Geometric patterns fabric collection by Dedar

Dedar, an Italian textile manufacturer, has introduced a new line of fabrics called The Art of Jacquard. This collection is notable for its vibrant colors and intricate graphic patterns, which are achieved by weaving ultra-thin yarns directly into the material rather than employing traditional methods such as embroidery, printing, or stamping. The collection emphasizes the sophisticated technique of jacquard weaving, which allows for complex designs and a rich textural quality. One prominent textile within this collection is "This Must Be The Place," a design that incorporates tropical birds and botanical motifs. These natural elements are juxtaposed with abstract architectural forms, a collaboration with French illustrator duo Icinori. The creation of this specific fabric involves an interlacing process of 160 threads per centimeter, utilizing four distinct wefts, one of which contributes a metallic effect to the overall design, adding depth and a subtle sheen. This intricate weaving technique contributes to the fabric's detailed imagery and robust construction, making it suitable for furniture upholstery, as shown in visuals featuring sofas adorned with the pattern. Another distinctive fabric in The Art of Jacquard collection is "Dalie Papaveri Tulipani." This design presents an abstract interpretation of a floral landscape. A unique characteristic of this textile is its resemblance to the reverse side of a traditional jacquard fabric, offering a sophisticated and unconventional aesthetic. This fabric is versatile, designed to be suitable for both curtain applications and seating upholstery, allowing for cohesive design schemes across different elements within an interior space. Additionally, the collection includes the "Be Bop A Lula" fabric, which draws inspiration from the imagery of warm summer nights on a Pacific island. This textile features a repeating pattern of palm trees rendered in a diverse array of playful colors. Its vivid and dynamic design makes it an option for those seeking to introduce a lively and exotic atmosphere into their living environments, whether through curtains or upholstered pieces. Finally, the "Intarsiato" jacquard weave stands out for its three-dimensional geometric pattern. This effect is achieved through the alternating use of matt and metallic yarns, which are woven together to create a visual resemblance to classic inlays of ebony and mother-of-pearl. The interplay of textures and finishes in the Intarsiato fabric provides a tactile and visually engaging surface, suitable for accent pieces such as armchairs and also curtains, demonstrating the collection's diverse applications and aesthetic range. #Dedar #JacquardFabric #TextileDesign #HomeDecor #InteriorDesign #FabricCollection #LuxuryTextiles #PatternDesign #Upholstery

Italian textile manufacturer Dedar has launched its new "Velvets" collection, an extensive range of velvet fabrics available in various luxurious and lustrous colors. This collection integrates a wide array of high-quality yarns, including wool, silk, cotton, mohair, and linen, resulting in ultra-soft textiles suitable for diverse applications in interior design. The Velvets line is designed to offer both aesthetic appeal and practical durability. The collection boasts a rich and varied color palette, encompassing everything from deep, vibrant hues to fabrics adorned with bold prints, intricate graphic motifs, and sophisticated geometric patterns. This broad selection allows for versatile use across different design schemes and preferences, providing options for both classic and contemporary interiors. Functionality is a key aspect of the Velvets collection, as these fabrics are designed for a wide range of applications. They can be used for upholstery, providing a soft yet resilient covering for furniture pieces like sofas and armchairs. Additionally, the fabrics are suitable for creating elegant curtains, drapes, and other decorative elements, enabling designers and homeowners to introduce texture and color throughout a space. Among the notable designs within the Velvets range is "Splendido," a velvet characterized by its bulky yet soft composition of silk and viscose. This particular fabric features a four-millimeter pile, offering a plush feel while maintaining elasticity and resistance to wear. Its robust nature makes it especially well-suited for intensive use, such as in high-traffic seating areas. Another distinguished offering in the collection is "Vladimiro," an exceptionally soft velvet crafted from kid mohair. This premium mohair is sourced from the first shear of Angora goats, known for its superior softness and luster. Beyond its luxurious feel, Vladimiro velvet is inherently durable and fire-retardant, adding a layer of safety and longevity to its sophisticated appeal. The Elektra velvet is also part of this comprehensive collection, distinguished by its luminous long-pile texture. This fabric is an ideal choice for curtains and seating, combining aesthetic brilliance with practical considerations, as it is both washable and hardwearing. Its ease of maintenance, coupled with its elegant appearance, makes it a versatile option for various interior settings. Finally, the "Romeo & Giulietta" fabric stands out as a precious silk velvet. It is renowned for its soft-to-the-touch quality and distinctive silky sheen, which adds a touch of opulence to any piece it adorns. This fabric embodies the luxurious essence of the Velvets collection, offering a refined option for upscale interior textile needs. The Dedar Velvets collection collectively represents a comprehensive and high-quality solution for textile requirements in sophisticated interior design projects. #VelvetsTextileCollection #DedarFabrics #InteriorDesign #Upholstery #LuxuryTextiles #SilkVelvet #MohairVelvet #HomeDecor

The year 2025 has introduced a variety of new indoor and outdoor fabric collections, providing extensive inspiration for interior design. This overview highlights eight notable collections that offer distinct aesthetics and innovative features for refreshing living spaces. William Morris At Home's "The Forager Collection," derived from the William Morris Gallery, features nature-inspired patterns, wovens, and cut velvets. The collection evokes a woodland aesthetic through vibrant fruit designs and popular patterns like Acorn and Willow Bough, aiming to add a whimsical touch to any interior. Sanderson's "Highgrove Collection," a collaboration with The King’s Foundation (founded by King Charles III), draws inspiration from the flora and fauna of Highgrove Gardens. This collection includes wallpapers, fabrics, weaves, embroideries, and stripes, integrating design elements from Sanderson's 165-year archive. A standout is the Highgrove toile, which depicts motifs such as yew tree hedges, pots, the Oak Summer House, and a topiarised English yew, along with King Charles III’s bust. The "Brown Jordan x Kravet Collection" is a partnership between two established brands, offering over 40 luxurious outdoor performance fabrics. Designed for outdoor relaxation, this collection features a natural color palette to blend seamlessly with various outdoor environments. Notable options include Bloom Steel, admired for its subtle design, and Balance Marine, recognized for its bold stripes. These fabrics are exclusive to Brown Jordan and can be used on many of the brand’s signature furniture pieces. Rubelli's "Teorema Collection," designed by Formafantasma, marks the brand’s initial venture into wool fabrics, alongside silks. Characterized by bold geometric patterns and striking colors, these fabrics are soft yet durable. "Fortunato" is a jacquard velvet within this collection, featuring an alternating pattern of cut velvet and higher pile trapezoids, which creates a dynamic, shimmering effect. Dedar's "Weaving Anni Albers Collection" is a collaboration with the Josef & Anni Albers Foundation, reinterpreting iconic Bauhaus textiles for contemporary use. The collection integrates Albers’ textile works with Dedar’s manufacturing techniques, preserving the beauty of handwoven textiles through modern methods, as exemplified by fabrics like Under Way 1963. S. Harris’s collaboration with Sasha Bikoff presents a collection that embraces maximalism and draws from fashion history. This colorful assortment of fabrics, wallcoverings, and trimmings offers youthful designs for creative expression. Examples include the Beating Hearts trim paired with the French Kiss fabric for an exuberant combination. James Dunlop’s "Alfresco Collection" emphasizes durability, sophistication, and texture for both indoor and outdoor applications. These textiles, made from solution-dyed olefin and recycled yarns, feature FibreGuard stain resistance, ensuring superior colorfastness when exposed to UV rays. Airlie, an indoor-outdoor boucle woven in Turkey, is highlighted for its low-maintenance luxury. Meredith Ellis Textiles’ "The Botanical Collection" is inspired by the Texas Hill Country, featuring richly layered designs. This collection includes seven new prints, two decorative borders, and one woven design, resulting in 40 fresh patterns. It evokes themes of sun-baked afternoons and an Americana spirit, blending Southern influence with whimsy through patterns such as Hyder and Huntington stripe. These collections collectively represent a fusion of heritage, innovation, and design, suitable for enhancing various interior and exterior spaces. #FabricCollections #InteriorDesign #TextileInnovation #HomeDecor #LuxuryFabrics #OutdoorFabrics #NatureInspired #GeometricPatterns

Dedar, an Italian brand, has unveiled a new collection of textile wall coverings, drawing inspiration from the grand tapestries found in historical castles. The collection aims to bring a luxurious and warm atmosphere to interiors, while also offering practical benefits such as sound softening. It features four distinct patterned designs and a selection of classic weaves, each crafted to showcase the subtle tactile qualities of natural fibers like linen and jute. The patterned designs within the collection include collaborations with the illustration duo Icinori. Among these is "This Must Be the Place," which features a paradisiacal bird motif. Another design is "Altronde," depicting a magical cityscape. Both of these intricate designs are screen-printed, color by color, onto pure linen, emphasizing the artisanal quality and depth of the artwork. The process of screen-printing allows for rich, layered visuals that contribute to the collection's sophisticated aesthetic. Alongside the patterned offerings, Dedar's collection also introduces new classic weaves. These designs are characterized by their subtle textures, which evoke the raw, natural feel of materials. "Mandolino" and "Toile Bâche" are two such designs, recalling the appearance of a painter's unprimed canvas. Another notable weave, "Fitzcarraldo," draws inspiration from the fine yarns of a gauzy chambray shirt, providing a delicate yet robust texture. Raffaele Fabrizio, the artistic director at Dedar, highlights the collection's overall contribution to interior spaces. He notes that the wall coverings are designed to create an environment infused with texture, a palpable sense of warmth, and an overarching feeling of comfort. This emphasis on sensory experience underscores the brand's commitment to enhancing living spaces through thoughtful design and high-quality materials. The collection is a product of Dedar's expertise in textile design, focusing on wall coverings that serve both aesthetic and functional purposes. By referencing historical luxury while incorporating contemporary design elements, Dedar aims to offer versatile options for interior designers and homeowners seeking to elevate their spaces. The use of natural fibers and meticulous screen-printing techniques are central to the collection's appeal, providing durable and visually striking solutions for wall decoration. The wall coverings are presented as a means to transform a room's ambiance, making it more inviting and acoustically pleasing, akin to the effect of traditional castle tapestries. #TextileWallCoverings #Dedar #InteriorDesign #HomeDecor #LuxuryTextiles #ScreenPrintedDesigns #NaturalFibers #WallDecoration

The "Contemporary Persia" collection is a collaborative effort between Swiss textile manufacturer Christian Fischbacher and architect Hadi Teherani. This collection, comprising 10 distinct fabrics in various color variations, aims to encapsulate the diverse and contrasting hues of the Iranian landscape. The fabrics, intended for both curtains and upholstery, are crafted from a blend of materials such as linen, wool, and polyester. The color palette of the collection features soft shades of blush pink, earthy sand tones, muted greens, and occasional splashes of blue and blush accents. Camilla D. Fischbacher, the creative director of Christian Fischbacher, emphasized the significant creative power and rich cultural heritage of Iran that inspired their dialogue with Teherani. Teherani himself noted that fabrics play a crucial role in completing architectural spaces, offering a tactile and sensory experience. The article highlights ten specific fabrics from this collection, each with unique characteristics and inspirations. One featured fabric is "Roya," a jacquard curtain fabric inspired by the landscape and colors of the Iranian Aladagh Mountains. It is a blend of viscose, cotton, and polyester yarns, which allows for intricate color gradients. "Roya" is available in five color options and its name translates to "beautiful dream" in Persian. "Afsun" is another curtain fabric, notable for its design that subtly incorporates the Persian letters H and T, representing Hadi Teherani's initials. This semi-transparent fabric is described as lively and comes in four flame-retardant color options, making it suitable for commercial applications. "Baran," an upholstery fabric, is created by combining linen warp with loosely twisted weft yarn, resulting in an uneven structure and a geometric dobby weave. Its name, meaning "rain" in Persian, alludes to the scarcity of rain in many parts of Iran. "Diba" is a graphic patterned upholstery fabric made from a natural fiber blend, giving it a lively and soft surface texture with a Panama weave. Its design draws inspiration from the distinctive brickwork commonly found in Persian architecture. Similarly, "Mitra," an upholstery fabric, uses wool yarns combined with linen warp to create a voluminous texture, also inspired by traditional Iranian brickwork. "Tara" is a medium-weight upholstery fabric featuring a dobby weave with loosely twisted yarns that rise to the surface, giving it a bold visual effect. "Donya," a densely woven wool satin, is versatile enough for both curtains and upholstery. It is treated with a special dirt-repellent finish, enhancing its durability and stain resistance. "Donya" is offered in ten colors, including earth, vanilla, blue, and salmon red tones. "Dasht," meaning "desert" in Persian, is another dual-purpose fabric for curtains and upholstery. It comes in ten colorways and is made from linen-cotton chenille yarn, providing an elegant, velvety appearance with a grainy touch. "Nasim" is a transparent voile with a cotton-like feel, available in four colors that coordinate with the "Donya" fabric. Finally, "Aramesh," which signifies "calmness, peace of mind, and bliss" in Persian, is a matt, transparent, and lightweight fabric suitable for curtains. It is flame-retardant and available in mélange colors. Christian Fischbacher, a family-owned company with over 200 years of history, specializes in interior fabrics, accessories, carpets, and wallpapers. The collection reflects the combined creative vision of Camilla D. Fischbacher and Hadi Teherani, both of whom have Iranian roots but reside in Europe. #TextileDesign #FabricCollection #IranianLandscape #InteriorDesign #HadiTeherani #ChristianFischbacher #UpholsteryFabric #CurtainFabric #ContemporaryPersia

Najd is a new textile collection, designed by architect and designer Tristan Auer for Lelièvre Paris, drawing inspiration from Saudi Arabian design. The collection's distinctive natural and earthy color palette is directly referenced from the Najd desert, which also provides the collection with its name. The creative process behind Najd involved Tristan Auer's deep dive into the traditional architecture of the central Saudi Arabian region, translating its colors and structural lines into textile designs. The Najd desert, characterized by its vast expanses of natural earth and clay hues, served as a primary muse. This inspiration manifests in the striking interplay of orthogonal architectural structures and the organic, flowing lines of the desert's endless dunes. This juxtaposition of structured forms and natural fluidity is a core theme throughout the collection. The Najd textile collection offers a variety of designs, incorporating both geometric patterns and diverse textured surfaces. These visual and tactile elements are designed to evoke the rugged yet refined aesthetic of the desert landscape and its historical built environment. The collection is fabricated using a range of materials, including cotton Jacquard, linen, and high-performance fabrics, catering to various applications and functional requirements while maintaining the collection's aesthetic integrity. The use of these materials ensures both durability and a luxurious feel, aligning with the brand's commitment to quality. This collection, available through Dezeen Showroom, is positioned as a sophisticated option for interior design professionals and enthusiasts seeking to incorporate elements of exotic, culturally rich aesthetics into contemporary spaces. The colorways, while natural and earthy, are presented in a manner that allows for versatility in different design schemes, from minimalist to more ornate settings. By offering a blend of traditional inspiration and modern material technology, the Najd collection aims to provide textiles that are both aesthetically compelling and practical for everyday use. Lelièvre Paris emphasizes that the collection not only captures the visual essence of the Najd region but also its spirit, making it more than just a decorative element but a narrative piece within an interior. The choice of Tristan Auer, known for his work in luxury interior design and architecture, underscores the collection's high-end appeal and its potential to elevate diverse living and commercial environments. The collaboration highlights a bridge between traditional cultural motifs and contemporary design sensibilities, resulting in a textile offering that is both timeless and relevant. #TextileCollection #TristanAuer #LelièvreParis #SaudiArabianDesign #EarthTones #GeometricPatterns #TexturedFabrics #InteriorDesign #HomeDecoration

Dedar Milano has unveiled its latest 'light and luminous' fabric collection, launched at the close of 2024, which serves to reinterpret and enrich the brand's existing textile library. This new collection features 20 sheer materials and wallcoverings, expanding upon Dedar’s White Writings family with new embroideries, vibrant color palettes, and metallic voiles. The collection introduces a range of transparencies, blending natural fibers such as linen and hemp with wool to create lightweight and airy designs. Textural sheers incorporate innovative materials like raffia and explore new weaving techniques to vary levels of transparency. While many of these sheer fabrics utilize muted tones to emphasize subtle details, Dedar Milano has also incorporated bold colors, offering a broader spectrum of design possibilities. A notable addition is "Lumillumina," inspired by the Finnish word for snow, which reinterprets the geometric motifs of Dedar’s "Nevicava" fabric. This new iteration integrates metallic veins, drawing parallels to jewelry from the early 20th century, evoking the styles of René Lalique and Georges Fouquet, as well as the fashion trends of the Roaring Twenties. Further expansions in the transparencies category include two soft, drapey sheers with distinct natural characteristics. One is a slightly slubbed, linen-rich canvas weave, and the other is "Cnossian," a hemp fabric that presents white nuances with a warm, golden undertone. The collection also features wool fabrics, offering an unusual billowy interpretation for luminous curtains. "Leporello" introduces a wavy, three-dimensional effect through pleating, while other flexible fabrics use wool yarns of varying thicknesses in sparse weaves to achieve increasing levels of transparency. A textured woolly canvas weave, "Autrebois," highlights the importance of texture within the collection. Two fire-retardant fabrics, available in double width, are also part of the transparencies range, offering washability and crease resistance. These fabrics present a diverse array of styles, from the micro-geometric patterns of "Kin" to linen-like textures, all enhanced by airy weaves and bulky ondé threads. The collection also features fabrics enriched with embroidery and artistic touches, particularly within the "White Writings" family. These new sheers introduce unprecedented visual and design elements, creating volumetric chiaroscuro effects through the play of light and shadow when viewed against a backlight. The embroidered motifs, sometimes placed on existing collection grounds, allow for numerous combinations, from conventional to more surprising and personal expressions. The degree of transparency varies significantly, from dense and precise embroideries like "Cielo" and "Aplomb" to more irregular textures on a "Wide Linen Sablé" ground. Several embroidered motifs revisit patterns from "Promenade Kafkaïenne" and "Liberabirinto," applying them to different grounds. "Dancing the Horizon" uses a fine, densely warped merino wool, while "Regolith" features pure linen with a textural translucency. "Rabdomante" stands out with its energetic, instinctive topstitched motif on a semi-transparent, extra-fine wool ground, offering a sartorial drape. "Calicanto Lieve" explores an abstract combination of materials, animated by expressive fil coupé fringes. Dedar Milano has also transformed these sheer fabrics into wallcoverings. "Goral Wall" combines organic shapes resembling branches or corals with a background of thick, uneven matka silk. "Lost in Nazca Wall" depicts a prehistoric labyrinth on pure silk shantung, while "Za Wall" and "Ze Wall" superimpose pictorial motifs on frosted linen chintz and laminated jute, respectively. "Idola Theatri Wall" features an amplified light burnishing effect that creates an evanescent forest on laminated jute, and "Yamnaya Letters Wall" evokes imaginary alphabets. "Marmore Wall" draws inspiration from Japanese suminagashi and Turkish ebru marbling, outlining gentle, circular patterns inspired by nature. In the realm of moiré wallcoverings, Dedar, a pioneer in reinventing moiré since the 1990s, introduces "Amoir Libre" and "Amoir Fou." These new moirés, with their multicoloured "tail" effects, complement silkier fabrics and marbled textile wallcoverings, coexisting harmoniously with the new white-based wallcoverings in the collection. Dedar's approach to moiré has modernized its use, moving beyond classical applications to embrace affinities with natural forms like marble veining and ocean waves, giving it a contemporary appeal. #DedarMilano #FabricCollection #TextileDesign #InteriorDesign #Wallcoverings #SheerFabrics #LuxuryTextiles #Moiré #WhiteWritings

This article provides a comprehensive guide to various fabric patterns, detailing their history, characteristics, and appropriate uses in home decor. It clarifies the distinctions between often-confused patterns like gingham, plaid, and tartan, and introduces others such as Jacquard, Damask, Brocade, and Houndstooth. The piece emphasizes the importance of considering size, scale, and color coordination when incorporating patterns into a room, suggesting that while many of these patterns are traditionally found in classic homes, they can also serve as effective accents in eclectic or bohemian settings. Jacquard, named after its inventor, Joseph Jacquard, and the loom he created in the early 1800s, encompasses complex woven designs often featuring large, repeating, tapestry-like patterns. Today, digital printing facilitates the creation of these intricate textures. Common Jacquard patterns include brocade and damask, and they are versatile enough for upholstery, drapes, bed linens, and pillows, often seen in muted neutrals or ombre effects. Damask, with origins tracing back to 300 B.C. China, is characterized by woven designs of feathers, flowers, and geometrics, typically in varying shades of a single color. Its heavy drape makes it suitable for dramatic curtains and provides light-blocking benefits. Damask designs are reversible, allowing for coordinated yet distinct applications, such as using one side for wallpaper and the other for complementary drapes or pillows. Brocade, another pattern often created on a Jacquard loom, is distinguished by its opulent, typically floral designs incorporating multiple colors and metallic threads. Historically significant in religious garments and tapestries across China, India, and Europe, brocade's weighty texture makes it ideal for bedding, headboards, dining room chairs, and formal living room window treatments. Scotland's cultural icon, Tartan, is a distinct pattern of three or more colors with horizontally and vertically matching stripes that historically identified clans. Its durability makes it suitable for pillows, blankets, ottomans, and club chairs. While traditional tartans feature rich reds, blues, and greens, modern interpretations may utilize tonal variations in grays. Plaid, though often considered a separate pattern, is a Scottish-Gaelic term for a piece of tartan worn on the shoulder. Unlike tartan, plaid stripes do not necessarily match in width and color. It commonly appears on den sofas, in rustic cabins, and on boys' bedspreads but can also be creatively used for artwork or tile on bathroom floors or kitchen backsplashes. Gingham is a lightweight cotton blend woven with a single color on a white background, creating a checked pattern, typically about an inch wide. Originating from the Dutch colonies of Malaysia and Indonesia, it is now widely recognized and is commonly used for table linens, dish towels, and kitchen valances. Its identical appearance on both sides makes it suitable for sheer curtains. However, small gingham patterns are advised against for large items like couches due to their potential to appear too busy, and its lightweight nature makes it less suitable for high-traffic areas. Houndstooth, a two-tone pattern with jagged or broken checks resembling dog's teeth, dates back to 360 B.C. Sweden, though it gained fame in Scotland with its classic black and white rendition. While traditional, it can also be found in aqua, yellow, and pink for bedrooms or sun porches. The article advises against pairing houndstooth with stripes or plaids and recommends using it sparingly due to its strong visual impact. #FabricPatterns #HomeDecor #InteriorDesign #Jacquard #Damask #Brocade #Tartan #Plaid #Gingham #Houndstooth

Moiré, a textile characterized by its distinctive undulating, rippling effect, has emerged as a dominant trend in interior design in 2024. Traditionally crafted from silk, this material is celebrated for its ability to reflect light and impart a sense of formality and gravitas, regardless of its color. The article highlights an example of its application in a Georgian townhouse in Holland Park, where designer Studio Ashby and architect William Smalley used petal-pink moiré from Dedar to entirely swathe a dressing room. This choice creates a sublimely decadent and romantic atmosphere, underscoring the fabric's aesthetic appeal. The origins of moiré are rooted in China, a historical hub of silk production and skilled weaving. The technique, also known as watered silk, historically involves calendaring. This process applies heat and pressure to folded lengths of rib-weave fabric using large, textured rollers. The pressure flattens and distorts parts of the warp and weft, resulting in the characteristic wood-grain-like pattern. Modern advancements also allow moiré-like designs to be printed onto various surfaces, including textiles and ceramics, expanding its versatility in contemporary design. Moiré's historical significance extends from the 17th to the 19th centuries, where it was synonymous with ceremony and formality. Queen Victoria and Russian Tsar Peter the Great famously wore blue moiré ribbon sashes. The fabric was a staple in court and evening attire, with historical fashion records from 1893 and 1897 mentioning dinner dresses made of 'rose-pink figured moiré' and 'white moiré' accents. The Victoria & Albert Museum even houses an opulent gown crafted from Prussian-blue moiré, adorned with metal buttons and chenille flowers, demonstrating its luxurious past. In more recent times, moiré continued to be favored by renowned fashion designers like Christian Dior and Yves Saint Laurent. Its popularity also transitioned seamlessly into interiors. An inventory from Hampton Court Palace in 1695 reveals that lengths of silk moiré were used to complement tapestries, adding richness to state rooms. Centuries later, during Jacqueline Kennedy's tenure in the White House, apricot moiré upholstered bergère chairs, and deep leafy-green moiré adorned the walls of a salon. These historical and contemporary examples underscore moiré's enduring appeal as a material that can evoke a sense of royalty and sophisticated elegance in any space. #MoiréFabric #InteriorDesignTrends #SilkTextiles #HomeDecoration #LuxuryInteriors #TextileHistory #GeorgianTownhouse #Dedar

This article explores a selection of new fabric launches designed to enhance home interior schemes. The right fabric, whether patterned or plain, can significantly influence the aesthetic of a room. The piece highlights eight distinct collections and designers, each bringing a unique approach to textile design. First, Haines, an online platform for salvaged fabrics, has collaborated with Gabby Deeming of Daydress to create a limited-edition collection. This collection features surplus textiles repurposed into fabrics and soft furnishings, characterized by pretty, ditsy floral patterns in fresh colorways, emphasizing sustainability and unique design. Next, London-based textile designer Beki Bright presents a range of hand screen-printed fabrics, cushions, lampshades, and wallpapers. Her designs draw inspiration from the English countryside of Suffolk, utilizing a signature palette of muted blues, pinks, soft peaches, and mustard yellows, reflecting a natural and serene aesthetic. Beata Heuman introduces a 'Jumbo Gingham' print, which pays tribute to traditional 18th-century Swedish checked textiles. This fabric offers a modest yet playful element, aiming to impart a homey feel to any interior without overwhelming the space. Sophia Frances showcases fabrics that blend traditional British textile heritage with contemporary twists. Her collection includes bold zigzags, painterly florals, large-scale stripes, subtle flowers, and delicate geometrical repeats, providing a versatile range for various design preferences. Zoe Glencross expands her style with the 'Aventura Collection,' inspired by her travels to Mallorca, Seville, Lisbon, and Porto. This collection incorporates Moorish mudejar and Portuguese azulejo patterning, with an earthy color palette of warm terracotta, pinky-beige tones, rich ochres, vibrant apple greens, and coastal blues, bringing a worldly and colorful dimension to interiors. Blithfield, known for its color-driven designs, launches the 'Bancroft Collection.' This collection combines historical references with a contemporary feel, featuring striking printed designs in signature colors. It includes new versions of Ikat Check, a printed stripe named Lambert, and two woven designs: the antique-inspired Jasper and the classic Bailey. Henry Prideaux, in collaboration with Christopher Farr, has re-imagined iconic designs from the Christopher Farr archives, including works by Michael Szell, Raoul Dufy, and Kit Kemp. The recolored fabrics are curated within a palette of terracotta and blue, aiming to infuse renewed sophistication and a modern quality into these classic prints. Finally, Susie Watson introduces 'Natasha,' an Uzbek-style fabric hand-printed on rustic linen. Inspired by the founder's travels, this heavyweight material is stonewashed to achieve a subtle, vintage effect. Available in 'Catkin,' 'Dusty Pink,' and 'Smokey Blue,' it is suitable for curtains and blinds, and can be accented with a pom-pom trim. The article also mentions Fermoie’s 'Circus' design, which features a repeating geometric pattern inspired by the movement of acrobats and jugglers. Fermoie emphasizes traditional printing methods on linen and cotton, using only natural pigments and colors. These launches collectively offer a wide array of choices for interior decorators, ranging from sustainable salvaged textiles and countryside-inspired prints to traditional patterns with contemporary twists and culturally rich designs, all aimed at enhancing the aesthetic and feel of a home. #FabricLaunches #InteriorDesign #HomeDecor #TextileDesign #PatternedFabrics #SustainableFabrics #DesignerFabrics #HomeTextiles #DecoratingTrends

This article explores the significance of an eighth-century Umayyad wool tapestry fragment from the Metropolitan Museum of Art's collection, reconsidering common impressions of Islamic art. While Islamic art is often perceived through its precise and repetitive ornamental motifs, this tapestry fragment offers a counter-example, revealing a more playful spirit in early Islamic textiles. Dated to the mid-eighth century and attributed to the Umayyad Caliphate, the fragment features stylized rosettes and floral motifs that resemble bright flower sprays on a grassy background. The fragmentary nature of the tapestry, lacking selvedges, suggests it was part of a larger furnishing fabric. Reconstructing Umayyad homes from the seventh or eighth century is challenging due to the scarcity of extant textiles. However, wall paintings and mosaics from Umayyad palaces provide insights into their interior decorations. For instance, a fresco at Qusayr 'Amra depicts a heavily draped space with veiled doorways and colonnades, and covered seating, contrasting with the current austere state of these palaces. Similarly, floor mosaics at Khirbat al-Mafjar, edged with tassels, suggest the presence of carpets of similar size, reinforcing the idea of textile use in these grand spaces. The author posits that the floral tapestry fragment might have served as a wool seat or wall furnishing. A key aspect distinguishing this fragment is the irregular design and varied color application of its motifs, a departure from the strict repetitive or symmetrical layouts prevalent in decorative art from later Islamic dynasties. The central part of the textile, a band with a green background, features two rows of medallion-style rosettes. Each of the seven rosettes is distinct in color or form, with individually rendered petals. The flower bouquets on the red band, forming the edge, also exhibit this intentional variation, ensuring no two neighboring motifs are identical. This deliberate variety in repetition is paralleled in the facade of Qasr al-Mshatta, where carved rosettes within hexagons and hexafoils display distinct content while maintaining a general form. The interspaces are densely covered with grape leaves, alongside depictions of lions, griffins, and peacocks. This suggests that such decorative programs were designed to evoke a garden, mimicking the fabled Paradise garden, through a diverse array of flora and fauna. Therefore, the rosette tapestry fragment, whether used as a hanging or a cover, would have functioned as a segment of a portable garden. Spreading the tapestry would have transformed the environment, releasing a miniature Paradise and adding a sense of glamour, as if the owner were seated on a floral lawn or surrounded by fantastic creatures. This interpretation highlights the innovative and artistic intent behind early Islamic textile design, showcasing a sophisticated approach to decoration that went beyond mere repetition to create dynamic and symbolic spaces. #IslamicArt #UmayyadTextiles #TextileHistory #DecorativeArts #MetropolitanMuseum #ArtInterpretation #GardenMotifs #HomeDecor

D’Decor introduces its 'Curated Concepts' series, a collection of meticulously designed fabrics aimed at the modern, global homeowner. This series features a blend of contemporary themes, designs, and materials, designed to add character to minimalist, urban living spaces. The article highlights four distinct collections: The Fragments Collection, The Impressions Collection, The Fusion Collection, and The Ethnic Collection I and II. The Fragments Collection is characterized by geometric patterns and a sophisticated color palette, including mustard with navy, chartreuse with silver, and gold with grey. It incorporates Jacquard curtains and velvets, alongside plain fabrics. Key features include a satin jacquard with a tessellated 3D design, printed sheers with colorful patterns, and bright printed velvets and velvet jacquards featuring maze patterns, all complemented by coordinating curtain plains. The Impressions Collection draws inspiration from brush strokes, presenting vivid colors on vibrant designs. This collection utilizes 100% cotton printed fabric with impressionist stripes and geometric motifs. A stippled ombre stripe, printed on sheer and textured satin, adds depth. The collection also includes jacquard upholstery with distressed chevron and abstract textures, along with curtain jacquard that showcases an interplay of satin weave and fancy yarn, creating rich textures. The Fusion Collection translates earthy, handcrafted designs into diverse fabric substrates, offering a global ethnic aesthetic. It features curtain jacquard with a floral shibori design, distressed block-print-looking chevron, and stripes. Jacquard sheers with an 'ikat' dot and digitally printed sheers with Shibori patterns complement the main curtains. Upholstery options include printed velvet with a contemporary batik pattern and jacquard fabric with a floral block print. Plain fabrics, such as a raw-silk-look curtain plain and a chenille upholstery solid with a chevron texture, further enhance the collection. The Ethnic Collection I and II celebrate the art and craftsmanship of the Indian sub-continent. It reinterprets classical, stylized motifs through various techniques like digital print, jacquard, embroidery, velvets, and plains. The regal and vintage patterns are invigorated by a vibrant, contemporary color palette, offered in two volumes, each with three color stories. Highlights include a delicate Jacobean floral print contrasting with a monotonal jacquard upholstery, satin jacquards with stylized stripes and damasks, embroidered trellises, and Mughal scroll patterns for decorative accents. A broad, multi-colored panel stripe on cotton satin serves as a showstopper, supported by plains with distinctive characters, a handsome velvet stripe, and a delicate wide satin pinstripe. Beyond these showcased collections, D’Decor offers the ‘Flowing Jacquards Collection Two’ with botanical and geometric jacquards, and the ‘Reflections Collection Two’ focusing on sheers and solids. The brand also promotes eco-friendliness with ‘Nova’ bedlinen, introduces ‘Evita’ premium bed covers, and an easy-care range with anti-wrinkle and stain-resistant properties. ‘Bedsuites’ offers curated top-of-bed ensembles, premium dohars, jacquard collections, and kids' bed linen. D’Decor maintains a significant retail presence across the country, with 20 stores currently open and a 21st location planned for Hyderabad. These experience centers offer over 10,000 home fabric options, mood board creation tools, and an intuitive furnishing journey facilitated by the D’Decor app. The stores provide inspiration boards, a welcoming shopping atmosphere, and dedicated services for interior decor professionals, including relationship managers, swatch services, fabric customization, and special previews. #DDecor #HomeMakeover #FabricCollections #InteriorDesign #CuratedConcepts #ContemporaryHome #EthnicDecor #LuxuryFabrics #HomeFurnishing

The article discusses the new Bedford Park collection from Morris & Co., a textile brand named after the influential British textile artist William Morris. The collection, spearheaded by lead designer Jessica Clayworth, aims to honor Morris's iconic Arts & Crafts designs while introducing a modern and unexpected twist through bold and supercharged color palettes. Clayworth's vision was to disrupt the market by reimagining classic patterns with punchy hues and dramatic color combinations, drawing inspiration from the psychedelic tones of the 1960s and '70s. The development process involved delving into the company's archives to select both well-known Morris bestsellers and lesser-known works by other significant Arts & Crafts designers. The goal was to bring attention to designs that had previously received less recognition and to highlight the contributions of artists like C.F.A. Voysey, Allan Francis Vigers, and J. H. Dearle, who were also impactful during the Arts & Crafts period. The Bedford Park collection features 15 wallpaper designs and 14 fabrics. Clayworth provides insights into several key patterns within the collection. For instance, the popular 'Pimpernel' pattern, originally characterized by soft, muted colors, has been reinterpreted with brighter, stronger colors such as Shamrock and Watermelon. This reinterpretation caters to customers seeking a more vibrant and audacious aesthetic. Another pattern, 'Spring Thicket,' which was Morris's last wallpaper design, has been updated from its original subtle peachy ground to striking bright blues, incorporating a lilac punch to modernize the colorway and enhance the floral and leaf motifs. The collection also introduces designs by C.F.A. Voysey, including 'The Savaric,' which features his signature bird motif. While Morris's designs are often described as structural, Voysey's style is noted for its naivete. The updated 'Savaric' maintains a gentle color palette, such as Garden Green, to align with Voysey's original vision while introducing his work to a broader audience. Voysey's 'Glade' and 'Laceflower' patterns are also part of the collection. 'Glade' stands out with its structural, stylized botanical design and Art Nouveau influence, offering a departure from some of the more elaborate patterns. 'Laceflower' reintroduces Voysey's characteristic birds, integrated within floral stems for a more dimensional effect compared to 'The Savaric.' Allan Francis Vigers' 'Campanula' design, with its dense field of vibrant flowers, is presented in a Sunburst colorway that closely honors the creator's initial vision, with colors slightly enhanced for impact. The wallpaper print for 'Campanula' also pays homage to the wooden printing blocks used during the Arts & Crafts era, reinforcing the collection's authentic origins. Many patterns in the Bedford Park collection are available in both fabric and wallpaper, allowing for maximalist decorating schemes. The collection is designed to evoke a sense of rebellion and statement-making, aiming to impress and inspire awe in observers. #MorrisAndCo #TextileDesign #ArtsAndCrafts #InteriorDesign #Wallpaper #Fabric #WilliamMorris #BedfordParkCollection #ColorCombinations

The city of Mulhouse in eastern France holds significant historical importance within the textile community, serving as a prominent center for textile manufacturing in the early 19th century. Today, it is home to the Musée de l’Impression sur Étoffes, a museum dedicated to preserving and showcasing the history of fabric printing from the 17th century to the present day. To bring the museum's extensive collection to a wider audience, TASCHEN has published a two-volume set titled "The Book of Printed Fabrics: From the 16th Century Until Today." Authored and compiled by Aziza Gril-Mariotte, an art historian, textiles specialist, teacher, and former head of the Mulhouse museum, these books feature high-resolution images of nearly 900 textile pieces. These artifacts represent a broad geographical and historical scope, spanning four continents. The collection begins by tracing the origins of textile design in the Far East, detailing how these patterns subsequently influenced and were adopted by European manufacturers. It explores the evolution of popular textile styles, such as toile de Jouy, and the development of specific color palettes over time. The second volume shifts its focus to the innovations that characterized textile manufacturing and design during the 19th and 20th centuries. This includes an examination of the emergence of distinctive cashmere motifs and the increasing prevalence of natural and floral depictions in fabric designs. The books delve into the technical and artistic advancements that shaped the industry during these periods, illustrating the continuous evolution of textile art. Beyond their informative content, these volumes are designed to be aesthetically pleasing objects. Their bright red spines and an accompanying slipcase are intended to make them visually appealing as decorative items for various home settings, including coffee tables, side tables, or bookshelves. The publication aims to serve as both a comprehensive resource for textile enthusiasts and a beautiful addition to any interior, showcasing the artistry and historical richness of printed fabrics. #TextileDesign #FabricPrinting #DesignBooks #MulhouseMuseum #TASCHEN #ArtHistory #HomeDecor #PatternDesign #FrenchTextiles

Jacquard fabric is renowned for its durability, intricate patterns, and ornate aesthetic, and has maintained its popularity since its inception in the early 1800s. The term 'jacquard' does not refer to a specific material or print, but rather to a weaving method that creates raised motifs directly into the fabric using a specialized loom known as the jacquard loom. Unlike most fabrics where patterns are applied after weaving, jacquard patterns are an integral part of the fabric's construction. This unique process ensures that patterns, such as those in cotton jacquard, are less prone to warping or fading compared to surface-printed designs. Sarah Henry, executive director of La Manufacture Cogolin, highlights that this method results in a fabric of superior quality and distinctiveness, noting its capacity to blend graphic patterns with textures or to function purely as a textured material. Jacquard can be produced from nearly any fiber, ranging from luxurious silks and organic linens to common cottons. Contemporary designers frequently incorporate jacquard into various interior styles, including elegant couches, upholstered banquettes, throw pillows, and metallic placemats. Its textural surfaces and luxurious connotations make it a favored choice. Textile artists and fashion designers like Diane Von Furstenberg and Marc Jacobs often utilize jacquard and damask prints in their creations. Randy Kemper, head of design at Ingrao, Inc., emphasizes that jacquard weaving introduces a rich complexity to fabrics, enriching rooms and upholstery, and that the technique adds texture to solid fabrics, making them suitable for modern interiors. Jonathan Savage, of Savage Interior Design, primarily uses jacquards for upholstery due to their structured nature, which prevents wrinkling and maintains a refined appearance, ideal for clean-lined and formal spaces. He prefers contemporary, organic jacquard patterns over traditional damask, advising against overuse. High-end decor companies and textile brands specialize in jacquard weaving. La Manufacture Cogolin, for example, produces sophisticated jacquard area rugs by combining velvet with thicker yarns to achieve three-dimensional textures. The company's jacquard weaving history in Paris dates back to the 1920s, with current production utilizing 19th-century jacquard handlooms modified to weave patterned rugs more efficiently, a change that helped the company remain viable. The jacquard loom, named after its French inventor Joseph Marie Jacquard, revolutionized textile production by automating the creation of elaborately patterned fabrics. Pre-jacquard, the drawloom, likely originating in China around the second century BC, allowed for pattern creation by manually raising and lowering warp threads. However, this process was labor-intensive, required multiple weavers, and resulted in costly fabrics accessible only to the wealthy. The invention of the power loom by Edmund Cartwright in 1785 facilitated mass production of simple fabrics but lacked the decorative capabilities of handwoven textiles. Jacquard's innovation, patented in 1800 and perfected by 1804, replaced the manual labor of the drawboy with a programmable system using interchangeable punch cards. These cards served as instructions for the loom, controlling which warp threads were raised to create specific patterns, akin to a player piano. This system offered unprecedented design flexibility and allowed for precise replication of intricate patterns. The jacquard loom's punch card system significantly influenced other fields, notably inspiring Charles Babbage's design of the first mechanical computer in the 1820s. Babbage recognized the potential of Jacquard's binary code concept (hole vs. no hole) for mathematical calculations. Ada Lovelace further expanded on this, suggesting that the machine could manipulate various types of data, laying the groundwork for modern computer programming. The profound impact of Jacquard’s invention extends beyond textiles, fundamentally changing how we interact with technology and shaping the digital age. #JacquardFabric #TextileHistory #HomeDecor #InteriorDesign #WeavingTechnology #TextileManufacturing #DesignInnovation #FabricPatterns

Maharam has partnered with fashion designer Sander Lak to launch a new collection of woollen upholstery textiles. This collaboration builds on Lak's previous work, particularly his final A/W20 collection for his former label, Sies Marjan, which closed due to the pandemic. During that period, Lak explored sustainable practices, including a collaboration with Cornell University on eco-printing techniques and transforming sustainable wool upholstery from textile artist Claudy Jongstra into fashion pieces. The initial connection between Lak and Maharam was facilitated through Jongstra's Drenthe Heath fabric, an exclusive Maharam textile made from indigenous sheep in the Netherlands. Lak utilized this fabric, custom-dyed with natural materials like walnut husks and indigo, for a Sies Marjan collection and a limited-edition capsule line for the Guggenheim store. The current collaboration with Maharam, part of their wool initiative launched in February 2021, focuses on three new wool fabrics. This initiative aims to address the growing interest in renewable natural fabrics for furniture upholstery while re-evaluating classic textiles. The collection includes materials made from post-consumer recycled wool and wool processed entirely at a single location to minimize environmental impact. Lak designed two woven felts, Gemma, which offers a solid and saturated finish, and Gemma Multi, an intricate and reversible mélange. The third fabric, Terra, is a chunky basket-weave wool that draws inspiration from his fashion background with its cable knit-like texture. These textiles are the result of extensive color experimentation, showcasing the inherent depth and nuances of wool. The combined palette across these fabrics features 150 colors, offering a fresh perspective on upholstery options. Lak's creative process for color selection is intuitive and imagery-based rather than relying on traditional color systems. He collects a vast database of random images and selects colors that resonate with him. He then creates mood boards with different color samples and observes them under various lighting conditions—afternoon, morning, and artificial light—to find the perfect shade. This method reflects his deep engagement with color and texture. The color palette for these wool textiles draws inspiration from a diverse range of sources, including natural elements like plants and sky colors, as well as mundane objects like cheese and crackers, milkshakes, and smoothies. He also incorporates bold color combinations found in digital icons and corporate branding from American companies such as McDonald’s, Dunkin’ Donuts, and Baskin-Robbins. Lak aimed to use these often aggressive or unnatural corporate colors and integrate them into natural fibers, creating a deliberate clash that mirrors contemporary life's opposing emotions. Mary Murphy, Maharam’s senior vice president of design, highlights Lak’s strong instinct for color, noting his preference for unusual and mysterious shades that transform under different light. She emphasizes his ability to combine unexpected elements, particularly in the mélange fabric, which reveals different aspects upon closer inspection. The collaboration allowed Lak creative freedom to express his distinct point of view, which Maharam values for bringing a fresh flavor to their line. The company views this as the beginning of a long-term partnership, with more collaborations anticipated in the future, underscoring their commitment to innovative design. #SanderLak #Maharam #TextileDesign #UpholsteryFabrics #WoolCollection #SustainableTextiles #ColorPalette #InteriorDesign #FashionCollaboration