Glass Is Red-Hot: Here Are 6 New Collections to Know

Colorful glassware has emerged as a significant trend in home decor, offering a vibrant and stylish way to enhance interior spaces. This trend moves beyond merely using glassware for its functional purpose, advocating for its display as a decorative element. The article highlights the beauty and allure of striking, vibrantly colored glass items, emphasizing that they are too aesthetically pleasing to be concealed in cabinets. Instead, they deserve to be prominently featured, contributing to the overall aesthetic of a home. The piece draws on expert opinions to support the idea that colorful glassware should be showcased. It identifies several suitable locations within a home where these collections can be displayed effectively without requiring new furniture or major reconfigurations. These locations are often already present in most homes and can be easily adapted to spotlight glassware. One primary suggestion is the use of open shelves, a common feature in contemporary kitchens and living rooms. Interior design expert Nina Lichtenstein advises arranging glassware by color or size on open shelves to create eye-catching displays that serve both functional and decorative purposes. This approach not only helps in decluttering but also infuses the space with a splash of color, making the collection a focal point. Another ideal spot for showcasing colorful glassware is a bar cart. The article suggests that bar carts and colorful glassware are a harmonious combination. Nina Lichtenstein recommends using a bar cart or a decorative tray to create a stylish beverage station. This can be further enhanced by mixing in other bar accessories like cocktail shakers and decanters to achieve a cohesive look. Styling a bar cart with a range of funky glasses brings a chic elegance to the space, particularly if the bar cart is situated in central areas like the living or dining room. The scope of glassware for display extends beyond drinking glasses to include jugs and carafes, allowing for the exhibition of captivating yet convenient kitchen additions. The windowsill is presented as an unconventional yet fantastic location for exhibiting colored glassware. This area provides natural light that illuminates the translucent qualities of the glass, making the colors truly vibrant. Ana Coddington, lead designer at Archival Designs, emphasizes that effective display of colored glassware can transform it into a focal point, enhancing the home's overall aesthetic. Nina Lichtenstein agrees, noting that windowsills are excellent for catching light and creating beautiful reflections, provided the ledge is wide and secure enough to support the glass items safely. For those looking to invigorate their dining area, the dining table offers a perfect canvas for colorful glassware. The article posits that a beautifully set tablescape doesn't need to be reserved for special occasions; a table can be adorned with colorful glassware at any time. Nina suggests incorporating colored glassware into dining table decor, encouraging experimentation with different shapes and colors to create a lively and inviting setting. This approach not only fits the ambiance but also serves as a fashionable way to decorate the dining room. Finally, glass cabinets are highlighted as an exception to the rule of avoiding cabinet storage. These cabinets allow for the protection of glassware from dust while still enabling it to be admired. Nina explains that installing a wood panel or wallpaper as a backdrop inside glass cabinets can create an intriguing setting. She also recommends using internal lighting to accentuate the vibrant colors and textures of the glass. Ana Coddington advises considering the backdrop carefully, suggesting a solid, neutral-colored background or a mirrored back panel to enhance the visibility of intricate details and colors. Varying the colors, heights, and shapes of glassware within these displays can create visual interest and add personality to the space. The article concludes by encouraging readers to bring their colorful glassware collections out of storage and display them artfully. #ColorfulGlassware #HomeDecorTrends #InteriorDesign #GlasswareDisplay #OpenShelving #BarCartStyling #WindowSillDecor #DiningTableDecor #GlassCabinets

The art of glassblowing, once considered a craft material, has experienced a resurgence in the design world, captivating a broader audience and establishing itself as a significant frontier in contemporary design. This renewed interest is evident in various high-profile showcases, including Bradley Bowers’s large-scale Fiosa vase at Dolce & Gabbana’s Salone de Mobile exhibit, a new record-setting hand-blown glass bottle at the Museum of American Glass, and the popularity of the Netflix series "Blown Away." This growing fascination highlights a consumer demand for innovative and unique designs. Designers and artisans are pushing the boundaries of traditional glassblowing techniques, creating pieces that are both functional and artistic. This article features six such artists whose work exemplifies this innovative spirit. Ursula Futura, based in Vienna, crafts sculptural Eclipse Vases with elegant carved windows. These mouth-blown vases showcase an interplay of light and varied hues, drawing inspiration from nature, science, and moments of wonder. The studio aims to evoke joy and curiosity through its designs. Another featured collaboration brings together film producer Rebecca Marks and Venetian glass designer Paola Petrobelli, resulting in the Verdi II and Ambra Murano Portable lamps. These miniature, cordless, rechargeable, and water-resistant lamps come in seven colors and feature Murano glass with distinct gems at their core, providing a striking contrast against their colorful outer shades. These portable lights offer both practicality and aesthetic appeal. Seattle-based glass artist John Hogan presents his latest collection, "Menagerie," for the Future Perfect gallery. This collection comprises 105 palm-sized glass objects, emphasizing that impactful design doesn't always require large scale. Hogan's technique involves working with glass in its cold state, resulting in a vibrant and refreshing interpretation of the ancient art form. The Kaanch Glass Series Vessel I is a product of a collaboration between Guatemalan-based Diego Olivero Studio and artisans in New Delhi. The series, whose name "Kaanch" means "glass" in Hindi, includes 11 abstract, colorful vessels and lights. These pieces feature playful shapes welded onto clear borosilicate glass surfaces, known for its resistance to temperature changes, making them both durable and visually appealing. Sticky Glass, a Brooklyn-based design company, showcases its lighting collection, including Bubble Pendants and Mingling Lamps. Each piece is hand-blown, highlighting the fluid nature of glass through its bubble formations, and finished with a custom brass base for a modern touch. The company affectionately calls these "lights that hug," reflecting a current trend toward "blobby" and organic forms in design. Finally, designer Laura Kramer’s Marie vessel, displayed at the Heller Gallery, draws inspiration from natural scenes like barnacles on a boat hull. Her work aims to explore the "hybridity of made and natural materials," questioning traditional classifications and delving into liminal spaces between categories. These pieces exemplify how art can not only mimic nature but also enhance and reinterpret its perceived imperfections. Collectively, these artists demonstrate a commitment to innovation, artistry, and the continuous evolution of glass as a medium in the design world. Their works range from functional lamps to sculptural vases, all united by their exceptional craftsmanship and ability to transform molten glass into captivating objects that resonate with contemporary aesthetic sensibilities. #Glassblowing #HomeAccessories #ContemporaryDesign #ArtisanCraftsmanship #InteriorDecor #MuranoGlass #LightingDesign #SculpturalVases

The article revisits the architectural material of glass bricks, highlighting their resurgence in contemporary design. Initially gaining popularity in 1977, as noted by Carter B. Horsley in a New York Times article, glass bricks were appreciated for their translucence, privacy, visual appeal, and structural order in residential and restaurant projects. However, after a period of widespread use, the material became associated with the dated aesthetics of the 1980s, leading to a decline in its perceived value. Despite this historical perception, contemporary architects are now re-evaluating and re-integrating glass bricks into modern designs. This renewed interest stems from their unique properties, which allow for innovative applications across various architectural contexts. The material offers a balance of natural light penetration and visual obstruction, making it suitable for spaces requiring both openness and privacy. Modern architects are employing glass bricks in diverse projects, moving beyond their previous utilitarian roles. Examples include their use in sleek, minimalist bathrooms where they contribute to a sense of spaciousness while maintaining privacy, and in industrial-themed bars and restaurants, where they add a distinctive textural and luminous quality. The material is also being incorporated into vintage residential windows, blending historical charm with contemporary functionality. Furthermore, glass bricks are finding applications in experimental urban facades, where they contribute to dynamic and visually engaging building exteriors. The versatility of glass bricks allows them to create different aesthetic effects, from smooth and uniform surfaces to more textured and fragmented appearances, depending on the type and arrangement of the blocks. Their ability to diffuse and transmit light without offering clear views makes them ideal for interior partitions, exterior walls, and decorative elements where controlled light and a sense of enclosure are desired. This adaptability supports a wide range of architectural styles and design intentions. The comeback of glass bricks signifies a shift in architectural trends, where previously overlooked or stigmatized materials are being re-imagined and utilized in innovative ways. This trend reflects a broader architectural movement towards material exploration and the re-evaluation of established construction components. The article suggests that the current "boom" of glamorous glass bricks is not merely a nostalgic revival but a sophisticated re-introduction driven by their inherent qualities and the creative approaches of modern designers, who are harnessing the material's potential to meet contemporary design challenges and aesthetic preferences. #GlassBrick #Architecture #MaterialInnovation #ContemporaryDesign #ResidentialArchitecture #CommercialArchitecture #GlassFacade #DesignTrends #BuildingMaterials

This blog post compiles recent articles and projects from Designboom focusing on the application of glass in art, architecture, and design. The collection highlights the versatility and aesthetic potential of glass, ranging from large-scale public installations to architectural facades and interior elements. The articles showcase how artists and designers are pushing the boundaries of traditional glass use, incorporating it into innovative structures and artistic expressions. Key examples include a luminous forest in Hanoi composed of mirroring steel branches, demonstrating glass's role in creating immersive public art. Another project features an 'invisible Tokyo bar' that utilizes heated, transparent acrylic glass panels to distort reality, illustrating glass's capacity for experiential design. Architecture projects frequently employ glass for facades, as seen in Selgascano's transparent seaside café in China with three parallel glass volumes, and Cossement Cardoso's Helsinki museum concept, which features a textured glass skin forming a curved roof. The DA VÀNG studio in Vietnam also uses 3,000 glass bricks to create a curved, translucent house facade, emphasizing both structural and aesthetic applications. The articles also delve into the use of glass in smaller-scale design and art pieces. For instance, Bottega Veneta's summer show features 'lucid murano blown-glass stools' that mimic sea waves, showcasing glass as a medium for elegant furniture and decor. Artists like Vincent Leroy use floating lenses in an optical mobile, and Ben Tuna transforms a Porsche 911 into an art car with cathedral-inspired stained glass, highlighting the material's artistic adaptability. Sarah Brahim and Ugo Schiavi explore ancient rituals through glass temples and vessels, linking glass to cultural and historical narratives. Further architectural applications include a gradient brick facade by Delmulle Delmulle in a Belgium house, transitioning from terracotta to glass, and Vinklu's triangular prism coffee shop in Romania, using glass to fill narrow urban gaps. SICIS uses decorative glass to create glowing swimming pool surfaces in Cambodian villas, while BBWORKSPACE's Thai café employs iridescent panels to evoke gemstones and refract light. EcoLogicStudio's microbial installation at Triennale Milano reimagines domesticity with glass components, and Apropos Architects use a translucent glass facade for the Czech pavilion at Expo 2025 Osaka, demonstrating its use in significant public structures. Industrial design also features glass, such as Bugatti's Brouillard Coupe, which includes a miniature glass sculpture in its gearshift. Fredrik Nielsen's Stockholm studio explores glass's resistance to fragility and embraces chance in its creation. Atelier Échelle’s lakeside gallery residence subtly integrates glass within dark clay brick structures, harmonizing modern elements with traditional aesthetics. The variety of projects presented collectively underscores glass's multifaceted role in contemporary design, from enhancing visual experiences and light manipulation to contributing to structural integrity and artistic expression across diverse scales and contexts. #GlassArt #GlassDesign #ArchitecturalGlass #PublicInstallations #InteriorDesign #ContemporaryArt #BuildingMaterials #DesignInnovation #SustainableDesign

The author, previously a proponent of neutral and monochromatic glassware, underwent a significant shift in preference after encountering a distinctive collection of tinted glassware. This transformation was instigated by a line created by Swiss designer Julie Richoz in collaboration with Nouvel Studio. The collection draws inspiration from the vibrant color palette of Mexico City, showcasing a unique design approach that blends contrasting layers of transparent and opaque glass to achieve a dynamic and visually appealing finish. This particular line served as a catalyst for the author to re-evaluate the aesthetic potential of colored glass in home decor. This article highlights that the trend of colorful glassware extends beyond this single collection, with many design brands now incorporating tinted glass into their recent spring offerings. Brands such as HAY, IKEA, and the MoMA Design Shop are noted for releasing various items, from vases to pitchers, featuring vibrant hues. This widespread adoption suggests a growing interest in using colored glass to add personality and a contemporary touch to interior spaces. To illustrate this emerging trend and provide practical examples for readers, the article presents a curated selection of colorful glass products. These items are chosen to demonstrate the versatility and aesthetic appeal of tinted glassware across different categories. The selection includes Ombré Juice Glasses from MoMA, which are characterized by their ribbed detail and ombre finish, ideal for summer entertaining. Hawkins New York's Caipirinha Jugs, handblown in Italy, are presented as delicate and versatile pitchers suitable for various liquids. Other notable inclusions are the Tricolore Vase SH2 by Sebastian Herkner for andTradition, described as an artistic upgrade for floral displays, and Mosser Glass's Glass Tumblers, which are suggested to enhance the visual appeal of cocktails. Anthropologie's Hobnail Juice Glasses offer a subtle pop of color with textured detailing, demonstrating how minor elements can elevate everyday items. HAY's Moroccan Vase series is highlighted for its versatility and bold two-tone palettes, while Juiceglass's Glass Straws provide a more understated way to introduce color. Further examples include Anna Karlin's Bedside Carafe, noted for its color-block pattern in muted pastels, serving as an elegant accent piece. Alex Papachristidis' Homespun Medium Venetian Glass offers a subtle pattern for those who prefer a hint of design in their staples. The Floe Tealight Holder by Ramírez i Carrillo for Normann Copenhagen is presented as a charming item with a splash of color. Tom Dixon's iconic Bump Vase series is praised for its artistic balance of shape and color, featuring a unique tubular casing. Lastly, Visibility's Ridge Kitchen Small Pitcher for Areaware is recognized for its detailed rippled handle, and MoMA's Glass Tea Cups are featured for their eclectic and colorful design, adding a whimsical touch to teatime. #ColoredGlassware #HomeDecorTrends #InteriorDesign #TabletopEssentials #GlassDesign #VibrantPalettes #DesignInspiration #MexicoCityInfluence

Milan Design Week 2023, the first to return to its regular April schedule since 2019, showcased significant shifts and emerging trends in interior design. Attendees observed a strong emphasis on comfort and inviting silhouettes, with “Squish Is the New Blob” emerging as a dominant theme. Oversized, plump seating, such as Gal Gaon’s Macaron chairs at Nilufar Gallery and Cassina’s Moncloud sofa by Patricia Urquiola, highlighted a preference for soft, curvaceous forms designed for relaxation. Fendi Casa also embraced this trend with its Blow Up modular sofa, indicating that comfort remains a top priority in contemporary design. Outdoor living spaces are undergoing a technicolor transformation, moving away from traditional neutrals to incorporate vibrant hues and pastels. Joana Vasconcelos’s new indoor/outdoor BomBom chairs for Roche Bobois exemplify this trend, inspired by Portuguese sunsets and transforming showrooms into kaleidoscopic displays. Flexform and Dedon also introduced colorful outdoor furniture, with Dedon developing a unique color-shifting fiber for its seating, underscoring a desire for playful and expressive outdoor environments. Nature-inspired design, specifically “Moss-Core,” is another prominent trend, moving beyond subtle nods to nature to an immersive integration. Buccellati’s exhibit, featuring accessories nestled among carnivorous plants curated by Lily Kwong, and Forma Rosa’s ceramics paired with real flora and fauna at Alcova, illustrate this approach. Rinck’s designs incorporating undulating vine motifs further highlight the trend of intertwining design with natural elements, expected to influence textiles, rugs, and soft furnishings. Lighting is becoming more portable and versatile, reflecting a move towards indoor-outdoor living. Euroluce, the biennial lighting fair, featured portable lamps that can be easily moved, exemplified by Ginori 1735’s perfume bottle-inspired lights designed by Luca Nichetto, and Tom Dixon’s miniature versions of popular silhouettes. Italian design house Porada also contributed with the Ekero Move, a small, portable wood lamp, showcasing the growing demand for flexible and functional lighting solutions. Murano glasswork is experiencing a contemporary resurgence, with new designers breaking into the traditional space. Barbini Specchi Veneziani’s exhibit at Alcova showcased traditional Venetian glass alongside modern interpretations by emerging artists like Lucia Massari, whose confectionary Toppings chandeliers were displayed at Nilufar Depot. Dolce & Gabbana’s collaboration with Bradley Bowers on the chrysalis-like Fiosa vase, and Sofia Zevi Gallery featuring Akira Hara’s intricate vessels, demonstrate a fresh approach to this heritage craft. Aluminum is gaining traction as a preferred material, appreciated for its lightness and versatility. At Alcova, Arthur Vandergucht presented industrial tables and stools made of aluminum, emphasizing minimalist design and functional adornments. Kiki Goti’s debut collection also featured aluminum components in sconces, candlesticks, and mirrors, showcasing its playful potential. Ledongil Workshop from Korea presented functional objects with stainless steel bases and aluminum plates coated in glass fiber, creating a light, plastic-like appearance. Trompe-l’œil effects are adding a chic, deceptive element to design. Rinck, the French cabinetmaker, presented furnishings with subtly marbled surfaces that, upon closer inspection, were revealed to be lightweight composites. The Touch Wood duo developed a unique terrazzo using wood chips, challenging traditional material perceptions. Additionally, N/A, a design partnership between Natalia Triantafylli and Andrew Scott, utilized 3D printing to create clay mirrors and vessels based on scanned objects, blending traditional craft with digital aesthetics. Finally, textile design is focusing on sustainability and innovative production methods. Goran Sidjimovski’s BOI collection featured home textiles knitted from dead-stock yarns, organic cotton, and recycled polyester, with a production process that minimizes waste. Atelier LUMA presented a wool tent with a working felt machine and floor pillows woven from palm leaves, highlighting alternate uses for underloved textiles. Demeter Fogarasi’s “Frozen Textile” chair, made from a heat-pressed jute-based biocomposite, showcased how innovation can create inviting and comfortable forms from unexpected materials. #MilanDesignWeek #InteriorDesignTrends #FurnitureDesign #SustainableDesign #LightingDesign #MaterialInnovation #OutdoorLiving #TextileArt #DesignExhibitions

Glassware, traditionally considered a practical and often overlooked category in home decor, is undergoing a significant transformation, moving beyond its functional role on dining tables to become a prominent decorative element throughout the home. This shift is driven by a new wave of designers and brands, including homeware brands like LaDoubleJ, as well as fashion and jewellery brands such as Jil Sander and Sophie Bille Brahe, which are introducing creative and aesthetically driven glassware. These brands are infusing the category with unique designs, vibrant colours, and sophisticated details, elevating glassware from a mundane item to a stylish accent. Historically, everyday glassware like cups, wine glasses, and carafes did not prioritize cutting-edge design. However, contemporary designers are now pushing boundaries, creating pieces that serve as versatile decorative items. Emily Wong, Senior Vice-President of Merchandising at Lane Crawford, emphasizes that decorative glassware's appeal lies in its ability to reflect light, its versatility, and its capacity to instantly add a modern and elegant vibe to any interior. She notes that it's an easy way to introduce pops of colour, diverse textures, and finishes, fostering a sophisticated yet approachable atmosphere. Furthermore, there's a growing emphasis on personalizing spaces with unique, artisanal pieces. The allure of modern glassware is also rooted in the intricate techniques and high level of skill required for its creation, akin to luxury handbags. Handblown Murano glass, for instance, exemplifies this craftsmanship. Originating from an island near Venice, Murano glass has a rich, centuries-old history, with expert techniques passed down through generations. These traditional methods are now evolving to incorporate new styles and trends, attracting a new generation of collectors and enthusiasts. Martina Mondadori, founder of Cabana, highlights the constant desire among Murano glassblowers to innovate while respecting traditional craftsmanship. Technical advancements have further fueled new trends in glassware, particularly concerning colours, finishes, and textures. Vibrantly coloured glassware has become a staple in tablescapes, allowing homeowners to express their personality. Examples include Saint-Louis’ Les Endiablés collection, known for its bold bi-coloured crystal and significant waitlist, and Cabana’s balloton glasses, which feature mesmerizing hues ranging from vivid jewel tones to soft pastels. This evolution indicates a broader trend where functional home items are increasingly becoming integral components of interior design, reflecting personal style and aesthetic sensibilities. #GlasswareDesign #HomeDecorTrends #DecorativeAccents #MuranoGlass #ArtisanalCraftsmanship #InteriorDesign #LuxuryHomeware #TablewareInnovation #ColorfulGlassware

Stained and tinted glass, while an ancient art form, is finding renewed relevance in contemporary interior design. Designers are increasingly incorporating colorful glass accents and large planes of tinted glass to introduce an energizing glow and unique visual interest into modern spaces. This trend moves beyond traditional stained glass windows to include experimental geometric patterns and lighter color palettes, alongside minimalist applications of uninterrupted tinted or filtered glass in features like room dividers and interior windows. Fiona Stone, design development director at Róisín Lafferty, highlights that tinted glass diffuses light and creates an ethereal glow, noting its increased versatility beyond traditional windows and doors. The incorporation of colorful glass transforms both the light quality and the overall ambiance of a room. One approach involves using jewel tones, as seen in a Haussmannian flat designed by Uchronia for a jewelry designer. A rounded, rainbow-hued stained glass window leading to the kitchen infuses the space with a timeless, sanctuary-like feel. Designers suggest that for those unable to install such windows, arranging colorful vases and jugs on windowsills can achieve a similar light-catching effect. Another application is imparting a modern glow through elements like tinted glass balustrades. In a Dublin home, Róisín Lafferty utilized a cobalt blue tinted glass railing for a central staircase spanning four levels. This feature, complemented by surrounding blue surfaces, creates the impression of a growing blue cube, saturating the space with its striking hue and serving as a dramatic visual centerpiece. Tinted glass can also warm up a scheme. César Béjar Studio in Mexico employed a thin layer of amber paper to tint a window in the uppermost part of a house, which, while out of sight, floods lower levels with warm yellow light. This technique contributes to naturally warmer atmospheres, aligning with a current design emphasis on less industrialized materials and enhanced natural experiences. Color can be used to tell a story, as demonstrated by YSG Studio in a Melbourne Victorian home's living room extension. Colored panes were chosen to match the homeowner's Egyptian heritage, perfuming the kitchen and dining area with shades of turmeric and saffron, and reflecting the colors of the tiled floor, thereby harmonizing with the interior's overall color scheme. Colored glass can also be utilized for zoning with decorative screens. Maksym Dietkovskyi of Modektura used textured, multicolored stained glass to create an abstract wall and door behind a headboard, effectively zoning off a walk-in closet. This solution allows natural light to pass through while maintaining visual interest and providing additional lighting from the wardrobe in the evening, blending retro aesthetics with modern functionality. Finally, a warm filter can be added to bathrooms, such as a yellow-tinted shower screen in a Balearic islands bathroom designed by Laplace. This creates a glowing atmosphere, acting like a lens to bestow modesty, add interest to a minimal interior, and reflect the golden light of the environment, softening the space and segmenting the room effectively. #ColoredGlass #StainedGlass #InteriorDesign #HomeDecor #LightingDesign #ModernInteriors #ArchitecturalDesign #HomeRenovation #DesignTrends

Glassware, historically considered less significant than ceramics, is experiencing a resurgence in popularity, driven by a renewed appreciation for its aesthetic and historical value. Collector Mark Hill notes the puzzling disparity in value and scholarly attention between glass and ceramics, despite glass's enduring appeal. Mid-century glassware, particularly pieces from Murano, Sweden, Finland, Denmark, the UK, the US, and Czechoslovakia, remains highly sought after. This era showcased a wide range of styles, from Murano's elaborate, kaleidoscopic designs using ancient techniques like murrine to the modernist simplicity and nature-inspired colors favored by Finnish designers such as Alvar and Aino Aalto with their iconic Savoy vase, and Timo Sarpaneva's textured Finlandia glassware. These designers often influenced each other, with British designers like Geoffrey Baxter drawing inspiration from Scandinavian aesthetics, incorporating natural textures into his designs. The international studio-glass movement, initiated in the 1960s by American artists like Harvey Littleton, democratized glassmaking by enabling individual artists to produce pieces in smaller furnaces, leading to more expressive works. Contemporary homeware brands are now channeling this mid-century aesthetic, exemplified by Danish brand Hay's Splash vase, which utilizes techniques like rolling molten glass over colored fragments. While the visual appeal of glass is a significant draw, current trends also reflect an interest in authentic craftsmanship, a sentiment highlighted by the Netflix series "Blown Away," which showcased the skill and drama of glassblowing. This show also brought attention to the increasing number of women entering the previously male-dominated field of glassmaking. Modern glass artists, such as Deborah Czeresko, the winner of "Blown Away," are also using their craft to explore conceptual and political themes, addressing issues like feminism and environmentalism through installations. Designers like Erwan and Ronan Bouroullec experiment with glass for architectural and conceptual pieces, while artists like Jochen Holz utilize techniques like lamp-working to create unique, asymmetrical glassware in vibrant hues. The industry is also evolving to incorporate more environmentally friendly practices. Manufacturers such as Japanese brand Sugahara and H&M Home are developing ranges from recycled glass and employing energy-saving production methods. British artist Allister Malcolm uses waste lead crystal, reuses offcuts, and powers his studio with solar panels. The "market for craft" report indicates a significant increase in the value of sales for individual glass pieces in England. Emerging trends include the growing popularity of colored glass, as observed by Turkish brand Nude, and a movement towards mismatched sets in tableware, offering greater freedom in design and color, as noted by SCP owner Sheridan Coakley. Technological advancements like 3D printing are enabling more intricate designs, while traditional handcrafted methods, such as lost-wax casting, remain vital for artists like Angela Jarman, ensuring the continued evolution and appreciation of glamorous glassware. #GlasswareDesign #MidCenturyModern #ArtGlass #HomewareTrends #SustainableDesign #Glassblowing #Craftsmanship #InteriorDecoration #NordicDesign

The article showcases nine unique and artistic vessels that transcend the traditional function of a vase, emphasizing their value as standalone art pieces. It highlights how contemporary designers are pushing boundaries in material use and form, blending age-old craftsmanship with innovative techniques. Each featured vessel demonstrates a distinct approach to design, ranging from intricate glasswork to reinterpreted ceramics and sculpted stone. One example is the "Baba Yaga Kiln-Cast Crystal Vessel" by Carol Milne, which employs a labor-intensive knitted glass technique. This process involves creating a plaster mold, casting glass, and meticulously chipping away the mold to reveal an intricate, unique structure, drawing inspiration from Slavic folklore. Similarly, Jolie Ngo’s "Flatpack in Dazzle Camo Glazed Ceramic Vessel" reimagines ancient ceramics through a modern lens, utilizing 3D printing and a vibrant, undulating ombré pattern. Ngo cites digital landscapes like Minecraft and The Sims as her creative influences, resulting in a vessel that feels both familiar and distinctly contemporary. Heami Lee's "Oval and Round Bud Vases in Silver-Coated Porcelain" demonstrate a transformative process where unglazed porcelain is fired and then coated multiple times in silver to achieve a metallic finish. These pieces are designed to develop a beautiful patina over time, embodying timeless elegance. Rafi Ajl’s "Yellow Slump Slatted Saguaro Glass Vessel" showcases a fresh take on glassware, with cherry wood slats creating a textured, surreal, and slouchy form. Ajl's work aims to challenge conventional perceptions of glass, giving it a unique character. Matthew Fisher's "Elegy Vessel in Calacatta Paonazzo Marble" presents a monumental object sculpted from exquisite Calacatta marble, allowing the stone's inherent shimmering nuances to be fully appreciated at its grand scale. Norman Teague's "Extruded Vessel #23" redefines the use of plastic, transforming this commonly discarded material into a unique vessel. Teague's design, inspired by traditional basket-weaving, encourages a reevaluation of how single-use materials can be repurposed and reimagined. Jeremy Maxwell Wintrebert’s "Spirit Fruit Glass Vessel" exemplifies dramatic glasswork. These pieces are created by blowing glass into a sphere that is then deliberately collapsed, resulting in a distinct “ripped open” aesthetic. This series is a re-edition of Wintrebert's earlier works, now available through Holly Hunt. Another piece from Rafi Ajl's Saguaro collection, the "Burnt Yellow Glass Vessel," embodies its prickly inspiration with ridges, bumps, and an organic, lilting form reminiscent of a gold-encased cactus. Finally, Milne's "Whirlwind Kiln-Cast Crystal Vessel" further explores her glass techniques, specifically "knotted glass," which allows for more fluid and swirling forms compared to her earlier knitted glass pieces. These examples collectively highlight how functional objects can double as striking artistic statements in contemporary home decor. #DesignerVases #HomeDecor #ArtisticVessels #ContemporaryDesign #GlassArt #CeramicArt #MarbleSculpture #SustainableDesign #InteriorAccents

Vases are versatile home decor items that function as both ornamental pieces and practical containers for flowers. An interior expert shares her personal approach to selecting vases, highlighting that many of her own collection look appealing with or without floral arrangements. The expert emphasizes that vases make excellent gifts due to their dual functionality and aesthetic appeal. The article compiles a selection of 11 favored vases sourced from both high street retailers and independent designers, all priced under £50. Each chosen vase is described with its unique characteristics and potential styling options. The first recommendation is the Pols Potten Glass Jug, priced at £39. This jug, a popular housewarming gift, features a distinctive hole handle that gives it a sculptural appearance, making it suitable for flowers or as a carafe. Next is the Dunelm Elements Sculpt Two Tone Orange Glass Vase, available for £35. This piece is part of Dunelm’s mid-century modern-inspired Elements collection, notable for its colored glass design that can be styled in multiple orientations, with the blush pink and amber combination being particularly highlighted for its ability to complement tall tulips. Following this, the SGW Lab Cylinder Vase, priced at £30, is introduced. This vase, stocked at Made.com, is celebrated for its craftsmanship, featuring handmade porcelain and vibrant, poppy colors that work well individually or grouped. The Stolen Form London Brick vase, costing £36, is another piece featured from Made.com. These cult vases are inspired by vintage bricks from various British cities and come in a range of colors, making them suitable gifts. The Oliver Bonas Nomi Bud Blue Glass Vase, an affordable option at £12, showcases the current trend for speckled glass and is suggested for styling with dried flowers in muted hues. The Recycled Glassware Co Recycled Blown Glass Vase, priced at £37.50, is presented as an eco-conscious choice. Made from 100% recycled glass with a low carbon footprint, this vase is praised for its irregular shape and is available in six colors, including a captivating sea blue. The Heinen Delfts Blauw KLEI Cylinder Tulip Vase Pink, available at Liberty London for £14, offers a modern take on the traditional Dutch tulip vase with its clean lines and matte blush pink finish. The Not On The High Street Vase Dolomite White, at £49, is noted for its bold lines and pleasing shape, suitable for a neutral aesthetic but also capable of being enhanced with bright red or pink blooms. The H&M; Large stoneware vase, priced at £20, is highlighted for its distinctive silhouette and textured finish, making it a striking centerpiece. The article also mentions H&M; Home’s asymmetric designs in natural tones as alternatives. The Anthropologie Lotus Pod Vase, costing £26, is described as a beautiful stoneware piece inspired by a blooming lotus flower, functional as both a standalone object and styled with flowers, and available in two sizes. Finally, the Rose & Grey Rust & Caramel Terracotta Vase With Handles, currently 20% off at £172, is recommended for its unusual shape and scalloped pattern in rich, earthy colors, representing a well-made and distinctive item. #VaseDesign #HomeDecor #InteriorStyling #HomewareTrends #AffordableDecor #GlassVases #CeramicVases #GiftIdeas #DecoratingTips

French design duo Ronan and Erwan Bouroullec have launched a new collection of architectural glass panels, developed in partnership with Skyline Design. This collection, which debuted at NeoCon, received a Silver award in the Architectural and Decorative Glass category. The project represents a thoughtful exploration of color, light, and scale, drawing inspiration from various observations in their daily lives. The design process began with the brothers capturing photographs of their surroundings, ranging from natural landscapes to urban scenes. The aim was to distill the inherent sensations of colors and light present in these everyday moments. From a selection of eight initial images, Erwan Bouroullec utilized a custom computer script to analyze the color information. This script then condensed the captured colors into a unique base color for each panel, simultaneously transforming the rhythmic qualities of the original images into distinct patterns. A subsequent layer of translucent patterns further enhances this foundational color, resulting in a multitude of additional color variations. The patterns are delineated by a darker outline, intentionally designed to evoke the lead lines found in traditional stained glass. This technique aims to mimic how lead frames shape the visual experience of stained glass, with the lines in the Bouroullec panels subtly influencing the distribution and density of colors, creating an almost imperceptible shift. The Bouroullec brothers specifically sought to reinterpret the captivating qualities of stained glass found in medieval cathedrals. Their objective was to translate the immersive and atmospheric experience of these historical artworks into contemporary architectural glass. The complex interplay of color and line within their panels is designed to create a sensation of being enveloped within an abstract landscape, evoking a similar sense of wonder that one might experience in a medieval cathedral. Skyline Design’s digital print and manufacturing capabilities bring these designs to fruition. The panels offer considerable customization options in terms of size, scale, and color, allowing them to be adapted for diverse applications. The collection features four distinct pattern variations: Oblique Regular, Oblique Bold, Chevron Stroke, and Chevron Fill. Each of these patterns is available in four monochromatic color schemes or four polychromatic palettes. These versatile glass panels can be integrated into various architectural contexts, both internal and external. Potential interior applications include feature walls, space dividers, and stair railings. For exterior use, the panels can be incorporated into facades, railings, and canopies, demonstrating their adaptability to different design needs and environments. #BouroullecBrothers #StainedGlass #ArchitecturalGlass #SkylineDesign #ColorAndLight #DesignInnovation #InteriorDesign #ExteriorDesign

The presence of fresh flowers in a home can significantly enhance its atmosphere, providing a burst of color, delightful fragrances, and an overall sense of freshness. The selection of an appropriate vase is crucial for effectively displaying these floral arrangements, transforming them into focal points within any room, from a welcoming hallway to a cozy living space. This curated collection showcases a variety of glass vases designed to complement different types of seasonal bouquets and interior styles. Among the selections is the Large Broadwell Glass Vase from Garden Trading, priced at £12. With dimensions of H30 W14.5 D14.5 cm, this vase is characterized by its strong, simple lines and wide base and neck, allowing for a balanced and complete display of slender arrangements. Its understated yet bold design makes it a versatile choice for various floral presentations. For those seeking a more substantial decorative piece, Habitat offers the Opal White Glass Bottle Vase at £50, measuring H70 D28 cm. This large bottle vase is ideal for showcasing brightly colored, long-stemmed flowers like lilies or can serve as an elegant standalone decorative item. The Wave Vase, available from Not On The High Street for £21 (H16 D15 cm), is specifically designed to prevent tulip stems from drooping, thanks to its tapered shape. Crafted from hand-blown recycled glass, its simplicity and elegance make it suitable for any floral display. Another option for adding a touch of contemporary flair is the Metallic Glass Vase from Barker and Stonehouse, priced at £40 (H35.5 D14 cm). This vase features a reflective glass frame that beautifully catches light, enhancing its metallic finish. It can stand alone as a decorative piece or highlight white hydrangeas, aligning with current metallic trends without overwhelming the interior. For a statement piece, Wilko's Handkerchief Vase, at £10 (H25 W18 D18 cm), offers a unique black smoked glass design from their Spring/Summer home collection. It is perfect for displaying both fresh and faux flowers or potpourri. The Star by Julien Macdonald Designer Glass Swarovski Gift Boxed Swirl Vase, available at Debenhams for £35 (H25 D13 cm), adds a touch of luxury with its delicate Swarovski crystal embellishments on a hand-cut swirl design, making it an elegant addition to any home. Laura Ashley's Garden Birds Printed Vase, priced at £21 (H25 D12 cm), combines country charm with functionality. Its charming garden birds print on glass makes it a statement piece, particularly suited for kitchens with a garden view, adding a natural element to floral displays. The Sapphire Glass Vase by Miafleur, sold by Not On The High Street for £51 (H35 D10 cm), boasts a striking combination of sapphire blue glass and a gold band. This opulent design requires only a single large bloom to create an impressive centerpiece, and its inherent beauty allows it to serve as a decorative item even when empty. The Aurora Mercury Gold Glass Vase from Artisanti, at £9 (H12 W10 cm), is an exquisite display ornament with a shiny metallic finish on the inside that creates a spectacular golden effect through its dimpled glass exterior. Finally, the RBG Kew Cow Parsley Vase from House of Fraser, costing £50 (H16 cm), features original nineteenth-century botanical illustrations from the Royal Botanic Gardens, Kew archives. Depicting fern leaves and white flowers, this vase brings the essence of the outdoors into the home, making it a truly unique piece. #GlassVases #HomeDecor #FloralArrangements #InteriorDesign #VaseSelection #DecorativeAccessories #HomeStyling #SeasonalDisplays #AffiliateMarketing

Uranium glass, known for its distinctive neon-green glow under blacklight, is a highly sought-after vintage item among collectors. This unique glassware, often found through secondhand shopping, contains uranium as a colorant, a practice that originated in Bohemia in the mid-1800s with glassmaker Josef Riedel. Initially popular, the use of uranium in glass was regulated by the U.S. government in 1943 to conserve the material for atom bomb production. Deregulation in 1958 led to a resurgence in popularity, particularly between 1958 and 1978, with over 4 million decorative pieces produced using depleted uranium. However, by the 1970s, U.S. glassmakers phased out uranium in favor of more accessible colorants, though it is still used in some other countries. Despite its radioactive component, experts like Dr. Paul Frame, a senior health physicist, affirm that collecting uranium glass poses an "incredibly small" risk. He notes that naturally occurring uranium is ubiquitous in the environment, and its use as a coloring agent dates back to the Romans. The low levels of radiation emitted by vintage uranium glass can be detected by a Geiger counter but are generally considered safe for display in homes. Concerns about radioactivity are often heightened by fictional portrayals, but scientists frequently reassure collectors within online communities about the safety of these items. Collectors are drawn to uranium glass for its aesthetic appeal and the "weird and wonderful" experience of seeing it fluoresce under UV light. Sarah Cooper, a collector from Ohio, uses a blacklight during her secondhand hunts to identify genuine uranium glass. Malissa Nicholson, an administrator of a large Facebook group for secondhand finds, highlights the excitement and occasional surprise of discovering a glowing piece. She suggests that estate sales, especially those with numerous glassware items, are prime locations for finding uranium glass. Whitney Granger, a vintage jewelry collector, also found her passion for uranium glass through online communities. She created a Facebook group dedicated to uranium glass jewelry and displays her glowing rings, brooches, and beads in a custom-built curio cabinet. Granger advises aspiring collectors to blacklight everything, as uranium glass jewelry can come in various colors, not just green. She also clarifies that while resin, acrylic, and plastic can glow due to polymers, a bright green glow in glass under blacklight confirms it as authentic uranium glass. This unique characteristic makes uranium glass a prized and captivating collectible. #UraniumGlass #VintageCollectibles #RadioactiveGlassware #SecondhandShopping #HomeDecor #Antiques #GlassCollecting #BlacklightEffects #DecorativeGlass

New York-based design studio Trueing has unveiled its latest lighting collection, Cerine, at this year's NYCxDesign festival. The collection, which includes two pendants, a floor lamp, and a sconce, features bold, hand-formed chain links made from thick borosilicate glass in a variety of vibrant colors. The Brooklyn studio, co-founded by Aiden Bowman and Josh Metersky, aimed to offer an "interesting spin on the familiar" by reinterpreting traditional chain motifs found in jewelry, industrial settings, and architectural ornamentation. The design draws inspiration from diverse sources, such as delicate golden chain necklaces, robust metal chains seen in shipyards, and the decorative elements on Beaux-Arts building facades. Metersky explains that while chain is a common element in traditional lighting design, Trueing sought to create a fresh interpretation, making the chain itself the focal point rather than merely a functional component. Each individual chain link is precisely seven centimeters wide and twelve centimeters tall, and can be customized in seven opaque or transparent color options to suit various bespoke arrangements. Beyond their aesthetic contribution, the glass chains play a crucial role in the structural integrity of the lights, allowing them to be positioned and held in place. The metal finishes accompanying the glass elements are available in brushed brass, satin or polished nickel, and oil-rubbed bronze, providing a range of complementary material options. Metersky highlights the unique character of the hand-made links, noting that their individual imperfections contribute to a cohesive and natural overall appearance. The Cerine series showcases different applications of these distinctive chains to support mouth-blown glass bulbs. One pendant design uses two hooks to suspend the fixture from the ceiling, creating a significant, inverse-arch-like droop. The sconce variant incorporates three glass links that dangle from a metal arm, which in turn holds the light bulb. The floor lamp design features nine stacked pieces of Carrara marble forming its base, with five pastel pink glass links suspended from an arched arm that supports the glass orb. The glass orb itself can be specified in classic white opaline or a selection of custom colors. Trueing launched the Cerine collection through a partnership with Pas De Calais, a Japanese clothing store situated in Manhattan's Soho district. This collaboration was deemed a natural fit due to the shared design sensibilities between Trueing and the fashion label, both prioritizing purity, nostalgia, and a refined, elemental approach to traditional forms. Bowman emphasized that the collection's essence—recalling traditional design pieces rendered in a reductive manner—aligns perfectly with Pas De Calais's ethos and aesthetic. The Cerine exhibition at 482 Broome Street was open until the end of May, coinciding with NYCxDesign 2019, which ran from May 10th to 22nd. This marks Trueing's second collection, following their debut range launched in January at The Future Perfect in Manhattan. The NYCxDesign festival also featured other notable exhibits, including Workstead and Calico Wallpaper's designs showcased at New York's Arcade Bakery, and an immersive lighting installation by Snarkitecture. Photography for the Cerine collection was provided by Lauren Coleman, with additional images by Alan Tansey for the installation at Pas De Calais. #LightingDesign #GlassChains #NYCxDesign #ProductDesign #InteriorDesign #TrueingStudio #HandFormedGlass #DesignExhibition #CerineCollection