
A Tall Vase Inspired by Bodega Flower Stands (Published 2022)
Reinaldo Sanguino, a ceramist born in Caracas, Venezuela, developed an early fascination with clay, shaping mud from the river as a child. Now 49, Sanguino pursued formal training at the Haystack Mountain School of Crafts in Maine after moving to the United States in his twenties. Following years of showcasing his work at trade shows and art fairs, his talent was recognized around 2012 by David Alhadeff, founder of New York City's Future Perfect design gallery.
Operating from his Long Island City, Queens, studio, Sanguino crafts a diverse range of objects including stools, hanging wall pieces, tables, and substantial vessels. His creative process typically begins with either a hand-built or wheel-thrown clay form. He then employs a distinctive glazing technique that transforms the material, resulting in unique creations. These pieces are characterized by vibrant, saturated colors, subtle metallic sheens, and hints of an oatmeal texture. Sanguino often incorporates knotted or stitched-together elements such as fabric, yarn, or burlap to add tactile interest and depth to his work.
One notable creation is a two-foot-tall vase, reminiscent of an amphora, which features craggy holes along its sides designed to hold branches or blossoms. Sanguino distinguishes himself from some art potters by intending for most of his creations, regardless of their artistic merit or perceived preciousness, to be functional and integrated into everyday use. He expresses a profound source of inspiration in the "rough beauty of bodega flower stands," particularly noting that these stands are often staffed by immigrants. This observation underscores his philosophy, articulated as: “The point is always to be real.” The vase, from "The Other Series," is priced at $10,000 and is available through thefutureperfect.com.
Sanguino's artistic approach combines traditional ceramic techniques with an innovative glazing process and a commitment to functionality, drawing inspiration from urban environments and the everyday experiences of immigrants. His work reflects a blend of artistic expression and practicality, challenging the notion that art pottery should only be admired from a distance. The article highlights his journey from a childhood fascination with clay to becoming a recognized artist whose work is valued for both its aesthetic appeal and its intended utility.
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