What Comes After Shibori? 4 Designers on the Next It Pattern

Rattan, once largely confined to vacation homes and screened-in porches, has experienced a significant resurgence, becoming a versatile material for achieving an airy aesthetic and introducing natural texture into various interior spaces. From swing chairs and pendant lights to area rugs and ottomans, its widespread adoption has prompted a discussion among interior designers about what material might follow in its footsteps as the next dominant trend in home decor. Kele Dobrinski, from Colossus Mfg, suggests that tambour is poised for a comeback. This ribbed material, popular from the 1950s through the 1980s, was commonly used as a decorative detail on curved surfaces like credenza doors and bread boxes. Tambour's distinctive texture gives pieces a unique, artisanal feel, as exemplified by Anya Sebton and Eva Lilja Löwenhielm’s Palais Royal table with its tambour drum base. Dobrinski notes that its natural element allows it to complement vibrant colors without quickly becoming dated. Susana Simonpietri, owner and creative director of Chango and Co., is shifting away from rattan's casualness by embracing unglazed ceramics. While rattan brings a laid-back, low-maintenance vibe to spaces, Simonpietri is pairing unglazed ceramics with short-pile cotton velvets to create a sophisticated yet flowing aesthetic. She envisions rattan’s warm yellow and orange tones being reinterpreted in ceramic vases and fabric swatches, offering a fresh take on comfort and style. Heidi Lachapelle, a Portland, Maine-based designer, anticipates that woven paper cord will emerge as a softer alternative to rattan. While acknowledging the timeless appeal of rush-weave dining chairs, Lachapelle highlights unexpected applications of paper cord, which invites tactile interaction. She describes paper cord pieces as sophisticated, casual, and cool, particularly favoring seating designs such as Norm Architects’s braid sofa, Gestalt’s Saga low chair, and Arthur Umanoff’s settee bench, all of which showcase the material’s unique qualities. Finally, SoCal designer Raili Clasen is exploring the potential of webbing in furniture design. While she still regards rattan as a classic, Clasen is drawn to a new generation of webbed furniture, experimenting with nylon, leather, and jute webbing for sofas, chair bases, and stretched benches. She sources pieces from Los Angeles-based makers like Croft House and Stephen Kenn, appreciating the casual personality and inherent comfort that webbing brings to furniture. These predictions collectively indicate a move towards materials that offer distinct textures, a blend of natural elements with sophisticated applications, and an emphasis on tactile experiences in contemporary home design. #homeDesign #interiorDesignTrends #rattanAlternative #tambour #unglazedCeramics #wovenPaperCord #webbingFurniture #materialTrends #designPredictions

Shaker cabinets, a kitchen cupboard style originating from the Shaker community in the 1780s, have maintained their popularity for over two centuries due to their unornamented design and versatility. The utilitarian style, characterized by its two-and-a-half-inch-thick rails and stiles, has seen a significant surge in renovations over the past two years. However, despite their enduring appeal, a shift in design trends is emerging as new alternatives gain traction, prompting seven design professionals to forecast the next prominent cabinet designs. One predicted trend is the adoption of ¾-inch profiles. Designer Abbie Naber describes this as a modern take on traditional styles, offering a slimmer profile that provides dimension and character without being overly conspicuous. Jonathan Taylor of Taylor + Taylor, along with his wife Jess, favor a blend of flat door panels, narrow frames, and beaded grooves, particularly evident in island designs, to introduce texture, especially for clients who do not prefer a stark minimalist aesthetic. Integrated handles are another emerging design. Brigette Romanek, a top designer, notes a movement towards building handles directly into the cupboards, often featuring a sharp angle at the top for hand access. This custom approach not only imparts a super-contemporary feel but can also be more cost-effective. Robert McKinley implemented a similar design in a Hamptons bungalow, utilizing cabinets from Reform, a Copenhagen-based brand. The absence of traditional metal handles allows other elements in the room, such as a pendant light doubling as a pot rack, to stand out without creating a cluttered appearance. The third major prediction is the rise of ultra-flat panels. Leonora Mahle expresses a preference for plain slab cabinets, arguing that their simplified style allows for greater creativity with paint colors without overwhelming the space. These flat panels also serve as an effective counterbalance to more elaborate backsplashes and stone counters with intricate veining. Melissa Lee, founder and creative director of Bespoke Only, appreciates the combination of these flat fronts with ornate antique metal hardware. This juxtaposition of old and new, such as using drawer pulls found on an antique armoire, creates an unexpected and unique aesthetic. Shanty Wijaya of AllPrace explores variations of white oak cabinetry, experimenting with different cuts, stains, and finishes to provide a wide range of personalization options. In a recent project, Wijaya combined saw-cut wood in natural and smoked stains from Reform's Surface collection, demonstrating how the material itself can provide sufficient definition without requiring additional ornamentation. These predictions collectively point towards a future in kitchen cabinet design that values sleekness, integrated functionality, tactile textures, and personalized material expression over the traditional Shaker style. #KitchenCabinets #InteriorDesignTrends #HomeRenovation #ModernKitchen #DesignPredictions #IntegratedHandles #FlatPanelCabinets #WhiteOakCabinetry #KitchenDesign

Akira Minagawa, a Tokyo-born designer, has successfully merged Japanese and Nordic aesthetics across various design fields, from fashion to home furnishings and tabletop items. Minagawa, who studied at Bunka Fashion College, initially launched a women’s clothing label named Minä Perhonen, which is Finnish for 'I butterfly.' This brand has since expanded into interior-related projects, with a dozen shops across Japan. His work involves frequent international travel for fashion shows in Paris, porcelain pattern development for Richard Ginori in Italy, and collaborations with Scandinavian brands like Artek, Fritz Hansen, PP Møbler, and Kvadrat, the latter manufacturing his textiles. Minagawa's unique approach to design blurs the lines between fashion and furnishings. He explains that his initial designs for Minä Perhonen involved creating textiles from which clothes were made, indicating that both fashion and fabric design were integral from the start. His transition to designing fabrics for furnishings was a natural progression, leading to a decade-long collaboration with Kvadrat. His early contributions to Kvadrat included an embroidery pattern, an ikat-dyed woven textile, and an oversized floral curtain fabric, some of which are still in production. He differentiates between designing fabrics for fashion and furnishings by highlighting the role of motion; fashion fabrics interact with the body's movement, while furnishing fabrics serve as visual accents in a static space. However, many of his textiles are versatile enough to be used for both applications. Minagawa attributes his strong Finnish connection to a visit at age 19, where he felt an immediate resonance with the Finnish way of life and aesthetic, noting the shared cultural emphasis on design and craft rooted in daily existence, similar to Japan. He also acknowledges Marimekko's influence, citing Fujiwo Ishimoto's long tenure there as proof of a common design culture between the two nations. Regarding his design process, Minagawa states that he does not rely on prior research, data collection, or mood boards. Instead, inspiration emerges from a 'merged chaos of memories and imagery' from his daily life. He recently showcased an installation for Kvadrat, titled 'Forest Comes Home,' which premiered at Salone Internazionale del Mobile in Milan and was later featured in Maharam's San Francisco showroom. This installation explored the concept of nature and healing through woven fabrics and embroidery, creating a 'forest' of fabric-covered objects both on the floor and suspended from the ceiling, interpreting 'forest' as 'for rest.' Minagawa's future plans include further expansion of his boutiques in Japan, which already combine fashion, fabric, furniture, and food, emphasizing the coexistence of fashion and interior design. He also expresses a desire to expand into architecture, indicating a holistic vision for design that encompasses various aspects of daily life and physical spaces. #AkiraMinagawa #JapaneseDesign #NordicDesign #TextileDesign #FashionDesign #InteriorDesign #Kvadrat #MinäPerhonen #DesignPhilosophy #GlobalCollaborations

The article delves into the ancient Japanese dyeing technique of shibori, focusing on artist Jennifer Falkowski's passion and expertise in this craft, particularly with indigo dye. Falkowski describes indigo as "magical," highlighting the unique chemical transformation where a yellow-green liquid turns blue upon oxidation when fabric is exposed to air. This fascinating process distinguishes indigo dyeing from conventional fabric dyeing methods. Shibori, one of Japan's oldest dyeing techniques, involves manipulating fabric through folding, clamping, stitching, or blocking sections to create intricate patterns by preventing dye from reaching certain areas. While similar in principle to tie-dye, shibori offers a broader range of complex patterns and textures. The historical significance of indigo in Japanese culture is also touched upon, noting its use for thousands of years and its reputed antibacterial properties, which led samurai to wear indigo-dyed fabrics under their armor for protection against infection from battle wounds. Although other dyes can be used for shibori, indigo remains the traditional choice due to its rich history and distinctive color. Falkowski initially explored regular fabric dyes but found them uninspiring due to their straightforward color-changing nature. Her discovery of shibori provided a creative outlet that offered more depth and unpredictability. Recognizing the messy nature of indigo dyeing, which typically necessitates an outdoor workspace, Falkowski collaborates with local businesses such as Blue Bar Quilts in Middleton, The Electric Needle in Madison, and Mill House Quilts in Waunakee. These partnerships enable her to host classes for individuals across various experience levels, fostering a communal learning environment for this intricate art form. She emphasizes that shibori encourages participants to embrace imperfection and relinquish the need for precise control over the outcome, making it a liberating artistic experience. Falkowski not only teaches shibori but also markets her indigo-dyed creations in the Madison area. Her product line includes infinity scarves sold at The Regal Find in Middleton, along with unique baby onesies featuring one-of-a-kind patterns. At Blue Bar Quilts, customers can purchase her indigo fabrics pre-cut for quilt makers, as well as upcycled tunics. The artist's dedication to the craft extends to more immersive experiences, as evidenced by her sold-out weekend-long "Deep Into Indigo Retreat" in Westby, Wisconsin. Her upcoming local class at The Electric Needle on March 24 will cover the history and chemistry of indigo, demonstrate various shibori pattern-making techniques, and culminate in the exciting reveal of the dyed fabrics. The article concludes by providing details for those interested in attending her Shibori Experience Class, including the date, time, cost, and location. #Shibori #IndigoDyeing #JapaneseCraft #FabricArt #TextileDesign #DIYCrafts #JenniferFalkowski #MadisonWisconsin

The article explores the resurgence of intricate floral block prints as a prominent design trend, positing them as the successor to the recent checkerboard pattern phenomenon. Block printing, an ancient technique originating in China and later adopted by Indian artisans, involves hand-carved embossed wood dipped in dyes and repeatedly pressed onto fabric or paper. Despite its thousands of years of history, contemporary designers and brands are revitalizing this craft with a modern twist. Several factors contribute to this renewed popularity. Poonam Abbi, co-founder of Sustainable Threads, a fair-trade social enterprise specializing in block-printed pieces, attributes the uptick in sales to the pattern’s imperfect, handmade nature. She suggests that the pandemic encouraged introspection, leading consumers to value the origins, craftsmanship, and ethical implications of their purchases. Sustainable Threads collaborates with traditional artisans and marginalized individuals, further imbuing its products with a narrative of social impact. Sarah Zellweger of SZ Block Prints, whose brand has grown significantly, echoes this sentiment, emphasizing the luxury of handcrafted products and the discernible effort invested in them. Zellweger highlights the versatility of block printing, noting its ability to blend classic and contemporary designs through the mixing and matching of heritage prints with new interpretations. Her brand's reversible blankets and strategic color combinations exemplify how traditional techniques can be adapted for modern aesthetics, integrating seamlessly into various home decor styles, from traditional to minimalist. The aesthetic appeal of block prints is further amplified by their adaptability. Sustainable Threads, for instance, is recognized for its geometric patterns and neutral colors, offering modern takes on classic artisan designs that complement diverse home furnishings. Another contributing factor to the trend's momentum is the influence of social media. Katharine Watson, who established her block-printing studio in 2009, observes a shift towards maximalism online. She notes that after a period dominated by neutrals and simple designs, there is a growing desire among consumers for bolder patterns and vibrant colors, a demand that block prints are well-positioned to meet. The article also features several examples of how block prints are being incorporated into home decor, showcasing products like block-printed napkins, tablecloths, throws, quilts, and pillows. These items illustrate the wide application of the pattern in various domestic settings, reinforcing its growing presence in interior design. #BlockPrints #HomeDecor #InteriorDesign #PatternTrends #HandmadeCrafts #SustainableDesign #TextileArt #GlobalInfluence

The design landscape has seen a progression of hardware trends, from the classic elegance of stainless steel to the warmth of antiqued brass, culminating in the widespread popularity of matte black for knobs, handles, and pulls across various styles, including Scandinavian and modern farmhouse. While matte black offers a streamlined aesthetic that remains broadly appealing, the cyclical nature of design trends suggests an evolution. To anticipate the next significant shift in hardware, insights from four design professionals were gathered. One emerging perspective suggests a move towards the elimination of hardware altogether. Advances in soft-close mechanisms for both drawers and doors are increasingly enabling designers and consumers to opt for handle-less cabinetry. This approach shifts the visual focus away from hardware, instead highlighting the inherent details, materials, and colors of the furniture itself, thereby making a distinct and minimalist statement within a space. Another prediction points to a resurgence of silvery tones. Designers are observing a growing weariness of brass finishes, leading to an exploration of alternatives such as pewter. Nickel, in both brushed and chrome variations, is being utilized in kitchen and bathroom projects. This material is lauded for its timeless and classic qualities, offering an elegant contrast when paired with bold tiles or darker-toned stone and cabinetry, allowing the hardware to stand out. Finally, gunmetal finishes are gaining traction as a sophisticated alternative. This material is appreciated for its unique depth, bridging the chromatic gap between black and bronze. Its inherent warmth makes it particularly effective when juxtaposed with raw material backdrops, such as cast-iron panels, creating a refined and textured aesthetic in contemporary interior designs. These predictions indicate a future for hardware that emphasizes either its subtle integration or a return to enduring, versatile metallic finishes. #DesignTrends #HardwareDesign #InteriorDesign #KitchenDesign #BathroomDesign #HomeDecor #MetallicFinishes #MinimalistDesign

The 62nd Salone del Mobile in Milan, a prominent international design event, and its accompanying Fuorisalone events are showcasing a diverse range of Japanese design talent. Several established and emerging Japanese designers and brands are presenting their latest works, emphasizing innovation, sustainability, and traditional craftsmanship. Among the newcomers at the Rho Fiera exhibition complex are Adal and Nagano. Adal is presenting its 'Look into Nature' brand, which re-imagines igusa (Japanese rush grass), traditionally used in tatami, as a sustainable material for contemporary furniture. This involves transforming igusa into flexible textiles for chair backrests, coffee table panels, minimalist room screens, and abstract wall art, all inspired by Japanese landscapes. Nagano Interior, on the other hand, focuses on solid wood, highlighting its natural grain and texture through meticulous hand-finishing in its 'Think Basic' series. Daft about Draft, directed by Taiju Yamashita, is exhibiting for the second time at Rho Fiera. The brand features plush furnishings and sleek tables characterized by curved forms, soft textiles, dusky tones, and a focus on velvety textures, dark woods, and brushed metals. Yamashita's approach views furniture as a medium for expression, aiming to create personal narratives through user experience. Sixteen works are on display this year, with six making their debut in Milan. Karimoku Furniture is presenting its largest Milan showing to date, with four of its brands spread across different venues. At Rho Fiera, Karimoku Case, a collaboration with renowned designers Norm Architects and Keiji Ashizawa, showcases furniture for specific architectural projects. New pieces include those designed for the 'Bellustar Tokyo' hotel (Case 09) and the 'Azabu Hills Residence' complex (Case 10), featuring curvilinear forms, subdued hues, and the first use of lighter-toned keyaki (zelkova) wood in the Case series. Fuorisalone events in Milan’s Tortona district feature Karimoku New Standard, making its first appearance in five years with an installation curated by Connie Husser and creatively directed by David Glaettli. Karimoku's collaboration with Zaha Hadid Design also returns with new additions to its architecturally inspired Seyun lineup. A new brand, Mas, an all-wood furniture line from Karimoku, is also introduced. Named after the traditional hinoki (Japanese cypress) masu cup and a nod to 'mass production,' Mas includes clean-lined chairs, benches, stools, and tables made from Japanese coniferous woods, detailing unique joinery. SaloneSatellite, which spotlights young designers, features Hana Mitsui, who is re-thinking traditional textile production through recycling waste materials. Her 'Visual Illusion' installation includes 'Blurring Checker,' a fabric inspired by the deliberate misalignment of independently dyed warp and weft threads in kasuri textiles, creating soft, blurred patterns. Product designer Kodai Iwamoto showcases new lighting works, including the 'Komoru' circular wall lamp and the 'Arrow Stand Lamp,' which emanates light mysteriously from behind, demonstrating his self-taught techniques in metalworking and wood carving. Further Fuorisalone innovations include the 'Origin of Simplicity. 20 Visions of Japanese Design' exhibition at the ADI Design Museum, curated by Rossella Menegazzo. This exhibition explores simplicity in Japanese design from the 1960s to the present, featuring over 150 works in a forest-like setting designed by Kenya Hara. The Isola Design Festival, expanding to new venues in Milan’s Isola district, includes three exhibitions with Japanese creators. Yu Watanabe transforms his space into an atelier for 'Disclosure: Design Studios Unveiled,' exhibiting material explorations and urushi (Japanese lacquer) pendant lamps. Shinkogeisha’s 'New Craft' exhibition combines design, engineering, and technology into contemporary craft, showcasing 3D-printed items like Nosemono (attachments to natural rocks and branches) and Tilde’s knit-textured radios. Arakawa Grip celebrates its 50th anniversary with an installation by Kaori Akiyama, and also features new furniture and homeware products from 16 Japanese designers. Other notable presentations include 'Wonderpowder,' a collaboration between design studio We+ and Shimadzu, exploring the design potential of powder as a material through an interactive installation at Dropcity. Majotae, a textile brand directed by Teruhiro Yanagihara Studio, is launching its first collection of naturally dyed bedding, reviving taima-fu, an extra-fine hemp fabric from the Edo Period, with the help of modern technology. #SaloneDelMobile #MilanDesignWeek #JapaneseDesigners #FurnitureDesign #SustainableMaterials #TextileInnovation #Craftsmanship #ArchitecturalDesign #ProductDesign

The article discusses the emergence of 4D Ceramics, an innovative material developed by Sapienstone, a brand under the Iris Ceramica Group, that is set to revolutionize kitchen design. This new technology introduces a fourth dimension to surface materials, combining the traditional three spatial dimensions with sustainable technology. This integration allows for the creation of large-scale slabs that achieve a balance between aesthetic appeal, functional design, emotional impact, and technical performance. Sapienstone's 4D Ceramics offer a wide array of possibilities for designers, providing material solutions that are both luxurious and environmentally conscious. The technology results in surfaces that mimic the appearance of fine marble or granite, characterized by their deep veining and rich color palettes. These range from subtle creamy whites with golden undertones to dramatic blacks flecked with white, replicating the visual complexity of natural stone. Unlike natural stone, however, these man-made ceramic surfaces offer the advantage of being customizable in size, allowing for seamless application across various kitchen elements such as floors, walls, and countertops. The core of the 4D Ceramics innovation lies in its sustainable composition. The material is formed through a process of stratification, mirroring natural geological formations, and is composed of natural minerals. This manufacturing approach emphasizes durability and strength, resulting in a 20mm thick slab that is described as being as solid as rock. This combination of natural elements and advanced manufacturing positions 4D Ceramics as a robust and long-lasting option for modern kitchens. Designers in the kitchen and interior design sectors are actively seeking materials that offer both aesthetic versatility and environmental responsibility. Sapienstone's 4D Ceramics directly addresses this demand by providing an eco-friendly alternative to traditional countertop materials. The ability to create extensive, seamless surfaces with these ceramics contributes to a soothing and sophisticated spatial experience, aligning with contemporary design trends that prioritize integrated and harmonious living spaces. The adoption of 4D Ceramics signifies a forward-thinking approach to interior design, particularly in kitchen environments where surfaces undergo significant daily wear and tear. The material's technical performance ensures durability, while its aesthetic qualities meet the high standards of luxurious and modern interiors. Sapienstone emphasizes that with 4D Ceramics, the limitations typically associated with surface design are effectively removed, opening up endless creative opportunities for architects and designers to craft unique and sustainable kitchen spaces. #KitchenDesign #4DCeramics #Sapienstone #SustainableInnovation #CeramicSurfaces #InteriorDesign #LuxuryMaterials #EcoFriendlyDesign #CountertopTrends

Decorating with patterns is an effective way to inject personality and flair into a home, extending beyond maximalist styles to complement pared-back spaces as well. Interior designers and textile experts have identified key pattern trends for 2025, which include classic motifs alongside fresh, nature-inspired designs and reimagined traditional patterns. The trends emphasize the versatility of patterns in creating different moods and aesthetics within a living space. Stripes, a perpetually classic design, are re-emerging with unexpected color pairings and bold scales, including vertical, horizontal, and wavy variations. These patterns are favored for bringing structure and rhythm to a space without making it feel overly formal, mixing harmoniously with florals or organic motifs. They can be seen on upholstered pieces, ceilings, or wallpapered walls, and even a subtle ticking stripe can add interest to neutral decor, demonstrating their adaptability to various interior tastes. Nature-inspired designs are at the forefront of wallpaper trends, with murals of landscapes and immersive blooms inviting the outdoors in. This trend creates nurturing environments and a sense of escapism, often grounded in softer earth tones like umber and terracotta. Woodland and botanical themes are also gaining traction, offering adventurous design options that can transform a space into a natural retreat, especially when paired with complementary elements like whimsical chandeliers. Art Nouveau patterns are making a significant comeback, with classic designs being recolored and updated to appeal to a contemporary audience. This revival includes chintzes and florals, but particularly emphasizes Art Nouveau's focus on nature, featuring fauna and flora. These bold and colorful patterns offer both visual impact and a comforting sense of familiarity, drawing inspiration from historical designs that remain relevant today. Florals are reimagined for 2025 with unconventional colorways, moving away from traditional sweetness to a more evocative and modern aesthetic. Moody florals in deep mossy greens, chartreuse highlights, and tea-stained browns create a layered quality. These updated floral patterns can add interest to transitional living rooms, often paired with plain fabrics to allow each element to stand out. Checks, another timeless pattern, are celebrated for their nostalgic appeal. They provide structure, energy, and movement, guiding the eye and breaking up space while maintaining a comforting feel. Checks are being used in upholstery, curtains, and even furniture, and can be layered with other patterns by mixing different scales to create visual interest without appearing overly matched or traditional. Small-scale florals offer an organic, less traditional take on floral patterns, often appearing as vines or abstract designs. These patterns are used to balance other room elements or energize streamlined spaces, bringing a cohesive feel. They are particularly popular for bedrooms, adding a playful yet timeless touch to bedcovers and wallpaper. Fern and botanical patterns are favored for their timeless, natural aesthetic, providing visual texture without overwhelming a space. They are often applied in soft, tonal palettes, especially on wallpaper, to add depth and interest. When extended from walls to ceilings, these prints can soften architectural angles and create a cozy, cocoon-like atmosphere. Animal prints, once a highly popular trend, are making a strong return as a way to introduce drama and dynamic energy into a room. Maximalism's resurgence means animal prints can bring a bold, collected feel, but they can also be incorporated subtly, such as through a single accent piece, to add playfulness without overwhelming the decor. Geometric patterns offer a stylish way to add interest, seen in headboards, tiled floors, decorative screens, and sculptural furniture. These patterns create a subtle tension that keeps a room feeling fresh. Patterned tiles are also returning for backsplashes and bathroom floors, allowing for bold expression in smaller doses for a unique yet not overly trendy look. Finally, fauna prints add a whimsical and immersive feel to a room, especially when used liberally on all walls. These patterns are rich in detail, texture, and narrative, blending artistry with playful imagination to create a dreamlike atmosphere. They can introduce colorful energy into otherwise muted palettes, reflecting a broader trend towards bolder and more exciting design choices. The article also provides examples of decorative items reflecting these trends, such as peel-and-stick wallpaper, floral wallpaper, check tablecloths, patterned pillow covers, tea towels, duvet covers, striped pillows, and decorative trays, allowing for various levels of pattern integration from bold statements to subtle accents. #PatternTrends #InteriorDesign #HomeDecor #FloralPatterns #Stripes #Checks #NatureInspiredDesign #ArtNouveau #AnimalPrints #GeometricPatterns

The "rule of threes," a long-standing principle in interior design involving grouping decorative items in sets of three, is being challenged by many professional designers. This traditional method, while easy to implement, is increasingly seen as creating a staged or lifeless environment that lacks personal touch and flexibility. Designers are moving towards more fluid and intuitive approaches to styling spaces. One prominent alternative is the "rule of what feels right," as advocated by interior designer Brad Ramsey. This approach emphasizes balance in shape, height, and texture over strict adherence to numerical groupings. Jen Baxter of Baxter Hill Interiors further elaborates on numerical choices, suggesting the use of odd numbers to introduce energy into a room and even numbers for a sense of serenity. For instance, in bedrooms, even-numbered pairings like twin embroidered pillows and matching nightstands can create a grounded and soft aesthetic, allowing layered textures and subtle patterns to breathe. Another emerging trend involves the power of a single, impactful showstopper piece. Designers like Kerith Flynn of Margali & Flynn Designs prioritize objects with significant presence that can stand alone without requiring additional supporting elements. Kristina Lawrence notes that a single, large-scale decorative bowl can make a stronger statement than numerous smaller items arranged to meet a numerical rule. Olma Fuentes of Deni + Dove Interiors echoes this sentiment, recommending a single sculptural vessel or a sweeping curved sofa to anchor a room, rather than a cluster of smaller seating arrangements. The "edit by half" rule, inspired by Coco Chanel's fashion advice, is also gaining traction. Interior designer Lauren Saab suggests that once a surface is styled, half of the items should be removed to create breathing room and allow materials and textures to take center stage. For example, a nightstand might feature just one lamp and one personal item, while a kitchen might display a single large decorative bowl instead of three smaller ones. Christine Jahan offers a practical tip: photograph a styled space in black and white to assess its balance independently of color. Embracing negative space is another key principle. Designers recognize that homes are meant to be lived in, not just admired as showrooms. Leaving empty space accommodates daily life and prevents clutter, especially in high-traffic areas like kitchens or beside nightstands. Jan Odesanya illustrates this by suggesting one cutting board, one shallow bowl for everyday items, and then ample empty space, asserting that clear space itself is a design element that performs a function. #InteriorDesign #DecoratingTips #HomeStyling #DesignTrends #Minimalism #NegativeSpace #HomeDecor #DesignFlexibility

The year 2025 ushers in a renewed focus on pattern play in interior design, moving beyond the minimalist aesthetics of previous years to embrace personality, warmth, and richness within homes. Interior designers are predicting a return to classic patterns, reimagined with a contemporary and refined edge, creating spaces that feel both lived-in and stylish. This shift is driven by a desire for interiors that are curated, telling a story through layered textures and bold expressions. Among the prominent trends are surreal stripes, which offer an unexpected twist on a classic. Designers are observing oversized, vibrant, or distorted stripe variations, moving beyond traditional checkerboards to more sophisticated, circus-like iterations. These surreal stripes often appear in lighting fixtures, particularly blown glass pieces that highlight off-kilter designs. The application of these stripes to textiles, especially in a 'pattern-drenched' approach across walls and ceilings, evokes a unique and whimsical ambiance, especially when executed in a low-contrast palette to create an optical illusion. Subtle, textured stripes represent another key trend. These stripes, encompassing everything from tone-on-tone linens to pinstripe sheers and bold ticking patterns, are being used across various design categories. This approach allows for a more dimensional storytelling within interiors, appealing to clients who seek homes that feel collected rather than overtly decorated. The emphasis is on layering soul, memory, and texture while maintaining a sense of calm. These stripes, seen in millwork and modern wall paneling, quietly add structure and depth to understated spaces, balancing timeless sensibility with a fresh perspective. Polka dots are also making a significant comeback, influenced by current fashion trends. This whimsical pattern is being paired with classic, dark-toned wood walls, creating a striking contrast that adds dynamic visual interest. After a period dominated by minimalism, the return of polka dots signifies a shift towards maximalism, encouraging bolder patterns, layered textures, and expressive colors in home decor. Whether integrated through a patterned sofa or subtle throw pillows, polka dots offer visual intrigue without overwhelming a room. Furthermore, the moiré effect, characterized by its rippling water-like appearance, is gaining traction. This classic fabric, historically used in interiors since the 17th century, is now appearing in vibrant colors and unexpected applications in 2025. Designers suggest using moiré in varying doses, from lampshades and cabinetry interiors to beautifully tailored cushions or even fully upholstered walk-in wardrobes, to achieve a lush and uniquely special ambiance. This trend focuses on tone-on-tone variations to add depth without stark contrast, relying on layered textures like plaster, lime paint, wood tones, stone, and textural fabrics to create visual interest rather than bold geometric prints. Gingham is another classic pattern enjoying a resurgence, moving beyond its traditional black and white picnic table association. This pattern trend is reinterpreted in more refined, tonal, and textured ways, often integrated into upholstered furniture like four-poster beds to serve as a quiet statement piece in neutral bedrooms. Additionally, gingham and plaid tiles are being used to make bold statements in bathrooms and kitchens, on floors or backsplashes, extending the pattern beyond mere decor. Finally, Dedar's Tiger Mountain print, an abstract tiger design from a luxury fabric label, has become a prominent feature in chic interiors. Its popularity is linked to the broader animal print resurgence, offering a more refined and less literal take on animal patterns. This print appeals to individuals who appreciate a balance between minimalism and maximalism, adding both texture and a pop of color to various spaces, from sofas to accent chairs. As these pattern trends emerge, designers advise careful research to ensure choices align with long-term style and avoid quickly dating a home. #InteriorDesign #PatternTrends2025 #HomeDecor #SurrealStripes #TexturedStripes #PolkaDots #MoiréEffect #Gingham #DedarTigerMountain #Maximalism

The mushroom lamp, a popular design from the 1970s, has been a dominant trend in interior design for several years. While some designers, such as Victoria Adesanmi of Aesthetics Studios, believe its popularity may continue, others anticipate new lighting trends to emerge. These upcoming styles, much like the mushroom lamp, often draw inspiration from historical periods, but the range of influential eras is expanding beyond mid-century modern to include the 1920s and 1980s. One significant trend expected to gain traction is Art Deco-inspired lamps. This style, which experienced a resurgence in interiors in 2021, is characterized by geometric shapes. Caron Woolsey, founder of CW Interiors, notes that modern Art Deco lamps blend the glamour of the past with contemporary technology and austerity. She advises seeking lamps with fluted glass shades or opaline globes that offer unique silhouettes. Examples include a piece by French artisan Marine Breynaert and Saint-Lazare's Octagonal Lamp, inspired by a vintage vase. Sculptural, pottery-style, and ceramic lamps are also on the rise. Maggie Griffin, founder of Maggie Griffin Design, observes an increased client demand for handmade pottery lamps, attributing this to a post-pandemic desire for craftsmanship. Adesanmi concurs, predicting a surge in sculptural lamp designs. Fanny Abbes, creative director of The New Design Project, highlights Eny Lee Parker's ceramic 'Oo lamp' as a notable example, praised for its curvaceous shape and texture. Finally, postmodern and Memphis-style lamps are expected to take over the lighting space. These styles are known for their distinctive squiggly lines and vibrant, often garish, colors. Adesanmi anticipates lamps inspired by the postmodernism and Memphis movement, pioneered by Ettore Sottsass. While new reproductions are available, unique and expressive pieces from these movements can often be found on online marketplaces like Chairish, 1stDibs, and Etsy, aligning with the statement-making nature of these design philosophies. #LampTrends #InteriorDesign #ArtDeco #SculpturalLamps #CeramicLamps #PostmodernDesign #MemphisStyle #HomeDecor #Lighting

The article explores the evolving trends in tile design, particularly in the context of kitchen and bathroom backsplashes and surfaces, moving beyond the ubiquitous subway tile. While acknowledging the classic appeal and widespread adoption of subway tiles, the piece delves into alternative materials and installation methods that designers predict will gain prominence. The enduring popularity of subway tiles is attributed to their simple, geometric form and ability to add a polished look to various spaces. However, with their saturation across interior design, there's a growing interest in new options. Five experienced designers were consulted to identify the next major tile trends. One significant alternative highlighted is Zellige tiles, handmade Moroccan terracotta tiles. These tiles are recognized for their inherent character, rippling textures, and slightly elevated aesthetic compared to standard subway tiles, despite sharing a simple, geometric foundation. Designers suggest their use on vertical surfaces and in low-traffic areas, noting their old-world charm and appealing shapes. Another trend involves the use of solid natural stones. While subway tiles retain a place, especially for budget-conscious renovations, there's a noticeable shift towards natural materials. The simplicity and aesthetic appeal of solid marble slab backsplashes in kitchens are specifically mentioned as a desirable alternative. This trend emphasizes organic textures and a connection to natural elements. Sheet glass is presented as a contrasting option to traditional tile. This involves installing sheet glass over colorful wall treatments like wallpaper or paint, allowing the underlying design to show through. This approach offers a way to introduce more personality and fun into homes, moving away from conventional tiling methods. An example cited is a guest bathroom shower where glass was used to preserve old wallpaper and plaster, demonstrating its versatility. Finally, for those not ready to completely abandon subway tile, a reinterpretation of its installation is suggested: vertically stacked subway tile. This method involves a shift from the traditional staggered brick layout to a vertical arrangement, which can accentuate ceiling height, especially when paired with exaggerated, narrow tiles. Additionally, a preference for matte finishes over traditional glossy glazes is noted, indicating a subtle yet impactful evolution in how classic subway tiles are perceived and utilized. These trends collectively point towards a desire for more texture, natural elements, unique finishes, and innovative installations in contemporary interior design. #TileTrends #InteriorDesign #ZelligeTiles #NaturalStone #SheetGlass #SubwayTileAlternatives #HomeDecor #DesignInspiration #RenovationIdeas

House Beautiful, in partnership with the National Kitchen + Bath Association (NKBA), introduces its inaugural class of Next Wave Kitchen Experts, highlighting five trailblazing designers who are redefining kitchen spaces. This initiative, building on House Beautiful's 25-year tradition of recognizing rising stars in design, focuses specifically on the kitchen as a central hub for modern living, blending creativity, function, and innovation. The featured designers — Melissa Colgan, Lathem Gordon & Cate Dunning, Clara Jung, Jerel Lake, and Sara Swabb — each bring a unique philosophy and design approach to kitchen renovations. Melissa Colgan, a 2023 Next Waver, emphasizes transforming kitchens into true "rooms" rather than merely utilitarian spaces. Her designs incorporate elements like upholstered furniture, antique case pieces, layered textiles, art, and rich colors. Colgan advocates for heirloom-quality hardware and a mix of painted and stained cabinetry finishes, often featuring bespoke details such as restoration glass fronts or aged brass wire mesh, to create a lived-in, warm, and character-filled kitchen. She believes this approach prevents kitchens from feeling sterile or overly designed. Lathem Gordon and Cate Dunning, the duo behind Gordon Dunning, are recognized for their new Southern style, which skillfully blends classic motifs with contemporary applications. These 2020 Next Wavers specialize in renovating historic spaces, including kitchens, infusing them with modern flair while respecting their original character. They adapt their designs to individual client needs, whether for minor updates or extensive gut renovations, always aiming to enhance the cooking area for both functionality and aesthetic appeal. Their work is driven by the desire to breathe new life into storied homes, creating backdrops for family memories. Clara Jung, founder of Banner Day Interiors and a 2022 Next Waver, is deeply committed to detail and client-centric design. Her process involves understanding clients' daily routines to craft kitchens that cater to their current lifestyles and anticipate future needs. Jung’s designs prioritize both beauty and uncompromising functionality, addressing specific client requirements like custom built-ins for high-end coffee machines or accessible snack and beverage storage for busy households. She views the kitchen as a complex space where form, flow, and daily ritual must perfectly harmonize. Jerel Lake, a 2024 Next Waver, transitioned from the music industry to kitchen and bath design a decade ago. Based in Atlanta, he excels at creating warm and inviting contemporary kitchens. As a member of House Beautiful's panel of kitchen experts and NKBA, Lake focuses on making kitchens as comfortable as other living areas. He achieves this by integrating art, decorative objects, and heirlooms, ensuring the kitchen feels like a natural extension of the home rather than a purely functional zone. Lake believes this approach enhances the emotional connection families have with their kitchen spaces. Sara Swabb, founder of Storie Collective and a 2025 Next Waver, designs kitchens with an emphasis on the inseparable connection between beauty and function. Her approach involves incorporating thoughtful details that support a client's lifestyle, such as dedicated coffee bars for morning rituals or concealed storage to maintain visual cleanliness. Swabb ensures architectural cohesion, making the kitchen feel like an integral part of the home rather than an isolated showpiece. She frequently uses soft, intentional elements like plaster range hoods and millwork that resembles furniture, and has even launched her own custom cabinetry collection to reflect her distinctive aesthetic. #KitchenDesign #InteriorDesign #HomeRenovation #DesignExperts #KitchenTrends #HomeDecor #ArchitecturalDesign #FunctionalDesign #LuxuryKitchens

Swarovski has revealed the second installment of its Designers of the Future initiative at Design Miami/Basel, showcasing three innovative crystal-related projects. This year's award recipients are Anjali Srinivasan, Studio Brynjar & Veronika, and Yuri Suzuki, who have spent the past six months developing new crystal-based works, following their announcement as winners earlier this year in Paris. Each designer or studio had the opportunity to immerse themselves in Swarovski's crystal world at the company's headquarters in Wattens, Austria, leveraging Swarovski's expertise and materials to bring their visions to life. Glass artist Anjali Srinivasan's project is an installation inspired by human gestures. She seamlessly integrated her glass artistry with Swarovski’s crystal craftsmanship, specifically utilizing the company’s 'Touch Crystal' technology. This innovative feature allows the crystal to respond to human touch with light, blurring the lines between a solid object and interactive visual effects. Srinivasan's installation is a monumental crystal wave, standing six meters tall and supported by a mesh structure. It incorporates 3,000 Swarovski crystals and 5,000 pieces of glass, which she produced at her studio in Dubai. This project aims to explore the intersection of optical and physical phenomena, pushing the boundaries of human-centric design. Studio Brynjar & Veronika, an Icelandic duo, contributed a dynamic interpretation of crystal with their installation titled 'Currents.' This piece explores the interaction between light and crystal, bringing the material into a domestic setting through three distinct elements. They re-envision common household items, such as a standard window blind, by incorporating prisms that project rainbow-colored light when illuminated. Additionally, their crystal tiles are designed to diffuse a liquid reflection of their surroundings when they come into contact with water. The third component of their installation features a collection of crystal sticks, designed to highlight the transparency and light-refracting qualities of the gems, showcasing new uses and applications for crystal in everyday environments. Japanese sound artist Yuri Suzuki approached crystal from an acoustic perspective, blending his sonic practice with Swarovski's signature material. His research delved into how crystal vibrations can be translated into sound. The result is a mechanical, interactive 'crystallophone' comprising 16 brass mechanical ‘notes,’ each fitted with a handmade crystal form that represents tones ranging from C1 to D3. Suzuki collaborated closely with engineers at Swarovski’s Wattens facility to execute this complex project, which stands as a testament to the fusion of art and technology. Nadja Swarovski highlighted the excitement of seeing a diverse group of emerging talents from around the globe explore their visions of future living through these beautiful and thought-provoking crystal works. The collective installations demonstrate Swarovski’s ongoing commitment to innovation and its remarkable capacity for experimentation with its unique material. The company's continued engagement with initiatives like Designers of the Future, alongside its ventures into fashion, home collections, large-scale installations, and micro-crystal creations, underscores its dedication to research and development, constantly challenging perceived limitations of crystal as a medium. #Swarovski #DesignersOfTheFuture #CrystalArt #DesignMiamiBasel #AnjaliSrinivasan #StudioBrynjarVeronika #YuriSuzuki #InteractiveDesign #MaterialInnovation