River Hearth House by Arcke

The Arc House, a modern private residence located on three forested acres in East Hampton, New York, was completed in 2010. Designed by architect Maziar Behrooz, the 6,400 square foot home features a distinctive architectural approach that integrates glass, steel, stone, and wood with a unique partially subterranean design. Over half of the structure is buried, fulfilling the owners' desire for a minimalist aesthetic. The architectural inspiration for the Arc House stemmed from an F-16 fighter jet emerging from a hangar, echoing the simplicity and efficiency of a Quonset hut. The upper level of the house is characterized by a self-supporting corrugated steel arch, measuring 60 feet by 20 feet, which forms both the roof and side walls. This industrial approach was chosen to transcend the perceived limitations of the site, which is situated under a flight path to a local airport and near a train track. The architect aimed to create a column-less, self-supporting canopy for the public spaces, focusing on cost-effectiveness while maintaining an intimate yet spacious feel. The chosen radius of 39 feet for the arch results in a peak ceiling height of 16 feet, balancing comfort with a sense of grandeur from the uninterrupted ceiling curve. Green features are integral to the Arc House's design, including geothermal heating for energy efficiency and a rainwater collection system positioned at both ends of the arch. A vegetated roof on the four-car garage further enhances the home's sustainability, blending seamlessly into the landscape. This garage is sunken and is accessed via a green surface of drivable grass interspersed with Belgian block stones. The lower level of the house accommodates an office, a sitting room, and workout areas. This level opens to a courtyard, facilitating cool air circulation and providing a private outdoor space. By embedding the house into the landscape, the design transforms the flat site into one with varied horizons, leveraging natural cooling and passive design principles. The Arc House's construction utilizes SIP panels, high-thermal windows, and closed-cell foam insulation, contributing to significantly lower energy consumption compared to conventional homes of similar size. The design has garnered recognition, including the Best Metal Roofing award in the 2011 MCN Building and Roofing Awards and the AIA Peconic Honor Award in the Project Category in 2009, when it was known as “Hangar House.” The green roof, in particular, acts like an infinity pool, with its vegetation merging into the surrounding environment, creating a continuous visual effect. The green roof installation at the Arc House was a significant culminating project for students from the Bronx, participating in a four-year educational program by Green Living Technologies International (GLTi). This program, which utilized the Mobile Edible Wall Unit (MEWU) for indoor vertical farming, aimed to enhance student learning through hands-on experience with green infrastructure. Under the guidance of GLTi President George Irwin, students engaged in various activities, from blending and testing growing media to actual installations. The curriculum focused on integrating CORE subject matter with authentic applications, fostering skills in biology, earth science, business, measurement, and problem-solving. This approach not only prepares students for standardized testing but also introduces them to advanced green roof and wall technologies. The program has demonstrated positive outcomes, including high attendance rates, 100% passing rates for the NY School Regents Exam, and 100% graduation rates. The Arc House project in 2010 offered these students an opportunity to apply their learned skills, earn a living wage, and experience a professional project in a high-profile setting, embodying the apex of the GLTi education program. #ArcHouse #GreenArchitecture #SustainableDesign #GreenRoof #GeothermalHeating #RainwaterHarvesting #MaziarBehrooz #ModernResidential #GLTiEducation

AOC, a London-based architecture firm, has extensively remodelled an Edwardian semi-detached house in Golders Green, North London, transforming it into a family home known as the Hearth House. The project aimed to update a property that had remained largely untouched since the 1940s, addressing its previous issues of being dark, spatially undifferentiated, and retaining the residue of past residents. The clients, a couple with three teenage sons, sought a home tailored to their specific needs, enabling the potentially separate lives of the family members to coexist harmoniously and beneficially. The design process began with a 'spatial constitution' developed through conversations, acting as a bridge between the family's evolving needs and a concrete three-dimensional architectural proposal. The renovation significantly increased the usable floor area by 20% within the existing building footprint and dramatically re-ordered the internal spaces. A key design element is the introduction of a triple-height space that brings natural light into the previously dark, north-facing rooms. At the base of this light-filled void, a heated poured concrete hearth and a matching stair serve as a relaxed central hub for family life, suitable for both active and leisurely use. The concrete surface of the hearth and stair incorporates a parquet pattern, echoing the reclaimed chevron parquet flooring elsewhere in the house, thereby connecting an unfamiliar material with domestic and historical associations. Externally, the house maintains a familiar appearance, yet its character is subtly altered. Existing openings were retained, but all doors and windows were replaced with black-stained timber frames and single panes. This change enhances the perceived weightiness of the facade, shifts the scale to that of a larger dwelling, and significantly increases natural light penetration. The ground floor now features a series of open-sided rooms, designed to be visually connected by long sightlines while remaining distinct enough to accommodate various simultaneous activities, such as dinner parties, musical practice, and homework sessions. Upstairs, the layout reverts to a more traditional cellular form, providing private spaces for each family member. Thoughtful integration of nooks, internal windows, screens, and openings ensures that family members can easily engage with communal areas while maintaining their desired level of privacy. The staircase design is particularly innovative, combining multiple styles to meet both functional and aesthetic requirements. It features a Victorian-moulded timber balustrade for a formal ascent, a laser-cut plywood balustrade offering a more enclosed path to the bedrooms, and a modern open-tread steel stair leading to the attic, which maximizes natural light from above and creates a sense of lightness. Throughout the home, traditional domestic elements are re-appropriated for new uses; for example, stair balustrades support a desk, picture frames function as wardrobe handles, and a skirting board becomes a handrail. This collage of new and repurposed elements is unified with the existing structure through a consistent application of warm off-white paint, giving the home a sense of instant maturity and cohesion. #AOCArchitects #HearthHouse #EdwardianRenovation #LondonArchitecture #InteriorRedesign #ConcreteHearth #PlywoodStaircase #NaturalLight #FamilyHome #SuburbanRenovation

Bosco, a converted 1950s Dutch barge, is currently listed for £1.8 million and offers a unique family home experience on the River Thames in London. Moored at Oyster Pier in Battersea with a 120-year mooring, this floating residence was designed by LAB Architects for their own family. The barge spans 2,150 square feet and features three to four bedrooms and three bathrooms. In its past life, Bosco served as a cargo barge, transporting grain and coal across European waterways. Its transformation into a comfortable family home necessitated extensive re-engineering. This included the design and installation of a new steel and glass top section, while the interior layout was carefully planned to harmonize with the existing brass portholes, ensuring a consistent design rhythm throughout the vessel. One of the prominent features of Bosco is a large winter garden on the deck. This "transparent sea container" is heated, allowing for year-round usability and providing a tranquil space for relaxation or socializing by the riverside. The winter garden features wide timber flooring and a natural color palette, creating a warm atmosphere and is enhanced with greenery. The oak wood deck provides views of both the water and garden, with the gentle sway of the river designed to induce relaxation. The barge's interior is efficiently organized with separate staircases leading from the center of the vessel to the deck and winter garden. Below deck, the space is divided into three distinct sections, each accessible by its own staircase. The kitchen is surprisingly spacious, outfitted with Carrara marble countertops, stainless steel cabinets, and oak wood paneling. It is illuminated by gallery ceiling lights and two overhead skylights. A small dining nook is conveniently located adjacent to the kitchen. Skylights and windows strategically placed above the staircases ensure that natural light penetrates the lower decks, illuminating even the darker areas of the cabin. A corridor leads to two double cabin bedrooms, which include supplementary storage and additional shelf-beds for guests. A private social area acts as a buffer between the primary bedroom, which has an en suite bathroom, and the children's bedroom. The children's room is designed with a cubby-like feel, featuring painted wall paneling and built-in storage. The main bedroom is situated in the stern of the barge, characterized by oak parquet flooring, birch ply skirting, and ceilings framed by wood-paneled walls. This room also includes built-in wardrobes for ample storage. The en suite bathroom associated with the main bedroom incorporates deep navy lime-wash walls and Victorian tiles, contributing to its charming aesthetic. A central area below deck, currently serving as a study with a full bathroom, offers the flexibility to be converted into a secondary living space if desired. Bosco's location at Oyster Pier offers convenience, being only a five-minute walk from the vibrant café culture of Battersea Square, which provides numerous dining and drinking options. #FloatingHome #RiverThames #Houseboat #LondonRealEstate #BargeConversion #LABArchitects #OysterPier #UniqueHomes #WaterfrontLiving

RiverView Hall, part of the University of Wisconsin-Milwaukee's housing options, is situated on the west bank of the Milwaukee River, offering residents scenic views of the river basin. Built in 2008, the hall accommodates 476 residents and is located at the intersection of North Avenue and Commerce Street. It is a key component of the "South Campus Experience," which encourages students to explore Milwaukee and connect with their peers. The residence hall is notable for displaying artwork created by students, staff, and members of the local community, integrated into its interior design. Residents benefit from direct access to the Oak Leaf trail, facilitating outdoor activities. The surrounding area provides convenient access to various amenities, including a grocery store, pharmacy, and an indoor climbing gym, all within walking distance. Additionally, a selection of Milwaukee eateries and entertainment venues is easily reachable across the Milwaukee River bridge on North Avenue. RiverView Hall offers suites, with individual room measurements potentially varying. Each suite is equipped with two extra-long twin beds, two dressers, two desks and chairs, two small filing cabinets, and a large walk-through closet. The rooms are carpeted for comfort. All suites feature a private bathroom with a toilet and shower, a vanity with two sinks, and individual climate control, including air conditioning. The flooring throughout the suites is made of durable materials. Building amenities contribute to a comprehensive living experience. These include a cafeteria for dining, WiFi internet access throughout the building, and a fully-furnished kitchen. Lounges are available on every floor, with two per floor, providing communal spaces for relaxation and study. The hall maintains a 24-hour security and service desk to ensure resident safety and support. For entertainment, there is a South Campus Cinema and a secure outdoor patio equipped with lights and heaters. Residents can also enjoy table games. Limited garage parking is available. The close proximity to the Milwaukee Oak Leaf Trail enhances opportunities for recreation. For prospective residents, detailed information regarding costs is available on the university's housing website, specifically under the residence hall section. Virtual room tours for RiverView Hall are also provided, allowing individuals to virtually explore the living spaces. The University of Wisconsin-Milwaukee collects website visitor information, and details on data usage and sharing are outlined in the university's website privacy statement. #UniversityHousing #StudentResidence #MilwaukeeRiver #CampusLife #ResidenceHallAmenities #SuiteLiving #StudentArt #OakLeafTrail

The article revisits the Fisher House, designed in 1970 by builder and designer Alistair Knox, located in the bushy Melbourne suburb of Warrandyte. Knox, known for his commitment to integrating buildings with their environment, was a leading figure in mud brick construction and designed over 1,000 houses, with around 350 realized. The Fisher House, while not mud brick, exemplifies his vision for environmentally integrated structures. It was recently renovated in 2021 by architect Adriana Hanna for photographer Sean Fennessy and stylist Jessica Lillico, focusing on a sensitive update that honors Knox’s original intent. Knox's philosophy emphasized that a building should be an extension of its environment, advocating for a close relationship between indoor and outdoor spaces. He was a founding member of the Australian Institute of Landscape Architects and believed in designing with a deep spiritual connection to the “sun-evolved landscape.” The renovation prioritized restoring the garden by removing non-native species and planting indigenous ones, a decision central to preserving Knox’s vision of harmony with the local ecosystem. The original Fisher House plans indicated a modest, one-bedroom brick residence with a temple-like symmetry, anchored by thick brick piers. Early alterations in 1976 saw the verandah overhangs enclosed, but the house remained largely untouched for 45 years, providing an ideal foundation for the recent renovation. A key enduring quality of the house is the way the paved floor extends seamlessly from inside to out, a testament to Knox's adoption of concrete slab-on-ground construction. The window wall is strategically oriented to offer views of only trees, extending to the horizon, reinforcing the connection to nature. Raw, rough-hewn timber posts, likely reclaimed, support the roof, showcasing Knox’s pragmatic use of materials based on availability and cost. While the house exhibits modernist traits such as open planning, extensive glass, modular elements, and exposed structure, Knox himself was critical of the futuristic designs favored by some academically trained architects. His influences included early colonial precedents like Francis Greenway, Frank Lloyd Wright, and Walter Burley Griffin, all of whom shared an intimate understanding of construction and craftsmanship. Knox also drew inspiration from anonymous farm outbuildings, which he found to possess “personality and power,” being indigenous, ingenious, and functional. He believed the best Australian buildings responded to the climate and unique light quality, incorporating elements like the all-surrounding verandah and clerestory windows to create abundant natural light and subtle shadow play. The interior renovation carefully reinstated openness, reconfiguring an unnecessarily large main bedroom to include a second bathroom. The kitchen was enlarged, and circulation paths around the chimney were opened, facilitating a uniform brick floor. This involved demolishing and repouring part of the slab to accommodate matching brickwork. Rewiring necessitated removing roof sheeting to access spaces between purlins and ceiling lining, an unseen yet significant effort. The renovation's goal was to make new additions, such as the kitchen and built-in lounge, blend seamlessly with Knox’s original aesthetic, making it deliberately challenging to distinguish old from new. The most overt interior change was the whitewashing of the brick walls, achieved through a rough “bagging” technique. This offers visual relief from the original brown tones while retaining texture, reminiscent of mud brick finishes, a compromise that honored the owners’ desire not to fully whitewash the surfaces. A single curved, tiled partition in the new bathroom and laundry subtly deviates from Knox’s modular system but is hidden within these utility spaces. These thoughtful modifications celebrate Knox’s principles of natural materials, pragmatic construction, and connection to the landscape, demonstrating the lasting relevance of his architectural ideas for contemporary living. #AlistairKnox #FisherHouse #ResidentialArchitecture #HomeRenovation #EnvironmentalBuilding #AustralianDesign #SustainableLiving #MidCenturyModern #AdrianaHanna

When clients purchased a 1956 Saugatuck, Michigan, home situated on Kalamazoo Lake, they were faced with a house that presented a jumble of inconsistent design elements. The architectural style leaned mid-century modern, retaining original details like a butter-yellow washing machine, yet the designers, Liz Hoekzema and Jaci Schipper of KLH Custom Homes, aimed to avoid creating a mere "period piece." Simultaneously, the lakefront location prompted considerations of a more classic cottage aesthetic, characterized by elements such as white shiplap and seagrass rugs. The design team embarked on a renovation that sought to seamlessly blend the home's historical roots with a fresh, contemporary perspective, drawing inspiration from its lakeside setting. Key original features like a central brick fireplace column and stained glass windows were preserved and reinterpreted. To subtly reflect the water, zellige tiles were incorporated in the kitchen and bathroom, mimicking the shimmering surface of the lake, while wavy furniture echoed its gentle ripples. A breezeblock partition and banquette on the lower level were installed to evoke the 1956 architecture, making it appear as if they were inherent to the original design. The layout was reconfigured to accommodate the clients' lifestyle, featuring two distinct kitchen areas. The main level kitchen was designed as a family-friendly space, while a smaller kitchenette on the lower level offers a private retreat for the homeowners. In the main kitchen, a unique attached island and dining table transition from soapstone to wood, providing lake views at counter height. The table's base incorporates a soft, wavy form, further referencing the water. The pantry door features a distinct natural brass push and kick plate, chosen for its resemblance to the sun rising over the lake. Practical solutions were also implemented, such as a tucked-away paper towel holder to maintain a clutter-free countertop. The original stained glass windows, initially a chaotic mix of colors and shapes, were reimagined into a brand-new transom window leading to the office, drawing inspiration from the existing elements. The principal suite, previously dark due to small windows, was transformed with clerestory architecture extending from the bathroom to the closet, maximizing natural light. A design challenge involved the construction of a breezeblock bench integrated into the wall, requiring careful planning for support and code compliance. A meaningful, yet subtle, design detail lies in the sconces of the principal bathroom, which playfully mimic the old, awkward triangular jut-out windows that were removed during the exterior renovation. The bathroom layout itself was rethought to create separate vanity spaces for the couple, with a makeup vanity for the wife and an extended mirror to amplify light. In the small powder room located under the stairs, the angled ceiling was embraced, and storage was maximized with cubbies. A soft, butter-yellow wallpaper and a mirror with a wave motif contribute to a sunny, water-inspired ambiance. For the children's room with twin beds, the designers aimed for a collected, cottage-like feel rather than a overtly new aesthetic. A shift in the ceiling was highlighted by using two different shades of mint green paint, contributing to the room's character. The exterior underwent significant restoration, with existing brick and stone base preserved where possible. The upper level features new LP siding, all painted a uniform color. On the lakeside, a thermally modified deck was installed for low maintenance, and the balcony railing was chosen to resemble a boat railing, offering clean lines and unobstructed views of the lake. #LakeHouseDesign #MidCenturyModern #HomeRenovation #InteriorDesign #WaterInspiredDesign #SaugatuckMichigan #KitchenDesign #BathroomDesign #CustomHomes

Architects Lebel & Bouliane designed a ground-up residence in Scarborough, Ontario, drawing inspiration from the dramatic Scarborough Bluffs, a geological formation bordering Lake Ontario. The design aimed to evoke both stone and water, using materials that reflect the natural surroundings. The clients, a couple with three young children and an extended live-in family, sought a home that could accommodate multi-generational living, offering both shared spaces for family life and private bedroom suites, with a vision to age in place within the residence. The project, named Meadowcliffe House, was completed over several years, benefiting from the architects' prior experience with similar multi-generational homes featuring extensive stone. Meadowcliffe House is characterized by its dramatic structure, featuring a pair of stone volumes that frame a three-story central atrium. This atrium not only floods the interior with daylight but also offers unobstructed views of Lake Ontario from the moment one enters the front door. The limestone used for the residence was carefully selected and quarried in Owen Sound, Ontario, with Luc Bouliane personally choosing veins for consistency. The stone pieces were meticulously cut and mitered at the quarry for seamless integration between the exterior and interior, reinforcing the connection to the home's natural environment. In addition to limestone, the architects incorporated stainless steel, glass, bronze, and wood to create a flexible and accessible dwelling. The 7,750-square-foot residence encompasses 29 rooms, including six distinct bedroom suites spread across three levels. The ground floor is specifically designed for family gatherings and larger events, featuring a living area that opens directly onto an infinity pool. The interior design emphasizes natural elements, with furnishings kept minimal to complement the architecture and surrounding landscape. Lebel explains that the focus was on simplicity, texture, and scale, utilizing materials such as walnut, oak, metal, and glass, while textiles remained neutral and muted. The property also prioritized the preservation of natural landscape features, retaining over two dozen mature trees and reintroducing native plant species to blend with the Scarborough Bluffs environment. The project successfully created intimate spaces for the immediate family while also providing areas suitable for larger gatherings with extended family members. The master bedroom, for instance, offers expansive views of the lake, enhancing the connection to the natural setting. The use of natural Algonquin Limestone, personally selected by Bouliane, covers 6,350 square feet, ensuring a consistent aesthetic throughout. Notable interior pieces include walnut dining chairs, a table, and a bench by hollis+morris, and a large ash and walnut coffee table by Atelier Dimo, sourced through Montauk Sofa. The integration of the house with its site, the consideration for multi-generational living, and the deliberate material palette highlight the architects' approach to creating a home that is both aesthetically integrated with its surroundings and functionally adaptable for its occupants over time. #ResidentialArchitecture #MultiGenerationalLiving #LakeOntario #ScarboroughBluffs #LebelBouliane #LimestoneConstruction #SustainableDesign #InteriorDesign #FamilyHome

In the mountainous region of Bavaria, Germany, a distinctive holiday home known as Haus P offers a contemporary reinterpretation of the traditional chalet. Designed by Stuttgart-based Yonder — Architektur und Design, this 2,680-square-foot residence serves as a rural retreat for a family of seven from Hamburg. The architects, Benedikt Bosch and Katja Knaus, drew inspiration from classic Allgäu chalet-style homes, adapting the form into a modern, sculptural structure. The house is strategically positioned on a gentle slope in the German alpine region of Allgäu. Its exterior features charred wooden siding, which not only provides a natural, weathered appearance but also offers eco-friendly weather protection, contributing to a cool, dark-grey aesthetic. This charred wood contrasts effectively with core-insulated exposed concrete used for the foundations of the basement level, establishing a solid plinth for the timber structure above. The combination of these materials creates a two-toned facade that is both visually striking and functionally robust. The unique geometry of Haus P is a result of maximizing the property’s allowable building envelope. Bosch explains that the design conceptually originates from a classic chalet form with a shallow gabled roof and a full lower level, from which an oblique section was strategically removed along its central axis. This incision effectively divides a single building into two primary components: the main house and a separate storage shed, creating a protected courtyard in the intervening space for outdoor activities. Access to the main entrance is provided by cantilevering stairs along the slanted rear façade, leading to this courtyard. The interior spaces are characterized by their cool, lofty ambiance and an emphasis on pure and simple aesthetics. Wood, a prevalent building material in the region, is extensively used for the home's structural framework and interior finishes. The double-height ground level accommodates the open-plan communal areas, including the kitchen, living, and dining spaces. A large picture window in this area frames stunning views of the surrounding mountains, integrating the natural landscape into the living experience. A modern, minimalistic concrete fireplace is a focal point in the living area. The lower level, or garden basement, is functional and well-appointed, housing two guest rooms, a sauna, and a bathroom, offering practical amenities for a large family or guests. Stairs within the house beautifully blend with the wooden walls, floors, and ceilings, creating a cohesive design. A built-in bench along the stairs provides a quiet spot for reflection, while an upper-level loft serves as an idyllic space for reading or stargazing through its picture windows. The canted shape of the building contributes to these commodious interior spaces with high ceilings, enhancing the overall sense of openness and light within the home. #ChaletInspiredHome #ModernArchitecture #GermanAlps #CharredWoodSiding #ConcreteDesign #HolidayHome #SustainableDesign #ArchitecturalInnovation

This blog post highlights the significant role of fireplaces, particularly those from Stoke Fireplace Studio, in creating a sense of warmth, comfort, and togetherness in modern homes. The article references their prominent feature in "The Block" — a popular reality television show focused on home renovation and design. The latest season of "The Block," set in a former holiday resort on Victoria’s Phillip Island, challenged contestants to integrate innovative design and architectural ideas into their dream homes. Fireplaces emerged as a standout element, with judge Marty Fox emphasizing their transformative impact on living and dining areas. Fox posits that the appeal of a fire is deeply rooted in human history, drawing people together and fostering conversation and entertainment. He also acknowledges the practical benefit of efficient heating, describing fireplaces as a "win/win" that combines both aesthetic appeal and functionality. The article details the specific models chosen by the contestants. Maddy and Charlotte in House 1, along with Kylie and Brad in House 4, opted for the Escea TC950 Wood Fireplace. This minimalist, in-built unit features a large firebox for high efficiency and an expansive viewing window to maximize the visual experience of the flames. In contrast, Ricky and Haydn in House 3 selected the freestanding Escea TFS1000 Wood Fireplace, which offers a contemporary twist on the traditional living room fireplace. Both models are praised for their design, which is described as minimalist and modern, effectively highlighting the fire itself. A key technological feature mentioned is Escea’s Direct Vent Technology, which, based on two decades of development, ensures more efficient heating and eliminates cold drafts, thereby enhancing overall home performance. Haydn from House 3 shares his personal experience, noting the significant difference the fireplace made to his home, especially considering the Victorian climate. He describes it as the undeniable centerpiece of their living and dining area, made even more impactful by the adjacent wood stacker. Haydn also commends the Escea TFS1000 for its user-friendliness, recalling how easy it was to operate after a brief instruction from the Stoke installers. The efficient heat distribution provided by the Direct Vent Technology is particularly highlighted, allowing warmth to spread consistently across a large open-plan space, from the sofa to the dining table and kitchen bench. The article concludes by inviting readers to contact Stoke Fireplace Studio for expert advice on incorporating fireplace magic into their own renovation projects or new builds, and to shop for these products online through The Block Shop. #HomeInspiration #Fireplace #TheBlock #InteriorDesign #StokeFireplace #EsceaFireplaces #HomeHeating #DesignTrends

The article details the design and concept behind a Michigan lake house, envisioned as a generational gathering place for a family of five. The property, acquired spontaneously by the husband, previously contained seven rudimentary cabins, which influenced the new architectural approach. The owners, who had a strong connection to the lake from years of vacationing in a nearby cabin, sought a home that felt authentic, aged, and embraced the natural, rugged beauty of its heavily treed peninsula location with 270-degree lake views. The wife, initially imagining a traditional white frame house with green shutters, embraced a grittier, older aesthetic that complemented the unique landscape. Architect Matt Rossetti of Detroit-based Rossetti, known for large-scale commercial projects, collaborated on the residential design, creating a structure composed of four distinct "cabins." Each cabin features a different vernacular, such as clapboard, shake, lathe, and board-and-batten, all connected to a main lodge via contemporary breezeways. These breezeways, characterized by concrete floors, abundant glass, and steel, introduce a modern edge to the otherwise rustic design. Interior designer Amy Meier was integral from the project's inception, focusing on materials, finishes, and furnishings that exuded age and character. The core directive from the wife was that "almost nothing could be new; the rustier and crustier the better," aiming for a look reminiscent of a grandmother's lake house from 70 years prior. This philosophy was realized through the incorporation of reclaimed cedar from the original cabins in the bunkhouse, as well as French white oak floors, salvaged beams, and barn wood cladding sourced from a local heritage wood purveyor. Meier strategically combined stone and wood with glass and steel to achieve a balance that feels both ancient and contemporary. Specific design choices underscore this aesthetic, such as bandsawn knotty white oak kitchen cabinets, chosen for their ability to develop a rich patina over time. The kitchen island, painted deep green, is topped with walnut milled from a downed tree on the contractor's parents' property and features displays of splatterware and copperware collected from across Michigan. The fireplace, a significant design element, blends a timber header with brick sides and a blackened steel surround, carefully designed to be asymmetrical yet harmonious. Instead of traditional art, the home emphasizes family photos, further personalizing the space. For the guest wing, walls were constructed to conceal insulation behind unfinished two-by-fours and planks, echoing the raw simplicity of the original cabins. The overarching goal was to create a newly built home that seamlessly integrated into its surroundings and appeared to have existed for generations. This commitment to aged authenticity was notably confirmed when a window treatment installer commented on the house's apparent age, apologizing for potential misalignments. The homeowners expressed satisfaction with the design, noting its "funky" and "a little off" character, which perfectly aligns with their desire for a simple, relaxing retreat away from life's complexities. #LakeHouseDesign #RusticPatina #AmyMeierDesign #MichiganArchitecture #TimewornCharacter #ReclaimedMaterials #GenerationalHome #InteriorDesign #ArchitecturalVernacular

Architects' Alley in Kirkwood, a neighborhood of distinction recognized by the Kirkwood Landmarks Commission, is known for its homes designed to integrate seamlessly with the natural landscape. This area, particularly the winding stretch of West Adams Avenue in Sugar Creek Valley, features houses often obscured by trees during summer, becoming visible only in winter. These residences are largely Midcentury Modern and were often designed by the architects who resided in them, illustrating a deliberate connection between architecture and nature. A prime example is the home of Randy and Joy Miltenberger, a 1958 Midcentury Modern house situated on nearly 3 acres of woodland. Believed to have been designed by local architect John L. Haff, the Miltenbergers purchased the property 25 years ago as its third owners. Initially, the house retained its original 1950s aesthetic, which Randy Miltenberger, a principal at Miltenberger Architects, envisioned transforming while preserving its core principles. The couple embarked on a significant renovation, beginning with a nearly seamless addition in 1996. This renovation aimed to reconfigure the interior space, emphasizing the integration of indoor and outdoor environments. Floor-to-ceiling windows were installed across the back and sides of the house, effectively blurring the boundaries between the living spaces and the surrounding natural scenery. A new entrance was created, leading to a distinct foyer that opens into a small study. This study overlooks a covered, tree-filled atrium on the lower level, enhancing the connection to nature. The study's design includes shelves displaying Randy's collection of beer steins, artifacts, and books, while two classic leather Wassily chairs from Knoll are strategically placed to offer views of the trees outside, allowing residents to observe the changing seasons. The original traditional staircase was replaced with a green-painted spiral staircase, designed to be less obtrusive and to highlight the outdoor views. The choice of green for the staircase was intentional, making it blend with the exterior landscape rather than dominate the interior. The Miltenbergers carefully matched new materials, such as slate floors and post-and-beam ceilings, to the existing ones, ensuring a cohesive design that made the additions appear original to the house. A notable original feature is a large light fixture with three opaque glass teardrops, visible from the road, which they updated with remote-controlled color-changing bulbs for seasonal displays. In 2000, the kitchen underwent a major remodel, expanding its size and opening it up to more natural light. Randy designed the kitchen's layout, collaborating with Ken Henry of Alspaugh Kitchen & Bath for custom wood cabinetry. Henry also created a black granite backsplash in the shape of a mountain, which, along with matching countertops, reflects the outdoor trees and a patio water feature. A large granite-topped island provides additional workspace and seating. Subsequent updates in 2010 involved relocating the pantry and refrigerator and removing the wall between the kitchen and dining room. A cozy corner sitting area was also added, offering views of the patio and a relaxing space to enjoy morning coffee while listening to the waterfall. The final stage of the kitchen remodel in 2015 involved removing more upper cabinets and part of a wall to further open the space to the living room, increasing light flow. In 2016, a wall behind a built-in wood sideboard in the dining room was removed to create a skylit, plant-filled atrium adjacent to the expanded garage. The Miltenbergers, art enthusiasts, incorporated works by Brother Mel Meyer, including a commissioned metal dining room table base, as well as blown-glass pieces by Sam Stang and paintings by Javier López Barbosa. An oversized abstract painting by Mary Sprague complements the natural views in the living room, where white walls serve as a neutral backdrop for changing artwork. The master suite, including a bedroom, office, walk-in closet, and a white marble bathroom with a Jacuzzi tub, overlooks the woods, offering a sense of seclusion and connection to nature. The entire home evokes the feeling of a glass-enclosed tree house, providing a serene retreat just a short distance from civilization. #ArchitectsAlley #MidcenturyModern #KirkwoodHomes #ArchitecturalDesign #HomeRenovation #IndoorOutdoorLiving #CustomCabinetry #ArtCollection #SustainableDesign #LandscapeIntegration

This article offers a detailed tour of "The Swallow," a custom home located in the Kiawah River waterfront community on Johns Island, just outside of Charleston, South Carolina. The residence is presented as an example of elevated, coastal chic design, situated in the region's unique "agrihood" community which includes a 100-acre working farm, goat dairy, beehives, and nature trails, reflecting a lifestyle connected to natural elements. Built by JacksonBuilt Custom Homes with interiors designed by Motif, the three-bedroom, three-and-a-half-bath home was conceived to integrate with its surroundings, drawing inspiration from local natural elements like driftwood, feather grass, and water. The homeowners, having relocated to escape Pennsylvania winters, sought to create a tranquil retreat. The home's design features distinct sections, giving the impression of organic growth and additions over time. The main living space, characterized by a vaulted ceiling, a plaster fireplace, and iron 'turnbuckles,' aims to evoke the feel of an original homestead. This area seamlessly connects to the kitchen, which offers views of the community park, and then extends to the primary suite. The living room's spaciousness is enhanced by high ceilings and a floor-to-ceiling fireplace surround. Driftwood beams and accents of sunshine yellow in throw pillows contribute to depth and ground the space in natural aesthetics. The interior styling incorporates unique pieces, including artwork by photographer Benjamin Walls, chosen by Motif, JacksonBuilt's sister company for finishing touches. Despite its expansive feel, the living room maintains a cozy warmth. The kitchen area features a blend of white oak and fluted accents on the cabinetry, providing ample space for cooking and social interaction. A bead board inlay under the kitchen island adds textural interest. The breakfast nook is designed with floor-to-ceiling windows that highlight the outdoor scenery and allow natural light to flood the space, offering views of the park. The exterior of the 2,950-square-foot home showcases a coastal farmhouse aesthetic, despite its location on an irregularly shaped corner lot, blending harmoniously with the landscape. A prominent live oak tree in the front yard serves as a significant natural focal point. The home's design and aesthetic were achieved in collaboration with architect Collin Cope, utilizing materials and furniture that complement the natural outdoor environment. The primary bedroom is depicted as a simple yet effective tranquil retreat, featuring greenery and a bed flanked by mirrors. Sliding barn doors lead to the master bath, which includes a freestanding tub offering serene views of the area's signature Spanish moss. White halls throughout the home provide a neutral backdrop for eye-catching artwork. A wet bar area also incorporates artistic elements. The balcony is presented as a carefully curated space, layered with cozy textures. The residence's design excellence was recognized with a “Best in American Living Award” from the National Association of Home Builders. #KiawahRiver #CustomHome #CoastalChic #JohnsIslandSC #HomeDesign #InteriorDesign #AgrihoodCommunity #LuxuryHomes #SouthernLiving

Architects Annelies Rygole and Peter Tompkins designed Woodridge, a five-bedroom residence in Newbury, England, as their family home. The house replaced a 1960s bungalow on a private road, situated within the grounds of an original Arts and Crafts property. The design aims to integrate with the area's heritage while establishing a distinctly modern presence. The most striking feature of Woodridge is its facade and walled garden, which are entirely clad in handmade Michelmarsh bricks laid in a traditional Flemish bond pattern. This pattern incorporates grey-brown headers alongside the reddish-hued stretchers, creating a distinctive texture and appearance. This choice of material and laying technique references the neighboring Arts and Crafts buildings, ensuring the new house harmonizes with its surroundings. The architects noted that brick was chosen for its versatility and its ability to offer a range and depth of tone without overwhelming the building. Recent projects by other architects, such as Duggan Morris's housing blocks in London and Joris Verhoeven's house in Holland, have also utilized handmade bricks to infuse character into their designs. This approach highlights a trend towards materials that offer both traditional aesthetics and contemporary relevance. For Woodridge, the coarse texture of the brickwork and its overall materiality strongly connect to the area's architectural legacy. Simultaneously, the precise application of the brick and the house's simplified volumetric form clearly mark it as a modern intervention. The design process for Woodridge was influenced by both the site's physical constraints and the family's practical needs, particularly the requirement for five bedrooms. The resulting structure features a mix of bright, open interior spaces and more private zones, optimizing it for family living. The interior layout includes five bedrooms, three bathrooms, a sitting room with a wood-burning stove, an open-plan kitchen and dining area, a utility space, a larder, and a home office. Variously sized windows punctuate the brick elevations, visually articulating the different types of rooms within the house. This interplay between solid brick and transparent glass creates an irregular yet rhythmic facade. These windows are strategically placed to maximize natural light, especially given the presence of mature trees around the property. At the rear, large sliding doors on the ground floor open directly onto a garden and an outdoor dining area, blurring the lines between indoor and outdoor living. A walled garden at the front of the house provides a sheltered outdoor space that benefits from the evening sun. This area functions as an additional living space for the family, complete with herbs for the kitchen and a fire pit for cooler evenings. The architects viewed designing their own home as a valuable learning experience, providing insight into the client's perspective and the adaptability required throughout the project. They emphasized the importance of a good client in achieving a successful building, and their aim was to create a home that was inspiring and special, yet unpretentious, allowing them to live authentically within it. #ArtsAndCraftsArchitecture #HandmadeBricks #NewburyEngland #ResidentialArchitecture #FamilyHome #ContemporaryDesign #FlemishBond #ArchitectOwnedHome #ArchitecturalHeritage

Joanna Grawunder and Mark Jensen, an architect couple, transformed a dilapidated Depression-era summer cabin on the Russian River near Healdsburg's Fitch Mountain into a modern, multilevel retreat. Initially repulsed by the property's condition in 2012, Grawunder was convinced by Jensen, who had childhood memories of the Russian River, to explore its potential. Despite the abandoned house being in a state of disrepair with numerous issues, including septic problems and termites, the couple was captivated by the "gobsmacking" river views, recognizing the prime location. Their professional expertise as architects instilled confidence that they could overcome the structural challenges. Undeterred by a long list of county violations that had scared away previous prospective buyers, Jensen understood the site's unique value. Building a new house so close to the river was prohibited, but they found that they could rebuild on the existing foundation and footprint of the old cabin. The permitting process alone took two years, followed by another two years for construction. Eight years ago, they finally moved into their completed home. The resulting house is a modest, multilevel structure with board-and-batten siding and a concrete base, designed to evoke a farm building and blend with the rural landscape. Its simplicity contributes to its comfort. The location is highly desirable, being a mere two-mile walk from Healdsburg Plaza, allowing them to integrate into a community with friends who often share fresh produce. The pandemic prompted them to move from San Francisco to live in the Healdsburg home full-time, falling in love with the lifestyle, though Jensen maintains a small loft in the city for workdays. While most of the original structure was replaced, the couple preserved the steep, concrete steps leading to the old dock. A significant discovery during renovation was the unearthing of 20th-century Boho art embedded in the terraced walls leading to the river. These decorative elements, including abalone shells, mirror and tile fragments, glass bottles, and candle niches, were initially buried under sand and silt. This annual task of digging out the terraces, which they playfully call "shovel camp," has become a cherished spring ritual. The interior of the 1,100-square-foot house is open and simple, featuring a winding staircase to a bedroom loft. From this elevated position, Grawunder enjoys unique views of local wildlife, such as great blue herons, bald eagles, and ospreys. The casual furnishings are largely indoor-outdoor, allowing for flexible entertaining, and a wide deck with a retractable awning expands the living space. The compact kitchen is efficient for cooking, even when hosting frequent guests who often arrive by kayak or canoe. Despite the overall simplicity, the house incorporates elements that reflect the couple's appreciation for modern art and design. A dining table from the famed Italian design collective Superstudio, where Grawunder once studied, serves as a focal point. Grawunder, who also has a background in artistic design, including limited edition furnishings and lighting, has incorporated one of her acrylic mirror light pieces into the living space, resembling a window. The couple enjoys observing the changing seasons from their home. While winters offer cozy views of the rushing river from an alcove, summers are for leisurely entertaining, often starting with drinks at the dock and moving to the covered deck for dinner. A unique "Italian grandmother elevator"—a rope with a basket—is used to transport food, like pasta and pizza, to guests below. The Russian River fosters a sense of casual camaraderie, with neighbors often paddling by and impromptu gatherings occurring, sometimes involving Negronis delivered by paddle. #HealdsburgHome #RussianRiver #Architecture #HomeDesign #Renovation #SonomaCounty #WaterfrontLiving #ModernHome #ArchitecturalDesign

This article details the transformation of a dilapidated 100-year-old barn in the Hudson River Valley into a sophisticated guesthouse and entertaining space. The structure, which originally had soft walls, a partly rotted foundation, a mud floor, and a bat infestation, was deemed barely salvageable. However, the homeowner enlisted the expertise of Connecticut-based architecture and design firm Hendricks Churchill, led by wife and husband team Heide Hendricks and Rafe Churchill, known for their ability to blend historical preservation with modern elements. Rafe Churchill, the lead architectural designer, spearheaded a comprehensive overhaul. This involved stabilizing the foundation, stripping the barn down to its timber frame, and rebuilding it with modern amenities such as insulation, plaster walls, radiant floors, and new windows. Despite these extensive renovations, Churchill meticulously preserved the barn’s original charm, particularly its aged timber posts, beams, and weathered ceiling. To accommodate the new roof structure, a new one was built over the existing ceiling, a technique previously employed in their own 1871 home. Further enhancing its functionality, a full bathroom, kitchenette, and a basement level featuring a garage and sauna were added. Heide Hendricks, the lead interior designer, collaborated with the homeowner, who possessed a keen eye for furniture, art, and textiles. The design process began with a vintage dark brown leather Togo sectional, a piece the homeowner acquired even before the demolition phase, which established the retro-relaxed vibe of the double-height living area. The interior palette is characterized by earthy tones, including caramel browns, charcoal, and subtle pink accents, chosen to highlight the various tactile elements within the space. These elements range from reclaimed oak floors and plaster walls to wicker dining chairs and a Japanese boro textile. To achieve an aged patina effect, the plaster walls were tinted rather than left pure white, avoiding a stark appearance. The kitchenette cabinetry was painted in Farrow & Ball’s Dead Salmon, a muddy pink, introducing an unexpected touch of color to the dining area. The dining space is furnished with a vintage dining table and chairs, complemented by artwork, specifically a framed Calvin Klein scarf depicting Andy Warhol’s _Electric Chair_, positioned above the sink. A clear glass railing frames a raised bedroom loft, accessed by an oak zigzag staircase, which overlooks the living room. In the loft, a vintage table and stools create a secluded workspace, offering guests a private retreat. The designers deliberately adopted a minimalist approach, minimizing extraneous elements such as elaborate window treatments, built-ins, and excessive accessories. Motorized shades were installed in place of traditional drapery, a compact vertical bookcase replaced a conventional one, and rugs were used sparingly to emphasize the plain oak floors. This intentional restraint, as Hendricks notes, was key to the project’s success, ensuring the barn retained its essential character while gaining modern functionality and a chic aesthetic. #BarnRenovation #GuesthouseDesign #HistoricPreservation #InteriorDesign #ModernRustic #HendricksChurchill #HudsonRiverValley #SustainableRenovation #VintageDecor

Megan and Tyler Duncan, residing in Shakopee with their three young children, aspired to create a year-round lake retreat on Bone Lake in Luck, Wisconsin, near Tyler's parents' cabin. Their vision for the new home included ample shoreline views, a wooded lot, and an interior that would seamlessly blend the outdoors with natural materials and expansive windows. The couple sought a cozy and comfortable environment, with the kitchen as a central gathering space, alongside various quiet nooks for individual relaxation. In 2013, an existing one-room cabin adjacent to Tyler's parents' property became available, prompting the Duncans to accelerate their plans. The Duncans enlisted a collaborative team: Stonewood in Wayzata for design, B & H Builders in Cushing, Wisconsin, for construction, and Martha O’Hara Interiors in St. Louis Park for interior design and furnishings. The 5,000-square-foot home, completed in 2016, exemplifies rustic sophistication, incorporating reclaimed millwork, natural stone, and an airy, neutral color scheme. Martha O’Hara highlighted the textural and natural construction materials throughout the house, particularly the reclaimed barn wood used in the living room, dining room, and kitchen. These three open-plan rooms are unified by reclaimed wood beams, posts, and ceilings. A river rock fireplace in the living room complements the ceiling beams, while the kitchen features a hearth-like surround for the range. An open-weave rope chandelier above the dining table and wicker kitchen stools introduce additional natural textures. To prevent the windowless kitchen from feeling enclosed, interior designers Kristy Conlin, Andrea Surtel, and Bhavana Bhimavarapu opted for crisp white subway tiles on some walls and open shelving in place of upper cabinets, creating a spacious and light aesthetic. A dark gray soapstone island and hickory and oak cabinets add contrasting colors and textures, balancing the rugged beams. The adjacent hearth room, built with wood reclaimed from a shed on the property, offers a practical space for children. A screen porch with a fireplace provides an ideal spot for relaxation and enjoying lake and wood views. The family room, featuring plaid, wool, fur, and reclaimed wood accents, offers a warm setting for movie nights. The house includes four bedrooms, with the master bedroom serving as a private retreat, complete with a natural stone fireplace, white wood panels, and a balcony overlooking the lake. The home also caters to children with a reading nook in the attic and a secret fort accessible through a child-sized door in one bedroom. The basement provides ample entertainment options, including video games, ping-pong, and movies, along with a guest bedroom and a spacious bunk room. Throughout the residence, wood is integrated with varied designs and finishes, such as blue-stained panels in one bathroom, horizontal striping in another, and log walls with chinking in the foyer. The design team aimed to give each space a distinct identity while maintaining overall coherence, ensuring material integrity and suitability for each area. The Duncans utilize the cabin year-round, finding it a favorite place for family and friends, offering both communal areas and individual spaces for relaxation, making it a true retreat. #RusticDesign #LakeHome #InteriorDesign #ReclaimedWood #NaturalMaterials #FamilyRetreat #WisconsinArchitecture #Stonewood #MarthaOHaraInteriors