Atlanta loft gets a modern remodel

The article details the renovation of Unit 622, an apartment located within Montreal's historic Habitat 67 housing complex. Designed by the interior and industrial design firm Rainville Sangaré, the project transformed the space into a bright, open, and modern home. The renovation focused on simple lines, material integrity, and a minimalist aesthetic, drawing inspiration from the Brutalist architectural style of Habitat 67 itself. The original complex, conceived by Israeli-Canadian architect Moshe Safdie in the 1960s, aimed to provide affordable urban living through 158 stacked, prefabricated concrete units. Unit 622 features a unique T-shaped layout formed by two prefab blocks. A key aspect of the renovation involved preserving the concrete junction where these two volumes meet, leaving it exposed as an homage to the apartment's history, complete with original construction markings. The design choices were also influenced by Habitat 67's location on the Saint-Laurence River, particularly the challenging winter conditions. Rainville Sangaré opted for a minimal material and color palette, incorporating raw finishes like steel and concrete throughout the space to enhance the natural light and reflect the building's robust character. The living room features built-in shelves framing the window, and custom-made ventilation grids were installed, reflecting the owners' interest in local craft and design. A notable artistic element is a commissioned piece by local artist James Kennedy, mounted on a sliding door that conceals the television. The apartment is entirely outfitted with Sangaré’s UNITÉ lighting, a collection inspired by Habitat 67's rectangular prefab blocks. The kitchen, designed for efficiency, was crafted by local brand À Hauteur d’homme. The guest room is designed for versatility, featuring a hideaway bed that allows the space to function as an office, also lit by Sangaré’s UNITÉ lighting. The main bedroom is predominantly oak, with a custom-designed bed and nightstand, and also features lighting by Sangaré. Streamlined oak panels are used for the wardrobe. In contrast to the minimalist living areas, the bathrooms introduce color and intriguing finishes, including a dichroic glass shower divider that changes color under different lighting conditions. Concrete tiles in the bathrooms further reference the building's Brutalist origins. The renovation successfully marries contemporary design with the historical and architectural integrity of Habitat 67, creating a sophisticated and functional living space. #Habitat67 #MontrealRenovation #ModernApartment #BrutalistArchitecture #MinimalistDesign #InteriorDesign #PrefabHomes #RainvilleSangaré

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Miles Redd, a renowned designer, returned to his hometown of Buckhead, Atlanta, to undertake a significant design project for his mother. The endeavor involved transforming an underused library into a functional office space, drawing inspiration from the New York Public Library's lighting design, which features pairs of lights illuminating tables. For this office, Redd utilized a Lee Jofa's Althea chintz dining table with Samuel & Sons fringe, noting that a table skirt effectively conceals items like correspondence and shopping bags, while lamp cords were discreetly snaked beneath the table and rug. Redd's design philosophy emphasizes symmetry to instill a sense of order and calm. This principle is evident in his styling choices, including the placement of table lamps, which were acquired at auction and fitted with shades from Gracious Home. The dining room received a notable upgrade with a breakfront, painted in an 18th-century-inspired chalky green, one of his mother's preferred hues. A taffeta table skirt provided a soft contrast to the room's mahogany ladder-back chairs, contributing to a refined aesthetic. The home also showcases a curated collection of heirlooms, reflecting his mother's Virginian roots and appreciation for fine items. Tiffany & Co. silver and D. Porthault linens adorn the table, highlighting a blend of collected and cherished pieces. In the family room, Redd reimagined the art display, clustering blue and white china, previously purchased at auction, for a striking visual impact. He also rehung existing artwork throughout the home to enhance its overall presentation. The petite powder room features a playful element: a poodle figurine, a nod to Mrs. Redd's fondness for the breed. The master bedroom was designed for serenity and luxury, with custom curtains and pelmets crafted from pea-green silk taffeta with cream trim, replacing existing shutters. A Stark carpet adds an additional layer of softness to the room, aligning with Redd's belief that every bedroom benefits from a touch of comfort. The article also includes an image of Miles Redd showcasing his Schumacher fabrics, including Brighton Pavilion, Deconstructed Stripe, The Wave, Peacock, and Capri, to his sister, Sarah McCain, and parents, Buddy and Sue Redd. This familial collaboration underscores the personal nature of the design project, which blends traditional aesthetics with thoughtful, practical updates. #InteriorDesign #HomeRenovation #TraditionalStyle #AtlantaHomes #MilesRedd #DesignInspiration #HomeDecor #LuxuryInteriors

The article details the collaborative effort between Brooklyn-based architecture firm Worrell Yeung and cooperative gallery and design studio Colony to renovate a 3,000-square-foot historic loft overlooking Union Square in New York City. The project aimed to transform the triangular-shaped space into a contemporary residence suitable for homeowners, including a concert violinist, and also function as a recital venue for entertaining guests. The loft, which occupies an entire floor, was revitalized by Worrell Yeung, focusing on its fundamental geometries and classic materials. Worrell Yeung initiated the renovation by exploring strategies that emphasized the loft's distinct characteristics and preserved original elements. A key aspect of the design involved creating unique volumes to define spaces within the open layout, such as a custom metal screen and bookcase near the front door and a circular bathroom. The renovation optimized the space to offer unobstructed views from the 14 northwest-facing windows, resulting in a light-filled open loft environment. The design team aimed to enhance the existing structure rather than completely redesigning it, focusing on subtle yet impactful changes. Following Worrell Yeung's architectural design, Colony, led by founder and creative director Jean Lin, took charge of elevating the interior through carefully selected textures, patterns, and colors. Lin emphasized creating an elegant home by layering textures, colors, and comfort, ensuring these elements complemented the loft's open nature while adding personalized touches. The collaboration aimed to bridge the gap between monumental architectural design and the intimate signatures of a home. The furnishing choices reflect both functionality and aesthetic appeal. The living area, designed to accommodate musical recitals, features substantial seating arrangements. These include a moss green Bristol Sofa by Poliform, a Gentry Sofa by Moroso, and a Seal Chair by Brdr Petersen, all strategically placed around a circular Lania Rug by Woven, near a Mason & Hamlin grand piano. These pieces were selected to provide comfort for guests and complement the expansive feel of the space. A multifunctional den was incorporated into the design, offering flexibility as a home office or a more private space. This den can be closed off using sliding metal and glass doors, which discreetly recede behind the entryway bookshelf when open. The den features a black desk paired with a Wishbone Chair by Carl Hansen, blending functionality with modern design. The private areas of the loft are accessed via a hallway, where a cylindrical powder room is a notable feature. The powder room's interior is adorned with sage Mutina Biscuit ceramic tiles and a single slab of forest green Cipollino Apuano on the floor, providing a striking visual and textural contrast. The main bedroom, situated at the narrow end of the triangular layout, is furnished with a green Dubois Bed by De La Espada, flanked by smoked glass Crux Pendant Lights by Allied Maker. Tonal Precipice – Alpamayo wallpaper by Flat Vernacular adds further texture to the walls, creating a serene and sophisticated atmosphere. The primary bathroom continues the theme of refined details, featuring a curved shower wall clad in white Mutina Biscuit ceramic tiles. The second bedroom, serving as both an office and a rehearsal space, includes a striped Arc Lounge Chair by Moving Mountains and Coven Wallpaper by Maison C, contributing to its dual-purpose functionality and artistic ambiance. This project marks the second collaboration between Worrell Yeung and Colony, highlighting their evolving design vernacular and their commitment to pushing the boundaries between architecture, interior design, and furniture, while prioritizing the client's needs and creating a truly bespoke home. #LoftTransformation #NewYorkCityLoft #WorrellYeung #ColonyDesign #InteriorDesign #HistoricRenovation #ContemporaryResidence #UnionSquare #ArchitecturalRenovation

New York City lofts have a rich history, transitioning from industrial warehouses and manufacturing centers of the late 19th and early 20th centuries into desirable residential spaces. These structures were characterized by high ceilings, exposed brick, and large windows, originally designed to maximize natural light for industrial purposes. By the mid-20th century, as industries relocated from Manhattan, artists and creatives began to repurpose these buildings into versatile living and working environments. Today, lofts represent a fusion of historical character and contemporary design, offering a flexible foundation for innovative renovations. One such renovation project was undertaken by BOND, a design studio led by Noam Dvir and Daniel Rauchwerger. Their task was to revitalize a 1,000-square-foot Tribeca Loft situated within a landmarked New York City building. The goal was to preserve the loft's industrial heritage while integrating a modern, bright aesthetic. This particular loft had remained largely unaltered since the 1980s, necessitating a comprehensive update to accommodate contemporary living standards. BOND's approach emphasized careful preservation and enhancement rather than stripping away the original charm. The renovation involved significant structural and systems upgrades, including replacing old wiring, removing dropped ceiling panels, and installing a central air conditioning system. These improvements were crucial for modern comfort without compromising the loft's inherent character. A key design element was the introduction of a glass partition between the bedroom and living area. This strategic addition allows natural light to permeate the entire space, creating an open and airy atmosphere while still providing a subtle division between functional zones. This technique is commonly employed in contemporary loft conversions to enhance the sense of spaciousness. Reflecting the communal aspect of New York City loft living, BOND centered the design around the kitchen. A prominent 15-foot-long island, featuring waterfall edges and a distinctive cut-in detail, serves both as a practical workspace and a central gathering point. The island is complemented by walnut 'Tractor' stools from BassamFellows, fostering social interaction and connecting to the loft's historical role as a hub for creativity and community. The design philosophy embraced the loft's ability to evolve while retaining its original character. BOND achieved a balance between minimalism and warmth through carefully selected design elements. The bathrooms incorporate subtle yet vibrant pops of color, providing a playful contrast to the overall neutral palette. Gold and brown tones were chosen to complement the natural light streaming through the west-facing windows in the main living area. Sculptural furniture pieces, such as a metal coffee table, elevate the aesthetic while maintaining a sense of flow within the space. The loft also functions as a showcase for the owners' art collection, which includes geometric works by Mika Tajima and whimsical pieces by John Armleder. This integration of art into daily life harks back to the legacy of early artist-occupied lofts in the city, which often served as both residences and creative studios. The renovation successfully transforms a historic space into a modern, functional, and aesthetically pleasing home, honoring its past while catering to contemporary needs. #NewYorkCityLoft #LoftRenovation #BONDDesign #TribecaLoft #HistoricPreservation #InteriorDesign #ModernLiving #ArchitecturalRenovation #HomeDecor

This article details the transformation of an industrial loft in Atlanta into a warm and inviting home, undertaken by designer Brian Patrick Flynn for his friend and colleague, Ashley Bothwell. Bothwell, who works in the design industry, sought to convert her new industrial space in an artsy Atlanta neighborhood into a traditional-feeling house through a fast and affordable remodel. The design approach focused on integrating color, texture, and personal touches to soften the loft's inherently stark industrial features. In the living room, a combination of a sofa and chair from HD Buttercup, a rug from Moattar, and artwork by Courtney J. Garrett contributed to creating a comfortable and visually engaging space. The office area, intended as Bothwell's workspace, was brightened and given a more traditional feel by the application of white shiplap on the walls, using Behr paint, alongside a desk from Safavieh. This design choice effectively mitigated the industrial architectural elements. A large wall in the loft was utilized as a gallery space to showcase Bothwell's cherished art pieces, both new and old. This area also featured Wishbone chairs from Wayfair, adding a touch of modern design. The kitchen design initially considered an all-white scheme but evolved into a more masculine and warm aesthetic to reflect the design-savvy owners. It incorporated light fixtures from Barbara Cosgrove Lamps, cabinetry from IKEA, and stools from Cost Plus World Market, aiming for an urban restaurant-like ambiance. The dining room was curated to appear collected and established, as if Bothwell had inhabited the space for an extended period. Family photos were enlarged to add personal character to the industrial setting. Furniture included a table and chairs from Cost Plus World Market, leather stools from Overstock, and a mirror from Uttermost. The hallway introduced a bold element with Thibaut wallpaper, installed as a surprise for Bothwell by Flynn. Vintage portraits from Brick + Mortar further enhanced the curated feel of this transitional space. In the bedroom, cinderblock walls were painted in Glidden's Deepest Woodland Green, providing a dramatic backdrop. An 8-foot-tall IKEA closet system was customized with Duralee plaid fabric, complementing the West Elm bed, Ballard Designs nightstand, and lighting from City Issue Atlanta. An Arteriors mirror completed the room's aesthetic. Finally, the lofted guest bedroom adopted an Americana theme, with walls painted in Sherwin-Williams' Naval. Red and white accents were incorporated through custom Duralee bedding, while a Safavieh rug, City Issue dresser, and Wayfair lamp contributed to the desired Americana vibe. Brian Patrick Flynn, an American interior designer based in Atlanta, Georgia, and Reykjavík, Iceland, is known for his transitional style, which emphasizes modern art and classical furniture, drawing from his background in production design and set decorating for TV and film. #LoftDesign #IndustrialToCozy #AtlantaLoft #InteriorRenovation #ModernTextures #ArtIntegration #BrianPatrickFlynn #HomeDecorating #DesignTransformation

This article highlights a comprehensive renovation of a Flatiron District loft, meticulously designed by the firm S. R. Gambrel. The project involved transforming a large, open space into distinct individual rooms, with a strong emphasis on texture, color, and high-quality craftsmanship. The designers leveraged the loft's generous dimensions and impressive ceiling height to create a cohesive yet complex interior aesthetic, integrating a diverse palette of materials and finishes. A key feature of the renovation is the custom cabinetry and extensive millwork, which extends from floor to ceiling throughout the space. The main hallway showcases luxurious tiled flooring that complements the opulent wall decor, setting a sophisticated tone. In contrast, the built-in bookshelves are finished in a soft blue hue, adorned with cream-colored accessories, providing a gentle visual break from some of the bolder elements found in other rooms. The kitchen is distinguished by a substantial marble island, which serves as a central focal point. This grand feature is balanced by a delicate light fixture composed of hand-blown glass bulbs suspended from a steel frame. Adjacent to the island, a modern wood kitchen table is paired with retro chairs, adding a playful touch. This whimsical theme is further enhanced by a colorful chandelier and geometric double doors, contributing to the room's dynamic character. The bedroom offers a serene retreat, characterized by a soft palette of neutral earth tones, light blues, and grays. The flooring combines gray wood with a thick, plush carpet, introducing a rustic, barn-like feel that subtly differentiates it from the rest of the home's contemporary design. This thoughtful layering of textures and colors extends to the master bathroom and closet areas, where warm caramel-colored marble covers portions of the bathroom walls, and matching ikat patterns adorn the dressing area. The renovation exemplifies S. R. Gambrel's ability to fuse varied design elements into a harmonious and sophisticated living environment. #FlatironLoft #SRGambrel #LoftRenovation #InteriorDesign #HighEndFinishes #Millwork #LuxuryInteriors #NYCRealEstate

The article details a successful loft conversion project in a narrow Victorian two-bedroom property, which was undertaken to address the growing space needs of a family with two children and a requirement for a guest room. The homeowners engaged Rees Architects, led by Daniel Rees, to expand their living area. The primary challenge was the limited ceiling height of only two meters in the original loft space, which would have been further reduced by the structural framework of the planned dormer. To overcome this, the architects ingeniously lowered the ceilings on the two floors below, creating a balanced and proportionally aligned three-story home rather than a cramped loft. The loft conversion resulted in the addition of two extra bedrooms and a bathroom, significantly increasing the property's functionality. The main bedroom, now located in the loft, features integrated window seat ideas clad in plywood. These window seats offer comfortable seating and garden views, eliminating the need for additional furniture that would otherwise consume valuable floor space. The interior design of the main bedroom is characterized by a muted color palette, fostering a calming atmosphere. Daniel Rees explained that the beams in the master and spare rooms were left exposed but painted the same color as the walls to enhance the sense of space and depth. Built-in wardrobes under the eaves maximize storage, with hidden compartments behind clothes rails. Angled brass skirting creates an optical illusion of greater height, contributing to the crisp aesthetic, while carefully positioned glazing ensures ample natural light. Innovative design solutions were also applied to the hallway doors, which were configured to maximize floor space. When open, these bespoke doors allow access to the master bedroom and ensuite. When closed, they effectively incorporate a section of the hallway into the master bedroom, while providing privacy for the bathroom. Magnets embedded in the door leaves ensure they remain fully open at a 90-degree angle, maintaining a flush finish. A large rooflight with an integrated blackout blind illuminates this flexible hallway area. The walls in certain sections feature a rubber and cork material, which not only provides a contrasting texture against the black design elements but also offers acoustic insulation properties to absorb sound. The new bathroom in the loft showcases modern design with clean, uncluttered fixtures. Wall-hung sanitaryware contributes to a sense of spaciousness. The walls are covered in Marmoleum, a natural and CO2-neutral material that provides a durable, low-maintenance, and seamless finish, avoiding the breaks typically seen with wall tiles. The windows are strategically placed to create an elongated appearance, further enhancing the perception of space. A compact walk-in shower is included, without a glass enclosure, simplifying maintenance, and the floor is also finished with Marmoleum in a pattern reflecting the nearby cork and rubber walls. Matte black shower fittings complete the contemporary look. The guest bedroom is designed as a multifunctional space with movable furniture, allowing for adaptability. Olive green walls and dark floors provide an effective contrast, with the window framing garden views. Despite the deep hues, light-colored furnishings and a bright ceiling maintain an airy feel. Before the renovation, the property had a standard, cramped Victorian layout with only two bedrooms, which was insufficient for the family's needs. The loft conversion transformed this into a more spacious and balanced family home, demonstrating how upward expansion can be a highly effective solution for creating additional living areas. #LoftConversion #HomeRenovation #ArchitecturalDesign #SpaceMaximization #VictorianProperty #InteriorDesign #FamilyHome #BathroomDesign

The article details the transformation of a co-op lobby in the St. George Tower in Brooklyn Heights, a building with a rich history as part of the grand St. George Hotel. For decades after its conversion to co-ops in 1984, the lobby, which was originally the hotel's service entrance at 111 Hicks Street, remained uninspired, characterized by sponge-painted beige walls and a generally drab appearance. The renovation project, undertaken by Katz Architecture, aimed to revitalize this space, drawing inspiration from the building's original Art Deco heritage. Before the renovation, the lobby was divided into three distinct levels: an entrance area with a concierge desk, a lower service zone, and an upper mailroom and elevator bank accessible via stairs. The existing design was worn and poorly lit, featuring quarry tile flooring that contributed to its unappealing aesthetic. Katz Architecture envisioned a space that would evoke the opulence and playfulness of the hotel's original Egyptian Art Deco interiors, making it both dramatic and inviting. The renovation involved several key changes to achieve this vision. The design team selected 'shimmery' materials and dark wood finishes to introduce visual contrast and drama. A significant structural alteration included raising the ceiling, which enhanced the sense of spaciousness within the lobby. The concierge desk was also relocated to improve the flow and functionality of the room. The outdated quarry tile floor was replaced with elegant terrazzo, and an aluminum-leaf and black plaster wall was installed to cleverly conceal the ramp leading to the lower service area. David Katz, Principal of Katz Architecture, emphasized the incorporation of craftsmanship in the details, citing elements such as hand-applied aluminum leaf panels and custom-designed railings. The new concierge desk, crafted from dark wood and white marble, features a faceted wall behind it that hides the service area ramp. The geometric patterns in the light fixtures and metal railings were intentionally chosen to reflect an Art Deco aesthetic without appearing anachronistic or 'kitschy.' A subtle yet significant detail highlighted by Katz was the use of nickel silver in the reveals and corners of the fumed oak and black Venetian plaster panels, adding a touch of 1930s 'pizazz.' The entire renovation process spanned approximately nine months and incurred a cost of $1 million. The upper mailroom and elevator area were also updated, featuring a softer ambiance with a gray carpet and light curtains. Katz Architecture specializes in residential design and consulting, particularly assisting co-op and condo boards with renovation projects. The project successfully transformed a previously neglected and uninviting service entrance into a sophisticated and glamorous lobby that honors the building's historical grandeur. #BrooklynHeights #CoopLobbyRenovation #KatzArchitecture #ArtDecoDesign #StGeorgeTower #InteriorTransformation #LuxuryRenovation #HistoricBuilding #BrooklynRealEstate

This article highlights a $4.95 million condominium located at 161 Hudson Street in Tribeca, presenting it as a prime example of current decorating trends. The 2,315-square-foot, three-bedroom (with potential for a fourth) corner loft boasts unobstructed sky views, sound-proof windows, central HVAC, a laundry room, and a well-thought-out layout with bedrooms strategically placed for privacy. The property is described as the "epitome of chic downtown style," showcasing a multitude of popular design elements within its renovated spaces. The great room features wide-plank Brazilian walnut flooring, soaring ceilings, and original columns, creating an expansive atmosphere. Notable trend-driven additions include a built-in bench crafted from vintage wood, painted diagonal wall paneling, custom-crafted copper pipe lighting, and an open shelving unit that cleverly delineates the dining and living areas. Two work spaces are integrated into a corner, complemented by floor-to-ceiling cabinetry providing extensive storage and housing an entertainment system. The kitchen is equipped with white-glazed Dutch subway tiled walls accented by black grout, open wood-slab shelves, and encaustic tile flooring. Modern amenities include an appliance garage and a statement modernist faucet, alongside high-end appliances such as a Viking range and hood, a SubZero refrigerator, Poggenpohl cabinetry, a Miele dishwasher, microwave, and espresso/cappuccino machine, and a Gaggenau wine fridge. An adjacent powder room and laundry area benefit from attractive millwork. The master suite is presented as a serene retreat and a comprehensive display of trends. It features walls clad in reclaimed wood planks, a George Nelson bubble light, and a shower enclosed by steel-framed casement doors. Slate hex tile flooring and moody blue-painted accents further enhance the contemporary aesthetic. The suite also incorporates custom closets and remote-controlled blackout shades. On the opposite side of the loft, two additional bedrooms offer generous sizing and ample closet space, sharing a large second bathroom. This second bathroom incorporates subway tile walls, slate hex tiles, a vintage-style cast iron console sink, and lacquer-painted glass storage cabinets. While a free-standing tub is noted as absent, the overall design maintains a consistent trendy appeal. The condominium building, constructed in 1930, is a boutique elevator building offering resident services including a part-time doorman, a full-time super, and access to a common roof deck. The property is marketed through Compass and CityRealty.com. #TribecaLoft #InteriorDesignTrends #LuxuryRealEstate #NewYorkCity #Condominium #ModernDecor #DowntownStyle #HomeRenovation

Garrow Kedigian, an interior designer, undertook the renovation of a 3,200-square-foot, four-bedroom prewar apartment on the Upper East Side for a young family with two children. The primary goal of the renovation was to preserve the historical charm of the home while integrating modern living conveniences. The apartment's untouched state for years necessitated significant upgrades to align with contemporary design and functionality. A standout feature of the apartment is its 50-foot-long entryway, which Kedigian dramatically enhanced. He incorporated grid wall paneling and a unique barrel ceiling. The ceiling is a detailed replica of the astrological map found on the vaulted ceiling of Grand Central Terminal, a familiar sight to many New York City commuters. To further elevate this design element, Kedigian installed tiny LED bulb lights to illuminate specific stars, creating a celestial ambiance. Kedigian also addressed the common issue of dropped ceilings in prewar apartments, which often hide the original architectural height. He meticulously restored the original ceiling heights throughout the home. This not only made the rooms feel more spacious but also allowed for the installation of more elegant pendant lighting, replacing previous recessed fixtures. Strategic color choices were integral to the design, ensuring the space felt inviting and cohesive. The kitchen, for example, features cabinets painted in Soft Chinchilla by Benjamin Moore, chosen to create a welcoming atmosphere. Kedigian emphasizes that kitchens should feel like rooms rather than purely utilitarian spaces, advocating for vibrant color choices. In many areas, the trim was painted in a contrasting color to the walls, adding depth and character to each room. Technology was cleverly integrated to maintain the home's aesthetic. All televisions in the apartment are designed to double as art when not in use. In the primary bedroom, the TV screen displays the same wallpaper pattern as the walls when turned off, ensuring a seamless visual flow. The furnishings and art throughout the apartment are a curated mix, combining finds from the Paris flea market—selected in collaboration with the clients—with mid-century modern pieces, reflecting the clients' eclectic taste. The living room exemplifies this eclectic approach, with an antique carpet from a Doyle auction setting the foundation. Lighting fixtures, including sconces and floor lamps, were sourced from the Paris flea market, with custom lampshades from Broome Lampshades and Oriental Lampshade. The walls are painted in Benjamin Moore’s Caribbean Teal with Wenge trim. An antique sofa was re-covered in a blush chevron velvet from Schumacher, complemented by custom pillows from Fabricut fabric. The art collection includes pieces from the Paris flea market, auction acquisitions, and existing client-owned works. For the dining room, Kedigian transformed the large space into a combined den and dining area. The dining table was repositioned near the windows to create space for sofa seating opposite the fireplace, enhancing its functionality and coziness. The color palette of blues and grays, accented with yellows and oranges, contributes to an inviting atmosphere. Key elements include wall paint in Lakeside Cabin by Benjamin Moore, a Hickory Pearson dining table, Circa Lighting sconces, and custom curtains. The furniture and decorative items, such as chairs and lamps, were also sourced from the Paris flea market, with vintage wall art and a small table, and the client's own mirror and candle holders. The primary bedroom features delicate Harlequin wallpaper adorned with butterflies and birds on willow-like branches. The linen and blush tones of the wallpaper are complemented by Benjamin Moore Rose Blush trim and neutral accents. Custom elements include the headboard, pillows, and bedding. In the children's bedroom, Kedigian aimed for a whimsical yet sophisticated design, incorporating vertical blue and yellow stripes reminiscent of a circus tent. The walls are painted in Alfresco and Hawthorne Yellow by Benjamin Moore, with Kingsport Grey trim. Custom pillows and bedspreads made from Cowtan & Tout and Colefax & Fowler fabrics, along with vintage bed frames, nightstands, and a ceiling light, complete the playful yet elegant design. These thoughtful design choices and upgrades ensure the apartment is set to age gracefully, providing a beautiful and functional home for the family. #UpperEastSide #ApartmentRenovation #InteriorDesign #GarrowKedigian #GrandCentralTerminalCeiling #NewYorkCityHome #LuxuryHome #EclecticDecor #PrewarApartment

Kelly and Ben Wells embarked on a renovation project for their 1942 Atlanta home, specifically targeting its outdated kitchen and compartmentalized floor plan. They were drawn to the house precisely because it lacked a newly remodeled kitchen, presenting an opportunity to personalize their first home. The original layout was characterized by small, separate rooms that hindered social gatherings. To address this, the couple undertook a significant renovation that involved removing walls to merge three distinct areas into an open-concept living, dining, and kitchen space. This transformation aimed to create a cohesive and flowing environment suitable for their social lifestyle, marking a shift from a choppy to a modern motif. The home will be featured in the Junior League of Atlanta Tour of Kitchens. The renovation, which spanned five months, involved a comprehensive overhaul of the kitchen, including gutting and repositioning its layout. The main living area, originally split-level, was leveled to establish a continuous space, and the guest bathroom also underwent renovation. In the kitchen, transitional-style cabinetry from Schrock was installed, complemented by Statuario Maximus Caesarstone quartz countertops fabricated and installed by Stone Design. Floating shelves crafted from rift-cut oak by Jay Rambo Co. were integrated above a backsplash of weathered white Cle Tile. The kitchen was further equipped with high-end appliances from Viking, including a refrigerator, oven, and microwave, along with a brass faucet from Newport Brass. An exposed brick fireplace was enhanced with a reclaimed wood mantel from Atlanta Specialty Woods. The interior design style of the home blends transitional aesthetics with modern farmhouse elements. The Wells emphasized incorporating a mix of furniture styles and heirlooms to create a personalized and authentic living space, advising against a purely 'store-bought' look. Their décor includes pieces from a variety of retailers such as Serena & Lily, Ballard Designs, RH, Rejuvenation, Crate & Barrel, Redefined Home Boutique, Pottery Barn, Casabella, Anthropologie, and HomeGoods. Textiles and rugs were sourced from West Elm, Scott Antique Market, Amber Interiors, Serena & Lily, Peridot, Anthropologie, and HomeGoods. Lighting fixtures are from Circa Lighting and Serena & Lily, while art pieces come from Christine Flynn, Peridot, One Kings Lane, and Rejuvenation. The guest bathroom features honeycomb and subway tiles, with a vanity from RH and accessories from Rejuvenation. The master bedroom incorporates linens from West Elm and decorative pillows from Scott Antique Market, with a reading nook transformed from a former master closet. The 2,300 square-foot home in Atlanta's Springlake neighborhood comprises four bedrooms and three bathrooms. #HomeRenovation #KitchenRemodel #OpenConcept #InteriorDesign #TransitionalStyle #ModernFarmhouse #AtlantaHomes #HomeDécor #FloorPlanTransformation

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

Alma-nac, a London-based architecture firm, undertook the renovation of Basing Street Rooms, a four-storey Victorian end-terrace house, transforming it into a long-stay hotel comprising guest suites for a record label. The design drew inspiration from the history of the recording studio across the street, abstracting elements from four specific record labels: Island Records, Stiff Records, ZTT, and Sarm. Instead of creating a direct archive, the architects aimed to distill the identity of each label into an abstract visual language, reinterpreting it within the context of the building's history and the functional requirements of the apartments. This approach resulted in a series of unique spaces, each associated with a particular label, while maintaining a common design thread throughout the hotel. Each of the four apartments, situated on separate floors, features a distinct colour theme influenced by record sleeve designs from the nearby studio's archive. All apartments share a similar layout, incorporating a combined living room and kitchen, a spacious bedroom, and a compact bathroom. Extensive rebuilding was necessitated by damage sustained during the Second World War, including the installation of a central plywood staircase, assembled off-site, on the ground floor. The lower-ground floor apartment is adorned with a navy, pale blue, and orange theme. The apartment on the floor above showcases herringbone patterns in shades of yellow, orange, and red in the hallway, extending through the front door. The kitchen in this unit features white cabinetry with red accents, and the wooden cupboards in the bedroom have bright orange-painted interiors. The orange and red herringbone pattern from the floor continues up the wall, encompassing the window seat. A red painted staircase leads to the first floor, with white lettering on each riser gradually spelling out song lyrics from top to bottom. A lighting installation consisting of clear glass bulbs suspended on red electrical cords hangs above this staircase. The first-floor apartment is characterized by shades of pink and red, featuring a glossy black kitchen unit, a dark chandelier, and a pink neon lighting installation on the living room wall. The top floor is decorated with a vibrant palette of bright yellow, white, blue, green, and pink. This apartment includes a yellow kitchen unit in the living space and a yellow lightning bolt tiled into the bathroom's shower wall. Externally, the building's brick frontage is painted blue with a red door and coloured window frames. A large mural on the external side wall depicts various artists who have recorded at the adjacent studio. The project utilized engineered parquet flooring, stained and arranged in detailed plans to define key activity areas within each apartment. Identifiable symbols and words from the record labels were abstracted and integrated into the design; for instance, the Stiff 'S' was reinterpreted as a pixelated lightning bolt, and the multiple misspellings of 'zang tumb tumb' formed a scrabble-board-like tile pattern in a bathroom. Alma-nac collaborated closely with the client and artists, incorporating a mural on the building's side and artwork directly onto internal walls, further embedding the studio's spirit into the hotel. The project successfully combined the building's historical context with a vibrant, music-inspired aesthetic, creating a unique and functional living space for visiting musicians. #ApartmentRenovation #LondonInteriors #HerringbonePatterns #ColourfulDesign #VictorianArchitecture #MusicInspiredDesign #BoutiqueHotel #InteriorDesign #AlmaNac

New York City loft living has evolved significantly since its popularization in the 1980s, transitioning from a gritty, industrial aesthetic to a more comfortable, flexible, and streamlined design approach. Contemporary lofts prioritize warmth, smart space-saving features, and integrated industrial elements rather than highlighting them. This article showcases seven distinct loft renovations across New York City, each offering a unique perspective on modern loft design while often preserving the historical character of the buildings. The Williamsburg Loft, designed by architect Antonio Monserrat, is an 800-square-foot space in a former 20th-century bakery. Monserrat integrated his love for colorful and multifunctional design into the renovation, utilizing original exposed timber beams, 12-foot ceilings, and large windows as a backdrop for vibrant colors, small-scale studio prototypes, and contemporary furnishings. This approach resulted in an eye-catching design, blending creative inspiration with functionality through elements like an emerald-green entryway with a hot-pink ceiling and sunshine-yellow storage pieces. In West Chelsea, the Spears Building Loft by Ravi Raj and Evan Watts transformed a dated, 2,700-square-foot loft into a family-friendly home. The architects replaced cold concrete floors with bleached walnut and introduced a warmer, lighter palette to soften the heavy industrial elements. Custom built-ins were incorporated for a streamlined appearance, while historic features like exposed brick and oversized openings were preserved, maintaining the loft's original appeal. The Bed-Stuy Loft, renovated by New Affiliates, is a 1,000-square-foot space within a 1947 chocolate factory, completed on a budget of approximately $100 per square foot. The design emphasizes affordable materials and transformed a dark, cluttered area into a warm, light-filled home. The space efficiently accommodates two sleeping areas, a bathroom, a study, a new kitchen, and a living/dining area without sacrificing its open feel. Key to its success was exposing materials such as pine plywood for walls and cabinets, and integrating existing Art Moderne columns into the design. Workstead’s renovation of an 1,800-square-foot Tribeca loft in an 1864 factory building drew inspiration from the setting sun, creating a cozy atmosphere with a timber palette and custom woodwork. Awkward interior partitions were removed, and original fir joists were exposed to restore the loft’s open and airy character. Oversized windows, a light color palette, and a minimalist design maximize natural light penetration and offer views of the Hudson River. Rachel and Nick Cope, founders of Calico Wallpaper, demonstrated a personal, design-led approach to loft living in their Red Hook rental, an industrial 1860s warehouse. They used the space as a testing ground for their marbleized wallpaper business, installing custom pieces that reflected the loft’s surroundings, such as a silver-and-gold marbled mural complementing exposed structural beams and a color-gradient wallpaper inspired by the Red Hook sunset. OSSO Architecture renovated a Brooklyn loft in a former paper factory, which had remained untouched since the 1980s. The 1,400-square-foot, two-story apartment was reconfigured to create a large, open living space, with an office on the first floor and a loft guest bedroom above. The second floor features a primary bedroom and bath with access to a rooftop terrace. Level changes subtly define different areas on the open-plan first floor, furnished with the owner’s midcentury furniture and international artwork. Finally, the SoHo Loft, renovated by architect Andrew Berman and designed by Justin Charette, is a 2,800-square-foot, two-bedroom pied-à-terre. Charette furnished the interior with minimalist pieces and built-ins, complementing the landmark building’s industrial and historical features, including a pressed tin ceiling and exposed wood beams. The design maintains high ceilings and tall windows that illuminate the open-plan interior, while a streamlined aesthetic, a neutral palette of white oak, painted exposed brick walls, and sleek contemporary furnishings sourced locally contribute to its modern appeal. #NewYorkLofts #ModernDesign #IndustrialConversion #LoftRenovation #InteriorArchitecture #SpaceOptimization #HistoricPreservation #BrooklynDesign #TribecaLoft