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Grandma’s Furniture and a Lot of Pink Paint Made This Designer’s 1958 Rental Feel Like Home
Laura Collins, a designer with For Porter, transformed her 1958 rental bungalow in Calgary into a vibrant, English-inspired family home, largely by incorporating cherished heirlooms from her Grandmother Audey and embracing a bold pink color palette. Despite the property being a rental, Collins was determined to infuse it with character, drawing inspiration from its existing features like pink terrazzo floors in the primary bathroom and unique fluted glass in the entry. The home's layout, while somewhat unconventional with its chopped-up rooms, offered a kid-friendly environment, a significant improvement from their previous multi-level Victorian.
Collins's design approach was deeply influenced by her grandmother's timeless taste, ensuring that even with modern updates, the pieces retained their original charm. She integrated a 100-year-old pine hutch into the dining room and a floral Laura Ashley sofa into her studio, items that once graced her grandmother's home. The designer’s love for color became evident as she navigated the landlord's only two painting restrictions: no purple or black. This led her to a pink-centric scheme, starting with the primary bathroom where she used Benjamin Moore’s Rosedale for the wall paneling and a lighter hue, Soulmate, above the molding. This bold decision marked a shift from years of muted interiors, as Collins decided to wholeheartedly embrace painting her house pink.
Beyond the bathroom, Collins extended her colorful vision to other areas. The sunken den was painted in Benjamin Moore’s Amaryllis, while the library bookcases, custom-built by her father-in-law, received a coating of Savannah Clay. This terracotta-tinged shade was also applied to the adjacent sitting room after an initial attempt with a 'bubblegum' pink proved too sweet. Collins describes her aesthetic as walking a fine line between a colorful home and a 'funhouse,' but ultimately, the playful environment is designed for her children, reflecting this particular stage of their lives. She envisions a more muted aesthetic for a future era.
Textiles play a significant role in Collins’s design, influenced by her background in fashion design and marketing. She frequently circulates a collection of pillows throughout the house and involves her children in the process. She is a proponent of finding deals on furnishings, like the $150 Parsons chairs in the den, which allows her to invest in fresh upholstery. This practice aligns with her admiration for English aesthetics, where furniture pieces are continually reupholstered and passed down through generations. The kitchen, however, presented a challenge, forcing Collins to minimize her belongings due to limited cabinet space, leading her to appreciate a more minimalist approach to kitchen essentials.
The rental also features intriguing architectural details, such as clever built-in nooks and crannies, including a shoe cubby leading to the basement, suggesting the original homeowner was a millworker. Collins embraced these elements, even tackling a DIY painting project in the mudroom with Farrow & Ball’s Citron, an undertaking completed between nap times. The overall design emphasizes a personalized and joyful living space, demonstrating how a designer can transform a rental into a deeply personal home using inherited items, strategic color choices, and a focus on family life.
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