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Going with the Flow

The article details the transformation of a 2,200-square-foot condominium in Chelsea, Manhattan, into a flexible and aesthetically cohesive living space, orchestrated by Lee Mindel and Peter Shelton of Shelton, Mindel & Associates. The client, a Minneapolis-based CEO of an international investment firm, sought a minimalist yet sophisticated pied-à-terre that could accommodate both his solitary living and visits from his two young sons. The apartment, originally a three-bedroom unit in a converted early 20th-century office building, presented several design challenges, including an intrusive architectural layout with aggressive walls and a lack of flow, failing to capitalize on its significant views of the Hudson and East rivers and the lower Manhattan skyline. Shelton and Mindel's approach focused on "undoing" architectural elements to create an expansive, unified space. They began by removing a wall between the living room and an adjacent narrow bedroom, allowing for a seamless flow between the living/dining area and the open-plan kitchen. To further enhance simplicity and openness, a uniform ceiling height was implemented, and closet doors were redesigned to appear more loft-like. Sliding wood panels were installed between the master bedroom and the guest room/children's room to provide flexibility. Radiator cabinets were integrated into the design under the windows, and large-scale custom rugs, along with raw-silk draperies, were used to define and refine the room's dimensions, giving it a sharp, clean finish. A key aspect of the design philosophy was to anchor the rooms with robust modernist furniture, selected for its quality and ability to impart a sense of order, structure, and strength without overwhelming the space. The furniture, sourced from various European countries and the United States, includes distinctive pieces such as a 1920s Fritz Henningsen leather armchair, a 1940s Fontana Arte coatrack, a 1950s Jean Prouvé console, and a 1950s Carlo Scarpa sconce in the entrance hall. The living room features a 1950s Poul Kjaerholm daybed, Børge Mogensen leather-and-birch chairs, and a Kjaerholm sofa upholstered in French postal cloth, alongside contemporary pieces designed by Shelton and Mindel. Art plays a significant role, with works like Richard Prince's cowboy photograph and Matthew Barney's 'Cremaster 3: Plumb Line' integrated into the living space. The dining area is furnished with a 1950s Prouvé Granito dining table and Børge Mogensen wicker dining chairs, illuminated by a 1970s Verner Panton acrylic sphere. The guest room/children's room features 1940s Prouvé compass desks and a trundle bed designed by the architects. The master bedroom includes a 1940s Jacques Adnet armchair, a 1950s Charlotte Perriand bedside table, and a custom headboard of natural hemp and black horsehair, complemented by a 1940s Josef Frank armoire and Richard Prince's photographic triptych. The design aimed to create a tranquil yet dynamic environment, where the volume, light, and carefully curated furnishings coalesce to give the condominium a strong sense of place, a rarity in condo conversions, achieving a harmonious balance that was met with universal approval. #InteriorDesign #ModernistFurniture #ManhattanApartment #ArchitecturalRenovation #SheltonMindelAssociates #LuxuryLiving #ContemporaryArt #SpacePlanning #CustomDesign #InteriorDesign #ModernistFurniture #ManhattanApartment #ArchitecturalRenovation #SheltonMindelAssociates #LuxuryLiving #ContemporaryArt #SpacePlanning #CustomDesign
286 months ago
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Go With The Flow
Go With The Flow
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Book Review: The Sediment Must Flow