Interactive floor plan: Arc House

The Arc House, a modern private residence located on three forested acres in East Hampton, New York, was completed in 2010. Designed by architect Maziar Behrooz, the 6,400 square foot home features a distinctive architectural approach that integrates glass, steel, stone, and wood with a unique partially subterranean design. Over half of the structure is buried, fulfilling the owners' desire for a minimalist aesthetic. The architectural inspiration for the Arc House stemmed from an F-16 fighter jet emerging from a hangar, echoing the simplicity and efficiency of a Quonset hut. The upper level of the house is characterized by a self-supporting corrugated steel arch, measuring 60 feet by 20 feet, which forms both the roof and side walls. This industrial approach was chosen to transcend the perceived limitations of the site, which is situated under a flight path to a local airport and near a train track. The architect aimed to create a column-less, self-supporting canopy for the public spaces, focusing on cost-effectiveness while maintaining an intimate yet spacious feel. The chosen radius of 39 feet for the arch results in a peak ceiling height of 16 feet, balancing comfort with a sense of grandeur from the uninterrupted ceiling curve. Green features are integral to the Arc House's design, including geothermal heating for energy efficiency and a rainwater collection system positioned at both ends of the arch. A vegetated roof on the four-car garage further enhances the home's sustainability, blending seamlessly into the landscape. This garage is sunken and is accessed via a green surface of drivable grass interspersed with Belgian block stones. The lower level of the house accommodates an office, a sitting room, and workout areas. This level opens to a courtyard, facilitating cool air circulation and providing a private outdoor space. By embedding the house into the landscape, the design transforms the flat site into one with varied horizons, leveraging natural cooling and passive design principles. The Arc House's construction utilizes SIP panels, high-thermal windows, and closed-cell foam insulation, contributing to significantly lower energy consumption compared to conventional homes of similar size. The design has garnered recognition, including the Best Metal Roofing award in the 2011 MCN Building and Roofing Awards and the AIA Peconic Honor Award in the Project Category in 2009, when it was known as “Hangar House.” The green roof, in particular, acts like an infinity pool, with its vegetation merging into the surrounding environment, creating a continuous visual effect. The green roof installation at the Arc House was a significant culminating project for students from the Bronx, participating in a four-year educational program by Green Living Technologies International (GLTi). This program, which utilized the Mobile Edible Wall Unit (MEWU) for indoor vertical farming, aimed to enhance student learning through hands-on experience with green infrastructure. Under the guidance of GLTi President George Irwin, students engaged in various activities, from blending and testing growing media to actual installations. The curriculum focused on integrating CORE subject matter with authentic applications, fostering skills in biology, earth science, business, measurement, and problem-solving. This approach not only prepares students for standardized testing but also introduces them to advanced green roof and wall technologies. The program has demonstrated positive outcomes, including high attendance rates, 100% passing rates for the NY School Regents Exam, and 100% graduation rates. The Arc House project in 2010 offered these students an opportunity to apply their learned skills, earn a living wage, and experience a professional project in a high-profile setting, embodying the apex of the GLTi education program. #ArcHouse #GreenArchitecture #SustainableDesign #GreenRoof #GeothermalHeating #RainwaterHarvesting #MaziarBehrooz #ModernResidential #GLTiEducation

This blog post details the radical transformation of an old house and barn in Charrat, Valais, Switzerland, into a single-family home by Clavien Rossier architects. The project involved a significant overhaul, retaining only certain original elements like the cellar and existing levels, while demolishing a substantial portion of the old structure to make way for a contemporary design. The architects introduced a striking geometric clean shape to the renovated building, integrating functional elements throughout the design. A key alteration was the replacement of the original pitched roof with an ochre-tinted concrete volume, which now sits atop the building. This change contributes to the home's distinct aesthetic. Further modifications included making the upper-level walls thinner and enlarging window openings to maximize natural light ingress. The windows feature angled walls, which create a dynamic interplay of light and shadow within the interior spaces, adding to the home's unique character. The internal arrangement deviates from traditional layouts, with the architects opting for a corridor-less plan. This design strategy relocates circulation paths towards the building's exterior outline, along the external walls, which results in the top floors' rooms not being fully separated from each other. This open-plan approach fosters a sense of continuity and spaciousness. The first floor of the transformed residence is dedicated to communal areas, designed for family interaction and gathering. In contrast, the top floor houses the bedrooms, each strategically positioned to offer framed views of the surrounding Swiss mountains through large windows. This integration of the natural landscape into the living experience is a prominent feature of the design. The exterior of the house, clad in stone, complements the novel interior layout, creating a cohesive and visually appealing structure. The project showcases a thoughtful blend of preservation and modern architectural intervention, resulting in a unique and functional family home that stands out in its setting. The design by Clavien Rossier architects exemplifies an innovative approach to renovation, where historical context meets contemporary design principles to create a distinctive living space. #Architecture #ResidentialDesign #SwissArchitecture #ClavienRossier #Renovation #ContemporaryHome #InteriorDesign #Valais

The 'Spiral' House, a modern extension to an old French countryside residence, showcases Powerhouse Company's design approach to integrating new architecture with existing structures. The project is located in Burgundy's rural landscape on a 13,000m2 property, centered around an original farmhouse. The extension adds 200sqm to the property, primarily to accommodate new guest rooms for the family. The design is characterized by its 'spiral' form, where an arm of the extension extends from the main house's upper floor, twisting down to the ground. This creates a loosely defined inner courtyard between the long volume of the extension and the existing farmhouse. The architectural challenge addressed in this project was the coexistence of the old and the new. Powerhouse Company opted for a bold, yet well-considered design that contrasts with the traditional architecture of the original farmhouse. The extension's form facilitates a dialogue between the structures, rather than a direct mimicry. The client was actively involved in the design process, leading to a high-ceilinged, elongated structure featuring glass walls on one side to maximize openness and connection to the surroundings. The lower end of the extension houses a living room and library, providing additional communal space for the main residence. The more private upper end contains two guest suites, ensuring privacy for visitors. An internal staircase runs parallel to the extension's inner outline, accommodating its gentle inclination and maintaining the fluid, organic feel of the design. The patio, formed by the spiral's curve, serves as a subtle homage to the region's traditional 'Clos' courtyards, which are common in local enclosed vineyards. This patio also functions as the complex's main entrance, skillfully blending the old and new sections of the property. The elevated volume of the extension helps to seamlessly merge the interior spaces with the external garden and the surrounding parkland, enhancing the sense of integration with nature. The extension by Powerhouse Company is designed for both openness and a skillful combination of indoor and outdoor environments, making it an integral part of the overall complex. The design visually and physically connects guests with the natural landscape of Burgundy, fostering an immersive experience. Additionally, the project successfully links the historical elements of the farmhouse with contemporary architectural design, aiming to make guests feel fully incorporated into the family's life and the home's history. The blend of functionality, aesthetic contrast, and respect for the site's context defines the 'Spiral' House as a notable example of modern architectural intervention. #Architecture #ResidentialDesign #ModernExtension #FrenchCountryside #PowerhouseCompany #SpiralHouse #ArchitecturalDesign #Burgundy #InteriorExteriorIntegration

The article presents Campodels House, a concrete structure in the Bündner mountains near Chur, Switzerland, designed by artists and architects Pascale Wiedemann and Daniel Mettler. This building serves as a sober second home, emphasizing a pared-down interior to draw attention to the site's natural light and spaciousness. Its unique design allows for two families to reside there, with an interlocking staircase ensuring privacy and minimal awareness of each other's presence. The location, nestled in a popular mountain region close to renowned destinations like Davos, Lenzerheide, St. Moritz, and Zurich, offers abundant leisure opportunities, leading the architects to intentionally keep the physical structure simple. This approach aligns with the 'Swiss Box' school of residential design, characterized by minimalist aesthetics and functional efficiency. The house features a pure and unadorned concrete shell. Its doors and window openings are framed with wood, exhibiting minimal detailing. Floor-to-ceiling sliding glass walls provide access to recessed external balconies, blurring the lines between indoor and outdoor spaces. The interior color palette is largely restrained, with the exception of a polychromatic accent in the basement entry area and lacquered wardrobe doors in each apartment, adding subtle touches of vibrancy. Each of the two four-room apartments, one on the ground floor and the other on the first, is sparsely furnished. They incorporate minimally detailed Strato kitchens and expansive open spaces, creating a multi-aspect main living area that encourages a focus on the surrounding environment and the architectural details. The design maintains a long diagonal dimension by keeping the living space and kitchen open to the stairwell, promoting an open and connected feel within the apartments. Each apartment includes two bedrooms that branch off the main living area, offering a functional layout for its occupants. The deliberate simplicity in design, both in structure and interior finishes, aims to highlight the natural beauty of the location and the quality of light within the space. This architectural project exemplifies a modern residential approach that prioritizes integration with nature and a minimalist lifestyle, providing a serene retreat in a picturesque mountainous landscape. The choice of materials, particularly concrete and wood, contributes to the dwelling's robust yet refined aesthetic, harmonizing with its alpine surroundings. The overall intent is to create a living environment that is both functional and aesthetically pleasing, serving as a testament to the effectiveness of restrained design in a natural setting. #ResidentialArchitecture #SwissDesign #ConcreteHouse #MinimalistInterior #AlpineLiving #PascaleWiedemann #DanielMettler #ChurSwitzerland #ArchitecturalFeatures

The article focuses on a Span House located in the Corner Green estate in Blackheath, London, which underwent a significant renovation by Friend and Company architects. Span Development houses, including those in Blackheath, Kent, and Richmond, are recognized as iconic architectural landmarks from the 1950s and 1960s. These properties, a collaboration between Eric Lyons, Geoffrey Townsend, and landscape architect Ivor Cunningham, introduced new standards in design, layout, and landscaping at the time. The featured Span House was in need of renovation. The challenge was to modernize the interior while preserving the original character and intent of Span architecture. Adrian Friend, director of Friend and Company, devised a design concept based on the principle of "everything vertical is glass and everything horizontal is wood." This rule simplified the construction process, requiring no mechanical fixings and allowing for quick installation. The innovative method involved connecting timber and glass, utilizing the latest glass water jet cutting technology. Specialist material consultants from Arup engineers were brought in to ensure that the glass elements met precise specifications for both refinement and safety. The material choices for the renovation prioritized quality despite the house's modest scale. Dinesen, a high-end Danish wood company, supplied structural timber planks, resulting in a smooth finish. The glass elements are laminated safety glass with polished edges, contributing to excellent overall finishes. The interior design treated the space almost as a single furniture component, and the unique construction method created an illusion of floating shelves and staircases. This approach aligns with the modernist principles of simplicity and functionality characteristic of Span houses. The renovation successfully transformed the house into a contemporary and efficient living space for the 21st century, while still honoring its architectural heritage. The project demonstrates how modern architectural interventions can respect and reinterpret historical design principles. The collaboration between architects, engineers, and material suppliers was crucial in achieving a sophisticated and structurally sound outcome. The house serves as an example of how iconic structures can be adapted for modern living without sacrificing their original essence, providing a contemporary alternative that fits within the enduring legacy of Span architecture. #SpanHouse #LondonArchitecture #RenovationProject #FriendAndCompany #ModernistArchitecture #GlassAndWoodDesign #ArchitecturalInnovation #InteriorDesign #BritishArchitecture

The article presents Stable Acre House, a residential project by architect David Kohn, located in Norfolk. David Kohn, a graduate of Cambridge and Columbia University, established his London studio in 2007. His practice quickly gained recognition, winning the Young Architects of the Year award just two years after its inception, following his notable work at Caruso St John, where he contributed as a project architect for award-winning projects like the Museum of Childhood and Gagosian Gallery. Stable Acre House is described as Kohn's most recent work, characterized by its minimal and respectful approach to a stable conversion. The design was created for London-based gallerist Stuart Shave. The house is situated within the remains of a 19th-century stable complex. It features a long, orthogonal brick structure composed of an agglomeration of different volumes. The design incorporates an open living space positioned between two smaller pavilions. These pavilions include entrance areas and the private quarters of the house. The materials chosen for the construction are intentionally simple, consisting of oak cladding, a metal roof, a concrete floor, and white-painted brick. The architect notes that the contemporary construction and material choices serve to complete what was originally a functional ruin, integrating new elements with the historical structure. This project represents the practice's first significant residential commission. Alongside Kohn's temporary rooftop venue, Skyroom, which was installed on the Architecture Foundation HQ in Southwark, Stable Acre House has cemented his reputation in the architectural field. The article features multiple illustrations that provide a visual tour of the property, showcasing various rooms and design elements. These illustrations depict the living room, a dining area integrated with the living space, a single bedroom, a work area complete with a desk and bookshelf, another bedroom, and a bathroom. An interactive floor plan is also mentioned, allowing for a detailed exploration of the layout. The visual content supports the description of the house's minimalist aesthetic and the careful integration of contemporary design within the existing historical framework. The article also includes additional images of other design-related content, such as 'The Savoy, London' which underwent an extensive renovation, highlighting its restored elegance, the Beaufort Bar, and its new logo. Other visual elements include various works by Brent Dzekciorius, Raw Edges, and Seongyong Lee, covering diverse design objects from furniture and installations to tableware and lighting fixtures. These additional sections, while not directly related to Stable Acre House, offer a broader context of contemporary design and architecture, showcasing a range of talents and projects previously featured by the publication. #Architecture #ResidentialDesign #StableConversion #DavidKohn #Norfolk #MinimalistAesthetic #ArchitecturalRenovation #ContemporaryConstruction #InteriorDesign

The Chilmark Guest House in Massachusetts, designed by Charles Rose Architects, is a compact guest cabin spanning 800 sq ft. It is situated on a steep slope overlooking a clearing and Vineyard Sound, with its design focused on maximizing views through large windows and balconies, creating an open and light-filled atmosphere. The house features two bedrooms, each with an en-suite bathroom, positioned at opposite ends, and a shared kitchen and dining area. Additional living spaces include a cellar, porch, and roof terrace. The selection of natural materials such as pigmented concrete, stone, copper, cedar, and fir for the exterior, and teak, mahogany, and cork for the interior, enhances the connection to the outdoors and the building's delicate character. The article also showcases several other examples of compact, nature-integrated homes. The Sol Duc Cabin by Olson Kundig Architects in West Washington demonstrates a balance between openness and resilience. Its design allows for expansive views of the wilderness, while robust steel panels can seal the structure, providing a bunker-like defense against severe weather. The cabin is elevated on four steel pillars to prevent flooding, and its interior, warmed by leftover wood, features a simple layout with living and kitchen areas on the lower level and a bedroom on the mezzanine. A covered balcony provides a sheltered space to enjoy the surroundings. Pobble House, designed by Guy Holloway Architects and located in the Dungeness headland, is characterized by three distinct volumes clad in larch, Corten steel, and cement. A glazed sliding door in the open-plan living area connects directly to the outdoors, retracting completely into wall pockets. The interior design emphasizes neutral tones and discreet furnishings, ensuring the focus remains on the sparse natural landscape. The house, capable of accommodating up to ten guests, is constructed with a timber-frame, synthetic waterproofing, and durable exterior cladding, designed to age gracefully and integrate with its natural environment. Fonte Boa House in Portugal features a white rendered façade, reflecting local architectural traditions, with strategically placed windows to optimize internal views. Its concrete pad foundations minimally impact the landscape. The interior employs a simple palette of white walls and timber floors, complemented by integrated furniture to maintain a clutter-free space. Notable design elements include a frameless glass façade in the living room offering dramatic views and a glass lobby at the entrance facilitating a smooth transition from outside to inside. The semi-sunken carpark with concrete retaining walls provides a buffer from the main road, and a hallway on the first floor, with a pitched ceiling, resembles an art gallery. The Houl, a net-zero carbon dwelling in Dumfriesshire, reinterprets the traditional Scottish 'longhouse'. Designed by Simon Winstanley Architects, it sits on a west-facing slope overlooking the River Ken valley. This lightweight steel and timber-frame structure is clad in untreated cedar, allowing it to weather naturally. Its low-slung design, with long monopitched roofs, follows the hillside's contours. The house incorporates PassivHaus standards of insulation and a reflective thermal membrane to achieve net-zero carbon emissions. The main living areas are oriented to capture valley views, while ancillary spaces are recessed at the rear, demonstrating a commitment to both environmental sustainability and aesthetic integration with the landscape. Finally, the Wood Cabin by Atelier St, nestled in the pinewoods of the March of Brandenburg, presents a fairytale-like appearance with its dark wood façade, pitched roof, and small chimney. The exterior is clad in dark brown glazed pinewood, contrasting with a white-painted interior. Large picture windows illuminate the space, and a ladder leads to a gallery level. The cabin includes a custom-built pinewood kitchen, two bedrooms, and one bathroom. #ResidentialArchitecture #GuestHouse #CabinDesign #SustainableArchitecture #ModernLiving #ArchitecturalDesign #InteriorDesign #LandscapeIntegration

Effective interior space planning is crucial for creating a home that is both aesthetically pleasing and functional, whether undertaking a renovation or building a new house. The design choices vary significantly based on budget and lifestyle. Beginning the planning process by envisioning an ideal space, without initial limitations, allows for creative freedom. A key step involves defining interior zones and their intended uses, then orienting each space according to the home's solar path, ensuring comfort by avoiding overexposure to sunlight. Several layout options exist to achieve desired functionality and style. Open-plan living, for instance, modernizes a home by removing walls to create large, seamless spaces. While this enhances a home's "wow factor" and facilitates socializing, it can reduce privacy and amplify noise. Open-plan kitchens, though popular, may not suit all households, especially if a cozy living room is adjacent to a busy kitchen. To mitigate these issues, subdividing open-plan rooms into functional zones is recommended, always considering the unique constraints and opportunities of the interior. Broken-plan living offers an alternative, providing subtle ways to segment rooms while maintaining a sense of openness. This approach is particularly beneficial for busy families, allowing for distinct zones without fully enclosed walls. Techniques include using varied floor finishes, movable partitions, or splitting living areas across multiple levels. Broken-plan design allows for spatial separation, which is advantageous in smaller properties or when building on a compact plot. Material continuity, such as using the same flooring in adjacent areas like the kitchen and hallway, can tie different zones together. Mezzanines introduce additional floor area without increasing the property's footprint, typically situated above double-height rooms. They serve as a focal point and offer versatile spaces for offices or sleeping platforms, especially useful in modern conversions or homes with limited space. Planning a mezzanine involves considering height, structural requirements, daylight access, and finishing materials, including choices for stairs and balustrades that impact privacy and openness. Atriums are large internal courtyards, either covered or open-air, designed to maximize natural light throughout the interior. They connect the property with the outdoors and create a striking central feature, often linked to surrounding rooms by multiple doorways. Atriums are suitable for properties with substantial plots or larger homes needing modernization, and are particularly effective in naturally sunlight-deprived buildings. Internal glazing can further enhance light penetration and visual connection. Multilevel living spaces provide a focal point within a single room, using steps to divide areas for different functions. This can range from sunken living rooms to balconies overlooking the space below. Multilevel designs are an efficient way to achieve a trendy, broken-plan aesthetic. However, their practical implications should be considered for long-term homes or those with young children. Inside-outside living aims to blur the boundaries between the interior and exterior, increasing natural light and, in limited plots, effectively "borrowing" space from the garden. This is achieved through elements like slim glazing frames and extending interior color schemes outdoors, ensuring flush floor levels between the spaces. Finally, internal glazing, such as glass doors, is vital for enhancing light levels and visually expanding smaller rooms, while solid doors offer privacy and stronger spatial delineation. Careful consideration of door placement and opening direction is essential for furniture arrangement and overall flow. #InteriorDesign #FloorPlan #HomeRenovation #OpenPlanLiving #Mezzanines #Atriums #SpacePlanning

This article details the latest project by Open Studio, an emerging Australian architectural practice, focusing on an artist's studio located in Flemington, a suburb of Melbourne. Established in 2005, Open Studio specializes in designing combined and separate live and work environments. The firm is recognized for its innovative and clear approach to architecture, which was crucial for the success of this particular commission. The project originated from two relatives owning adjacent properties in Flemington who decided to remove the dividing fence between their backyards. This action freed up an unusually wide and largely unused garden area, creating the necessary space for the new artist studio. The unconventional placement of the studio, situated between two existing properties, posed a significant challenge for the architects due to Melbourne's strict planning regulations. To navigate these regulatory hurdles, Open Studio devised a solution that involved designing the building as two distinct structures, which were then combined into a single volume. Heribert Alucha, a partner at Open Studio, explained that this approach aimed to reinforce the concept of shared backyard space. The specific positioning of the new building and its angular design elements were intentionally aligned with the actual title boundaries of the properties. The careful placement of the studio within the site resulted in the creation of three distinct landscaped areas: a playground, a vegetable patch, and a seating area. The studio's unique, distorted box-shape, characterized by its angular resections and curves, plays a functional role in defining these separate outdoor zones, contributing to a harmonious integration with the surrounding landscape. The interior of the Artist Studio is meticulously designed, featuring a brightly lit painting studio, a substantial storage and workshop area, a garden shed, and a garage. The internal spaces are characterized by their clean and neutral aesthetic. Although the indoor and outdoor areas maintain their distinct identities, they are aesthetically unified through the generous openings incorporated into the painting studio space, fostering a sense of continuity and connection. Flexibility and clarity are core principles of Open Studio's design philosophy, and these are evident in the Artist Studio project. The Melbourne-based architects have successfully delivered a compact yet beautifully conceived studio on a site that might initially seem challenging. This project exemplifies how thoughtful design can overcome site-specific constraints to create functional, aesthetically pleasing, and well-integrated architectural solutions. #ArtistStudio #ArchitectureDesign #MelbourneArchitecture #OpenStudio #ArchitecturalInnovation #UrbanPlanning #ResidentialArchitecture #AustralianDesign

Artist Iñaki Aliste Lizarralde has meticulously crafted and shared detailed floor plans for the homes featured in numerous popular television shows. These illustrations offer a unique perspective into the living spaces of beloved TV characters, allowing fans to visualize the complete layouts beyond what is typically shown on screen. The collection provides an intimate glimpse into the architectural designs and spatial arrangements that define these fictional residences, which are often as iconic as the shows themselves. The featured floor plans cover a wide array of classic and contemporary television series. For instance, the ground floor of The Simpsons' Springfield home is depicted, highlighting the familiar living room with Homer's orange sofa. The plans also extend to the second floor of the Simpson residence, revealing the bedroom configurations. From 'Friends,' both Monica and Rachel's fantastically spacious apartment and Chandler and Joey's apartment, complete with their foosball kitchen table, are illustrated. These layouts shed light on the surprising size and presumed affordability issues of these famous New York City apartments. Other notable TV homes include Ted Mosby's apartment from 'How I Met Your Mother,' showcasing the various iterations of his shared living space in NYC. Carrie Bradshaw's one-bedroom apartment on the Upper East Side from 'Sex and the City' is also detailed, raising questions about a writer's ability to afford such a residence in New York. The layouts for Sheldon and Leonard's apartment, along with Penny's cute one-bedroom from 'The Big Bang Theory,' provide a deeper understanding of their living arrangements as Caltech researchers and their neighbor. Jerry Seinfeld's apartment is another inclusion, visually depicting the entryway where Kramer famously burst in. The collection further expands to include the beachfront digs of Charlie Harper (later Ashton Kutcher's character) from 'Two and a Half Men' in Malibu. Dexter Morgan's Miami home from 'Dexter' is presented, notably without any overt signs of his serial killer activities in the layout. The elegant Upper West Side apartment of Will Truman and Grace Adler from 'Will & Grace' and Jack McFarland's expansive apartment are also featured. Dr. Frasier Crane's apartment in the fictional Elliott Bay Towers in Seattle from 'Frasier,' the compact pad shared by the roommates in 'Three's Company' in Santa Monica, and the sprawling Miami home of 'The Golden Girls' are included, offering diverse examples of TV architecture. Finally, the floor plans cover Lucy and Ricky Ricardo's 'love nest' from 'I Love Lucy,' and both the first and second-floor layouts of Rory and Lorelai Gilmore's house in fictional Star Hollows, Connecticut, from 'Gilmore Girls.' These detailed schematics not only satisfy curiosity about the spatial logistics of these homes but also deepen the connection viewers have with these fictional worlds by providing a tangible representation of their settings. The artist, Iñaki Aliste Lizarralde, makes these unique floor plans available on Etsy. #TVHomes #FloorPlans #FictionalArchitecture #TelevisionShows #PopCulture #ArchitecturalIllustrations #HomeDesign #EtsyArtist #Entertainment

This article explores the work of Spanish interior designer Iñaki Aliste Lizarralde, who creates detailed floor plans of famous apartments and houses from popular TV shows and movies. Lizarralde began this unique project four years prior to the article's publication, initially inspired by his desire to visualize the apartment from the TV series *Frasier*. His work gained popularity among friends, prompting him to expand his portfolio to include over 20 fictional residences, ranging from the iconic apartments in *Friends* to the house featured in the animated film *UP!*. Lizarralde shares his motivation for this endeavor, explaining that these floor plans serve as a form of memorabilia for fans, allowing them to virtually explore spaces they have grown fond of through their favorite shows. He notes that while architectural blueprints are often technical and hard for the general public to understand, his renderings are designed to be accessible. He achieves this by simplifying technical details, incorporating furniture, and using color, light, shadows, and props, which collectively allow a broader audience to engage with the layouts and recall positive associations with the original media. The designer also discusses the challenges he encounters, particularly when dealing with long-running sitcoms. These shows often present inconsistencies, contradictions, and intentional design flaws in their sets, especially in secondary areas like bedrooms and bathrooms, which are frequently reconfigured or are not built to scale. Lizarralde clarifies that his process involves meticulously capturing what is presented on screen, even if it highlights these inconsistencies. He mentions that series filmed like movies, such as *Sex and the City*, tend to have more logical and coherent set designs, making them easier to translate into accurate floor plans. Lizarralde's creation process involves watching entire series or films, fast-forwarding to locate necessary visual information about the sets. He then creates an initial basic layout with annotations, which is subsequently refined into a second layout that accurately depicts dimensions and proportions. The final floor plan is a detailed drawing that incorporates timber tones, material colors, fabrics, and other specific details to reflect the on-screen appearance. This elaborate process typically takes between 30 to 40 hours per floor plan, with additional time required for shows with multiple seasons or changing sets. For handmade orders, the replication time ranges from 15 to 25 hours, depending on complexity and size. He emphasizes that he does not use architectural or interior design software, relying instead on traditional tools like cardboard, ink, markers, and colored pencils to maintain an artistic, handmade aesthetic. This approach imbues the drawings with a warmth and imperfection that he believes conveys the personality of the fictional homes more effectively than purely technical renderings. His works are available for purchase through his Etsy store and are showcased on his Facebook pages, serving as unique fan merchandise that bridges the gap between beloved media and architectural representation. #TVShows #FloorPlans #InteriorDesign #FictionalArchitecture #ArchitecturalDrawing #PopCulture #SetDesign

The Quad Space House project, located in Buffalo's Black Rock neighbourhood, serves as a compelling example of student-led architectural innovation addressing urban housing challenges. Initiated by four students from the University of Buffalo's School of Architecture and Planning—Michael-John Bailie, Paul Dudkowski, Ernest Ng, and Dan Stripp—the project transformed a dilapidated house, purchased for a modest $6,500, into a functional and aesthetically pleasing living space. This undertaking not only provided the students with housing but also showcased their entrepreneurial spirit and design skills in the face of America's ongoing housing crisis. Originally a brick-built, two-storey structure spanning 700 square feet, the house presented a significant design challenge due to its small footprint, particularly by European standards. The students meticulously remodelled the property to maximize living space, ensure privacy, and enhance functionality within the limited area. A key design element involves creating four distinct sleeping areas, each measuring 7 x 7 x 7.5 feet. This dimension adheres to New York State's minimum requirements for bedroom size, demonstrating a practical approach to spatial efficiency. These sleeping areas are conceived as 'cubes,' which are architecturally articulated by protruding through the original brick façade, making their presence visible from the exterior. Inside, the house is characterized by a high level of craftsmanship, utilizing low-cost materials to achieve a sophisticated interior. The students sourced fixtures and fittings from Buffalo ReUse, a local nonprofit salvage yard, highlighting a commitment to sustainability and resourcefulness. Furthermore, local businesses contributed materials and labor free of charge, reflecting a community-wide effort to support the university project and revitalize the neighborhood. This collaborative approach underscores the project's embeddedness within its local context and its contribution to community development. Despite its modest size, the Quad Space House achieves a sense of spaciousness through thoughtful design choices. Open-plan living areas, high ceilings, minimal detailing, and expansive windows contribute to an airy and uncluttered interior. The integration of underfloor heating further enhances the clean lines of the design, avoiding bulky radiators. The project received guidance from four thesis advisors, including Mehrdad Hadighi of Studio for Architecture, ensuring academic rigor and professional oversight. The Quad Space project exemplifies how architectural education can actively engage with and contribute to local communities, ensuring that design innovation is applied to real-world problems and remains accessible rather than confined to academic discourse. #QuadSpaceHouse #StudentArchitecture #BuffaloHousing #UrbanRenewal #SustainableDesign #CommunityProject #ArchitecturalInnovation #SmallSpaceLiving

An Armonk couple, facing an empty nest, chose to renovate their shingle-style house instead of downsizing, aiming to transform it into a vibrant space suitable for entertaining. They engaged designer Amy Kalikow of Amy Kalikow Design to achieve this vision. The primary goal was to convert the home's traditional, closed-floor plan, which included distinct living, dining, and family rooms, and a two-part kitchen, into an open and cohesive area that would facilitate social gatherings. The renovation involved significant structural changes, including removing walls and going "down to the studs" to create a brighter and more open first floor. Upon entering, guests are now greeted by a spacious foyer with a sweeping staircase, a custom monochromatic rug, and a vine pendant light. The former traditional living room has been re-envisioned as a lounge, featuring a full built-in bar with leather-paneled sliding doors to conceal storage. Open shelving displays decorative items. Seating in the lounge includes an S-shaped floating sofa and swivel chairs, complemented by a custom Crosby Street rug that harmonizes the color scheme. The kitchen, previously divided into two separate rooms for cooking and dining, was unified into one large space designed for culinary enthusiasts. Kalikow incorporated a new kitchen island and a larger sink, along with a pull-out coffee bar for guests. The design emphasizes a timeless and classic aesthetic, utilizing a black, white, and wood palette. Key features include a stone backsplash with black and white veining, black fluting on the island, a plaster range hood, leather bar stools, natural wood flooring, and bleached oak cabinets. Additional windows with black frames were installed to enhance natural light. In the dining room, cosmetic updates were made, and the existing family dining table, which can extend to seat 12, received a modern dark stain. A Peter Glassford collage-tile wall panel with a floating sideboard serves as a focal point. An impressive V-shaped Liberty Hanging Light from Holly Hunt hangs above the table, reflected in a hexagonal mirror. The family room was designed to be both cozy and stylish, catering to both family time and larger gatherings. It features a large L-shaped sofa from ABC Carpet & Home, custom-made nesting coffee tables, and tucked-away ottomans. A unique light fixture, designed by Kalikow, consisting of stained wood pieces with brass inlays, serves as a striking element in the space. The homeowners expressed satisfaction with the outcome, describing their renovated house as calm, adult-friendly, and family-oriented. #HomeRenovation #InteriorDesign #OpenFloorPlan #EntertainingSpace #KitchenDesign #ModernHome #LuxuryLiving #ArmonkHome #AmyKalikowDesign

The Alam Residence in Jakarta, Indonesia, designed by Los Angeles-based architect Elsye Alam and her practice ID-EA, serves as a unique multi-generational family home. This three-story building houses two generations and three distinct households, balancing individual privacy with communal interaction. The design caters to Alam's parents on one level and her two siblings on separate levels. This architectural approach, built for her own family, allowed for significant creative freedom and fostered closer family bonds. A standout feature of the Alam Residence is its distinctive perforated façade, which sets it apart from the high-fenced residential properties in its vicinity. This 'perforated shell' is not merely an aesthetic choice but a result of a thoughtful integration of sustainability, privacy, and graphical design. The façade facilitates natural ventilation, a crucial aspect for a comfortable living environment in Jakarta. It also acts as a visual screen, offering privacy from external views, and functions as a 'breathing brise-soleil' to mitigate solar heat gain. The perforations contribute to the sculptural quality of the building's clean white volume. Behind this intricate façade lies the main staircase core, strategically positioned to create a buffer zone between the family's private living spaces and the street, further enhancing privacy and noise reduction. The interior layout of the residence is configured in an 'E' shape, which allows for the creation of two spacious inner covered courtyards. These courtyards are topped with skylights, drawing natural light deep into the heart of the home. Additionally, the building features a luxurious roof terrace on its uppermost level, providing an outdoor retreat. Elsye Alam emphasizes the significance of the high-volume voids within the house, describing them as key features that circulate air throughout the structure and introduce dynamic lighting conditions that evolve from day to night. These elements are integral to promoting an interactive lifestyle among the family members. The interior design of the white-rendered, concrete-based construction utilizes a light color palette, contributing to a sense of spaciousness and tranquility. The minimal living areas encompass multiple bedrooms, along with dedicated spaces for lounging, entertaining guests, and parking vehicles. The project was a deeply personal endeavor for Elsye Alam, designing a home for her own family. This personal connection provided an opportunity for design experimentation while simultaneously strengthening family relationships. Alam noted that the collaborative process involved in designing and building the residence was a significant moment for her family, leading to increased closeness and mutual understanding. The Alam Residence exemplifies a successful blend of innovative architecture, sustainable design principles, and a profound understanding of multi-generational family living, creating a harmonious and functional living space in a dense urban environment. #AlamResidence #JakartaArchitecture #MultiGenerationalHome #SustainableDesign #PerforatedFaçade #ResidentialArchitecture #ElsyeAlam #ID-EA #InteriorDesign

The article details the 'Division House' project, a new residential building designed by Takei Nabeshima Architects (TNA) for a couple from Tokyo, situated in the dense forest of Suwa in Nagano Prefecture, Japan. The architects, Makoto Takei and Chie Nabeshima, faced the challenge of a lack of clear reference points in the vast forest, which is only five minutes from a busy motorway. Upon their initial visit, they could only identify a pond, a creek, and a spring well, with the slightly sloping ground being the only indication of their position at the foot of the Yatsugatake mountains. This disorientation inspired TNA to design the house itself as a navigational aid or 'signpost' within the environment. The design concept centers on integrating the house with its natural surroundings rather than separating from it. The building is arranged along a north-south axis. Its most distinctive feature is an asymmetrical pitched roof, which, when viewed from above, resembles an arrow, effectively turning the house into a compass. The main structure of the house consists of a large cube, accommodating essential living spaces such as the kitchen, living area, bedroom, and a sunroom. An adjoining smaller cube serves as an annex. The interior layout is strategically planned to frame specific views of the natural elements observed during their first visit. At ground level, the walls are positioned to direct views towards four distinct zones: the pond, the creek, the spring well, and the entrance road. Inside the main building, four cross-shaped walls further partition the space, mirroring how the exterior walls delineate the forest itself. This architectural choice reinforces the connection between the indoor and outdoor environments. The materials used emphasize this immersion in nature, with the structure, internal walls, furniture, and window sashes all crafted from wood, creating a cohesive and natural aesthetic. Makoto Takei notes that this extensive use of wood ensures that residents experience a complete immersion in the forest while inside the house. Chie Nabeshima explains that the Division House does not push the forest away but instead defines it, creating 'spaces in-between the trees.' This approach allows the architecture to organize the seemingly endless forest into comprehensible segments, creating varied perceptions of distance and scale, such as 'small and close distances, big rooms and small rooms, this forest and that forest.' The project, updated in October 2022, exemplifies a thoughtful architectural response to a challenging natural site, turning a potential obstacle into a fundamental design principle that enhances the living experience. #Architecture #ResidentialDesign #NaganoPrefecture #JapaneseArchitecture #TNAArchitects #ForestHouse #BiophilicDesign #SustainableMaterials #ArchitecturalInnovation