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You Won’t Believe This Dreamy Farmhouse Was Once Covered in Carpet
David and Melissa Bowen, seeking a rural retreat for their family, purchased land in central Georgia. A few years later, a neighboring property became available. David Bowen, upon inspecting the property, discovered a picturesque setting featuring a long driveway, rolling fields, wooded areas, and a lake. However, the existing house was a 1980s-era rancher with a low-slung roof and extensive red brick, which clashed with the desired aesthetic of a classic Southern farmhouse.
David engaged Georgia-based designer James Farmer to transform the dated structure. The renovation aimed to convert the house from its original 1980s design, characterized by features like linoleum cabinets and carpeted bathrooms, into a traditional farmhouse and hunting lodge with a Low Country-inspired style. Key design elements for the exterior included a large front porch, dormer windows, a metal roof, and white siding.
For the interiors, James Farmer focused on introducing old-fashioned charm. He discovered and restored original heart-pine floors beneath the existing carpets and linoleum. Paint-grade lumber was used to create classic Southern millwork, such as beadboard and shiplap, which immediately gave the house a cozier and older feel. Wallpaper played a significant role in the transformation, with James selecting "Royal Oak" toile by Lewis and Wood for the entry, paired with painted shiplap wainscoting. The putty hue of the wallpaper influenced the overall neutral color palette, which James described as "un-colors"—ambiguous shades that are neither distinctly green, gray, nor brown.
The furnishings were carefully curated to achieve a collected aesthetic, despite the Bowens not having many existing family heirlooms for their weekend home. James incorporated antiques such as oil paintings, demijohns, and French baskets, along with some of his personal items. He also advocated for "tomorrow’s antiques," which are modern pieces crafted in the style of historical items, such as the primitive-looking sideboard in the entry designed to resemble an old Southern hunt board.
The kitchen, previously a dark galley layout with laminate cabinetry, was transformed into an open and airy space. Carrara marble was chosen for the island, while Georgia heart-pine countertops lined the perimeter. Melissa’s uncle custom-built the cabinets, and brass lighting added warmth. The relaxed dining room, featuring a mix of black Windsor chairs and upholstered French side chairs around an English oak dining table, was flanked by cozy seating areas for TV viewing and conversation.
In the living room, a beige grasscloth wallpaper above shiplap wainscoting was combined with rusty brown windowpane plaid fabric for chairs and pillows, creating a tailored neutral scheme suitable for both hunting weekends and girls’ getaways. The primary bedroom featured a grasscloth wallcovering, assorted checked fabrics on the four-poster bed, and tan and white toile curtains for softness. A painted V-groove wood ceiling contributed to an aged and warm ambiance. Guest rooms continued the theme with neutral grasscloth wallcoverings, taupe checked curtains, and patterned pillows, complemented by a gallery wall of baskets and farm landscape paintings above a woven rush headboard.
The renovation took approximately two years. The house also benefited from additional outdoor features, including a large back porch designed for family gatherings, seasonal decor with autumnal floral arrangements, and new outbuildings—a boat house and stables—all sporting a crisp white and black color scheme with matching standing-seam aluminum roofs, harmonizing with the main house.
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