Unwrapped Interiors: A Case for Material Authenticity and Clarity

This article explores a growing design trend that embraces an "unfinished" aesthetic in home interiors, showcasing ten examples where raw materials, exposed structural elements, and a sense of deliberate incompleteness contribute to the character and appeal of residential spaces. This approach challenges traditional notions of polished and perfectly decorated homes, instead celebrating the authenticity of construction materials and a less prescriptive design. One featured project, Skip Stop House in England by Design Haus Liberty, exemplifies this trend by converting a Marylebone house into apartments while intentionally leaving patches of exposed plaster after stripping wallpaper and incorporating industrial-style furniture. This design choice aimed to keep costs low while imparting a distinctive, raw appeal. In São Paulo, Vitrô Arquitetura's Pompeia Apartment embraces minimalism with limited furniture and brickwork walls, alongside structural concrete pillars that were uncovered during the renovation, contributing to a relaxed, open-plan environment. Similarly, the Setagaya Flat in Tokyo by Naruse Inokuma Architects features exposed concrete walls with cement smears, combined with sliding plywood partitions, to create a balanced mix of old and new elements within a minimal aesthetic. David Cervera's El Palmar, a concrete summer house in Mexico, integrates natural materials and hammocks. Its fluid layout, with one side exposed to the garden, blurs the lines between indoor and outdoor living, enhancing the connection with its surroundings through its unassuming finish. In Crusch Alba, Spain, Gus Wüstemann preserved the building's history during a Barcelona apartment renovation by varnishing over existing wallpaper and raw stone walls. This approach highlights previous interventions and layers of the building's past, celebrating its evolving character. Jo Nagasaka's House in Hatogaya, Japan, features timber columns that resemble scaffolding, exposed after the removal of partition walls. This creates an open, light-filled space that deliberately showcases structural elements as part of the interior design. GENS: Association Libérale d'Architecture converted a dilapidated barn in northeast France into social housing. The resulting shingle-clad structure maintains an unfinished appearance, designed to harmonize with the surrounding village and its rustic context. Karin Matz's HB6B in Sweden involved a Stockholm apartment renovation where many original features, including crumbling brick and peeling plaster walls, were retained from a renovation abandoned in the 1980s. This preserves the apartment's unique history and character. The deFlat project in the Netherlands, by NL Architects and XVW Architectuur, involved renovating a large post-war apartment building. The flats were left bare for residents to customize, offering a highly personalized and unfinished starting point for their homes. This innovative approach earned them the Mies van der Rohe award. Finally, G Studio Architects pushed the unfinished aesthetic further in the Tokyo Loft, applying white paint dabs to walls and installing bright orange electrical wires as visible design features, making the typically concealed elements a focal point of the interior. These projects collectively demonstrate a conscious move towards appreciating the raw, authentic, and evolving nature of architectural spaces. #InteriorDesign #UnfinishedAesthetic #RawMaterials #HomeInteriors #ResidentialDesign #ConcreteInteriors #ExposedElements #MinimalistDesign #ArchitecturalRenovation

This article explores various perspectives from 11 designers on what they believe to be the most underused design elements in residential and commercial spaces. The insights collectively highlight a shift from purely aesthetic considerations to a more holistic approach that emphasizes authenticity, sensory engagement, and emotional connection within designed environments. Sandy Baisley of Re-Find advocates for the integration of vintage, antique, and previously loved pieces. She notes that repurposing existing furniture not only contributes to environmental sustainability but also enriches a space with a sense of history, character, and uniqueness that new items cannot replicate. This approach celebrates the imperfect beauty of aged items, fostering an authentic and lived-in feel. Corinne Ekle from c2Design points to sheer drapery and living finishes, such as unlacquered metals and natural wood, as overlooked elements. She emphasizes their ability to subtly transform light and add depth through natural patination over time. For Ekle, these sensory details introduce a dynamic element to design, reminding occupants that beauty can be found in evolution rather than just initial perfection. Lidia Valdivia of Moonstone Design & Build champions the incorporation of cultural, global, and personal influences. As an immigrant, Valdivia views design as deeply intertwined with memory and meaning. She encourages clients to reflect on their upbringing and cultural experiences to create spaces that are emotionally resonant. Her designs often blend global living concepts, such as low-to-the-ground seating or indoor-outdoor flow, to foster a sense of calm and connection, suggesting that a home should reflect personal narratives and cultural heritage rather than mere decoration. Jennifer Worts of Jennifer Worts Design identifies texture as a critically underused element, often overshadowed by the pursuit of visual minimalism and clean lines. She argues that while a minimalist aesthetic can be visually sparse, a lack of varied textures strips a space of depth and character. Worts advocates for deliberate layering of different finishes, such as sueded plaster, natural stone, plush mohair, and natural woods, to engage both sight and touch, thereby creating a rich, welcoming, and complete sensory experience without sacrificing a sleek or neutral look. Cyndy Cantley of Cantley & Company highlights the importance of warmth and authenticity, particularly in kitchens. She appreciates elements like aged hardware, patinated marble, soft lighting, and inherited pieces, believing these contribute to a home's character and make it feel truly lived-in and comfortable. Cantley suggests that character endures long after initial perfection fades. Libby Baker of Baker Design Co. emphasizes the value of negative space, asserting that many spaces are often overloaded with furniture, art, and accessories. She argues that leaving intentional blank areas allows a room to breathe, providing visual relief and a more pleasing aesthetic. This concept challenges the maximalist tendency by promoting a sense of spaciousness and tranquility. Marcela Restrepo of Lamarc Studio focuses on the often-neglected functional aspects of bathroom design, specifically ventilation and storage. She contends that when these elements are considered architecturally from the outset, they enhance the overall experience, leading to more refined and calming spaces. Examples include concealed ventilation and integrated vertical storage, which maintain aesthetic integrity while improving practicality. Lisa Erdmann of Lisa Erdmann Interiors points to the ceiling as the most underused design element. She highlights its potential as a large, often-ignored surface that can significantly enhance a room’s character. Erdmann suggests various treatments such as molding patterns, beams, wallpaper, or plaster to add visual interest and personality, tailored to the home’s style. Sara Alexander of The Scale Collective advocates for task lighting, noting its power to create mood and a luxurious atmosphere in a way that overhead lighting alone cannot. She recommends using floor lamps, table lamps, and sconces at a warm color temperature (2700 Kelvin or below) to transform a space from day to night, emphasizing that effective lighting is accessible at various price points. Sarah Magness of Studio Magness sees glass blocks as an element poised for a comeback. She believes contemporary applications of glass blocks offer elevated and creative solutions for privacy and natural light, moving beyond their traditional uses. Magness views them as a practical, light-enhancing feature that can add a modern yet nostalgic touch to interiors. Mindy Kelson O’Connor of Melinda Kelson O’Connor Architecture and Interiors reinforces the importance of layered lighting. She argues that poor lighting significantly detracts from the enjoyment of any space, whether due to insufficient illumination or a sterile arrangement of recessed lights. O’Connor stresses the need for a harmonious combination of overhead decorative, recessed, ambient, and task lighting, strategically placed in conjunction with seating areas, to create a beautiful, functional, and inviting environment. #DesignElements #InteriorDesign #HomeDecor #SustainableDesign #AuthenticityInDesign #TexturalDesign #LightingDesign #CulturalInfluence #NegativeSpace

As interior design trends for 2026 lean towards quieter color palettes, the significance of texture in creating depth and visual interest becomes paramount. Texture, as defined by Madelynn Hudson, founder of M.H. Interiors, is the sensory language of a room, making a space tactile, dimensional, and emotionally engaging. It encompasses various elements such as the grain of wood, the softness of mohair, the coolness of stone, or the subtle irregularities in linen. Unlike a fleeting trend, texture is a fundamental condition for any well-designed space, preventing neutral rooms from appearing sterile and instead making them inviting, regardless of the season. Layering diverse materials is crucial to achieving a rich, characterful, and well-designed environment, impacting both the visual and tactile experience of a room. Designers employ texture in nuanced ways that often go unnoticed but significantly contribute to a room's overall feel. One key method is juxtaposing different levels of sheen. For instance, pairing a lacquered surface with handwoven wool or textured plaster creates a compelling contrast. Joy Lynskey, founder of Jewel Toned Interiors, suggests experimenting with varying reflectivities, like a leathered countertop alongside smoky glass shelves, or incorporating textiles with both matte and metallic threads. This interplay of matte, satin, and gloss finishes instantly adds dimension. Another technique involves integrating handcrafted accents. Handcrafted objects introduce unique textures through their inherent inconsistencies in surface, edge, or finish, which manufactured pieces cannot replicate. These subtle imperfections prevent a room from feeling overly produced, adding soul and irregularity. Madelynn Hudson highlights ceramics, carved wood, or textured artwork as examples. Cara Shahbandi of Stanton Home Design recommends using handmade lamps, particularly those with uneven glass bubble textures or metals, to recalibrate spaces dominated by sleeker elements. Textile layering is also vital, extending beyond mere single material use. Employing a variety of textiles, from window treatments to soft furnishings, creates a broader textural range. Layered window treatments, combining sheers with heavier drapes, introduce both lightness and structure. Cheryl Stauffer of Crimson Design Group suggests layering pillows with different textures—smooth, woven, or tasseled—to add subtle variation. Dan Mazzarini notes that this approach also facilitates seasonal shifts, with cotton rugs, pillows, and throws in biophilic tones offering a cocoon-like feel. Even a single contrasting textile, like a chunky boucle throw blanket, can significantly reset a room's balance. Artisanal wall finishes, such as limewash and Venetian plaster, offer a powerful way to incorporate texture at an architectural level. These hand-applied finishes introduce surface variation that interacts dynamically with light throughout the day, adding depth and subtle sophistication. Joy Lynskey emphasizes that these finishes create micro-movement that manufactured materials cannot achieve. Favoring natural materials like stone, wood, and clay is another effective strategy. While smooth, natural materials like marble still possess inherent visual movement through veining and fluting. Jen Baxter of Baxter Hill Interiors uses natural stone and tile to bring quiet drama, suggesting marble trays, stone lamps, or ribbed vases. Dan Mazzarini points to natural textures like seagrass wallpaper and teak furniture to soften rooms and add organic details, often referencing an outdoorsy aesthetic. However, the effectiveness of natural materials still relies on contrast and interaction with other elements. Finally, designers opt for unexpected placements of texture. Beyond obvious items like throw blankets and accent chairs, texture can be introduced in less conventional areas, such as under a stair, within a recessed ceiling, or on a kitchen island. Joy Lynskey notes that these surprising placements draw the eye and create moments of discovery, yielding an outsized visual impact without necessarily requiring major renovations. Even small applications of plaster, wood slatting, or specialty paint in these areas can fundamentally shift a room's ambiance. Ultimately, texture's power lies in its range of materials, finishes, tones, and scale, making a space not just visually appealing but genuinely engaging and memorable. #InteriorDesign #HomeDecor #Texture #DesignPrinciples #MaterialLayering #HandcraftedAccents #TextileLayering #WallFinishes #NaturalMaterials

Empty wall space in a home presents a prime opportunity for creative expression beyond traditional art forms like prints, posters, murals, and paintings. This article suggests incorporating captivating textural pieces from the artisanal brand Submaterial to create unique sculptural focal points. Submaterial crafts its items by hand in New Mexico, utilizing natural materials such as wool felt, cork, and various types of wood. The manufacturing process is conscientious, aiming to infuse an elemental quality into any room. Submaterial's diverse offerings include wall art, decorative screens, ready-to-ship mirrors, and other objects. They also undertake larger custom projects, like a bespoke wraparound walnut fireplace column installed for a home wedding. The brand emphasizes collaboration between the customer and its skilled team, which comprises individuals with backgrounds in architecture, design, and art, ensuring a personalized touch for each piece. The article highlights three primary materials used by Submaterial: wood, felt, and leather, detailing how these materials can be styled within a living space. For wood, the article suggests that while a full wall of wood paneling might be excessive, a single striking composition can allow the subtle grain to stand out. Examples include a mid-century-inspired screen that functions as a dynamic room divider or a fragmented mirror in a hallway that artfully catches light. These wood pieces are presented as elevating everyday building material to gallery-worthy status, with specific product mentions like the Queue Mirror, Holt Wall Panel, and Century Screen. Regarding felt, the article describes the material's potential for creating vibrant and visually impactful wall art, akin to a kaleidoscope with various color and pattern options. Designs range from wabi-sabi weaves to grids of squiggly shapes. These felt panels are noted for their softness and visual impact, along with a practical benefit: their sound-dampening qualities, making them ideal for placement above a bed. Featured felt products include the Diade No. 3 Wall Panel, Ojo Wall Panel, and Odessa Flat Wall Panel. Finally, the article explores leather as an unexpected yet refined material for artwork. Vegetable-tanned leather, available in shades like buttery caramel or deep indigo, is highlighted for its durability and ability to add a luxurious touch to a space. It suggests that a tableau of concentric squares can introduce new dimensions to a gallery wall, while a single leather panel can exude a talisman-like quality. Specific leather products mentioned are the Litho Wall Panel, Steno Wall Hanging, and Meso Wall Panel. The overall message encourages homeowners to consider these handcrafted, textural elements from Submaterial as a distinctive way to personalize and enhance their living environments. #GalleryWall #TexturalArt #Submaterial #HomeDecor #InteriorDesign #ArtisanalCrafts #WoodArt #FeltArt #LeatherArt #CustomDesign

Curtains are experiencing a significant resurgence in interior design, moving beyond their traditional role as window treatments to encompass entire rooms. This trend is evident in various high-end establishments, such as the Ra Ra Room in Phoenix, People’s in Manhattan, The Nines in NoHo, and WSA in the Financial District, all featuring extensive use of drapery. Even high-fashion brands like Valentino and boutique hotels like Civilian are incorporating curtains as a central design element. This widespread adoption of drapery is driven by a confluence of factors, including a lean towards maximalism and fashion-forward interiors. Beyond aesthetics, curtains provide a unique blend of comfort, privacy, and improved acoustic performance. The design director at Gensler, Siobhan Barry, likens the drapes to garments, emphasizing their ability to elevate a space into a realm of fantasy. Ryan Mahoney, creative director at Workstead, highlights how covering an entire room with drapery can unify a space, injecting a sense of mystery and playfulness while also acoustically enhancing the environment. The historical context of drapery use in interiors is also noteworthy. Napoleon I famously used tent-like drapes in his battlefield campaigns and chateaux, a style later mimicked by decorators. The Viennese modernist Adolf Loos designed a bedroom entirely swathed in white drapes in 1903, which was described as an "architecture of pleasure" or "architecture of the womb." Later, designers like Billy Baldwin and Halston incorporated extensive drapery in their projects, reflecting evolving design sensibilities. Psychologically, draped fabrics contribute to a sense of comfort and relaxation. Environmental psychologist Dr. Sally Augustin explains that humans associate curving lines, both two and three-dimensional, with comfort, while straight lines are linked to efficiency. In an increasingly anxious world, environments with softer textures and colors offer a reprieve, allowing individuals to feel revitalized. Artist and designer Monica Curiel also explores the psychological weight of textiles, connecting drapery to notions of nostalgia, care, innocence, and curiosity, often inspired by her matrilineal heritage. Drapery also manipulates the perception of space, offering both a soft aesthetic and a practical device for privacy. Designer Adam Charlap Hyman uses draperies to create walls that appear soft and to suggest spaces beyond, while also providing a means to create convenient deceptions or make legitimate walls seem more impermanent. This aligns with Loos's practice of using curtains to mediate between private and public spaces and to enhance the theatricality of interiors, a concept further explored by theorist Beatriz Colomina. The association of curtains with performance is another compelling aspect. British designer Lee Broom's 'Overture' wallcovering, created with Calico, features a trompe l'oeil drapery effect, drawing inspiration from his background in acting and the transformative power of set design. Rachel Cope, Calico’s creative director, notes that this emotive quality helps animate rooms, satisfying a desire for interiors that narrate, ground, and inspire. The pervasive influence of social media also plays a role, with people seeking spaces that act as backdrops for their digital presence, effectively turning interiors into stage-like settings for self-expression and performance. #InteriorDesign #CurtainTrends #MaximalistInteriors #ArtDeco #ArchitecturalHistory #EnvironmentalPsychology #TextileArt #SpacePerception #TheatricalInteriors

Textile and product designer Lori Weitzner has introduced a new wall-covering called “Newsworthy” which is crafted entirely from 100% up-cycled newspapers. This innovative design repurposes old newspapers into a decorative and functional element for interior spaces. The creation process involves meticulously weaving strips of recycled newspapers by hand, resulting in a unique textural wall covering. Once installed, the wall covering reveals subtle yet discernible headlines, adding an interactive and visually engaging element to a room, allowing occupants to potentially read snippets of past news. The technique employed for “Newsworthy” is analogous to that used in producing grass cloth wall coverings, but with the distinct characteristic of utilizing newsprint. This substitution introduces an interactive dimension, differentiating it from traditional materials. To guarantee both quality and longevity, the paper strips within “Newsworthy” are interwoven with durable nylon thread. Furthermore, the finished product is treated with a water-based topcoat. This protective layer serves to prevent yellowing of the newsprint over time and guards against staining, ensuring the wall covering maintains its aesthetic appeal and structural integrity. “Newsworthy” is available in a width of 47 inches and is priced at $125 per yard, catering to the trade market. This product is part of Lori Weitzner’s 2010 wall-covering collection, which emphasizes a commitment to sustainable design principles. The entire collection reflects a focus on green production, utilizing natural fibers such as banana leaves and paper pulp in its various offerings. This approach underscores a broader effort by the designer to integrate environmentally conscious practices into her product development, providing consumers with options that are both aesthetically pleasing and ecologically responsible. The “Newsworthy” wall-covering exemplifies this commitment by transforming discarded materials into a refined interior design element, highlighting the potential for upcycling in contemporary design. #SustainableDesign #UpcycledMaterials #NewspaperArt #WallCovering #InteriorDesign #LoriWeitzner #EcoFriendly

Marbé Briceno Velázquez, a Los Angeles-based designer from Marbé Designs, employs an architectural philosophy in her interior design work. She emphasizes the fusion of neutral palettes and organic materials to craft elegant and inviting environments. Velázquez describes her design process as a constant endeavor to balance functionality with aesthetic appeal, aiming to create spaces that resonate with both practicality and beauty. Her design approach is anchored by the concept of "good bones" and well-conceived layouts, which she achieves through the strategic use of structurally sound pieces. Her current mood board exemplifies this philosophy, featuring creamy white travertine and light oak wood as foundational elements. These materials provide a stable and serene base for the design. Velázquez integrates patterned fabrics to introduce geometry and rhythm, contributing to the visual flow of the space. To add a layer of luxury and tactile depth, she incorporates mustard yellow velvet and Rosso Levanto marble. The selection of materials is deliberate, with each component chosen for its inherent integrity, historical context, and capacity to age gracefully, reflecting a preference for enduring quality over transient trends. This focus on longevity underscores her belief in finding calm and clarity in what is lasting amidst a rapidly changing world. Velázquez also introduces whimsical and intriguing elements, such as a ceramic ant sculpture and a tasseled key chain, which infuse the design with personality and a sense of discovery. These smaller, unexpected details add a unique charm to the overall composition. The specific items detailed in her mood board offer a comprehensive look into her design considerations. For instance, a fiddle-leaf fig branch is included to symbolize the integration of nature into the living space, a recurring theme in her projects. Custom Cordoba Cream Travertine from Stoneville is chosen for its natural, unpolished texture, evoking a sense of timelessness. The use of aged brass cabinet pull handles from Armac Martin is a signature element, valued for its ability to develop a beautiful patina over time and contribute to a subtle sense of luxury. Skinth fabric by Joseph Noble, a tactile faux leather, adds a layer of craftsmanship without being ostentatious. Euro Oak Matterhorn flooring by Rhodium Floors & Decor provides a clean, modern, and versatile base that harmonizes with other design elements. Palisse fabric by Casamance, an elegant and textural upholstery, introduces geometric patterns while maintaining a soft color palette. A tassel key chain from The Bowery Hotel serves as a personal memento, subtly woven into the design narrative. Custom dark oak wood by Aranelli offers a grounding contrast to lighter woods, enhancing balance and sophistication. Stellar fabric by Threadcount Textile & Design, a nubby material in Giorgio, provides a rich and moody counterbalance to the design's lighter components. Faye fabric in Caramel by Thesign, a mohair velvet, is selected for its warmth, boldness, and ability to elevate a space effortlessly. Geometric Rosso Levanto Prizm Honed Tile by Walker Zanger is described as a jewel-like material, offering deep and dramatic richness. A custom granite oxidized mirror sample by Marbé Designs reflects light softly, adding depth and a sense of history to the environment. The unexpected inclusion of an ant sculpture, discovered in Europe, highlights her penchant for incorporating unique objects. Zen Garden wallcovering in Koshi Cream by Maya Romanoff adds a soft shimmer, capturing light in a delicate manner. Euphorie Cubiste fabric in Sepia by Alison Rose for Misia introduces energetic geometric patterns, reminiscent of a midcentury painting. Finally, paint colors from Tonester Paints—West Desert (beige), Even Angels Cry (deep green), and The Hierarchy (charcoal)—are chosen as foundational earthy hues that provide stability and allow other elements to stand out. This detailed selection demonstrates Velázquez's commitment to creating cohesive, functional, and aesthetically rich interiors. #InteriorDesign #ArchitecturalApproach #NeutralPalette #NaturalMaterials #MoodBoard #LuxuryDesign #FunctionalBeauty #SustainableDesign #TactileMaterials

Wilsonart has expanded its Solicor Laminate collection by introducing three new core hues and fifteen patterned surface-top designs. The new core colors—khaki, grey, and almond—serve as the foundation for the expanded range, catering to a demand for versatile and durable materials in modern design. The surfaces are available in five distinct colors, offering a wide palette for designers and consumers. The patterned designs encompass a variety of aesthetic options, including solid block colors, realistic woodgrain finishes, elegant linen textures, classic marble patterns, and sophisticated soapstone replications. These diverse patterns aim to provide solutions for a broad spectrum of interior design applications. To further enhance customization and visual appeal, the new Solicor Laminate designs are finished with one of four different textural options: a smooth matt, a reflective gloss, a tactile woodgrain, or a luxurious velvet. These textures not only contribute to the aesthetic richness of the surfaces but also provide a distinct haptic experience, mimicking natural materials. A key feature carried over from earlier Solicor designs is the solid-core construction, where the colors and textures extend uniformly throughout the laminate layers. This innovative manufacturing process eliminates the traditional 'brown line' often visible at the edges and corners of standard laminates, creating a seamless and integrated appearance that is particularly advantageous for applications requiring clean lines and a polished look. Garret Quarles, Wilsonart's specialty products manager, highlighted that these new Solicor additions address a gap in the market. He noted that designers seek durable, versatile, and sustainable materials that do not compromise on style. By removing the visually disruptive brown line and offering contemporary, on-trend designs, Solicor Laminate broadens the possibilities for its use in various settings. The laminates are produced in multiple thicknesses and sizes, ensuring their suitability for a diverse array of applications, both residential and commercial. Specific applications targeted by the Solicor Laminate include desks, countertops, backsplashes, cabinetry, and cabinet doors. Its durability and aesthetic flexibility also make it suitable for retail merchandising displays, where both visual appeal and resilience are crucial. In addition to the standard Solicor Laminate, the fifteen new designs are also available in Solicor Compact Laminate. This variant is a thicker, self-supporting laminate that does not require a substrate, making it ideal for robust applications such as high-traffic countertops, durable furniture, permanent fixtures, and structural elements like partitions, lockers, and wall panels. This compact version offers enhanced structural integrity and resistance, making it suitable for demanding environments. Wilsonart, established in 1956, is a manufacturer and distributor of engineered surfaces, including solid surfaces, quartz, and various specialty laminates. The new Solicor Laminate designs were officially launched at the NeoCon fair in Chicago, an annual event for commercial interior design. During the same event, held from June 12 to 14, Wilsonart also unveiled six new solid-surface designs as part of its 'Timeless Luxury' collection, further expanding its product portfolio with options emphasizing sophistication and enduring appeal. This simultaneous launch underscores Wilsonart's commitment to continuous innovation and meeting evolving design needs across different material categories. #Wilsonart #LaminateSurfaces #InteriorDesign #SurfaceMaterials #DesignInnovation #SeamlessDesign #NeoCon #HomeDecor #MaterialTechnology

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

If a home's interiors appear bland, boring, or monotonous, incorporating layering techniques can transform these spaces into curated, inviting, and stylish environments. Layering involves combining various textures, finishes, and materials to add depth and make a space feel more "lived in" and vibrant. This approach goes beyond mere aesthetics, aiming to create a multi-sensory experience that engages sight, touch, and movement, resulting in a harmonious flow within the composition. One effective method for layering involves grounding the space by utilizing rugs. Since the floor is often the largest uninterrupted surface, it serves as an ideal canvas for introducing texture and depth. This can be achieved by starting with a large, handwoven base rug made from materials like jute, wool, or a silk blend, which anchors the room. To add personality and create a focal point, a smaller, patterned rug, such as a kilim, Moroccan Beni Ourain, or antique Persian, can be layered on top. Furthermore, using an organic-shaped rug over a rectangular base can soften architectural edges and help delineate specific zones within open-plan living areas, contributing to both visual interest and functional organization. Walls also offer significant opportunities for layering to enhance a room's character. Applying various wall treatments can impart a sense of architecture and tactility. Textured wallpapers, including grasscloth, silk, or linen, can introduce subtle richness and visual interest. Panelling, whether in wood, lacquer, or fluted profiles, creates dynamic shadow play and adds depth to the walls. A sophisticated and finished look can be achieved by combining these elements, for example, by framing a silk wallpaper within slim timber panelling, which adds a tailored touch. Textiles can transcend their traditional roles as upholstery or drapery to become striking art pieces. Hanging a vintage suzani, a woven wall hanging, or a contemporary tapestry can bring softness and a narrative quality to a room. To further enhance dimension and establish a dynamic focal point, a sculptural wall light or a floating shelf can be strategically placed in front of the textile, drawing the eye and adding another layer of visual complexity. Sculptural elements also gain presence when carefully layered with other materials. A ceramic, stone, or bronze sculpture can be positioned in front of a textured wall, such as one finished with silk, timber, or polished plaster, to create a compelling contrast. On shelving units, grouping smaller sculptures with books, framed art, and decorative vessels can contribute to a collected, lived-in feel, reflecting a curated aesthetic. Finally, achieving a balanced and cohesive layered look requires intentional contrasts. Pairing smooth materials like marble with open-weave linen, placing a matte clay vase against a lustrous lacquered cabinet, or introducing woven baskets into a room with clean-lined furniture can effectively soften the overall aesthetic and create a harmonious yet dynamic interior. #HomeDecor #InteriorDesign #LayeringTechniques #TexturedWalls #RugsAndThrows #SculpturalElements #TextileArt #VisualDepth #ContemporaryHomes

Pattern in interior design, far from being merely decorative, introduces depth and narrative to a room, creating a sense of magic and transporting the mind to different worlds. While the skill of combining patterns is considerable, the initial step for any pattern-related decision is to be captivated by a specific design. Emma J Shipley's Mythica collection, a collaboration with Clarke & Clarke, exemplifies this with its range of wallpapers and fabrics inspired by wildlife, mythology, and fantastical elements. Launched on February 4, this collection features jungle dreamscapes and sea forests, reminiscent of Jules Verne, often incorporating mythic creatures. Shipley, a British artist with Irish heritage, describes her creative process as beginning with a story. She seeks inspiration in nature, sketching and photographing, and immersing herself in fantasy literature before integrating these elements into her designs. This involves identifying key motifs or 'icons' and meticulously arranging them within the pattern, adding detail iteratively. An example from her collection is the Quetzal wallpaper, which prominently features the resplendent quetzal bird, observed by Shipley in Costa Rica. These birds, with their iridescent blue-green plumage and vivid red breasts and long, ribbon-like tails, appear almost mythological. The design combines quetzal birds with hummingbirds, bats, lizards, and a tiger heron, creating a cohesive narrative rather than a naturalistic depiction. Another wallpaper, Odyssey Mythos, draws inspiration from Greek ancient sites, museums, and the film "Jason and the Argonauts." Its central motifs are horses, traditionally associated with Poseidon, reimagined with Pegasus wings, fish tails, and cheetah spots, showcasing Shipley's signature use of animal patterns in unexpected contexts. Shipley's patterns are available in various colorways, from vibrant multi-colored options to subtle monochromes. She emphasizes that while she designs in black and white, the addition of color profoundly alters the mood and feel of the design. The Mythica collection also includes jacquard weaves, where the pattern is woven into the fabric, and embroidered patterns, such as the 'Owl of Athena,' which repeats a small golden owl motif on a linen base. This variety allows for layering patterns to create a diverse scheme, which can range from maximalist to subtly enhancing a pared-back, neutral space with personality. Combining patterns can be challenging, often leading homeowners to opt for plain interiors. Interior designer Maggie Brady of Pearl Redesigns highlights that a pattern-less home can appear flat. She notes that the fear of overwhelming color is a common stumbling block, suggesting that incorporating neutrals makes pattern mixing more manageable. Brady's primary advice is to maintain simple and consistent color combinations to ensure visual harmony. The process typically begins with a 'hero piece' that establishes the room's underlying color palette. For instance, in a country bedroom design, an antique Aubusson rug with a peachy-pink, green, pale blue, and olive palette dictated the room's color scheme. Subsequent patterns, such as a bold floral bedspread and a blossom print wallpaper, were chosen to align with these established tones and often shared a similar scale, making them easier to integrate. Even with multiple patterns, the room maintains a restful atmosphere due to the consistency of tones. Brady also advises consistency in style when mixing patterns, recommending adherence to a specific period, such as mid-century, to create a sense of established charm. She encourages experimentation, suggesting that if a pattern doesn't work in one spot, it can likely find a home elsewhere in the house. #InteriorDesign #HomeDecor #PatternMixing #WallpaperTrends #EmmaJShipley #MythicaCollection #TextileDesign #ColorPalette #DesignInspiration

The article showcases Laura Gonzalez's first solo exhibition in NYC, titled "New York Splendor," held at The Invisible Collection's The Townhouse. Gonzalez is known for her opulent and eclectic interiors, which have graced establishments such as Saint James Chateau-Hotel, Sir Winston, Lapérouse in Paris, and various Cartier stores. Her exhibition, on display until 1 March, is characterized by a rich array of textures, fabrics, fringing, and patterns, embodying a maximalist aesthetic without appearing chaotic. Gonzalez drew inspiration for "New York Splendor" from the elegant, classic style of Upper East Side New York flats, while infusing them with contemporary furniture pieces. She maintained architectural elements like moldings, then modernized the spaces with iconic designs such as the Nenuphar table, Lilypad chandelier, Mawu chairs, and Casa sofa. The exhibition aims to reimagine these traditional New York spaces by adding a "quirky color" touch, a signature element of her design philosophy. The designer emphasizes creating an inviting and warm atmosphere through vivid staging, where every corner offers an exuberant juxtaposition of elements. Her design approach involves blending contrasting patterns and fabrics to imbue spaces with a distinct soul. She frequently incorporates vintage furniture and floral wallpapers, combining various fabrics to achieve an elegant harmony with other furnishings. Gonzalez has a particular affinity for fabrics, considering their texture, colors, and patterns to be central to her designs. For "New York Splendor," she collaborated with Pierre Frey Fabric House, a company she has admired since childhood. Gonzalez's Franco-Spanish background and childhood spent in the south of France significantly influence her design language. She consistently seeks inspiration from museums, art exhibitions, natural light, architectural details, and the vibrant colors encountered during her travels. Her furniture pieces, specifically designed for this exhibition, are considered an evolution rather than a fixed collection. These unique pieces are crafted in Europe by various artisans and houses, including Lesage, Jean Roger, and Pierre Frey. Notably, the Mawu chairs feature intricate embroidery from the Lesage house, known for its extensive embroidery collection, highlighting a blend of haute couture craftsmanship in furniture design. Gonzalez established her interior design agency in 2008, driven by a lifelong passion for reinventing and renovating spaces. She views each project as an opportunity to create a new, unique universe. The exhibition serves as a testament to her vision of blending classic elegance with modern maximalism, offering a fresh perspective on luxurious interior design. #LauraGonzalez #InteriorDesign #Maximalism #NewYorkSplendor #TheInvisibleCollection #FurnitureDesign #TextileArt #Exhibition #DesignInspiration

Vincent Celano, the founder of New York-based Celano Design Studio Co., has established a reputation over three decades for creating transformative experiences in hospitality and architectural design. His work is characterized by lifestyle-driven concepts and a strong emphasis on authenticity and sustainability. Celano achieves this by integrating personalized approaches, thoughtful conceptualization, and collaboration with local artists and makers in his projects. His portfolio includes collaborations with major hospitality entities such as José Andrés Group, Hakkasan Group, and Marriott Hotels, as well as Resorts World Las Vegas. Recent notable projects highlight his diverse design capabilities. These include Catezza in Red Bank, NJ; La Concha Autograph Collection in San Juan, Puerto Rico; and Meximodo in Metuchen, NJ. One featured project, The Hiatus Clearwater Beach, Florida, is an 88-room boutique hotel developed in partnership with 3H Group. This Hilton property, located along Clearwater Beach, boasts ocean and bayside water views, a lobby bar and lounge, a restaurant, and a rooftop pool bar. The hotel's design incorporates teak wood planking and warm, clay-colored wallcoverings, while the reception area features jewel-box-like sculptural white-washed wood desks with brass accents. A layered textured glass chandelier, inspired by local shells, hangs in the lobby, complemented by coral-colored gradient glass screens that evoke the property's sunset views. A significant artistic element is a large hand-painted mural by local artist Derek Donnelly, depicting a woman and floral motif, which has become a community landmark and an iconic beacon for the hotel. Celano describes The Hiatus as embodying a relaxing, modern coastal experience, allowing guests to pause and rejuvenate. The color palette, dominated by greens, symbolizes harmony with nature and draws inspiration from coastal foliage, promoting feelings of growth, renewal, and vitality. Another project, ¡VIVA! in Las Vegas, Nevada, is a Mexican restaurant by celebrity chef Ray Garcia. Celano Design Studio Co. infused the vibrant culture of Oaxaca, Mexico's mezcal bars with a Las Vegas twist, resulting in an approachable, lively, and sophisticated 8,000-square-foot space. It features an indoor promenade patio, a main dining area, a feature bar, a 1,000-square-foot outdoor patio, and a private dining room. An infinity mirror at the entrance creates an interactive art installation, while a mural from the patio extends into the bar, serving as a backdrop for a tequila bottle display. The bar's central design element is a large wood and rattan ceiling feature, with 'petals' inspired by the blue agave plant, casting dramatic shadows. The dining room includes a large driftwood sculpture surrounded by four round banquettes with channel tufting. The outdoor patio maintains an eclectic and residential feel with a wood trellis, overgrown greenery, colorful upholstery, graphic patterns, and area rugs, making it suitable for elegant dinners or casual drinks. The Barbershop Cuts & Cocktails in Las Vegas, Nevada, offers an authentic old-school barbershop experience. The design, inspired by gilded barbers, emphasizes polished chrome, white porcelain, and crafted wood details. Dark hardwood floors, vintage tin ceilings, decorative chandeliers, and tufted furniture create a classic ambiance. An extensive wall of shelves and an 1885 vintage Brunswick bar are stocked with a vast collection of brown spirits. The lounge area features a custom-designed motorcycle lamp wall and a disappearing stage for live performances and karaoke, offering an unexpected twist to the traditional barbershop setting. Meximodo Cocina & Cocteles in Metuchen, NJ, is a modern Mexican restaurant that blends vibrant colors, rich textures, and crafted details with classic Mexican cooking. Large windows allow a full view of the lively interior, while colorful metal flowers and lush greenery define the patio dining area with residential-style seating and graphic patterns. The design incorporates colorful porcelain tiles, sculptural stepped wood banquettes, bright hues, and a rose tunnel featuring thousands of floating roses above the main dining room, along with a custom floral wallcovering and a hanging garden swing, to create a festive and unforgettable celebratory destination. #InteriorDesign #HospitalityDesign #RestaurantDesign #HotelDesign #LuxuryInteriors #EclecticStyle #TransformativeExperiences #AuthenticityInDesign #Sustainability

The article discusses the growing trend of using faux materials in home interiors and explains why designers advocate for a return to natural materials. While faux materials such as fake marble countertops, synthetic stone, and vinyl faux wood flooring offer a seemingly more affordable upfront cost, they come with significant drawbacks. These alternatives often lack the durability of their natural counterparts, being prone to damage like chipping and cracking. Beyond aesthetic and longevity concerns, some faux materials, particularly particleboard and certain types of laminate or vinyl flooring, are known to release harmful Volatile Organic Compounds (VOCs), including formaldehyde, which can negatively impact indoor air quality. Home designer and therapist Anita Yokota emphasizes the psychological and physiological benefits of natural materials, noting that their micro-irregularities and tactile depth activate the parasympathetic nervous system, fostering feelings of groundedness and safety. Materials like real wood, stone, linen, and clay offer subtle variations that are absent in synthetic alternatives. Despite the drawbacks, the market for faux materials, such as particleboard used in faux wood furniture, is projected to continue growing, driven by a demand for affordability. However, the article suggests that there are affordable natural alternatives available. For instance, instead of expensive marble or cheap faux replicas for countertops, real wood butcher block offers a natural, more budget-friendly option that also contributes to a soothing interior aesthetic. Similarly, embracing natural fabrics like cotton, linen, or wool for items such as blankets, curtains, and pillows is recommended over synthetic options. For furniture, vintage real wood pieces can be sourced affordably from thrift stores and given a new life through DIY upcycling. Ultimately, the piece advocates for a mindful approach to material selection in home design, prioritizing the long-term benefits of natural materials in terms of durability, aesthetic quality, and positive impact on well-being and indoor air quality, even when initial costs might seem higher than their synthetic counterparts. The ongoing popularity of faux materials is largely attributed to cost-effectiveness, but designers consistently prefer natural options due to their superior qualities and benefits. #InteriorDesign #HomeDecorTrends #NaturalMaterials #FauxMaterials #HomeDesign #SustainableDesign #IndoorAirQuality #MaterialSelection

The article highlights Heather Chontos's collaboration with Layered, focusing on a new rug collection that translates her abstract paintings into hand-tufted rugs. The collection aims to capture the depth, color, and shape of Chontos's artwork, making her vibrant and expressive pieces accessible as functional home decor. These rugs are presented as a unique way to bring art into interior spaces, offering both visual appeal and tactile quality through their hand-tufted construction. Following this, the article introduces Clé's refreshed Architect's Palette tile collection. Clé has updated this classic collection by introducing a silkier matte glaze and expanding the available color palette. This refresh aims to provide designers and homeowners with more sophisticated and versatile options for tiling projects, emphasizing an earthy touch that enhances the collection's aesthetic and functional appeal for various architectural and interior applications. The ORA Lamp Series by Dana Harel, from White Dirt Studio, is also featured, showcasing sculptural lighting crafted from gypsum cement, muslin, and brass. These lamps are noted for their unique forms and the way they play with light and shadow, adding an artistic element to any room. The design combines diverse materials to create visually compelling and structurally interesting lighting fixtures. Fireclay Tile's new customizable bath fittings collection marks the company's expansion beyond surface materials. This new venture allows for personalized bath designs, giving customers more control over the aesthetics of their bathrooms. The collection emphasizes customization, enabling a cohesive and unique look when paired with Fireclay's extensive tile offerings. Molteni&C's Milan showroom and its top products are explored, conceived as the home of an astute collector. The showroom acts as a curated space displaying a range of high-end furniture and decor that reflects a sophisticated and eclectic taste. This segment offers a glimpse into the brand's design philosophy and product highlights. Visionnaire's new Italian-luxe showroom in London's Design District is also presented, inviting readers to explore its opulent offerings. The showroom is designed to exhibit Visionnaire's luxurious furniture and home accessories, providing a destination for high-end interior design inspiration and purchases. Lawson-Fenning's NoHo shop in New York, designed by Josh Grene, is highlighted for its glowing terra-cotta hues. The shop's design creates a warm and inviting atmosphere, showcasing the brand's furniture and decor in a distinctive setting that emphasizes natural tones and materials. Ege and Snøhetta's collaboration on a carpet collection, Matter, is introduced, which reimagines flooring with generative flatweaves. This partnership combines innovative design with functional materiality, offering floor coverings that are both aesthetically engaging and practical for various commercial and residential applications. Finally, the article mentions several other product highlights, including an array of seating designs for a fall refresh, Carole Baijing’s understated furniture collection for Geiger, Slalom’s sustainable acoustic panels made with FSC-certified wood and recycled materials, Rop van Mierlo’s bold and shaggy rug series for CC-Tapis, Hem and Kusheda Mensah’s playful ottoman collaboration, Jiang Qiong Er’s poetic bamboo collection for Roche Bobois, Kevin Walz’s colorful collaboration with Ralph Pucci, Kriskadecor and Rafa Ortega’s nature-inspired Khronos collection with acoustic properties, and Jill Malek’s pastel glass mural panels inspired by natural phenomena. #InteriorDesign #ProductLaunch #HomeDecor #TileDesign #LightingDesign #FurnitureCollection #Showroom #TextileArt #AcousticPanels

The Dezeen Showroom highlights a diverse range of new products for interiors and design, featuring collaborations between designers and brands, and showcasing innovative materials and functionalities. The collection includes a padded, upholstered chair, a door pull made from colorful timber, vibrant bathroom lighting, a sturdy meeting table, versatile storage units, and eco-friendly wall tiles. The Amia chair, a collaboration between Italian brand Miniforms and design studio E-ggs, is presented as a key feature. This chair is described as being conceived like a sofa, with padding and upholstery covering all its surfaces. It features flat, thick legs and a round-cornered backrest, offering customization options with various bold fabrics and optional wooden armrests. The design blends comfort with contemporary aesthetics, making it suitable for modern living spaces. Another notable product is the Sensible Streaker door pull by Australian interior design studio YSG for Bankston Architectural. This slender door pull is crafted from alternating bands of naturally colorful timber, part of a wider collection. It comes in three unique colorways, each utilizing unusually-hued solid wood forms, emphasizing natural beauty and craftsmanship. The Pastello bathroom lighting collection by British brand Curiousa introduces a colorful assortment of wall-mounted lights. This collection includes posable, dish-shaped, or suspended lighting fixtures, all unified by a cohesive pastel color palette. The designs aim to bring a soft, artistic touch to bathroom interiors. For communal or office spaces, the Planar table by Rodolfo Dordoni for Spanish furniture brand Andreu World is featured. This broad and sturdy meeting table is characterized by A-shaped legs at each end and a top that combines a chunky lower section with a slim, contrasting tabletop, providing both stability and a sophisticated appearance. British workplace brand Bisley expands its MultiDrawer storage units, originally launched in 1958. The updated collection includes new colors and functionalities, offering various hues, including limited edition options, and different size formats. Some versions are designed to serve as bases for desks, enhancing their versatility in modern workspaces or home offices. Cicil, a US brand, presents its Tartan Shuttle Weave rugs, made from pure wool and featuring an exaggerated check print. These rugs are available in three color combinations: warm neutral Daylight, blue-and-burgundy Dusk, and cool neutral Twilight, offering timeless appeal with a contemporary twist. Elora Hardy for Bamboo Pure introduces the New Moon chair, a lounge chair with a sweeping backrest made from bamboo. This piece combines the design aesthetic of European steam-bent seats with bamboo, a sustainable and native material in Southeast Asia, highlighting eco-conscious design principles. Designtex's Borealis wall covering features multicolored, painterly strokes designed to create a calming effect in interiors. This product is intended for wellbeing, hospitality, and healthcare settings, emphasizing aesthetics that promote tranquility and comfort. Finally, Impact Acoustic's Archisonic Mycelium wall tiles showcase an innovative approach to materials. These wall tiles are grown from mycelium, the root network of fungi, rather than manufactured. They are available in a single natural color and possess innate sound-absorbing properties, offering a sustainable and functional solution for interior acoustics. Ted Todd expands its Project collection flooring, adding new shades, plank sizes, and thicknesses. The oak floor planks are available in a spectrum of shades, from pale Almond to rich, chocolate-hued Tattenhall, providing a wide range of options for flooring projects. This comprehensive overview demonstrates the breadth of new products available on Dezeen Showroom, catering to various design needs and preferences. #ProductDesign #Furniture #InteriorDesign #SustainableMaterials #Lighting #StorageSolutions #Rugs #WallCoverings #AcousticPanels #Flooring

This lookbook showcases eight interior design projects that prioritize sustainability through the use of reclaimed and recycled materials. These projects reflect a growing awareness of environmental concerns within the design world, prompting designers and architects to explore innovative ways to repurpose waste and integrate sustainable practices. The examples presented range from a vibrant restaurant interior crafted from unwanted objects to a house constructed with reclaimed bricks, demonstrating the versatility and aesthetic potential of such materials. The Circus Canteen in Bangalore, India, designed by Multitude of Sins, transformed locally sourced salvaged objects into a colourful and stylish restaurant interior. This project was a Dezeen Awards 2022 sustainable interior nominee, highlighting how unwanted items can be reimagined for new purposes. Similarly, the Kamikatsu Zero Waste Centre in Japan, by Hiroshi Nakamura, serves as an eco-friendly community and educational hub. Its facade is composed of 700 donated windows, and mushroom factory harvesting containers are repurposed as bookshelves, showcasing a comprehensive approach to waste utilization. Silo, a zero-waste restaurant in London by Nina+Co, incorporates recycled-plastic table tops and sustainably sourced ash wood legs for its dining furniture. Mycelium pendant lamps and a bar counter made from recycled plastic packaging further emphasize the restaurant's commitment to sustainability, demonstrating that luxury and environmental responsibility can coexist. Urselmann Interior’s own office renovation in Düsseldorf, Germany, utilized poplar wood from a felled tree for the ceiling and preserved existing flooring. This project also featured biodegradable materials, glueless joinery, and cellulose-based cladding, embodying a holistic circular economy approach. The Wendy House in Bangalore, India, by Earthscape Studio, is a vaulted residence built with recycled mudga tiles on its roof and recycled rods framing its glass walls. The studio revived the traditional sithu kal brick technique, not only using reclaimed materials but also creating work opportunities for the local community. In Ghent, Belgium, the GjG House by BLAF Architecten was constructed entirely from reclaimed bricks, featuring unique curvilinear walls designed to integrate the structure with its natural surroundings. This project demonstrates how salvaged materials can contribute to distinctive architectural forms. Responding to global climate change and energy crises, Takk’s 10K House in Barcelona, Spain, was built on a minimal material budget of 10,000 euros. The design incorporates rooms within rooms to maximize insulation, and recycled white table legs were ingeniously used to elevate an interior room, creating space for utilities without incurring extra costs for wall grooves. Lastly, Studio 30 Architects transformed an old carpenter's bench into a kitchen island for Rylett House, a London house extension. This project integrated a repurposed item into a modern living, kitchen, and dining area, overlooking a garden and illustrating the potential for creative reuse in residential design. These diverse projects collectively illustrate the architectural and design community's innovative strategies for incorporating reclaimed and recycled materials into contemporary interiors. They highlight that sustainable design is not merely an environmental imperative but also an opportunity for creative expression, resourcefulness, and community engagement, contributing to both ecological preservation and unique aesthetic outcomes. #ReclaimedMaterials #RecycledMaterials #SustainableDesign #InteriorDesign #Architecture #ZeroWaste #CircularEconomy #EcoFriendlyInteriors #ResidentialDesign

Jessica Shaw, the director of interiors at The Turett Collaborative in New York, emphasizes the concept of "beautiful tension" in her design philosophy, utilizing a mix of sophisticated and unexpected materials to create interiors that are both innovative and timeless. Her current mood board exemplifies this approach, featuring a collection of two-tone graphic motifs and neutral color palettes that achieve a yin-yang effect. Shaw’s selections balance coziness with a cutting-edge aesthetic, incorporating metallic mesh fabrics and high-tech leather weaves that are livable yet luxurious. Key elements in her material selection include Inaya Indium Printed Linen by Black Edition, chosen for its watercolor moodiness and suitability for drapery or duvet covers. Venetian Plaster Wallcovering in Marble Dust by Phillip Jeffries adds luminous texture to walls, making a classic look more accessible. Dedar’s Zen Light fabric in Perla is a preferred choice for ripple-fold drapery, creating an elegant and modern veil between indoor and outdoor spaces. The Kotakot Leather Weave, also from Dedar, appeals to Shaw's interest in the intersection of organic materials and high technology. American Elmwood Wall Panels by West | Wood are selected for their natural beauty and unique grain, contributing a tranquil and enduring quality to projects. Corian Solid Surface in Glacier White by Corian Design is valued for its durability, versatility, and clean, modern aesthetic. Imperial Danby Honed Marble from Stone Source, a locally sourced Vermont stone, is highlighted for its suitability in both wet and dry applications. The Catch a Glance fabric by Carlucci at JAB Anstoetz combines glamorous and tribal elements with handmade and machine-made attributes, providing a dynamic option for upholstery. Sahco at Kvadrat’s Sequence fabric in 0001 is noted for its ability to bridge light and dark room palettes, offering modernity and a durable, nubby texture beyond traditional boucle. Terrazzo Renata Fluted Field Tile in Grigio Carnico by Ann Sacks exemplifies Shaw's preference for hard-soft dichotomies in her material palettes. Dedar’s Aramis fabric in Perle introduces a metallic mesh with organic undertones, while Astrografia fabric, also by Dedar, is described as a textural dream. Kirkby Design’s Ember fabric in Noir provides a distinct alternative to popular boucles with its two-tone speckle and strong construction. Mixed-metal finishes from Waterworks, including Architectural Bronze, Unlacquered Brass, and Matte Nickel, are embraced for adding excitement to projects. Madera’s Atelier No. 021 Wide-Plank Oak Flooring is chosen for its natural beauty, tactility, and enduring quality. For high-traffic areas like entry stairs, Adara Limited’s Carmen fabric in Guadalupe, a black sisal, offers a chic and modern solution. Kravet’s Looker Faux Leather Fabric in Bronze provides a stress-free, stain-resistant, and durable option. Absolute Leather in Rowboat by Moore & Giles adds a rich texture that complements modern weaves and organic elements. Finally, Dedar’s Kotakot Leather Weave in Black and 4Spaces’ Edolo fabric, a denser variation of Zen Light, further expand on the themes of handcrafted tradition and diverse material character, illustrating Shaw’s meticulous attention to detail in creating sophisticated and compelling interiors. #InteriorDesign #MaterialSelection #TextileDesign #InteriorFinishes #DesignTrends #MoodBoard #ArchitecturalMaterials #SurfaceDesign #LuxuryInteriors