A 1740s Weston Farmhouse Gets a Vivid Transformation

Great Manson Hall, a Grade II listed barn near Monmouth, Wales, has been transformed from a medieval agricultural building into a luxurious modern home, seamlessly blending historic character with contemporary design. The barn, part of the historic Great Manson Farm, boasts origins dating back to around 1450, indicated by features such as opposed Gothic doorways. Its listing in 2002 by Cadw recognized its significance as a vernacular barn with possible medieval origins, as well as its group value with the farmhouse and Old Cider House. The conversion, completed in 2004, meticulously preserved and integrated the barn's historical elements. Exposed stone walls and beams are central to the design, complemented by new additions crafted from natural materials and simple aesthetics. While honoring its past, the home provides comfortable, modern living with substantial broken-plan, connected rooms alongside intimate, cozy spaces. The design incorporates innovative features such as a glass roof in the garden room and internal windows, maximizing light penetration and offering continuous views of the surrounding landscape. Situated along a quiet country lane, the barn offers a peaceful rural setting just a few miles from Monmouth. The property is encompassed by an acre of meticulously maintained grounds, featuring a cottage garden with mature shrubs, a rose-covered pergola, and pristine lawns. Multiple alfresco dining areas provide opportunities to enjoy the mesmerizing views that surround the property. Practical amenities include ample parking, a double garage, and an outbuilding with potential for conversion into an annexe or home office, subject to planning permission. The interior layout includes a captivating central inner hallway that showcases original exposed features like chunky stone walls, juxtaposed with a modern glass and metal staircase. Large windows strategically placed throughout the home frame the absorbing views. The main living area features a broken-plan layout, combining dining and lounge spaces that are subtly zoned by the building's structure, varying ceiling heights, and flooring. The lounge area, with its double-height ceiling and exposed roof beams, also highlights a clever internal window on the first floor. The connected dining and living space flows into a separate sitting room, accessible via glass double doors, maintaining the theme of shared light and views. The garden room is a particular highlight, bathed in natural light from its glass roof and full wall of doors, facilitating a seamless transition between indoor and outdoor living. The kitchen, while modern, is designed with units integrated into the walls and natural materials to enhance the barn's inherent character. A prominent inglenook fireplace, specially lit, serves as a focal point in this character-filled space. The upper level comprises four double bedrooms, each with an en-suite bathroom. These rooms are accessed from a central galleried area overlooking the lounge-diner below, offering charming spaces that blend historical features with contemporary decor and views. One en-suite bedroom features an internal window for enjoying views from the bed, a ladder leading to a mezzanine level, and a spiral staircase providing secondary access from the garden room. Two of the bedrooms also include walk-in wardrobes or dressing spaces. Great Manson Hall is currently listed for sale at £1.25 million. #AmazingHomes #BarnConversion #MedievalArchitecture #HistoricProperty #LuxuryRealEstate #WelshHomes #Monmouthshire #InteriorDesign #RuralLiving

This article details the comprehensive renovation of a nearly 200-year-old Federal-style farmhouse located in Sharon, Connecticut. The property, which had remained unsold for years due to its dilapidated condition, eventually found new owners who recognized its inherent potential. Architect Rafe Churchill was enlisted to undertake a historically sensitive renovation, prioritizing the preservation of the home's original architectural integrity. Initially, discussions included adding a significant extension, but this idea was ultimately abandoned in favor of maintaining the existing footprint. Approximately half of the structure required gutting, and Churchill’s approach focused on repairs using traditional materials whenever feasible. Key structural and exterior envelope improvements included a new roof, a partial chimney, reinforced floor joists, and repairs to the wood clapboard siding and many original windows. Windows beyond repair were replaced with new Marvin windows, all equipped with triple-track storm windows. The interior spaces were reconfigured and updated while honoring the home’s historical context. The dining room was transformed into a rich blue library, featuring new pocket doors designed to appear original and custom-milled molding that matches existing trim throughout the house. Original wood floors in the library, dining room, front hall, and some bedrooms were meticulously saved and refurbished. Interior designer Heide Hendricks contributed a vintage orange sofa and designed the steel-frame ottoman and drapery, adding modern touches. The dining room, formerly a parlor, now showcases a new soapstone fireplace surround and mantel designed by Churchill. A unique artistic element in this room is the custom wallpaper, created by the homeowner, an artist, from scans of the town’s handwritten 1820 U.S. Census, printed on heavy paper and adhered to the walls. The living room, bright and airy, incorporates the homeowners' midcentury modern furniture. New southern yellow pine floors in this area and the kitchen were stained dark to seamlessly blend with the older flooring. The original fireplace remains a focal point, adorned with antique candlesticks. The kitchen, located at the rear of the house, retained its original position but underwent a significant reconfiguration. A previously existing large pantry and staircase, which had isolated the kitchen, were removed to maximize space for cabinets and counters and improve flow to the living room. The kitchen’s notably low ceiling was also raised to create a more open atmosphere. Modern elements are thoughtfully integrated, such as an LED chandelier chosen for the kitchen table due to its contemporary aesthetic and transparency, allowing views to the outside. The dining table in the kitchen is a custom piece by furniture designer Seth Churchill, the architect’s brother. Upstairs, the original wood flooring continues in the hallway and bedrooms. All doors were refitted, and their hardware repaired, with some trim components added to match existing historical details. A guest bedroom, situated in the rear addition above the kitchen, features a lower ceiling compared to the main house. An original structural wood beam is visible, adding character. Furnishings in this room were repurposed from the homeowners’ previous residence, and Hendricks resized drapery panels. Wood planks from the guest bedroom were used to repair flooring in the master bedroom, leading to the new pine flooring in the guest room being painted, a choice the architect noted as desirable in older homes, especially on upper floors. #FarmhouseRenovation #HistoricHome #FederalStyle #ArchitecturalPreservation #InteriorDesign #ConnecticutHomes #HomeRestoration #RafeChurchill #HeideHendricks

Annie Mennes, founder of Garrison Foundry Architecture & Design, undertook the renovation of a 19th-century farmhouse, known as Nelson Farm, in Garrison. The property, initially a small, two-story home built in 1890 for a farmer's daughter, had undergone several additions in the 1940s and 2006. Mennes, with her family of two adults, three children, and two pets, found the existing space insufficient and sought to expand while preserving the original character of the house. Her approach involved building upon the existing foundation rather than adding a new one, thereby adding a second story to the house. The new second story included an additional bedroom, which Mennes designed with a loft bed, a desk, and closet space, incorporating a ship's ladder and a barn door for the closet. The room was kept neutral to allow her 14-year-old daughter to personalize it. Mennes emphasized the importance of involving her entire family, including her children, in the design and renovation process to foster a sense of ownership and gather diverse ideas. She highlighted the intrinsic link between design and functionality, stressing the need to consider the family's lifestyle and needs. A key functional addition was a mudroom, which Mennes considers essential for any family. Since the original structure lacked one, she enclosed a stone patio at the back of the house, adding a concrete tile floor and a mix of open and closed storage solutions. This mudroom serves as a welcoming entry point and a space for personal expression. To address the common issue of small, impractical spaces in older homes, Mennes removed the wall between the kitchen and dining room, creating an open-plan area suitable for family gatherings. For the kitchen design, she prioritized functionality, beauty, and budget-friendliness. She customized simple cabinetry with millwork and stylish hardware, topping them with inexpensive butcher block. A single brick column was retained between the kitchen and dining room to preserve a connection to the old structure. Around this column, Mennes created a Silestone-topped island with dark gray cabinets, strategically positioning it to make the cabinetry appear built-in. Storage was another significant challenge in the small home. Mennes employed creative solutions, such as utilizing the space under the stairs in the dining room to build a cabinet for storing glasses. Despite the modern updates, the overarching goal was to honor the home's historical roots and make new additions appear as if they had always been there. This involved incorporating traditional details like wooden ceiling beams, shiplap, board and batten paneling, extensive millwork, wainscoting, and natural textiles. Mennes also advocated for incorporating secondhand finds from garage sales, thrift stores, and flea markets to add unique character and manage costs. One notable addition was a fireplace in the living room, which the house originally lacked. Mennes sourced an insert from eBay and a vintage surround locally, refinishing them to create a rustic focal point. A significant exterior change was the addition of a front porch and the enclosure of a screened-in side porch to create a sunroom. The front porch featured Douglas fir flooring and a plain porch swing, with posts designed to mimic old Italianate styles, inspired by homes from the same era found during family trips to Maine. The sunroom, with its book nook and daybed, functions as an extension of the home, offering a cozy retreat. Mennes views the entire project as a narrative, encompassing her journey as an architect, her family's life, and the enduring story of the farmer's daughter's house. #FarmhouseRenovation #HistoricPreservation #ModernUpdate #FamilyHomeDesign #ArchitecturalDesign #InteriorRenovation #BudgetFriendlyDesign #GarrisonHome

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article details the comprehensive renovation and interior design of a 1970s ranch home in Brentwood, TN, undertaken by its second owner, Tyler Pennington. Having admired the house since childhood, Tyler purchased it from the original owners and embarked on a transformation project to update it for his family of five while preserving its original architectural charm, which he describes as reminiscent of the New England coast. The renovation involved reconfiguring the internal space, adding a second story, and selecting finishes and furnishings to suit a modern lifestyle with young children, without sacrificing its classic aesthetic. Tyler, who owns White Pines Building Group, managed much of the construction work himself. He collaborated with architect Champ Webb of C.W. Design and Andrew King of AK Designs for the second-story addition and exterior elements. For the interior design, he enlisted Sara Ray Interior Design, aiming for a contemporary look that avoided excessive modernity or trendiness. Sara Ray focused on creating a design that blended classic, traditional elements with clean lines and modern touches, prioritizing durable fabrics for furnishings and incorporating vintage rugs to withstand daily wear and tear from three young children. The design also balanced masculine and feminine touches, with a deliberate emphasis on timeless pieces that would retain their appeal over decades. Throughout the renovation, Tyler made efforts to integrate natural and historically relevant materials. While the interior was largely gutted, original materials were reused, and aspects of the original design were recreated. For instance, new poplar molding was installed in the entryway and dining room, hardwood floors were milled locally in Leiper’s Fork, and windows were designed to replicate the original grid pattern. A significant part of the project involved relocating the original fireplace, with its salvaged limestone being repurposed to create a new, two-story focal point in the central living area. The main floor features an open layout with a living area, dining area, and kitchen. The living space, characterized by a wall of doors and a double-story ceiling, displays a masculine-meets-modern aesthetic with warm accent colors against a white backdrop. The renovated kitchen prioritizes brightness, featuring a large center island, a tile backsplash, a polished limestone hood, and light fixtures with brass shades. The dining room, located off the main entry, showcases a reclaimed wood table with an industrial base, brass-foot chairs, and upholstered end chairs, all illuminated by a modern light fixture. Other rooms, such as the powder room, continue the theme of simple design with character. The children's bedrooms were designed with personalized touches. The oldest daughter's room is colorful, while the youngest daughter's features pinks and frills. The middle child's room incorporates antelope wallpaper and a vintage brass deer head, reflecting his interest in hunting. Bathrooms feature muted color schemes, penny tile flooring, and unique fixtures. The second floor accommodates a guest bedroom, children's bedrooms, a playroom, and a study area, while the third floor includes a sleeping nook with bunk-style beds and another playroom with a slide connecting to the second floor. The exterior of the house largely maintains its original appearance, with subtle updates such as a cedar roof, copper gas lanterns, updated stonework, and custom corbels. The transformation successfully merges the home's historic essence with modern family living, ensuring its continued admiration. #HomeRenovation #RanchHome #InteriorDesign #ClassicModern #FamilyHome #ArchitecturalPreservation #SustainableDesign #SaraRayInteriors #NashvilleHomes

This article provides a detailed overview of several noteworthy new property listings in the Santa Barbara area, focusing on their architectural styles, features, recent renovations, and potential for future development. The first property examined is 4265 Cresta Avenue, listed at $20 million. Originally designed by Barry Berkus in 2003, this Hope Ranch compound features six bedrooms, seven full baths, two half baths, a home theater, wine cellar, and gym. The 2.46-acre lot also includes a swimming pool, two hot tubs, a tennis court, and two two-car garages. The sellers acquired the property in August 2020 for $8.2 million and have undertaken significant renovations to modernize its interior, making it more livable despite the initial architectural design. The article notes the service wing off the kitchen as a particularly impressive feature. The second property is 3221 Campanil Drive, priced at $6.998 million. This residence, characterized by its 1970s architecture, features five bedrooms and three and a half baths. The property's current state, including plush orange wall-to-wall carpeting and midcentury stone elements, suggests a need for updating. Located in the developing Campanil neighborhood, the 1.5-acre lot offers ample space for potential reconfigurations, such as consolidating rooms or adding an Accessory Dwelling Unit (ADU). The split-level entrance adds a dramatic flair, but the current bedroom layout would benefit from adjustments. Next, the article highlights 3595 Padaro Lane, a 1996 contemporary beachfront property listed at $34.9 million. This home offers five bedrooms and a separate one-bedroom guesthouse, all situated directly on the sand. Its minimalist design emphasizes the ocean views, with main living areas located on the upper floor, necessitating numerous stairs. The article also touches upon the surreal experience of having a beach scene playing on a home theater TV while the actual ocean is just outside. Following this, 31 Cedar Lane, a 1948 three-bedroom home on Eucalyptus Hill, is presented at $3.995 million. The property underwent renovations after being purchased for $2.1 million in 2021. While the interior now appears fresh, some design choices, particularly the fireplace surrounds, may not appeal to all. The home's layout features relatively large bedrooms in contrast to smaller communal spaces, such as a compact living room and a dining table integrated into the kitchen island, potentially appealing to families who value private spaces. Another listing is 3706 Avon Lane, priced at $3.25 million, located at the corner of Grove Lane in San Roque. Key features include an atrium living room and a guest apartment with its own street entrance. The presence of the guest apartment comes at the expense of a traditional garage, and cars parked in the driveway could detract from the backyard's appeal. Lastly, 428 Corona del Mar, a 1911 cottage listed at $3.399 million, is discussed. Situated off East Beach, this property is currently utilized as a vacation rental due to its location near motels. The cottage is described as adorable, with potential for personal use, possibly by retaining the upstairs two-bedroom apartment. The article also briefly comments on indoor hot tubs lacking the charm of outdoor ones. Additionally, the article mentions 1225 Calle Cerrito Alto, priced at $2.995 million, noting its unusual floor plan, which includes a hidden wing accessible via a bookshelf, ladder, and stairs. Despite this unconventional layout, the property's setting at the end of a secluded cul-de-sac in Santa Barbara, offering expansive views of the city, mountains, and ocean, is expected to drive quick sales and bids above the asking price. The article also briefly lists other properties including 611 Miramonte Drive, 5445 Baseline Avenue, and 1221 Laguna Street, providing concise details on their features and pricing. #RealEstate #PropertyListings #HomeDesign #SantaBarbara #HopeRanch #LuxuryHomes #ArchitecturalRenovation #HouseHunting #CoastalProperties

This article details the renovation of a 1930s brick farmhouse located on two acres of waterfront farmland in Silverdale, Washington, overlooking the Dyes Inlet. A couple, long-time residents of the Kitsap Peninsula, discovered this rare brick home and decided to preserve and transform it rather than demolish it. The project was undertaken by Seattle-based SHED Architecture & Design. Initially, the 2,182-square-foot farmhouse was deemed too small for the couple's lifestyle and frequent family visits. The strategic decision was made to convert the historic brick structure into a guest house while constructing a new primary residence for the owners. SHED Architecture & Design's approach involved preserving the original roof pitch and the east and west facades of the farmhouse. However, the south facade underwent a complete redesign to maximize the stunning water views of Dyes Inlet. A crucial element of this transformation was the integration of new and replacement windows from Andersen Windows & Doors, a preferred choice for SHED in their historic brick renovation projects. An existing small dormer on the second level was significantly expanded to incorporate two en suite bedrooms. Each of these new bedrooms was outfitted with windows strategically placed to enhance views. Directly beneath these new windows on the south facade, sliding glass doors were installed, aligning vertically with the dormers above. This vertical alignment creates an architectural effect where the glazing appears to cut through the roofline. Prentis Hale, principal at SHED, noted that this alignment of bedroom windows and sliding doors, expressed as a dormer punching through the extended roof eave, was a key design decision. The interior layout, which was previously fragmented, was also significantly improved. The main floor plan was opened up to create a more functional and cohesive living space, better suiting the clients' desired lifestyle. The new sliding glass doors in the living and dining areas not only frame the views but also enhance the indoor/outdoor flow. This redesigned living and dining space has become a favorite spot for the clients, particularly the dining table area where they can enjoy the water views. Hale emphasized the goal to 'daylight the main rooms of the house—living, kitchen, dining, and bedrooms—in a strong, architectural way that was integrated with the building.' The original 1930s farmhouse featured small, compartmentalized rooms centered around a hearth. By removing interior walls, SHED transitioned these separate spaces into an open-plan layout, ideal for social gatherings. For the historic renovation, Andersen E-Series windows were selected for their affordability, quality, and code compliance. The reconfigured 2,182-square-foot home now includes two bedrooms and two-and-a-half bathrooms. The upstairs en suite bedrooms are nearly symmetrical and benefit from the new south-facing dormer windows, which provide views of the Dyes Inlet. The interior design features warm, Scandinavian-inspired aesthetics, creating an inviting atmosphere for both the couple and their guests. The SHED team successfully modernized the farmhouse while preserving its inherent charm and structural integrity, demonstrating that direct design gestures can lead to remarkable outcomes. #FarmhouseRenovation #DormerExpansion #ArchitecturalDesign #WaterfrontProperty #HistoricPreservation #AndersenWindows #OpenPlanLiving #ScandinavianInterior #KitsapPeninsula

This article details the transformation of a 19th-century Federal-style town house in New York’s West Village by SPAN Architecture, converting it from multi-family apartments into a single-family residence. The original structure, an 1820s building, presented challenges such as deep lots leading to dark interiors, insufficient natural light on lower floors, and low ceilings. Recognizing these limitations and the absence of significant period details for restoration, principals Peter Pelsinski and Karen Stonely opted for a comprehensive gut renovation. A key aspect of the renovation capitalized on the property’s 60-foot backyard, enabling the architects to extend the first two floors by 30 feet while preserving ample outdoor space. To enhance the connection to the garden, the rear facade was removed, a second-floor terrace was added, and full-height windows were installed facing north, integrating modern design elements while respecting the historic lines of the surrounding houses. Internally, the building lacked a cellar, prompting excavation to create one. The roof was also leveled, increasing interior height by nearly eight feet, which required careful restructuring of ceilings to align with the existing front facade windows. The result is a 5,800-square-foot, four-bedroom home spanning five levels, featuring ceilings over ten feet high on the parlor floor, yet maintaining an unaltered exterior appearance. The interior design consciously blends traditional and contemporary aesthetics. Given the project's spec nature, a neutral palette was chosen, featuring white oak floors that establish a fluid connection between spaces. Subtle historical references are incorporated through baseboards, trim, and crown moldings. The steel-and-oak staircase, while traditional in form, lacks nosing and respects the original footprint, complemented by skylights that draw natural light deep into the lower levels, giving the house an “extroverted character” as Pelsinski describes. The property was acquired by a young family who enlisted Moises Esquenazi of Waowig Studio for interior decoration, providing him considerable artistic freedom. Esquenazi focused on creating inviting spaces that would complement the family’s art collection. His design approach included bold choices, such as a fuchsia-colored den, intended as a lively focal point upon entry. This vibrant room sets a playful tone for the rest of the home, which integrates contemporary Latin American art with pieces by mid-century designers like Milo Baughman and Pierre Guariche. Esquenazi also designed custom furnishings, including a lacquered-goatskin dining table, drawing inspiration from the 1970s. Two years after the family moved in, SPAN Architecture was re-engaged to modernize the kitchen and expand the master bathroom into a spa-like retreat, concluding a decade-long project. The revitalized town house now offers a bright, open living environment, seamlessly integrated into its urban setting while providing ample personal space. #TownHouseRenovation #SPANArchitecture #WestVillage #HistoricHome #ModernInteriorDesign #ResidentialArchitecture #NaturalLight #InteriorRenovation #LuxuryHomes

This article details the transformation of an 18th-century farmhouse located in Philadelphia's Main Line suburbs into a modern family home with transitional design elements. The property, untouched for over a decade, was in a state of disrepair with failing windows and siding, an untreated cedar roof, a caving patio, and outdated interiors described as 'screaming late 90s'. The renovation was undertaken by PS & Daughters, led by founder Phoebe Schuh, who was drawn to the historical character of the house despite its challenges. The clients, a blended family with a wide age range of children, sought a home that honored its architecture while supporting a modern lifestyle. They also possessed a world-class art collection that needed to be integrated into the design. The primary objective was to create a transitional home, blending the best of old and new to achieve a relaxed elegance and comfort, without being overly precious, while incorporating sumptuous velvets, mixed patterns, and layered textures. The extensive remodel resulted in a seven-bedroom, eight-bathroom family residence equipped with contemporary amenities such as a pool, outdoor lounge, playroom, and games room. Throughout the house, custom-made modern pieces are seamlessly combined with vintage finds, ensuring a balance between historical nods and modern functionality. One of the favorite spaces for the designer was the master bathroom, reimagined as a luxurious wet room clad in Calcutta marble. The design incorporated a client's specific request for a window in the shower, leading to a massive shower area, a new freestanding tub, a floating marble slab bench, and intricate mosaics on the ceiling, all complemented by brass fixtures. For the children, a vibrant and functional playroom was designed. It features a jungle gym, an oversized jewel-toned mural depicting dreamy mountain tops, and a custom-built arched reading nook, catering to various age groups from teens to toddlers. The project encountered significant construction challenges, including failed stucco on the backside of the house. This was resolved by removing the stucco, properly sealing the home, and installing a new exterior elevation with bright white siding, a stone veneer foundation, a limestone patio, a glass railing, and a mahogany handrail. A unique, last-minute challenge involved rerouting a direct hot water line from the heater to the master suite shower to address a client's concern about water temperature, showcasing the team's commitment to client satisfaction. Ultimately, the farmhouse was transformed from a neglected historic property into a contemporary family haven, characterized by bold colors, statement artwork, and luxurious finishes, all while maintaining a respectful connection to its original architectural style. The project exemplifies transitional design, achieving a sophisticated yet comfortable aesthetic for modern family living. #TransitionalFarmhouse #HomeRenovation #InteriorDesign #HistoricHome #LuxuryInteriors #FamilyHome #ModernAmenities #CustomDesign

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

The article details the transformation of a stone-built farmhouse in Wiltshire, co-owned by antique dealer Ken Bolan and Emmy Award-winning television producer Caryn Mandabach. The house, situated on a hill with views of ancient woodland and Wiltshire fields, tells a story of the unexpected partnership between a British antique dealer and an American television executive. Caryn Mandabach initially purchased the house ten years prior, seeking a country retreat after moving to London. She found the property in a dilapidated state but was captivated by the views. With the assistance of designer Willie Nickerson, she undertook a restoration and remodelling project, reconfiguring rooms to provide each of the three bedrooms with an en-suite bathroom and adding new windows to maximize the scenic outlook. Her initial furnishing choices included country antiques, vintage items, flatweave rugs, and linen curtains. Outdoors, she created a level grass apron where the kitchen opens to the garden, giving the impression that the house is supported by a land platform rather than perched precariously on a slope. The dynamic of the house changed with the arrival of Ken Bolan, founder of the furniture and interiors company Talisman. Despite his extensive background in curating interiors, Caryn notes that Ken hasn't dramatically altered the original essence of her design. His contributions include significant garden enhancements, the addition of a 'man shack' and a sunroom, and the expansion of the main bedroom and bathroom by incorporating a spiral staircase and opening up the ceilings to the rafters. Ken’s influence is evident in the upgraded furniture and decor, which, as Caryn observes, still align with her personal taste, albeit with a significantly higher price point than her initial budget for individual items. Ken’s 'upgrading' is showcased throughout the farmhouse. For instance, reproduction firedogs in the living room were replaced with fifteenth-century originals, and open kitchen shelves now display a collection of rare eighteenth- and early-nineteenth-century Swedish marble boxes instead of everyday pantry items. His discerning eye for form and original patina has enriched every room. The sunroom, facing the woodland, connects to the main living room, which features an eighteenth-century Swedish cupboard in its original blue paint adorned with floral swags. A smaller living room leads to the kitchen, where an eighteenth-century Swedish table, hand-stripped by Ken, reveals its original red base and blue top. The scullery, with French windows opening to the garden, houses antique bentwood Swedish boxes, admired by Caryn for their Shaker-like simplicity. Upstairs, Swedish commodes and a pair of eighteenth-century carved wooden angels enhance the landing. The main second-floor bedroom boasts a bed flanked by unique Sixties cabinets inlaid with shell and walnut. The oak-framed sunroom and entrance hall were collaborative additions. The sunroom features antique parquet flooring, complemented by mid-century modern leather armchairs and a sofa. The wall surrounding the original front door is panelled with antiqued mirror, and the old, slightly crooked front door is clad in zinc, studded with eighteenth-century Swedish door bosses, creating a blend of rustic charm with a touch of glitz. The successful integration of their individual styles has resulted in a home that harmoniously reflects both occupants' personalities and collections. #WiltshireFarmhouse #AntiqueDecor #InteriorDesign #HomeRenovation #CountryLiving #SwedishAntiques #LuxuryInteriors #ArchitecturalDetails #HomeTransformation

Alice and Rob Hue, a farming couple in Wiltshire, England, transformed unused 100-year-old horse stables on their 2,500-acre farm into six vibrant vacation rentals. Rob, a fourth-generation farmer, and Alice, who met him in university, took over the family business, now known as The Farm at Avebury. The farm, situated in Long Barrow, a UNESCO World Heritage site, is believed to be one of Europe's oldest farmed lands. Facing changes in the agricultural industry, including the withdrawal of subsidies accelerated by Brexit, the couple decided to diversify their income streams. This led to the development of the vacation rentals and event spaces, ensuring the farm's future for their three daughters. The renovation project faced an unexpected setback when the Environment Agency halted their plans, claiming the stables were in a floodplain. The couple had to hire a fluvial engineer to prove the river was 50 meters away, delaying the project by 15 months. Despite this, with architect Kris Eley, they completed the conversion of 12 stables into six colorful vacation rentals in just eight months. Eley's expertise was crucial in fitting furniture into the small rooms, with the largest three-bedroom unit being 600 square feet and the smallest two-bedroom half that size. He successfully blended the historical structure with modern finishes. Designer Polly Ashman collaborated with Alice to create a homey interior inspired by the natural surroundings of the farm, incorporating greens, reds, and blues into the color palette. Despite the luxurious appearance, Ashman and Alice prioritized affordable, low-maintenance materials and furnishings, sourcing items from retailers and second-hand markets like eBay and Etsy to achieve a lived-in aesthetic. The design emphasized textures from fabrics by Christopher Farr Cloth, Sanderson, and Linwood. The renovation preserved the exterior's historic appearance, a testament to the stables' age, which predates Rob's 95-year-old great-grandmother. Inside, original brickwork and stone were exposed, complemented by hand-tufted headboards and a strategic use of paint and classic English cottage patterns. Ashman highlighted the importance of layered lighting, utilizing spotlights on wood beams to illuminate artwork, mirrors, and kitchen areas, contributing significantly to the cozy ambiance. Beyond the vacation rentals, the Hues expanded their hospitality venture by opening two event spaces, the Barn and the Granary, hosting yoga classes and pop-up restaurants. Rob is particularly keen on developing cooking workshops. This ongoing diversification not only provides stability for the family's income but also offers a unique experience for visitors, allowing them to engage with farm life, including tractors, sheep, and pigs. Alice, who once couldn't imagine living in Wiltshire, now finds herself deeply rooted in the farm, recognizing its potential for continued growth and opportunity. #EnglishCountryside #FarmConversion #VacationRentals #HistoricStables #InteriorDesign #RuralTourism #SustainableLiving #FamilyBusiness #ArchitecturalRenovation

David and Melissa Bowen, seeking a rural retreat for their family, purchased land in central Georgia. A few years later, a neighboring property became available. David Bowen, upon inspecting the property, discovered a picturesque setting featuring a long driveway, rolling fields, wooded areas, and a lake. However, the existing house was a 1980s-era rancher with a low-slung roof and extensive red brick, which clashed with the desired aesthetic of a classic Southern farmhouse. David engaged Georgia-based designer James Farmer to transform the dated structure. The renovation aimed to convert the house from its original 1980s design, characterized by features like linoleum cabinets and carpeted bathrooms, into a traditional farmhouse and hunting lodge with a Low Country-inspired style. Key design elements for the exterior included a large front porch, dormer windows, a metal roof, and white siding. For the interiors, James Farmer focused on introducing old-fashioned charm. He discovered and restored original heart-pine floors beneath the existing carpets and linoleum. Paint-grade lumber was used to create classic Southern millwork, such as beadboard and shiplap, which immediately gave the house a cozier and older feel. Wallpaper played a significant role in the transformation, with James selecting "Royal Oak" toile by Lewis and Wood for the entry, paired with painted shiplap wainscoting. The putty hue of the wallpaper influenced the overall neutral color palette, which James described as "un-colors"—ambiguous shades that are neither distinctly green, gray, nor brown. The furnishings were carefully curated to achieve a collected aesthetic, despite the Bowens not having many existing family heirlooms for their weekend home. James incorporated antiques such as oil paintings, demijohns, and French baskets, along with some of his personal items. He also advocated for "tomorrow’s antiques," which are modern pieces crafted in the style of historical items, such as the primitive-looking sideboard in the entry designed to resemble an old Southern hunt board. The kitchen, previously a dark galley layout with laminate cabinetry, was transformed into an open and airy space. Carrara marble was chosen for the island, while Georgia heart-pine countertops lined the perimeter. Melissa’s uncle custom-built the cabinets, and brass lighting added warmth. The relaxed dining room, featuring a mix of black Windsor chairs and upholstered French side chairs around an English oak dining table, was flanked by cozy seating areas for TV viewing and conversation. In the living room, a beige grasscloth wallpaper above shiplap wainscoting was combined with rusty brown windowpane plaid fabric for chairs and pillows, creating a tailored neutral scheme suitable for both hunting weekends and girls’ getaways. The primary bedroom featured a grasscloth wallcovering, assorted checked fabrics on the four-poster bed, and tan and white toile curtains for softness. A painted V-groove wood ceiling contributed to an aged and warm ambiance. Guest rooms continued the theme with neutral grasscloth wallcoverings, taupe checked curtains, and patterned pillows, complemented by a gallery wall of baskets and farm landscape paintings above a woven rush headboard. The renovation took approximately two years. The house also benefited from additional outdoor features, including a large back porch designed for family gatherings, seasonal decor with autumnal floral arrangements, and new outbuildings—a boat house and stables—all sporting a crisp white and black color scheme with matching standing-seam aluminum roofs, harmonizing with the main house. #FarmhouseRenovation #SouthernDesign #HomeTransformation #InteriorDesign #JamesFarmer #CountryLiving #ArchitecturalRenovation #HomeDecor #RusticCharm

In 2001, Marion and Jeffery Barker purchased a 1960s brick ranch home on 18 acres in Virginia's Northern Neck, overlooking Nomini Creek, a tributary of the Potomac. Despite the house being outdated and the timing of the purchase—just a week after 9/11—being uncertain, the couple was drawn to the property's prime waterfront location and its manageable two-hour drive from their Bethesda residence, making it ideal for weekend escapes. At the time, Marion owned the consulting firm Palladian Partners, and Jeffery was a scientist at the National Institutes of Health. They envisioned transforming the modest ranch into a modern dream home but knew it would require significant time and resources. After saving for 15 years, the Barkers initiated a gradual redesign in 2016, enlisting Jeffery’s daughter, Brooklyn architect Alexandra Barker, for the project. A key challenge was environmental regulations, which mandated that the new structure adhere to the existing foundation and original footprint due to its proximity to the water. Despite these constraints, the renovated home represents a dramatic transformation from its original, cramped layout. The new design emphasizes an open floor plan, extensive walls of windows, and expansive water views, creating a stark contrast to the previous structure. Alexandra Barker's design strategy focused on maximizing the property's natural surroundings. She incorporated oversized storefront glass instead of standard residential windows to offer uninterrupted vistas, a feature she considers the home's most special detail. The architect also prioritized the use of locally sourced materials where possible, including granite for the kitchen backsplash from Richmond, reclaimed-oak floors, and bluestone around the pool area. This approach not only supported local businesses but also integrated the home more deeply with its regional environment. The homeowners, Marion and Jeffery, were described by Alexandra as highly collaborative and flexible clients, contributing to a smooth design process. An added benefit for Alexandra was the prospect of personally enjoying the finished product with her family. The redesigned home includes three guest rooms, each with an en suite bathroom, providing comfortable accommodation for visiting family members, including Alexandra and her siblings. The primary suite, located on the second floor, is a highlight, featuring 365-degree views and access to a private roof deck. This rooftop space, initially intended for an office, was repurposed due to budget considerations and ultimately became one of the owners' favorite features. The renovation was completed in 2021, and the retired couple, Marion and Jeffery, expressed that the two-decade wait was worthwhile. They now share their property with local wildlife, including bald eagles, deer, ospreys, and otters. The constant natural beauty, particularly the sunrises and sunsets over Nomini Creek, provides immense satisfaction, with Jeffery reportedly having captured hundreds of photographs of these daily spectacles. The project successfully converted a dated ranch into a modern, waterfront marvel that harmonizes with its natural setting. #HomeRenovation #ModernDesign #WaterfrontProperty #ArchitecturalTransformation #VirginiaRealEstate #SustainableMaterials #BeforeAndAfter #FamilyProject #NorthernNeck

Beth and Randy Russell, a couple from suburban Washington, D.C., sought a deeper connection to the land, leading them to a historic log cabin and stone farmhouse in Loudoun County, Virginia. Their goal was to update the long-unoccupied property to meet their family's modern needs while preserving its historical integrity. Beth expressed her love for history but her desire to avoid living in a museum, highlighting the challenge of blending past and present. To achieve this balance, the Russells enlisted residential designer and builder Mark Turner from Falls Church, Virginia, and interior designer Cortney Bishop from Charleston, South Carolina. Both Beth and Randy have farming roots, with Beth hailing from rural southern Indiana and Randy, a farm lobbyist and former chief of staff for Ronald Reagan’s agriculture secretary, coming from Midwestern homesteaders. This background informed their appreciation for the property's agricultural heritage. Turner's approach to the renovation is exemplified by the new entry of the house. For nearly three centuries, access to the farm was through a door in the original circa-1730 log cabin. Even after a fieldstone wing was added a century later, eight feet to the west, separated by a clapboard hyphen, the cabin entry remained primary. Turner removed this hyphen, creating a modernistic glass and steel band to bridge the log and stone structures, serving as the main entrance. This design decision was made to highlight the historical textures of the original wood and stone buildings, allowing them to remain the focal point while introducing a contemporary element that connects them visually. This initial bold design choice established the aesthetic for the entire renovation: a harmonious blend of historic elements with clean-lined contemporary design. This approach reflects the Russells' own compatible contradictions, embracing both urban and rural lifestyles, and balancing a serious purpose with a love for spontaneity. Cortney Bishop's interior design further reinforced this vision. Inspired by history and organic textures, Bishop chose an earthy color palette and natural materials such as slate, wood, and plaster for the interiors. The farmhouse rooms were curated with an emphasis on quality, ensuring that each piece felt thoughtful and enduring. An example of this curated selection is the living room sofa, a BDDW piece from New York featuring subtle walnut arms and cast-bronze feet. Bishop noted that while traditional elements like English arms and casters would make it seem conventional, the modern touches give it a fresh and contemporary feel, aiming for each furniture item to possess heirloom quality. The integration of historical objects with modern treatments continues throughout the house. An old iron hayloft pulley, discovered in the barn, was repurposed as an art piece on the living room's log wall. Similarly, a two-thousand-pound cast-concrete replica of Captain John Washington's gravestone, found on the property, was mounted over the mantel. This replica, intended to replace the crumbling original headstone of George Washington's great-uncle, was discarded due to a flaw and later found behind the barn. Its installation required a full day and a team of eight. Even with the house renovations complete, the Russells' long-term vision for their Virginia farmstead is still evolving. They have planted forty elm trees to honor J. Russell Smith, an early-twentieth-century owner, agriculturist, and author who penned his influential 1929 book, *Tree Crops*, on the property. Furthermore, they are transforming an old grain silo into a four-story entertaining space, complete with a whiskey room, a spa, and guest quarters. A bridge will connect this silo to the farm's nineteenth-century barn, which is also being repurposed as another gathering area. Beth articulated a belief in the farm's magical spirit, creating an environment for community and sharing, a vision they intend to extend beyond their immediate family. #VirginiaFarmstead #HistoricRenovation #ModernDesign #LoudounCounty #InteriorDesign #ArchitecturalHeritage #RuralLiving #FarmhouseStyle #AdaptiveReuse