
3D-printed porcelain vases by olivier van herpt in blue and white
The 'blue and white' series of 3D-printed porcelain vases, created by designer Olivier van Herpt, was exhibited by Galerie VIVID at Design Miami/ Basel 2018. These vases, standing 70 cm tall, showcase an innovative approach to ceramic production through advanced 3D printing technology. Van Herpt developed a specialized 3D printer capable of extruding a hard clay body that maintains its structural integrity during the printing process, enabling the creation of exceptionally thin walls for the vases.
The inspiration for the 'blue and white' series stems from Holland's historical Delftware, also known as Delft Blue. Delftware was originally conceived as a more accessible alternative to the costly Chinese porcelain that was popular in Europe. Van Herpt reinterprets this tradition by merging it with contemporary manufacturing techniques. The vases are constructed layer by layer, with multiple fine strata of clay forming their intricate shapes. This method not only highlights the precision of 3D printing but also allows for unique textural qualities inherent in the layered material.
A distinctive feature of these vases is their blue pattern, which illustrates the collaborative relationship between human craftsmanship and machine automation. Before the clay body is fed into the extruder of the 3D printer, a cobalt pigment is meticulously applied by hand. As the 3D printer then reconstructs the vase, this hand-applied pigment is integrated into the printed layers, resulting in patterns that are influenced by both the initial manual application and the machine's precise movements. This interaction ensures that each vase, while mechanically produced, retains a unique, artisanal touch.
The development of the 3D printer itself was a significant undertaking by Olivier van Herpt, addressing the challenge of printing with materials like clay that traditionally require extensive manual shaping and support during formation. The ability of his machine to work with a self-supporting clay body allows for the production of larger and more delicate forms than typically achievable with standard ceramic 3D printing techniques. The resulting porcelain vases are not merely functional objects but also artistic expressions that explore the intersection of technology, design history, and craft.
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