A Modern Colonial Home: Daniel Yun’s Black-and-White Masterpiece

Yuan Architects has designed a new home, named "Lan Villa," located in Taipei's mountainous Xindian district. This 2,390-square-foot residence features a prominent central, curved wall that ascends through all three stories, mirroring the surrounding natural landscape visible through expansive glass windows on the back facade. The wooden-slatted wall begins on the ground floor, where a kitchen, dining area, and a large deck are situated, and continues its upward sweep, following the two staircases to the uppermost floor, which houses the bedrooms. The second level of the home contains the main entrance and a mezzanine. The architectural design emphasizes a connection between the interior living space and the outdoors. The curved wall serves as a dynamic element that captures and reflects the seasonal changes occurring outside, including variations in light and color from the rolling hills. This interaction creates shifting light patterns and hues within the living areas, integrating the natural environment into the home's aesthetic and experience. Yuan Architects describes this bowed wall as a representation of "the flow of life through an architectural structure," highlighting its role as both a collector of external visual elements and an interface for the interior living experience. The design successfully merges modern architectural principles with an appreciation for nature, providing residents with a continuous visual and atmospheric link to their mountainous surroundings. The choice of wood for the wall's cladding further enhances this connection, adding a natural and warm texture to the contemporary structure. The home's layout, with different functional areas spread across the three levels, is unified by this central architectural feature, creating a cohesive and visually striking interior. The project exemplifies how thoughtful design can integrate a building with its specific geographical and environmental context, offering a unique living experience that responds to its location in Taipei's Xindian district. The focus on a singular, dominant architectural element, the curved wall, defines the home's character and its relationship with the outside world. #YuanArchitects #LanVilla #TaipeiArchitecture #CurvedWallDesign #ModernHomeDesign #ArchitecturalInnovation #WoodArchitecture #InteriorDesign #MountainViewHome

This article explores the tranquil and thoughtfully designed home of Dave Wheaton and Melodee Meyer, founders of Martial Arts Family Fitness in Santa Barbara. The property, located at 1825 Stanwood Drive, is characterized by its seamless integration of indoor and outdoor spaces, reflecting a 'zen sanctuary' aesthetic that is both contemporary and influenced by Eastern designs. The house sits on an acre of land, featuring two distinct entrances. One entrance off Stanwood Drive includes a bridge over a stream leading to the front door, while another off Conejo Road features a wooden gate, bamboo fence, and Chinese dragon statues, opening into a lush courtyard with a bubbling stone fountain. This courtyard, with its fern-filled landscape, serves as Melodee's personal tropical retreat, inspired by her and Dave's time in Hawai‘i. Throughout the grounds, stone statues, many sourced from Bali, are strategically placed, enhancing the unique and serene outdoor environment. Inside, the home opens with a double-high glass front door, complemented by an original light fixture from The Biltmore hotel, leading into a red-walled foyer. Three steps descend into a spacious yet cozy living room, distinguished by vaulted ceilings, skylights, an elegant gray fireplace, and expansive floor-to-ceiling windows. Hidden features, such as a painting that slides away to reveal a television screen and a climate-controlled wine cellar concealed behind a closet door, demonstrate a blend of artistic design and practical functionality. The kitchen and its adjacent dining area are designed for entertaining, featuring bamboo floors that extend from the living room. The kitchen is equipped with stainless-steel appliances, soapstone countertops, a long breakfast bar, and a large island, all accented by a subway-tiled backsplash, dramatic lighting, and a red accent wall that ties into the entryway's color scheme. The master bedroom suite, located in a separate wing on the first floor, offers luxurious amenities, including 'his and hers' closets, a bathroom with a Jacuzzi tub, a cozy window seat, and a redwood sauna. A private deck accessible from the master suite features a hot tub, ideal for stargazing. The upper level provides additional family space or office options with two more bedrooms and bathrooms. The home encompasses a total of three bedrooms and three and a half bathrooms, incorporating modern upgrades like solar power and radiant floor heating, alongside practical elements such as a conveniently located laundry room near the master suite, all contributing to an effortlessly enjoyable living experience. The outdoor spaces are a significant highlight, featuring winding paths through succulent gardens, past boulders, and various fruit trees, including persimmon, pomegranate, and avocado. The multi-level grounds are meticulously landscaped with walls and pathways, creating secluded nooks and hideaways perfect for relaxation. Several gazebos and a pergola offer additional shaded areas, while a stairway leads to a private spot by the creek. A large, terraced outdoor dining area, conveniently situated near the kitchen, is designed for extended use throughout the year. A walled alcove with seating around a gas fire pit provides an intimate setting for social gatherings. The property at 1825 Stanwood Drive is presented as a distinctive sanctuary, currently available for sale through Bartron Real Estate Group of Berkshire Hathaway HomeServices California Properties. #HomeDesign #ZenSanctuary #SantaBarbaraRealEstate #MartialArtsFamilyFitness #OutdoorLiving #ContemporaryDesign #AsianInfluences #LuxuryHome

Dunya Home Design, based in Huntingdon Valley, is revolutionizing the surface material industry with its focus on unique luxury products. The company's name, 'Dunya,' which means 'world' in Arabic, reflects its broad vision for innovative design solutions. Chief operating officer Mike Sobolewski highlights that Dunya's product offerings significantly distinguish them from competitors, aiming to establish the brand as the leading U.S.-based company for distinctive surface solutions, driven by an essence of exclusivity. A key product in Dunya's portfolio is FLEXMARBLE, a groundbreaking surface technology crafted from 100% real crushed marble. This material maintains the authentic texture and visual richness of natural stone but introduces an unprecedented level of flexibility. This characteristic allows architects and designers to apply marble to curved walls, columns, and other unconventional architectural elements, thereby expanding the creative possibilities for incorporating marble's classic aesthetic into modern design. Sobolewski emphasizes that FLEXMARBLE is currently exclusive to Dunya in the U.S., making it a unique, customizable, and flexible stone technology. Once installed and sealed, it is designed to offer lasting beauty coupled with easy installation and adaptability. Beyond FLEXMARBLE, Dunya Home Design continues its commitment to innovation across its product range. The company has recently launched Stone Polymer panels, which are waterproof, UV-resistant, and highly durable. These panels are suitable for diverse applications, from high-humidity environments like spa bathrooms to exterior facades. Dunya is also in the process of introducing a real brick veneer alternative and is actively developing new lines, including stairs, railings, contemporary doors, and aluminum siding. Sobolewski states that every product from Dunya is developed with the intention of disrupting the design world, addressing a perceived stagnation in surface material innovation. The company's showroom is designed to be an immersive experience, functioning more as a creative studio than a retail space. It features full-scale wall installations and carefully arranged vignettes, inviting clients to interact directly with the materials. This setup allows customers to physically touch, view, and envision how these surfaces can transform their spaces, moving beyond simple samples to a more comprehensive understanding of the products. This experiential approach fosters a deeper connection with the design possibilities Dunya offers. Client support is a core component of Dunya's service model, extending well beyond the showroom. The company provides extensive support, including design consultations, digital mockups, installation guidance, and training programs. This ensures that architects, interior designers, and homeowners receive comprehensive assistance throughout their projects, fostering a sense of partnership and commitment. Sobolewski notes that Dunya considers its clients and supporters as an extended family, aiming for this sentiment to be evident in every interaction. The company's future objectives are ambitious, with a stated goal to not merely meet industry standards but to completely redefine them. Through products like FLEXMARBLE and its expanding range, Dunya is actively shaping new ways of experiencing surface materials in interior and exterior design. #DunyaHomeDesign #InteriorDesign #SurfaceMaterials #FLEXMARBLE #StonePolymerPanels #ArchitecturalInnovation #LuxuryDesign #HomeRenovation #DesignTrends

In the city of Sihui, located in China's Guangdong province, the Poly South China’s Landscape Mansion development features a model villa designed by ONE-CU Interior Design Lab. Sihui, whose name translates to "for and convergence," is positioned at the confluence of the Xijiang, Beijiang, Suijiang, and Longjiang rivers, a geographical detail that subtly influences the design philosophy of the villa. This 3,000-square-foot residence, encompassing four bedrooms and five bathrooms, serves as a bridge between ancient Chinese traditions and modern 21st-century living. The design ethos of the villa is deeply rooted in reinterpreting traditional Chinese gardens and philosophical concepts. Creative director Huang Jianfeng highlights the integration of 'Fangyuan,' or the culture of Square and Round from ancient China, into the furniture shapes. This principle manifests in the use of simple forms and materials that exude affordable luxury. Screens are strategically employed as dividers within social spaces, echoing the traditional garden practice of creating defined, intimate areas. Similarly, windows are framed by abundant greenery and meticulously placed bonsai trees, bringing the natural world indoors and reflecting the tranquility of classic Chinese landscapes. The interior palette is largely monochromatic, relying on texture and subtle decorative elements to create visual interest and depth. For instance, the kitchen and dining area showcase a sophisticated interplay of textures, with marble on the island contrasting with both matte and glossy floor tiles. This approach aligns with the designer's stated admiration for Tadao Ando's belief that austere architecture can deeply resonate with people. The design team aimed to evoke an emotional connection while simultaneously catering to the refined tastes and desire for a leisurely lifestyle prevalent among the new urban elite. Throughout the villa, specific design choices underscore this blend of old and new. The living space is defined by a full-height grille, complemented by oak-and-rattan seating and a ceramic stool featuring auspicious cloud patterns, hand-carved in Chaozhou City. The monumental staircase is crafted from wire-brushed oak and features bronzed steel handrails, combining natural warmth with industrial elegance. Bedrooms continue this theme: a child's room on the second floor boasts an oak bed with leather upholstery and a brass hanging chair, while another features a solid oak bed with a metal frame and walnut-topped side tables with fabric plant bags. A first-floor bedroom includes a woven rattan headboard, flanked by marble and bronze side tables. The master bedroom on the third floor is notable for a custom screen with auspicious cloud patterns, enveloping an oak-and-leather bed. The master bath is equipped with modern fixtures from Kohler, showcasing a blend of traditional aesthetics with contemporary functionality. This model villa stands as a testament to a harmonious convergence of ancient cultural heritage and modern design sensibilities. #ChineseDesign #ModernVilla #InteriorDesignLab #SihuiArchitecture #MonochromaticPalette #LuxuryInteriors #TraditionalReinterpretation #ResidentialDesign

Casey Neistat, a YouTube vlogger known for his dynamic, fast-paced content, and Candice Pool, founder of the fine jewelry companies Billy! and Finn, have created an urban sanctuary in their high-rise Battery Park City apartment. Eschewing the typical chaotic loft living often associated with creative New Yorkers, the couple sought to establish a tranquil, homey environment that contrasts sharply with Neistat's bustling SoHo office. Their goal was to find a suburban-like peace within the city's confines, a desire that became increasingly important as they grew their family. Working with New York City-based designer Daun Curry, who had previously designed showrooms for Pool’s jewelry brands, Neistat and Pool transformed their three-bedroom, three-and-a-half-bath apartment into a serene retreat. The couple explicitly wanted to avoid a stark, impersonal 'white box' aesthetic, which Pool, a former West Village resident, found unappealing. Curry addressed this by introducing dynamic layers and a sense of history into the modern condo space. One notable design choice was the application of matte-black wainscoting and painting everything below the window sills in the same dark shade. This technique visually grounds the space, drawing attention to the apartment's expansive views of the Hudson River while creating an illusion of depth and lowering the perceived floor level. The interior design adopted a 'Bohemian Aristocrat' theme, characterized by a 'laid-back luxe' aesthetic. The living room, for instance, features a large, comfortable Belgian linen sofa from Restoration Hardware, adorned with embroidered textiles from ABC Carpet & Home and a faux-fur throw from Barneys New York. This blend of comfort and subtle luxury is complemented by a diverse art collection, including a leopard photo by Caroline Gibello—a nod to Pool's South African heritage—a custom painting by Shantell Martin incorporating their initials, and a pastoral painting discovered during a stay at the Ocean House Hotel in Rhode Island. A gold skateboard sculpture, a Father's Day gift from Pool to Neistat, serves as a unique personal touch. The apartment's layout, which Neistat and Pool describe as perfect, provides distinct areas within an open floor plan, offering both spaciousness and defined living zones. Practical amenities, such as on-site laundry, further contribute to the suburban feel desired by the couple as parents of a toddler with another child on the way. Clutter avoidance was a key principle in their design philosophy, with Pool emphasizing that expanding square footage does not equate to expanding hoarding habits. Built-ins in the bedroom and the removal of excessive cabinetry from previous owners underscore their commitment to a calm, neat living space. Ultimately, the apartment has achieved its purpose: providing a genuine sense of home and belonging in New York City, a sentiment Neistat describes as a profound shift from merely surviving to truly living in the city. #CelebrityHomes #ApartmentDesign #InteriorDesign #NewYorkCity #ZenLifestyle #HomeDecor #UrbanRefuge #DesignerCollaboration #BohemianAristocrat

Local House, completed in 2022, is a contemporary and sustainable residence situated within the historically significant Mount Eagle Estate in Eaglemont, Australia. Designed by Zen Architects, the project reinterprets the architectural character of the suburb while integrating seamlessly with its meticulously landscaped environment. The Mount Eagle Estate, originally planned and designed by Marion Mahoney and Walter Burley Griffin in 1915, is known for its winding roads and community parklands that follow the natural topography, with dwellings designed to be secondary to the natural landscape. The Griffins, proponents of modern architecture, advocated for designs free from stylistic precedents. This historical context informed the architectural approach for Local House, adhering to the estate's guidelines which encourage modern designs while complying with heritage, landscape, and vegetation protection overlays. The residence spans 214 square meters and was constructed by CBD Contracting Group. Key materials used in its construction include wood, concrete, and brick, contributing to its sustainable and contextual design. The architectural team was led by Ric Zen as the Design Architect, with Luke Rhodes as the Project Architect, and Madeleiene Ingham and Sanderson Bell serving as Architectural Assistants. OPS Engineers provided the engineering expertise for the project. The design prioritizes harmony with the natural surroundings, a core principle of the Mount Eagle Estate. This is evident in the integration of the house with its garden and facade, featuring numerous windows that allow for ample natural light and views of the landscape. The interior spaces are designed with a focus on natural materials, incorporating wooden elements, exposed beams, and thoughtful layouts that enhance functionality and aesthetic appeal. The presence of large windows throughout the house, including in living areas, bedrooms, and bathrooms, highlights the connection between indoor and outdoor environments. Courtyards and patio areas further extend the living space into the garden, providing opportunities for outdoor enjoyment and interaction with the natural setting. Interior photography showcases various rooms, including living areas with wooden tables and chairs, a kitchen with contemporary countertops and shelving, and bedrooms designed for comfort and natural light. The bathroom features modern fixtures and large windows, reinforcing the bright and open aesthetic. The overall design emphasizes a minimalist yet warm ambiance, achieved through the careful selection of materials and the strategic use of natural light. The project successfully balances modern architectural principles with the historical and environmental sensitivities of the Mount Eagle Estate, creating a dwelling that is both innovative and respectful of its unique context. #ResidentialArchitecture #SustainableDesign #ModernArchitecture #MountEagleEstate #ZenArchitects #Melbourne #Australia #ContemporaryHouse #EnvironmentalIntegration

The article details the story of Jean Charlot, a French American muralist who, despite initially intending to complete a commission and leave, made Hawaii his permanent home after arriving in 1949. His artistic journey evolved in Hawaii, shifting from interpretations of Catholicism and Mexican Indigenous traditions to a profound focus on nature, influenced by the native Hawaiian worldview where the spiritual and material worlds are interconnected through elements and daily life. This appreciation for the islands profoundly influenced his art and subsequently, his home design. Charlot's home, built in 1958 near Kahala Beach in Honolulu, was a collaboration with local architect George “Pete” Wimberly. This 2,856-square-foot, two-story dwelling, primarily constructed from redwood and concrete bricks, reflects Charlot's artistic sensibilities and his deep connection to Hawaii. The design intentionally integrates the outdoors, featuring elements like a cantilevered wood table extending from the dining room to a lanai, blurring the lines between indoor and outdoor living spaces. Walls covered in dried _hāpuʻu_, an endemic fern, and a large fresco depicting tropical foliage further enhance the home's natural aesthetic. Despite being in a neighborhood now dominated by larger residences, the Charlot House is noted for its modest yet elegant tropical Modernist design. Wimberly, an accomplished architect in this style, shared Charlot’s commitment to organic building materials and passive cooling strategies, orienting the house to utilize cross breezes. The home's design incorporates local Hawaiian concepts, with spaces divided into _mauka_ (mountain-facing) and _makai_ (sea-facing) areas, creating a dynamic sense of movement and connection to the landscape. A dramatic reveal upon entry, through a long driveway to a stately front door with Charlot's tile mural, leads into a deceptively cavernous interior. The house served as a vibrant cultural hub where Charlot and his wife, Zohmah, entertained a wide circle of artists. Their home was adorned with art from friends like Max Ernst and José Clemente Orozco, alongside Charlot’s own works, including sketches for the numerous Hawaiian murals he would complete for local institutions. A wraparound cork wall in his upstairs studio showcased his creative process. In 2001, the family gifted the house to the University of Hawaii at Manoa, ensuring its preservation and preventing demolition or significant alteration. In June 2022, the house was returned to the family, who remain dedicated to safeguarding its cultural significance. The home is further enriched by Charlot's hand-painted ceramic tile petroglyph friezes, featuring 167 tiles of Hawaiian-inspired figures and dogs, strung across both interior and exterior spaces. These friezes, along with other multicultural elements like Mexican-inspired brick floors and Papua New Guinean masks, underscore the artist’s profound kinship with his adopted home. The house, through its design and artistic elements, not only enshrines a bygone era of Hawaiian architecture but also consistently reinforces its primary purpose: to be a home that celebrates the spirit of Hawaii and its people. #JeanCharlot #HawaiiArchitecture #TropicalModernism #HonoluluHome #ArtistHome #MidCenturyDesign #CulturalPreservation #Muralist

Designer David Netto recounts his experience transforming a 1930s Colonial-style house in Connecticut for a young family who moved from New York City. The house, initially described as sweet but unfortunately 'juiced' with additions like wings and dormers, retained its intimate scale and a charming pastoral view of a field with sheep. Netto observed that the house, in its initial state, reflected the clients' potential, still awaiting full realization. The clients, described as gracious and enthusiastic, presented a dynamic duo: the wife, a natural and gentle hostess, and the husband, a successful commercial real estate advisor with a strong sense of humor, stemming from his early career experiences with Leona Helmsley. Initially, Netto focused on respecting the established budget, which led to presenting standard showroom furniture options. However, an inflection point arose when the wife expressed a subtle disappointment, prompting Netto to set aside budget constraints and present his most ambitious and desired design ideas. This shift in approach marked a turning point in the project, allowing for the incorporation of exceptional and unique pieces. The house now features exquisite furniture such as a 1930s parchment cabinet in the living room and a Francois-Xavier Lalanne bird-shaped table. High-end finishes were introduced, including a reclaimed stone floor in the sunroom and French limestone mantels sourced from Europe. A Picasso plate is mounted in the stair hall, juxtaposed with a canoe paddle, highlighting a blend of high art and rustic elements. The project saw a second significant development with the involvement of architect Sam Mitchell. Recognizing that a simple paint job wouldn't suffice for the desired transformation, Netto brought Mitchell in for spatial reinvention. Mitchell reorganized the kitchen wing and designed an oak-paneled master bath with a limestone cabochon floor, described as one of the most beautiful Netto had ever seen. Mitchell also integrated vintage farmhouse beams into the family room, making it appear as if they had always been there. For the poolhouse, Netto envisioned a California-inspired, movie-star decadent aesthetic, which Mitchell perfectly interpreted, complementing the Colonial main house. The surrounding garden was designed by Tim Paterson and Ahmad Sardar-Afkhami. Netto employed a 'high-low' design philosophy, combining the exquisite finds from the 'Yes Day' with more accessible items discovered at Friday night auctions at Stair Galleries and during a bonding trip to Hudson to fill remaining gaps. This approach allowed for a balance of luxurious and more budget-friendly elements, fostering a collaborative spirit with the clients. A memorable moment from a road trip involved rescuing a turtle from the road, symbolizing the unexpected and intimate experiences that arise during such projects. Ultimately, the client's perspective underscores the success of the design: the house is described as comfortable, cool, and elegant. This is humorously exemplified by the Lalanne bird table, frequently covered in Legos with a note from their daughter, emphasizing the lived-in and family-friendly nature of the sophisticated space. The article was originally featured in the July/August 2020 issue of VERANDA, with interior design by David Netto, architecture by Sam Mitchell, and landscape design by Tim Paterson and Ahmad Sardar-Afkhami. #ColonialHouse #InteriorDesign #ConnecticutHome #LuxuryDecor #HomeTransformation #ArchitecturalRenovation #HighLowDesign #FamilyHome #DavidNetto

This blog post showcases the transformation of a 1915 Colonial Revival home in New Jersey, where designer Michael Maher skillfully blended historical charm with modern vibrancy. Following a significant addition that nearly doubled its original footprint, Maher implemented a gutsy color palette, wallpapered ceilings, and graphic painted floors to create a seamless and refreshed interior. The entrance features a visually engaging geometric pattern on the painted floor, complemented by a banquette in a Kravet stripe and 1940s French sconces, with walls painted in Farrow & Ball’s Parma Gray. The spacious foyer, connected to the dining room, serves as a functional and welcoming area. It includes an extra table for large gatherings, a banquette, and a wing chair, with an English round table from Balsamo and an armchair in a Colefax and Fowler print. The lighting is enhanced by a Charles Edwards pendant. The kitchen adopts a layered neutral scheme, with walls in Benjamin Moore’s Jute and cabinetry and trim in Farrow & Ball’s Hardwick White. It is equipped with a custom Waterworks sink and Vermont Danby marble countertops. Hickory Chair stools, upholstered in Larsen leather, and a Visual Comfort chandelier, matching one in the adjacent breakfast room, complete the look. Ann Sacks floor tiles add a refined touch. In the breakfast room, a 19th-century English pine mantel from Chesney’s anchors the space, while vintage Swedish chairs are painted in Farrow & Ball’s Hague Blue, contrasting with walls in Old White. Kilim rugs from Double Knot add warmth and texture. A highlight is the butler’s pantry, designed with a focus on color, pattern, and intricate details. It boasts glossy cabinetry and millwork in Farrow & Ball’s Hague Blue, Pomegranate wallpaper by Galbraith & Paul, and a mahogany countertop with brass banding and a copper sink, featuring a Perrin & Rowe faucet. The study, known as the Dukes Room, incorporates a Thibaut wallpapered ceiling and walls in Farrow & Ball’s Lichen, with a vintage Italian sofa covered in Lee Jofa fabric. The windows are left bare to emphasize the original architecture, and the room is furnished with a Visual Comfort pendant and Stark carpet. An antique secretary cabinet in the study showcases a collection of British commemorative cups. The dining room, located in the new wing, incorporates elaborate dentil moldings to harmonize with the home’s original architectural style. It is designed for comfortable entertaining with good lighting, comfortable chairs, and a five-foot-wide table. A personalized touch is added by a mural painted by Marylyn Modny, depicting the clients’ daughter within a historic New York Harbor scene, created in grisaille and including subtle details like the family’s children and dog. The living room is striking with its custom canary-yellow lacquered walls by Stephen and Lisa Longworth, creating a warm ambiance and complementing a palette of blue, coral, and ocher, especially luminous at night. Furnishings include an Ebanista sofa with Lee Jofa fabric pillows and curtains, and a Plexi-Craft cocktail table. The master bedroom is designed as a serene retreat overlooking the woods. Walls are wrapped in a mushroom silk from Phillip Jeffries, and the bed is adorned with a large-scale ikat in purple and pale blue from Carleton V, complementing a custom headboard. Curtains in Pierre Frey linen, a Vaughan sconce, and a Christopher Spitzmiller lamp enhance the luxurious and tranquil atmosphere. #NewJerseyColonial #HomeRenovation #InteriorDesign #ColorPalette #MichaelMaher #HistoricHome #WallpaperedCeilings #GraphicFloors #CustomInteriors

This article details the design and construction of Local House, a new home in Eaglemont, Melbourne, created by Zen Architects for homeowners Eleneth and Peter. The project aimed to accommodate the couple as they age, allowing them to remain in their community while sensitively responding to the historically significant Mount Eagle Estate, designed by Walter Burley and Marion Mahony Griffin in 1914. The estate's original garden suburb ideology, characterized by curving streets and shared garden access, heavily influenced the new home's design. The clients, having lived on their block for 32 years, sought a home that would be suitable for their next stage of life after their children had moved out. The brief emphasized a house similar in accommodation and size to others in the area, yet flexible enough to meet changing needs, particularly mobility concerns for aging in place. Zen Architects responded by retaining the entire front garden and positioning the house further back on the site to enhance street appeal and create more "breathing room." The strategic placement of the home on the flattest part of the site minimized excavation, facilitating single-level living. The resulting residence is smaller than its predecessor, returning nearly 100 square meters to the garden, and efficiently planned for two people, with a dedicated wing for visiting family. A central aspect of Local House is its deep connection to the landscape. The design incorporates windows of varying sizes and scales throughout the home, offering diverse views of the surrounding gardens. Some windows are tall and narrow, framing intimate garden scenes, while others are positioned higher to capture expansive views of the sky and mature trees. This deliberate approach creates an immersive experience, allowing occupants to feel deeply connected to the natural environment. The careful siting also achieved a balance between privacy and expansive outlooks, with the house positioned on a gentle slope to ensure privacy from the street while maximizing scenic vistas. The material palette of Local House draws inspiration from the local Art Deco architecture. Slate stone flooring extends from the courtyard into the living spaces, providing a tactile connection to the outdoors and incorporating in-floor heating for modern comfort. The exterior and some internal walls feature a rough, hand-thrown troweled render, a distinctive finish that required precise application by a single artisan to ensure consistency. This render, combined with recycled brick and timber, aligns with the material character of neighboring homes. The landscape design, initially developed by Jo Russell-Clarke and Vivid Landscapes, was ultimately cultivated by Eleneth and Cath and Ross Bennie from Green Schemes. This collaborative effort resulted in an evolving garden that embraces various microclimates, moving away from traditional rigid designs towards a dynamic and diverse landscape. The project successfully navigates site constraints, including significant vegetation and heritage overlays, to create a home that is not only respectful of the Griffin masterplan but also profoundly celebrates its natural setting. #ResidentialArchitecture #AgingInPlace #GardenSuburbDesign #LandscapeIntegration #SustainableDesign #Eaglemont #ZenArchitects #MelbourneHomes #Materiality

This article explores a 20,000-square-foot vacation home in Palakkad, Kerala, designed by Studio Nirvana, which blends Brutalist architecture with elements of Japanese Zen philosophy. The project was initiated by a Mumbai-based business owner who sought to rebuild his ancestral home, a place of significant childhood memories, for future generations. Principal architect Avinash Joshy was given complete creative freedom to reimagine the space, drawing inspiration from Zen principles of simplicity, harmony, and connection to nature. The design prioritizes pared-back, clean spaces and a meditative style, aiming to create an environment that fosters clarity and peace of mind. This is achieved through a minimalist approach that eliminates visual clutter, reduces stress, and promotes mental tranquility. Natural light is treated as a fundamental design element, and material choices are honest, natural, and calming. The various spaces within the house are interconnected to enhance a sense of spaciousness and ease of movement. A key challenge in the construction process involved structural planning around existing mature mango and jackfruit trees, as well as other seasonal flora. This integration of nature ensures a dynamic interplay of light and shadow throughout the day, making the natural surroundings an integral part of the interior atmosphere. The exterior of the home exhibits strong Brutalist characteristics, marked by the use of concrete in varying grey tones, achieved by adding grey pigment to lime, and exposed shuttered concrete. Glazed ribbon windows, typical of Brutalist and modernist styles, add elegance and provide an open, skylight-like experience from within. Contrasting with the raw, skeletal facade, the interiors are designed to soften the aesthetic. Wood veneer, sourced from beams of older demolished European houses, is used for doors and cabinets, while plantation teak wood forms the basis of the furniture. Custom elements like wash counters, a bar counter, and cots were developed in collaboration with Formave, a Kochi-based design practice. The lighting scheme, meticulously designed by Spoon Lighting, integrates fixtures seamlessly, remaining unseen unless activated. Additional lighting from Chinese designer Mario Tsai Studio, including hanging lights, chandeliers, and floor lamps, further brightens the spaces. The home's layout spans 20,000 square feet and includes five bedrooms, living areas, a dining space with an adjoining kitchen, a home office, an indoor pool, and a meditation room, alongside a separate outhouse. The intentional sparseness of the design underscores its purpose as a retreat and wellness sanctuary, conceived to inspire quietude, clarity, and fresh thought in its occupants and visitors. #ZenPhilosophy #BrutalistArchitecture #AncestralHome #KeralaDesign #StudioNirvana #VacationHome #MinimalistDesign #SustainableMaterials #InteriorDesign #ArchitecturalDesign

Victoria and Marcus Ford undertook a renovation of their 1970s Dutch Colonial-style home in Cary, North Carolina, aiming to infuse it with a blend of Colonial New England classicism and their personal 'African Americana' aesthetic. This initial phase of their 'Makeover Takeover' project focused on transforming the front exterior, entry, and dining room. The exterior of the house, initially a combination of gray and an unsuitable green, was the first area addressed. The Fords decided to repaint the siding with a slightly off-white, 'Alabaster' by Sherwin-Williams, and chose a darker shade of green, 'Dard Hunter Green' by Sherwin-Williams, for the door and shutters to create a more impactful contrast. The aesthetic was further enhanced with colonial-style bronze lanterns and black urns. New door entry hardware and a bumblebee knocker completed the refreshed facade. Moving indoors, the previously drab entry, characterized by beige walls, muddy brown accents, a vinyl floor, and a lack of staircase presence, underwent a significant transformation. The Fords introduced a vibrant 'African Americana' style, combining elements of Ralph Lauren and camp-inspired aesthetics with art by African American artists. This was achieved through a green front door, a Turkish runner, and a green-and-white laurel-patterned wallpaper by Rifle Paper Co. The trim was painted 'Pure White' by Sherwin-Williams, and a sisal runner was installed. A semi-flush-mount light fixture and a 'Beachcomber' basket from Pottery Barn added functional and decorative elements. The staircase, lacking in grandeur, received an upgrade with beefier, glossy black newel posts, handrails, and balusters from Stair Supplies, painted in 'Tricorn Black' by Sherwin-Williams. Original hardwood floors, discovered under layers of vinyl and linoleum, were refinished and stained to match the home's existing hardwoods. A decorative domino set, placed on a painted Ikea 'Hemnes' cabinet, served as a personal touch, honoring Marcus’s grandfather. A porcelain umbrella holder was also added. The dining room, initially uninspiring with its beige palette, dated wallpaper border, and lackluster trim, was redesigned to be an inviting space for daily use and special occasions. The centerpiece of the room became a framed print of Hughie Lee-Smith’s painting, '_The Stranger_,' downloaded with permission from the Smithsonian American Art Museum. The walls were covered in a textural 'Palette' grasscloth wallpaper in Moss by Rifle Paper Co., with trim in 'Pure White' by Sherwin-Williams. A simple Parsons dining table from Facebook Marketplace was paired with caned-back dining chairs, which Victoria refurbished with navy spray paint and plaid Sunbrella fabric. A 'Katie' chandelier by Lauren Ralph Lauren, a Turkish rug from Revival Rugs, and ginger jars by Lo Home by Lauren Haskell Designs contributed to the room's layered texture and sophisticated appeal. A sideboard by Nadeau, horse table lamps by Regina Andrew, and Sunbrella Linen French Pleat Drapes by Outdoor Drape completed the furnishings. Marcus enhanced the millwork by adding thick, simple frameworks of stock one-by-four boards below the chair rail and installing new three-inch crown molding, creating the illusion of expensive paneling. A Sunbrella-covered dog bed was included for their Irish Wolfhound mix, Remus, blending functionality with the refined aesthetic. #HomeRenovation #ColonialRevival #InteriorDesign #DIYProjects #BeforeAndAfter #DiningRoomDecor #EntrywayDesign #ExteriorRefresh #AfricanAmericanaStyle

Lindsay Marcus, an interior designer, recently completed a project in the Little Holmby Hills neighborhood of Los Angeles, transforming a 1940s Colonial Revival-style residence into a transitional family home. The client sought an elevated, refined, and chic living space that was also kid-friendly in certain areas, marking a stylistic departure from their previous neutral-toned mid-century modern home. Marcus’s design philosophy for this project centered on preserving the home’s original architectural features while integrating an eclectic, layered, and elevated aesthetic. The design approach emphasized allowing the traditional aspects of the architecture to guide the overall tone of the space. To achieve a layered and collected look, Marcus incorporated mid-century lighting and modern furniture silhouettes, aiming for a balance between old and new elements, as well as color and pattern. The project's success lies in its ability to blend contrasting styles and eras into a cohesive and timeless environment. The entryway exemplifies this design vision, with its elegant architecture, including a sweeping stone staircase and refined iron banister, serving as the foundational classic elements. The space is enriched with a thoughtful mix of eras through a clean-lined dresser, varied textures in vignettes, and a vintage rug, creating a welcoming and sophisticated atmosphere. For the powder room, Marcus and her team selected a rich, cool blue paint for the paneling and a dramatic mural from Gracie, transforming the small space into a jewel box. Vintage Italian Pietro Chiesa sconces and a floral ceiling flush mount from Urban Electric further enhance the room's romantic ambiance. In the living room, existing furniture, such as a royal blue Nickey Kehoe sofa and a Roche Bobois loveseat, were integrated into the new design. The Nickey Kehoe sofa inspired the room’s color palette, and the Roche Bobois loveseat was reupholstered in a striped fabric from Howe. An antique Art Deco coffee table and a French giltwood mirror from 1stDibs introduced Old Hollywood glamour and served as focal points. Italian Murano glass and brass sconces, a marble bar, and Pierre Jeanneret chairs re-covered in hair-on-hide added to the room’s luxurious feel. The walls were finished with Portola Paint’s Tikal limewash, and contemporary oil paintings by Gideon Rubin and Hannah Brown contributed to a modern sophistication. The dining room features a contrast of a rustic farmhouse table paired with original Finn Juhl chairs, reupholstered in light brown mohair, under a modern plaster chandelier, creating a harmonious blend of styles. The main bedroom maintained its existing white paneling, complemented by a neutral grasscloth wallpaper from Gregorious Pineo and a Rosa Bernal fabric for drapery, creating depth and texture without overwhelming the vintage Persian rug. Custom white oak nightstands with Rojo Alicante marble tops and Victoria Morris pottery lamps in an oxblood glaze added refined touches, while a shearling-covered womb chair provided a cozy reading nook. The children's areas were designed with distinct personalities. The playroom features bold olive green walls and wainscoting, with Farrow & Ball’s Barrow Blue paint on the paneling and ceiling, paired with a checkered wallpaper. Mustard Togo chairs provide comfortable and playful seating. The boy's room adopted a masculine palette of blues, white, and subtle greens, anchored by a Lawson Fenning bed upholstered in McLaurin and Piercy fabric. Side chairs and poufs from Sabin LA offered youthful yet sophisticated shapes, and a Zak + Fox stripe wallpaper added subtle color and texture. The second child’s room embraced a whimsical, nautical theme with a marine ceiling flush mount and Cole and Son’s Melville wallpaper, complemented by a leather sconce from Lostine and a floral bedcover from Nickey Kehoe. Marcus expressed particular satisfaction with the living room, primary bedroom, and powder room, highlighting the use of patterned drapery fabrics throughout the home as a favorite element that made each space feel special and cohesive. The designer emphasized that the client’s willingness to take risks contributed significantly to the successful and elevated outcome of the project. #HomeDesign #InteriorDesign #ColonialRevival #TransitionalStyle #LuxuryHomes #HomeMakeover #DecoratingIdeas #ColorAndPattern

This blog post showcases the renovation of a 5-room HDB BTO unit in Northshore, Singapore, transformed into a French Colonial-style home for a semi-retired expat couple and their son. The homeowners, having a deep appreciation for French Colonial aesthetics from their travels, engaged Ovon Design to interpret and execute their vision. The renovation, costing $98,000, involved a complete overhaul of the 1,249 sq ft apartment, which includes three bedrooms (one converted into a study/guest room) and two bathrooms, along with a wet and dry kitchen and an open living and dining area. The design theme blends French Colonial with subtle touches of English countryside and Asian heritage, creating a warm and inviting atmosphere. A neutral color palette is consistently applied throughout the home, beautifully complemented by the couple's collection of solid wood furniture. Dark walnut-colored vinyl flooring is used across all rooms, reflecting warm light and providing a rich contrast to other textures and tiles. The property's waterfront location on the northeast side of Singapore enhances the serene, countryside-like ambiance, distancing it from typical city life. The living room features an open-plan layout with a neutral-toned sofa dividing the television area from a dark-wood, round dining table. Floor-to-ceiling windows provide ample natural light and views of the ocean. Vintage art posters depicting China adorn wainscoting-paneled walls, alongside antique French-looking wall sconces. Mahogany tones in the furniture, beige accents in an ottoman, and brass finishings, such as pot plant holders, further reinforce the French Colonial aesthetic. A statement pendant lamp above the dining table creatively merges Asian and European design elements. In the Master Bedroom, high ceilings and light-colored walls highlight the French Colonial design. A queen-size sleigh bed with a mahogany headboard and raised finials creates a refined, royal feel. Sheer and printed curtains add layers of luxury and warmth, while wall sconces and vintage lamps contribute to the antique ambiance. The Master Ensuite, accessible through an arched-panel white door, features French Blue-print tiles on the upper walls and white marble tiles on the lower half, with gold brass fixtures, and a vanity combining rattan, solid wood, and brass. The son's bedroom, designed for his visits from abroad, follows a masculine navy and dark French blue color scheme, reminiscent of French military uniforms. It includes built-in cupboards, a desk, and wainscoting that doubles as a headboard, along with white-shutter windows and blue and white plant-printed curtains. The study room, functioning as a guest room and entertainment space, houses a vintage record player, books, and travel trunks. A black leather couch converts into a sleeper bed, and a professional work desk is positioned by a floor-to-ceiling window. The dry kitchen balances French Colonial style with modern finishes, featuring light-colored cupboards and appliances, dark accents, and rattan and wood barstools. A glass partition separates it from the wet kitchen, maintaining spaciousness and aesthetic coherence. The renovation was completed in three months, showcasing the interior designer's ability to translate the homeowners' specific vision with minimal changes. #HomeTour #FrenchColonialDesign #HDBRenovation #InteriorDesign #SingaporeHome #ExpatLiving #Northshore #OvonDesign #VintageDecor

Musician and producer Bobby Diggs, famously known as RZA from the Wu-Tang Clan, and his wife Talani, enlisted designer Maya Williams to transform their sprawling 12,900-square-foot oceanfront Malibu residence into a soulful and playful sanctuary. This marks their third collaboration with Williams, who they trust to actualize their design visions. The primary objective was to infuse warmth and intimacy into the large space, balancing expansive areas with cozy, private nooks, all while capitalizing on the sweeping ocean views and high ceilings. Williams aimed to create a home that fosters creativity for Bobby, while providing a sense of peace and positive energy for both. The couple was particularly drawn to the creative energy of Malibu, a feeling Bobby attributes to the ocean winds, which he believes enhance his songwriting process. Williams approached the design of each room as a distinct composition, leading the couple to affectionately name their home “The Temple.” The grand salon, which serves as the entry point, embodies a Zen atmosphere with bamboo-clad walls and a sculptural light fixture reminiscent of piano keys, suspended over sound wave-patterned rugs. Music is a central theme throughout the home. A dedicated record room, located beneath the stairwell, was designed to house Bobby’s extensive vinyl collection and function as a relaxed listening lounge, ideal for entertaining. The adjacent elevator features a custom gold wallpaper by Phillip Jeffries, incorporating the iconic Wu-Tang Clan logo, effectively turning it into a unique selfie room. The design team also created a luxurious hair salon, drawing inspiration from Talani’s past as a successful fashion model in the 1990s. This space showcases a refined elegance with black-and-white stonework, custom-fabricated from two types of marble, subtly referencing the Chanel camellia and maintaining a monochromatic, glamorous aesthetic. The Pacific Ocean plays a significant role in the home's design, with Williams ensuring that furniture heights were kept low to preserve uninterrupted sightlines. The primary suite, offering views on three sides, utilizes a restrained color palette of neutrals, champagnes, and subtle blues to complement the serene coastal landscape. Outdoors, the material language of the interior extends to durable wood finishes, adding warmth to the pool area and lending a Mediterranean touch. Each of the six guest rooms is uniquely themed and named after a specific gemstone, providing a playful and individualized experience for visitors. Additional amenities include an intimate bar and a cozy home theater. Through Williams’s careful use of color and texture, these elements combine to create a welcoming and comfortable retreat that guests often liken to a “speakeasy resort,” and are reluctant to leave. #MalibuHome #CelebrityHome #InteriorDesign #MayaWilliamsDesign #WuTangClan #LuxuryLiving #OceanfrontProperty #MusicInspiredDesign #ZenDesign #CustomInteriors

Christina Roughan of Roughan Interiors embarked on an exciting redesign of a historic New York country house, built in 1900 by Charles Wetmore, a prominent NYC architect. This grand English-style manor, set on 20 acres with original horse stables converted into a barn, presented a rewarding project. The clients, knowledgeable in design, art, and furniture, sought a warm, inviting, and child-friendly home that honored its elegance and history, reflecting their family's lifestyle. The entry was designed to make a strong first impression. Christina incorporated the clients’ favorite color, blue, through a focal point artwork, a patterned rug, and antique blue and white jars. Warmth was introduced with a walnut table and camel leather stools, exemplifying happiness within a blue environment. The living room, described as a ballroom, features a custom Venetian plaster ceiling that adds emotional significance and grandeur. With a semi-domed 22-foot-high ceiling and four sets of French doors overlooking the gardens, it evokes a relaxed yet opulent atmosphere. Design details include a custom bookcase with spine colors incorporating the blue, soft gray, and ivory palette, and a year-in-the-making carpet echoing these tones with hints of silver. A flexible seating arrangement around the fireplace, comprising a sofa, armchairs, and a chaise, ensures elegance and comfort. The kitchen's design prioritized timelessness, featuring a classic country style with Carrera marble countertops and a large stainless steel range cooker for a modern twist. A dining area was integrated into the kitchen, serving as a central space for family gatherings, with mid-century Laverne T Chairs in whisky leather and walnut Michael Smith head chairs adding texture against the marble and pale walls. For the dining room, the goal was to create a light-filled space. The room underwent a full renovation, including new millwork, a fireplace surround, and gloss paint. Modern traditional furnishings introduced color with lavender and moss green accents complementing off-white and soft gray schemes. The family room, originally the dining room, was strategically relocated near the kitchen for convenience with young children. It combines oak bookcases with pops of color, fun art, and modern lighting, maintaining an elevated feel suitable for entertaining. The main bedroom balances masculine and feminine elements with a palette of camel, sage, and brown tones, wool sateen drapery, and rattan chairs for added texture. Guest bedrooms were designed to be distinct and inviting; one twin bed guestroom features rose rattan walnut burl headboards, which maximize space while adding texture and depth. The white bathroom offers a light and fresh scheme with a practical, elegant period-style double basin vanity. The extensive project, which included a guest house and pool house, took approximately two years. The pool house renovation was designed to complement the main house and guest house, ensuring a seamless flow throughout the property. The overall interior design, executed by Roughan Interiors and photographed by Jane Beiles, successfully transformed the historic New York country house into a refined yet comfortable family home. #HistoricHome #CountryHouse #InteriorDesign #NewYorkRealEstate #RoughanInteriors #TimelessDesign #LuxuryHomes #HomeRenovation #FamilyLiving

DanNi Zhao and Frédéric Rolli, former residents of Mid-Levels on Hong Kong Island, discovered an abandoned 700 sq ft flat with a rooftop of the same size in a village house in Mui Wo, Lantau Island. Despite the property's state, characterized by peeling plaster, floor-to-ceiling mould, and a lack of character, they perceived its potential due to its serene atmosphere, open views, and proximity to a river, which they associated with good feng shui. Zhao, originally from China and working in private banking, has lived in Hong Kong for about 12 years. Their decision to purchase the property was also influenced by their experience living in a traditional Chinese village for a year, which inspired them to integrate a similar aesthetic into their new home. Although they initially sought ideas from Studio Amal through 3D renderings, the couple, both creatively inclined and interested in interior design, chose to manage the renovation project themselves. They developed the design as work progressed, enlisting local workmen for the construction aspects. Prior to the renovation, they organized a graffiti party, inviting friends to paint on the walls, a portion of which, including their handprints, is now displayed in the dining area. Their design approach for the apartment aimed to blend traditional Chinese elements with contemporary comforts. They focused on creating a colorful and character-filled space that reflected their personal style without incurring excessive costs. The renovation involved transforming the dilapidated interior into a welcoming home that balances traditional Chinese design principles with soft furnishings, brushed brass accents, and modern art pieces. The couple's hands-on involvement in the design and execution allowed for a personalized touch, making the apartment uniquely theirs. They demonstrated that an original and inviting home can be achieved through careful planning and personal investment, even with a property that initially seemed beyond repair. The project served as a testament to their vision, transforming what many would consider undesirable into a vibrant living space that celebrates both cultural heritage and contemporary living. Their choice of location on Lantau Island, away from the urban bustle of Hong Kong Island, also reflects a lifestyle preference for tranquility and connection with nature, aligning with the good feng shui principles they valued. The integration of traditional Chinese design is not merely aesthetic but also functional, potentially incorporating elements like specific layouts, material choices, or decorative motifs that are characteristic of such design. The use of soft furnishings and contemporary art provides a modern contrast, preventing the space from feeling overly traditional or dated. The brushed brass elements likely add a touch of modern sophistication and warmth. This combination of old and new, traditional and contemporary, creates a dynamic and balanced interior. The overall project illustrates a successful transformation of a neglected property into a distinctive and comfortable home, showcasing how personal vision and hands-on effort can lead to a highly personalized and characterful living environment, proving that significant financial outlay is not always a prerequisite for creating an original and inviting space. #HomeRenovation #LantauIsland #ChineseDesign #InteriorDesign #DIYProject #MuiWo #CharacterHome #RuralLiving #ContemporaryArt