How modern designers are transforming glassware with creative touches

The article highlights six new collections that showcase the enduring appeal and versatility of glass in contemporary design. These works demonstrate designers' fascination with the fragile material, utilizing rigorous techniques to create both decorative and functional pieces. The featured collections primarily come from emerging designers who are challenging and elevating traditional glassmaking practices. One of the highlighted collections is Agmes Anniversary, a collaboration between jewelry brand Agmes and glass artist Anthony Bianco of Bianco Light & Space. This collection marks Agmes's sixth anniversary and includes an organically shaped handblown bud vase and a textured small dish, available in various colors, alongside personal accessories that revisit an earlier glass jewelry line. Another notable collection is PhilaTerra, a charitable initiative by Colony, a New York City-based cooperative design gallery, creative firm, and studio, in collaboration with artist Deborah Czeresko. Czeresko, a winner of Netflix's 'Blown Away,' produced a limited edition of 100 glass vases, some colorless and others vibrantly hued, designed by Colony founder Jean Lin. Proceeds from the PhilaTerra collection support the Environmental Defense Fund and the Rainforest Foundation US. Heath Ceramics, known for its experimental and collaborative approach beyond clay, partnered with glassblower Cedric Mitchell for a new collection. Mitchell, based in Los Angeles, created a series of elegant bottles and vases with subtle Memphis influences, as well as jewel-toned cocktail stirring glasses and tumblers. Mitchell is also an instructor and a team member of Crafting the Future, a nonprofit that funds young talent for craft school experiences to promote diversity in the field. Sophie Lou Jacobsen, a sustainably-minded glassware designer, introduced her "Asking for a Friend" collection at Assembly Line in Brooklyn. This collection, on display through July 1, features Jacobsen’s distinctive silhouetted works, which were produced at Keep Brooklyn’s studio. The "Vetro Alga" exhibition by multidisciplinary designer Dana Arbib, curated by Alex Tieghi-Walker’s Tiwa Select, was showcased during New York Design Week at Galerie Michael Bargo. Arbib's work explores her Libyan heritage through glass, collaborating with Venetian artisans to honor Venice's rich glassblowing history. The collection, whose name means "seaweed glass" in Italian, draws inspiration from her distant relative Salvatore Arbib, a prominent Venetian glassblower from the early 20th century, resulting in textured vessels and bowls made in Murano. Finally, Swedish artist Annika Jarring's Line vase is recognized for the Loewe Foundation Craft Prize. Jarring’s innovative technique involves shaping 392 small glass elements with silicone to create an architectural vessel. Inspired by the ornamental jade pieces of ancient Chinese burial suits, this sculptural piece is one of 30 works shortlisted for the prize and will be exhibited at the Seoul Museum of Craft Art. #GlassDesign #HomeDecor #ContemporaryGlassware #DesignCollections #EmergingDesigners #ArtisanCraftsmanship #InteriorDesignTrends #CharitableDesign #GlassArt

Glassware, historically considered less significant than ceramics, is experiencing a resurgence in popularity, driven by a renewed appreciation for its aesthetic and historical value. Collector Mark Hill notes the puzzling disparity in value and scholarly attention between glass and ceramics, despite glass's enduring appeal. Mid-century glassware, particularly pieces from Murano, Sweden, Finland, Denmark, the UK, the US, and Czechoslovakia, remains highly sought after. This era showcased a wide range of styles, from Murano's elaborate, kaleidoscopic designs using ancient techniques like murrine to the modernist simplicity and nature-inspired colors favored by Finnish designers such as Alvar and Aino Aalto with their iconic Savoy vase, and Timo Sarpaneva's textured Finlandia glassware. These designers often influenced each other, with British designers like Geoffrey Baxter drawing inspiration from Scandinavian aesthetics, incorporating natural textures into his designs. The international studio-glass movement, initiated in the 1960s by American artists like Harvey Littleton, democratized glassmaking by enabling individual artists to produce pieces in smaller furnaces, leading to more expressive works. Contemporary homeware brands are now channeling this mid-century aesthetic, exemplified by Danish brand Hay's Splash vase, which utilizes techniques like rolling molten glass over colored fragments. While the visual appeal of glass is a significant draw, current trends also reflect an interest in authentic craftsmanship, a sentiment highlighted by the Netflix series "Blown Away," which showcased the skill and drama of glassblowing. This show also brought attention to the increasing number of women entering the previously male-dominated field of glassmaking. Modern glass artists, such as Deborah Czeresko, the winner of "Blown Away," are also using their craft to explore conceptual and political themes, addressing issues like feminism and environmentalism through installations. Designers like Erwan and Ronan Bouroullec experiment with glass for architectural and conceptual pieces, while artists like Jochen Holz utilize techniques like lamp-working to create unique, asymmetrical glassware in vibrant hues. The industry is also evolving to incorporate more environmentally friendly practices. Manufacturers such as Japanese brand Sugahara and H&M Home are developing ranges from recycled glass and employing energy-saving production methods. British artist Allister Malcolm uses waste lead crystal, reuses offcuts, and powers his studio with solar panels. The "market for craft" report indicates a significant increase in the value of sales for individual glass pieces in England. Emerging trends include the growing popularity of colored glass, as observed by Turkish brand Nude, and a movement towards mismatched sets in tableware, offering greater freedom in design and color, as noted by SCP owner Sheridan Coakley. Technological advancements like 3D printing are enabling more intricate designs, while traditional handcrafted methods, such as lost-wax casting, remain vital for artists like Angela Jarman, ensuring the continued evolution and appreciation of glamorous glassware. #GlasswareDesign #MidCenturyModern #ArtGlass #HomewareTrends #SustainableDesign #Glassblowing #Craftsmanship #InteriorDecoration #NordicDesign

This article highlights various innovative design pieces from global makers, showcasing a blend of traditional craftsmanship and contemporary materials. The featured designers and studios, hailing from locations such as Brooklyn, Copenhagen, and Ukraine, emphasize unique artistic visions and sustainable practices in their creations. Each piece is a testament to meticulous design and material exploration, ranging from intricate glass sculptures to furniture made from reclaimed materials. The article begins by introducing Reevein Studios, specifically Sara Rosa Oppermann and Alice Soro Cilliara, who create mouth-blown glass sculptures. Their 'Spora' sculpture, available in amber and electric blue, demonstrates the artistic manipulation of glass into fluid forms. Following this, Djivan Schapira's 'Divergent' foyer and low tables are presented, characterized by resin inlaid with bronze wire, offering a modern aesthetic with intricate detailing. Kateryna Sokolova's 'Flock' chair for Noom, featuring an upholstered injection-molded soft-foam body and stained-ash feet, illustrates a combination of comfort and sculptural form. Faina's Victoria Yakusha contributes the 'Sontsehryv' sculpture, which stands out for its sustainable composition. This piece is crafted from Ztista, a proprietary blend of cellulose, clay, flax fiber, wood chips, and biopolymer, reflecting a commitment to eco-conscious design. Streicher Goods, led by Ethan Streicher, showcases a collection of lamps—Archie, Ping Pong, and Drum—fabricated using various stoneware clays, underglazes, mid-range glazes, and sometimes blown glass or 3D-printing processes. These lamps explore diverse material combinations and manufacturing techniques. Mansi Shah of Manu Nanu presents an interlocking vase made of hand-blown borosilicate glass in amber and cobalt-blue, demonstrating a sophisticated approach to color and form in glasswork. Nathan Litera's side table combines natural rope and grand antique marble, offering a textural and material contrast that evokes both rustic and luxurious sensibilities. Astraeus Clarke, by Chelsie and Jacob Starley, features the 'Lenox Small' three-globe light, available in wall sconce and chandelier formats, constructed from powder-coated steel, brass, and glass, indicating a versatile lighting solution. Eduardo Rivas of ERM Studio contributes the 'Materia Digital' cast-aluminum coffee table with a glass top, showcasing a blend of industrial materials with a refined finish. Kiki Goti's 'Belted and Buttoned Up' wall lights, made from aluminum, polished nickel, and steel, exemplify a contemporary and structured lighting design. Feyza Kemahlioglu of Feyz Studio, through Wexler Gallery, introduces the 'Glowing Sentiments' lighting collection, which incorporates hand-blown Murrine glass, brass chain, and Meerschaum, a hand-carved clay mineral, highlighting intricate details and unique material sourcing. Ciara Jade Dockery’s 'Creature Comforts' collection includes a Flokati wool pouf, a Mohair bench crafted from vintage rugs, and a Ply occasional table made of FSC-certified plywood. These pieces emphasize comfort, sustainability, and the repurposing of materials. Matt McKay presents the 'Jib' shearling and lacquer stool, the 'Ahoo' cashmere-upholstered lounge chair, and the 'Cap' resin and lacquer coffee table, all demonstrating a focus on tactile luxury and modern forms. Finally, Michelle McLaughlin of Calyer Ceramics features the 'Sprig' floor lamp, which features a ceramic stoneware base with a handmade glaze and a linen shade, showcasing a handcrafted approach to lighting. #MaterialInnovation #ProductDesign #SustainableDesign #Handcrafted #Ceramics #GlassArt #FurnitureDesign #LightingDesign #InteriorDecor

This blog post compiles recent articles and projects from Designboom focusing on the application of glass in art, architecture, and design. The collection highlights the versatility and aesthetic potential of glass, ranging from large-scale public installations to architectural facades and interior elements. The articles showcase how artists and designers are pushing the boundaries of traditional glass use, incorporating it into innovative structures and artistic expressions. Key examples include a luminous forest in Hanoi composed of mirroring steel branches, demonstrating glass's role in creating immersive public art. Another project features an 'invisible Tokyo bar' that utilizes heated, transparent acrylic glass panels to distort reality, illustrating glass's capacity for experiential design. Architecture projects frequently employ glass for facades, as seen in Selgascano's transparent seaside café in China with three parallel glass volumes, and Cossement Cardoso's Helsinki museum concept, which features a textured glass skin forming a curved roof. The DA VÀNG studio in Vietnam also uses 3,000 glass bricks to create a curved, translucent house facade, emphasizing both structural and aesthetic applications. The articles also delve into the use of glass in smaller-scale design and art pieces. For instance, Bottega Veneta's summer show features 'lucid murano blown-glass stools' that mimic sea waves, showcasing glass as a medium for elegant furniture and decor. Artists like Vincent Leroy use floating lenses in an optical mobile, and Ben Tuna transforms a Porsche 911 into an art car with cathedral-inspired stained glass, highlighting the material's artistic adaptability. Sarah Brahim and Ugo Schiavi explore ancient rituals through glass temples and vessels, linking glass to cultural and historical narratives. Further architectural applications include a gradient brick facade by Delmulle Delmulle in a Belgium house, transitioning from terracotta to glass, and Vinklu's triangular prism coffee shop in Romania, using glass to fill narrow urban gaps. SICIS uses decorative glass to create glowing swimming pool surfaces in Cambodian villas, while BBWORKSPACE's Thai café employs iridescent panels to evoke gemstones and refract light. EcoLogicStudio's microbial installation at Triennale Milano reimagines domesticity with glass components, and Apropos Architects use a translucent glass facade for the Czech pavilion at Expo 2025 Osaka, demonstrating its use in significant public structures. Industrial design also features glass, such as Bugatti's Brouillard Coupe, which includes a miniature glass sculpture in its gearshift. Fredrik Nielsen's Stockholm studio explores glass's resistance to fragility and embraces chance in its creation. Atelier Échelle’s lakeside gallery residence subtly integrates glass within dark clay brick structures, harmonizing modern elements with traditional aesthetics. The variety of projects presented collectively underscores glass's multifaceted role in contemporary design, from enhancing visual experiences and light manipulation to contributing to structural integrity and artistic expression across diverse scales and contexts. #GlassArt #GlassDesign #ArchitecturalGlass #PublicInstallations #InteriorDesign #ContemporaryArt #BuildingMaterials #DesignInnovation #SustainableDesign

The art of glassblowing, once considered a craft material, has experienced a resurgence in the design world, captivating a broader audience and establishing itself as a significant frontier in contemporary design. This renewed interest is evident in various high-profile showcases, including Bradley Bowers’s large-scale Fiosa vase at Dolce & Gabbana’s Salone de Mobile exhibit, a new record-setting hand-blown glass bottle at the Museum of American Glass, and the popularity of the Netflix series "Blown Away." This growing fascination highlights a consumer demand for innovative and unique designs. Designers and artisans are pushing the boundaries of traditional glassblowing techniques, creating pieces that are both functional and artistic. This article features six such artists whose work exemplifies this innovative spirit. Ursula Futura, based in Vienna, crafts sculptural Eclipse Vases with elegant carved windows. These mouth-blown vases showcase an interplay of light and varied hues, drawing inspiration from nature, science, and moments of wonder. The studio aims to evoke joy and curiosity through its designs. Another featured collaboration brings together film producer Rebecca Marks and Venetian glass designer Paola Petrobelli, resulting in the Verdi II and Ambra Murano Portable lamps. These miniature, cordless, rechargeable, and water-resistant lamps come in seven colors and feature Murano glass with distinct gems at their core, providing a striking contrast against their colorful outer shades. These portable lights offer both practicality and aesthetic appeal. Seattle-based glass artist John Hogan presents his latest collection, "Menagerie," for the Future Perfect gallery. This collection comprises 105 palm-sized glass objects, emphasizing that impactful design doesn't always require large scale. Hogan's technique involves working with glass in its cold state, resulting in a vibrant and refreshing interpretation of the ancient art form. The Kaanch Glass Series Vessel I is a product of a collaboration between Guatemalan-based Diego Olivero Studio and artisans in New Delhi. The series, whose name "Kaanch" means "glass" in Hindi, includes 11 abstract, colorful vessels and lights. These pieces feature playful shapes welded onto clear borosilicate glass surfaces, known for its resistance to temperature changes, making them both durable and visually appealing. Sticky Glass, a Brooklyn-based design company, showcases its lighting collection, including Bubble Pendants and Mingling Lamps. Each piece is hand-blown, highlighting the fluid nature of glass through its bubble formations, and finished with a custom brass base for a modern touch. The company affectionately calls these "lights that hug," reflecting a current trend toward "blobby" and organic forms in design. Finally, designer Laura Kramer’s Marie vessel, displayed at the Heller Gallery, draws inspiration from natural scenes like barnacles on a boat hull. Her work aims to explore the "hybridity of made and natural materials," questioning traditional classifications and delving into liminal spaces between categories. These pieces exemplify how art can not only mimic nature but also enhance and reinterpret its perceived imperfections. Collectively, these artists demonstrate a commitment to innovation, artistry, and the continuous evolution of glass as a medium in the design world. Their works range from functional lamps to sculptural vases, all united by their exceptional craftsmanship and ability to transform molten glass into captivating objects that resonate with contemporary aesthetic sensibilities. #Glassblowing #HomeAccessories #ContemporaryDesign #ArtisanCraftsmanship #InteriorDecor #MuranoGlass #LightingDesign #SculpturalVases

This article explores four iconic glassware traditions from different parts of the world, highlighting their historical significance, unique characteristics, and contemporary interpretations suitable for modern homes. It encourages readers to consider glassware as a meaningful souvenir or a way to bring global design into their living spaces, even without international travel. The first tradition examined is Moroccan Beldi Glass, deeply rooted in Moroccan hospitality. Traditionally made from recycled materials like beer or wine bottles, Beldi glass is recognized by its small, conical shape and often a distinct grass-green hue. The article mentions both gilded examples and the classic green, which has been produced with similar techniques since the 1940s. For those unable to visit Marrakech, modern interpretations include Kickie Chudikova’s Danube Carafe with a matching cup that echoes Beldi shapes, and Verve Culture’s set, which utilizes recycled Heineken bottles to achieve the traditional green. Next, the article delves into Murano Glass, a Venetian tradition dating back to the tenth century. Early Murano artisans were relocated to islands to prevent fire hazards from glass-making ovens, and for centuries, their techniques were closely guarded secrets. Initially prized for its clarity, known as _cristallo_, Murano glass evolved to incorporate vibrant, saturated colors. Key characteristics of Murano glass include millefiori, where colored glass rods form flower-like patterns, and latticinio, which involves adding opaque, often white, glass to create intricate designs. Contemporary pieces inspired by Murano include Kiki Goti’s humorous Irini vase, which resembles a person with hands on hips, and Carl Hansen & Søn’s Bora glass, a wobbly drinking vessel with cheerful stripes. The third tradition discussed is Liuli Glass from China. _Liuli_ refers to decorative glass art, with Chinese glassmaking history tracing back to the fifth century BCE, possibly introduced from Mesopotamia. Historically, glass in China was a luxury reserved for the elite, who collected various ornate items. After a period of decline following the Han Dynasty’s foreign imports, glasswork saw a resurgence. Modern Liuli is often crafted using _pâte de verre_, or lost-wax casting, a meticulous process where molten glass is poured into a wax mold, allowing for exceptionally detailed forms. Contemporary designs reflecting this style include Sophie Lou Jacobsen’s Giardino Segreto candlesticks, known for their whimsical quality. For a more traditional approach, the article points to Liuli, a company founded in Taiwan in 1987, highlighting their amber-hued candleholder as an example of discerning taste. Finally, the article explores Czech Crystal, originating from Bohemia in the sixth century CE. Slavic artisans introduced a new glass-making process, discovering that adding potash and chalk to the mixture resulted in a clear, stronger glass. This allowed for intricate cuts and decorations, becoming the hallmark of Bohemian crystal. Due to its exclusivity and beauty, Czech crystal became highly sought after by European aristocrats, adorning their palaces with stemware, vessels, and chandeliers. Modern interpretations continue this legacy of luster, with examples like Lalique’s Caldera vase, featuring finely wrought etching, and Moser’s blue-tinted Irises vase with its delicate floral design, both of which would complement both historical and contemporary settings. #GlasswareTraditions #MoroccanBeldiGlass #MuranoGlass #LiuliGlass #CzechCrystal #HomeDecor #GlobalDesign #ModernInterpretations #ArtisanCrafts

The article showcases nine unique and artistic vessels that transcend the traditional function of a vase, emphasizing their value as standalone art pieces. It highlights how contemporary designers are pushing boundaries in material use and form, blending age-old craftsmanship with innovative techniques. Each featured vessel demonstrates a distinct approach to design, ranging from intricate glasswork to reinterpreted ceramics and sculpted stone. One example is the "Baba Yaga Kiln-Cast Crystal Vessel" by Carol Milne, which employs a labor-intensive knitted glass technique. This process involves creating a plaster mold, casting glass, and meticulously chipping away the mold to reveal an intricate, unique structure, drawing inspiration from Slavic folklore. Similarly, Jolie Ngo’s "Flatpack in Dazzle Camo Glazed Ceramic Vessel" reimagines ancient ceramics through a modern lens, utilizing 3D printing and a vibrant, undulating ombré pattern. Ngo cites digital landscapes like Minecraft and The Sims as her creative influences, resulting in a vessel that feels both familiar and distinctly contemporary. Heami Lee's "Oval and Round Bud Vases in Silver-Coated Porcelain" demonstrate a transformative process where unglazed porcelain is fired and then coated multiple times in silver to achieve a metallic finish. These pieces are designed to develop a beautiful patina over time, embodying timeless elegance. Rafi Ajl’s "Yellow Slump Slatted Saguaro Glass Vessel" showcases a fresh take on glassware, with cherry wood slats creating a textured, surreal, and slouchy form. Ajl's work aims to challenge conventional perceptions of glass, giving it a unique character. Matthew Fisher's "Elegy Vessel in Calacatta Paonazzo Marble" presents a monumental object sculpted from exquisite Calacatta marble, allowing the stone's inherent shimmering nuances to be fully appreciated at its grand scale. Norman Teague's "Extruded Vessel #23" redefines the use of plastic, transforming this commonly discarded material into a unique vessel. Teague's design, inspired by traditional basket-weaving, encourages a reevaluation of how single-use materials can be repurposed and reimagined. Jeremy Maxwell Wintrebert’s "Spirit Fruit Glass Vessel" exemplifies dramatic glasswork. These pieces are created by blowing glass into a sphere that is then deliberately collapsed, resulting in a distinct “ripped open” aesthetic. This series is a re-edition of Wintrebert's earlier works, now available through Holly Hunt. Another piece from Rafi Ajl's Saguaro collection, the "Burnt Yellow Glass Vessel," embodies its prickly inspiration with ridges, bumps, and an organic, lilting form reminiscent of a gold-encased cactus. Finally, Milne's "Whirlwind Kiln-Cast Crystal Vessel" further explores her glass techniques, specifically "knotted glass," which allows for more fluid and swirling forms compared to her earlier knitted glass pieces. These examples collectively highlight how functional objects can double as striking artistic statements in contemporary home decor. #DesignerVases #HomeDecor #ArtisticVessels #ContemporaryDesign #GlassArt #CeramicArt #MarbleSculpture #SustainableDesign #InteriorAccents

Milan-based designer Libero Rutilo of DesignLibero has developed an innovative method to upcycle PET plastic bottles into aesthetically pleasing vases using 3D printing technology. The collection, which consists of external shells, is designed to transform ordinary half-liter bottles into functional and decorative pieces. This approach not only provides a second life for discarded plastic bottles but also merges sustainable practices with contemporary design. The process involves inserting an empty PET bottle into one of Rutilo's 3D-printed shells. The bottle is then securely screwed into the shell, much like a cap, creating a stable and cohesive unit. The external shell, rather than being a standalone vase, acts as a decorative cover and structural support for the bottle, which holds the water for flowers. This clever integration means that the primary function of holding liquid remains with the original bottle, while the 3D-printed component adds artistic value and a new purpose. The collection features four distinct designs, each characterized by intricate, mesh-like patterns. The 'iSinuous' design showcases a fluid, wavy pattern composed of graceful curves, offering a sense of organic movement. The 'iKnitted' design, as its name suggests, mimics the texture and appearance of knitted fabric, bringing a cozy and handcrafted feel to the piece. The 'iLace' vase features a delicate, crochet-like pattern, evoking a classic and elegant aesthetic. Finally, the 'iSpider' design stands out with its biomorphic pattern, which draws inspiration from natural forms, giving it a unique and organic presence. Libero Rutilo's project highlights the potential of 3D printing in product design and its role in promoting sustainability through upcycling. By focusing on creating external shells, the designer minimizes the amount of new material required for each vase, making the production process more environmentally friendly. The versatility of 3D printing allows for complex and diverse patterns, demonstrating how technology can be used to elevate simple, everyday objects into works of art. This initiative encourages consumers to reconsider the lifecycle of plastic waste and offers a practical and stylish solution for repurposing plastic bottles into home decor items. #3DPrinting #Upcycling #ProductDesign #SustainableDesign #VaseDesign #HomeDecor #LiberoRutilo #PETBottles #DesignLibero

The David Gill Gallery is currently hosting an exhibition titled 'Vases and Vessels', showcasing approximately 50 contemporary vases and vessels crafted by both established and emerging glass and ceramics artists. Most of the pieces were specially commissioned for the exhibition within the last six months, offering a fresh and diverse look at the current state of contemporary decorative arts. The exhibition, curated by journalist Gianluca Longo, highlights the evolving role of vases beyond mere functionality, positioning them as sculptural and versatile art forms capable of transforming an interior space. Gianluca Longo, known for his work with *W* and *Cabana* magazines, expresses a long-standing fascination with vases, particularly decorative ones, appreciating their dual capacity for aesthetic appeal and practical use. He notes their sculptural qualities and their ability to adapt significantly depending on the floral arrangements chosen. Longo's curation emphasizes 'craftsmanship and the handmade,' reflecting an instinctive selection process guided by a desire for strong decorative elements and a diversity of artistic styles. The exhibition features a wide array of influences, materials, and styles from various artists across the globe. Among the featured artists are Domitilla Harding, whose translucent glass vessels evoke deep-sea creatures, and Cody Hoyt, known for his intricate geometric vases made from inlaid hand-colored clay. Other notable artists include Kate Malone, Beth Katleman, Tommaso Corvi-Mora, Tancredi di Carcaci, Tino Seubert, Felicity Aylieff, Lena Peters, and Marcantonio Brandolini d’Adda. Longo specifically commissioned several pieces, such as Kate Malone’s ‘Monumental Fennel’, Tino Seubert’s terrazzo ‘Heptagon Rosa Perlino’, and Lena Peter’s ‘Owl’, the latter discovered by Longo at Central Saint Martins’ final degree show. The curator highlights emerging talents like Tancredi di Carcaci, a student from Edinburgh whose work reflects southern European baroque influences. Beth Katleman’s 'Vase with Cherubs' is described as adding a 'cheeky moment' to the exhibition and is expected to be a surprise for many, given her relatively lower recognition in the UK compared to New York. Longo expresses his belief in a growing interest in decorative arts, hoping the exhibition will underscore this trend through the unique vases and vessels on display. Francis Sultana, CEO of David Gill Gallery, prior to the opening, anticipated the exhibition would be a vibrant showcase, given Longo’s particular interest in glass and Venetian majolica vases. Sultana believed the exhibition would bring renewed attention to this ancient art form through the works of highly talented contemporary artists. This exhibition follows Longo’s previous success with ‘Young Bright Things’, an exhibition that spotlighted rising stars in fashion, art, and design. 'Vases and Vessels' is open for public viewing until 5 December at the David Gill Gallery, located at 2-4 King Street, London SW1Y 6QP. #VasesAndVessels #ContemporaryArt #DavidGillGallery #DecorativeArts #GlassDesign #Ceramics #GianlucaLongo #Craftsmanship #LondonExhibition

Brooklyn-based designer Lauren Manoogian, known for her slow fashion approach, has partnered with Paris-based maker Lætitia Jacquetton to create a distinctive series of vases. These unique vessels are crafted from glass blown directly around carefully selected rocks. The collaboration is currently featured in Manoogian's Manhattan showroom and is also available for viewing and purchase online. Manoogian's decision to showcase Jacquetton's work aligns with her broader intention to provide a platform for other artists and craftspeople whose work she admires and finds inspiring. This initiative, dubbed 'Object,' began organically through Manoogian's travels to Peru, where she discovered compelling ceramic traditions. She emphasizes the importance of fostering a sense of wonder and emotional connection to physical objects, especially in an increasingly digital world. Lætitia Jacquetton's artistic practice seamlessly blends traditional glass-blowing expertise with a profound respect for the natural environment. She acquired her glass-blowing skills in Murano, Italy, and Nancy, France. Each of her sculptural pieces is created by blowing glass around rocks that she personally forages from nature, taking care not to disrupt the surrounding ecosystem. This process imbues her works with a sense of both rarity and reverence, effectively capturing a moment in time within a solid, poetic form. When discussing the parallels between their artistic approaches, Manoogian notes the seemingly simple yet transformative use of materials in both their works. She highlights that both their creations are sculptural and feature well-defined proportions, yet possess a mutable quality that arises from an intuitive process. This makes the pieces approachable and capable of enhancing daily life. Manoogian further elaborates that both their works are deeply intimate, both in their final use and in their creation process, emphasizing a shared tactility and an experimental drive to discover the ideal tension point within materials, which ultimately shapes the final form. The deliberate connection to nature embedded within Jacquetton's vessels is a central element that captivates the imagination. Manoogian expresses her appreciation for the artist's intention and the inherent uncontrollable elements within the creation process. She acknowledges the element of risk involved in making each piece, as Jacquetton works quickly, harnessing gravity and fire. The resulting forms are highly gestural, encapsulating the precise moment when all elements converge. This dynamic process is what imbues each vase with its unique aliveness and individuality, making every piece a singular creation. #Glassware #ArtCollaboration #HomeDecor #SustainableDesign #Craftsmanship #LaurenManoogian #LaetitiaJacquetton #InteriorDesign #NaturalMaterials

The Milan-based design studio 6:AM, founded by Edoardo Pandolfo and Francesco Palù in 2018, is redefining the application and perception of Murano glass. The studio's name, 6:AM, signifies the moment the furnaces on the Venetian island are ignited daily, marking the continuation of a 700-year-old glassmaking tradition. Pandolfo, a Venice native, and Palù, an architect, aim to introduce Murano glass to a broader audience through a diverse range of products, including architectural installations, modular lighting, furniture, and sculptural objects, all characterized by precision, materiality, and conceptual clarity. Their work spans bespoke commissions for international brands and research-driven explorations into the future of glassmaking. 6:AM's approach marries ancient techniques with contemporary aesthetics, emphasizing a continuous dialogue between craftsmanship and design. This synergy means that product development and glassworking techniques evolve in parallel, where the object's shape often dictates how the glass is worked, and conversely, the design influences the choice of technique. The studio collaborates closely with Murano's master artisans, leveraging their extensive expertise in manipulating glass in its molten state. They actively experiment with layering, fusing, and adapting traditional methods to expand the material's potential while striving to minimize environmental impact. A notable project demonstrating this ethos is FLOAT, unveiled during Milan Design Week 2024. This collection repurposed salvaged glass from 1930s Milanese windows into furniture, shelving, and architectural cladding. By combining fused glass panels with minimalist steel structures, FLOAT explored new technical and aesthetic possibilities for post-industrial materials. This initiative culminated in the 'Resourceful Intelligence' installation at the 2025 Venice Architecture Biennale, where reprocessed glass from Milan’s Palazzo Missori was utilized to showcase circular design strategies, developed in collaboration with Park Associati. Earlier in the year, 6:AM held its inaugural solo exhibition, 'Two-Fold Silence,' at Milan's historic Piscina Cozzi during Milan Design Week. The exhibition featured Quadrato, a lighting collection that draws inspiration from 1920s industrial design, blending Bauhaus rationalism with the geometric abstraction of Kazimir Malevič. The Quadrato collection, crafted from blown Murano glass with varying textures and opacities, included a screen-printed lattimo wall lamp encased in painted iron, offering a modern interpretation of early 20th-century emergency lights. From crafting jewel-like hand-blown Murano glass stools for Bottega Veneta’s SS26 runway show to their pioneering material recovery projects, 6:AM consistently demonstrates a distinctive visual language. This language is characterized by fluid silhouettes, luminous textures, and a steadfast commitment to handmade quality. Each cuboid stool for Bottega Veneta, for instance, began as a 43 cm glass block shaped using cast-iron molds engraved with CNC technology, reflecting a process akin to traditional marble sculpture. The studio's work is deeply embedded in Murano’s historical glassmaking heritage, yet it is decisively forward-looking, continuously pushing the boundaries of glass design. #GlassDesign #MuranoGlass #6AMStudio #MilanDesign #SustainableDesign #BottegaVeneta #ArchitecturalInstallations #ContemporaryCraftsmanship #CircularDesign

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection

This blog post explores the versatile applications of glass and mirrors in home design, highlighting their ability to enhance aesthetics, create illusions of space, and offer practical solutions. The article showcases various ways these materials can be integrated into different areas of the home, from functional items to decorative accents and architectural features. For instance, glass shelves with brass frames are presented as an alternative to traditional shelving, offering a lighter visual presence and giving the appearance that decorative objects are floating. This design choice contributes to an airy and open feel in a room. Mirrors are shown to be highly adaptable, capable of being incorporated into gallery walls alongside framed artwork, thus adding depth and reflective qualities that can brighten a space. Mirrored bar shelves, particularly those with antiqued finishes, are suggested as stylish and space-saving solutions for smaller areas, bringing a touch of glamour above consoles or buffets. The use of shelf cubes with mirrored backs is also highlighted for displaying collectibles, with the option to group multiple cubes for increased storage and visual impact. Glass extends its utility to dinnerware, with recycled clear glass sets elevating tablescapes with a coastal aesthetic. Decorative mirrors, such as sunburst designs, are featured as effective focal points in any room, reflecting light and adding a finishing touch that draws attention. In bathrooms, individual mirrors are gaining popularity, providing both functionality and ornamental value through their unique shapes. Sunburst mirrors with wood frames, resembling sunflower petals, are also identified as statement pieces suitable for entryways or other prominent areas of a home. The article also delves into custom glass and mirror applications through examples from Birmingham Glass & Mirror and Imagio Glass Design. Antiqued mirror samples demonstrate the potential for bespoke pieces to transform spaces, while custom textured glass backsplashes are shown to create beautiful backdrops for home bars, visually expanding the area. Textured glass doors offer a balance of light filtration and privacy, making them suitable for various interior spaces. Collaborations with cabinetmakers result in unique furniture pieces like colorful mirrored dressers, designed to be conversation starters. Custom antiqued wall mirrors are shown in diverse shapes and sizes, and their strategic placement flanking fireplaces can add glamour while visually enlarging the room. In kitchens, glass backsplashes are presented as a modern and practical choice. Examples include backsplashes that mimic weathered brick or dazzling designs simulating rain with custom color fades, providing a focal point. Solid glass backsplashes can replicate the look of subway tile without grout lines, and others feature designs like white reclaimed barnwood, accented with glass outlet plates. Innovative uses extend to backlit glass shower panels that display custom art scans of oil paintings, creating vibrant visual displays. Kitchen backsplashes with original art, such as one overlooking Traverse Bay, further illustrate the potential for personalization. Glass backsplashes incorporating stacked stone designs and even prayers demonstrate customization capabilities. Even subtle patterns on solid glass backsplashes can contribute to making smaller kitchens appear more spacious due to their seamless appearance. Finally, a corner wall in a kitchen wrapped with solid glass imaged with a high-definition Detroit skyline showcases how glass can create a dramatic, expansive backdrop, emphasizing the transformative power of these materials in interior design. #HomeDesign #InteriorDecoration #GlassElements #MirroredDecor #SpaceEnhancement #CustomGlasswork #KitchenDesign #BathroomDesign

An Australian home stylist and author, Geneva Vanderzeil from Brisbane, has shared an innovative and easy DIY method to up-cycle old vases and pots, transforming them into stylish, ceramic-looking décor. This creative project has sparked a widespread 'trash to terracotta up-cycling movement,' inspiring thousands to replicate the idea and share their results online. The core of the technique involves mixing bi-carb soda with water-based paint to achieve a textured, ceramic effect. This mixture is then applied in layers to old vases, creating a thick, authentic finish. Vanderzeil experimented with various paint additives, including plaster of Paris and sand, but found that bi-carb soda was the most effective due to its reaction with the water in the paint, yielding the desired ceramic texture. This method is praised for its simplicity and the ability to turn unappealing second-hand items into chic, modern decorative pieces suitable for any home. The versatility of the technique allows for any type or color of water-based paint to be used. While Vanderzeil initially used a 4L Megatreat Terracotta liquid paint, which is on the pricier side, she suggests that those on a budget can use small sample paint pots from hardware stores like Bunnings to achieve varied colors across multiple vases. Key tips for this DIY project include using both glass and old ceramic pots as a base. To ensure an authentic look and proper adherence, it is crucial to paint the inside, outside, and bottom of the vase, and to allow each layer of paint to dry completely before applying the next to prevent peeling. The amount of bi-carb soda can be adjusted to achieve the desired level of texture, and adding multiple layers of paint further enhances the authentic ceramic appearance. The transformed vases are not only suitable as indoor décor but can also serve as plant pots for gardens or hold artificial foliage inside the house. The demonstrative video showcasing this DIY project has gained significant traction online, amassing over half a million views on TikTok and more than 9,100 likes on Instagram, with viewers expressing enthusiasm and eagerness to try the project themselves. This up-cycling approach offers an accessible and budget-friendly way to update home décor, aligning with current trends while promoting sustainability by repurposing old items. #DIYHomeDecor #Upcycling #CeramicEffect #HomeStyling #BudgetDecor #CraftProjects #InteriorDesignTrends #GenevaVanderzeil #TerracottaStyle

Colorful glassware has emerged as a significant trend in home decor, offering a vibrant and stylish way to enhance interior spaces. This trend moves beyond merely using glassware for its functional purpose, advocating for its display as a decorative element. The article highlights the beauty and allure of striking, vibrantly colored glass items, emphasizing that they are too aesthetically pleasing to be concealed in cabinets. Instead, they deserve to be prominently featured, contributing to the overall aesthetic of a home. The piece draws on expert opinions to support the idea that colorful glassware should be showcased. It identifies several suitable locations within a home where these collections can be displayed effectively without requiring new furniture or major reconfigurations. These locations are often already present in most homes and can be easily adapted to spotlight glassware. One primary suggestion is the use of open shelves, a common feature in contemporary kitchens and living rooms. Interior design expert Nina Lichtenstein advises arranging glassware by color or size on open shelves to create eye-catching displays that serve both functional and decorative purposes. This approach not only helps in decluttering but also infuses the space with a splash of color, making the collection a focal point. Another ideal spot for showcasing colorful glassware is a bar cart. The article suggests that bar carts and colorful glassware are a harmonious combination. Nina Lichtenstein recommends using a bar cart or a decorative tray to create a stylish beverage station. This can be further enhanced by mixing in other bar accessories like cocktail shakers and decanters to achieve a cohesive look. Styling a bar cart with a range of funky glasses brings a chic elegance to the space, particularly if the bar cart is situated in central areas like the living or dining room. The scope of glassware for display extends beyond drinking glasses to include jugs and carafes, allowing for the exhibition of captivating yet convenient kitchen additions. The windowsill is presented as an unconventional yet fantastic location for exhibiting colored glassware. This area provides natural light that illuminates the translucent qualities of the glass, making the colors truly vibrant. Ana Coddington, lead designer at Archival Designs, emphasizes that effective display of colored glassware can transform it into a focal point, enhancing the home's overall aesthetic. Nina Lichtenstein agrees, noting that windowsills are excellent for catching light and creating beautiful reflections, provided the ledge is wide and secure enough to support the glass items safely. For those looking to invigorate their dining area, the dining table offers a perfect canvas for colorful glassware. The article posits that a beautifully set tablescape doesn't need to be reserved for special occasions; a table can be adorned with colorful glassware at any time. Nina suggests incorporating colored glassware into dining table decor, encouraging experimentation with different shapes and colors to create a lively and inviting setting. This approach not only fits the ambiance but also serves as a fashionable way to decorate the dining room. Finally, glass cabinets are highlighted as an exception to the rule of avoiding cabinet storage. These cabinets allow for the protection of glassware from dust while still enabling it to be admired. Nina explains that installing a wood panel or wallpaper as a backdrop inside glass cabinets can create an intriguing setting. She also recommends using internal lighting to accentuate the vibrant colors and textures of the glass. Ana Coddington advises considering the backdrop carefully, suggesting a solid, neutral-colored background or a mirrored back panel to enhance the visibility of intricate details and colors. Varying the colors, heights, and shapes of glassware within these displays can create visual interest and add personality to the space. The article concludes by encouraging readers to bring their colorful glassware collections out of storage and display them artfully. #ColorfulGlassware #HomeDecorTrends #InteriorDesign #GlasswareDisplay #OpenShelving #BarCartStyling #WindowSillDecor #DiningTableDecor #GlassCabinets