Lily Clark’s water fountains offered a moment of sensorial escapism at Design Miami 2022

Water, a symbol of tranquility and clarity, serves as a significant source of inspiration for product designers, injecting movement, freedom, and flow into interior spaces. This article highlights nine home design products that uniquely capture the essence of water, showcasing a diverse range of interpretations from various artists and brands. Each featured design demonstrates how water's fluid characteristics, reflective qualities, and symbolic meanings are translated into tangible home furnishings. The featured designs include interlocking handblown vases from Manu Nanu, created by artist Mansi Shah. These vases are designed to fit together like molecules, with the glass itself mimicking water and casting shifting shadows when exposed to sunlight. Beacon Custom Lighting's Pond decanter, designed by New York City architect Dean Maltz, extends a theme previously explored in a ceiling lamp that evoked a water drop. The handblown carafe features a bulbous glass filament rising from its center, reminiscent of a splash in a pool. Tina Scepanovic, a Chinese American artist, draws on her experience as a competitive swimmer to infuse her Narcissus catchall with the 'hidden power' of water. She translates the loose gestures of Chinese brush painting into metal sculpture, aiming to capture the object's 'qi' or vital energy, conceptualizing the pool form as a portal to another dimension. Joseph Algieri, a New York City designer, presents Construction vases where pigmented foam appears to break through ceramic barriers, challenging the conventional containment of water and emphasizing its transformative power. Italian designer Paola Navone, a self-proclaimed Pisces, created the nautical-inspired Oblò lighting collection for Lodes. These pendant lamps, named after the Italian word for 'porthole,' are suspended like buoys, creating an oceanic sway with milky white or limpid blue glass diffusers. Oki Sato, founder of Tokyo design studio Nendo, developed the Windy collection of grès porcelain tiles. These tiles feature subtly incised patterns that emulate the marks a breeze makes on water surfaces, rice paddies, and grasslands, available in various colors. Golnar Roshan of Rive Roshan, an Amsterdam design firm, designed the Fluid rug collection for Moooi, inspired by the light and sky reflecting and rippling on the canals outside her studio. These rugs are available in both rectangular and circular forms. Kast, an English concrete basin company, offers the Wave series, including the Tilde, Dune, and Prim fixtures, which complement the inherent water theme of bathrooms with their curvy forms and a palette of 28 colors, such as Storm (blue) and Brick (terra cotta). Lastly, the Tanba basket by Enkay features a sinuous rim that traces the lines of a river. Asha Chaudhary, the company's founder, highlights the enduring appeal of water motifs in interior design for the softness they impart to spaces. These handwoven baskets are crafted from ilala palm leaves sourced from Zimbabwe. Together, these nine products illustrate how water's symbolic and physical attributes continue to inspire innovation and creativity in contemporary home design. #HomeDesign #InteriorDesign #WaterInspired #ProductDesign #LuxuryHome #ArtisanCraftsmanship #FurnitureDesign #LightingDesign #CeramicArt

Water features, such as fountains, are architectural elements that contribute to both visual appeal and a tranquil atmosphere in various outdoor settings. The calming sound of burbling water can evoke a meditative state, transforming an ordinary garden or exterior space into a luxurious sanctuary. This collection highlights diverse fountain designs from the archives of Architectural Digest, showcasing their versatility across different geographical and stylistic contexts. Fountains are presented in a variety of styles, from intricately tiled Moroccan designs to simple, modern installations. For instance, Khloé Kardashian's Calabasas home features a Moroccan-style fountain, while decorator Anouska Hempel's English residence incorporates a garden fountain encircled by Cotswold drystone walls. The influence of regional aesthetics is also evident, such as an Andalusian-style fountain in a California house designed by Madeline Stuart and a courtyard fountain in Emily Summers's Palm Springs home, which was commissioned from Spanish sculptor Xavier Corberó and includes a basalt statue. Beyond aesthetics, fountains often serve as focal points in garden and landscape design. An example is the Fountain Garden at a Dutchess County, New York, farmhouse by G. P. Schafer Architect, featuring a granite basin by Stone Structures. Similarly, fashion designer Vince Camuto's New York home showcases a limestone fountain framed by hydrangeas on its west terrace. In upstate New York, a 19th-century-style retreat renovated by McAlpine Booth & Ferrier Interiors and architect John I. Meyer Jr. includes a fountain framed by a trelliswork arch. Historical and grand estates also demonstrate the enduring appeal of fountains. At Chatsworth House, the Baroque family seat of the Dukes of Devonshire in England, the Seahorse sculpture fountain, originally part of a 1690s parterre, and the 314-yard-long Canal Pond from 1702 are significant features. In northern New Mexico, an estate designed with landscape architect Edith Katz features a classical fountain and pavilion by Haddonstone. Modern interpretations and unique repurposing of objects into fountains are also explored. A hacienda-style beach house in the Dominican Republic by designer Juan Montoya includes a courtyard fountain with crisscrossing jets, reminiscent of Spain's Alhambra palace. In a Hawaiian home, a large Balinese iron pot is repurposed as a lanai fountain, demonstrating creative approaches to water features. Fountains also contribute to the sensory experience of an outdoor area, as noted by interior designer Emily Summers, who collaborated on a fountain for a Dallas home's outdoor dining area. She emphasized its role in providing both animation and gentle, ambient sound in the garden. This selection underscores the diverse applications and aesthetic contributions of fountains, whether as antique stone pieces from France in a southeastern U.S. residence, modern spherical chrome designs in a Los Angeles forecourt, or 17th-century pieces integrated into historic Italian villas and Moroccan riads. #OutdoorDesign #WaterFeatures #GardenFountains #LandscapeArchitecture #HomeDecor #TranquilSpaces #ArchitecturalElements #LuxuryHomes #GardenDesign

The article delves into the fascinating history behind Claude Monet's iconic water lily paintings, revealing that the specific varieties of Nymphéas he depicted were not merely indigenous plants but rather new, colorful hybrid water lilies sourced from the Latour-Marliac nursery. This discovery came to light through a chance encounter between the author, Gloria Groom, and the current owner of the historic French nursery. Monet, a keen horticulturalist, encountered these innovative hybrids at the World's Fair of 1889 in Paris, where Joseph Bory Latour-Marliac first showcased his prize-winning collection. Latour-Marliac had successfully crossbred European species with those from America and the tropics, resulting in a broader palette of colors, from pale yellows to deep reds, a stark contrast to the common white water lilies of the era. Monet's interest in these new varieties culminated in his first order from the Latour-Marliac nursery in 1894, following the completion of his water garden at Giverny. This initial order included not only the celebrated water lilies, such as Nymphaea Mexicana, Nymphaea “Laydekeri Rosea,” and Nymphaea “Odorata Sulphurea Grandiflora,” but also other aquatic plants like water chestnuts and white cottongrass. The artist's subsequent orders, particularly one in 1904 exclusively for red water lilies, underscore his deliberate cultivation and curation of the water garden to serve as both an artistic motif and a living palette. The article emphasizes that Monet’s decision to paint these specific hybrids significantly boosted their commercial popularity, linking horticulture and art history in an unexpected way. Modern-day Giverny maintains a careful balance in its water lily collection. The current owner of Latour-Marliac, Robert Sheldon, explained that the water lilies are planted in 30-liter pots, necessitating constant weeding to prevent invasive species and preserve the desired color composition. The yellow and white varieties, being hardier, tend to thrive, while the more delicate red and crimson types, favored by Monet, require diligent preservation against natural predators and environmental challenges. This ongoing effort by the Fondation Monet, in collaboration with Latour-Marliac, aims to restore the original water lily palette that so profoundly influenced Monet's work. The article highlights that the Latour-Marliac nursery continues to operate, welcoming visitors to experience the intersection of art and horticulture. While an in-person visit to southwestern France might not always be feasible, virtual resources allow enthusiasts to explore the nursery and learn more about Monet's aquatic flora. The author concludes by reflecting on Monet's dual role as an artist mixing pigments and a gardener cultivating flowers, both endeavors contributing to the creation of his serene and celebrated "Water Landscapes." The article encourages readers to explore this artistic and horticultural legacy by visiting exhibitions such as "Monet and Chicago," which features his "Paysages d’eau" and other Nymphéas compositions. #ClaudeMonet #WaterLilies #Giverny #LatourMarliac #Horticulture #ArtHistory #Impressionism #Nymphaeas #Exhibitions

Kohler has introduced a new 'Pearlized' finish, making its debut at Design Miami 2025 through an immersive installation created in collaboration with Harry Nuriev of Crosby Studios. This innovative finish, which gives ceramic fixtures a distinct iridescent sheen reminiscent of pearls, is featured in an exhibition designed to evoke a serene, underwater environment. The collaboration brought together Kohler's manufacturing expertise with artistic vision to transform a technical surface innovation into an engaging experience. The installation, conceptualized by Harry Nuriev, features a swirling arrangement of ceramic fish that create a sense of movement and depth. The artist behind the Pearlized finish is David Franklin, a two-time participant in Kohler's Arts/Industry residency program and the inaugural resident of the Kohler MakerSpace. Franklin, drawing on his extensive experience with ceramic techniques and his understanding of Kohler's artisan and engineering processes, co-developed the proprietary finish. His artistic background, particularly his work with ceramic sculptures that convey meditative movement, was crucial in bringing the Pearlized finish to life. Visitors to the Design Miami exhibition are greeted by a futuristic stainless steel door, offering a glimpse into a periwinkle-hued space. Upon entering, guests are invited into a slow, meditative environment designed to mimic the experience of looking up through crystal-clear water as light filters through. A circular pool forms the centerpiece of the installation, with a ledge around its perimeter encouraging visitors to pause and absorb the cool, ethereal atmosphere. The ceramic fish, part of Kohler's Artist Editions Series, are individually cast, glazed, and fired to achieve their luminous quality. These fish are then illuminated from above with soft, shifting blue-to-purple lights, creating a visual effect of a unified, fluid school of marine life. Nuriev's design for the installation directly responds to Design Miami's 2025 theme, 'Make. Believe.', by transforming a functional surface into a dynamic and living environment that interacts with the viewer's presence and movement. The reflective surface of the gently moving water in the pool mirrors the overhead sculptures. Within this watery display are Kohler's Derring Carillon Artist Editions sinks, showcasing the Pearlized finish. These sinks, crafted by artisans in Kohler, Wisconsin, are the first products to feature this new finish. The interplay of four physical faucets with their reflections in the water creates an illusion of eight, adding to the immersive quality of the space and emphasizing the theme of individuality within a collective. The inspiration for this installation and the Pearlized finish stems from Franklin's earlier work, "Once and Forever Lake Michigan," a large-scale artwork comprising 1,600 ceramic fish currently exhibited at Chicago's Shedd Aquarium. During the development of this project, Franklin and Kohler’s engineering team experimented with applying PVD (Physical Vapor Deposition) technology, typically used for metal fixtures, to ceramic surfaces. This experimentation led to the discovery of the unexpectedly uniform and iridescent effect that became the foundation for the Pearlized finish. Laura Kohler, Chief Sustainable Living Officer, highlighted that providing artists with creative freedom within Kohler's factories has consistently driven design innovation, underscoring that this collaboration represents a blend of art, technology, and design evolution. #Kohler #HarryNuriev #CrosbyStudios #DesignMiami #PearlizedFinish #CeramicArt #DavidFranklin #InteriorDesign #ArtistEditions

Water features in home environments are gaining popularity for their aesthetic appeal and significant wellness benefits, both mental and physical. Sean So, founder and principal of Water Studio, notes a growing trend in both indoor and outdoor water installations, with many clients seeking to replicate public space designs in their homes. These features contribute to mental well-being by reducing stress, improving mood, and promoting relaxation, a phenomenon often linked to the calming effect of 'blue space,' as highlighted by sports medicine physician Gregory Charlop, M.D. Physically, water features can offer health advantages, such as the muscle recovery and inflammation reduction associated with cold water immersion, though Charlop cautions against cold plunges for untrained individuals due to potential cardiac risks. Conversely, warmer water temperatures in hot tubs and spas are beneficial for muscle relaxation. Popular water features include indoor water walls that offer dramatic visual appeal with minimal space requirements, and outdoor falling streams that provide tranquil sounds. Architects Phil Kean and Danny Wang frequently incorporate these elements into their designs. Kean mentions sheer descent fountains on feature walls as a common request, while Wang's popular features include water feature walls, fountains, and reflection ponds. Water features also serve practical purposes, such as acting as natural noise barriers against busy roads, enhancing privacy, and even blocking unsightly views. Enhancements like lighting, music, and fog effects can elevate the ambiance. Kean describes creating glass-top water tables for poolside dining, incorporating LED lighting for a magical evening effect. Automated systems for refilling, timing lights and pumps, and controlling flow are also popular for convenience and customization. Water specialists can upgrade existing features, provided the basin is leak-free, by adding modern sculptures or low-splash water walls. Despite their benefits, water features require careful planning and maintenance to avoid safety hazards and potential water damage. Sean So stresses the importance of working with experienced firms that thoroughly test installations. Gregory Charlop emphasizes the need to consider water quality, sanitation, and temperature regulation to prevent infections and injuries, recommending regular professional check-ups. The integration of water features into home design not only adds architectural flair and real estate value but also contributes significantly to the residents' overall wellness. #HomeDesign #WaterFeatures #WellnessBenefits #ArchitecturalFlair #RealEstateEnhancements #IndoorWaterFeatures #OutdoorWaterFeatures #HomeWellness #LuxuryHome

Tom Dixon's ‘Liquid’ bathroom collection, developed for the Turkish brand VitrA, has been recognized with a Wallpaper* Design Award 2022 for 'Best Fluid Forms.' This collection marks Dixon's inaugural venture into bathroom design, drawing inspiration from the enduring aesthetics of Victorian-era bathrooms. Dixon expressed his admiration for the permanence evident in Victorian designs, characterized by their robust taps and plumbing, an aesthetic deeply rooted in British engineering traditions that significantly influenced bathroom evolution. The ‘Liquid’ collection translates Dixon’s signature bold design philosophy into a functional and comprehensive range of bathroom essentials. It includes various components such as sinks, showerheads, taps, WCs, mirrors, and hooks, alongside furniture pieces like stools and cabinets, and a selection of textured tiles. This collection exemplifies VitrA’s commitment to collaborative design, extending its product offerings beyond conventional bathroom fixtures. A defining characteristic of the ‘Liquid’ collection is its use of soft-edged, rounded forms. These shapes subtly reference the sculptural works of artists such as Jeff Koons, Claes Oldenburg, and Barbara Hepworth, creating a harmonious blend of gentle geometries and striking, reflective silhouettes. Dixon has thoughtfully infused even everyday bathroom items, like toilet roll holders and urinals, with a distinct design identity and a touch of playful aesthetic. Each piece within the collection was designed with individual consideration, ensuring that they can either integrate cohesively as a complete bathroom suite or stand alone as distinctive design elements. The collaboration with VitrA’s Innovation Centre was instrumental in pushing the boundaries of manufacturing and creative design within the bathroom sector. Echoing Dixon’s previous 2021 collections, which explored single materials like brass, cork, and glass, the ‘Liquid’ collection emphasizes materiality, focusing on the transformative qualities of ceramics. Dixon articulated his fascination with the process by which raw, earthy clay can be transformed into pristine, lustrous ceramic objects. He describes the ‘Liquid’ collection as embodying ‘expressive minimalism,’ a unique approach to bathroom design. Beyond its aesthetic appeal, the collection’s design also enhances functionality; for instance, its rounded edges improve safety, and its smooth surfaces facilitate easy cleaning. The range incorporates thoughtful design details, such as a magnetic attachment for the hand-held showerhead, illustrating that ‘Liquid’ is more than just a stylistic exercise. Dixon aimed for the collection to evoke the simplicity of a child's drawing of a bathroom basin or tap, thereby achieving a clear and intuitive logic in both its appearance and practical application. #TomDixon #VitrA #BathroomDesign #LiquidCollection #DesignAwards #InteriorDesign #CeramicDesign #ProductDesign #ExpressiveMinimalism

Netjets, a private jet airline, has maintained a 16-year partnership with Art Basel, consistently unveiling collaborative projects at the fair. This year's iteration featured a bespoke installation by Swedish artist Frida Fjellman within the Netjets collectors' lounge. Fjellman's contribution, titled 'Crystal Atmosphere,' brought a new spatial interpretation to her signature blown glass lanterns. These lanterns, first showcased in a solo exhibition in 2015, have since evolved into various colors and sizes, all retaining their distinctive mouth-blown glass and metal components. They are presented both as individual pieces and as elaborate chandelier-like clusters. Fjellman's artistic journey with these lanterns involved a two-year development period in collaboration with The Glass Factory, an art glass producer situated in Boda, a small village nestled within Sweden's forests. The artist initially conceived these lamps not for traditional beauty or utility, but to evoke the impression of exaggerated, somewhat unconventional jewelry—beautiful yet intriguing. The unexpected popularity of these pieces has been a point of interest for Fjellman. The lanterns gained significant attention when they were displayed at Design Miami/ in 2016 as part of a large-scale installation by Hostler Burrows. This exposure captured Netjets' interest, leading to the current collaboration. For the Art Basel lounge, Fjellman was granted complete creative freedom. Over a period of four months, she developed her largest installation of these works to date, comprising 100 lanterns in a spectrum of shades and sizes. This project also involved the creation of a new large-scale piece that pushed existing production boundaries. The installation within the lounge featured the lanterns suspended from the ceiling in color-coordinated clusters. The lighting of these pieces was designed to be discreet, with lights slowly fading in and out, mimicking a breathing pulse. Fjellman's stated intention for the 'Crystal Atmosphere' installation was to cultivate a serene environment, providing a calming respite from the often-hectic atmosphere of the art fair. 'Crystal Atmosphere' underscores Netjets' ongoing commitment to the arts. Previous artistic collaborations by the private aviation company include projects with the art/design duo Snarkitecture and British artist Rebecca Louise Law. Fjellman reflected on the inspiration behind her installation, noting her interest in the almost magical sense of tranquility experienced during flight above the clouds, likening it to a rare oasis of calm in an increasingly hyper-connected digital world. #ArtBasel #Netjets #FridaFjellman #InstallationArt #BlownGlass #DesignMiami #CrystalAtmosphere #ContemporaryArt #ArtCollaboration

Drag And Drop, a Romanian design and manufacturing studio co-founded by Madalin Gheorghe and Dragos Sabareanu in 2019, is known for its innovative approach to design, merging advanced technology with artisanal techniques. The studio's ceramic collection showcases this philosophy by reimagining the function and aesthetics of everyday objects, specifically vases. The creation process leverages a large 3D-ceramic printer to produce intricate patterns, which are developed using sophisticated algorithmic modeling software. Throughout the design and manufacturing process, a strong emphasis is placed on sustainability, aesthetic appeal, and overall quality. The collection features five distinct vase designs, each drawing inspiration from natural patterns and traditional craftsmanship. The 'Intertwined' vase, for instance, is characterized by its organic, interwoven geometric pattern, reminiscent of growth structures found in tree bark and root systems. This unique design is achieved through 3D printing using 100% natural clay. While the interior of the Intertwined vase is hand-glazed, its exterior maintains a matte finish, a consistent characteristic across the entire ceramic collection. This contrast highlights the intricate textures created by the 3D printing process. Another design, 'Bulky,' is offered in three different sizes. This vase features a textile-like pattern that interacts with light throughout the day, creating varying visual effects. The design encourages tactile engagement, inviting individuals to explore its geometric forms and textures through touch. This interactive element adds another dimension to the appreciation of the piece, allowing for a more intimate connection with its design and material. The 'Ripple' vase demonstrates the studio's ability to translate complex mathematical formulae into aesthetically pleasing natural patterns. Its design mimics the visual effect of rippling liquid, such as the concentric circles formed when a stone is dropped into water. This piece exemplifies how technology can be used to replicate and enhance natural phenomena, creating objects that are both visually striking and conceptually rich. The wave-like pattern provides a sense of movement and fluidity, despite the static nature of the ceramic material. The 'Kilim' vase pays homage to the traditional tapestry-weaving methods employed in regions historically part of the Persian Empire. This design represents a contemporary reinterpretation of an ancient craft, demonstrating a harmonious blend of traditional artistry and modern industrial design. By translating the intricate patterns of kilim carpets into a 3D-printed ceramic form, the studio bridges the gap between historical techniques and cutting-edge manufacturing, creating a piece that is culturally resonant and technologically advanced. Finally, the 'Melting' vase directly incorporates its manufacturing process into its aesthetic. The design plays on the suppleness of wet clay during the layering process of 3D printing, creating the illusion of a soft object that appears to be melting. This visual effect is achieved despite the hard, finished ceramic product, creating an intriguing juxtaposition. The Melting vase challenges perceptions of material properties, making a rigid object appear fluid and malleable, highlighting the transformative potential of 3D printing in ceramic art. #3DPrinting #CeramicVases #NatureInspiredDesign #AlgorithmicModeling #SustainableDesign #HomeDecor #ModernCraftsmanship #DragAndDropDesign #InteriorDesign

Artist and architect Inés Esnal has unveiled her Prism installation, transforming the lobby of a new residential building in New York City. The artwork utilizes colorful elastic ropes to create intricate triangular formations that serve to filter light, producing a dynamic interplay of vivid colors and optical illusions. This installation provides a stark and compelling contrast to the lobby's existing concrete walls, injecting an element of artistic vibrancy into the otherwise stark architectural setting. The Prism installation is characterized by its use of stretched elastic ropes, meticulously arranged to form geometric patterns. These ropes, varying in color, intersect and overlap, creating a complex web that interacts with the ambient light. As light passes through these colored strands, it is fractured and dispersed, casting a spectrum of hues across the lobby space. This optical phenomenon changes throughout the day, depending on the angle and intensity of natural light, offering a constantly evolving visual experience for residents and visitors. The design intention behind Prism is to introduce an element of surprise and visual engagement within a functional architectural space. By contrasting the inherent rigidity and monochromatic nature of concrete with the fluidity and vibrant palette of the elastic ropes, Esnal challenges conventional perceptions of lobby design. The installation effectively redefines the entrance area, transforming it from a transitional zone into an immersive artistic environment. Esnal's work often explores the relationship between art, architecture, and human perception. In Prism, she employs principles of geometry and optics to manipulate space and light, thereby creating an illusory depth and movement within a static structure. The triangular shapes formed by the ropes evoke the concept of prisms, which are known for their ability to refract light into its constituent colors. This not only imbues the space with aesthetic appeal but also invites viewers to contemplate the scientific and artistic principles at play. The installation aims to enhance the sensory experience of the building's occupants, offering a momentary escape from the urban environment. The selection of elastic ropes as the primary material allows for flexibility in form and an ethereal quality that belies the material's strength. This choice also contributes to the lightweight and seemingly gravity-defying appearance of the artwork, further emphasizing its illusory nature. The vibrant colors chosen are intended to evoke a sense of energy and warmth, counteracting the potentially cold aesthetic of modern concrete architecture. The overall effect is one of harmony between the artistic intervention and the architectural context, demonstrating how art can profoundly alter and enrich built environments. #ArchitecturalInstallation #PublicArt #LobbyDesign #InesEsnal #OpticalIllusions #ElasticRopeArt #NYCArchitecture #ColorTheory #GeometricArt

The Desert Drop coffee table, designed by Karim+Elias, explores the fundamental relationship between sand and glass, two materials intrinsically linked by their transformative properties. The design draws inspiration from the desert environment, particularly the way sand transforms into glass under intense heat. This metamorphosis is central to the table's aesthetic and conceptual framework. The coffee table features a natural base that mimics the sculptural forms of desert 'droplets,' complete with contoured surfaces that resemble wind-sculpted sand. This earthen base is juxtaposed with a glass sheet top, which is designed to appear as if it has pooled and settled into place, evoking the fluid-like characteristics and color of oasis waters. The creation of glass from sand, often triggered by extreme natural events like lightning strikes or meteorite impacts, serves as a conceptual foundation for the Desert Drop table. This natural process of vitrification, where sand melts and then solidifies into a transparent material, is mirrored in the table's construction. The design highlights the contrast between the solid, structured base and the fluid, transparent top, creating a dynamic interplay between motion and stillness. The architects, Karim+Elias, emphasize this duality, stating that the glass top's appearance of having 'spilled over the base like a molten sheet' reinforces the narrative of transformation and elemental connection. The foundation, firmly rooted in the earth, provides a grounding presence for the seemingly delicate glass surface. The visual effect of the table, particularly the shimmering blue-green hues of the glass against the arid-inspired base, is intended to evoke the mirage-like presence of water in a desert landscape. This illusion adds another layer to the table's conceptual depth, inviting contemplation on the natural phenomena that inspire its form. The Desert Drop table was first unveiled at Dubai’s Downtown Design fair in 2024 and subsequently showcased at the 2025 Spring edition of Maison&Objet, receiving recognition for its innovative design and profound conceptual underpinnings. Karim+Elias, known for their work that often draws from natural elements and cultural contexts, successfully integrate these influences into a functional art piece. The table serves not only as a piece of furniture but also as a conversation starter, reflecting on geological processes and the inherent beauty found in material transformations. The intentional choice of materials and forms underscores a deep appreciation for the desert landscape and its unique phenomena, translating them into a contemporary design object. #DesertDropTable #KarimElias #CoffeeTableDesign #SandAndGlass #DubaiDesignWeek #MaisonEtObjet #SculpturalFurniture #ElementalDesign #MaterialTransformation

Fallingwater House, designed by Frank Lloyd Wright and completed in 1939, is an iconic example of organic architecture, seamlessly integrating with its natural surroundings in Mill Run, Pennsylvania. The residence was commissioned by Edgar J. Kaufmann Sr., a Pittsburgh department store magnate, who desired a weekend retreat that would embrace the beauty of Bear Run. Rather than building the house with a view of the waterfall, Wright controversially decided to construct it directly over the waterfall, making the natural element an integral part of the design and sensory experience. The house's cantilevered concrete terraces, which extend over the cascading water, are a defining feature. These horizontal planes are balanced by vertical elements of local sandstone, blending the man-made structure with the rocky landscape. The use of natural materials such as unpainted concrete, local stone, and wood reinforces the connection to the site. Large expanses of glass walls and windows further blur the boundaries between the interior and exterior, allowing natural light and views of the surrounding forest to permeate the living spaces. The sound of the waterfall is a constant presence, contributing to the serene and immersive atmosphere. Inside, the design emphasizes an open floor plan and a flow of space that mirrors the continuous movement of the water. The central hearth, a prominent feature in the living room, symbolizes the home's anchor to the earth, contrasting with the lightness of the cantilevered structures. Built-in furniture, also designed by Wright, enhances the spatial continuity and minimizes clutter, contributing to the harmonious aesthetic. The design ensures that every room offers a unique perspective of the landscape, fostering a deep connection between the occupants and nature. The engineering of Fallingwater was groundbreaking for its time, particularly the complex cantilevers. Wright collaborated with engineers, including Mendel Glickman and William Wesley Peters, to realize his ambitious vision. Despite initial structural challenges and subsequent restoration efforts, the house stands as a testament to innovative architectural and engineering principles. The construction involved pouring concrete on site, a process that required careful planning and execution to achieve the desired effect of lightness and extension over the water. Fallingwater has been recognized globally for its architectural significance, earning numerous accolades and being designated a National Historic Landmark. It opened to the public as a museum in 1964 and remains a powerful symbol of modern architecture's ability to create spaces that are both functional and deeply integrated with their environment. The house continues to influence architects and designers, serving as a prime example of how architecture can respond to and enhance its natural context, creating a timeless masterpiece that celebrates both human ingenuity and the beauty of the natural world. #FrankLloydWright #FallingwaterHouse #OrganicArchitecture #ModernArchitecture #ArchitecturalMasterpiece #CantileverDesign #ResidentialArchitecture #NationalHistoricLandmark #ArchitecturalInnovation

This article showcases a collection of contemporary and innovative bathroom designs, focusing on tubs, sinks, vanities, faucets, and shower systems. Each item emphasizes clean lines, modern aesthetics, and sophisticated functionality, transforming bathrooms from purely utilitarian spaces into luxurious retreats. The featured designs include the 'Origami' collection by Kelly Hoppen for apaiser, which reinterprets Japanese art into handcrafted tubs with a silky-smooth finish, drawing inspiration from pleated skirts and cupcake wrappers. The IlBagnoAlessi One, a collaboration between Laufen and Alessi, presents a wood veneer vanity with an asymmetrical ceramic integrated sink, alongside wall-hung toilets and bidets featuring a poreless 'Clear Coat' finish for easy cleaning. Philippe Starck's ceramic washbasin for Duravit's Cape Cod collection uses proprietary DuraCeram material, allowing for a thin rim, mounted on splayed chrome legs with various counter options. Maison Valentina's 'Koi' tub stands out with its unusual scale-like curves and aged brushed brass base, reminiscent of fish. The 'Music' vanity, designed with a Roaring '20s influence, offers a compact shape, smooth lines, rounded corners, and a glossy lacquered surface, accented by a black granite top and wood legs. Faucets from Olivia Putman's 'Metamorphose' collection for THG display organic, angular forms that transition from cylindrical to subtle squares, evoking natural movement with ceramic inserts. Her 'Collection O' for THG Paris features gleaming, twisted ring faucet handles, a nod to her mother's 'Vertigo' collection, with a fluid, wavelike curve that creates an optical illusion. Matthew Quinn for MTI designed a semi-recessed sink where the engineered solid stone countertop forms the bottom of the sink, creating a seamless aesthetic with hidden water drainage notches. Kelly Hoppen's 'Bande' design for apaiser is a two-tone concept inspired by Obi sashes, featuring applied bands in contrasting colors. The Lario 100 sink by Studio Meneghello Paolelli Associates for Victoria & Albert uses Englishcast material and features beech timber frames with integrated storage, embodying a classic Victorian style. The 'Aurora Bijoux' tub from Devon & Devon offers a neo-romantic look with elegant, large-scale aluminum spheres with a polished nickel finish. Technological advancements are highlighted with Kohler's 'Karing' integrated smart toilet, a tankless unit offering personalized settings, a heated seat, drying functions, water-conserving flush, motion-activated cover, deodorizing system, and night light. Mario Ferrarini's 'August' basin for antoniolupi presents a simple, footed design in Ceramilux with an inclined profile for visual lightness. The 'Lapiaz' tub features a unique crack revealing a polished brass accent, mimicking Karst formations, complemented by the faceted 'Diamond' sink. The 'Harmony' bathtub by Kelly Hoppen for apaiser features a relief design resembling lotus petals. Kohler's 'Abrazo' tub boasts an organic shape inspired by pottery, made from a warm-to-touch, easy-to-clean solid-surface material. The 'Askew' tub by Kohler offers an angular silhouette as a striking focal point. Kohler's 'Choreograph' shower system incorporates composite surrounds made of Serica, with options for floating shelves, flip-down seats, and decorative contrast joints. Finally, the 'Meteo XXL' from antoniolupi is an overhead recessed rain shower fixture with LED lights, vaporizers, and a double waterfall, enhancing the shower experience. #BathroomDesign #ModernBathroom #LuxuryFixtures #InteriorDesign #HomeDecor #DesignerBathrooms #SmartHome #InnovativeDesign

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

Water features offer a transformative element to garden design, enhancing sensory experiences, altering mood, and bringing vitality to outdoor spaces of any size. Depending on the design, water features can energize a garden with cascades and fountains or provide a meditative and soothing ambiance through still ponds or gentle rills. Beyond aesthetic appeal, water features contribute to biodiversity by attracting wildlife and supporting aquatic and marginal plant life. Integrating water features into a garden requires careful consideration of both aesthetics and purpose. John Wyer, CEO of Bowles & Wyer, emphasizes that designs don't need to be complex; sometimes, the simplest approaches yield the most impact. Before installation, individuals should identify what aspects of a water feature appeal most to them, whether it's the sound of moving water, the reflective surface of a still pond, or a mysterious, shaded pool. The desired effect—a quiet, calm element, gentle tinkling, or a dramatic flow—will dictate the design and style. Eleven distinct water feature ideas are presented. Raised ponds can serve as central focal points in both large gardens and compact courtyards, often positioned centrally or at the end of a path. Rills, shallow channels that guide water gently, create a contemplative and restful atmosphere, particularly effective when constructed with materials like Cotswold stone and complemented by aromatic planting. Garden pools punctuate hard landscaping, forming strong focal points that can be formal or natural in design. Placement should account for sunlight, leaf fall, and the potential for reflections. Maintaining a healthy pool requires understanding natural water management to prevent issues like algae. Garden fountains introduce dynamic sound and movement, ranging from subtle trickles to dramatic gushes. The sound of water significantly contributes to the overall atmosphere. Larger fountains may require power supplies, pumps, and filtration systems, necessitating careful location planning to minimize noise and accommodate equipment. Self-contained fountains offer a simpler alternative, requiring minimal excavation and suitable for level surfaces like patios, though they should be kept away from trees to avoid debris. Water bowls or dishes provide an easy way to introduce water to smaller spaces, such as outdoor living rooms. Shallow containers are effective, but placement in partial shade helps reduce algae growth. Adding aquatic plants can further assist in natural water purification and wildlife attraction. Reflective qualities of still water features are enhanced when positioned near trees. Water feature sculptures integrate art with water, using materials like steel, stone, or recycled elements to create distinctive pieces. These sculptures can draw the eye to focal points and offer a softer, more sensory experience than other garden sculptures. Wildlife ponds, typically organic in shape, attract a diverse range of creatures, making them excellent for ecological gardens. These ponds should ideally be placed in quieter, naturally low-lying areas, incorporating oxygenating and marginal plants, and featuring varied depths with easy access points for wildlife. Water tables, with their gentle trickling sound, enhance the ambiance of outdoor dining areas, acting as central focal points. These can be crafted from various materials, such as Cumbrian slate, and fit both contemporary and traditional garden designs. Waterfalls provide drama and sensory delight, with their complexity ranging from simple cascades to elaborate structures. Essential considerations include pumps, power sources, and the receiving pool. Sloping sites can be maximized with natural or man-made streams, creating a soothing flow of water. Lining the stream bed with slate or stone not only looks attractive but also supports beneficial bacteria. Finally, birdbaths offer a simple, non-disruptive way to attract wildlife, providing birds with essential bathing and drinking spots. They are suitable for courtyards or garden beds, require shallow water, and should be placed where they can be enjoyed from a distance. Practical considerations for any water feature include the size of the outdoor space, cost (including installation and ongoing energy), power requirements, water sourcing and drainage, optimal positioning for light interaction, proximity to seating areas, and maintenance methods (natural plant filtration versus mechanical systems). The decision to install a water feature oneself depends on its complexity; many designs, particularly those involving intricate plumbing and filtration, benefit from expert installation by designers or water specialists. Various aquatic and marginal plants, such as water lilies, gunnera, ostrich ferns, iris, and daylilies, can be used to beautify water features and integrate them seamlessly into the garden. #GardenDesign #WaterFeatures #BackyardIdeas #OutdoorLiving #Fountains #Ponds #Rills #GardenSculptures #WildlifeGardens

Draga Obradovic and Aurel K. Basedow, known as Draga & Aurel, are a design duo celebrated for their artistic approach to materials and composition, drawing influences from fashion to traditional craftsmanship. They are pioneers in upcycling, having started their journey by reinventing furniture and objects. An early open studio event, where people brought old furnishings for reinvention, quickly grew into a significant venture, leading them to establish Draga & Aurel in 2007. Their multidisciplinary studio and workshop focus on art, collectible design, and furnishings. Their debut at Milan Design Week two years later initiated collaborations with brands like Baxter, a partnership that continues to influence their design philosophy. According to Basedow, Baxter was instrumental in professionalizing their design approach. A significant milestone in their career was the launch of the Transparency Matters collection in 2019, which marked a departure from their earlier focus on vintage items and textiles. This collection utilizes resin as the primary material, valued for its interaction with light, and is continuously updated. Obradovic draws inspiration from everyday visual stimuli, capturing images to create mood boards that fuel her imagination. For their "Friday Five" feature, Draga & Aurel share five key inspirations. The first is artist Dan Flavin, whose work on light and color deeply resonates with their own. They admire his ability to transform a common object, the neon tube, into sophisticated art with a "maximalist" effect, despite its minimalist origins. They highlight a recent exhibition "Dedications in Lights" at the Kunstmuseum Basel, one of their favorite museums, and note a permanent installation in its yard. Secondly, they express their appreciation for Superduper, a "Made in Italy" brand from Florence known for its handmade hats. They are drawn to the brand's fresh, creative, and informal style, emphasizing that hats are essential accessories for both of them. Their third inspiration is Joseph Beuys, a German artist and sculptor and a significant figure in conceptual art. His quote, "Jeder mensch ein Künstler" (everyone is an artist), profoundly influenced their approach to painting and their belief in the universal expression of creativity. Beuys is also a reference point for expanding the meaning of art. The fourth point of inspiration is The Venice Venice Hotel. They describe Venice as a city that continually surprises them with its beauty. The hotel, housed in the renovated Ca’ da Mosto Palace overlooking the Rialto, is a synthesis of architecture, fashion, art, and design, showcasing influential avant-garde movements. It is an evocative place owned by the founder of Golden Goose. Finally, their fifth inspiration is their hometown, Lake Como. They find constant inspiration in this historic town, appreciating the peace, relaxation, and freedom the lake offers, particularly enjoying sailing and discovering hidden coves and villages. They feel fortunate to live in such a beautiful place. The article also showcases some of Draga & Aurel's works. The "Flare Collection," an exclusive project for Todd Merrill Studio, explores color and light refraction through Lucite, an acrylic resin. This collection is inspired by Jiyong Lee's study of color's three-dimensionality and Vasa Mihich's acrylic sculptures, focusing on the concepts of composition and breakdown of matter. It premiered at Design Miami in 2023. Their exhibition "Per Speculum in Aenigmate," in collaboration with Contemporary Cluster at Palazzo Brancaccio, Rome (2022), highlighted the dialogue between Aurel K. Basedow’s pictorial works and the duo's iconic design pieces. The exhibition title, drawn from a biblical passage, focuses on "mirror" and "enigma," reflecting their practice of material experimentation, artistic creativity, function, and aesthetics. The "Heritage collection" consists of one-of-a-kind upcycled pieces, born from their passion for vintage items. They collect original vintage furniture from thrift shops and markets, then reinvent them using techniques such as screen printing, embroidery, and resin covering, drawing from their backgrounds in fashion, textiles, art, and graphic design. Each item is restored in their Como atelier. Lastly, "The power of lighthearted design – Exhibition “Tinted Hues” at Nilufar, 2024" is a collaboration with Nilufar gallery, featuring a capsule of playful objects. This collection emphasizes resin, rounded shapes, and pastel shades, exemplified by their Bon Bon lamps, Dewdrops coffee tables, and Glaze table. #DragaAurel #DesignStudio #UpcyclingDesign #MilanDesignWeek #TransparencyMatters #DanFlavin #JosephBeuys #LakeComo #CollectibleDesign

Dan and Nina Rowland, driven by a desire for more space and an improved quality of life after the birth of their first daughter, embarked on a mission to create a sustainable, biophilic home. Their journey began in 2015 while living in a London basement apartment, where they envisioned a deeper connection with nature. Dan, who studied psychology and later branched into architecture, is a strong advocate for biophilic design, believing in its positive impact on well-being through symbiosis with nature. The couple's initial search for a coastal site led them to a neglected plot featuring a dated 1930s house, an overgrown paddock, and a large, stagnant pond. Despite the unappealing state of the pond, Nina felt an instinctive pull towards the property. Dan, during their first viewing, recognized the site's hidden potential, envisioning a home that seamlessly integrated with its surroundings. The turning point came when Dan observed the light reflecting off the murky water, sparking the idea to design the house with its main living area at the rear. His vision was a bright, airy space with large sliding doors that would maximize the south-facing aspect and create the illusion of the property floating over a clear, natural swimming pond. In 2016, with Nina pregnant with their second child, Lexi, the couple sold their London property and moved into the existing house on the new plot, which they intended to demolish. The construction of their five-bedroom home, built from structural insulated panels (SIPs) and clad in Siberian larch, was a challenging but ultimately rewarding endeavor. Nina meticulously curated the interior, selecting natural and textural materials, furniture, and soft furnishings to complement the exterior's natural aesthetic. She aimed for a relaxed yet modern feel, contrasting these natural elements with sharper, more refined details. The finished home is characterized by abundant natural light and an atmosphere that is both serene and stimulating. The success of their project, which was featured on the UK television show *Grand Designs*, has led to a significant increase in requests for their architectural practice, Studio Fuse, from clients seeking to create their own biophilic homes. The Rowlands note that visitors often kick off their shoes and cross the stepping stones of the natural pond, immediately sensing the adventure, creativity, and sense of escapism the property offers. #BiophilicDesign #SustainableHome #NaturalSwimmingPond #EcoHome #ArchitecturalDesign #InteriorDesign #GrandDesigns #CoastalLiving #PropertyDevelopment #StudioFuse

British designer Bethan Laura Wood resides in a 575-square-foot apartment in a 1925 Art Deco building in East London, reflecting her vibrant and unconventional design aesthetic. Her home is an extension of her professional work, which is characterized by a bold use of color, texture, and a blend of industrial materials with artistic references. The apartment features powder pink stairwells, mint green window frames, and baby blue accents, providing an appropriate backdrop for her colorful creations. Inside, Wood’s living space is a dynamic display of peach, pistachio, and mauve walls, complemented by geometric rugs and a collection of unique objects. These include Pyrex lamps shaped like floral bouquets, a side table made from extruded pastel plastic, and various pieces she has designed or acquired. Wood emphasizes color as her primary language for interpreting places, drawing inspiration from regional palettes such as London's earthy grays and Venice's saturated blues. Her work often incorporates industrial materials like laminate, manipulating them to imitate other substances and exploring themes of globalism and authenticity through design history. Her current exhibition, "Ornate," at Milan’s Nilufar Gallery, draws inspiration from diverse sources including Japanese kimono fabrics, Victorian boudoirs, and insect anatomy. The exhibition features pieces like scalloped aluminum cabinets, glass light fixtures resembling hard candies, and an aluminum and brass headboard with shimmering gold and purple squiggles. Wood's living room is a visual feast, showcasing both her own designs and works by other artists and designers. Notable pieces include the Royal Daybed by Nathalie Du Pasquier and George Sowden, and a circular, jellyfish-like green, yellow, and blue resin lamp by Gaetano Pesce. A woven jacquard tapestry, designed by Wood and inspired by stained-glass windows in Mexico City, covers an entire wall, alongside an earth-toned laminate dining table with geology-inspired marquetry and a totemic light fixture made of stacked beaker-esque forms, produced with Italian glassblower Pietro Viero. Collaboration is central to Wood's practice, and many items in her home are products of partnerships or exchanges. Her collection extends into a narrow hallway adorned with hats and handbags hanging on Murano glass hooks, and artworks covering the walls. Her bedroom features an Ultrafragola mirror by Ettore Sottsass and a neon glass light by Jochen Holz, illuminating a 1970s floral textile acquired during a trip to Brazil. A small, sunny library, dubbed her "room for dreaming," houses art books, animal figurines, glass sculptures, and wooden busts, including a birthday card from her mentor, Martino Gamper. Throughout the apartment, Wood masterfully combines high design with evocative everyday objects found during her travels or at London flea markets. She deliberately positions pieces to create dialogues, such as a multicolored rope mask by Bertjan Pot near a painting of a knight in psychedelic swirls. She also notes the connection between a jar of "pickled" balloons by Saelia Aparicio and a poster by Scottish Pop artist Eduardo Paolozzi, whose motifs she frequently references. Wood's passion for collecting and creating began in childhood, influenced by her mother's accumulation of eclectic items. While her minimalist father preferred these objects to be hidden, Wood's home openly displays her collections, which she views as a material record of her life's experiences, travels, and relationships. Living surrounded by pieces from friends and fellow makers provides her with comfort and connection, especially during times of isolation. #BethanLauraWood #HomeDesign #InteriorDesign #ColorfulInteriors #ArtDeco #DesignerHome #ContemporaryDesign #LondonDesign #ArtisticLiving