Sumi fabric collection by Camira

Shibori, an ancient Japanese method of pressing, twisting, and coloring textiles with indigo, has been a prominent trend in home decor, appearing on headboards, dinner napkins, and wall art. While shibori-dyed items remain popular in California-cool homes, designers are exploring new patterns to follow this bohemian style. This article consults four designers to predict the next significant pattern trends. Christina Bryant, founder of St. Frank, suggests Kuba cloth as the new neutral. Originating from the Congo, Kuba cloth is handwoven from raffia palm leaves, featuring earthy tones and a modern, elevated, and masculine feel. Bryant has incorporated its large winding lines into lumbar pillows, pouches, and even wallpaper, while still appreciating shibori fabric, as evidenced by a large shibori-covered surfboard in her living room. Rebecca Atwood, a textile designer and author, highlights Suminagashi, a Japanese marbling technique. Initially experimenting on paper with India ink and water, Atwood transferred these dreamy, hypnotic swirls to cotton duvets and pillow covers. She notes that Suminagashi shares the irregular and painterly quality that resonated with people in shibori, lending itself to a coastal and bohemian aesthetic. Caitlin Murray, principal at Black Lacquer Design, anticipates prints that are both exotic and suitable for everyday use. She is drawn to sophisticated geometrics with a softer, organic touch. Her top choices include Kelly Wearstler’s District fabric, a heavy linen with Cubist influences, and Clarence House’s Aimee print, which has been featured on a Memphis-style ottoman. Heather Taylor, owner of Heather Taylor Home, looks to channel the aesthetic of Amanda Brooks’s Cotswolds boutique by layering gingham and stripes. She proposes a maximalist approach, suggesting pairing a checkered duvet with matching window treatments. By adding beautiful florals, this combination can evoke the charm of the English countryside. These designers offer fresh perspectives on textile patterns, signaling a shift in popular home decor trends beyond the prevalent shibori style. #InteriorDesignTrends #TextilePatterns #Shibori #KubaCloth #Suminagashi #GeometricPrints #LayeredPatterns #HomeDecor

The article highlights 15 unique UK fabric shops and designers, moving beyond mainstream options to showcase artisan and distinctive fabric designs for home interiors. These selections cater to a wide range of tastes, from traditional country styles to eclectic prints, hand block-printed motifs, and sustainable options, providing inspiration for upholstery, curtains, cushions, and other soft furnishings. The aim is to introduce readers to designers and shops that offer unique aesthetic qualities and ethical production methods that might not be commonly known. St Jude's is featured for its artist-designed fabrics and wallpapers, including works by Mark Hearld, Angie Lewin, and Emily Sutton, making it suitable for those seeking unique prints. Kate Forman is recommended for traditional, vintage-style floral linens, ideal for country living rooms or bedrooms. Molly Mahon specializes in cheerful block prints, encouraging the mixing of various patterns for a vibrant interior. Susie Watson Designs offers a cohesive palette with prints ranging from florals to animal motifs, designed for easy incorporation into daily life with a muted and pastel color scheme. Madder Cutch & Co stands out for its commitment to sustainability, printing linens with natural pigments and plant extract dyes in a garden studio, also offering cushions and fabric accessories. Fanny Shorter reimagines botanical prints with maximalist fabrics for those desiring a unique take on nature-inspired designs. Morris & Co is recognized for its iconic prints, experiencing a revival that suits both traditional and contemporary interior schemes. Cabbages & Roses caters to vintage enthusiasts with understated designs, including faded floral linens and timeless stripes, perfect for period properties. Tori Murphy presents timeless style through stripes and geometric patterns, woven in a traditional Lancashire mill, ensuring durability and enduring appeal. Sam Wilson provides whimsical printed fabrics based on linocut designs, offering an understated way to integrate nature into interiors. Rapture & Wright is noted for its bold, hand-printed fabrics, featuring Moorish-inspired geometrics and the 'Walled Garden' print, ideal for making an impact. Sylvia & Margot specializes in cushions with intricate florals and birds, based on artist Rebecca's hand-carved linocuts. Ian Mankin is highlighted for its extensive collection of stripes and checks in cottons, linens, and wools, all woven in a historic Lancashire mill, offering a wide variety for different preferences. Cloth & Clover offers Scottish-milled linen mixes that evoke a traditional style, suitable for older properties or adding historic charm. Finally, Pippa Blacker Interiors provides elegant, nature-inspired fabrics and wallpapers based on Pippa's sketches and paintings, all made in the UK, with an option for a made-to-measure service for various soft furnishings. Each selection emphasizes distinctiveness, quality, and specific aesthetic appeals to guide consumers in their fabric choices. #FabricShopsUK #HomeInteriors #FabricDesigners #UpholsteryFabrics #CurtainFabrics #CushionFabrics #ArtisanFabrics #SustainableFabrics #VintageStyle

This article explores the significance of an eighth-century Umayyad wool tapestry fragment from the Metropolitan Museum of Art's collection, reconsidering common impressions of Islamic art. While Islamic art is often perceived through its precise and repetitive ornamental motifs, this tapestry fragment offers a counter-example, revealing a more playful spirit in early Islamic textiles. Dated to the mid-eighth century and attributed to the Umayyad Caliphate, the fragment features stylized rosettes and floral motifs that resemble bright flower sprays on a grassy background. The fragmentary nature of the tapestry, lacking selvedges, suggests it was part of a larger furnishing fabric. Reconstructing Umayyad homes from the seventh or eighth century is challenging due to the scarcity of extant textiles. However, wall paintings and mosaics from Umayyad palaces provide insights into their interior decorations. For instance, a fresco at Qusayr 'Amra depicts a heavily draped space with veiled doorways and colonnades, and covered seating, contrasting with the current austere state of these palaces. Similarly, floor mosaics at Khirbat al-Mafjar, edged with tassels, suggest the presence of carpets of similar size, reinforcing the idea of textile use in these grand spaces. The author posits that the floral tapestry fragment might have served as a wool seat or wall furnishing. A key aspect distinguishing this fragment is the irregular design and varied color application of its motifs, a departure from the strict repetitive or symmetrical layouts prevalent in decorative art from later Islamic dynasties. The central part of the textile, a band with a green background, features two rows of medallion-style rosettes. Each of the seven rosettes is distinct in color or form, with individually rendered petals. The flower bouquets on the red band, forming the edge, also exhibit this intentional variation, ensuring no two neighboring motifs are identical. This deliberate variety in repetition is paralleled in the facade of Qasr al-Mshatta, where carved rosettes within hexagons and hexafoils display distinct content while maintaining a general form. The interspaces are densely covered with grape leaves, alongside depictions of lions, griffins, and peacocks. This suggests that such decorative programs were designed to evoke a garden, mimicking the fabled Paradise garden, through a diverse array of flora and fauna. Therefore, the rosette tapestry fragment, whether used as a hanging or a cover, would have functioned as a segment of a portable garden. Spreading the tapestry would have transformed the environment, releasing a miniature Paradise and adding a sense of glamour, as if the owner were seated on a floral lawn or surrounded by fantastic creatures. This interpretation highlights the innovative and artistic intent behind early Islamic textile design, showcasing a sophisticated approach to decoration that went beyond mere repetition to create dynamic and symbolic spaces. #IslamicArt #UmayyadTextiles #TextileHistory #DecorativeArts #MetropolitanMuseum #ArtInterpretation #GardenMotifs #HomeDecor

Asian Paints, a prominent brand in the paints industry, has expanded its focus to home decor and interiors, launching a collaboration with celebrated Indian designer Sabyasachi. This partnership introduces 'Sabyasachi for Nilaya', an exclusive collection of furnishing fabrics designed to enhance home spaces. The collection, named 'The Heartland Collection', encompasses a diverse range of soft furnishings, including fabrics for curtains, drapes, and upholstery. Sabyasachi has infused his distinctive fashion aesthetic into this interiors line, drawing inspiration from a rich tapestry of experiences, memories, and stories. He emphasizes that every home tells the story of its inhabitants, and the collection aims to help people layer their living spaces with cherished elements and distinct styles. 'The Heartland Collection' is structured into six distinct ranges, each offering unique design characteristics. The 'Soofah' collection focuses on a tranquil neutral palette, ideal for creating a peaceful atmosphere. It features rich linen embroideries, delicate sheers, silk, and wool silk jacquards, suitable for drapes, blinds, and upholstered furniture. The 'Thar' range is characterized by its earthy and artful appeal, combining the versatility of pure linen with various weaves. This collection is designed to bring comfort to homes through its use in drapery and upholstery, offering an aesthetic that is gentle on both the eyes and the heart. 'Makhmal' is presented as a gem within the Sabyasachi collection, bringing together coveted velvets, jacquards, and silks to transform any home into an epitome of elegance. The 'Chowk' collection offers a minimalist yet enchanting approach, featuring curated plains and two varieties of checks in diverse color stories. These fabrics are intended for drapes, blinds, and upholstered furniture, providing subtle sophistication. The 'Hazaribagh Linen' collection extends the exquisite wallpaper motifs from the Sabyasachi Heartland range onto two types of linen. This range comprises prints on linen, perfect for drapes, blinds, and upholstered furniture, adding a touch of artistic detail. Lastly, the 'Hazaribagh Velvet' collection adapts selected wallpaper motifs from the Sabyasachi Heartland range to premium velvets. This range is a rich assortment of intricate prints on velvet, exploring a wide array of color and design themes. Overall, the collaboration between Asian Paints and Sabyasachi aims to provide consumers with high-quality, aesthetically rich furnishing options that allow for personalized and elegant home interiors, reflecting individual stories and styles. #Sabyasachi #AsianPaints #HomeDecor #FurnishingFabrics #InteriorDesign #TextileCollection #IndianDesign #Upholstery #CurtainsAndDrapes

The "Crafting Topographies" exhibition showcases hand-embroidered wall art created by Brinda Dudhat of Morii Design, celebrating traditional Indian weaving techniques and the significant role of women artisans. Curated by designer Suchi Reddy and hosted at Salon Design, the exhibition highlights the historical and cultural richness embedded in these fiber art pieces, which utilize dyeing, weaving, stitching, and embroidery to create intricate, story-telling topographies. Brinda Dudhat's Morii Design operates on principles of collaboration, sustainability, and community engagement. The studio works with over 80 artisans across India, ensuring ethical practices and fair, living wages for their skilled work. Morii Design is committed to local sourcing and preserving authentic traditional techniques, making each piece respectful of its heritage and the labor involved. The inherent slowness and meditative nature of hand-embroidery infuse each artwork with care, love, and attention, reflecting the energy of its creation. Suchi Reddy, the exhibition's curator, emphasizes Morii Design's transformative approach to Indian craftsmanship. Reddy notes that the studio's dedication to showcasing age-old techniques, particularly those rooted in the wisdom and artistry of Indian women, fosters a powerful dialogue between the past and present. She views the exhibition as more than just textiles; it is a celebration of the stories, skills, and soul embedded within every thread, offering a contemporary lens through which to appreciate Indian craftsmanship. Reddy's own design philosophy, evident in her studio Reddymade, focuses on neuroaesthetics—the study of how environmental design impacts the brain. Her guiding principle, "form follows feeling," underscores the deep connection between human experience and the built environment. This perspective aligns with the ethos of "Crafting Topographies," which seeks to expose the profound, often overlooked, work of women artisans throughout centuries. The continuous, meditative movements of artisans' hands over the fabric imbue the pieces with an inherent energy and history. Salon Design, a contemporary art gallery in New York City's Tribeca, provides an elegant setting for the exhibition. The gallery, founded by designer and art advisor Amanda Pratt, frames the works in salon-style vignettes, allowing viewers to experience the art in an intimate and familiar manner, akin to walking through a brownstone. This presentation elevates the contemporary pieces, making them both accessible and highly collectible. The exhibition thus not only displays beautiful art but also draws attention to the cultural significance and meticulous process behind each creation. #HandEmbroideredArt #IndianCraftsmanship #MoriiDesign #SuchiReddy #SalonDesign #FiberArt #TextileArt #EthicalDesign #CulturalHeritage

Italian textile manufacturer Dedar has launched a new collection of furnishing fabrics called "Geometric patterns," which blends graphic art with textiles. This collection features abstract lines and vibrant geometric shapes, making the fabrics suitable for both upholstery and curtains. The designs aim to introduce a playful and dynamic aesthetic to interior spaces. One notable fabric within the collection is Andirivieni, a double-faced material that utilizes contrasting colors to form an abstract representation of maps. This design is offered in six distinct color combinations, reflecting what Dedar describes as a "dual personality" with a "lively spirit" and a "subtle sense of play." The versatility of Andirivieni suggests its use in creating visually engaging and multi-dimensional interior elements. Another distinctive fabric in the collection is Volver, which is crafted using the traditional brocatelle technique. This method produces a raised texture that accentuates the contrast between matte and lustrous threads, adding depth and sophistication to the material. Volver's design is intended to draw attention to its intricate construction and the interplay of different finishes. The collection also includes Regimental, a fabric featuring a striped pattern inspired by traditional British school uniforms. Dedar characterizes Regimental as having rigorous lines yet bright, contrasting colors, imparting an "exuberant and comfortable spirit." This particular design combines a classic aesthetic with a modern, lively feel, suitable for contemporary interiors looking for a touch of structured vibrancy. Additionally, the Zai Saman fabric is part of the Geometric patterns collection. It showcases a geometric pattern embroidered on linen, available in a palette of desert-inspired tones. Zai Saman, like other fabrics in the collection, emphasizes intricate geometric lines and patterns, contributing to the overall theme of combining graphic art with functional textiles. The use of linen adds a natural texture and drape, enhancing its appeal for various furnishing applications. Dedar's "Geometric patterns" collection seeks to provide designers and consumers with a range of innovative and aesthetically rich fabric options. Each fabric, through its unique design and manufacturing technique, aims to transform living spaces with its distinct visual and tactile qualities, whether through abstract map-like patterns, contrasting textures, classic stripes, or embroidered geometric motifs. The collection as a whole offers diverse choices for enhancing upholstery and curtain designs with artistic geometric flair. #GeometricPatterns #FabricCollection #DedarTextiles #InteriorDesign #UpholsteryFabric #CurtainFabric #TextileDesign #HomeDecor #AbstractArt

In this installment of 'What I Love,' San Francisco-based textile designer and editor of The Textile Eye, Saana Baker, presents a mood board showcasing her current inspirations in fabrics and wallcoverings. Baker, renowned for her ability to identify exceptional prints and patterns, has curated a selection that emphasizes bold hues and tactile textures, driven by a commitment to diversity in design and a response to contemporary global shifts. Baker’s mood board is a vibrant and eclectic collection featuring samples and swatches from international makers, reflecting a broader discussion within the design industry about ethical sourcing and cultural mindfulness. She explains that the theme is deeply rooted in significant global changes, including the social justice movement and its subsequent influence on design aesthetics. The result is a maximalist-friendly compilation characterized by plush materials, striking graphic motifs, and deeply saturated colors. The chosen palette is described as rich and unusual, utilizing innovative color combinations to convey an optimistic outlook for the future. Baker provides a detailed breakdown of 25 items on her mood board. She begins with the Linyati Fabric in Waterfall by Jiun Ho Textile, a linen velvet praised for its elegant luster and livability, making it an ideal complement for complex patterns. Next is the Hingtham Wallcovering in Clay by Black Artists + Designers Guild for S. Harris, a printed grass cloth inspired by Bhutanese ikat, which achieves visual depth through fine detail and polychromatic layering. The Tiger Nest Fabric in Lake, also from Black Artists + Designers Guild for S. Harris, is a fine embroidery mimicking ikat with feathered edges, noted for its evocative name and fresh palette of chartreuse, cobalt, and pale yellow. Jiun Ho Textile's Seronera Fabric in Thorn was inspired by Jiun Ho's extensive travels in the Serengeti, aiming to evoke a mood rather than literal motifs. The Machakos Fabric in Earth and Sky by Nzuri Textiles is a hand-painted Belgian linen design by Eno Jonah, drawing inspiration from African mask details. Shinto Fabric in Cinnabar by Jiun Ho Textile is a rustic boucle with a wool-blend warp yarn that allows for subtle colorations, supporting diverse palettes. The Anna May Wong Fabric in Midnight/Teal by Makrosha, designed by Esha Ahmed, is a finely woven jacquard inspired by the glamour of the art deco period. Makrosha’s Marci Mohair in Sumac is a classic plush mohair available in a wide range of rich colors, known for its enduring quality and ability to develop character with wear. Anamar’s Lamu Meshi Fabric in Lapis Bluff is a hand-woven, ribbed plain-weave silk fabric created in the Philippines using warp screen-printing. The Lightray Wallcovering in Patina is a collaboration between visual artist Lisa Hunt and Lori Weitzner, showcasing geometric yet subtle designs translated from fine art. The Banda Indigo Flatweave Rug by Eskayel is part of a unique collaboration where designer Shanan Campanaro worked with master ikat artisans in Sumba, Indonesia, to reinterpret her watercolor designs into rugs, wallpapers, and textiles. Malene Barnett’s Heritage Wallpaper for Lulu and Georgia, created by the Black Artists + Designers Guild founder, is inspired by her hand-built ceramics, featuring a raised surface-print technique for tactile dimensionality. Karen J. Revis for A-Street Prints designed the Waves Blue Wall Mural, a flowing watercolor design intended as a wall-sized mural. The Maji Fabric in Peacock by Black Artists + Designers Guild for S. Harris is a jacquard velvet with bright blue and striking gold yarns, creating a complex pattern. Anamar’s Beijing Kikko Fabric in Lazurite Peak features a hand-screen-printed globe pattern on the warp, with each color applied separately before hand-weaving. The Hamaka Textile in Humacao by Breuwen, designed by Grey Lux, is a digital linen print inspired by the weaving legacy of his Taino ancestors. Malene Barnett’s Alaari Wallpaper for Lulu and Georgia offers a sophisticated update to millennial pinks with its tonal spice combination. The Akimbo 5 Indigo Flatweave Rug by Eskayel is another example of collaboration with ikat weavers, noted for its inky depth. Nzuri Textiles' Yankari Fabric in Turkana showcases subtle color gradations and hand-drawn details, preserving the hand-touched imperfection of Eno Jonah’s original artwork. Makrosha’s Marci Mohair in Teal is a second colorway of their luxurious mohair velvet, known for its stunning depth of color. Anamar’s Andorra Meshi Fabric in Milori Crown, an archival pattern depicting dragon scales, is a heavy, hand-woven silk with a hand-screened warp and alternating teal colors in the ribs. The Majani Trim in Brass by Black Artists + Designers Guild for S. Harris features gold-toned beads juxtaposed with stiff raffia, creating compelling material contrast. The Bhavana Desert Fabric by Black Artists + Designers Guild for S. Harris is a decorative panel stripe combining print and embroidery with an antiqued white ink and crewel-like embroidery. The Amboseli Pillow in Maasai Blue by Nzuri Textiles is a special hand-woven textile from West Africa, produced on a strip loom by weavers who commit complex traditional patterns to memory. Finally, the Patu Trim in Bark by Black Artists + Designers Guild for S. Harris is a chic trim reminiscent of Maori incised decorations, embellished with beads and tonal embroidery. #TextileDesign #InteriorDesign #MoodBoard #SaanaBaker #Fabric #Wallcovering #JacquardVelvet #EmbroideredTrims #GlobalInspiration #DiversityInDesign

The Sabi textile range by Louise Sigvardt for Kvadrat is a woolen upholstery collection designed to explore the interplay of color, textures, and layers. Developed by Copenhagen-based designer Louise Sigvardt, these textiles are produced using a traditional dobby weave technique. The material composition includes both virgin wool and post-industrial recycled wool, sourced from UK yarn spinner Wooltex. The virgin wool is utilized for the vibrant, colored threads, while the recycled wool is dyed in darker tones. This strategic combination aims to create a dynamic depth within the fabric. Sigvardt's inspiration for the Sabi collection stemmed from her personal experience renovating her home, during which she became particularly interested in the process of layering colors and textures. She emphasized her focus on exploring color combinations that reveal different nuances as layers are examined, both literally and figuratively. This design philosophy translates into textiles that offer a visual journey, with individual colors becoming more apparent upon closer inspection. The Sabi collection features a rich and diverse palette of colorways, designed to bridge the gap between contemporary aesthetics and shades characteristic of the 1970s and 1980s. This blend of historical and modern hues contributes significantly to the visual depth and multidimensional effect of the textiles. Kvadrat describes how the perception of color in Sabi evolves as one approaches the textile, gradually revealing its various color components. The color options available within the Sabi range include names such as Mellow Butter, Acid Green, Camel Brown, Sour Lavender, and Prima Magenta, indicating a broad spectrum of choices. This collection is a part of Kvadrat's 2021 Fall collection, which aims to uphold the brand's core values. These values encompass visionary design, a high degree of color accuracy, engineering excellence in production, and superior functional performance. The Sabi textile range, therefore, represents a product that is not only aesthetically sophisticated but also aligns with Kvadrat's commitment to quality and innovative textile design. #UpholsteryTextiles #WoolenFabric #Kvadrat #LouiseSigvardt #TextileDesign #InteriorDecoration #SustainableMaterials #ColorTheory #HomeFurnishings

This comprehensive guide explores the best online fabric stores, making it easier for sewers and crafters to find the perfect materials for their projects, especially when physical access to fabric stores is inconvenient or local selections are limited. The article highlights that online shopping for fabric offers a broader range of choices compared to brick-and-mortar stores, and many online retailers also provide sewing notions and supplies, creating a convenient one-stop shopping experience. Before making a purchase, several key factors should be considered, including the specific type of fabric needed for a project (e.g., clothing, upholstery, quilting), paying attention to the fabric's weight, content, and width. The article also advises on understanding how fabric is measured and sold (by yard or meter, with varying minimums). Swatch availability is another crucial consideration, as it allows customers to assess the material's look and feel before committing to a larger order, though swatches may be limited for deadstock or vintage fabrics. The potential for bulk discounts is also discussed, which can be advantageous for large-scale projects. The availability of notions and sewing supplies on the same platform adds to the convenience for many crafters. Furthermore, the article emphasizes checking shipping costs and return policies, as these can significantly impact the overall purchase experience. For environmentally conscious consumers, the guide points out stores offering recycled or deadstock fabric, which promotes sustainability by reducing waste and carbon emissions. Customer reviews are presented as an invaluable resource for gaining insight into a fabric's texture, feel, and any discrepancies between its description and the physical product. The article then presents its top picks for online fabric stores, detailing their unique advantages and considerations. Mood Fabrics is named the best overall for its extensive selection, diverse textile range, search filters by skill level and project, and a fabric quiz, along with live chat support. Amazon is highlighted as the runner-up for its streamlined shopping experience, affordable prices, and 2-day delivery options for Prime members, offering a wide array of fabrics for various uses. Spoonflower is recommended for the best design selection, featuring thousands of unique designs from independent artists and the option to upload custom photos or designs, although prices are generally higher. Queen of Raw is identified as the best for deadstock fabric, providing a marketplace for discontinued materials that minimizes environmental impact, complete with Impact Footprint Reports for each purchase. JOANN is recognized as the best for crafts and quilts due to its wide selection of novelty and themed fabrics, extensive sewing supplies, and in-store pickup option. Etsy is also considered for its unique and vintage fabric offerings from individual sellers, allowing buyers to support small businesses and find one-of-a-kind materials. The article concludes by providing practical advice for navigating online fabric purchases, such as utilizing search functions, reading reviews, ordering samples, and understanding the cost variations based on fabric type and quality. It also addresses frequently asked questions, including how to find the right fabric, where designers source materials, what constitutes high-end fabric, and the rarity of certain textiles, along with information on bulk discounts. #OnlineFabricStores #FabricShopping #TextileIndustry #SewingSupplies #CraftingMaterials #HomeDecorFabric #UpholsteryFabric #SustainableFabric #DIYProjects

The "Contemporary Persia" collection is a collaborative effort between Swiss textile manufacturer Christian Fischbacher and architect Hadi Teherani. This collection, comprising 10 distinct fabrics in various color variations, aims to encapsulate the diverse and contrasting hues of the Iranian landscape. The fabrics, intended for both curtains and upholstery, are crafted from a blend of materials such as linen, wool, and polyester. The color palette of the collection features soft shades of blush pink, earthy sand tones, muted greens, and occasional splashes of blue and blush accents. Camilla D. Fischbacher, the creative director of Christian Fischbacher, emphasized the significant creative power and rich cultural heritage of Iran that inspired their dialogue with Teherani. Teherani himself noted that fabrics play a crucial role in completing architectural spaces, offering a tactile and sensory experience. The article highlights ten specific fabrics from this collection, each with unique characteristics and inspirations. One featured fabric is "Roya," a jacquard curtain fabric inspired by the landscape and colors of the Iranian Aladagh Mountains. It is a blend of viscose, cotton, and polyester yarns, which allows for intricate color gradients. "Roya" is available in five color options and its name translates to "beautiful dream" in Persian. "Afsun" is another curtain fabric, notable for its design that subtly incorporates the Persian letters H and T, representing Hadi Teherani's initials. This semi-transparent fabric is described as lively and comes in four flame-retardant color options, making it suitable for commercial applications. "Baran," an upholstery fabric, is created by combining linen warp with loosely twisted weft yarn, resulting in an uneven structure and a geometric dobby weave. Its name, meaning "rain" in Persian, alludes to the scarcity of rain in many parts of Iran. "Diba" is a graphic patterned upholstery fabric made from a natural fiber blend, giving it a lively and soft surface texture with a Panama weave. Its design draws inspiration from the distinctive brickwork commonly found in Persian architecture. Similarly, "Mitra," an upholstery fabric, uses wool yarns combined with linen warp to create a voluminous texture, also inspired by traditional Iranian brickwork. "Tara" is a medium-weight upholstery fabric featuring a dobby weave with loosely twisted yarns that rise to the surface, giving it a bold visual effect. "Donya," a densely woven wool satin, is versatile enough for both curtains and upholstery. It is treated with a special dirt-repellent finish, enhancing its durability and stain resistance. "Donya" is offered in ten colors, including earth, vanilla, blue, and salmon red tones. "Dasht," meaning "desert" in Persian, is another dual-purpose fabric for curtains and upholstery. It comes in ten colorways and is made from linen-cotton chenille yarn, providing an elegant, velvety appearance with a grainy touch. "Nasim" is a transparent voile with a cotton-like feel, available in four colors that coordinate with the "Donya" fabric. Finally, "Aramesh," which signifies "calmness, peace of mind, and bliss" in Persian, is a matt, transparent, and lightweight fabric suitable for curtains. It is flame-retardant and available in mélange colors. Christian Fischbacher, a family-owned company with over 200 years of history, specializes in interior fabrics, accessories, carpets, and wallpapers. The collection reflects the combined creative vision of Camilla D. Fischbacher and Hadi Teherani, both of whom have Iranian roots but reside in Europe. #TextileDesign #FabricCollection #IranianLandscape #InteriorDesign #HadiTeherani #ChristianFischbacher #UpholsteryFabric #CurtainFabric #ContemporaryPersia

Raf Simons, the acclaimed fashion designer known for his work with Jil Sander and Dior, and recently appointed co–creative director at Prada, has launched his latest textile collection for the Danish textile company Kvadrat. This collaboration, which began in 2014, introduces two new upholstery fabrics, Helia and Silas, drawing inspiration from Persian lamb fur and matte surfaces. These new offerings result in a bouclé fabric and a matte fabric, both characterized by a notably soft and gentle hand. Anna Vilhelmine Ebbesen, Kvadrat's head of design consumer, highlights the textiles' extra softness, which contributes to a more rounded, organic aesthetic, and their comforting tactility. In addition to the new fabrics, Simons has refreshed the color palette of Sunniva, a previously designed textile. The collection's launch also features a unique application of these new materials: Simons has used them to reupholster Roberto Matta’s Malitte Seating System, a modular furniture piece from 1966 that is part of the Museum of Modern Art (MoMA) collection. This choice serves as a playful contrast to the sophisticated elegance of the new upholstery textiles, reflecting Simons's haute couture background. Ebbesen expresses her admiration for Simons's creative approach, noting his distinctive perspective on textiles and colors, which brings a fresh dimension to furniture and space design. She describes Simons as a brave individual and an attentive listener who values diverse opinions, qualities she deems crucial for successful collaborations. His commitment to questioning established norms and refusing to compromise on detail or quality further underscores his meticulous design philosophy. The development of this collection predated the global impact of COVID-19, and a planned celebratory event for the launch was canceled due to the pandemic. However, the timing of the new collection, with its focus on enveloping and comforting interior fabrics, proved to be particularly relevant as consumers were spending more time at home. Despite the challenges posed by the pandemic, Ebbesen remains optimistic, viewing the crisis as an opportunity for reevaluation and positive change within Kvadrat's operational practices. #RafSimons #Kvadrat #UpholsteryFabrics #TextileDesign #RobertoMatta #MalitteSeatingSystem #FashionDesigner #InteriorDesign #FurnitureDesign

Suzani, a traditional Persian quilt design, is experiencing a resurgence in popularity within home interiors. This style, characterized by intricate embroidered patterns of vines, leaves, flowers, and fruits like pomegranates, draws inspiration from ancient Greek, Ottoman Empire, and Afghani designs. These patterns are typically hand-stitched onto solid neutral cotton or silk backgrounds using natural dyes derived from indigo, pomegranates, and walnuts. Historically, suzanis were crafted by women as part of their dowry, using a needle-like tool called 'suzan' (Persian for 'needle'). These textiles were commonly used for chair backs, stool cushions, and pillows. The creation process involved a 'kalamkash' (local designer) who would divide the design among family members to be embroidered simultaneously. In Minneapolis, designer and collector Talin Spring of Spring Finn & Co. showcases a collection of rare, antique suzani quilts, primarily from Uzbekistan, dating back to the mid-20th century. Spring, who is originally from Istanbul and grew up in Marseille, travels globally to source these high-quality, hand-embroidered pieces. She suggests using suzanis as decorative wall hangings or, in smaller fragments, as upholstery. Her collection is available for viewing by appointment at her studio, with prices ranging from $450 to $1,300. Beyond antique pieces, suzani-inspired fabrics are accessible through online retailers such as onlinefabricstore.net and housefabric.com. Major home goods retailers like Pottery Barn and Pier 1 also offer ready-made suzani-inspired items, including curtain panels, kitchen accessories, rugs, and quilts. Examples of readily available suzani-inspired home goods include duvet cover sets, throw pillows, accent runners, salad plate sets, area rugs, grommet curtains, armchairs, and peel-and-stick wallpaper, providing consumers with various options to incorporate this trending design into their homes. #HomeDecorTrends #SuzaniQuilt #InteriorDesign #PersianTextiles #HomeDecor #TextileArt #EthnicDecor #BohemianStyle

The year 2025 has introduced a variety of new indoor and outdoor fabric collections, providing extensive inspiration for interior design. This overview highlights eight notable collections that offer distinct aesthetics and innovative features for refreshing living spaces. William Morris At Home's "The Forager Collection," derived from the William Morris Gallery, features nature-inspired patterns, wovens, and cut velvets. The collection evokes a woodland aesthetic through vibrant fruit designs and popular patterns like Acorn and Willow Bough, aiming to add a whimsical touch to any interior. Sanderson's "Highgrove Collection," a collaboration with The King’s Foundation (founded by King Charles III), draws inspiration from the flora and fauna of Highgrove Gardens. This collection includes wallpapers, fabrics, weaves, embroideries, and stripes, integrating design elements from Sanderson's 165-year archive. A standout is the Highgrove toile, which depicts motifs such as yew tree hedges, pots, the Oak Summer House, and a topiarised English yew, along with King Charles III’s bust. The "Brown Jordan x Kravet Collection" is a partnership between two established brands, offering over 40 luxurious outdoor performance fabrics. Designed for outdoor relaxation, this collection features a natural color palette to blend seamlessly with various outdoor environments. Notable options include Bloom Steel, admired for its subtle design, and Balance Marine, recognized for its bold stripes. These fabrics are exclusive to Brown Jordan and can be used on many of the brand’s signature furniture pieces. Rubelli's "Teorema Collection," designed by Formafantasma, marks the brand’s initial venture into wool fabrics, alongside silks. Characterized by bold geometric patterns and striking colors, these fabrics are soft yet durable. "Fortunato" is a jacquard velvet within this collection, featuring an alternating pattern of cut velvet and higher pile trapezoids, which creates a dynamic, shimmering effect. Dedar's "Weaving Anni Albers Collection" is a collaboration with the Josef & Anni Albers Foundation, reinterpreting iconic Bauhaus textiles for contemporary use. The collection integrates Albers’ textile works with Dedar’s manufacturing techniques, preserving the beauty of handwoven textiles through modern methods, as exemplified by fabrics like Under Way 1963. S. Harris’s collaboration with Sasha Bikoff presents a collection that embraces maximalism and draws from fashion history. This colorful assortment of fabrics, wallcoverings, and trimmings offers youthful designs for creative expression. Examples include the Beating Hearts trim paired with the French Kiss fabric for an exuberant combination. James Dunlop’s "Alfresco Collection" emphasizes durability, sophistication, and texture for both indoor and outdoor applications. These textiles, made from solution-dyed olefin and recycled yarns, feature FibreGuard stain resistance, ensuring superior colorfastness when exposed to UV rays. Airlie, an indoor-outdoor boucle woven in Turkey, is highlighted for its low-maintenance luxury. Meredith Ellis Textiles’ "The Botanical Collection" is inspired by the Texas Hill Country, featuring richly layered designs. This collection includes seven new prints, two decorative borders, and one woven design, resulting in 40 fresh patterns. It evokes themes of sun-baked afternoons and an Americana spirit, blending Southern influence with whimsy through patterns such as Hyder and Huntington stripe. These collections collectively represent a fusion of heritage, innovation, and design, suitable for enhancing various interior and exterior spaces. #FabricCollections #InteriorDesign #TextileInnovation #HomeDecor #LuxuryFabrics #OutdoorFabrics #NatureInspired #GeometricPatterns

Riddhi Jain Satija, founder of Studio Medium, a Delhi-based apparel and home textile design space, reinterprets traditional handwoven textiles using intensive resist-dyeing techniques. Her work seamlessly integrates diverse textile traditions, such as the JamBan collection, which combines Bengal’s jamdani weave with Gujarat’s bandhani tie-dye. The design process at Studio Medium is textile-driven, starting with the selection and treatment of fabrics before garment construction. The team finalizes a color palette, which artisans then use to prepare for the tie-dye process, while Satija collaborates with her design team on sample sketches, garment construction patterns, and shade cards for upcoming collections. The dyeing processes at Studio Medium involve a meticulous back-and-forth approach, with a focus on achieving precision in shibori tie-dye patterns. Artisans engage in fabric tying using techniques like Arashi shibori, also known as the pole-wrapping technique. This method involves diagonally wrapping ivory fabric around PVC poles and securing it tightly with thread, then scrunching the cloth to create accordion-like folds. The term 'Arashi,' meaning 'storm' in Japanese, reflects the diagonal patterns that resemble falling rain. After preparation, the fabric-wrapped poles are submerged in a hot water bath, followed by the addition of natural and azo-free dyes. The shade is carefully monitored, and salt is incorporated to enhance color vibrancy. Once the desired color is achieved, the poles are sun-dried to remove excess dye, revealing intricate patterns resembling leaf veins upon untying. Following the dyeing and drying processes, tailors begin garment construction. The apparel then proceeds to artisans who hand-embroider or stitch to finalize each piece. Every stage of design and production at Studio Medium emphasizes high craftsmanship, detailed work, and a strong commitment to sustainability. Once completed, garments undergo rigorous quality checks, ironing, and display. The studio integrates core upcycling ethics into its operations, striving for zero-waste patterns and innovative upcycling of by-products. For instance, threads from the bandhani technique and fabric scraps from past collections or garment construction are transformed into unique textile art. Bandhani thread clusters are meticulously arranged on fabric and then sandwiched between another layer, secured with Kantha stitching to create textiles for outerwear in the 'Re' collection, which draws inspiration from Monet’s impressionist paintings. Another initiative is the 'Bor(r)o(w)' collection, which is based on Japanese mending philosophies, specifically the Boro art form. Artisans freely arrange fabric scraps from previous collections or waste materials onto new fabric, patching, stitching, and piecing them together to preserve their beauty. Studio Medium applies various dyeing techniques to hand-woven textiles to create a range of classic silhouettes, including kaftans, capes, shirts, saris, and jackets. Riddhi Jain Satija emphasizes that design is not merely about creating new items but about observing the environment and introducing simple innovations. She also highlights the importance of respecting the comfort and expertise of weavers and dyers, aiming to design mindfully and foster an inclusive and sustainable community of practitioners to generate unique narratives and experiences. Her personal journey into tie-dye began in her mother’s workshop in Kolkata, influenced by Jaipuri bandhani and Kutch district techniques, later exploring Japanese shibori at the National Institute of Design in Ahmedabad, where her fascination with the 'circle' as a design element continues to inspire her work. #TextileDesign #ResistDyeing #StudioMedium #RiddhiJainSatija #SustainableFashion #HandwovenTextiles #Shibori #Upcycling #IndianCrafts

Moniomi, the Miami-based design firm led by husband-and-wife team Monica Santayana and Ronald Alvarez, embraces a fashion-forward approach to interior design, blending avant-garde pieces with traditional motifs to craft spaces that are both artistic and elegant. Their current mood board, part of Business of Home's "What I Love" series, draws inspiration from the colors of sunset and dusk, utilizing a harmonious mix of eye-catching linework and soothing blush tones. The design aims to evoke the serenity, transient beauty, and peace associated with watching the sun set. The flat lay features a variety of luxurious finishes, including ceramic zellige tile and concrete terrazzo, alongside vibrant graphic prints and bold silhouettes. Santayana and Alvarez emphasize that geometry, playful pattern interaction, and saturated colors unify the design, creating a sense of modernity, sophistication, and artistic flair. They offer a detailed breakdown of the 18 elements that constitute their mood board, each contributing to the overall aesthetic and emotional impact. The selection begins with Portola Paints' Etcetera Limewash Paint, chosen for its soft blush tone that creates a serene and elegant atmosphere, and its unique texture that adds warmth and sophistication. Concrete Collaborative's Pacifica Slice Concrete Counter Slab in Pink is another key element, valued for its ability to introduce character with its blend of blushes and burgundies, suitable for both flooring and countertops. Zia Tile's Radian Inline 1 Mosaic Zellige Tile, with its geometric patterns, is incorporated to add a dynamic and modern statement. Accent pieces include Reinaldo Sanguino’s Metallic Sculptural Chair, a vibrant ceramic stool with a multicolored finish and gold accents, serving as a chic and functional design enhancer. Moniomi's own Umpire Locker Dry Bar Cabinet, available at 1stDibs, is highlighted for its seamless integration into any space, featuring mirror art, contrasted wood veneer, and hair hide inserts that make it a standout for entertaining. Prateek Jain & Gautam Seth's Goa House Chandelier from Studiotwentyseven is admired for its tropical foliage design, which infuses any room with glamorous and exotic elegance through intricate craftsmanship. Textiles and floor coverings play a significant role, with Mohebban's Tactile Rose Rug, a hand-carved piece, adding an artistic and luxurious touch with its gradient of purples, blushes, and neutrals. Métaphores' Nomade Fabric in Nymphe, featuring a subtle micropattern, is selected for its ability to introduce sophistication and refined texture without overwhelming the design. Custom Hide Rug Samples by Kyle Bunting, particularly in Mango, Mauve, Periwinkle, and Oink, are celebrated as masterpieces of saturated color, intricate design, and luxurious material, providing a lavish element to any space. Smaller decorative items include Moniomi’s 10 Anniversary Candle from Sensual Candle Co., valued for its delightful grapefruit fragrance that elevates a room's ambiance. Gaetano Pesce's Nugget Vase in Amber & Salmon by Fish Design, available at Corsi Design, is praised for its aesthetic appeal and practicality as a flexible resin vase, offering a modern, playful touch without the fragility of glass. Chris Wolston's Kimora Chair, a woven rattan piece from The Future Perfect, brings a whimsical yet refined vibe to any interior. Room dividers and wall treatments further enhance the curated space. Draga & Aurel's Red Violet Reverso Partition Screens from Artemest are described as functional art, saturating the room with vibrant colors while providing beautiful separation. Porter Teleo's Refracted Hand-Painted Wallcovering in Cadmium, with its graphic qualities and customization options, creates a dynamic and personalized backdrop. Finally, two fabrics from Toyine, Phinda Ré Vingt-Cinq in Ivory and Rose, and Phinda Ré Dix-Huit in Peach and Mauve, are chosen for their ability to add softness, depth, richness, and coziness to upholstery projects, enhancing both visual appeal and tactile experience. The collection also includes unique items like Moniomi's Lux Mini Basketball Hoops, crafted in Italy from onyx and marble with copper-plated rims and hemp nets, representing a blend of art and function. Their Small Ottoman in Raptor Onyx & Pink Mohair, with its four-tiered design, scalloped fringe, and swivel capability, is perfect for conversation areas, adding a luxurious and dynamic touch. Overall, Moniomi's flat lay is a testament to their philosophy of balancing avant-garde and traditional elements to create spaces that are both visually captivating and emotionally resonant. #InteriorDesign #Moniomi #MoodBoard #HomeDecor #LuxuryFinishes #DesignInspiration #TextileDesign #FurnitureDesign

Fashion designer Raf Simons has collaborated with Danish textile company Kvadrat to introduce two new upholstery fabrics, Helia and Silas, expanding his ongoing collection for the brand. Simons' objective for this collection was to explore and push the boundaries of conventional upholstery textiles, drawing inspiration from haute couture fabrics and techniques to achieve unusual textures from natural materials such as linen, wool, and viscose. This collaboration highlights a continued partnership where Simons injects his distinctive blend of colors and materials into Kvadrat's textile offerings. The Helia fabric is primarily composed of new wool, with supplementary acrylic, viscose, and nylon. Its design meticulously mimics the texture and structure of astrakhan fur, which is derived from fetal or newborn lambs. The fabric, characterized as a bouclé textile, presents a woven interpretation of this fur, featuring an organic, structured appearance. The use of yarn-dyed fibers contributes to Helia's melange quality, providing a subtle depth and variation in color. Silas, the second fabric in the collection, is crafted from new wool and nylon, and is distinguished by its soft, voluminous feel. The creation of Silas involves a sophisticated finishing process where the velvet-like texture is repeatedly unraveled and beaten. This technique causes the fabric to swell and then return to its original shape, before undergoing a steam treatment. The result is a textile that evokes the appearance of unravelled velvet, offering a unique tactile experience. Simons expressed his particular interest in experimenting with woven versions of traditional haute couture materials and techniques, such as furs and knits, for this collection. He noted that this exploration led to the development of two sensuous textiles, both featuring heavily textured yet extremely soft surfaces, underscoring his commitment to innovative material development within the upholstery sector. In addition to the two new fabrics, the collection is augmented by three cushions made from the Silas fabric. Simons also refreshed the color palette of his existing Sunniva 3 fabric, demonstrating a holistic approach to his textile design for Kvadrat. Raf Simons, who trained in industrial design and established his menswear brand in 1995, has a notable career in fashion, including roles as artistic director at Jil Sander and, since January of this year, co-creative director at Prada alongside Miuccia Prada. Kvadrat, founded in 1968, has a rich history of collaborating with prominent designers to produce innovative textiles and products. Recent collaborations include the Maya and Jaali fabrics designed by London studio Doshi Levien and a energy-reducing roller blind developed with Ronan and Erwan Bouroullec, reflecting the company's ongoing commitment to design innovation and strategic partnerships. #RafSimons #Kvadrat #UpholsteryFabrics #HauteCoutureInspired #TextileDesign #IndustrialDesign #MaterialInnovation #FashionDesignCollaboration

This article serves as a comprehensive guide to 12 prominent fabric brands, specifically curated for individuals looking to incorporate custom upholstery and textiles into their home interiors. The author, an expert in interior design, acknowledges that moving beyond off-the-shelf furnishings to bespoke options can be an overwhelming yet rewarding step in one's interior design journey. The selection presented leans towards modern styles but also includes brands that offer a blend of traditional and contemporary designs, ensuring a wide appeal. The guide begins with Casamance, a Parisian brand known for its romantic and painterly textiles, offering a soft approach to geometric patterns and a diverse range of materials from wools to silks, suitable for curtains, upholstery, and even outdoor furniture. Jane Churchill follows, an interior brand with traditional British roots, featuring structured florals, heritage stripes, and East Asian-inspired patterns that bring sophistication to both classic and modern spaces. Dedar, an Italian fabric brand, is highlighted for its innovative, sleek, and glamorous designs, with a global footprint and a reputation for luxury boucles, tapestry-like linens, and its iconic 'Tiger Mountain' jacquard velvet. GP & J Baker Group, though more traditional with a Royal Warrant, is presented as a brand offering classic quality plains and charmingly creative patterns through collaborations, such as with Kit Kemp, bridging traditional and contemporary design. House of Hackney is identified for its mainstream crossover appeal, known for creative, maximalist patterns in textiles and wallpapers, offering edgy palettes and dramatic florals suitable for clashing or pattern-drenching effects. ILIV, a rapidly growing UK brand, caters to a wide range of styles from luxurious velvets to country-chic, and retro to modern, with all designs created in-house. Liberty, an iconic brand, is celebrated for its intricately detailed patterns rooted in British art and design history, offering romantic florals and Art Deco flourishes in velvets, weaves, and linens for interiors. Kvadrat, a Scandinavian design brand, stands out as a modern choice favored by contemporary interior designers and architects for its clean lines, futuristic aesthetics, and minimalist textures, with separate collections for upholstery and lighter curtain fabrics. MINDTHEGAP, a Transylvanian brand, offers a unique aesthetic with folk-like inspirations and bohemian qualities, featuring intricate patterns that range from whimsical illustrations to historical frescoes. Prestigious Textiles is recommended as a go-to for interior designers seeking mid-range price points without compromising on quality, offering a large selection of in-house designed fabrics and wallpapers with a classic, timeless style. The Romo Group is presented as a collection of diverse fabric brands, each with its distinct identity: Romo for timeless patterns, Zinc Textiles for edgy luxury, Black Edition for contemporary elegance, Kirkby Design for graphic patterns with retro flair, Villa Nova for earthy organic qualities, and Mark Alexander for sophisticated, couture-like textiles. Finally, the Sanderson Group rounds out the list, encompassing Sanderson for traditional country-chic styles, Harlequin for modern and playful designs, Morris & Co for heritage prints, Clarke & Clarke for accessible yet stylish options, Zoffany for rich and opulent textures, and Scion for playful, Scandinavian-inspired graphic prints. Each brand offers a unique approach to textile design, enabling homeowners to curate a personalized mood and tell their home's story through custom fabrics. #FabricBrands #CustomUpholstery #TextileDesign #InteriorDesign #HomeDecor #BespokeFurnishings #ModernInteriors #TraditionalFabrics #DesignTrends

The article presents an interview between Joy Moyler and Esha Ahmed, focusing on Ahmed’s journey into textile design and the philosophy behind her brand, Makrosha. Esha Ahmed, born in Bangladesh and raised in New York, recounts her early introduction to textiles through her mother’s extensive sari collection in Jackson Heights. These early experiences, including playfully repurposing saris into costumes, sparked her interest in fabrics and fashion. Ahmed's formal education at the Fashion Institute of Technology, where she studied fashion design and later costume preservation and textiles for her master’s, further solidified her passion. Her initial career involved managing designer Peter Marino's extensive textile collection, an experience that broadened her understanding of textiles within interior design, covering commercial, residential, and hospitality projects. This role provided insight into both the creation and application of textiles, exposing her to numerous vendors and artisans. Following her tenure with Marino, Ahmed launched Makrosha, a business specializing in fabric, rugs, and throw pillows. A core mission for Makrosha is to preserve and support vanishing traditional weaving arts globally, ensuring the survival of high-quality, handcrafted textiles. Ahmed collaborates with weavers worldwide, each contributing unique methods and aesthetics to her designs. She also partners with designers for custom textiles and represents Aïssa Dione Tissus, a Senegalese master weaver known for handwoven fabrics. Ahmed draws inspiration from historical fashion design, particularly medieval styles, and shares an affinity for late 18th-century Europe and medieval Spain, periods known for their ornate, colorful, and detailed designs that resulted from cultural fusions. She acknowledges the historical influence of the fashion industry on luxury home textiles, observing how trends from designers like Dries Van Noten often translate into the home market. However, Ahmed expresses concerns about the modern culture of disposability and emphasizes the importance of sustainability and longevity in design. She advocates for investing in high-quality items, such as hand-knotted rugs that can take months to create, intending for them to last generations rather than being treated as disposable goods. Her design process involves starting with inspirations from her antique collection, developing renderings with mills, and collaborating closely with individual makers across different cultures, such as those in Laos, Nepal, and England, to ensure the essence of craftsmanship is maintained. Ahmed stresses that true quality and craftsmanship come from this collaborative, hands-on approach. The conversation highlights the critical need to protect traditional weaving practices from extinction due to increasing mechanization, underscoring Makrosha's role in keeping these artisanal skills alive. #TextileDesign #GlobalWeaving #EshaAhmed #Makrosha #InteriorDesign #SustainableDesign #ArtisanalCraftsmanship #FashionHistory #HomeDecor