pulpo + hermann august weizenenger finish ceramic vases with an iridescent sheen

Brussels-based artist Eléonore Joulin transforms everyday foods into a unique collection of ceramic home goods, including lamps and vases. Her work draws inspiration from various edibles, resulting in sculptural pieces that are both artistic and functional. For instance, she crafts a 'Cabbage House' by layering crinkled ceramic cabbage leaves to form a dwelling-like structure, and creates a 'Sausage' lamp by twisting a long ceramic sausage into a sculptural, worm-like form. Many of her creations are equipped with a bulb and cord, converting items like a wedge of blue cheese or a large pickle into functional lighting fixtures, demonstrating a playful approach to design. Joulin's creative process often begins with extensive experimentation with different metallic oxides and chemical compounds to achieve specific textures and colors. She notes that the combination of titanium and iron oxides, for example, produces a range of beige to brown tones, which inspired her exploration of bread-like textures. This meticulous research is crucial to her work, as she is currently focused on developing the perfect glaze to replicate the appearance of a French brioche in her ceramic pieces. Her artistic practice highlights the intersection of culinary aesthetics and ceramic craftsmanship. Beyond the 'Cabbage House' and 'Sausage' lamp, her collection features a 'Leek vase' designed to resemble a sliced leek, and a 'Morbier cheese' lamp that captures the distinctive blue pockets of the cheese. Another notable piece is the 'Big Pickle' lamp, which transforms a common condiment into an oversized, whimsical lighting element. These designs are a testament to Joulin's ability to infuse humor and unexpected beauty into functional household items, challenging conventional notions of art and utility. Eléonore Joulin's work will be featured in a group exhibition at La Corvée in Paris, opening on June 7. Her designs blend art, craft, and functional design, offering a fresh perspective on how everyday objects can be reinterpreted through ceramic artistry. Her approach not only creates visually engaging pieces but also invites viewers to consider the unexpected beauty and utility that can be found in common forms and materials. #ceramics #EleonoreJoulin #food #lamps #light #sculpture #homeDecor #ceramicArt #functionalArt

Ranieri's New Lava Range introduces a novel application and evolution of the glazed aesthetic within the design world, leveraging volcanic stone as its core material. The Campania-based company's innovative approach highlights the material's unique and varied composition through diverse cutting styles, glazes, effects, finishes, and colorings. Each piece of lava stone is a solidified expression of geological formation, characterized by surfaces rich in minerals, apertures, metallic shards, and matte fragments, offering inherent variations in shades, colors, textures, and mineral compositions that make it inherently distinct from other materials. Lava stone's versatility and strength provide a broader range of technical possibilities compared to traditional materials like marble and ceramic. This makes it suitable for a wide array of applications in both interior and outdoor design, including tiles, wall claddings, bar and kitchen countertops, outdoor furniture, bathtubs, sinks, reception desks, spa and wellness areas, and swimming pools, given its natural heat-retention properties. Ranieri's focus on enhancing the stone's inherent qualities marks a significant shift in its utilization, moving beyond ancient applications to contemporary design. The design studio's pioneering treatment of lava stone honors and amplifies its natural state, building upon the rich tradition of craftsmanship in the Campania region. By emphasizing the stone's heterogeneity and rich surfaces, Ranieri has developed a new aesthetic that renders lava an innovative and multipurpose design material. Originating from extreme heat, lava stone uniquely endures the high temperatures required for glaze application, enabling vibrant and diverse color effects. Ranieri's cutting techniques allow for the creation of sculptural, three-dimensional tiles and elements that can be thinly glazed. The brand offers a variety of glaze options, which, in addition to the stone's natural chromatic peculiarities, are transformative. These options include the 'Bare' variant, where the stone is carved but unmanipulated; translucent colorings; and tinted, smooth, and deep colorings. Tinted surfaces apply a sheer veil of color, accentuating the natural scintillations and clefts of the lava. Smooth colorings result in a highly polished, enameled finish with dynamic reflections and varied chromatic intensity, while deep colorings involve dense enamel application, achieving solid, profound, and intense hues unique to lava stone. By challenging conventional perceptions of lava stone—whether used in its raw form or completely covered by enamel—Ranieri’s methodologies introduce new design philosophies. These trailblazing techniques deliberately accentuate the nuances of the magma, recontextualizing and rejuvenating the material for contemporary design applications. #Ranieri #NewLavaRange #VolcanicStone #GlazedAesthetic #InteriorDesign #OutdoorDesign #MaterialInnovation #ArchitecturalMaterials #ItalianDesign

Drag And Drop, a Romanian design and manufacturing studio co-founded by Madalin Gheorghe and Dragos Sabareanu in 2019, is known for its innovative approach to design, merging advanced technology with artisanal techniques. The studio's ceramic collection showcases this philosophy by reimagining the function and aesthetics of everyday objects, specifically vases. The creation process leverages a large 3D-ceramic printer to produce intricate patterns, which are developed using sophisticated algorithmic modeling software. Throughout the design and manufacturing process, a strong emphasis is placed on sustainability, aesthetic appeal, and overall quality. The collection features five distinct vase designs, each drawing inspiration from natural patterns and traditional craftsmanship. The 'Intertwined' vase, for instance, is characterized by its organic, interwoven geometric pattern, reminiscent of growth structures found in tree bark and root systems. This unique design is achieved through 3D printing using 100% natural clay. While the interior of the Intertwined vase is hand-glazed, its exterior maintains a matte finish, a consistent characteristic across the entire ceramic collection. This contrast highlights the intricate textures created by the 3D printing process. Another design, 'Bulky,' is offered in three different sizes. This vase features a textile-like pattern that interacts with light throughout the day, creating varying visual effects. The design encourages tactile engagement, inviting individuals to explore its geometric forms and textures through touch. This interactive element adds another dimension to the appreciation of the piece, allowing for a more intimate connection with its design and material. The 'Ripple' vase demonstrates the studio's ability to translate complex mathematical formulae into aesthetically pleasing natural patterns. Its design mimics the visual effect of rippling liquid, such as the concentric circles formed when a stone is dropped into water. This piece exemplifies how technology can be used to replicate and enhance natural phenomena, creating objects that are both visually striking and conceptually rich. The wave-like pattern provides a sense of movement and fluidity, despite the static nature of the ceramic material. The 'Kilim' vase pays homage to the traditional tapestry-weaving methods employed in regions historically part of the Persian Empire. This design represents a contemporary reinterpretation of an ancient craft, demonstrating a harmonious blend of traditional artistry and modern industrial design. By translating the intricate patterns of kilim carpets into a 3D-printed ceramic form, the studio bridges the gap between historical techniques and cutting-edge manufacturing, creating a piece that is culturally resonant and technologically advanced. Finally, the 'Melting' vase directly incorporates its manufacturing process into its aesthetic. The design plays on the suppleness of wet clay during the layering process of 3D printing, creating the illusion of a soft object that appears to be melting. This visual effect is achieved despite the hard, finished ceramic product, creating an intriguing juxtaposition. The Melting vase challenges perceptions of material properties, making a rigid object appear fluid and malleable, highlighting the transformative potential of 3D printing in ceramic art. #3DPrinting #CeramicVases #NatureInspiredDesign #AlgorithmicModeling #SustainableDesign #HomeDecor #ModernCraftsmanship #DragAndDropDesign #InteriorDesign

The blog post, "Vibrant Vessels: Editor Favorites for Every Flower Preference," curated by Architectural Digest, presents a selection of unique and aesthetically pleasing vases designed to enhance any floral arrangement or stand alone as decorative pieces. The article emphasizes that the right vessel can be as impactful as the flowers it holds, showcasing a range of styles from hand-blown elegance to playfully eccentric designs. Each featured vase is highlighted for its distinct characteristics, offering diverse options for various home aesthetics and personal tastes. The collection includes the Murano Spring Olla Glass Vase from Abask, priced at $860, which exemplifies hand-blown craftsmanship. Another notable piece is the Konstantin Cache Pot by Carolina Irving & Daughters, available for $176, offering a more rustic or classical appeal. For those seeking a contemporary look, the Speckled Vase from Cabana, at $210, features a distinctive yellow splattered glaze, adding an artistic touch to any space. The article also showcases the Worley Vessel - Rising Dawn from The Future Perfect, which merges Murano glass artistry with a whimsical, "Candyland" aesthetic, creating a polished yet playful decor item. A significant discount is noted for the Soho House Carlotta Murano Vase from Soho Home, originally $1295 and now $645, making a luxurious item more accessible. The Ferm Living Verso Table Vase, available at Lulu and Georgia for $144, presents a versatile option with its unique form and texture. Further selections include the Wheaton Decorative Vase, also from Lulu and Georgia, priced at $414, which offers a more traditional yet sophisticated design. The Louise Roe Sophia Roe Glass Vase from Net-a-Porter, at $805, is presented as another elegant glass option. For minimalist and sculptural preferences, the Accordion Vase from Mociun, costing $135, stands out with its distinctive pleated design. More affordable options are also featured, such as the Hibiscus Bud Vase from Nordstrom for $74 and the Fairfax Vase from Serena & Lily, discounted to $50 from $78. The collection is rounded out with the Three Handled Jug from 1690, priced at $522, and the Delft Vase II from Memor, at $375, both offering classic and artistic styles. Lastly, the Bollenglass Hand-Blown Narrow Glass Vase from Abask, available for $134, is specifically recommended for displaying a single, dramatic flower. This vase, with its three-dimensional motifs and textured swirl, exemplifies the detailed craftsmanship highlighted throughout the article. The overall aim of the article is to guide readers in selecting vessels that not only serve their functional purpose but also significantly contribute to the aesthetic appeal of their living spaces, regardless of floral choice. #VibrantVessels #HomeDecor #VaseCollection #FloralArrangement #InteriorDesign #DecorativeObjects #HandBlownGlass #CeramicVases #LuxuryDecor

This article explores the growing trend of designer ceramics as significant style statements within contemporary homes, moving beyond their traditional role as mere containers for flowers. It highlights how a carefully selected vase serves as both a functional display for blooms, whether fresh, faux, or dried, and a decorative piece in its own right. The piece identifies prominent figures and brands that have influenced this shift. Anissa Kermiche is cited as a key influencer, whose viral designs, characterized by a witty and stylish interpretation of the female form, have gained significant traction on social media and attracted an A-list following, including celebrities like Gigi Hadid and Gwyneth Paltrow. The article also acknowledges the continued relevance of historic design houses such as the Italian brands Seletti and Fornasetti. Seletti's pop-art inspired pieces have achieved widespread popularity on Instagram due to their distinctive offerings, while Fornasetti's collection of whimsical pottery has garnered a new generation of admirers. Henry Holland, formerly a fashion designer, is also noted for his successful pivot to ceramics, creating a mood-boosting line of boldly striped vases and matching candlesticks following the closure of his fashion label in 2020. The article then curates a selection of vases catering to diverse tastes and aesthetics, ranging from irreverent, conversation-starting pieces suitable for a gallery setting to more minimalist vessels that emphasize natural materials. Glass designs in various hues are also featured. Among the specific recommendations is Anissa Kermiche's 'Love Handles' Ceramic Vase, praised for its versatility and signature design, ideal for styling with various botanicals or as a standalone piece. Henry Holland Studio's Green And White 'Profumo' Vase is highlighted for its distinctive silhouettes and ripple-like designs in a sophisticated color palette, reflecting the designer's ability to blend fashion and interior aesthetics. Jonathan Adler's 'Scala' Vase is presented as a classic investment piece, embodying the designer's eclectic style with gilded accents and a '60s glamour influence through its concentric, geometric patterns. The Ginori 1735 Ming Porcelain Vase is showcased for its luxurious Italian craftsmanship, featuring Ming-inspired blue florals on a leaf-green base, making it a beautiful piece that complements spring flowers. Astier de Villatte's Flower Pick Artichoke Vase is recommended for displaying single blooms in an artistic and whimsical manner, drawing inspiration from traditional tulipieres and employing artisanal ceramic production techniques dating back to the Middle Ages. La DoubleJ's 'Ciccio' Mini Striped Murano Glass Vase is noted as a vibrant, hand-blown Murano glass piece, perfect for small buds and evoking the colors of Italy. Fornasetti's Face-Print Vase, featuring the iconic face of opera singer Lina Cavalieri, is described as an eccentric and spotlight-stealing piece. Seletti’s 'Love In Bloom' vase, a literal interpretation of a heart-shaped vase with openings resembling arteries for single stems, is presented as a unique and decorative item. Finally, Georg Jensen's 'Bloom Botanica' Vase, a polished stainless-steel piece inspired by sculptural floral works, and Liang & Eimil's 'Pokal' Vase, a vibrant, reeded glass design inspired by Venetian glasswork, are included for their distinctive appeal. #VaseDesign #HomeDecor #DesignerHomeware #CeramicArt #InteriorStyle #LuxuryVases #HomeAccessories #ContemporaryDesign #DecorativeVases

Pani Jurek's BARVA VASES collection redefines the traditional vase by transforming it into a three-dimensional artistic expression. This collection, rooted in the Polish word "barwa" meaning color, celebrates color not merely as a physical property but as a conduit for subjective emotions, much like a painter's brushstrokes. The vases are characterized by their vibrant color spots, wavy lines, and tactile textures that mimic the direct application of paint. The BARVA VASES distinguish themselves through their innovative design, featuring four distinct flat geometric shapes that allow for endless arrangement possibilities. This modularity empowers users to engage in a creative process, crafting abstract compositions that can evolve based on personal preference or the surrounding environment. The design deliberately merges the structured world of geometric forms with the organic, fluid beauty of botanical elements, creating a harmonious interplay between manufactured design and nature. The collection emphasizes the visual impact of color, offering a limited series that serves as a captivating focal point in any setting. Each vase is conceived as a piece of art in its own right, capable of enhancing a space even without floral arrangements. When grouped, they form dynamic and eye-catching abstract installations, inviting viewers to explore the interplay of shapes and colors. The versatility extends to their display options, as the vases come equipped with designated hangers, enabling them to be mounted on walls. This feature allows for the creation of unique decorative reliefs, transforming a two-dimensional surface into a three-dimensional art display. Magda Jurek, the designer behind Pani Jurek, showcases a philosophy that blurs the lines between functional design and fine art. The BARVA VASES exemplify this approach by being both practical containers for flowers and standalone sculptural pieces. The entire collection reflects a modern aesthetic that values experimentation, personal expression, and the integration of art into daily living spaces. The photographic documentation, primarily by Ernest Winczyk and Macie J Miloch, captures the essence of these vases, highlighting their vibrant colors, intricate textures, and the diverse ways they can be styled and displayed to create visually stimulating environments. #PaniJurek #BARVAVases #GeometricDesign #VibrantColors #HomeDecor #CeramicArt #InteriorDesign #AbstractForms #ModularDesign

Glassware, traditionally considered a practical and often overlooked category in home decor, is undergoing a significant transformation, moving beyond its functional role on dining tables to become a prominent decorative element throughout the home. This shift is driven by a new wave of designers and brands, including homeware brands like LaDoubleJ, as well as fashion and jewellery brands such as Jil Sander and Sophie Bille Brahe, which are introducing creative and aesthetically driven glassware. These brands are infusing the category with unique designs, vibrant colours, and sophisticated details, elevating glassware from a mundane item to a stylish accent. Historically, everyday glassware like cups, wine glasses, and carafes did not prioritize cutting-edge design. However, contemporary designers are now pushing boundaries, creating pieces that serve as versatile decorative items. Emily Wong, Senior Vice-President of Merchandising at Lane Crawford, emphasizes that decorative glassware's appeal lies in its ability to reflect light, its versatility, and its capacity to instantly add a modern and elegant vibe to any interior. She notes that it's an easy way to introduce pops of colour, diverse textures, and finishes, fostering a sophisticated yet approachable atmosphere. Furthermore, there's a growing emphasis on personalizing spaces with unique, artisanal pieces. The allure of modern glassware is also rooted in the intricate techniques and high level of skill required for its creation, akin to luxury handbags. Handblown Murano glass, for instance, exemplifies this craftsmanship. Originating from an island near Venice, Murano glass has a rich, centuries-old history, with expert techniques passed down through generations. These traditional methods are now evolving to incorporate new styles and trends, attracting a new generation of collectors and enthusiasts. Martina Mondadori, founder of Cabana, highlights the constant desire among Murano glassblowers to innovate while respecting traditional craftsmanship. Technical advancements have further fueled new trends in glassware, particularly concerning colours, finishes, and textures. Vibrantly coloured glassware has become a staple in tablescapes, allowing homeowners to express their personality. Examples include Saint-Louis’ Les Endiablés collection, known for its bold bi-coloured crystal and significant waitlist, and Cabana’s balloton glasses, which feature mesmerizing hues ranging from vivid jewel tones to soft pastels. This evolution indicates a broader trend where functional home items are increasingly becoming integral components of interior design, reflecting personal style and aesthetic sensibilities. #GlasswareDesign #HomeDecorTrends #DecorativeAccents #MuranoGlass #ArtisanalCraftsmanship #InteriorDesign #LuxuryHomeware #TablewareInnovation #ColorfulGlassware

Alison Owen, a Brooklyn-based artist, creates ceramics that are characterized by their delicate yet unfussy aesthetic, relaxed yet engaging nature, and colorful yet understated appeal. Her pieces are designed to be displayed as works of art, even when not serving their primary function. Owen's artistic influences are diverse, drawing inspiration from antique art books, ancient Greek vases found at the Met, domestic interior paintings by artists like Morandi and Bonnard, and even the architectural surroundings of her own neighborhood. She also repurposes materials, referring to it as 'cannibalizing' cutups and leftovers from previous projects, demonstrating a sustainable and resourceful approach to her craft. A notable instance of this was her discovery of 1970s home-decorating books, which she later incorporated into her collages. Beyond ceramics, Owen engages in various artistic endeavors, including installations and curatorial projects. She is known for soliciting submissions and collecting fragments from other artists' work, such as studio drop cloths, leftover fabrics, and scraps from student projects, giving these discarded materials a new artistic life. Much of her practice is community-oriented, as evidenced by her 30-day challenges. In these challenges, she sends out prompts, often drawing from oblique strategies or simple phrases, and then catalogues the artistic responses on her blog, effectively creating a digital art exhibition. This approach highlights her belief in the fluid interrelationship between different artistic mediums and how they inform her diverse practices. Recently, Owen embarked on a personal project to create at least one vase a day for an entire year. The rules for this commitment are flexible, allowing her to explore various mediums beyond traditional 3D clay vessels. She creates 2D painted vases, fabric cutouts in the shape of vases, and collages that resemble vases. The core requirement remains that the creation must be a vase. Owen explains that this daily practice serves as a reminder that she does have time for art in her life, despite potential feelings of busyness. She also finds that the imposed constraints often lead to more interesting artistic outcomes. Her vases from the first half of this year-long project are currently being exhibited and are available for purchase at Greenpoint Hill in Brooklyn. Owen plans to continue this daily vase-making project until December 31, and her progress can be followed on her Instagram account. The article highlights Owen's multifaceted approach to art, blending traditional craftsmanship with contemporary, community-focused and mixed-media practices, all while demonstrating a consistent commitment to her artistic vision. #AlisonOwen #CeramicVases #BrooklynArtist #ArtisticInspiration #CommunityArt #DailyArtProject #MixedMedia #HomeDecor #ArtExhibition

The annual 1000 Vases exhibition in Paris, founded in 2018 by Francesco Pirrello, celebrates the vase not merely as a container for flowers, but as a standalone object of art. Pirrello's vision for the exhibition prioritizes unique pieces from independent and emerging artists, asserting that a truly good vase does not require flowers to demonstrate its aesthetic merit. This perspective was inspired by his friend Roberto Baciocchi, an Italian architect and avid vase collector. Initially conceived to feature a large quantity of works, symbolizing abundance and diversity much like the '1000-sheet' delicacy of mille-feuille or the fables of 1001 Arabian Nights, the exhibition ultimately adopted a 'less is more' approach, showcasing around 100 items. This adjustment aimed to allow visitors to appreciate each piece individually and engage with the artists. Pirrello observes that contemporary vase-making trends show a predominance of women artists and a preference for ceramic materials, noting that vases are accessible, affordable, and easily incorporated into any space, referring to them as "democratic objects." This year's 1000 Vases exhibition, running during Paris Design Week until September 8, highlights the works of eight participating artists, each bringing a distinct perspective and technique to the art of vase creation. Chous Ceramics, a duo from Sparta, Greece, presents hand-built sculptures that explore balance and tension, drawing inspiration from nature and Greek ceramic history. Their predominantly beige vases are characterized by voluminous bases and open, elegant rims. Belgium-based artist Dietmar Michiels, born in 1988, works with ceramic sculpture, employing coiling, plating, and throwing techniques with porcelain and glaze to create imaginative, creature-like pieces often accompanied by conversational titles. His work draws from everyday inner experiences, the mystical, historical art, the occult, and various cultural identities. Hellen Song, an artist from Shanghai now based in Toronto, uses ceramic vessels to delve into themes of the human condition, philosophy, and nature, often influenced by the supernatural and Impressionistic mark-making. Her exhibited stoneware vessel, with its blue and white tones, evokes a seascape, representing a range of emotions through the metaphor of water bodies. The collaboration between French artist Coco Brun and Mexico City-based Sten Studio yields the 'Mistico' vase, a geometric, multi-colored piece made from red travertine, Venetian marble, and pink onyx. This work pays homage to Meso-American culture, with each color carrying symbolic meaning related to rituals, fertility, and the balance of masculine and feminine energies, inspired by Meso-American architecture. Norwegian artist Karin Amdal presents 'Pluss', a pair of smooth, round terracotta pots designed to form a 'plus' sign when combined, showcasing her style of creating simple yet characterful pieces that often incorporate extensions or words. Amdal's inspiration stems from nature and everyday life, with her pieces designed to be open to interpretation and evoke a smile. Magdalena Zarychta, a multidisciplinary Polish artist specializing in decorative and stained glass, showcases her (COM)PRESSION vase. This hot-formed, blown glass object is hand-shaped, embossed, and features botanical markings, symbolizing traces of the past akin to fossils. Istanbul-based artist Sara Montazeri's coral reef-like artwork, crafted from stoneware clay, pays tribute to the 13th-century Sufi poet Rumi, incorporating his words "You are my soul and my world" in gold Farsi script, blending tradition with modern organic design. Finally, New York City-based writer and artist Emily Tate Moreu, inspired by ancient Greek pottery, creates minimalist, thoughtful pieces that explore the philosophies of form and human interaction, including greige vessels, abstract sculptures, and a stoneware candelabra. #VaseExhibition #ArtisticVases #CeramicArt #IndependentArtists #ParisDesignWeek #ContemporaryDesign #HomeDecor #SculpturalVases #DesignTrends

The art of glassblowing, once considered a craft material, has experienced a resurgence in the design world, captivating a broader audience and establishing itself as a significant frontier in contemporary design. This renewed interest is evident in various high-profile showcases, including Bradley Bowers’s large-scale Fiosa vase at Dolce & Gabbana’s Salone de Mobile exhibit, a new record-setting hand-blown glass bottle at the Museum of American Glass, and the popularity of the Netflix series "Blown Away." This growing fascination highlights a consumer demand for innovative and unique designs. Designers and artisans are pushing the boundaries of traditional glassblowing techniques, creating pieces that are both functional and artistic. This article features six such artists whose work exemplifies this innovative spirit. Ursula Futura, based in Vienna, crafts sculptural Eclipse Vases with elegant carved windows. These mouth-blown vases showcase an interplay of light and varied hues, drawing inspiration from nature, science, and moments of wonder. The studio aims to evoke joy and curiosity through its designs. Another featured collaboration brings together film producer Rebecca Marks and Venetian glass designer Paola Petrobelli, resulting in the Verdi II and Ambra Murano Portable lamps. These miniature, cordless, rechargeable, and water-resistant lamps come in seven colors and feature Murano glass with distinct gems at their core, providing a striking contrast against their colorful outer shades. These portable lights offer both practicality and aesthetic appeal. Seattle-based glass artist John Hogan presents his latest collection, "Menagerie," for the Future Perfect gallery. This collection comprises 105 palm-sized glass objects, emphasizing that impactful design doesn't always require large scale. Hogan's technique involves working with glass in its cold state, resulting in a vibrant and refreshing interpretation of the ancient art form. The Kaanch Glass Series Vessel I is a product of a collaboration between Guatemalan-based Diego Olivero Studio and artisans in New Delhi. The series, whose name "Kaanch" means "glass" in Hindi, includes 11 abstract, colorful vessels and lights. These pieces feature playful shapes welded onto clear borosilicate glass surfaces, known for its resistance to temperature changes, making them both durable and visually appealing. Sticky Glass, a Brooklyn-based design company, showcases its lighting collection, including Bubble Pendants and Mingling Lamps. Each piece is hand-blown, highlighting the fluid nature of glass through its bubble formations, and finished with a custom brass base for a modern touch. The company affectionately calls these "lights that hug," reflecting a current trend toward "blobby" and organic forms in design. Finally, designer Laura Kramer’s Marie vessel, displayed at the Heller Gallery, draws inspiration from natural scenes like barnacles on a boat hull. Her work aims to explore the "hybridity of made and natural materials," questioning traditional classifications and delving into liminal spaces between categories. These pieces exemplify how art can not only mimic nature but also enhance and reinterpret its perceived imperfections. Collectively, these artists demonstrate a commitment to innovation, artistry, and the continuous evolution of glass as a medium in the design world. Their works range from functional lamps to sculptural vases, all united by their exceptional craftsmanship and ability to transform molten glass into captivating objects that resonate with contemporary aesthetic sensibilities. #Glassblowing #HomeAccessories #ContemporaryDesign #ArtisanCraftsmanship #InteriorDecor #MuranoGlass #LightingDesign #SculpturalVases

Piaule, an online-only brand focused on homewares, has launched its fourth collection, “Vessels,” featuring a large ceramic bowl and a vase crafted from 100% porcelain. This release comes approximately a year after their previous product, a set of hardened fine crystal glasses, highlighting the brand's unhurried and meticulous production process. The new "Vessels" collection continues Piaule's collaboration with the same ceramicist responsible for their earlier porcelain tableware set, which includes a ceramic bowl and plate. The large bowl, priced at $60, is presented as ideal for the soup season, while the vase, costing $90, is designed with versatility in mind, capable of functioning as a pitcher. A notable design element is the invisible symmetry between the two pieces: the bowl's width precisely matches the vase's height. Both items are entirely made in America. Nolan McHugh, the founder of Piaule, emphasized the brand's deliberate approach to product development, stating that he and his partner, Trevor, are highly selective and refuse to compromise on quality for the sake of releasing new items quickly. This philosophy explains the significant time gaps between product launches. McHugh noted that numerous designs and prototypes have been tried, tested, and subsequently rejected over the past year, with many others still in development. The brand's commitment to beauty, usefulness, and durability is paramount, ensuring that no product is released until it meets these stringent criteria. One example of Piaule's extensive testing process is their work on bedsheets, a product McHugh considers a logical extension for the brand. Despite two years of development and approximately 50 different samples, the bedsheets are still not ready for release. The testing involves real-world usage over long periods—at least eight hours a night—followed by assessment of their resilience after multiple washes. McHugh clarified that such thorough testing cannot be expedited, reflecting Piaule's dedication to quality over speed. He further explained that while there are easier ways to expand their product catalog, finding items they genuinely believe in and that meet their standards takes considerable time and effort. Beyond product quality, Piaule also considers the broader implications of consumption. McHugh stated that the brand aims to avoid contributing to waste unless a product is genuinely necessary. This involves exploring recycling, reusing materials, and alternative production methods before proceeding with any new item. The outcome of this thoughtful approach is a curated, slowly expanding catalog of products that the founders themselves love and use daily, with the hope that customers will share the same appreciation and find lasting value in them. The images accompanying the article are provided courtesy of Piaule, showcasing the minimalist aesthetic of the new ceramic vessels. #Piaule #CeramicVessels #MinimalistDesign #Homewares #Porcelain #MadeInUSA #Handmade #SustainableDesign #HomeDecor

This article highlights an iridescent glass vase from Oliver Bonas as a noteworthy decorative item. The vase is presented as a versatile home accessory, suitable for displaying flowers or serving as a standalone decorative piece. It is available in two sizes and features a rounded shape, crafted from mouth-blown blue glass. A distinctive aspect of the vase's design is its iridescent finish, which transitions from an ocean-toned, textured crackle effect at the bottom to a petrol-effect rainbow finish towards the top. This combination of textures and colors is noted for its visual appeal. The article emphasizes the positive reception of the vase, citing five-star ratings and customer reviews that commend its appearance and quality. One customer's feedback describes the vase as a 'really lovely surprise,' exceeding expectations with its colors and overall impression. Another review highlights its suitability as a wedding present, praising its beautiful colors and effectiveness as a decorative item even without floral arrangements. The product's popularity is attributed to its aesthetic qualities, which are described as stunning and stylish, despite iridescent finishes not always being perceived as such. The vase is presented within the broader context of home decoration, where vases are considered essential for either holding blooms or enhancing interior aesthetics. The author suggests that one can never possess too many vases, implying their utility and decorative value. Pricing information is provided, with the small size retailing for £32 and the large size for £36. The article also includes a brief section titled 'The lust list: Iridescent vases,' which further contextualizes the trend of iridescent homeware, although no other specific products are detailed within this list. Published in September 2018 by Olivia Heath, the daily editor at House Beautiful, the article aligns with the publication's focus on home decor and interior styling. Heath's editorial background, which includes covering design trends, decorating tips, and homeware, reinforces the article's authority within the domain of home aesthetics. The piece functions as a product feature, aiming to draw readers' attention to a specific item from Oliver Bonas that has garnered positive attention and fits current decorative trends. #OliverBonas #IridescentVase #HomeDecor #GlassVase #DecorativeAccessory #InteriorStyling #Homeware #ProductReview

The article showcases nine unique and artistic vessels that transcend the traditional function of a vase, emphasizing their value as standalone art pieces. It highlights how contemporary designers are pushing boundaries in material use and form, blending age-old craftsmanship with innovative techniques. Each featured vessel demonstrates a distinct approach to design, ranging from intricate glasswork to reinterpreted ceramics and sculpted stone. One example is the "Baba Yaga Kiln-Cast Crystal Vessel" by Carol Milne, which employs a labor-intensive knitted glass technique. This process involves creating a plaster mold, casting glass, and meticulously chipping away the mold to reveal an intricate, unique structure, drawing inspiration from Slavic folklore. Similarly, Jolie Ngo’s "Flatpack in Dazzle Camo Glazed Ceramic Vessel" reimagines ancient ceramics through a modern lens, utilizing 3D printing and a vibrant, undulating ombré pattern. Ngo cites digital landscapes like Minecraft and The Sims as her creative influences, resulting in a vessel that feels both familiar and distinctly contemporary. Heami Lee's "Oval and Round Bud Vases in Silver-Coated Porcelain" demonstrate a transformative process where unglazed porcelain is fired and then coated multiple times in silver to achieve a metallic finish. These pieces are designed to develop a beautiful patina over time, embodying timeless elegance. Rafi Ajl’s "Yellow Slump Slatted Saguaro Glass Vessel" showcases a fresh take on glassware, with cherry wood slats creating a textured, surreal, and slouchy form. Ajl's work aims to challenge conventional perceptions of glass, giving it a unique character. Matthew Fisher's "Elegy Vessel in Calacatta Paonazzo Marble" presents a monumental object sculpted from exquisite Calacatta marble, allowing the stone's inherent shimmering nuances to be fully appreciated at its grand scale. Norman Teague's "Extruded Vessel #23" redefines the use of plastic, transforming this commonly discarded material into a unique vessel. Teague's design, inspired by traditional basket-weaving, encourages a reevaluation of how single-use materials can be repurposed and reimagined. Jeremy Maxwell Wintrebert’s "Spirit Fruit Glass Vessel" exemplifies dramatic glasswork. These pieces are created by blowing glass into a sphere that is then deliberately collapsed, resulting in a distinct “ripped open” aesthetic. This series is a re-edition of Wintrebert's earlier works, now available through Holly Hunt. Another piece from Rafi Ajl's Saguaro collection, the "Burnt Yellow Glass Vessel," embodies its prickly inspiration with ridges, bumps, and an organic, lilting form reminiscent of a gold-encased cactus. Finally, Milne's "Whirlwind Kiln-Cast Crystal Vessel" further explores her glass techniques, specifically "knotted glass," which allows for more fluid and swirling forms compared to her earlier knitted glass pieces. These examples collectively highlight how functional objects can double as striking artistic statements in contemporary home decor. #DesignerVases #HomeDecor #ArtisticVessels #ContemporaryDesign #GlassArt #CeramicArt #MarbleSculpture #SustainableDesign #InteriorAccents

This article details the origin story of the 'Vaso Bianco' (White Vase) by Michele De Lucchi, which became the foundational product for his company, Produzione Privata. The narrative begins with De Lucchi's strong interest in ceramics, cultivated during his involvement with the Memphis Group in the 1980s, a movement renowned for its radical, postmodernist design approach. After the dissolution of the Memphis Group, a period that left De Lucchi creatively unmoored despite ongoing corporate work, he sought an outlet for unconstrained experimentation. This led him to design the 'Vaso Bianco' around 1990, a product born from a personal passion for ceramics rather than commercial demands. This vase marked a significant departure from Memphis aesthetics, which typically featured provocative shapes, bright colors, and repeating patterns. In stark contrast, the 'Vaso Bianco' is entirely white, composed solely of curves, and reflects a focus on shape, material, and specificity, as described by De Lucchi himself. This shift was intentional, moving away from the mass appeal that had, ironically, led to the Memphis Group's closure due to a perceived lack of continued experimentation. Produzione Privata, meaning 'Private Production,' was established to repudiate commercial success and large-scale manufacturing, allowing De Lucchi to embrace an artisan's role. This enabled a continuous process of creative exploration without commercial limitations. The article highlights De Lucchi's deep connection to the material, emphasizing that the white of the vase is not merely a color but a specific and magnificent material that varies from clay to clay and baking to baking. The founding philosophy of Produzione Privata—'Cultivating experimentation and encouraging craftsmanship'—is directly rooted in the creation of the 'Vaso Bianco.' The article also elaborates on the meticulous craftsmanship involved in producing the 'Vaso Bianco.' It describes the multi-stage process, starting with the creation of a 'mother shape' through lathing, which serves as a prototype based on De Lucchi's designs. This 'mother shape' is then used to create a plaster mold into which semi-liquid clay is poured. After drying and careful removal from the mold, imperfections are meticulously scraped away by hand. The vase undergoes a first high-temperature baking, turning it into terracotta, followed by glazing and a second, even hotter firing to achieve its characteristic glassy white finish. The story continues with the introduction of the 'Vaso Nero' (Black Vase) 14 years later, in 2004. De Lucchi recognized the inherent duality, akin to yin and yang, that necessitated a dark counterpart to the white. The article explores the intriguing interplay of black and white, noting that while black is scientifically the absence of light, a glossy black vase paradoxically holds a bright light and reflects the environment, whereas white, representing all visible light, reflects the colors around it. The 'Vaso Nero' is presented as a valuable companion to its 'twin brother,' drawing a parallel to Michele De Lucchi's own identical twin brother, Ottorino De Lucchi. Ottorino, also an artist, is featured for his realistic painting of the 'Vaso Bianco' that appears black due to artistic interpretation. Michele De Lucchi's quote further emphasizes the unique elegance and characteristic shades of both the white and glossy black ceramics. Finally, the article showcases various illustrations of both the 'Vaso Bianco' and 'Vaso Nero' in different settings, emphasizing their ability to enhance any environment, either as standalone pieces or adorned with flowers and leaves, highlighting their aesthetic versatility and timeless appeal. #MicheleDeLucchi #ProduzionePrivata #VasoBianco #VasoNero #CeramicDesign #MemphisGroup #PostmodernDesign #ArtisanCraftsmanship #DesignHistory

The David Gill Gallery is currently hosting an exhibition titled 'Vases and Vessels', showcasing approximately 50 contemporary vases and vessels crafted by both established and emerging glass and ceramics artists. Most of the pieces were specially commissioned for the exhibition within the last six months, offering a fresh and diverse look at the current state of contemporary decorative arts. The exhibition, curated by journalist Gianluca Longo, highlights the evolving role of vases beyond mere functionality, positioning them as sculptural and versatile art forms capable of transforming an interior space. Gianluca Longo, known for his work with *W* and *Cabana* magazines, expresses a long-standing fascination with vases, particularly decorative ones, appreciating their dual capacity for aesthetic appeal and practical use. He notes their sculptural qualities and their ability to adapt significantly depending on the floral arrangements chosen. Longo's curation emphasizes 'craftsmanship and the handmade,' reflecting an instinctive selection process guided by a desire for strong decorative elements and a diversity of artistic styles. The exhibition features a wide array of influences, materials, and styles from various artists across the globe. Among the featured artists are Domitilla Harding, whose translucent glass vessels evoke deep-sea creatures, and Cody Hoyt, known for his intricate geometric vases made from inlaid hand-colored clay. Other notable artists include Kate Malone, Beth Katleman, Tommaso Corvi-Mora, Tancredi di Carcaci, Tino Seubert, Felicity Aylieff, Lena Peters, and Marcantonio Brandolini d’Adda. Longo specifically commissioned several pieces, such as Kate Malone’s ‘Monumental Fennel’, Tino Seubert’s terrazzo ‘Heptagon Rosa Perlino’, and Lena Peter’s ‘Owl’, the latter discovered by Longo at Central Saint Martins’ final degree show. The curator highlights emerging talents like Tancredi di Carcaci, a student from Edinburgh whose work reflects southern European baroque influences. Beth Katleman’s 'Vase with Cherubs' is described as adding a 'cheeky moment' to the exhibition and is expected to be a surprise for many, given her relatively lower recognition in the UK compared to New York. Longo expresses his belief in a growing interest in decorative arts, hoping the exhibition will underscore this trend through the unique vases and vessels on display. Francis Sultana, CEO of David Gill Gallery, prior to the opening, anticipated the exhibition would be a vibrant showcase, given Longo’s particular interest in glass and Venetian majolica vases. Sultana believed the exhibition would bring renewed attention to this ancient art form through the works of highly talented contemporary artists. This exhibition follows Longo’s previous success with ‘Young Bright Things’, an exhibition that spotlighted rising stars in fashion, art, and design. 'Vases and Vessels' is open for public viewing until 5 December at the David Gill Gallery, located at 2-4 King Street, London SW1Y 6QP. #VasesAndVessels #ContemporaryArt #DavidGillGallery #DecorativeArts #GlassDesign #Ceramics #GianlucaLongo #Craftsmanship #LondonExhibition