibrant color palette and unique architectural elements. One notable feature is the beaded banana door handle, a whimsical detail that exemplifies the brand's playful approach. Inside, the design incorporates several distinct elements that can be translated into residential settings. For instance, colored-glass bricks are used to create custom archways, room partitions, and corner tables, introducing a burst of color and a disco-like ambiance while minimizing the need for traditional wall hangings. This approach suggests an alternative to conventional wall decor, using structural elements to infuse color and light into a space. Another design technique highlighted in the store is color-blocking the ceiling and the top quarter of the walls, a concept referred to as 'Accent Wall 2.0.' This method creates a dynamic feel in any room and can be further enhanced by painting accent shelves and cubby spaces to match, integrating storage with the overall color scheme. The use of mosaics, described as a supersized version of Susan Alexandra's beaded bags, is prevalent throughout the store. Multicolored tiles in various shapes and sizes are employed to craft custom images and patterns, effectively embedding visuals directly into the walls, offering a creative alternative to wallpaper or paint for personalization. Lighting also plays a significant role in the store's design, featuring bespoke elements such as giant fruit sconces and intricate beaded chandeliers. While these are custom creations, the article suggests that antique and modern lighting fixtures can serve a similar purpose in residential interiors, introducing interesting colors and silhouettes that act as bold decorative choices. An example provided is the Matin wall sconce from Hay, illustrating how specific lighting pieces can contribute to a space's overall aesthetic. These design choices collectively offer a blueprint for homeowners looking to incorporate vivid colors, unique textures, and playful elements into their living spaces, moving away from neutral palettes toward more expressive and personalized interiors. #StoreDesign #HomeDecor #InteriorDesign #ColorBlocking #MosaicTiles #LightingDesign #RetailSpace #SusanAlexandra #NewYorkCity

Interior designer Marie Flanigan advocates for expanding the use of tile beyond traditional flooring applications, encouraging homeowners to integrate this versatile material into various parts of their living spaces. Flanigan highlights a growing trend where tile is being reimagined as a stylish design element that introduces texture, color, and design sophistication to areas traditionally not tiled, such as walls, vanities, countertops, and even island countertops. She emphasizes that while tile is conventionally used for floors and practical bathroom surfaces, contemporary design is exploring more unconventional placements to make significant design statements. One key recommendation from Flanigan is to consider unexpected tile placements. This approach involves applying tile to surfaces like accent walls, fireplace surrounds, or even as decorative trims and borders to introduce color or pattern. For example, tiling a fireplace wall can create an instant focal point, particularly when using glossy, reflective materials like zellige tiles, which add a unique pop of texture and visual interest. Whether using neutral, large-format tiles for subtle texture or intricate patterns with smaller, decorative tiles, the visual impact is distinct and difficult to replicate with other materials. While tiling kitchen or island countertops can be a divisive choice due to concerns about grout lines and maintenance, Flanigan suggests that with careful selection and modern design approaches, these applications can remain fresh and stylish, avoiding a dated 1970s aesthetic. Flanigan also encourages the use of handmade and organic tile materials. She suggests exploring options such as hand-glazed ceramics, natural stone, or reclaimed terracotta to infuse warmth, character, and individuality into a space. Handmade tiles are particularly valued for their unique variations in tone, texture, and inherent imperfections, which contribute to a dynamic and artisanal aesthetic. These materials can create a soft, textural feel that enhances the overall ambiance of a room. Finally, Flanigan stresses the importance of playful pattern arrangements with tiles. She notes that current tile trends extend beyond conventional laying methods, focusing instead on creative placement and pattern play with grout lines and grid patterns. Designers are experimenting with changing the orientation of tiles to create diverse patterns like basket weaves, plaids, or stripes, especially in areas like shower surrounds. Vertical striped tiles can visually elongate a shower wall, imparting a sense of height, while horizontal stripes can make a room appear more expansive. A plaid pattern offers a timeless and comforting aesthetic. This creative freedom allows for personalized and modern twists on classic tile applications, making the possibilities for design truly extensive. By embracing these unconventional methods, organic materials, and playful patterns, homeowners can transform ordinary spaces into uniquely designed environments. #TileDesign #InteriorDesign #HomeDecor #MarieFlanigan #DesignTrends #ZelligeTiles #HandmadeTiles #PatternPlay

This blog post from Wickes showcases their extensive range of tiles designed to help homeowners transform their living spaces. It emphasizes the variety of designs, materials, and applications available, catering to diverse aesthetic preferences and functional requirements. The article highlights that tiles can be used to reflect a unique personality and style, suggesting their versatility beyond traditional kitchen and bathroom settings to include hallways, conservatories, and even bedrooms. The content is structured to guide customers through different tile categories and provide helpful advice. It begins by encouraging users to explore various tile options, from intricately patterned floor tiles to sleek, modern designs, all aligned with current trends. The post categorizes tiles by their intended use, such as Bathroom Tiles, Kitchen Tiles, Floor Tiles, Wall Tiles, Outdoor Tiles & Paving, and Wet Room Tiles, making it easier for customers to navigate and find what they need for specific projects. Additionally, it features specialized collections like Boutique Tiles and Mosaic Tiles for those seeking unique or decorative options. Beyond just showcasing products, the article provides practical guidance through a dedicated "Tiling Ideas & Advice" section. This includes a step-by-step guide on "How to tile a bathroom wall," aiming to demystify the tiling process and empower DIY enthusiasts to achieve a professional finish. Another advice piece, "Tiling ideas & advice," offers inspiration for using tiles in various rooms and highlights the aesthetic benefits of incorporating them into home makeovers. The inclusion of a "tile buying guide" further assists customers in making informed decisions by considering factors such as application, desired aesthetic, budget, and maintenance requirements. The blog post addresses frequently asked questions regarding tile installation and selection. It specifically tackles whether it's possible to drill into tiles, providing detailed instructions on the necessary tools and precautions, such as using diamond-tipped drill bits and masking tape to prevent cracking. It also clarifies the different types of tiles available, including ceramic, porcelain, and glass, and explains their respective benefits and suitable applications. For instance, it mentions porcelain and ceramic tiles for durability, contrasting polished variations (beautiful shine, less slip-resistant) with matt tiles (more slip-resistant), and distinguishing between rectified tiles (straight edges for clean lines) and pressed tiles (natural look). Finally, the article lists various tile-related accessories and services offered by Wickes, such as Tile Adhesives, Tile Grout, Tile Tools & Accessories, and Underfloor Heating. It also promotes the availability of Tile Samples, allowing customers to test options before committing to a purchase. The overall aim is to position Wickes as a comprehensive resource for tiling needs, combining product offerings with practical advice and support. #Tiles #HomeImprovement #InteriorDesign #BathroomTiles #KitchenTiles #FloorTiles #WallTiles #TilingAdvice #DIYHome

Alma-nac, a London-based architecture firm, undertook the renovation of Basing Street Rooms, a four-storey Victorian end-terrace house, transforming it into a long-stay hotel comprising guest suites for a record label. The design drew inspiration from the history of the recording studio across the street, abstracting elements from four specific record labels: Island Records, Stiff Records, ZTT, and Sarm. Instead of creating a direct archive, the architects aimed to distill the identity of each label into an abstract visual language, reinterpreting it within the context of the building's history and the functional requirements of the apartments. This approach resulted in a series of unique spaces, each associated with a particular label, while maintaining a common design thread throughout the hotel. Each of the four apartments, situated on separate floors, features a distinct colour theme influenced by record sleeve designs from the nearby studio's archive. All apartments share a similar layout, incorporating a combined living room and kitchen, a spacious bedroom, and a compact bathroom. Extensive rebuilding was necessitated by damage sustained during the Second World War, including the installation of a central plywood staircase, assembled off-site, on the ground floor. The lower-ground floor apartment is adorned with a navy, pale blue, and orange theme. The apartment on the floor above showcases herringbone patterns in shades of yellow, orange, and red in the hallway, extending through the front door. The kitchen in this unit features white cabinetry with red accents, and the wooden cupboards in the bedroom have bright orange-painted interiors. The orange and red herringbone pattern from the floor continues up the wall, encompassing the window seat. A red painted staircase leads to the first floor, with white lettering on each riser gradually spelling out song lyrics from top to bottom. A lighting installation consisting of clear glass bulbs suspended on red electrical cords hangs above this staircase. The first-floor apartment is characterized by shades of pink and red, featuring a glossy black kitchen unit, a dark chandelier, and a pink neon lighting installation on the living room wall. The top floor is decorated with a vibrant palette of bright yellow, white, blue, green, and pink. This apartment includes a yellow kitchen unit in the living space and a yellow lightning bolt tiled into the bathroom's shower wall. Externally, the building's brick frontage is painted blue with a red door and coloured window frames. A large mural on the external side wall depicts various artists who have recorded at the adjacent studio. The project utilized engineered parquet flooring, stained and arranged in detailed plans to define key activity areas within each apartment. Identifiable symbols and words from the record labels were abstracted and integrated into the design; for instance, the Stiff 'S' was reinterpreted as a pixelated lightning bolt, and the multiple misspellings of 'zang tumb tumb' formed a scrabble-board-like tile pattern in a bathroom. Alma-nac collaborated closely with the client and artists, incorporating a mural on the building's side and artwork directly onto internal walls, further embedding the studio's spirit into the hotel. The project successfully combined the building's historical context with a vibrant, music-inspired aesthetic, creating a unique and functional living space for visiting musicians. #ApartmentRenovation #LondonInteriors #HerringbonePatterns #ColourfulDesign #VictorianArchitecture #MusicInspiredDesign #BoutiqueHotel #InteriorDesign #AlmaNac

Designers are increasingly moving away from traditional, subdued tiling options, embracing bold colors, unique patterns, and varied textures to create distinctive interior spaces. This shift challenges the conventional use of standard subway tiles in kitchens and bathrooms, encouraging homeowners to infuse their personal style and vibrant hues into their living environments, even on floors. Katie Deedy of Grow House Grow, known for her narrative-inspired wallpapers, has successfully transitioned into designing cement tiles. Her Cuban heritage influenced her desire to create tiles reminiscent of those seen in family photos, but with a contemporary twist. While initially aiming for wallpaper-matching tiles, she adapted her designs to the tile format, exemplified by her cephalopod-inspired Captain Smith tile, which mirrors her best-selling wallpaper. The brand continues to prioritize nature-inspired themes, as seen in their three new tiles and the popular Otomi collection, featuring animal and floral folk art. These tiles are predominantly used on floors but are also gaining traction for backsplashes and walls, creating cohesive, patterned nooks in bathrooms. Artistic Tile, in collaboration with Michael Aram, also presents nature-inspired designs. Their Orchid Dimensional collection, a 2017 Interior Design magazine award winner for Best Wall Covering, combines innovation with natural stone. This collection showcases crystalline white Thassos marble flowers emerging from polished Bianco Carrara marble, offering a sophisticated and seductive aesthetic. Color is a significant trend, with Artistic Tile embracing vibrant palettes and mixed materials in their designs. Rachel Adler, a representative for the brand, highlights their new Fan Club mosaic glass design, which features a captivating blue ombre colorway. This design is suggested for adding a touch of elegance to wet bars or as a striking feature wall. Popham Design’s ceramic tile collection also emphasizes rich colors and playful patterns. Design editors, including Tori Mellott of Traditional Home Magazine, recommend these graphic tiles for entryways, noting their ability to set the mood and convey the homeowner's personality—whether formal, playful, artsy, or busy. Encaustic tiles, in particular, are praised for their individuality in entryways. Elle Decor editor-in-chief Whitney Robinson is particularly fond of India Mahdavi’s pink-driven collection for Bisazza, suggesting it for creating a personalized and cheerful washroom. Robinson argues that while bathrooms are utilitarian, they are also frequently visited spaces that should evoke happiness. Pink tiles, she notes, also have the added benefit of making skin appear radiant. Customization is another growing trend, allowing homeowners to create truly unique tile designs. Sarah Watson, founder of Balineum in England, specializes in small-batch custom orders. Her Hanley collection offers ceramic tiles in a dozen hand-mixed solid-color glazes, and clients can request custom glaze colors to match specific Pantone references, fabrics, or wallpapers. Watson highlights the passion customers have for finding the perfect hue, citing an instance where two brothers requested slightly different shades of blue for their shared bathroom. She suggests arranging custom tiles in graphic patterns like chevron to enhance their uniqueness. For those seeking texture and dimension, Granada Tile’s new Relief collection, launched after extensive development, masterfully combines color with unexpected tactile elements. Melanie Stephens, director of design and marketing, explains that these tiles achieve a tone-on-tone effect by contrasting a highly polished top surface with the matte finish of indented areas. Each pattern is available in four colors from Granada’s 40-color palette, with certain designs, like Tangalle, lending themselves to specific earth and rock tones. Textured tiles are also used to create futuristic and dynamic wall statements. The Tile Shop’s Yara Metal hex ceramic wall tile series, available in metallic black, silver, or white with a 3D geometric pattern, adds a reflective and conversational element. Pittsburgh designer Lauren Levant champions sculptural wavy tiles from Porcelanosa, emphasizing how textured tiles, made from materials like natural stone, porcelain, wood, metal, and glass, can introduce depth and allow light to interact beautifully with the surface. Even the classic subway tile receives a modern update. San Francisco designer Jon de la Cruz, known for the 2017 House Beautiful Kitchen of the Year, recommends Fireclay Tile’s handmade glazed thin brick. These recycled brick tiles offer texture and rich, saturated colors that suit both traditional and modern aesthetics, making them ideal for kitchen backsplashes and fireplace surrounds, adding a subtle patina while maintaining a clean and fresh look. The abundance of colorful and textural tile options makes decorating exciting, with the primary challenge being deciding where to begin. #TileDesign #HomeDecor #InteriorDesignTrends #CementTiles #NatureInspiredDesign #ColorPalette #CustomTiles #TexturedTiles #ModernTiling

In a unique blend of interior design and historical commentary, Lithuanian design studio Gyva Grafika has reimagined a restaurant bathroom in Kaunas by transforming its walls into a homage to Soviet-era panel buildings. The project emerged from a challenge to redecorate a bathroom without removing existing brown tiles, which serendipitously resembled the facades that defined the urban landscapes of the former USSR. This innovative approach capitalizes on the growing phenomenon of Soviet nostalgia, which has seen a resurgence in various forms across the region. The design solution involved creating custom stickers from photographs of windows found on actual Soviet-style apartment blocks in Gyva Grafika founder Tadas Šimkus’s childhood neighborhood. These stickers were meticulously applied to the existing tiles, effectively turning each tile into a concrete panel complete with windows, and occasionally, glimpses of everyday life such as laundry hanging to dry. When arranged and stacked, these individual tiles collectively form the recognizable facade of a typical panel building, complete with the subtle imperfections and human elements like faces and cats “accidentally shot with a camera,” which Šimkus notes are an integral part of these structures. The inspiration for this distinctive design concept struck Šimkus during a moment of introspection, highlighting how everyday observations can lead to creative breakthroughs. The restaurant owners were reportedly very pleased with the outcome, as has been the clientele, who have shown their appreciation for the novel decor, sometimes even peeling off the stickers. The project's success and the significant attention it garnered have prompted Gyva Grafika to expand its offering, making these “Urban Soviet” designs available for purchase. The studio plans to sell both sticker versions and actual tiles with direct UV printing, allowing others to incorporate this nostalgic aesthetic into their own spaces. This initiative also carries a deeper, bittersweet significance. As many of these actual panel buildings are undergoing renovation or facing demolition due to EU-sponsored projects, the designer tiles serve as a means to preserve and commemorate a vanishing architectural style. It offers a “proper goodbye” to a ubiquitous form of housing that shaped the lives and memories of millions across the Eastern Bloc. The project transforms a mundane space into a conversation piece, blending art, architecture, and cultural memory, and demonstrating how design can both reflect and influence contemporary trends and historical remembrance. #SovietNostalgia #InteriorDesign #ArchitecturalHomage #LithuanianDesign #PanelBuildings #GyvaGrafika #BathroomDecor #UrbanSoviet

Studio RAP, a Dutch architectural practice, has completed an innovative project named 'New Delft Blue' which integrates computational design and fabrication with traditional ceramic craftsmanship. The installation serves as an entrance to a residential building block in Delft, a city in the western Netherlands renowned for its historical blue and white pottery production. The project was developed in collaboration with Dutch ceramics manufacturer Koninklijke Tichelaar and aims to redefine ceramic ornamentation in contemporary architecture. New Delft Blue consists of two large entry gates, each measuring approximately four meters in width, eight meters in height, and twelve meters in depth. These gates are situated at the entrance of the PoortMeesters residential building block, part of the larger Nieuw Delft urban redevelopment project. The design is a modern reinterpretation of traditional Dutch city gates and pays homage to Delft's medieval trading history, enveloping a public staircase while also serving as a visual and functional threshold. The design draws inspiration from the aesthetic principles of traditional Delft Blue porcelain plates, which have evolved from replicating Chinese and Japanese patterns to incorporating Dutch motifs. A consistent feature in these plates is the contrast between intricate, nature-inspired frames and serene, picturesque scenes. Studio RAP translates this concept into the New Delft Blue installation, with the gates acting as three-dimensional frames that feature algorithmically generated, nature-inspired patterns. These patterns are designed to guide visitors from the public area into the semi-public courtyard, symbolizing a transition into an idyllic oasis. Studio RAP utilized algorithmic design to address the manufacturing constraints inherent in creating a large-scale curving surface. The geometric design of the tiles carefully incorporates parameters such as maximum overhang, width, height, depth, shrinkage, and internal support structures. This meticulous approach results in a fluid and sculptural composition that resembles a three-dimensional painting. A translucent blue glaze is applied to the surface of these 3D-printed modules, enhancing their visual impact. The glazing technique accentuates the convex contours with a light blue hue, while the concave sections feature deeper blue glaze pools. This creates a dynamic interplay of colors and textures, reflecting the city's canals and its famous porcelains, and is further enhanced by the contrast with the surrounding earth-toned brickwork. #StudioRAP #NewDelftBlue #3DPrinting #CeramicTiles #Delft #ComputationalDesign #ArchitecturalInnovation #PublicArt #TraditionalCraft

Heath Ceramics, renowned pottery makers, has introduced 'Mural,' their latest addition to a series of pre-configured tile pattern combinations. The inaugural design within this series is named 'Twill,' which incorporates the 'Little Diamond' shape from their 'Dwell Patterns' collection. This unique pattern is distinguished by its use of six distinct glazes, creating a multidimensional and visually intricate effect. The combination of these glazes is carefully curated to produce a mind-tripping aesthetic, where the interplay of colors and textures adds depth and complexity to the overall design. The Twill pattern is available in eight different color ways, each meticulously designed to offer a dynamic configuration. These color ways integrate both matte and gloss finishes across the six glazes, allowing for a varied sensory experience. The glazes are strategically applied to enhance the multidimensional aspect of the tile, with each color way presenting a unique visual narrative. The inclusion of both matte and gloss elements ensures that the tiles not only offer a diverse visual appeal but also a tactile richness. Among the eight available color ways, several notable options are presented, each with its own distinct character. 'Arctic' offers a cool and serene palette, evoking images of icy landscapes. 'Rhythm' suggests a more energetic and flowing visual, possibly through a harmonious arrangement of colors and finishes. 'Yarrow' likely features a warm and earthy tone, drawing inspiration from natural hues. 'Alabaster' provides a classic, subtle, and perhaps luminous option, indicative of its namesake material. 'Black Walnut' hints at a deeper, richer color scheme, possibly incorporating dark and sophisticated tones. Further options include 'Tide Pool,' which might display a blend of blues and greens, reminiscent of shallow ocean waters. 'Old Growth' could feature colors and textures that evoke ancient forests, suggesting a natural and weathered aesthetic. Lastly, 'Denim' points to a familiar, comforting blue, possibly with a textured finish that mimics the fabric. These diverse color ways demonstrate the versatility of the Twill pattern, allowing it to adapt to various interior design styles and preferences. The introduction of Mural and its Twill pattern underscores Heath Ceramics' commitment to innovation in tile design, blending traditional craftsmanship with contemporary artistic vision. The multidimensionality achieved through the careful selection and combination of glazes and shapes offers a new avenue for interior designers and homeowners to create visually engaging and sophisticated spaces. The article highlights the intricate details and thoughtful design process behind these new tile patterns, providing insight into the aesthetic considerations and technical execution. #HeathCeramics #MuralTile #TwillPattern #TileDesign #InteriorDesign #HomeDecor #MultidimensionalPattern #CeramicGlazes #DwellPatterns

This article presents an in-depth conversation with architect Bjarke Ingels, marking nearly ten years since his last interview with Archinect. The discussion focuses on BIG's extensive work in 3D printing and its implications for the architectural profession, as well as the emerging role of artificial intelligence in design. The interview begins by exploring BIG's latest collaboration with construction technology specialists ICON: a collection of pre-designed, 3D-printable homes for ICON's new CODEX catalog. Ingels details the philosophy behind these designs, which originated from investigations into how single-family homes could leverage 3D printing technology. He explains the three distinct collections within CODEX: the 'Storm' collection, featuring hurricane-resistant designs; the 'Fire' collection, offering resilience against wildfires; and the 'TexNext' collection, reimagining traditional Texan typologies like shotgun and porch houses through a 3D printing lens. These collections aim to provide affordable, customizable housing solutions that respond to specific environmental challenges and regional aesthetics. The conversation then delves into how previous 3D printing projects, such as the Mars Dune Alpha simulation habitat, the hospitality project with Liz Lambert, and the 100-home Wolf Ranch development, have informed BIG's approach to the CODEX collection. Ingels highlights that these earlier experiences demonstrated the potential for organically delivering large-scale communities. The traditional method of viewing demonstration homes and purchasing a plot for later construction is contrasted with the efficiency of having 3D printers on-site, capable of delivering a wider variety of customized homes on demand. This approach, termed 'home delivery on-demand,' offers increased customization for a broader audience and can be applied to both large developments and individual plots. Ingels also discusses the specific circumstances where 3D printing offers advantages over conventional construction methods. He points out that innovations driven by the challenges of building on the Moon and Mars, such as ICON's new robotic arm printers, are now yielding benefits for Earth-bound construction. These advanced printers can create taller, more complex structures with reduced site preparation, increasing quality and speed while lowering costs. For the immediate future on Earth, low-rise structures, particularly single-family homes, are best suited to leverage 3D printing's benefits, including effortless customization and freedom of form, which represent significant improvements over traditional methods. Furthermore, the article explores the concept of new business models for architects. Ingels suggests that the product-based model, exemplified by CODEX, allows architects to refine and improve their designs over time, similar to product manufacturers. This contrasts with the traditional service-based model where each project starts from scratch. He envisions a future where architects could generate ongoing royalties from their intellectual property, even after retirement, as seen with his co-founded design practice, KiBiSi. This product-oriented approach also enables continuous feedback and iteration, leading to enhanced quality and efficient delivery. Finally, the discussion addresses the impact of artificial intelligence on architectural practice. Ingels reflects on the progression of design tools, from crayons to rulers to mice, each offering new possibilities while requiring a shift in control. He posits that AI represents the next evolution, allowing young designers to leverage a creative force comparable to that of a large, experienced team. AI eliminates barriers to entry for delivering complex visions with precision and skill, much like modern digital camera technology has democratized film production. Ingels expresses excitement for architecture-focused AI systems like ICON's 'Vitruvius,' acknowledging that while these technologies are in their early stages, their rapid pace of improvement, driven by global collaboration and learning, promises a future of immense potential for the architectural profession. #BjarkeIngels #BIG #ICON #3DPrinting #ArchitecturalInnovation #ArtificialIntelligence #HomeDesign #SustainableArchitecture #FutureOfArchitecture

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt