Interactive floor plan: Division House, Nagano

Architects Daisuke Ibano and Ryosuke Fujii of id+fr designed the 'Diagonal House' in a densely populated residential area of Tokyo for a couple and their children. The project addressed the challenge of strict height limitations due to category 1 height control district regulations on the front half of the lot, requiring an innovative approach to urban housing. The primary goal was to integrate the kitchen, living space, and terrace, which were important to the client who spends significant time cooking. This led to the implementation of a design featuring staggered floors, aiming to achieve spatial continuity and facilitate smooth vertical circulation throughout the residence. To enhance the sense of spatial continuity, the architects incorporated a slab above the living room that folds upwards along a slanted line. Additionally, a portion of the uppermost slab was partially raised to create a large kitchen terrace opening, further connecting indoor and outdoor spaces. These design choices resulted in unique features that encourage diverse activities within the home. For instance, the sloped floor of the terrace is suitable for sunbathing, while the area beneath the raised section of the top slab forms an alcove that can be utilized for sleeping. The architectural compositions extended to other design elements, including platforms integrated at a diagonal angle alongside the stairwell that navigates between the staggered floors. Correspondingly, storage units on the opposite wall also adopted a diagonal angle. A triangular light garden was positioned at the end of a large opening in the living room, establishing a diagonally oriented axis that contributes to a more spacious feel within the interior. The numerous diagonal lines throughout the 'Diagonal House' were carefully considered to optimize visibility and establish interconnected relationships between various spaces. These diagonals became a defining characteristic of the design, fostering a sense of openness and connection to the external environment. The architects aimed to create a dwelling that not only harmonizes with the varied architectural forms of the surrounding residential buildings but also provides a microenvironment where the family can experience a strong sense of urban life from any point within their home. The project successfully blends functionality with an aesthetic that responds to its tight urban context, offering inventive solutions for modern living in Tokyo. #TokyoArchitecture #ResidentialDesign #SpatialContinuity #DiagonalElements #StaggeredFloors #UrbanHousing #JapaneseArchitecture #idfrArchitecture #InnovativeDesign

The Tokyo-based architecture firm matsuokasatoshitamurayuki, led by Satoshi Matsuoka and Yuki Tamura, has completed a courtyard house in a commuter town near Tokyo. This residential project features a distinctive pleated radial floor plan and integrates a small garden and outdoor living spaces around its perimeter. The design aims to strike a balance between interior privacy and connection to the surrounding environment, drawing inspiration from traditional Japanese house designs, particularly the 'geya' architectural element. The design strategy involved lowering a small roof attached to the main house to align with the site's borders, following the natural contours of a berm. This approach, combined with the pleated plan, creates varied depths within the structure. The architects aimed to preserve the appearance of the area's characteristic 'geya' house design while fostering the community culture associated with small gardens and berms. The pleated internal spaces are designed with initial specific functions but are intended to adapt to evolving uses over time. The house is configured to accommodate two families within a limited floor space, meaning individual rooms are not designed to be self-sufficient but rather part of a larger interconnected whole. Key interior elements, such as counters and tables, are positioned to extend beyond their designated areas, promoting a fluid transition between spaces. Abundant natural sunlight is a central feature, filtering through windows to illuminate every corner of the home. The 'geya' section, located beneath the small roof, provides a comfortable, sunlit area near a window, suitable for family gatherings or individual relaxation. This space is envisioned to be versatile, functioning as a communal hub while also allowing for separate activities. A central room, measuring 4.5 x 5.5 meters with a ceiling height of 4 meters, forms the core of the house. This area offers a private, bright space for the family, flexible enough to adapt to future needs and changes. The design consciously integrates the concept of a courtyard house, where internal spaces are protected while maintaining a connection to the outside. Unlike typical courtyard houses that are often closed off from the exterior, this residence opens sensitively towards the surrounding berm, ensuring privacy for the residents while remaining approachable to neighbors. The architects describe it as a "closed home" that allows the family to live in peace. The exterior of the main house features a tower-like central room, which serves as a symbolic icon for the family. By adopting and adapting the characteristic appearance of vernacular homes in the area, the architects hope the house will become an enduring and integrated part of the local community. The project details include a wooden structure, with wood and steel as major materials. The site area is 166.58 square meters, with a building area of 82.40 square meters and a total floor area of 101.72 square meters. The structural consultant was ASA – Akira Suzuki, and the general contractor was Yasumatsu Tekken. #Architecture #ResidentialDesign #CourtyardHouse #PleatedFloorPlan #JapaneseArchitecture #Tokyo #GeyaConcept #FamilyHome #ArchitecturalInnovation

Arc House, a private residence designed by East Hampton-based Maziar Behrooz Architecture, is the latest offering from the firm, catering to a couple and their two dogs. The defining feature of the house is its striking curved roof, which emerged from a blend of practical and aesthetic considerations. The property's location, directly beneath a flight path and adjacent to a train track, necessitated a design solution that could mitigate noise pollution while simultaneously fulfilling the owners' desire for a self-supporting, column-free interior with a seamless flow. The architects adopted an industrial building technology approach, creating a hangar-type space to address both the noise issue and the need for an expansive, uninterrupted internal volume. The design aimed to create a feeling of airiness and comfort, while maintaining a homely atmosphere. Maziar Behrooz achieved this by carefully selecting a curve size for the roof. Complementing this, two large openings were strategically placed on opposing sides of the curved structure. These openings provide picturesque views of the landscaped garden and the surrounding natural environment, and also allow for visual connections through different sections of the house. The architectural layout distinctly separates the private and social areas of the residence. The main living spaces, which include areas for displaying the owner's art collection, are situated beneath the expansive curved roof. In contrast, the bedrooms are housed within an adjacent structure characterized by a flat roof, ensuring privacy. The lower level of Arc House is dedicated to functional and recreational spaces, incorporating an office, a sitting room, a garage, and a gym. Sustainability and energy efficiency were integral to the construction of Arc House. The design incorporates various energy-saving techniques and materials. These include the use of Structural Insulated Panels (SIPs), high-thermal windows, and closed-cell foam insulation. These features collectively contribute to a structure that not only presents an aesthetically pleasing and comfortable living environment but also significantly reduces energy consumption compared to conventionally built homes of comparable size. The integration of these elements showcases a holistic approach to modern residential architecture, balancing innovative design with environmental responsibility and occupant well-being. #ArcHouse #MaziarBehroozArchitecture #ResidentialDesign #CurvedRoof #SustainableArchitecture #EastHampton #ArchitecturalInnovation #EnergyEfficiency #ModernHomeDesign

The "Courtyard House with Seven Rooms" project, designed by Takayuki Kuzushima and Associates, is a residential property located in the suburbs of Nishio, Aichi Prefecture, Japan. Completed in 2022, the house spans an area of 95 square meters and was constructed with structural support from Komatsu Structural Design. The design process for this house was unique, starting from the owner's extensive collection of architectural and interior design images sourced from social media and magazines. This collection included a diverse range of aesthetics and functional ideas, from bare concrete exteriors and wood-paneled facades to minimalist and eclectic interiors, alongside practical storage solutions and antique furniture preferences. Faced with a seemingly disparate set of inspirations, the architects opted against a selective approach to integrate these varied elements. Instead, their design philosophy focused on creating a foundational framework capable of accommodating and harmonizing this overflow of diverse and potentially evolving preferences. The core concept revolves around an "open room to room" strategy within a "build room in town" context. This approach aimed to foster a continuous and adaptable living environment that could embrace the owner's changing tastes over time, rather than confining them to a rigid, pre-defined style. The house is characterized by the use of wood and steel as primary materials, reflecting a blend of traditional and contemporary Japanese architectural elements. The design likely incorporates a courtyard, as suggested by the project title, to introduce natural light and ventilation while maintaining privacy in a suburban setting. The "seven rooms" could refer to distinct functional zones or spaces within the house, each potentially reflecting a different aspect of the owner's collected inspirations, yet interconnected through the overarching design framework. The emphasis on adaptability and the ability to integrate diverse aesthetic preferences suggests a highly personalized and flexible living space. This project exemplifies an architectural response to the modern homeowner's desire for a custom-built environment that can evolve with their lifestyle, moving beyond a single, static design vision. #ResidentialArchitecture #Houses #Nishio #JapanArchitecture #CourtyardHouse #JapaneseDesign #ArchitecturalInnovation #WoodConstruction #SteelStructure

The "Sunroom House in Tsukaguchi" project by FujiwaraMuro Architects is situated in a tranquil residential area, replacing the client's original family home. The architectural design strategically divides the structure into two main volumes: an LDK (living, dining, and kitchen) area and separate private rooms. A key design element is the use of split-level floors within the main living space, which serves to enhance the perception of spaciousness. This vertical segmentation also fosters improved connectivity and communication among occupants across the dining room and kitchen areas, allowing for visual and auditory interaction across different levels. The residence was completed in 2024 and spans an area of 105 square meters. The project's photography was carried out by Katsuya. Taira (studioREM). FujiwaraMuro Architects acted as the lead architects for this residential undertaking in Japan, focusing on a house typology. The design emphasizes thoughtful spatial organization to maximize both functionality and aesthetic appeal within a relatively compact footprint. The split-level approach, common in modern Japanese residential architecture, is utilized here to create dynamic interior volumes and distinct zones while maintaining an open feel. The overall design philosophy appears to prioritize a sense of openness and inter-connectivity, which is crucial in urban residential settings where space is often limited. By integrating the LDK and private rooms into a cohesive yet differentiated layout, the architects aim to support contemporary family life, providing both communal gathering areas and quiet retreats. The project reflects a careful consideration of the site's context and the client's needs, resulting in a design that is both practical and visually engaging. The selection of materials and finishes, while not explicitly detailed in the provided text, would typically align with modern Japanese architectural trends, often incorporating natural elements, minimalist aesthetics, and efficient use of light. The term "Sunroom House" in the title suggests a focus on natural light and potentially a specific area designed to capture sunlight, contributing to the dwelling's ambiance and energy efficiency, though further details on this aspect are not available in the given text. #ResidentialArchitecture #JapaneseArchitecture #SplitLevelDesign #InteriorDesign #ModernHome #FujiwaraMuroArchitects #Tsukaguchi #ArchitecturalPhotography #SpaceOptimization

Giselle Go and Philippe Terrien, co-founders of the Japanese clean beauty brand DamDam, embarked on a search for a tranquil weekend retreat near Tokyo. Their initial criteria included proximity to the city, high privacy, and a mountainside location. After a prolonged search, a friend, Naoko Kawamura, introduced them to a 75-year-old property overlooking the Pacific Ocean and Mount Fuji. The house, initially dilapidated, held historical significance as it was built by American postwar photojournalist Horace Bristol, known for his work on John Steinbeck’s 'Grapes of Wrath' and for magazines like 'Life,' 'Time,' and 'National Geographic' in the 1950s. Recognizing the challenges of renovating such an old property, especially one situated on protected heritage land, the couple enlisted the expertise of Motosuke Mandai of Mandai Architects. Their vision was to revive the house while preserving its past and integrating modern comforts. A significant part of the renovation involved working closely with the local temple that oversees the protected area to ensure all regulations were met. The couple meticulously retained original elements like wood beams, ceilings, and shoji screens. When original features such as the wood floors or the wood-burning stove could not be salvaged, they were replaced with identical materials to maintain the house's authentic character. The entrance to the home functions as both an entryway and a mudroom, where it is customary to remove shoes and don soft house slippers, a Japanese tradition. This space features a Hang-It-All coatrack by Eames for Herman Miller, a stool by Timber Crew, and a washi tray by Craig Ancelowitz, both for DamDam Atelier. Artwork includes a calligraphy on canvas by Mikiko Kayama and a wall sculpture by Yuichiro Kobayashi. The living room, a favorite indoor spot for the couple, boasts an Akari 21A pendant light by Isamu Noguchi, an Archimoon Soft table lamp by Philippe Starck for Flos, and Glo-ball table and floor lamps by Jasper Morrison for Flos. The sofa is an N701 modular model from Ethnicraft, complemented by an Airframe coffee table by David Chipperfield for Cassina. This room offers direct views of the sunset over the sea, with garden-facing windows framing the sofa, and features a wood-burning stove for winter warmth. The dining room serves as a dual-purpose workspace. Original shoji screens provide privacy from the north-side bamboo, while the room opens to sea views on the west. This area includes a Flowerpot Verner Panton 1968 pendant light from &Tradition, Series 7 dining chairs by Arne Jacobsen for Fritz Hansen, and an Airframe dining table by David Chipperfield for Cassina, which was restored with a new walnut-wood top by Timber Crew. Custom shelving by Douguya and an Akari 3x table lamp by Isamu Noguchi further personalize the space, along with washi artwork and a painting by Philippe’s son, James. The kitchen, a beloved space for Philippe, was enlarged by removing an old bathroom, placing it centrally within the home with garden access. To address the lack of natural light, Motosuke Mandai incorporated floor-to-ceiling windows into the traditional ranma (wall panels), creating the illusion of a floating roof and flooding the interiors with sunlight. An engawa, a traditional Japanese hallway, was transformed into a sunroom, enlarged and opened to a seaside deck for sunset aperitifs and gardening activities. This room is furnished with an Akari 1AG table lamp by Isamu Noguchi, an antique rattan table, a vintage lounge chair, and a Malawi chair from Couleur Locale. The decor reflects the multicultural backgrounds of Giselle, who is Filipino, and Philippe, who is French, blending midcentury-modern design, vintage finds, Japanese crafts, and textiles from their travels. The furniture, much of which was crafted by artisans known to them, imbues the home with a personal touch. The only fully enclosed room is the bedroom, which offers a private sanctuary feel, without glass windows on the ranma. The bed frame is by Timber Crew, and the table lamp is the Archimoon Soft by Philippe Starck for Flos. Wood stools designed by Timber Crew for DamDam Atelier complete the room. A large ofuro (bathtub) at the end of the bathroom provides a relaxing space. The interior design blends Japanese architectural elements like sugi-finish floors and preserved pinewood ceilings with a diverse collection of furnishings, embodying an old-world travel museum aesthetic that reflects the owners’ journeys and personal connections. #JapaneseHouse #ZenHideaway #HistoricRenovation #InteriorDesign #TokyoHome #ArchitecturalDesign #MidCenturyModern #MulticulturalDecor #DamDam

The 'Spiral' House, a modern extension to an old French countryside residence, showcases Powerhouse Company's design approach to integrating new architecture with existing structures. The project is located in Burgundy's rural landscape on a 13,000m2 property, centered around an original farmhouse. The extension adds 200sqm to the property, primarily to accommodate new guest rooms for the family. The design is characterized by its 'spiral' form, where an arm of the extension extends from the main house's upper floor, twisting down to the ground. This creates a loosely defined inner courtyard between the long volume of the extension and the existing farmhouse. The architectural challenge addressed in this project was the coexistence of the old and the new. Powerhouse Company opted for a bold, yet well-considered design that contrasts with the traditional architecture of the original farmhouse. The extension's form facilitates a dialogue between the structures, rather than a direct mimicry. The client was actively involved in the design process, leading to a high-ceilinged, elongated structure featuring glass walls on one side to maximize openness and connection to the surroundings. The lower end of the extension houses a living room and library, providing additional communal space for the main residence. The more private upper end contains two guest suites, ensuring privacy for visitors. An internal staircase runs parallel to the extension's inner outline, accommodating its gentle inclination and maintaining the fluid, organic feel of the design. The patio, formed by the spiral's curve, serves as a subtle homage to the region's traditional 'Clos' courtyards, which are common in local enclosed vineyards. This patio also functions as the complex's main entrance, skillfully blending the old and new sections of the property. The elevated volume of the extension helps to seamlessly merge the interior spaces with the external garden and the surrounding parkland, enhancing the sense of integration with nature. The extension by Powerhouse Company is designed for both openness and a skillful combination of indoor and outdoor environments, making it an integral part of the overall complex. The design visually and physically connects guests with the natural landscape of Burgundy, fostering an immersive experience. Additionally, the project successfully links the historical elements of the farmhouse with contemporary architectural design, aiming to make guests feel fully incorporated into the family's life and the home's history. The blend of functionality, aesthetic contrast, and respect for the site's context defines the 'Spiral' House as a notable example of modern architectural intervention. #Architecture #ResidentialDesign #ModernExtension #FrenchCountryside #PowerhouseCompany #SpiralHouse #ArchitecturalDesign #Burgundy #InteriorExteriorIntegration

The "Diagonal House" is a residential project designed by Daisuke Ibano and Ryosuke Fujii for a family with children, situated in a densely populated urban area of Japan. The design process began with addressing the site's unique characteristics, specifically the height restrictions imposed by local regulations. A portion of the lot fell within a Category 1 height control district, necessitating careful consideration of the building's form and orientation to comply with setback requirements and integrate into the existing townscape. The architects approached this challenge by conceptualizing the diagonal lines inherent in the setback regulations not as limitations, but as opportunities to define the building's overall structure and create a distinctive architectural expression. This approach led to the development of a design that actively incorporates these diagonal elements, moving beyond a simple adherence to legal constraints. The diagonal lines serve multiple functions: they shape the exterior facade, influence the internal layout, and contribute to the house's unique spatial experience. A key aspect of the design involves the strategic use of these diagonal lines to introduce an element of distortion and dynamism into the interior spaces. This creates a sense of depth and visual interest, diverging from conventional rectilinear room arrangements. The internal planning also utilizes split-level flooring, further enhancing the spatial complexity and encouraging a fluid movement between different areas of the home. This multi-level approach, combined with the diagonal forms, allows for varied perspectives and interactions within the house, optimizing the use of the 104 square meter area. Furthermore, the diagonal planes are instrumental in filtering light and views. By carefully angling and positioning windows and openings along these diagonal lines, the architects control the ingress of natural light, ensuring adequate illumination throughout the day while maintaining privacy from neighboring properties. This thoughtful integration of light and views enhances the living environment, creating a bright and airy atmosphere despite the urban density. The material palette for the house primarily features concrete, which contributes to the contemporary aesthetic and structural integrity of the design, complementing the angular forms. The project ultimately represents an innovative response to stringent urban planning regulations, transforming potential constraints into defining architectural features. The resulting "Diagonal House" not only meets the practical needs of its inhabitants but also offers a visually stimulating and functionally optimized living space that stands out within its urban context. The design demonstrates how a deep understanding and creative interpretation of architectural guidelines can lead to original and impactful residential architecture. #ResidentialArchitecture #HouseDesign #UrbanPlanning #DiagonalDesign #JapaneseArchitecture #SplitLevel #ConcreteConstruction #SpaceOptimization #ArchitecturalInnovation

Hearth Architects designed 'House in Nango,' a two-story detached house in Nango, Otsu City, Shiga Prefecture, Japan, completed in July 2021. The architectural project addresses the site's natural incline by incorporating a multi-level design that seamlessly connects the interior spaces with the exterior environment. A defining feature of the residence is its 19-meter-long sloping roof, which extends to cover a garage space, creating a cohesive and visually striking architectural element. This sloping roof is also visible from the interior, contributing to the dynamic spatial experience within the home. The design philosophy for 'House in Nango' emphasizes minimalism, deliberately avoiding excessive decoration. Instead, the focus is placed on the interplay of materials and textures, primarily concrete and wood, to create visual interest and define spaces. Niches and varying ceiling heights emerge from the structural design, enhancing the interior's aesthetic appeal through the strategic use of these two primary materials. The architects aimed to create a dwelling that is both neat and inviting, fostering an environment where family members can spend quality time together while also having designated areas for individual reflection. The interior of the house blends the cool grey tones of concrete with the warm hues of timber, creating an intimate and balanced atmosphere. This pure and sober material palette is punctuated by strategically placed openings of various sizes, allowing abundant natural daylight to penetrate the living spaces. A small skylight, positioned at the highest point of the sloping ceiling, offers occupants glimpses of the sky, further connecting the interior with the outdoors. To expand the sense of living space and blur the boundaries between the inside and outside, Hearth Architects incorporated floor-to-ceiling openings. These large transparent surfaces ensure a smooth transition from the interior living areas to the external environment, enhancing the home's open and airy feel. The overall design of 'House in Nango' reflects traditional Japanese sensibilities, prioritizing simplicity, fluidity, and a harmonious relationship with its surroundings. The project, photographed by Yuta Yamada, occupies a site area of 237.17 sqm, with a building area of 109.30 sqm and a total floor area of 99.36 sqm. #HearthArchitects #JapaneseArchitecture #MinimalistDesign #ConcreteAndWood #DetachedHouse #SlopingRoof #ResidentialArchitecture #InteriorDesign #NangoHouse

Studio TAN designed a residence for a family of four on the Itoshima Peninsula, Japan, with an emphasis on integrating agricultural elements into daily life. The home is situated on a coastline with views of the Genkai Sea and Mount Sefuri, surrounded by a quiet residential area and a forested landscape. The design ensures ample space for farming and poultry keeping, aligning the home with a self-sufficient lifestyle. The site plan strategically positions fields on the east for morning sun and fruit trees on the north for optimal airflow and afternoon light. A parking area is located along the western access road, maintaining clear views of both the fields and orchard from within the house. The interior layout centers around the kitchen, which functions as the primary hub of the home, replacing a conventional living room. This open-plan design seamlessly extends into a Japanese-style room, a loft library, and an outdoor dining area. A raised tatami space facilitates visual connectivity and interaction across these different functional zones. The lofted bookroom, overlooking a double-height atrium, offers a private yet connected space within the home. An expansive opening allows a large dining table to extend from the interior to the outdoors, effectively linking indoor and outdoor dining experiences. The roof of the residence is designed to manage rainwater runoff efficiently, directing it towards three specific areas: the parking lot to the west, the orchard to the north, and the cultivated fields to the east. Its sloped form also contributes to the interior aesthetics, enclosing the loft library and shaping the distinct ceiling profile in the atrium and pantry. This architectural detail reflects the structure's thoughtful response to seasonal weather conditions, highlighting adaptability and functionality. Overall, the House in Itoshima Peninsula by Studio TAN is conceptualized as a living framework that harmoniously blends natural surroundings with functional living spaces. The design fosters a close connection between habitation and the surrounding landscape of Itoshima, promoting a lifestyle that is deeply intertwined with food production and nature. The project was executed by Studio TAN with Sotaro Fujihara as the lead architect and captured through the photography of Yashiro Photo Office. #ResidentialArchitecture #ItoshimaPeninsula #StudioTAN #JapanArchitecture #OpenPlanLiving #KitchenCentricDesign #AgriculturalIntegration #SustainableLiving #JapaneseDesign

Architect Andrew Lister designed a distinctive home for actor Yuri Kinugawa and film producer Owen Hughes in the Auckland suburb of Waterview. The residence, characterized by its tall silhouette, narrow upper window, and a blank cedar-clad facade, adheres to the principles of the Direct Compass, a Japanese discipline akin to feng shui. The home's exterior, covered in cedar weatherboards, initially appears utilitarian, yet conceals a thoughtfully designed interior. The house's structure is composed of two primary boxes connected by a passageway and an adjoining bathroom. Despite its compact footprint, the design creates an illusion of greater spaciousness, as noted by Hughes. A prominent feature of the living room is a two-story bookcase spanning the entire northern wall, housing Hughes’ extensive book collection. This vertical storage solution ingeniously maximizes space, drawing the eye upwards and adding visual texture without encroaching on floor area. The central area of the home is laid out efficiently, with the kitchen to the left and the bedroom to the right. Above these spaces, two offices are stacked, accessible via a stairway at the rear of the room. The interior is enriched by family antiques and Japanese textiles, which introduce complementary textures, transforming the angular space into a welcoming environment. Following Direct Compass principles, the bedroom, considered vital for family relationships, overlooks a small zen garden on the south side of the house. This placement is believed to promote mental clarity due to cooler temperatures. A six-foot-long passageway clearly delineates the transition from the public kitchen and dining areas to the private bedroom. The traditional Japanese bathroom, situated off the central passageway, serves as a space for washing before bathing in a wood-lined onsen (tub). While the north side of the house offers views of an estuary, the street-facing facade maintains a minimalist, private appearance. In stark contrast, the west-facing side features a double-height glass wall that can be fully opened, merging the living space with a veranda. This outdoor area overlooks the garden, estuary, and harbor, providing a setting for observing sunsets and occasional dolphin sightings. The home's exterior features low-maintenance Canadian cedar cladding and aluminum joinery, designed to age gracefully and harmonize with the surrounding garden's sculptural desert plants. The durability of these materials is crucial, given the home's exposure to south-westerly winds laden with salt from the estuary, a condition the chosen plants tolerate well. #JapaneseDesign #BoxHome #TwoStoryBookcase #SmallSpaceLiving #DirectCompass #AucklandArchitecture #CedarCladding #ZenGarden #OpenPlanLiving

Architectural firm Tan Yamanouchi & AWGL undertook the renovation of a residential condominium in Tokyo, transforming it into the 'Tokyo Clubhouse,' a semi-private and semi-public apartment. This renovation aimed to create a home without walls, reflecting modern urban living standards and the client's lifestyle. The project involved merging two existing units to form a single open-plan dwelling. The core design concept revolves around a sculptural stepped ceiling constructed from dusty pink wood wool cement boards. This intricate ceiling features varying heights and contours that effectively delineate public and private zones within the apartment without the need for physical walls. The textured ceiling creates a subtle transition between different areas, accommodating intimate spaces, zones for hosting friends, and a dedicated play area for the client's cats. The Tokyo Clubhouse challenges traditional Japanese 'n-LDK' classification systems for residential layouts, which often prioritize room count over functionality. By eliminating superfluous walls, the design emphasizes adaptability and flexibility, catering to the client's dynamic lifestyle as a professional who works both remotely and in an office, and frequently hosts guests. The apartment is designed to function as a 'second living room' for friends and visitors, promoting a sense of community and openness. Material choices further define the different functional areas. Public spaces are distinguished by herringbone brick tile flooring, offering a rustic warmth. In contrast, private zones feature old solid wood boards, contributing to a sense of coziness and intimacy. A curved wall, finished with textured roughcast plaster, encircles the kitchen, providing a tactile contrast to the sleek, repainted kitchen units. The guest entry, given equal prominence to the private entrance, showcases a rich material palette including brick tiled flooring, roughcast plaster, glass-enclosed shoe displays, and the distinctive wood wool cement board ceilings, creating an inviting and warm welcome. The duality of openness and intimacy within the Tokyo Clubhouse draws inspiration from the nearby Shinjuku Gyoen National Garden. This garden, a semi-private oasis in the heart of Tokyo, is a beloved spot for locals and holds cultural significance, appearing in various animated movies. This external influence underscores the design's intention to create a space that balances privacy with communal interaction, offering a unique approach to urban residential architecture. #TokyoClubhouse #TanYamanouchiAWGL #ApartmentRenovation #OpenPlanLiving #SteppedCeiling #InteriorDesignJapan #FlexibleLivingSpaces #ResidentialArchitecture #WoodWoolCement

The Fukuoka-based design firm Case-Real, led by Koichi Futatsumata, has successfully transformed a traditional Japanese storehouse, known as a 'kura,' into a contemporary and highly versatile multi-functional work-live space. This project was conceived to address the growing demand for spaces that seamlessly integrate professional and personal lives, particularly for creative individuals. The owners, a creative director in food design and a gallerist specializing in Japanese craft, required a space that could accommodate their diverse professional needs, from hosting art exhibitions to conducting tea ceremonies, while also serving as a comfortable living environment. The converted property is located in Gosho-Higashi, a tranquil area nestled between Kyoto Gyoen and the Kamo River. The design incorporates a white structure that houses the primary office area, complementing the traditional kura, which was repurposed as a gallery to display pottery and everyday tools. Futatsumata's vision was to create a harmonious environment where the clients' varied professions could coexist and even influence each other, a concept deeply rooted in the inherent adaptability of traditional Japanese residences. The aesthetic of the space is characterized by a refined color palette of plums, browns, and creams, establishing a warm and inviting atmosphere. A key functional element is the inclusion of movable screens, which allow for dynamic adjustments to room sizes, offering flexibility for different activities and gatherings. This design choice underscores the adaptability that was central to the project's brief. To achieve the unique blend of urban Japanese style and traditional Zen aesthetics, Case-Real collaborated with local artisans. For the tearoom, bespoke furniture was crafted by Koichi Touji and Yuji Yamamoto, resulting in a custom six-seater counter designed to fit the room's specific dimensions. Architectural lighting specialist Shoji Hiroyasu was engaged to implement tastefully concealed down-lighting, further enhancing the serene and sophisticated ambiance. Futatsumata highlights that the project's success in balancing multiple functions stems from embracing the inherent spatial continuity found in traditional Japanese architecture. This approach allowed for a design where each functional area within the house harmoniously coexists, providing the owners with an elegant, adaptable, and inspiring environment that supports both their professional endeavors and personal lives. #JapaneseArchitecture #LiveWorkSpace #StorehouseConversion #InteriorDesign #ModernWorkspace #KoichiFutatsumata #CaseReal #KyotoDesign #TraditionalMeetsContemporary

In a quiet residential area of Tokyo, the Japanese design studio Nendo has crafted a new house, aptly named the 'Stairway House,' which features a supersized staircase as its central element. Designed for two families from different generations, the project emphasizes openness and connectivity while maximizing natural light within the site's constraints. The site, surrounded by other apartment buildings, led Nendo to strategically offset the new volume to the north end of the plot. This arrangement creates ample space at the southern elevation, allowing for a largely glazed facade that ushers natural light and ventilation deep into the interior. This glass frontage also facilitates a visual connection between the residents and a garden area, integrating a touch of nature into the urban environment. The house accommodates an older couple on the first floor and a younger couple with their child on the upper floors. The first-floor program includes a kitchen, living/dining room, bedroom, study, bathroom, toilet, and storage. Notably, Nendo incorporated a dedicated cat room for the older couple's eight cats, providing them free access to roam and keep the mother company while gardening. This thoughtful inclusion reflects the family's lifestyle and relationship with their pets. The second and third floors, designated for the younger family, feature a spacious open-plan kitchen, living, and dining area, two bedrooms, a bathroom, a study, and various storage solutions. To seamlessly connect these distinct living spaces, Nendo introduced a massive 'stairway-like' structure that traverses all three levels. This architectural element serves as more than just a means of vertical circulation; it creatively houses essential functions such as bathrooms and additional storage, optimizing the use of space. The upper portion of the 'stairway' transforms into a semi-outdoor greenhouse. This area is rich with greenery and provides a sunny spot for the cats to climb and relax. This design decision blurs the boundaries between indoor and outdoor, enhancing the living experience with natural elements. The stairway, filled with plants, subtly links the upper and lower floors along a diagonal axis, fostering a sense of connection among the three generations while preserving their individual privacy. Furthermore, this innovative structure extends conceptually beyond the building itself, connecting to the southward-facing road at ground level and reaching towards the sky through a rooflight, symbolizing a broader integration with its urban and natural surroundings. Project details confirm the location as Tokyo, Japan, with Nendo as the designer. Photography credits go to Takumi Ota and Daici Ano. #Nendo #StairwayHouse #TokyoArchitecture #ResidentialDesign #MultiGenerationalLiving #NaturalLight #IndoorPlants #JapaneseArchitecture #ModernHome

Local architectural practice Slow has completed the Yamaguchicho House in Nagoya, Japan, a family home characterized by its raw exterior of blackened wood and corten steel, topped with an overhanging pitched roof. Situated on a slightly elevated corner plot surrounded by roads, the design prioritizes privacy, featuring an almost windowless exterior. Natural light is introduced through strategically placed skylights, contributing to the interior's 'healing' and sanctuary-like ambiance. The entrance to the single-story residence is framed by a corten steel box, accessible via a sloping garden that wraps around the building. The interior layout is centered on a combined living, dining, and kitchen area, which subtly steps up to two bedrooms located in the western, slightly elevated section of the home. A central bathroom, enclosed by exposed concrete walls, effectively divides these primary living and sleeping zones. These concrete walls also serve as a backdrop for the kitchen counters, seamlessly integrating the functional spaces. Michitaro Kondo, founder of Slow, explained that the design incorporates a concrete box within a wooden box, divided into three layers—gathering, plumbing, and private space—with ceilings and glass connecting these areas. This arrangement fosters a sense of familial presence throughout the residence, allowing occupants to remain aware of each other's activities. Illumination further extends from a skylit entrance area through an elevated storage unit crafted from black wood, which also demarcates the living space. A large horizontal window in the southern end of the living area offers views of the road, while a row of small trees in the garden provides both shade and privacy. Above the exposed wooden roof, a compact mezzanine area is accessible via a slender black steel ladder in the living space, offering additional utility or a secluded retreat. The bathroom features a shower and bath positioned beside a large window, overlooking a small courtyard enclosed by a section of charred cedar cladding. The interior material palette is intentionally minimal, with white walls providing a stark contrast to the exposed wood of the ceiling and the concrete elements of the bathroom. Kondo noted that the choice of baked cedar and steel for the exterior was aimed at creating a structure that, while simple and 'hut-like' in appearance, presented an unprecedented architectural style within the local area. This approach emphasizes a unique aesthetic without being overtly flamboyant. The project aligns with other contemporary Japanese homes that embrace a minimalist design, such as the conversion of a century-old home in Shimane into a guesthouse by Studio AMB and a Tokyo residence designed as a singular large room by IGArchitects. #JapaneseArchitecture #CharredWood #CortenSteel #NagoyaHouse #MinimalistDesign #Skylights #ResidentialArchitecture #PrivacyFocusedDesign

Parentheses House, designed by SAI Architectural Design Office, is located in Fukui, Japan, an area characterized by its open rural landscape and proximity to the Kuzuryu River embankment. This 172 square meter house was completed in 2019, with photographs by Norihito Yamauchi. The project addresses the challenge of designing in a tranquil, sparsely populated area that is anticipated to see future residential development, given Fukui City's active promotion of residential land. The architectural strategy involved creating a design that interacts meaningfully with its surroundings while acknowledging future uncertainties. The core concept revolves around two stable U-shaped walls, which form the structural backbone and define the interior spaces. This configuration allows the roof to be suspended, creating a sheltered and cohesive internal environment. The design intends to establish a unique dialogue between the house and its expansive natural setting, particularly in anticipation of increased urbanization. The construction involved several notable manufacturers and specialists. JUNG, Vectorworks, Abvent, Catalano, Dulux, and Schindler were among the companies contributing to the project. Satoshi Saito served as the lead architect, while ARCREA Corporation provided engineering expertise. Ippei Yasue was responsible for the structural design. The building primarily utilizes wood as a key material, contributing to its aesthetic and functional qualities. The interior features elements such as shelving, large windows, and exposed beams, indicating a design focus on natural light, functional storage, and structural expression. The exterior showcases concrete facades, offering a robust and modern appearance that contrasts with the natural landscape. The use of concrete and other durable materials reflects a pragmatic approach to construction, ensuring longevity and resilience in the local climate. Parentheses House is categorized under residential architecture, specifically focusing on houses and house interiors. It exemplifies a contemporary Japanese residential design that balances functionality, aesthetic appeal, and a thoughtful response to its environment. The project is an example of modern living in a rural-urban transitional zone, highlighting how architectural design can anticipate and adapt to evolving landscapes while retaining a distinctive identity. #ResidentialArchitecture #Houses #HouseInteriors #Fukui #Japan #SAIArchitecturalDesignOffice #NorihitoYamauchi #ConcreteFacade #WoodConstruction

This article details the judging outcomes of Week 12's facade and yard reveal on "The Block," where contestants presented their completed outdoor spaces. The facade and yard are critical elements as they provide the first impression for potential buyers. Sonny & Alicia secured first place with a front yard that impressed the judges with its grand scale and thoughtful design. Their space featured a large Titanium caravan, two entry gates, established Chinese Elm trees, and a striking kangaroo sculpture by Matt Hill. The design was further enhanced by Manchurian Pears for privacy and usable lawn, culminating in a property described as having a "soul." The access ramp and the seamless transition from the beautifully finished hallway, showcasing artworks like "Wild Romance" and "I Look to the Hills," also contributed to their win. Emma & Ben achieved second place with their property, named "The Hills of Cedar Lane." Judges praised its "lush" facade and yard, which included a large driveway bordered by native plants that harmonized with the cedar trees in the background. The established feel of their yard was noted, with artworks by Kamilya Lowana White inside the house. Despite minor presentation issues and a missing gate, which were deemed easily fixable, the overall impression was highly positive, suggesting it would only improve with time. Han & Can's Asian-inspired front yard earned them third place. Their design incorporated a Japanese Torii gate-themed front gate, a winding path, and nascent bamboo groves, naming their property "Flow Estate." A pottery water feature and a mature Trachycarpus tree with diverse planting were highlighted as successful elements. While the judges admired the external presentation and unique theme, they questioned if the Asian aesthetic of the front and back was consistently reflected throughout the interior of the house. Nonetheless, the distinct presentation was acknowledged for its memorable impact. Robby & Matt placed fourth with what was described as the "most sustainable front yard on The Block." Their design featured mounds, boulders, and native plants, cleverly concealing side paths and a garage access deck. While considered budget-conscious and somewhat underwhelming in its current state, judges recognized its potential for growth and future impact. The sophisticated facade, utilizing Hardie board and batten cladding painted in Bellinzona Black, was commended, though it wasn't enough to secure a higher position in a highly competitive week. Britt & Taz finished in fifth place. Their front yard was characterized as "sparse," a consequence of budget limitations. A glass front door, which offered a direct view into the house, was a point of contention among the judges. Despite a beautiful Grafico-printed 4D Door connecting the house to the country theme, the central area of the yard felt empty. Features such as a dry "creek bed" and space for a moonlight cinema were present, but judges felt these might have diverted resources from the front yard, where they were more critically needed for a strong first impression. The well-planted edges were noted, but the overall lack of density in the center contributed to their lower ranking. #TheBlock #RoomReveal #FacadeAndYard #HomeDesign #LandscapeDesign #OutdoorLiving #HouseDesign #SonnyAndAlicia #TheBlock2025