"Design Experimentation" Was the Goal in This Eclectic Minneapolis Home

The article details the design process and outcome of a new build home in Minneapolis, Minnesota, which was specifically crafted to possess a timeless, lived-in feel, rather than appearing brand new. Interior designer Victoria Sass spearheaded this project for a family of five, collaborating with architecture firm Murphy & Co. The core challenge was to infuse character and an aged aesthetic into a modern construction, a task Sass describes as surprisingly difficult. The design philosophy aimed to avoid the 'too perfect' trap often associated with new builds by incorporating elements that mimic the natural irregularities and evolved nature of older homes, such as slightly unconventional floor plans and asymmetrical shapes. The initial design brief from the homeowners favored an understated, classic American white brick house, reflecting a 'casual but tailored' sensibility. This led to plans emphasizing wooden balconies, large windows, screened verandas, and a traditional porch, all situated to capitalize on the tranquil waterside setting near Minnehaha Creek. The interior adopted a traditional color palette of off-whites, rusts, and caramels, complemented by oak flooring and timber windows, establishing a grounding backdrop across the home's three main living levels. A significant shift occurred in the design direction when the family spent time in Barcelona during a pause in construction. This experience broadened their perspective, prompting a desire for more color and 'joie de vivre' upon their return. Victoria Sass adapted the design to incorporate these new influences, focusing on furniture, fabrics, hardware, and lighting to introduce unexpected and vibrant elements. This strategic re-evaluation led to the inclusion of unique pieces such as a mosaic table made from corn husks, sourced from a Spanish artist, and a sculptural 'Moon light' art installation in the entryway. Further examples of this evolved design approach include a powder room vanity adorned with distinctively mismatched tiles, deliberately chosen to evoke Mediterranean design aesthetics, and a dining room featuring a bespoke wall mural by Ginny Sims. This mural intricately weaves in the family's personal story, adding a deeply customized and playful touch. The snug area boasts a chimney breast finished with hand-fired tiles, which Sass notes might subtly reference Scandinavian coziness, reflecting her husband's Danish heritage. Across the home, there's a strong emphasis on varied textures—from large-scale photographic prints and custom wall sculptures to marbleized wallpaper in the study—contributing to a rich, almost three-dimensional feel. Victoria Sass highlights the delicate balance required to integrate diverse decorative influences while maintaining a cohesive overall aesthetic. She explains that a consistent color palette and careful consideration of scale are crucial for harmonizing these elements. The designer emphasizes that if one design 'dial' is turned up, another must be adjusted to ensure equilibrium. The final result is a home that seamlessly combines classic and experimental features, juxtaposing graphic silhouettes with undulating forms. This blend achieves what Sass terms a 'perfectly imperfect' outcome, effectively transforming a new construction into a residence that embodies the charm and character of an older, well-established home. #HomeDesign #InteriorDesign #NewBuild #TimelessArchitecture #MinneapolisHome #VictoriaSass #HomeTours #DesignPhilosophy #ArchitecturalRenovation

Katie and Jesse Kath, known for their design-build firm Jkath Design Build + Reinvent, embarked on an unexpected journey to construct their "forever home" in Minneapolis. Initially aiming for a renovation, their three-year search for the perfect property led them to pivot when Jesse discovered a wide lot with a small, old house for sale. Despite being unprepared, their offer was accepted, pushing them into the realm of new construction. The couple envisioned a modern Tudor that would accommodate their family of five in its current stage and seamlessly transition to a comfortable space for just the two of them in the future. Katie, who leads the company's interior design, emphasized thoughtful space utilization and an aesthetic that would endure. The resulting 4,000-square-foot home blends traditional and open-concept areas, featuring a formal dining room alongside a casual kitchen and living room. The living room is intentionally modest in size, designed for conversation rather than large-scale entertainment, allowing the saved square footage to be allocated to a highly desired sunroom. This sunroom, a favorite feature for the couple, boasts stackable vinyl windows that transform it into a screened porch, creating a versatile indoor-outdoor experience. Upstairs, an office provides future work-from-home flexibility, and most of the children's bedrooms include private bathrooms, a long-term luxury for when the children visit as adults. Katie's design approach leans towards sophistication, with a notable use of dark-stained, furniture-like built-ins crafted by Jesse or his cabinet shop team. These bespoke elements contribute to the home's unique character. Practicality is also a key aspect of the design; for instance, the pantry, equipped with a grab-and-go beverage fridge, a water bottle-filling faucet, and a built-in wall oven, has become a family favorite. The 10-foot-long quartz island in the kitchen provides ample seating and display space, while the living room features a cast-stone fireplace and a picture window designed to maximize future landscape views. The home incorporates several custom and functional details. The banquette area includes an alder wood bench built by Jesse, reflecting the meticulous craftsmanship of Jkath Design Build + Reinvent. Oversized mercury glass pendants in the kitchen serve as a focal point. The pass-through pantry's storage cabinet is designed to resemble an antique heirloom, with reeded glass sliding doors for both aesthetics and functionality. The mudroom, a top request from their clients, features five integrated lockers behind massive built-in cabinet doors, along with a dedicated pet storage area for their dog, Otis. The powder room, designed around a classic floral trellis wallpaper, showcases details like crown molding and baseboards painted in Sherwin-Williams’s Green Onyx and polished nickel finishes. Further design highlights include the primary bath with natural stone tiles, a marble floor, and a custom alder vanity built by Jesse. The primary bedroom features a built-in display and storage unit in a previously dead corner, and the room is strategically placed for privacy. The upstairs laundry room, a welcome change for Katie, boasts hexagonal marble tile flooring and blue-gray cabinetry, creating a bright and functional space. A hall bath combines vintage charm with modern elements through unique tile flooring, a V-groove panel vanity, playful wallpaper, and sleek black accents. Charlie's bedroom incorporates antique elm as a feature wall, demonstrating a blend of character and practical application for client showcases. The exterior, a modern Tudor style, harmonizes with the established neighborhood, featuring oversize James Hardie panel siding, a metal and shingled roof, and black windows, with landscaping by Exterior Design Studio. The floor plan, initially sketched by Katie and Jesse, thoughtfully positions traditional spaces at the front and casual areas at the back, with a finished basement adding significant living space. This home epitomizes Jkath Design Build + Reinvent's philosophy of smart space utilization and timeless design. #HomeDesign #NewConstruction #ModernTudor #InteriorDesign #CustomBuiltIns #FamilyHome #MinneapolisRealEstate #JkathDesignBuild #SustainableDesign

After residing in their 1892 Minneapolis home for over two decades, designer Martha Dayton and her husband, Tom Nelson, considered moving to seek a change of scenery. However, they ultimately decided to renovate their existing 3,500-square-foot house, rediscovering its charm and falling in love with it anew. The initial impetus for the renovation was their small, dark, and cramped primary bedroom closet, which lacked adequate space and lighting. Given the limited expansion options within the house, the couple contemplated a move, but their attachment to the location and the house itself led them to pursue an extensive update instead. To address the closet issue, Martha enlisted architects Mark Larson and Anders Matney. Their design solution involved connecting the closet to the primary bedroom with pocket doors, installing an island with deep drawers, and replacing much of the perimeter cabinetry. The renovation also included the strategic relocation and reuse of existing built-ins, such as a vanity by St. Paul cabinetmaker Jon Frost, a piece that Martha uses daily and wished to preserve. A key challenge was integrating sufficient storage while retaining two original windows within the closet, which was creatively resolved by placing shelves in front of the windows. This initial closet overhaul became the catalyst for a series of broader renovations. Martha adopted a "well, if I'm going to do that, I might as well do this" approach, leading to a more comprehensive transformation of their home. Significant changes included a complete revamp of the laundry room and the replacement of an earlier family room addition. Both these spaces were redesigned to maximize natural light, and the former family room was converted into a casual dining area, creating a more seamless connection with the backyard living spaces. A deliberate effort was made to ensure that the updates blended seamlessly with the house's original character, making it difficult for first-time visitors to discern the renovations from the existing structure. Mark Larson noted that the house now gives the impression of always having been in its current state, rather than being a modified or added-on structure. Other updates focused on refreshing light fixtures, finishes, and furnishings, moving towards a more transitional and contemporary aesthetic while respecting the home's solid architectural foundation. One of the most impactful aspects of the renovation for Martha was the integration of art throughout the home. Approximately 80 percent of the art displayed is by Twin Cities artists, reflecting Martha's commitment to supporting local talent. She expressed pride in her team's efforts to champion local artists and sell their work, highlighting the abundance of artistic talent in the region. This focus on local art significantly contributed to her renewed affection for the house. Additional details of the home's refreshed spaces include the family room, painted in Benjamin Moore White Dove, featuring a sofa by A. Rudin, a rug from Tapis Decor, and a large photorealistic landscape painting by Teo Nguyen. The dining room saw minimal architectural changes, with corner built-ins by Maureen Rudd retained, but a new Yves flush mount light fixture from The Urban Electric Co. was installed. Martha emphasized that honoring the house's bones allows for changes in furniture, art, lighting, and wall coverings while maintaining a cohesive feel. The kitchen, previously redone by Dovetail Renovation, received a facelift, including painting the island blue, demonstrating how even small refreshes can rekindle appreciation for one's home. The living room features striped velvet midcentury modern chairs, a contemporary coffee table, and a diverse art collection ranging from David Rathman's sepia-toned painting to inexpensive works from local art events. A mirror from Made Goods in the refreshed stairway reflects the space, with styling by Paula Bjerketvedt enhancing the overall aesthetic. The primary closet's renovation, with its relocated vanity and shelves in front of windows, transformed it into an elegant and luxurious space. The sunroom combines a CB2 console table with photography by Alec Soth, illustrating Martha's approach to mixing price points in her designs. The home office received a fresh coat of paint, while the laundry room underwent a more significant "architecture of inches" transformation, including a new window and a tip-out hanging rack to maximize functionality and light. Beyond the home, Martha Dayton maintains a close friendship with Twin Cities artist Teo Nguyen, whose works are prominently featured in her home and office. She accompanied Nguyen on a trip to Vietnam in 2020, and their mutual admiration is evident. Nguyen credits Martha with encouraging him to showcase his art. His upcoming solo exhibition at Mia will feature monumental landscapes inspired by Vietnam War news photos, serving as a memorial to the countless Vietnamese lives lost during the conflict. The renovation project involved Martha Dayton Design for interior design, Rehkamp Larson Architects for architecture (Mark Larson, AIA, and Anders Matney, AIA), and Dovetail Renovation for construction. This extensive home renovation allowed Martha Dayton and Tom Nelson to fall in love with their house again, demonstrating that significant updates can reinvigorate a living space without sacrificing its inherent character. The project highlights the importance of thoughtful design, strategic space planning, and the integration of personal touches like local art to create a home that feels both refreshed and timeless. #HomeRenovation #InteriorDesign #HomeDecor #ArchitecturalRedesign #MinneapolisHomes #ArtIntegration #SustainableDesign #ClosetRenovation #LaundryRoomUpgrade

Oho Interiors recently undertook a renovation project for Mike and Courtney, a couple residing in a 1940s home in South Minneapolis. The homeowners expressed a desire to restore historically accurate charm to their residence and implement saturated colors. Melissa Oholendt of Oho Interiors spearheaded the renovation, focusing on the kitchen and primary bathroom. The chosen color scheme for the kitchen cabinetry was Farrow & Ball's Inchyra Blue, selected for its inherent personality and classic quality, which suited the homeowners' preference for heavily saturated colors. The design also incorporated whimsical copper details, such as an extractor hood, which adds warmth and a sense of craftsmanship to the space. A cafe curtain in Parker & Jules Scroll Stripe Fabric in Crimson introduced a pop of red, contributing to the overall design. Lighting was carefully considered, with wall sconces placed in the kitchen window nook to provide both style and functionality, capable of illuminating the space for various activities. In the primary bathroom, the homeowners opted for a bold pink tile. This tile, custom-made by local artisans Clay Squared To Infinity, creates a luxurious yet period-appropriate atmosphere. The tilework is framed by brass campaign-style strapping and complements a deep soaking tub. The designer focused on careful planning of the bathroom layout, selecting cohesive finishes, and integrating custom elements to ensure the bold color choice felt intentional and original to the home rather than merely trendy. Custom-built recessed medicine cabinets and double shower niches were incorporated to maximize storage and functionality without compromising the aesthetic. Melissa Oholendt aimed to create spaces that felt original to the house but were better suited for modern living. The approach involved a confident mix of custom details and color-rich design, ensuring that elements like pink tile and patinated copper coexisted effortlessly, reflecting a thoughtful and joyful renovation. The project successfully blended the historical character of the home with contemporary preferences, resulting in updated spaces that retain their charm while serving modern needs. The renovation highlights the importance of balancing aesthetic preferences with practical functionality in home design. By integrating personalized touches and bold color choices, Oho Interiors delivered a remodel that felt unique to the homeowners while honoring the historical context of the 1940s Minneapolis home. The design choices aimed for timelessness rather than fleeting trends, ensuring the remodeled spaces would retain their appeal for years to come. This project exemplifies how compact spaces can be transformed into highly impactful areas through meticulous planning and a clear vision for color and character. #HomeRenovation #InteriorDesign #MinneapolisArchitecture #ColorConfidentDesign #KitchenRemodel #BathroomRemodel #VintageModern #CustomInteriors #FarrowAndBall

Designer Krysta Gibbons, a principal at Minneapolis-based Kipling House Interiors, embarked on a unique challenge to construct a new home that would seamlessly blend with its historic neighborhood, mimicking the character of 100-year-old residences rather than appearing as a modern 'glass box.' When a grand estate in her neighborhood was demolished, creating six prime city lots, Gibbons seized the opportunity to build from the ground up after selling her own home. Her primary goal was to create a new construction that felt storied and soulful, making it indistinguishable from older homes in the area. Gibbons focused on creating a floor plan that optimized space for her family of five while emulating the interiors of the historic period. The kitchen design was central to this vision, with Gibbons noting that a vibrant kitchen aesthetic influences surrounding spaces. She drew inspiration from the historic mansions of Newport, Rhode Island, incorporating elements like floor-to-ceiling tiles, center table islands, and large hoods. A visit to La Mercerie restaurant in New York City, known for its timeless feel despite being relatively new, further inspired her approach to use textiles in muted colors and surfaces with worn patinas. She aimed for the entire house to evoke a sense of aged elegance, as if the fabric had faded and paint had yellowed, avoiding a 'too fresh' appearance. The home features a rich visual tapestry and vintage appeal beyond the kitchen, utilizing a palette of subdued colors such as lavender and deep green, checkerboard floors, antique furniture, and an extensive use of 16 different wallpapers throughout. Gibbons expressed a preference for surfaces to be wallpapered, paneled, plastered, or tiled over drywall, reinforcing the home's layered and textured aesthetic. To further embed a sense of history, she even left notes for future homeowners within the walls, envisioning an ongoing narrative for the house. Each room was designed with meticulous detail and a nod to functionality and aesthetic continuity. The kitchen features a marble-topped island that resembles an antique baker's table, cleverly concealing custom, millimeter-measured drawers for every kitchen tool. The butler's pantry, designed for effortless entertaining, integrates appliances seamlessly behind panels and uses antique mirror inserts to enhance light, creating a luminous yet functional space. A bonus pantry extends the kitchen's utility, providing an accessible area for guests and children, dressed in a soft color palette and a small-scale wallpaper. The great room, the sole entertaining space on the main floor, was designed to comfortably seat eleven without appearing over-furnished, incorporating repurposed vintage items and layered textures. A large Flemish mirror, a long-held possession, found its place above the fireplace, while the television is discreetly hidden. The formal dining room, positioned prominently from the front door, boasts a custom mural and reupholstered vintage chairs, aiming for a theatrical and romantic ambiance. The foyer and vestibule set a quiet yet distinctive tone with paneled walls and a salvaged 1800s gas lantern, respectively. The private spaces continue the home's theme of thoughtful design. The primary bedroom is a serene retreat with blue-gray tones, rust accents, and layered textures, designed for quiet relaxation. The primary bath features Swedish-inspired vanities and marble floors with a subtle lattice motif. The daughters' rooms include a cozy bed nook for privacy and a dedicated lounge area for the three sisters, designed to encourage interaction while providing personal space. Even the younger daughter's playful yet polished bathroom showcases clever use of materials, including salvaged tiles, and a purple grasscloth. Finally, a garden shed, initially presented as a tool shed, was transformed into a secret 'Swiftie headquarters' for the daughters, complete with hand-painted floors and a salvaged church pew, extending the home's personalized and imaginative design outdoors. #InteriorDesign #NewConstruction #HistoricHomes #MinneapolisArchitecture #KrystaGibbons #KiplingHouseInteriors #HomeDecor #CustomDesign #VintageAppeal

Rachel Gray, a Memphis-based interior designer, showcases her creative philosophy through the design of her own home, which serves as a living laboratory for her design principles. Unlike her professional work, where she follows a structured layering process for clients, her personal approach prioritizes continuous change, experimentation, and the integration of found objects and art. Her design decisions are influenced by her global travels, embracing diverse aesthetics and a willingness to evolve her living space. Gray views her home as an interior design lab, where she tests new ideas and evaluates products before recommending them to clients. An example is the rug under her dining room's Parsons table, which she is currently assessing for quality. Her dining room features a unique "Mary Poppins" light fixture, crafted from copper by an Italian designer, alongside red aluminum chairs sourced from St. Louis. The ever-changing nature of her home is highlighted by the recent replacement of dining chairs, a decision prompted by a client's interest in her previous set. Decorative elements like a "Therapy" sign found on the street and brass Moroccan lanterns discovered during an attic clean-up further illustrate her penchant for eclectic and unexpected finds. Gray is also an art consultant with a focus on abstract paintings and mixed media. She is known for guiding clients in selecting art that not only complements their interiors but also has investment potential. Her own home reflects this passion, with pieces like a Jeri Ledbetter painting, purchased for her daughter Vivian, adorning the foyer. Beyond art, Gray has a passion for furniture design and repurposing objects. Bamboo panels in her living room, which have served multiple functions from headboards to suspended lighting installations, exemplify her experimental approach to design. Her living room features an antique iron horse, a "slam dunk" discovery from an estate sale, and a circular art sculpture found on the side of a street, originally a wooden structure from a dock. A repurposed bottle-drying rack from France currently functions as a lamp, with plans to transform it into a ceiling-mounted light fixture. Gray's design aesthetic often combines unpredictable elements into seamless vignettes, such as a candle altar from Michigan juxtaposed with antique chest and mirror, reflecting woodcut prints by artist Ted Faiers. Gray's second favorite item in her home is an antique iron and wire fire screen, acquired through persistence from an antique store owner who initially deemed it not for sale. Similarly, she salvaged an oversized outdoor antique store sign, relocating it herself, showcasing her determination to incorporate unique, narrative-rich pieces into her decor. A core tenet of her design philosophy is that a home should reflect its inhabitants' favorite things, ensuring every object has a story. She emphasizes the importance of proper scale and lighting in any interior design project, advocating for dimmers to control mood and acknowledging the significant impact of natural light on color and material choices. Gray believes color should create a fluid, cohesive experience within a home, rather than segmenting spaces. Ultimately, her home is a dynamic expression of her creative process, design philosophy, and lifestyle, resulting in an engaging and evolving environment. #InteriorDesign #HomeDecor #MemphisDesigner #ArtCollecting #RepurposedFurniture #EclecticStyle #HomeExperimentation #DesignPhilosophy #RachelGray

This article details the comprehensive renovation of a 1889 brick-and-brownstone row house in Minneapolis, which was previously gutted in 1979 and converted into condominiums. The homeowner, Seth Goodspeed, sought to blend historic elements with modern functionality in his 1200-square-foot condo, occupying half of the second floor and the entire top floor. He enlisted David Heide Design Studio, valuing their creative problem-solving and artistic finesse in tight spaces and their respect for the building's architectural heritage. The 1979 renovation had drastically altered the interior, removing original woodwork and plaster, and converting the space into an open-concept layout with an unusual third-floor balcony opening to the dining room. The only original feature remaining was the staircase, with its balustrade hidden behind knee walls. Goodspeed and the design team opted not for a strict historical recreation but rather to redefine the condo with a clear floor plan, incorporating historically accurate elements that nod to the building's age while accommodating contemporary living. Significant improvements included adding a closed utility/storage room, relocating a bedroom door to create a more public den/TV room, and, notably, filling the floor gap that created the odd balcony, thereby adding 40 square feet to the dining room. Historical character was restored through the replacement of hollow-core doors with paneled oak doors featuring Emtek hardware, the addition of an arched opening reflecting original brickwork, and the reintroduction of period-appropriate millwork, painted black for a modern contrast. Financial resources were strategically allocated, allowing for some splurges like a checkerboard marble surround for a new gas fireplace, while incorporating budget-savvy solutions such as the homeowner-installed black IKEA kitchen. The designers subtly enhanced the IKEA kitchen to give it a custom, built-in appearance. Other thoughtful details included a unique obscure plate glass "shower door" on the bathroom window for privacy and light, and the careful sourcing of vintage and antique lighting fixtures from various regional shops. The project earned David Heide Design Studio the 2019 ASID MN Design Excellence Award for Historic Restoration/Preservation. A considerable portion of the article is dedicated to discussing the exposed brick walls, a feature inherited from the 1979 renovation. While traditionally frowned upon by preservationists due to potential issues like dust, spalling, and reduced insulation, the design team embraced this existing condition. The article acknowledges the historical debate surrounding exposed brick, particularly in old homes where plaster was often removed for a minimalist aesthetic in the 1970s and 80s. However, it also notes a shift in contemporary taste, where exposed brick in well-maintained conditions is now appreciated for its warmth and texture, especially in adaptive reuse projects. In Goodspeed's condo, the exposed brick walls were found to be well-laid and sound, contributing to the home's charm despite some thermal fluctuations and a lack of sound dampening. The project aimed to interpret, rather than strictly restore, the poorly executed 1970s condo conversion, integrating the client's extensive art collection, which is often juxtaposed against the historic elements of the house. #HomeRenovation #HistoricPreservation #MinneapolisRowHouse #InteriorDesign #AdaptiveReuse #DavidHeideDesignStudio #ExposedBrick #PeriodAccents #ArtCollection

This article details a Minneapolis home renovation project undertaken by Victoria Sass of Prospect Refuge Studio, in collaboration with architect Sarah Nymo. The renovation drew inspiration from a collection of six cookbooks, reflecting the homeowners' travels and Midwestern roots, and focusing on making everyday moments feel more special. The design philosophy centered on subtly expanding living spaces and incorporating nostalgic yet refined details to accommodate a family of four with frequent guests, aiming for a "party of eight" capacity. The kitchen and dining areas underwent strategic floor plan adjustments to achieve more breathing room. The mudroom was slightly reduced in size, doorways were widened, and the sink area was bumped out by six inches. To create an island with seating, some cabinets were cleverly tucked under an adjacent staircase wall. The design team intentionally used millwork that appeared antique, with dark wood and semi-overlay doors, to create a sense of timelessness. A new soffit was introduced in the kitchen to streamline the appearance of the ceiling over the range hood and sink, complemented by marble trim that evokes a sense of historical presence, making it difficult to discern new additions from original features. Custom tile work plays a significant role in abstracting memories and adding personal touches to the home. Kristen Falkirk was commissioned to design the kitchen backsplash, with the primary instruction to create squares with various shapes. Falkirk's creative interpretation involved tracing the contours of Minnesota lakes, resulting in a collection of organic-looking tiles that serve as subtle reminders of the homeowners' connection to their home state. This artistic collaboration highlights the studio's preference for working with artisans who bring unique interpretations to the design. The dining room's hutch was significantly upgraded with new paneling, hinges, and paint, transforming it into a more substantial alcove. A significant portion of the lighting budget was allocated to an Atelier de Troupe chandelier over the dining table, chosen for its visual impact as the first element seen upon entering the home and descending the stairs. This investment was justified by its ability to create a breathtaking focal point. The mudroom features bee-themed Jennifer Shorto wallpaper, a nod to one owner's farm upbringing and a playful reference to the space's bustling activity. To protect the delicate wallpaper from children, paneling was installed partway up the wall. The mudroom's design prioritizes flexibility and organization, including a large cabinet for winter gear and a drop zone with removable drawers specifically sized for 8.5-by-11 inch papers, allowing for easy sorting of art projects and homework. A magnetic wood veneer wall offers a practical spot for important documents. Finally, the powder room provides a nostalgic and whimsical experience, featuring a vintage-inspired Water Monopoly sink and a matching blue tankless toilet. The needlepoint-esque floor tile, chosen for its crafty and Midwestern aesthetic, incorporates a subtle detail: four heart shapes, each representing a family member. This hidden design element serves as a personal "snapshot in time" of the family at the point of the renovation, adding a layer of sentimental value to the overall design. #HomeRenovation #KitchenDesign #CustomTile #InteriorDesign #MinneapolisHomes #BeforeAndAfter #MudroomDesign #PowderRoom #DesignInspiration

This article details the renovation of a family home in Minneapolis, conceptualized by Victoria Sass of Prospect Refuge Studio, with architect Sarah Nymo. The design philosophy was inspired by a collection of cookbooks, aiming to transform ordinary moments into something special through thoughtful design. The homeowners, a family with two young children, desired a home capable of comfortably hosting a party of eight, reflecting their travels and Midwestern roots while celebrating everyday events. The renovation involved several clever adjustments to the floor plan to create more spacious and functional areas. The mudroom was slightly reduced in size, doorways were widened, and the kitchen sink area was extended by six inches. Cabinets were ingeniously tucked beneath an adjacent staircase wall to accommodate an island with seating. These subtle changes were designed to provide just enough additional space for hosting larger gatherings without a complete overhaul. The design intentionally blurred the lines between new additions and existing features, incorporating elements that evoke a sense of history and permanence, making it difficult to discern the chronological order of renovations. A significant aspect of the renovation is the use of old-school details to mask new installations. For instance, new cabinets installed under the staircase were crafted to appear antique, complete with dark wood and semi-overlay doors, a style often removed from modern kitchens. To ensure visual cohesion, a soffit was extended across the room, mirroring the one necessitated by the tucked-away cabinetry. Marble trim around the range hood and walls was chosen to look as though it had been in the kitchen for decades, contributing to the timeless aesthetic and inviting questions about its origin. Custom tile work plays a central role in personalizing the home. The kitchen backsplash, designed by Kristen Falkirk, features unique tiles abstracting the contours of Minnesota lakes, a subtle nod to the family's home state. This artistic collaboration highlights the studio's preference for working with artisans who bring their creative interpretation to the design process, resulting in bespoke elements that are both aesthetically pleasing and rich with personal significance. The dining area was enhanced with new paneling and paint, transforming a hutch into a more defined alcove. A significant investment was made in a chandelier from Atelier de Troupe, which serves as a breathtaking focal point visible from the front door and upstairs. The mudroom received a bee-themed Jennifer Shorto wallpaper, symbolizing the owner’s farm upbringing and the space's busy nature. To protect the delicate wallpaper from wear and tear, paneling was installed partway up the wall. The mudroom also features a highly functional drop zone with removable drawers for organizing children's schoolwork and a magnetic wood veneer wall for important papers. The powder room is a highlight of nostalgic design, featuring a vintage-inspired Water Monopoly sink, a matching blue tankless toilet, and needlepoint-esque floor tile. This unique tiling subtly incorporates four heart shapes, each representing a family member, serving as a heartfelt and enduring snapshot of the home's renovation journey. This renovation, therefore, weaves together practicality, personal history, and artistic craftsmanship to create a home that is both functional and deeply meaningful to its occupants. #HomeRenovation #KitchenDesign #CustomTile #InteriorDesign #FamilyHome #MinneapolisDesign #NostalgicDecor #MudroomMakeover #PowderRoomDesign

Shanti Crawford of Indigo & Ochre Design transformed a 2,600-square-foot, four-bedroom penthouse in Brooklyn from a "modern white box" into a vibrant, functional family home. The clients, a family with three daughters and a dog, sought to add warmth, color, character, and personality to the new build, which initially felt cold and barren. Crawford's approach emphasizes socially responsible and sustainable design, reflected in her use of colorful, thoughtfully collected, and layered decor. The primary goal was to create distinct and intimate areas within the open-plan layout, allowing each family member to engage in various activities simultaneously, such as working, studying, socializing, dining, and playing music. This was achieved through strategic furniture arrangements, custom built-ins, and the transformative power of color. AThe design process began with the clients' desire for a fresh start, especially as their children were growing older. Crawford provided guidance from the pre-closure phase, focusing on integrating character into the developer's clean, modern aesthetic. Key to her design was the incorporation of beloved pre-existing items, including a massive patchwork kilim from Morocco and a rustic sideboard. She aimed to ensure these pieces felt intentionally integrated and harmonized with the new, streamlined elements of the apartment. Crawford used color as a declarative element to define spaces. For example, the entryway was painted in a pale pink hue, Benjamin Moore Wheatberry, which subtly appears in other areas of the home, creating a cohesive visual flow. The entry also features practical storage solutions like hooks, baskets, and cubbies from Room & Board to accommodate the active family's needs. Texture was added through a ceramic disc wall hanging and a woven Tuareg mat. In the living room, the vibrant patchwork Moroccan kilim served as the primary inspiration for the color palette, influencing the selection of seating, artwork, and accessories. Crawford also introduced a gentle antique Oushak rug to complement the kilim without competing with its intricate patterns. The dining room features the clients' cherished kilim, anchored by a sleek Artisan Latus table and Gubi Beetle chairs, with brass legs that echo other metallic accents in the adjacent sitting area. This intentional mix of rustic and modern elements ensures balance and visual interest. The family room, referred to as a 'snug,' was designed to be a cozy, intimate space. It was painted in a warm, deep gray, including the ceilings, to embrace the lack of natural light. Deep jewel tones and lush textures, such as velvet upholstery, were incorporated, along with a vintage Heriz carpet to add personality. Custom walnut shelving units were built to span an entire wall, providing depth and delineation, and housing a Samsung TV and Noguchi Akari floor lamp. The master bedroom was conceived as a serene retreat, adhering to principles of "soothing neutral colors, simple and clean lines, texture over pattern." The primary colors are neutral, with subtle pops of deep color from peacock sconces and a luminous mouth-blown carafe and glass. The bed frame is custom, and the bedding and throw are from Wolves Within. The study, designed for multiple functions including a home office, occasional guest bedroom, and storage, features a custom-designed built-in bookshelf that frames a Kalon Studios daybed. A vintage Paul McCobb desk and a vintage Swedish Kilim rug complete the space, demonstrating how distinct areas were created while maintaining an open flow within the larger apartment. The collaboration with landscape designer Laura Harmon of LFH Studio for plants further enhanced the natural integration of the design. #InteriorDesign #ApartmentDecor #FamilyHome #ColorPalette #CustomBuiltIns #StrategicFurniture #BrooklynDesign #VintageDecor #SustainableDesign

Jessica Warren, founder of JP Warren Interiors, shares insights into her design philosophy and creative process. Her journey into interior design began in the fall of 2011, driven by a longstanding passion for modern furniture and a penchant for collecting unique pieces from thrift stores. Before establishing her business, Warren amassed a collection of furniture, lighting, and objects, with an initial intention to open an antique store or interior design studio after her daughter left for college. Her personal renovation of a Clinton Hill residence, which garnered significant media attention, further solidified her reputation and provided a practical "classroom" for her design education. This project allowed her to develop a distinctive aesthetic and approach, preparing her for her first professional commission: a 10,000-square-foot new construction project. She views design as a continuous evolution, influenced by curiosity and a constant refinement of personal tastes, echoing Norma Kamali's perspective on taste development. Warren emphasizes a client-centric yet artful approach to interior design. She aims to create spaces that are personal, interesting, and rooted in art, rather than being overly "designery" or pretentious. A key aspect of her work involves educating clients on the relationship between art and interior design, often exposing them to art as the fundamental basis for her design work. She integrates artful forms into all interiors, whether through actual artworks or sculptural elements like lamps, chandeliers, and chairs. This process involves refining taste to identify recurring colors, shapes, and patterns that form a consistent motif. Warren also advocates for creating tension in spaces by juxtaposing opposing elements—soft against hard, organic against geometric, dark against light—to highlight the inherent beauty of each component. Her team develops a clear aesthetic map by assigning characteristics to furniture and materials, such as "organic shape" or specific material types like stone or metal, before sourcing begins. Storytelling is integral to Warren's design philosophy. An interior should narrate a story that begins with the architecture and is enriched by furnishings, art, and objects. These additions should be historically aware, personal, and layered, reflecting an ongoing evolution rather than a static "time capsule." She prefers the term "collected" over "eclectic" to describe spaces that possess a timeless quality, appearing as if pieces were gathered over time from family, travels, and various purchases, creating an authentic and evolving environment. She deliberately avoids using iconic pieces extensively, instead seeking unique, less identifiable items to ensure the space feels personal rather than branded or contrived. For each project, Warren dedicates time to experience each room through different light cycles to understand its natural use and potential. She sometimes draws color palettes directly from the room itself, or from a client's cherished painting or object, using tools like "Color Explorer" to translate emotional responses into a cohesive design scheme. In her own home, a significant decision was to preserve the original architectural envelope while updating elements like the parlor floors, eliminating amber tones in the oak to achieve an elegant palette, and staining dining room woodwork black. Regarding Brooklyn row houses, Warren acknowledges their inherent strengths as substantial, solid structures, alongside challenges such as narrow layouts and limited natural light. She advises designing to enhance the natural light available rather than striving for an impossible "white room" in naturally darker spaces, suggesting instead to create "beautiful rooms." For narrow spaces, scale of furniture is crucial. She recommends respecting the original intention of furniture placement while also being open to re-purposing rooms to better suit modern lifestyles. Her approach balances preservation with contemporary functionality, ensuring that homes remain dynamic and reflective of their inhabitants' lives. #InteriorDesign #HomeRenovation #DesignPhilosophy #BrooklynDesign #ClintonHill #ModernFurniture #ArchitecturalPreservation #SpacePlanning

The "Vapor House" in Bethesda, Maryland, designed and built by architect David Jameson, emerged from an unexpected event: a large poplar tree falling on his family's Midcentury Modernist home, originally designed by Charles M. Goodman. Instead of rebuilding the damaged 1950s residence, Jameson opted to create an entirely new property, driven by a desire to craft a home that resonated with his childhood memories of a murky freshwater pond on Maryland’s Eastern Shore. This emotional inspiration led him to name the project "Vapor House," aiming to capture the ephemeral qualities of water, such as steam or fog. The 7,000-square-foot, five-bedroom residence presents two distinct architectural personalities. The public-facing exteriors of the L-shaped main house and adjacent pool pavilion are clad in solid panels of rippling black stainless steel, arranged in a running bond pattern. This creates an illusion of oversized metallic bricks with an indeterminate scale. In contrast, the private rear of the house features expansive, precisely engineered floor-to-ceiling glass, offering views of a pool terrace and the surrounding forested landscape. The layout, with its two- and three-story glass boxes winding around the pool, stepping back and cantilevering out, echoes the organic flow of the original Goodman-designed house. Bead-blasted stainless steel wraps fascias and soffits along the glazed facades, providing a powdery, pewter sheen that smoothly transitions between the glass and the blackened stainless steel. To achieve the rippled metallic texture reminiscent of light playing off water, Jameson collaborated with Zahner, a Kansas City-based metal fabrication company. The process involved pressing stainless steel into metal molds, and a coating similar to that used on the Museum of Pop Culture in Seattle imbued the panels with a highly distinctive silvery-black luster. This metallic skin refracts light and reflects the environment in constantly changing ways, appearing whitish-gray on foggy days and a reflective white on bright days, evoking Hiroshi Sugimoto’s luminescent seascapes. The bespoke window-and-door system, described by Jameson as "1,000 percent custom," blurs the lines between indoor and outdoor spaces and seamlessly integrates fixed glass panels with retractable windows and doors, creating a continuous skin of flush glazed surfaces framed in blackened steel. Inside, solid-sawn sapele, a type of African mahogany, conceals the steel structural columns behind the window frames. This refined material contrasts with the unfinished cedar used for interior walls, ceilings, and soffits, which still bear rotary saw marks, highlighting a deliberate interplay between machined and organic elements. This duality reflects Jameson’s admiration for Italian Modernist Carlo Scarpa, whose work is characterized by a poetic blend of precision and craftsmanship. This influence is evident in the kitchen’s hand-troweled marble-plaster walls, the asymmetrical pattern of a book-matched marble backsplash, and the master bath’s cascading rain showerheads. The master bath also features ground-glass tiles crafted from recycled computer monitors for the shower wall, alongside Franco Sargiani showerheads, all contributing to the meticulously designed and emotionally resonant "Vapor House." #ArchitecturalDesign #ResidentialArchitecture #ModernistInfluence #MaterialInnovation #SustainableDesign #ExperientialDesign #CustomHome #MarylandArchitecture #InteriorExteriorIntegration

The search for compelling interior design stories is an ongoing endeavor for T Magazine's staff, with the director of design and interiors, Tom Delavan, primarily responsible for finding residences to feature. However, story pitches can come from various sources, including publicists, architects, interior decorators, writers, and photographers. The most exciting discoveries often arise through more serendipitous means, such as word-of-mouth recommendations or accidental encounters, a dynamic that has become an internal office joke where editors are encouraged to inquire about interesting houses during any meeting. A particularly noteworthy discovery occurred when editor-at-large Nick Haramis was researching artist collectives. He learned about a group of recent art-school graduates who were not only conceptualizing unique, unconventional furniture and decor but were also actively producing these items themselves. This collective, known as Espace Aygo, transformed a dilapidated building in a bustling Brussels neighborhood into their shared living and working space, where they crafted nearly every element of their home, including a sink fixture made from a pétanque ball and a bathtub from urethane rubber. While the initial artist collectives story never materialized, the scouting photographs of Espace Aygo immediately revealed its potential as an unforgettable home story for the magazine. This discovery is particularly significant in an era characterized by often overly polished interior design, where a homeowner's personal style can be overshadowed or even dictated by their decorator. Espace Aygo serves as a powerful reminder that a home achieves true memorability not through adherence to conventional politeness or perfection, but by expressing a distinct point of view and showcasing the creative effort of those who inhabit and shape it. It underscores the idea that creating a unique and personal living space does not necessarily require substantial financial resources, but rather demands perspective, imagination, and a commitment to authentic self-expression in one's environment. The author expresses a personal affinity for Espace Aygo's aesthetic, indicating a willingness to reside there. Even for those who may not share this specific taste, the collective's inventiveness, resourcefulness, and imaginative spirit are undeniable. Ultimately, these qualities are presented as the fundamental components that truly define and enrich a home, highlighting the value of individuality and creativity over conventional design standards. #InteriorDesign #HomeDecor #EspaceAygo #ArtistCollective #DIYDesign #Brussels #CreativeLiving #UnconventionalHomes

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

Becky and David Anderson, after living in Los Angeles and Boulder, Colorado, decided to create a vibrant and welcoming home in Minneapolis, near Bde Maka Ska, when they relocated in 2020. The couple, known for their hospitality, aimed for a space where guests would feel comfortable and at ease. Their previous homes were centers for family gatherings, birthday parties, and holiday celebrations, a spirit they wished to replicate in their new residence. Starting with minimal possessions, including a significant abstract painting by a friend, the Andersons enlisted designer Victoria Sass to transform their house into a home that reflected their personality and style. A key element of the design was the incorporation of color, drawing inspiration from Becky's profession as an owner of Bluebird Floral Design and the vivid hues of the abstract artwork. Sass also found inspiration in the earthy tones of Heath Ceramics but prioritized the Andersons' kind, generous, and mindful nature as her primary muse, aiming to infuse joy into the design. The house, built in the early 2000s, already possessed a relevant aesthetic with Scandinavian and Japanese influences, evident in the blond woodwork, frosted glass resembling rice paper, and a soaking tub. Sass made a conscious decision to respect and build upon these existing architectural elements rather than mask them. Her approach involved appreciating the home's history, the owners' story, and adding her unique perspective to create an eclectic and interesting design. Specific design choices included addressing a large paneled wall with a Noguchi Akari light sculpture, which provides a soft glow when illuminated at night and allows the space to breathe without excessive adornment. The dining area features curved Crate and Barrel chairs around a bluestone-and-oak table, suitable for games. The original gray stone fireplace was updated by painting it white, enhancing its texture and integrating it into the clean aesthetic, while drawing attention to the warm tones of the seating. In the vaulted living space, the challenge was to create coziness without losing its airiness or the lake views. Sass achieved this with a pair of sofas: one upholstered in a Japanese shibori-inspired fabric and another in tufted green linen. Moroso quilted armchairs completed the grouping, providing visual and tactile diversity that engages occupants with their surroundings and makes the vastness of the space feel secondary. A zero-waste rug from Winsome Goods, made from textile scraps, was hung as a tapestry above the original maple console, adding movement to the tableau. The kitchen was warmed with subtle colors through a deep green ceramic backsplash, soft sage counter stools, and earthy terra-cotta island pendants. The dining room features pink velvet chairs from Blu Dot and a meandering steel chandelier that fosters conversation without obstructing the view of Bde Maka Ska, while FLOR carpet squares define the area. #HomeTours #HomeDecor #InteriorDesign #HomeStyle #ScandinavianDesign #JapaneseDesign #ColorfulInteriors #VictoriaSass #MinneapolisHome

Textile designer Aelfie Oudghiri's Brooklyn townhouse, shared with her husband, Hicham, and daughter, Mirah, serves as a living showcase for her eponymous line of bedding, soft goods, rugs, and furniture. Housed in a former industrial pencil factory, the 1,800-square-foot space reflects an easy, comfortable, and effortlessly stylish aesthetic deeply rooted in Oudghiri’s upbringing. Her parents, both builders and developers, introduced her to the transformative power of design early on, and an oversized Kerman rug from her childhood ignited her passion for textiles, inspiring her eventual career. Many pieces in her home are samples from her company, allowing her to live with and test products before their official launch, ensuring they are practical and durable. Oudghiri's journey into design began with an e-commerce store in her teens, focusing on products made by other young women, which taught her the foundations of design. Her childhood dream, however, was to design bedding, driven by frustration with the gendered, corny, or poor-quality synthetic options available at the time. Her early sketchbooks are filled with bedding concepts, foreshadowing her future in textile design. When designing her home, the living room was the starting point, prioritized for its comfort, openness, and suitability for entertaining. Her Moroccan husband influenced the layout, seeking a space reminiscent of a Moroccan salon with ample seating for guests. This led to the inclusion of a mint green sofa from CB2, praised for its durability, and another from ABC Carpet & Home. Oudghiri approaches home design with a lack of inherent attachment to spaces, a common sentiment in New York, preferring to evolve the design slowly. Her access to her own home decor line means her apartment is filled with a complementary array of her designs, from bath mats and pillows to poufs and tables, all serving as practical testaments to their wear and tear resistance. A key design element for Oudghiri was baby-proofing and creating a kid-friendly environment for her daughter, Mirah. The massive, open layout allowed for a play-friendly space free from hard obstacles or fragile items. The open and industrial nature of the former factory presented challenges in making the space feel cozy and welcoming. Oudghiri overcame this by strategically using rugs and artwork to soften the industrial brick walls and warm up the cold aesthetic. Her favorite aspects of the home include the exposed beams, high ceilings, abundant wall space for art, and the intricate texture of the floors. A design element she recommends for readers is foregoing a traditional coffee table in favor of side tables and poufs. This decision, initially driven by an inability to find a beloved coffee table, later proved invaluable for creating a large, open play area for her daughter. Visitors often comment on the home's established feel, assuming Oudghiri has lived there for a long time, despite only a few years passing, indicating the successful integration of her personal style and products. #TextileDesign #BrooklynHome #HomeTour #InteriorDesign #ColorfulDecor #PatternMixing #KidFriendlyDesign #IndustrialConversion #DesignerHome