Tompkins Rygole's Woodridge house evokes Arts and Crafts architecture with brick facades

This article explores the unique interior design challenges and solutions for the residence of Lindenwood University president, Jim Evans, and his wife, Lois. The 9,200-square-foot house in St. Charles functions simultaneously as a comfortable private home and a sophisticated venue for entertaining university dignitaries and donors. Mitchell Wall Architecture and Design, along with senior designer Colleen Ertl of Diane Breckenridge Interiors, were tasked with creating a space that could seamlessly transition between these two distinct purposes. The design approach involved essentially creating "two houses in one." The formal areas, intended for university events, boast an elegant and traditional aesthetic. The dining room, for instance, seats 14 people and features a coffered ceiling, a grand fireplace, and French doors opening to a balcony. Its design evokes a modern interpretation of "Downton Abbey" style, balancing formality with comfort. The color palette in this space incorporates browns, greens, blues, cream, and touches of gold, aiming for a timeless yet contemporary feel that avoids being perceived as old or stuffy. This room is routinely used for formal occasions, donor engagements, alumni gatherings, and meetings with the university's board of directors. Adjacent to the dining room, the living room is designed in the style of a grand hall, complete with a dark, wood-beamed ceiling and an elegant fireplace. An inlaid floor visually connects the two formal spaces, with the color scheme from the dining room echoed in an area rug in the living room. Ertl emphasized the importance of the furniture being comfortable and inviting, despite the room's formal function as a receiving area for events. The goal was to create an atmosphere where guests could feel at ease and "just plop down." In contrast to these public and formal spaces, the residence also includes private, more casual living areas. These are primarily located on the lower level and feature a cozy kitchen, a breakfast nook, a hearth room, and a master-bedroom suite. The overall house comprises four bedrooms and eight bathrooms, demonstrating the extensive scale of the property. A key aspect of the design strategy was to ensure the house felt like a personal home rather than merely a showroom. This was achieved by incorporating personal touches throughout the space. For example, large bookshelves, standing 15 feet tall, display photographs and other items personal to the Evanses and Lindenwood University. The article also mentions an antique piano, a focal point in one of the rooms, which has a long history with Lindenwood University. However, the designers acknowledge that the house, particularly its cream-colored sofa, is not designed to be pet-friendly, highlighting a practical consideration in maintaining the pristine environment required for official functions. The architectural style of the house is described as "Collegiate Gothic" by Carol Wall of Mitchell Wall, a style often seen on Ivy League campuses, further reinforcing its connection to the university environment. This dual-purpose design successfully merges the requirements of a high-profile public residence with the need for a comfortable private dwelling, creating a functional and aesthetically pleasing environment for its occupants and their guests. #InteriorDesign #ResidentialArchitecture #HomeDecor #LindenwoodUniversity #StCharles #MitchellWallArchitecture #DianeBreckenridgeInteriors #CollegiateGothic

The article details the redesign of an 18th-century farmhouse in Lumberton, transforming it to accommodate modern living while honoring its historical roots. The project was undertaken by Michelle Gage of Philadelphia-based Michelle Gage Interiors, who notes the home's significant age, dating back to the Revolutionary era. This particular residence presented a unique challenge due to its extensive history and the accumulated alterations made by previous inhabitants over centuries. The homeowner's openness to Gage's suggestions was a crucial factor in the redesign's success, allowing for a creative yet respectful approach. Gage identified an inherent 'English vibe' in the home and aimed to align the interior design with both this aesthetic and the client's 'quirky and eccentric' personality. The English influence is evident throughout the house, starting from the entry where antique boot racks hold wellies. The primary bedroom showcases a vibrant display of color and pattern, featuring layered florals on the walls, headboard, and bedding. The chosen wallpaper designs evoke a British country house style, characterized by rich patterns that contribute depth and character to the space. The redesign also incorporated unique elements like a moody, jungle-themed wall covering in the breakfast nook. This wallpaper, featuring hidden animal motifs, thoughtfully frames the home's original built-in cabinetry, adding an element of surprise and whimsy. In contrast, the laundry room adopts a more serene ambiance with a subdued sage-green and white botanical wall covering, designed to create a fresh and crisp atmosphere reminiscent of newly laundered linens. The project successfully merged historical integrity with contemporary comfort and personal style, creating a home that respects its past while providing a vibrant and unique living environment for its current owner. The collaboration between the designer and homeowner resulted in a space that is both historically conscious and reflective of modern eclectic tastes, demonstrating how an antique structure can be adapted for current lifestyles without sacrificing its inherent charm. #LumbertonFarmhouse #HistoricalHome #HomeRedesign #EclecticDecor #InteriorDesign #MichelleGageInteriors #EnglishVibe #RevolutionaryEraHome

This article highlights the interior design and garden renovation of a historic Tudor Revival home in Westhampton, owned by Christine and David Cottrell. The 8,000-square-foot house, built in 1924 and designed by architect William C. Noland, is situated on prime real estate overlooking the 18th green of the Country Club of Virginia. The Cottrells, who are the third owners since 1997, sought to preserve the home's historical integrity while updating its interiors and gardens to suit their lifestyle and entertaining needs. Interior designer Todd Yoggy was tasked with respecting the home's architecture, which features a combination of brick and half-timbering, a slate roof, and massive chimneys. Before the Cottrells moved in, a kitchen renovation was undertaken, removing walls from the old servant's quarters to create a more open space. Artist Philippe Faraut redesigned the kitchen and also created two hand-carved mantels for the living and dining rooms. Yoggy collaborated closely with the Cottrells to design interiors that complemented the historic structure, ensuring that the spaces were livable and reflective of the owners' personalities rather than appearing as museum exhibits. The Cottrells frequently host parties, a factor that influenced the design of the elegant living and dining rooms. The sunroom was transformed into a family room for their teenage daughter, Leah. The home's two-level entry maintains its original sconces, woodwork, beamed ceiling, and a hand-carved newel post. A custom-made rug from Woodward Grosvenor in England, inspired by carpets from the Rockefeller estate Kykuit, extends through the landings and stair runner, harmonizing with the existing colors of the house. The living room is anchored by a custom back-to-back sofa by George Smith furniture and features multiple seating areas. A large 1849 Persian carpet serves as the color inspiration for the room's rich, jewel-tone palette, having been a housewarming gift from the previous owner. The antique Steinway grand piano is a central feature for entertainment. The dining room, with its warm red color scheme, includes claret drapery panels and a custom Regency rug in a medallion pattern with red and plum shades. Custom George Smith, Regency-style chairs upholstered in rich red leather surround an antique table. Christine Cottrell's porcelain and silver collection is displayed in the breakfront, while a late-18th-century Irish cut-crystal chandelier hangs from a ceiling adorned with hand-molded plaster medallions in a Gothic tracery pattern. David's office on the upper level resembles an exclusive men's club, with camel hair walls and drapery, a pony-skin sofa, and Conley leather chairs. Dragon light fixtures from Christie's and an ocelot-print rug add a unique touch, complemented by military photographs, sportscar memorabilia, and images of Steve McQueen reflecting David's interests. The master bedroom continues the traditional aesthetic with Ralph Lauren's "1,000 Roses" wallpaper, featuring 10 shades of blue echoed in the velvet draperies and rugs, tempered by white bedding. The home's exterior also received significant attention. Although Charles Gillette designed the landscape plan in the 1920s, it was only executed after the Cottrells purchased the property. These plans are now the oldest Gillette plans held by the Virginia Historical Society. A salvaged reflecting pool from the Virginia Governor’s Mansion serves as a focal point in the side garden, featuring a bronze sculpture of the Cottrells' daughter by artist Faraut. The original wooden deck at the back of the house was replaced with bluestone terraces atop reclaimed granite blocks with limestone balustrades, providing a more fitting and elegant outdoor entertaining space with views of the 18th fairway and Huguenot Bridge. This project, representing the fourth home Yoggy designed for the Cottrells, emphasizes a long-term approach to design, focusing on custom-made, antique, and original pieces to create timeless interiors that complement the home's architecture. #TudorRevival #HistoricHome #InteriorDesign #GardenRenovation #WesthamptonEstate #ToddYoggy #CustomFurniture #ArchitecturalPreservation