Designer Mia Vesper Defines Her Home With Vintage Textiles and Peach-Colored Paint

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

Kacey Primer, the owner and founder of Marietta-based interior design firm 26th & Oregon, brings a unique blend of function and personality to family homes. Ten years ago, Primer, a Texas native, felt a calling for a fresh start, leading her and her partner, Michelle, to move from Milwaukee to Cobb County. This decision marked a new chapter, allowing Primer to pursue her long-held dream of becoming an interior designer. The couple quickly established their business in 2015, with Kacey focusing on design concepts and Michelle managing project execution and contractor coordination. The firm's name, 26th & Oregon, pays homage to the Milwaukee streets where they first met two decades ago, symbolizing their enduring partnership in both life and business. 26th & Oregon offers a comprehensive range of bespoke design services, including full-service renovations, home refreshers, consultations, e-designs, and a curated online shop. The firm caters to a diverse clientele with varying design preferences, from traditional to maximalist and mid-century modern styles. While Kacey has experience in both commercial and residential projects, her specialty lies in single-family homes. Her design philosophy emphasizes creating functional yet aesthetically pleasing spaces, incorporating eclectic details and unexpected charm to make homes feel uniquely lived-in and cherished. Primer describes her personal style as contemporary with a modern flair, often featuring whimsical pops of color, bold artwork, and upholstered accent chairs, all while ensuring that family homes can be both stylish and practical. A core belief for Primer is that everyone deserves a beautiful home, regardless of their lifestyle. Primer's inspiration is primarily drawn from her clients' aspirations for their spaces, paying close attention to minor details such as art collections or even shoe choices to visualize a design that perfectly aligns with their aesthetic desires. She embraces each new project as an opportunity for creative exploration, keeping up with the latest design trends through social media, publications, and home markets, though always adapting them to suit her clients' individual preferences. Primer also encourages clients to venture beyond their comfort zones, subtly introducing elements of the 26th & Oregon aesthetic, even for those who prefer a minimalist approach, through accents like rugs or art pieces. Her creative foundation was built in a childhood home filled with DIY projects and artistic endeavors, influenced by her mother's passion for home improvements and her late father, radio legend Bobby O’Jay's, entrepreneurial spirit and eloquence. These influences instilled in her a natural inclination for self-expression through design and business. Initially viewing interior design as a hobby, Primer's confidence grew through personal home renovations and collaborations with contractors. Her experience in event planning, which involved transforming spaces with unique themes, solidified her vision for a full-time career in design. Looking ahead, Primer aims to expand 26th & Oregon, planning to take on more commercial projects and establish a brick-and-mortar store in the coming years. She envisions the business as a family legacy, to be passed down to future generations. Primer also highlights the connection between interior design and mental well-being, believing that comfortable and beautiful living spaces contribute to a better quality of life. She intends to evolve 26th & Oregon into a broader lifestyle and wellness brand, all while remaining focused on her own path and avoiding comparisons, underscoring the importance of forging one's unique journey in entrepreneurship. Primer offers practical tips for homeowners looking to elevate their spaces, including advice on curtain styling, minimizing glass decor, decluttering, organizing throws, embracing negative space, and experimenting with furniture paint and hardware upgrades. Additionally, she suggests DIY hacks for a luxurious look, such as adding trim to soft furnishings, upgrading cabinet hardware and switch plates, layering lighting, creating custom accent pillows, mixing old and new decor, and using art frame TVs or custom frames for existing televisions to display art, along with layering rugs for a sophisticated touch. #InteriorDesign #HomeDecor #KaceyPrimer #26thAndOregon #Marietta #EclecticDesign #FunctionalHomes #DIYHome #DesignTips

Molly Mahon, a pattern designer, has transformed her English country cottage into a vibrant and highly personalized home, showcasing her unique block-printed designs throughout. The cottage, which dates back to the 1600s in its oldest parts, underwent significant renovations a decade ago, including moving the staircase to improve flow and lowering ceilings to accommodate her tall husband. During this period, Mahon and her family lived in tents in the garden for eight months, an experience she now humorously reflects on as a time of simplified living. Mahon's design philosophy centers on layering her own colorful fabrics and wall coverings, which she block-prints herself. She aimed to use her own creations, making the decorating process feel more intuitive. A prominent feature of her home's aesthetic is the extensive use of pink, specifically Farrow & Ball’s Pink Ground paint. Despite the cottage's forest location, which could make it feel dark, Mahon strategically applied pink in multiple rooms, noting its warm and comforting glow. She even admits that if she had her way, the entire house would be pink. Her home is filled with accumulated furniture and objects from previous residences. Mahon actively engages in DIY projects, such as creating needlework cushions backed with fabrics from her studio. The fireplace mantel is adorned with paintwork inspired by the nearby Charleston estate, a historical gathering place for the Bloomsbury Group. In the kitchen, plain shelves are given an inexpensive yet distinctive touch with block-printed paper edges cut into scallops, demonstrating her resourcefulness with scrap materials. The unstructured "skirt" lampshades found throughout the house are another example of her DIY approach, a design she loved so much that she began selling them. Mahon challenges the notion of craft being "granny-ish," emphasizing its transformative impact on her life. She also advocates for the use of bold patterns in tight spaces, such as hallways or staircases, to create a sense of depth and openness. Her own "ridiculously narrow" landing features oak leaf wallpaper, block-printed by her on-site, which effectively expands the visual space. The primary bedroom embodies a maximalist approach with clashing prints. Mahon, disliking white rooms, used a large swath of fabric behind the headboard as an alternative to a four-poster bed or framed artwork, providing a safe and stylish solution. Simple slatted-wood bedside tables with glass tops are strategically placed to incorporate more soft furnishings. The children's bedrooms, designed with her own upholstered fabrics, are intended to be timeless, accommodating their growth through teenage years. Guest accommodations are flexible, with Lani's room, for instance, featuring two movable single beds to facilitate sleepovers. Each room is designed to have its own character while remaining comfortable for anyone, aligning with Mahon's overarching aim of creating an inviting and personal living space. #HomeTour #TextileDesign #BlockPrinting #EnglishCottage #DIYHomeDecor #MaximalistDecor #PinkInteriors #PatternDesign

Designer Heather Peterson utilized her South Minneapolis family home as a creative laboratory to explore design concepts not yet ready for client projects. What began as a plan for a quick refresh during the pandemic evolved into a comprehensive overhaul involving her entire firm, fostering ideation and innovation among the team. Peterson aimed to showcase a more eclectic, spirited, and modern aesthetic compared to her typical client work, transforming her home into both a personal living space and a design portfolio piece. The main challenge involved designing for her own idiosyncratic tastes and integrating existing high-quality fixtures that she chose not to remove. The home, originally built in 2007, featured a 'modern Scandi' and 'contemporary A-frame' style, providing a strong foundation that Peterson and her team enhanced with rich colors, graphic shapes, and numerous vintage finds to infuse personality. The project also emphasized collaboration with local Minneapolis vendors, highlighting a 'love affair' with the city's talented and unique suppliers. The home spans 2,100 square feet, featuring 3 bedrooms and 3 bathrooms. The living room's layout presented a challenge due to multiple entry points and architectural quirks, including an off-center window and an odd structural element. Peterson addressed this by employing symmetry, leveraging vintage furniture, including a redwood burl coffee table inherited from her parents, to balance the space and add character. Adjacent to the living room is the versatile "Room of Requirement," named after the Harry Potter concept, which has served various functions such as a home office, Lego room, music room, and library. This space is currently a cozy flex area used for work, art, and family game nights. Peterson reinforced its cocoon-like ambiance with a custom brown paint, contrasting white elements, and ample storage to accommodate books, trinkets, and art. The dining room, central to the house with sightlines to several other areas, was designed to anchor the home’s aesthetic through a mix of colors, textures, and silhouettes. To add volume and prevent it from feeling like a mere pass-through, Peterson incorporated a large pendant light, an armoire, and artwork, complemented by cork wallcovering and an embroidered rug. In the kitchen, Peterson opted for a cosmetic facelift rather than an extensive renovation, satisfied with its existing layout and functionality. She transformed the space into a focal point of the first floor by applying a bold, 1970s-inspired green paint to the cabinetry and adding oversized ceramic knobs for a whimsical touch. A countertop lamp contributed to the ambiance, emphasizing Peterson's preference for varied lighting. The powder room was revitalized within its original structure, featuring a fresh coat of Farrow and Ball's Preference Red paint on the washstand-style sink and Sandberg's Raphael wallpaper, a long-loved choice that adds a magical feel to the small space. Theo’s room, for her eldest child, combines bold prints with a sophisticated navy and oxblood palette, using faux-wainscoting and a tall bed system to optimize the room's proportions. The primary bedroom, visible from multiple public areas, was designed for coziness and visual appeal, with paper-backed William Morris fabric on the walls, blending historical and modern elements. The room incorporates three florals and two patchworks, maintaining a dynamic yet cohesive look with a tight color palette. Eleri's room, for her daughter, despite its small size and upholstered goods, achieves visual interest and a calm atmosphere through subtle prints and a palette of dusty blues, greens, and mustard. The primary bathroom retains many original finishes, with strategic updates like Fireclay's rosemary tile, which, with its varied glaze, integrates seamlessly with the marble floor. Wicker accents add warmth, while red faucets introduce a lively element, with textiles completing the cohesive design. Heather Peterson Design is based in Minneapolis, Minnesota, and focuses on translating client tastes into personal, functional, and stylish homes, embracing diverse design styles and blending client preferences into cohesive designs. This home tour serves as a testament to Peterson’s design philosophy and her firm’s creative capabilities. #InteriorDesign #HomeRenovation #EclecticStyle #MinneapolisDesign #HeatherPetersonDesign #VintageDecor #ColorPalette #RoomDecorating #HomeTour

Fashion illustrator Megan Hess, renowned for her elegant line drawings, resides in a meticulously designed three-bedroom apartment in Port Melbourne, Australia, with her architect husband, Craig Yelland, and their two children. The couple transformed the roof space of a Victorian church into their family home, prioritizing a sense of calm amidst the bustling street below, which is lined with shops, cafes, and is close to the beach and parks. The apartment's design emphasizes an airy, light-filled main living space, serving as the heart of the home. The ambiance shifts with the seasons, from open doors inviting salty beach air in summer to cozy candlelight in winter. Megan's aesthetic draws inspiration from glamorous interiors, particularly Coco Chanel's apartment at the Ritz in Paris. This influence is evident in her choice of a neutral backdrop featuring white walls and polished jarrah wood floors. She incorporates velvets and silks in classic creamy tones, accented with striking black and white elements such as striped wallpaper and graphic tiles in the kitchen and bathroom. This monochrome palette serves as a deliberate contrast to the vibrant colors and patterns found in her professional artwork, allowing her mind to be free for creative expression within a pared-back environment. The home reflects a blend of custom-made pieces and vintage finds. Craig, Megan's husband, custom-designed much of the furniture, including discreet, concealed storage solutions throughout the apartment. Megan complements these bespoke elements with unique vintage items she has collected during her travels, adding character and personal history to each space. Her philosophy is that any beloved art or sentimental piece will seamlessly integrate into the existing decor, regardless of its individual style. Each room features a distinct, eclectic chair to provide a focal point and character. An example is a reupholstered bergère armchair. The wallpaper in one of the bedrooms is identified as Spalding Stripe by Ralph Lauren, and the bed in that room was custom-designed by Craig. Fashion prints, reminiscent of Megan's work, are displayed, including an original illustration of Coco Chanel's room from her book "Fashion House." Megan's personal spaces, such as her walk-in wardrobe, demonstrate her organized approach, where everything is color-coded for quick access. She cherishes pieces with sentimental value, like her first Chanel bag. The bathroom features a custom-made black granite vanity unit, with similar tiles suggested as Topps Tiles Baroque Charcoal and taps from Archiproducts. Decorative items like a gold-lidded ceramic dish by Jonathan Adler and an urn from Rural Interiors add sophisticated touches. Floor-to-ceiling glazed windows and doors connect the interior to an outdoor terrace. Her home studio, though small, is described as a highly creative and positive space, filled with a "silly, lovable" collection of photos, illustrations, and objects. A wall in the studio displays a collection of her illustrations and favorite photographs, with a Tiffany blue wall color recommended for a similar effect. Her work table features a specially made Montblanc pen, affectionately nicknamed 'Monty,' which she uses for all her illustrations. Her daughter Gwyn's room is painted in a vibrant pink, chosen by Megan to be enjoyed during her childhood, with similar paint options from Dulux and a comparable chair design from Made. Megan Hess's home is a testament to sophisticated design, personal touches, and functional elegance, providing both a sanctuary and an inspiring environment for her artistic endeavors. #FashionIllustratorHome #MeganHess #HomeDesign #VictorianChurchConversion #MelbourneApartment #GlamorousInteriors #MonochromeDecor #CustomFurniture #VintageFinds

This article details the transformation of a 1915 San Francisco home by designer Kevin Sawyers, who aimed to imbue it with the vibrant personal style of its owner. Although the house was in good structural condition, it lacked personality and cohesive color. Sawyers addressed this by developing a “lip-smacking and playful, but certainly sophisticated” color palette that directly reflects the homeowner's wardrobe choices. The design strategy involved a tight edit of recurring colors to create cohesion and whimsy. For instance, the deep red from the dining room wallpaper reappears on the kitchen backsplash, family room rug, and as the guest bathroom’s wall paint. Similarly, a peachy orange from the kitchen island is echoed in the primary suite. This intentional repetition of strong colors ensures a unified yet dynamic aesthetic throughout the home. Beyond color, the project emphasized custom woodworking, which serves as a grounding element for the bold palette. Built-in case goods and white oak murals cover many walls, providing functional storage and integrated furniture. These custom pieces also feature unique decorative elements, such as mountain range murals inspired by the family’s vacation to Switzerland, adding a personalized touch. Despite minimal structural changes, primarily limited to the children’s bathroom, the three-bedroom, three-and-a-half-bathroom home underwent a complete aesthetic overhaul. Virtually every surface was altered, updated, or replaced, making it unrecognizable from its initial state. The extensive design efforts ensured that the house not only became a reflection of its owner but also achieved a joyful, stylish, and clean atmosphere. Key areas of the home showcase this design philosophy. The entryway features a graphic 3D wall mural depicting Swiss mountains and practical storage solutions with circular wall knobs. The living room introduces the home’s ethos with a fireplace framed in Heath Ceramics tile, a nod to the client’s collection, and playful elements like an arch painted on the wall. The family room and playroom embody a flexible, family-friendly style, with wood slats providing subtle separation and a nocturnal Swiss mountain mural in the stairwell. The kitchen features updated cabinetry painted in bold colors like Snowy Shadow and Mysterious Blue, complemented by light fixtures and tiles that match the vibrant hues. A tucked-away pantry adds a playful touch with neon green floating shelves. The breakfast nook, designed for versatility, includes a custom banquette and fluted details that echo design elements found elsewhere in the house. The dining room offers a sleek space for entertaining, with Lee Jofa wallpaper over wainscoting and Benjamin Moore Magenta paint. The primary bedroom provides a tranquil retreat with softer tones like Daytona Peach, while the primary and guest bathrooms incorporate punchy hues, durable materials, and retro-inspired elements like terrazzo-style concrete countertops, maintaining the home's overall vibrant theme. #HomeDesign #InteriorDesign #ColorPalette #CustomWoodwork #SanFranciscoHome #PersonalStyle #ResidentialDesign #VibrantInteriors #HomeRenovation

Jessica Davis, founder of Atelier Davis and creative director of Nest Studio, shares her current design inspirations, which are heavily influenced by Miami's oceanside landscape and Art Deco architecture. Her approach blends sophistication with a playful whimsy, seeking a balance between intriguing elements and lighthearted touches. Davis draws specific inspiration from the pattern play found in Streamline Moderne buildings and the nautical motifs prevalent during the heyday of steamships. Her color palette, while acknowledging Miami's perpetually warm climate, incorporates grounding browns and moody blues to provide a sense of escape and depth. She describes these as "complex browns with purple or red undertones" and "inky tones that remind me of the turbulent ocean," ensuring they remain interesting despite their moodiness. To offset these deeper hues, she integrates naval-style elements, such as ropelike cord and hardware featuring porthole designs. This circular motif is subtly echoed in her choices of embroidered fabric and printed wallpaper, creating a cohesive visual theme. Davis highlights several specific items that embody her current aesthetic. For textiles, she selects Zak+Fox's Temari fabric for its Japanese-inspired feel and subtle yet provocative colors. Maharam's Firma fabric is chosen for its durability and intriguing weave, mixing blue and purple in a textural wool. The Kettlewell Collection's Vera fabric, a large-scale cotton patchwork, appeals to her for its compelling nature, while Knoll Textiles' Cato fabric in green provides an impactful and unexpected pop of chartreuse. Larsen at Cowtan & Tout's Tanago fabric in ivory is favored for its nubby, nautical texture and durability. In terms of hard surfaces and architectural elements, Davis is enthusiastic about Townsend Harbor Brown paint by Benjamin Moore, appreciating its rich, complex brown tones. She expresses a particular interest in sophisticated glass blocks, specifically the Thickset 90 Endura Glass Block by Seves Glass Block, moving beyond standard wavy 1980s styles. Adelphi Paper Hangings’ Viennese Trees wallpaper, a 1920s pattern, is admired for its blend of architectural and organic Art Deco aesthetics. For stone, she opts for Rosso Luana marble by ABC Stone, seeking a dark and moody, high-impact stone with significant movement, departing from white-background marbles. Custom metal samples with cooler finishes are also incorporated to add to a project's distinctiveness. Her own Nest Studio Aperture handle in waxed white oak is chosen for its integral yet interesting linear and minimal design, suitable for wood cabinets. The Shade Store’s Waterfall woven wood shade in Sienna Almond is included to introduce texture and soften interiors dominated by hard surfaces. A custom textured rug by Marc Phillips, made of wool, serves as a sophisticated yet durable base layer. Finally, nylon cord in gold and blue from Knot & Rope Supply offers a fun element for custom furnishings, and Bilbao tile by Bert & May provides a patterned, muted, and weathered floor option that feels both historic and contemporary. #InteriorDesign #JessicaDavis #AtelierDavis #NestStudio #MiamiInspired #ArtDeco #StreamlineModerne #MaterialSelection #ColorPalette

The "messy girl" aesthetic, a grungier evolution of Y2K styles and an antithesis to the "clean girl" aesthetic, is gaining traction in home interiors. This trend embraces warmth, comfort, and self-expression over perfection, taking inspiration from figures like early-aughts Drew Barrymore, Jane Birkin, and Ashley Olsen. Interior designers highlight that the term "messy" is often misunderstood, emphasizing the intentionality behind the aesthetic rather than suggesting chaos or carelessness. This style is not about random clutter but about curated collections that reflect personality and a lived-in feel. Key elements for achieving the "messy girl" aesthetic at home include incorporating vintage and well-loved pieces. Secondhand shopping is crucial for finding items with a natural patina, which contributes to the cozy, worn-in feel. Layered textiles, such as velvet, linen, and soft fabrics, are essential for creating comfort, along with mismatched throw pillows, blankets, and even floor pillows for a bohemian touch. Open shelving is also a prominent feature, allowing for the display of knickknacks, books, used candles, and eclectic art, all contributing to the intentionally cluttered yet structured environment. Designers stress that while the look appears effortless, there is a strategic approach to organizing these displays, ensuring they are meaningful and visually appealing rather than genuinely chaotic. In terms of pop culture influences, designers point to diverse figures and eras. Audrey Hepburn's character Holly Golightly in "Breakfast at Tiffany’s" is cited as an example, with her unpolished yet creative and lived-in apartment embodying the aesthetic's vibrancy. The grunge era of the 1990s, particularly the music videos of artists like Alanis Morissette and Gwen Stefani, is also recognized for its "messy girl energy." More recently, Coco Greenblum notes Charli XCX’s “brat summer” movement from 2024, which encouraged self-confidence and authenticity, aligning with the aesthetic's embrace of imperfection. Color palettes for the "messy girl" aesthetic tend to be moody and reflective of early 2000s grunge. This includes darker hues, mixed colors, deep reds, rusts, blacks, and dusty blues, offering an alternative to minimalist whites and blush tones. Designers also suggest incorporating vibrant colors like fuchsia and magenta for a bolder statement or opting for muted earth tones such as sage green, mustard, and terracotta for a cozy and organic feel. Mixed metals can further enhance this look, providing a sense of grounding without being overwhelming. Layering extends beyond textiles to accessories, where stacked books, thrifted ceramic bowls with jewelry, and mohair throws create depth and visual interest. Imperfect symmetry is another defining characteristic, moving away from perfectly matched furniture and decor. Instead, it involves arranging items in a slightly off-center or unexpected manner, such as an asymmetrical gallery wall or different chairs framing a table, to achieve an organic and relaxed balance. Wall decor plays a significant role, with gallery walls featuring a mix of black-and-white and color images, ripped book pages, fabric scraps, or 3D elements like paper fans and propagated plants, all arranged with a carefree yet curated approach. Lastly, maintaining a consistent theme, even with eclectic pieces, helps prevent chaos, ensuring that all items, regardless of their individual style, complement each other to create a cohesive and personalized space. Bringing nature indoors with houseplants and potted trees adds a fresh and grounding element, enhancing the overall sense of ease and natural imperfection.

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

This blog post outlines current spring home decor trends as advised by an interior designer mother. The trends encompass various items suitable for different areas of a home, from children's rooms to outdoor spaces and dining areas. The first recommendation is for wicker animal-shaped baskets, specifically an elephant basket from West Elm, which serves as both decor and storage for toys. A more luxurious elephant side table from Serena and Lily is also suggested as a high-end alternative. Another practical yet stylish trend highlighted is the use of thin, indoor doormats that do not obstruct door swings. The Porte & Hall "Insider" doormat is presented as an example, praised for its slip- and water-resistant properties and availability in multiple patterns, effectively catching dust and dirt at an entryway. The article then moves to decorative accents, suggesting vintage silver pieces, specifically rose vases. These unique items, often found on Etsy, are noted for their ability to add a classic touch to any room and can be used for small floral arrangements. Following this, vintage typewriters are introduced as a display piece trend, not only for their aesthetic appeal but also for their functionality, adding a nostalgic flair inspired by pop culture. Outdoor living is addressed with a recommendation for square-backed Adirondack chairs. These chairs are favored for their comfort, durability, and weather-resistant qualities, making them suitable for beaches, sports games, or backyard lounging. A West Elm version is noted as a premium option. For indoor entertainment, a multi-game Carrom board is suggested as a decorative item that doubles as a fun activity for children and guests, offering versatility for various games like checkers and pool. Small decorative items also feature prominently, including hand-carved egg stones, available in jade and beige, which are believed to bring positive energy to a home and can be used as paperweights or bowl fillers. Vintage-inspired watering cans made from weather-resistant steel are another trend, blending functionality with an antique look, with an Anthropologie option from England mentioned for those seeking a splurge. Bedroom decor is covered with a focus on rattan headboards, specifically a dark walnut wood option from Walmart. These headboards offer texture and an airy feel, providing a vintage aesthetic at an accessible price point. For living areas, washable rugs with vintage-inspired designs, such as the Cozey Olivia Periwinkle Grey rug, are recommended for their durability and ease of cleaning, especially for households prone to spills. Dining and gifting ideas include hand-painted taper candles adorned with floral designs, which can serve as centerpieces or thoughtful gifts, featuring non-toxic paint for safe burning. Seagrass placemats with wavy rims are suggested for natural tablescapes, ideal for outdoor gatherings. Lastly, personalized cutting boards, which can be engraved with handwritten recipes, are highlighted as a sentimental and practical gift idea that can be displayed year-round. An example from Etsy by WoodHaveSaid is mentioned. #HomeDecor #SpringHomeDecor #InteriorDesign #DecorTrends #WickerAnimals #AdirondackChairs #VintageDecor #WashableRugs #RattanHeadboards

Laura Collins, a designer with For Porter, transformed her 1958 rental bungalow in Calgary into a vibrant, English-inspired family home, largely by incorporating cherished heirlooms from her Grandmother Audey and embracing a bold pink color palette. Despite the property being a rental, Collins was determined to infuse it with character, drawing inspiration from its existing features like pink terrazzo floors in the primary bathroom and unique fluted glass in the entry. The home's layout, while somewhat unconventional with its chopped-up rooms, offered a kid-friendly environment, a significant improvement from their previous multi-level Victorian. Collins's design approach was deeply influenced by her grandmother's timeless taste, ensuring that even with modern updates, the pieces retained their original charm. She integrated a 100-year-old pine hutch into the dining room and a floral Laura Ashley sofa into her studio, items that once graced her grandmother's home. The designer’s love for color became evident as she navigated the landlord's only two painting restrictions: no purple or black. This led her to a pink-centric scheme, starting with the primary bathroom where she used Benjamin Moore’s Rosedale for the wall paneling and a lighter hue, Soulmate, above the molding. This bold decision marked a shift from years of muted interiors, as Collins decided to wholeheartedly embrace painting her house pink. Beyond the bathroom, Collins extended her colorful vision to other areas. The sunken den was painted in Benjamin Moore’s Amaryllis, while the library bookcases, custom-built by her father-in-law, received a coating of Savannah Clay. This terracotta-tinged shade was also applied to the adjacent sitting room after an initial attempt with a 'bubblegum' pink proved too sweet. Collins describes her aesthetic as walking a fine line between a colorful home and a 'funhouse,' but ultimately, the playful environment is designed for her children, reflecting this particular stage of their lives. She envisions a more muted aesthetic for a future era. Textiles play a significant role in Collins’s design, influenced by her background in fashion design and marketing. She frequently circulates a collection of pillows throughout the house and involves her children in the process. She is a proponent of finding deals on furnishings, like the $150 Parsons chairs in the den, which allows her to invest in fresh upholstery. This practice aligns with her admiration for English aesthetics, where furniture pieces are continually reupholstered and passed down through generations. The kitchen, however, presented a challenge, forcing Collins to minimize her belongings due to limited cabinet space, leading her to appreciate a more minimalist approach to kitchen essentials. The rental also features intriguing architectural details, such as clever built-in nooks and crannies, including a shoe cubby leading to the basement, suggesting the original homeowner was a millworker. Collins embraced these elements, even tackling a DIY painting project in the mudroom with Farrow & Ball’s Citron, an undertaking completed between nap times. The overall design emphasizes a personalized and joyful living space, demonstrating how a designer can transform a rental into a deeply personal home using inherited items, strategic color choices, and a focus on family life. #HomeTour #InteriorDesign #RentalDecor #PinkInteriors #VintageFurniture #FamilyHome #DesignInspiration #ColorPalette #HeirloomFurniture

Becky and David Anderson, after living in Los Angeles and Boulder, Colorado, decided to create a vibrant and welcoming home in Minneapolis, near Bde Maka Ska, when they relocated in 2020. The couple, known for their hospitality, aimed for a space where guests would feel comfortable and at ease. Their previous homes were centers for family gatherings, birthday parties, and holiday celebrations, a spirit they wished to replicate in their new residence. Starting with minimal possessions, including a significant abstract painting by a friend, the Andersons enlisted designer Victoria Sass to transform their house into a home that reflected their personality and style. A key element of the design was the incorporation of color, drawing inspiration from Becky's profession as an owner of Bluebird Floral Design and the vivid hues of the abstract artwork. Sass also found inspiration in the earthy tones of Heath Ceramics but prioritized the Andersons' kind, generous, and mindful nature as her primary muse, aiming to infuse joy into the design. The house, built in the early 2000s, already possessed a relevant aesthetic with Scandinavian and Japanese influences, evident in the blond woodwork, frosted glass resembling rice paper, and a soaking tub. Sass made a conscious decision to respect and build upon these existing architectural elements rather than mask them. Her approach involved appreciating the home's history, the owners' story, and adding her unique perspective to create an eclectic and interesting design. Specific design choices included addressing a large paneled wall with a Noguchi Akari light sculpture, which provides a soft glow when illuminated at night and allows the space to breathe without excessive adornment. The dining area features curved Crate and Barrel chairs around a bluestone-and-oak table, suitable for games. The original gray stone fireplace was updated by painting it white, enhancing its texture and integrating it into the clean aesthetic, while drawing attention to the warm tones of the seating. In the vaulted living space, the challenge was to create coziness without losing its airiness or the lake views. Sass achieved this with a pair of sofas: one upholstered in a Japanese shibori-inspired fabric and another in tufted green linen. Moroso quilted armchairs completed the grouping, providing visual and tactile diversity that engages occupants with their surroundings and makes the vastness of the space feel secondary. A zero-waste rug from Winsome Goods, made from textile scraps, was hung as a tapestry above the original maple console, adding movement to the tableau. The kitchen was warmed with subtle colors through a deep green ceramic backsplash, soft sage counter stools, and earthy terra-cotta island pendants. The dining room features pink velvet chairs from Blu Dot and a meandering steel chandelier that fosters conversation without obstructing the view of Bde Maka Ska, while FLOR carpet squares define the area. #HomeTours #HomeDecor #InteriorDesign #HomeStyle #ScandinavianDesign #JapaneseDesign #ColorfulInteriors #VictoriaSass #MinneapolisHome

Nidhi Kapur, the founder of Maiden Home, established the brand in 2017 to address a perceived gap in the modern home decor market. Her experience furnishing her first home revealed a prevalence of generic designs and subpar craftsmanship among large retailers. Leveraging her technology background, Kapur aimed to offer sophisticated yet affordably priced furnishings directly to consumers. Maiden Home sources its products from artisans in North Carolina, focusing on quality and distinctive design. The direct-to-consumer (DTC) model enables the brand to maintain competitive pricing while delivering high-end aesthetics. In the summer of 2022, Maiden Home launched Tribeca House, a temporary pop-up experience in New York. This initiative aimed to provide clients with a tangible interaction with the brand's aesthetic and demonstrate how Maiden Home's curated approach could be integrated into their personal living spaces. The pop-up was situated in a two-story, 2,500-square-foot loft, offering ample space to showcase a selection of items from the brand's summer 2022 collection. The layout and presentation at Tribeca House were designed to inspire visitors and offer fresh perspectives on contemporary home styling. The featured pieces at Tribeca House included several key designs from the summer 2022 collection. Among these was the minimalist Mulberry ottoman, characterized by its clean lines and functional design, reflecting a blend of modern simplicity and practicality. Another highlight was the Kenmare chair, crafted from ash wood and upholstered in a white tweed fabric, emphasizing texture and natural materials. The Vestry nesting tables also garnered attention; this pair of tables featured asymmetrical forms and were constructed from domestically sourced red oak, showcasing the brand's commitment to quality materials and unique design elements. The pop-up aimed to illustrate the brand's 'collected home mindset,' encouraging customers to view furnishings as cohesive elements that contribute to a unified and sophisticated living environment. By presenting these items in a curated physical space, Maiden Home sought to bridge the gap between online browsing and the tactile experience of selecting home decor. The initiative reinforced the brand's dedication to providing accessible, high-quality modern furnishings that prioritize both design and craftsmanship. While Tribeca House was a temporary installation designed to engage customers and introduce new collections, Maiden Home's core philosophy emphasizes the enduring nature of its products. The brand's focus on timeless design, durable materials, and expert craftsmanship ensures that its furniture is intended for long-term use, contrasting with the fleeting trends often associated with mass-produced items. This commitment to longevity is a central tenet of Maiden Home's identity, promising pieces that will remain relevant and cherished in customers' homes for years to come. #MaidenHome #HomeDecor #NewYorkPopUp #ModernFurnishings #DirectToConsumer #InteriorDesign #FurnitureDesign #ArtisanCraftsmanship

Daniel Fletcher, a renowned fashion designer, showcases his unique four-storey flat in a converted warehouse in Southwark, London. His home, a former hops factory from the late 19th century, was originally two separate flats that were combined when the top floor owners acquired the lower unit, integrating the communal staircase into their living space. The residence boasts two kitchens, three bedrooms, and three bathrooms, providing ample space for Fletcher, who meticulously curates his surroundings. Fletcher, known for his wearable yet subtly subversive fashion aesthetic, launched his label after graduating from Central Saint Martins in 2015, quickly gaining recognition with Harry Styles as his first customer. He was nominated for the LVMH prize in 2017 and was a finalist on Netflix's 'Next in Fashion.' More recently, he was appointed Royal Ascot's inaugural creative director, overseeing their annual Lookbook and Millinery Collective. His design philosophy, which he applies to both fashion collections and his home, starts with a neutral base of cream, black, or navy, accented with pops of color. Despite the industrial nature of the warehouse, characterized by exposed brick, Fletcher has successfully created a "minimalist cosy" atmosphere. He incorporates soft textures like bouclé and traditional tailoring fabrics such as canvas and calico to soften the raw elements. Key furniture pieces include a fuzzy cream sofa, a low-slung, mid-century-style chair from Bali, a walnut dining table from Habitat, and a three-legged marble table from Soho Home. These blend seamlessly with reclaimed wood featuring rusted nails, repurposed by architects for beams and drawer fronts. Fletcher's creative endeavors extend beyond fashion and interior design. His kitchen shelves display ceramics he crafted during a six-week course in Hackney, demonstrating his versatility and hands-on approach. Large canvases, painted after intense work periods, adorn his living space, reflecting his artistic heritage inherited from his art teacher grandmother, whose works also grace his walls. These include a line drawing of a cow and a landscape of Arizona painted in 1990, given to him on his 21st birthday. The home is filled with items of significant sentimental value. A giant photograph of an iceberg by Andrew Irwin commemorates Fletcher's trip to Antarctica. In his bedroom, a framed LP sleeve of the Rolling Stones’ 'Goat’s Head Soup' serves as a tribute to his late father and inspired his autumn/winter 2022 collection. Pieces from the Royal Academy’s Summer Exhibition further personalize the space. The flat also functions as a relaxed setting for client fittings, offering a more personal experience away from the bustling studio, attended by notable figures like Nick Grimshaw, Douglas Booth, James McAvoy, and Marcelino Sambé. Fletcher's home is a testament to his comprehensive design vision, blending industrial architecture with personal touches, art, and sentimental objects to create a harmonious and inviting living environment that reflects his creative journey and personal history. #DanielFletcher #FashionDesigner #WarehouseConversion #MinimalistCosy #InteriorDesign #HomeDecor #SouthwarkFlat #ArtisticHome #ReclaimedMaterials

Interior designer Bee Osborn shares the story and design choices behind her idyllic country cottage in the Cotswolds, a home that became a permanent family residence during the pandemic. The article details the extensive, yet thoughtful, renovations undertaken to transform a tired three-bedroom property into a warm, stylish, and functional living space. Osborn emphasizes the use of texture, natural materials, and practical space-saving solutions throughout the house. The renovation began with the property itself, which had been in the same family for years and was in need of updating. Osborn, initially looking for a rental, stumbled upon the cottage and felt an immediate connection, likening it to her childhood home. She purchased and moved into the cottage with her builders, who started gutting and rewiring the property immediately. The transformation of the kitchen is highlighted, where a tiny original kitchen was expanded by integrating an accessible barn. Osborn decided to maintain the barn's original sunken level and natural walls, creating a unique feature. Reclaimed materials were extensively used, including an old kitchen floor for the roof and a stripped-down original Crittall window that now forms doors. The flooring in the kitchen is 'Barnwood Floor' from Osborn Interiors, and the cabinets were custom-made by a local joiner with a natural, raw wood finish. High-end pendant lights from Pinch were a significant investment, balancing the rustic elements with smart design. The kitchen also features a TV snug with L-shaped seating made from repurposed fence planks, equipped with built-in USB plugs, and a mirrored TV from Picture Frame TV with a custom-painted frame. The dining room boasts a large, custom-made pendant from Hadeda, serving as a focal point within a nine-circuit lighting scheme that creates subtle pools of light. The main attraction is a resin and 10-year-old oak table, meticulously crafted over four months, which has proven both beautiful and practical. The Blue Room, inspired by an inky off-black wall in a previous office, features a sofabed custom-made to fit the space and contrasting with the dark wall color. Despite planning permission issues for French windows, a large window was installed. Linen fabrics, leather, and wicker are used throughout, reflecting Osborn's preference for natural materials. The living room maintains its original fireplace, with versatile hampers and baskets serving as storage and side tables. The paint color in this room is a custom mix, and artwork is sourced from antique markets. The master suite, initially a small room with limited space, underwent a significant redesign. Osborn removed the fireplace and stained glass window to reorient the bed and create space for an en-suite bathroom. The bedroom connects visually with the downstairs through wood-clad ceilings and walls from a reclamation center, and hidden cupboards are integrated throughout. The en-suite bathroom includes a second-hand eBay bath and discreetly placed loo. Expensive Porta Romana lights and Anthropologie wardrobe handles add luxurious touches. All bedrooms feature 100% linen sheets for a relaxed aesthetic. Finally, an outdoor 'Pod' by Sandman Homes, measuring 3m x 5m, is made from reclaimed wood, features a wildflower roof, an electric wood burner, and collected baskets, providing an additional charming space. Osborn's design philosophy prioritizes natural materials, thoughtful construction, and practical solutions, creating a harmonious and personalized home. Osborn's work can be further explored through her Instagram and website, OsbornInteriors.com. #InteriorDesign #CotswoldsCottage #HomeRenovation #NaturalMaterials #SustainableDesign #ReclaimedWood #SpaceSavingSolutions #CountryLiving #BeeOsborn

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship