An Interior Designer Shows Us Her Dream Cottage

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

Tom Cox, co-founder of HÁM Interiors, offers a tour of his London home, showcasing the design principles that define his family-run studio. HÁM Interiors, established in 2011 by Nick, Pamela, and Tom Cox, is recognized for its blend of timeless and contemporary design, focusing on creating comfortable and high-quality spaces for busy family lives. This article provides insights into Cox's personal design choices and the renovation process of his Victorian mansion block apartment. The property, a Victorian mansion block, was chosen for its location between two parks and its strong architecture, offering great views and abundant natural light. Despite being run down, it possessed salvageable features. The renovation involved a complete makeover, with a key modification being the introduction of a large, glazed partition between the kitchen and living room to open up the space. The apartment now includes two bathrooms and two bedrooms, with one bedroom repurposed as a dressing room, maximizing functionality within the existing structure. Cox's design approach emphasizes a bold color palette, leveraging the apartment's ample natural light. The living room features Farrow & Ball's 'Pigeon,' while the bedroom adopts a lighter but similarly toned 'Hardwick White.' The kitchen uses Dulux's 'Brilliant White' for walls, complemented by darker greens like Farrow & Ball's 'Card Room Green' for cabinetry, and an antique dresser to unify the aesthetic. This strategic use of color creates a distinct atmosphere in each area while maintaining a cohesive flow throughout the apartment. The kitchen, a central element of HÁM Interiors' business, was personally designed and installed by Cox's in-house team. A notable feature is the antique drapers table serving as an island, customized with antique castors for added height and a custom unlacquered brass sheet inlay for practicality and an edgy look. Lighting above the island was sourced from an antiques fair, and the tiles have a simple matte glazed finish. Cox expresses a preference for Liebherr fridges for their utilitarian design, Lacanche cookers for their colors and metal finishes, and Waterworks for kitchen taps, specifically the RW Atlas range. For china, Miranda Berrow mugs and Laguiole cutlery are highlighted. Artwork plays a significant role in Cox's home. He is an avid collector, sourcing pieces during his travels and through his design work, often frequenting antique shops and flea markets. HÁM Interiors also launched an online store for curated artwork. Sidney Teodoruk's early work is a personal favorite. Cox emphasizes the importance of framing, using a mix of antique and contemporary styles to create an eclectic feel. Picture lights and ceiling-mounted directional spotlights are strategically used to illuminate and enhance the details and colors of the paintings. The living room's design incorporates reclaimed glazed panels from a shop front, adapted and hand-painted in a distressed finish to preserve their character and create a sense of expanded space. The ceiling light is from Circa Lighting, available through HÁM Interiors' online store. The dining table combines a custom-made, painted base with an old farmhouse top. Furnishings include an antique armoire, serving as a bookcase and whisky cabinet, and an antique chest of drawers from Brownrigg. Fabric choices for the sofa are William Yeoward, while the window seat uses Christopher Farr fabric, and Fermoie cushions add varied textures and patterns. The bedroom and en suite bathroom are designed as a cool, calm, and connected space. High ceilings allowed for a three-quarter height wall between the two areas, incorporating an open archway instead of a door. This design choice maximizes light and space in the small bathroom and allows views of the reclaimed vanity and antique mirror from the bedroom. Tongue and groove detailing adds subtle texture in the bathroom, with a striking contrast between the shower tiles and the marble sink with reclaimed vanity. The bed from Soho Home features ticking fabric, reflecting a core element of HÁM Interiors' aesthetic. Lighting includes two globe lanterns from JAMB. Artworks in the bedroom include a large painting by British artist Maurice Cockerill, a trumpet piece by David Shrigley, and a reclaimed sign from Somerset. In the dressing room, joinery extends to the ceiling with integrated skirting details, painted in the same color as the walls, windows, and ceiling to create a unified and spacious feel. This room also serves as a display area for Cox's growing art collection, reflecting the studio's philosophy of incorporating art seamlessly into interior design. The article concludes by inviting readers to explore Studio HÁM's online shop and HÁM Interiors' studio for further design inspiration and services. #InteriorDesign #HomeTour #VictorianArchitecture #ColorPalette #KitchenDesign #ArtCollection #LivingRoom #BedroomDesign #BathroomDesign #HÁMInteriors

This blog post offers an exclusive tour of Dallas-based interior designer Erin Sander's custom-built home in University Park, highlighting her unique design philosophy of 'relaxed, refined luxury' and 'Belgian farmhouse' aesthetic. The 5,000-square-foot estate, featuring four bedrooms and five baths, was constructed from the ground up on a quarter-acre lot, with Sander herself drawing the floor and architectural plans. The design emphasizes natural light and understated yet impactful details, drawing inspiration from her travels and other design projects. The home’s architectural features include a long hallway terminating in a window, with steps leading to the second floor, designed to create visually appealing focal points. Custom light fixtures and detailed wood flooring were also designed by Sander. The living room, a space optimized for practicality for her young children, features performance fabrics, a custom grasscloth-covered coffee table, and artwork by Katrine Hildebrandt. An annex, originally Sander's home office, now serves as a family study. This vaulted, story-and-a-half space offers ample storage and privacy. The kitchen is a central highlight, showcasing rift-sawn white oak flooring and hand-hewn Douglas fir beams. A striking pale blue Lacanche oven range, chosen early in the design process due to its year-long procurement time, sets the tone for other blue accents in the space. Other notable kitchen elements include an unlacquered brass faucet by Waterstone and a backsplash by Clé Tile. Over the eye-catching island, custom-made fixtures from Urban Electric Company in a hand-hewn brass finish are suspended. Scandinavian-designed stools provide practical seating, and decorative bowls, including a vintage piece from Sander’s grandmother and ceramics by Sara Kersten, add personal touches. The honed marble countertops were intentionally chosen to observe their wear and tear over time, informing her client recommendations. Café curtains made from hand-blocked fabric by Galbraith & Paul add another layer of detail. The dining room combines vintage McGuire chairs, re-covered in Peter Dunham fabric, with contemporary art by Addie Chapin. Exposed brick and a light fixture from Currey & Company contribute to a modern yet cozy atmosphere. A collection of pewter dishes, including pieces from her mother and finds from the vendor Unrefined, adds dark contrast and personal history to the dining area. A custom coffee station, a testament to the family’s love for coffee, features a La Spaziale espresso machine with walnut panels, open shelving, and an Ann Sacks’ Savoy series backsplash. This functional space is equipped with refrigerator drawers for coffee essentials. The primary bedroom boasts a whimsical Oly Studio light fixture depicting a flock of birds, vintage cabinets from Juxtaposition Home, custom lamps, and quadrille bedding. The master bathroom includes custom white oak vanities and hand-cut limestone floors laid in a unique pattern, accented with tiny blue celeste marble mosaics. The home's exterior features a mix of materials like lime-washed brick and cedar shake, surrounded by live oaks and potted olive trees, creating an approachable street view. A custom wood bench from David Sutherland is nestled among Savannah holly trees in the backyard. The article provides a comprehensive look into an interior designer's personal residence, showcasing a blend of functionality, luxury, and personal style. #InteriorDesign #CustomHome #DallasHomes #HomeFeatures #LuxuryInteriors #BelgianFarmhouse #DesignerHome #HomeDecor #ErinSanderDesign

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

This article details the transformative interior design project undertaken by Boca Raton interior designer Nikki Levy. Levy was tasked with injecting drama and interest into a newly constructed, fully furnished five-bedroom, five-bathroom home in Boca Raton. The unique challenge of this project was that all major furnishings and permanent fixtures, such as marble floors, had already been purchased or installed, leaving Levy to work with an existing foundation. Despite initial reservations about taking on such a project, Levy was drawn to the home's "fantastic bones" and its double curved staircase, which she saw as a dramatic focal point. Levy approached the project with a focus on cohesiveness and artistic integration, layering details to create unique and thoughtful spaces. In the kitchen, an artist meticulously mapped out a ceiling design inspired by wallpaper from the formal dining room, creating a textured, multi-directional pattern. The living room was enhanced with black metal wire wall hangings that provided a striking contrast against neutral walls and furniture. For the family room, faux finish painters were employed to create a textural wall finish, complemented by a barn door with a graphic vibe leading to the music room. A significant part of the transformation centered on the dramatic double stairwell. Levy further enhanced its elegance by adding custom design benches with a dusty gold base and velvet shagreen-esque cushions at the base. The walls of the lower staircase were adorned with an array of brass and silver metal bowls, creating a unique visual impact upon entering the home. The client's husband's office was personalized with an ombré wall effect, transitioning from gray to white, symbolizing the Philadelphia skyline, his hometown. A key client request was a special bar that could fit into a three-foot space without a traditional sink. Levy designed a cold inlay bar with rich wood tones and a HydroFaucet that chills, sparkles, and boils water, ingeniously incorporating a single drain to provide full functionality. Near the formal dining area, metal flowers welded together and whitewashed with raw metal peeking through were used to add interest. The dining room also features a vertical display of wine bottles in a glass case spanning almost the entire wall. Levy also championed the prominent placement of a large, colorful portrait of a woman, which the client had initially considered hiding, making it a central design element flanked by oversized lamps and a self-patterned table. The master bedroom was transformed with a Phillip Jeffries wallpaper made from woven banana bark and paper, featuring a bold stripe pattern with a wabi-sabi flair. This textured wall-covering brought the existing furniture, including a velvet headboard, to life, creating an oasis-like atmosphere. The master bathroom features a "wow factor" with a wall design by Alex Turco, which combines photographic, digital images, and hand-applied resin to create an organic, polished marble-like structure. An Arteriors chandelier with a fringed, unstructured vibe and deep colors complements the space. Levy's design philosophy, shaped by her South African origins and experience with increasingly sophisticated and international clients in Florida, emphasizes connecting with clients to create personalized and unique homes, often utilizing 3D imaging technology for previews. Nikki Levy Interiors has received multiple Houzz Awards and participated in the 2022 Kips Bay Decorator Showhouse. #InteriorDesign #HomeRenovation #LuxuryHomes #BocaRaton #NikkiLevyInteriors #CustomDesign #ArtisticInteriors #TexturalDesign #DecoratorShowhouse

Daniel Fletcher, a renowned fashion designer, showcases his unique four-storey flat in a converted warehouse in Southwark, London. His home, a former hops factory from the late 19th century, was originally two separate flats that were combined when the top floor owners acquired the lower unit, integrating the communal staircase into their living space. The residence boasts two kitchens, three bedrooms, and three bathrooms, providing ample space for Fletcher, who meticulously curates his surroundings. Fletcher, known for his wearable yet subtly subversive fashion aesthetic, launched his label after graduating from Central Saint Martins in 2015, quickly gaining recognition with Harry Styles as his first customer. He was nominated for the LVMH prize in 2017 and was a finalist on Netflix's 'Next in Fashion.' More recently, he was appointed Royal Ascot's inaugural creative director, overseeing their annual Lookbook and Millinery Collective. His design philosophy, which he applies to both fashion collections and his home, starts with a neutral base of cream, black, or navy, accented with pops of color. Despite the industrial nature of the warehouse, characterized by exposed brick, Fletcher has successfully created a "minimalist cosy" atmosphere. He incorporates soft textures like bouclé and traditional tailoring fabrics such as canvas and calico to soften the raw elements. Key furniture pieces include a fuzzy cream sofa, a low-slung, mid-century-style chair from Bali, a walnut dining table from Habitat, and a three-legged marble table from Soho Home. These blend seamlessly with reclaimed wood featuring rusted nails, repurposed by architects for beams and drawer fronts. Fletcher's creative endeavors extend beyond fashion and interior design. His kitchen shelves display ceramics he crafted during a six-week course in Hackney, demonstrating his versatility and hands-on approach. Large canvases, painted after intense work periods, adorn his living space, reflecting his artistic heritage inherited from his art teacher grandmother, whose works also grace his walls. These include a line drawing of a cow and a landscape of Arizona painted in 1990, given to him on his 21st birthday. The home is filled with items of significant sentimental value. A giant photograph of an iceberg by Andrew Irwin commemorates Fletcher's trip to Antarctica. In his bedroom, a framed LP sleeve of the Rolling Stones’ 'Goat’s Head Soup' serves as a tribute to his late father and inspired his autumn/winter 2022 collection. Pieces from the Royal Academy’s Summer Exhibition further personalize the space. The flat also functions as a relaxed setting for client fittings, offering a more personal experience away from the bustling studio, attended by notable figures like Nick Grimshaw, Douglas Booth, James McAvoy, and Marcelino Sambé. Fletcher's home is a testament to his comprehensive design vision, blending industrial architecture with personal touches, art, and sentimental objects to create a harmonious and inviting living environment that reflects his creative journey and personal history. #DanielFletcher #FashionDesigner #WarehouseConversion #MinimalistCosy #InteriorDesign #HomeDecor #SouthwarkFlat #ArtisticHome #ReclaimedMaterials

Award-winning interior designer Alexandra Kidd, founder of Sydney-based Alexandra Kidd Interior Design, has collaborated with Belle and Fanuli to create her ideal living area. Her design emphasizes functionality, artistry, clean lines, and luxurious pieces from Fanuli furniture, particularly highlighting items from the Italian brand Flexform. This collaboration showcases Kidd's approach to interior design, which focuses on bringing joy to everyday living spaces. The core inspiration for the living area design stems from Flexform's elegant and timeless aesthetic. The design concept aims to cultivate a sophisticated and textural atmosphere, achieved through the careful selection of materials and forms. Key elements include the woven leathers of the armchair and ottoman, the graceful curves of the sofa, and the inclusion of various lamps, drapes, a rug, and a hand-woven screen. The overall scheme is designed to strike a harmonious balance between practicality and beauty, ensuring both comfort and aesthetic appeal, deeply influenced by Flexform’s classic elegance. A particular favorite piece mentioned by Kidd is the ‘Bangkok’ ottoman, which she praises for its couture sensibility, texture, and its blend of contemporary design with exceptional craftsmanship. The choice of specific Fanuli pieces was deliberate, with materials like woven leathers contributing a sense of luxury and artisanal quality. The curved sofa introduces a fluid and dynamic element, while a textural lamp, drapes, and rug collectively enhance the tactile experience, fostering an ambiance of comfort and warmth. The color palette employed in the design leans towards neutral tones, allowing the inherent richness of the materials and their textures to become the focal point of the space. Kidd offers several key tips for creating a perfect living room. She advocates for simplicity coupled with elegance, suggesting clean, sophisticated designs with minimalist lines and understated details. This approach involves avoiding clutter and opting for furniture with sleek silhouettes and refined craftsmanship. A strong emphasis is placed on quality, recommending investment in well-made pieces crafted from premium, durable materials, much like those offered by Flexform, known for its commitment to craftsmanship. Texture play is another crucial element, encouraging the incorporation of woven fabrics, plush rugs, and tactile cushions to add depth and visual interest through layered textures. Furthermore, Kidd advises on the thoughtful curation of accessories, such as minimalist artwork, sculptural vases, and designer lighting fixtures, to complement the furniture without overwhelming the space. An open layout is encouraged to promote a sense of fluidity and facilitate conversation and interaction. Maximizing natural light is achieved by minimizing window treatments or opting for sheer materials, creating an airy and inviting atmosphere, with mirrors strategically used to reflect light and visually expand the room. Finally, personal touches, such as cherished mementos, family heirlooms, and curated decor items, are recommended to infuse the room with warmth and individual style. #InteriorDesign #LuxuryFurniture #LivingRoomDesign #AlexandraKidd #Fanuli #Flexform #HomeDecor #TexturalElements #NeutralColorPalette

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

Interior designer Daniella Dolman embarked on a deeply personal renovation project, transforming her 1920s cottage in Hamilton, Ontario, into a functional and beautiful home for her growing family. Facing the challenge of adapting a small, character-filled property to meet modern family needs while preserving its original charm, Dolman focused on creating a space that balanced elegance with livability. The renovation expanded the cottage from one bathroom and a tiny kitchen to a three-bath, four-bedroom house, emphasizing light, openness, and soft colors. Dolman described the process as emotional, designing not just a house but a 'feeling' for her daughters. She aimed to carry forward her mother's legacy of a beautiful, orderly home, but through a softer, more personal approach. A key inspiration was a childhood memory of her grandmother's rose-colored bathroom, which evoked a sense of intimate, feminine warmth. The design incorporates playful and feminine elements, such as raw silk café curtains, slipcovered stools reminiscent of a bygone era, and custom millwork with delicate curves nodding to Art Deco femininity. Dolman emphasizes that the home is designed for delight in small things, inviting residents to eat cake, observe light on painted ceilings, and understand that elegance and joy can coexist. A major functional change involved reimagining the kitchen, which was originally small and disconnected. By opening walls and repurposing the former dining room, a larger, open-concept kitchen was created. This new kitchen became the emotional heart of the house, suitable for cooking, socializing, and working. A La Cornue range was a non-negotiable, along with quad doors connecting to the back studio, fostering indoor-outdoor living. A swooped-edge breakfast bar anchors the space, serving as a sculptural and practical gathering point. The kitchen's design prioritizes fluidity, connecting seamlessly with the reconfigured living and dining areas. The dining room features a bolder, buttery yellow color palette with black chairs for a dramatic contrast. An oversized pendant light acts as a sculptural focal point above a round marble dining table, chosen for its ability to foster intimate conversation. The ceiling, painted a joyful yellow, casts a golden glow, inspired by designer Rose Uniacke's restrained use of the color. The living room maintains a calm, neutral palette, with interest added through varied textures and layers, reflecting Dolman's vision of 'feminine whimsy and English drawing-room romance.' It's a space intended for family activities like reading and listening to music. The primary bedroom embraces depth and saturation with dark walls, softened by a pale pink custom headboard and Bella Notte linens to create an inviting atmosphere. The main bathroom features a floating double vanity carved from thick marble, with invisible hardware, aiming for an open, tonal, and intentional Parisian atelier aesthetic. Overall, the renovated home achieves a balance between curated design, functionality for family life, and a joyful, whimsical spirit. It combines bold color combinations and personal touches, blending nostalgia with modernity. The interior style is described as a 'quiet romance suspended between English charm and Parisian elegance,' utilizing a tender yet daring palette of powdered blush, sun-washed marigold, and deep eggplant. #InteriorDesign #HomeRenovation #CottageRemodel #FamilyHome #DesignInspiration #KitchenDesign #LivingRoomDesign #BedroomDesign #BathroomDesign

This article offers 25 cottage decor ideas for creating a cozy and inviting home environment. It emphasizes incorporating personality-packed patterns, colors, and collections to achieve a style reminiscent of the English countryside. The recommendations cover various rooms and design elements, suggesting ways to blend new and vintage accessories for a unique cottage aesthetic. The article also briefly mentions farmhouse-style decor as an alternative. Specific ideas include using pastel or cool paint colors, such as the serene blue-green of Quiet Moments by Benjamin Moore, to add character. Quilts are highlighted as a means to introduce color and pattern, whether used as bedspreads, drapes, or stacked for warmth. Glass-front cabinets are recommended for displaying dishes and collections, with Palm by Farrow & Ball suggested for cabinetry paint. The article encourages the use of multiple patterned textiles, such as a chintz armchair paired with a buffalo check sofa, to add a feminine touch and visual interest. Architectural features are also addressed, with the suggestion to expose wood beams, especially when paired with white walls or zellige tile backsplashes. Displaying personal collections, like amateur seascape paintings, is presented as a meaningful and affordable way to decorate. Incorporating passed-down furniture and decorative pieces, such as vintage spongeware, is encouraged to give cottages a unique soul. Handwoven baskets are noted for their character-filled decorative potential, particularly when hung from ceilings in spaces like breakfast nooks. The article also suggests practical yet stylish elements like slipcovers for a relaxed living room feel, with white cotton duck slipcovered pieces paired with flea-market finds. Adding patterned wallpaper, such as romantic florals, and pairing them with complementary patterns like stripes or gingham is another key idea. For bathrooms, a sculptural claw-foot tub is recommended to layer on charm, with tongue-and-groove planks adding texture to a simple palette. Painting floors with a classic checkerboard pattern, for instance, a mint green and white in a dining nook, is proposed to add a graphic punch. Further suggestions include repurposing antique pieces, like former general store fixtures, for kitchen storage and adding plate racks for extra cottage charm. Embracing old house quirks like exposed studs for shelving and painting everything white can create an easy, breezy feel in coastal cottages. Similarly, sloped ceilings in attic bedrooms can be embraced to enhance coziness, using accent walls for dimension. The article also highlights focusing on whites and woods for a simple yet cozy design, using cheerful palettes like yellow and blue in tiny kitchens to make them feel open and airy. Hanging floral paintings is suggested as a year-round way to add colorful blooms, and installing beadboard paneling can introduce texture and a wainscoting effect to spaces like mudrooms. Finally, the article recommends selecting furniture with patina, such as mismatched painted pieces, to bring warmth and one-of-a-kind charm to a dining room. #CottageDecor #InteriorDesign #HomeDecor #VintageStyle #RusticCharm #ColorPalette #DIYHome #AntiqueFurniture #PatternMixing

Interior designer Kate Nixon, in collaboration with Belle and Fanuli, created her ideal bedroom, emphasizing soft lines, timeless silhouettes, and luxurious pieces. The inspiration for this serene design came from the Clapis bed by MD House, admired for its contemporary lines and textured upholstery. Nixon’s design approach included the use of mismatched bedside tables, combining a Riva Elle Ecrit desk with Flexform Ascanio side tables. This choice was driven by a desire for practicality and efficient space utilization, while ensuring cohesive timber tones and classic design elements across the furniture. A standout piece in Nixon’s design is the Flexform Mate magazine caddy. She highlights its classic appeal, noting its steel framework and woven leather construction, which she believes exudes Italian style and quality. This accessory is seen as versatile enough to complement various interior styles. When asked for her top tip on creating a perfect bedroom, Nixon advises focusing on a calm and inviting atmosphere. This involves carefully considering all design layers, from area rugs and wall coverings to window treatments, lighting, bedding, art, and other accessories. She emphasizes the importance of maintaining a cohesive palette of tones and textures throughout these elements to achieve a harmonious and tranquil space. The article provides specific details on the various products and brands used in Kate Nixon’s bedroom design. These include the Riva 1920 ‘Vela’ sideboard, vintage ‘Yoz’ pots from Kate Nixon Store, and an Antonio Citterio ‘Ascanio’ bedside table by Flexform, complemented by a Fanuli ‘Adagio’ light. The bedding features a Busatti 1842 ‘Cadibona’ bedspread and ‘Raso Egitto’ cotton bedlinen set in white, along with a Kate Nixon with Quercus & Co. ‘Serval’ lumbar cushion in Cognac. Additional textile elements include a Kate Nixon with Quercus & Co. plaid coverlet in Cocao weave fabric and a Lanerossi ‘Bogota’ bouclé blanket. The room also incorporates a Bonaldo ‘Olos’ pouf, a leather ‘Valet’ tray, and a Penta ‘Spoon’ table lamp on the Riva 1920 ‘Elle Ecrit’ desk. The Flexform ‘Doris’ armchair is placed at the desk, and a Made Goods ‘Lilou’ woven box is featured. The aesthetic is further enhanced by Quercus & Co. ‘Seagrass’ wallpaper in Pepita from Elliott Clarke and the artwork ‘Coastal Reach’ by Richard Whadcock from Studio Gallery. A ‘Swirl’ wool and silk rug from Fanuli anchors the space, contributing to the desired cohesive and luxurious environment. The overall design reflects Nixon's philosophy of creating a personalized and comforting sanctuary, using high-quality pieces and a thoughtful selection of colors and materials. This collaboration showcases how a seasoned interior designer approaches personal space, blending functionality with aesthetic appeal. Nixon's insights into choosing pieces that resonate with her personal style, such as the preference for mismatched bedsides for both utility and visual interest, offer practical advice for those looking to curate their own restful bedrooms. The detailed breakdown of items also serves as a guide for readers interested in replicating or drawing inspiration from her specific selections, highlighting the importance of every element in contributing to the room's overall ambiance. The emphasis on a cohesive palette and layered textures reinforces the idea that thoughtful planning is crucial for achieving a desired atmosphere in interior design. #BedroomDesign #InteriorDesign #KateNixon #FanuliFurniture #LuxuryInteriors #HomeDecor #DesignInspiration #BedroomDecorating #TimelessDesign

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

Interior designer Susannah Talley, after moving from a 3,000-square-foot carriage house in Prides Crossing, Massachusetts, downsized to a 475-square-foot studio on the Upper East Side, which she affectionately refers to as her “treehouse.” This transition occurred 27 years ago. In 2008, Talley's experience with small-space living gained an additional dimension when she discovered an abandoned dollhouse and undertook its restoration. This project, detailed in her 2015 self-published book, *The Dollhouse: A Love Story*, became a shared creative endeavor with her husband, Truman “Mac” Talley, during his illness. The living room of Talley’s studio is designed to evoke the ambiance of a country home, featuring family portraits and comfortable chairs arranged around a decorative fireplace. This fireplace ingeniously conceals a flat-screen TV. The armchairs are upholstered in a mixed “Tree of Life” patterned fabric from Jofa, complemented by wall-to-wall carpeting from Patterson, Flynn & Martin. Talley offers practical advice for maximizing small spaces, such as utilizing floor-to-ceiling mirrored walls in strategic locations to create the illusion of greater depth. She emphasizes the importance of selecting furniture that is appropriately scaled for the space, advising against oversized sectional seating due to its potential to overwhelm a room and complicate the placement of reading lamps. Instead, she recommends comfortable club chairs paired with well-positioned reading lamps and movable ottomans over traditional sofas. Upon entering the studio, the inviting decor immediately conveys Talley's expertise in creating beautiful and welcoming environments. A notable design element is the decorative fireplace, which, upon closer inspection, reveals a crackling fire image displayed on a flat-screen TV. Above the fireplace hangs an unsigned family portrait. Talley ingeniously converted a closet space into a functional bar area. This space features checked skirting fabric from Schumacher, wallpaper from Cole and Sons at Jofa, and paint from Farrow & Ball. Talley advocates for varying wall surfaces through different wallpapers and paint colors to create the perception of distinct rooms within a small area. She also prefers wool wall-to-wall carpeting for its ability to hide dirt, eliminating the need for guests to remove their shoes, which she considers an imposition. Another clever design solution within the studio is a functional dressing table integrated into a deep window sill near the bed. This was achieved by inserting a “sandwich of decorative wallpaper within two curved pieces of glass,” with decorative trim providing a finished edge. Hidden right-angle brackets offer structural support for this feature. The dollhouse, found abandoned on the street, was a significant project for Talley. She recounts her immediate connection to the dollhouse, seeing it as an answer to her desire for a creative project. She meticulously sanded away crayon and marker scribbles, drilled holes for lighting using Christmas-tree lights, and painted the exterior a deep eggplant shade to harmonize with her apartment’s decor. Together with her husband, Mac, she embarked on furnishing and decorating the dollhouse’s rooms. Talley sourced miniature items for the dollhouse from The Tiny Dollhouse Store on East 78th Street, acquiring objects like a two-inch dog bed, a thimble-sized bunch of bananas, and a fist-sized baby grand piano. The dollhouse kitchen is meticulously detailed, complete with tiny pots, pans, plates, cookbooks, and a miniature bottle of wine. The dollhouse's boudoir features a black-and-gold japanned bed and matching chairs, a gift from her sister. The walls are adorned with deep pewter-blue damask, and the floor is covered with navy-blue felt serving as wall-to-wall carpeting. A purple cocktail coaster from India was repurposed as a bedspread, and an upside-down beaded votive holder functions as a perfectly scaled bedside table. A painting by Talley’s daughter, Expressionist painter Isabelle Peabody, hangs on the wall. The dollhouse also includes a miniature menagerie of four-legged friends, completing the domestic scene. This project became a poignant and creative outlet, providing a miniature world within their real-life small space. #homeDesign #smallSpaces #interiorDesign #studioApartment #dollhouseRenovation #decoratingTips #creativeLiving #upperEastSide #SusannahTalley

This article offers an exclusive tour inside the extensively renovated Dallas home of interior designer Mary Beth Wagner. Situated in University Park, a neighborhood known for its blend of cafes, boutiques, and architectural appeal, the 6,800-square-foot, five-bedroom residence exemplifies modern luxury while retaining classic elements. The home underwent a comprehensive year-long renovation, transforming it from a dark, traditional 1990s structure into an open, light-filled space. This involved reconfiguring the entire interior, moving and adding doors and windows, removing and relocating walls, installing a covered patio, and redesigning the pool area. The exterior remained largely unchanged, save for a fresh coat of paint, but the interior was stripped down to the studs, effectively making it a ground-up build. Mary Beth Wagner collaborated with Christy Blumenfeld of Blume Architecture, Blake Evenson of Hudson Construction Group, and Design Consultant Curtis Burlbaw to bring her vision to life. Designing her own home presented unique challenges for Wagner, given her exposure to diverse design styles in her professional work. However, she embraced the opportunity to be highly creative, as the house's original lack of a specific style provided a blank canvas. The resulting aesthetic is described as traditional yet eclectic, emphasizing comfort and functionality over rigid formality. The home features a mostly traditional layout, with the dining and living rooms greeting visitors upon entry. A central study was intentionally opened up to improve flow for entertaining, yet it retains the flexibility to be closed off for more intimate gatherings. Throughout the home, thoughtful design choices are evident. Limestone floors were installed in the central hallway and family room, while other areas feature hardwoods, contributing to a cohesive yet varied floor plan. Wallpaper plays a significant role in defining individual spaces, with distinct patterns chosen for rooms like the dining area, which features a feminine touch, and a powder bath, adorned with a unique 'Good Fortune' wallpaper by Ferrick Mason. This particular wallpaper was a deliberate replacement for an earlier, overly bright choice, reflecting Wagner's careful curation of elements. The living room showcases vibrant peacock blue velvet couches, a boldly patterned rug, and traditional furnishings, creating a dynamic space. The home is designed with multiple living areas, catering to both family life and entertaining. Ample seating arrangements are a recurring theme, encouraging gatherings, reading, or quiet relaxation. A quaint rose-colored table in the breakfast area serves as a spot for backgammon or reading, while a modern light fixture adds whimsy to the kitchen. The butler's pantry, with its clean lines and a touch of color from its wallpaper, demonstrates an evolution from its previous dark, built-in heavy iteration to a more open, bar-integrated space. The primary bedroom combines simplicity and practicality with an interior archway, exposed brick, and classic furniture, while the master bath features another striking wallpaper surrounding a freestanding tub. An innovative adaptation of the original architecture led to the creation of a functional third floor, now housing a home gym, an office, and a guest bedroom, adorned with playful pink and purple wallpaper and a lucite chair at a small desk. #InteriorDesign #HomeRenovation #DallasHomes #LuxuryLiving #EclecticDecor #PastelInteriors #DesignInspiration #UniversityPark

This article details the comprehensive renovation of a 120-year-old historic carriage house on New York's Long Island by its new owner, Jamie Morgan, founder of Blake & Dane interior design studio. The property, originally part of a French Beaux-Arts style estate, presented a unique challenge: preserving its historical essence while adapting it for modern family living. Morgan and her husband, Chris, were drawn to the house's character and history, including its 12-foot ceilings, a 30-40 foot entryway cupola, and visible remnants of its past use, such as where hay entered and the original horse doors. The core objective of the renovation was to enhance these historical attributes without compromising contemporary comforts. The kitchen, initially a challenging long, narrow galley layout, was transformed into an intimate family space. A large kitchen island with seating on both sides was introduced to serve as a central gathering point for meals and entertaining. The high 12-foot ceilings, which could have posed a design constraint for cabinetry, were ingeniously addressed by integrating a library ladder and brass rail system, turning a potential problem into a distinctive feature. White kitchen cabinets with dark stone countertops and Signature Hardware pulls were used, with upper glass cabinets skinned in white oak, contributing to a tailored aesthetic. A custom-designed plaster cooker hood and Arabescato Antico marble backsplash further elevated the kitchen's traditional yet modern appeal. The dining room highlights many of the carriage house's original features, including warm-toned ceiling beams from its days as an outhouse. Railings around the stairs and raised floor spaces subtly nod to the former stalls and stables. To visually break up the open-plan living and dining area and add sophistication, elegant moldings and wainscoting were newly introduced. A custom black ash dining table paired with upholstered dining chairs from Arhaus ensures a sleek, contemporary look that harmonizes with the historic backdrop. An arched doorway off the kitchen leads to a butler's pantry, distinguished by its deep green/teal subway tile color scheme. This space provides practical storage with light oak cabinetry and dark wood open shelves, and serves as an additional food preparation area, compensating for the galley kitchen's smaller footprint. The home office masterfully combines old and new elements, featuring an original window alongside a newly installed white oak coffered ceiling. This traditional framework is juxtaposed with contemporary office furniture, including a streamlined desk and striking red chairs, and a Phillip Jeffries' Burled Chevron Carob wallcovering. The design ensures privacy while maintaining an open, airy feel, allowing the office to overlook the living space. The primary bedroom exudes a traditional ambiance with bespoke millwork creating a fitted look around the Arhaus bedframe. Benjamin Moore's Misty Gray on the walls and millwork offers a cool, restful atmosphere, complemented by colorful Milan bedding from Annie Selke, a large arched floor-standing mirror, and a white area rug. The primary bathroom was designed for luxury, incorporating Carrera marble tiles, Waterworks fixtures, and an Aerin Bonnington Chandelier. The layout specifically frames a freestanding bath beneath a window, with watery blue walls adding a shimmering effect. The overall renovation strategy prioritized preserving the home's unique character while upgrading amenities and adjusting the layout to suit modern family needs, resulting in a successful blend of historical charm and contemporary functionality. #InteriorDesign #HistoricRenovation #CarriageHouse #HomeTour #KitchenDesign #DiningRoom #HomeOffice #BedroomDesign #BathroomDesign

The "Inside Her Home" series offers a glimpse into the residences of everyday women, detailing their renting or homeownership experiences. This installment features Lauren Li, a 45-year-old interior designer residing in Ivanhoe East, Melbourne. She lives with her husband and three children in a three-bedroom, two-storey home with an additional granny flat, which they rent for $3,910 per month. Lauren describes her home as a mid-century modern dwelling, built in 1961, retaining much of its original architecture. She emphasizes a deep connection to the house, feeling it "chose her" and that she and her family are deeply content living there. Lauren’s home is situated approximately 10km north-east of Melbourne's Central Business District. She highlights the fair price for the rental and expresses a strong belief that renters invest significant care and effort into making their houses feel like home. She and her family have occupied the property for three years, and her appreciation for the space has only grown. The house holds historical significance, having been the former residence of Victoria's first female Supreme Court judge, the Honourable Rosemary Balmford, who lived there since 1963. Lauren attributes the home's positive atmosphere and abundant built-in bookshelves to its previous owner, noting Balmford’s pioneering role as the first female lecturer in the University of Melbourne’s law faculty. The layout of the home is particularly appealing to Lauren, featuring a spacious living room with a fireplace, which provides ample room for the family while maintaining a sense of togetherness. The property also offers lovely views of trees, a beneficial feature for Lauren and her husband, who both work from home. The kitchen retains its original 1960s charm, which Lauren appreciates. The house includes an elevated deck that has been the setting for numerous family gatherings and summer dinners, contributing to its cherished feel. Their 12-year-old daughter enjoys a room with an impressive view of the Yarra River, while her 11-year-old sister and three-year-old brother share the other bedroom. Lauren explains that their move to this particular house was almost serendipitous. When their previous apartment was put up for sale, they needed to find new accommodation swiftly. A friend connected them with a real estate agent, and upon seeing the Ivanhoe East property, Lauren immediately felt a strong desire to live there. Her attachment to the house is so profound that she declares she is "never going to leave," underscoring her long-term commitment to the home. The article concludes with an invitation for other individuals to submit their homes for inclusion in the "Inside Her Home" series, encouraging [email protected] to be contacted for submissions. #HomeDecor #InteriorDesign #MidCenturyModern #RentalProperty #MelbourneHomes #FamilyLiving #RealLifeStories #HomeTour

Linda Dekkers, an interior stylist and cofounder of Fronteriors, a company specializing in custom fronts for IKEA cabinets, transformed her small three-bedroom coastal holiday home in Ouddorp, Netherlands, by strategically using statement walls. Instead of conventional paint, Dekkers opted for a unique approach: cane wallpaper. This choice allowed her to introduce texture and define distinct zones within the compact space. The wallpaper, which features patterns inspired by woven rattan, is incorporated into both the dining-living area and the master bedroom. The aesthetic effect is so convincing that it’s difficult to distinguish it from actual woven cane unless viewed closely. The Dutch brand NLXL is responsible for producing this wallpaper, utilizing ultra-high-resolution scans to create a trompe l’oeil effect that mimics the natural material. Dekkers emphasizes that integrating texture into a room is crucial for elevating a space from flat and uninspired to one that feels rich, full, and alive. Despite its cost, approximately $300 for 50 square feet, Dekkers views the cane wallpaper as an investment rather than mere wall decor. She likens its significance to a piece of furniture, highlighting its enduring design appeal. The use of caning in interior design has a long history, notably seen in Swiss architect Pierre Jeanneret’s Chandigarh chairs, which have maintained their relevance for over 70 years, indicating that cane-inspired designs are not a fleeting trend. In the dining room, Dekkers paired the cane print wallpaper with a pale pink vintage wardrobe, creating a modern contrast. For the master bedroom, she adopted a more minimalist style, forgoing a headboard to allow the accent wall to serve as the primary focal point. NLXL’s collection offers various cane wallpaper designs, including square webbing, a crisscross pattern, teardrops, diamonds, and plain strips. Dekkers specifically utilized the square webbing design in her dining room. Dekkers notes that this particular wallpaper is heavier than many other types, necessitating assistance during installation, which she received from her mother. However, she assures that the effort is well worth it, as the textured walls create a striking visual impact that ensures the space is noticed and appreciated, regardless of the season. The article showcases how a seemingly simple material choice can significantly enhance the depth and character of a home. #InteriorStyling #CaneWallpaper #TexturalDesign #SmallSpaceDesign #HomeRenovation #DutchDesign #AccentWalls #ModernInteriors