A unique insight into Blenheim Palace, with the interior designer whose family have lived there for 12 generations

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

Sarah Southwell, a former handbag designer, has transitioned her creative flair from fashion to interior design, establishing her studio in 2020 after a series of successful home renovations in London. Her most ambitious project to date is her family home, a 21-room Grade II-listed manor house located in the Somerset Levels. This extensive renovation showcases Southwell's distinctive approach to country style, characterized by a blend of elegance, eccentricity, and a 'generational layering' philosophy that expertly combines old and new elements. Sarah and her husband, Nick, acquired the manor in 2021, moving from London to provide their three sons with a more spacious environment. Despite being warned by the estate agent about the significant renovation required, the couple was drawn to the property's original features, such as its mullioned windows and historic front door. The renovation process was comprehensive, addressing issues ranging from hundred-year-old plumbing and crumbling plaster to the complete absence of a heating system. With the assistance of approximately 20 local tradespeople and funds from their previous London property sale, they undertook the extensive overhaul, including replastering all rooms with traditional lime, a necessity for listed buildings. Southwell's design aesthetic prioritizes a 'perfectly imperfect' look. She achieved this by using lime-based paint throughout the house, mimicking the mottled tones of plaster. The kitchen features Bauwerk’s Ibiza limewash, reclaimed pine floorboards, British Standard units, and Arabescato marble worktops, creating a contemporary yet classic feel. An adjoining utility space adds a playful touch with units painted in deVOL’s Scullery Yellow. The home is adorned with unique finds from flea markets and antique fairs, reflecting Sarah's passion for vintage items, such as a Transylvanian hand-painted folk art cupboard in the playroom and 18th-century Indian doors repurposed for the master bathroom. Creative and whimsical elements are evident throughout the manor, particularly in the children's spaces. The bedroom shared by Sarah's two eldest sons boasts a circus-themed ceiling painted by Eugenia Barrios Osborne, complemented by custom-made bed canopies and antique furniture sourced from local dealers. The color palette in this room includes Farrow & Ball's Rectory Red and Babouche mustard-yellow. A notable feature of the home is its incorporation of 'hidden nooks and secret doorways,' a reflection of Southwell's design philosophy that a house, much like a handbag, benefits from concealed compartments. An example is a hidden cubbyhole in a former attic, accessible via a wooden ladder, designed to create a magical space for her sons. Additionally, a hidden drinks bar is cleverly camouflaged by wallpaper in the downstairs lavatory, adding a surprising element for adult guests. Following the completion of this significant renovation, Sarah Southwell now leverages her expertise to assist other clients in realizing their design aspirations, operating with a comprehensive approach to interior styling. #InteriorDesign #ManorRenovation #CountryStyle #HistoricHome #LimeWashPaint #VintageFinds #HiddenSpaces #FamilyHome #EclecticDecor

The Natzler Residence, a property deeply rooted in the legacy of renowned ceramicists Gertrud and Otto Natzler, showcases a unique blend of historical architecture and personal touches. The estate comprises a circa 1937 residence and a significant 1988 addition, the latter of which served as a studio for Otto’s second wife, Gail, a photographer. The entire property reflects the artistic sensibilities of its former inhabitants, with various elements incorporated into the design, including custom-made tiles and thoughtful layouts designed for creative work and comfortable living. The main residence, built in 1937, retains much of its original charm and character. The cozy living room features a distinctive rounded corner fireplace, providing a focal point and a sense of warmth. The dining room, adorned with wood paneling, includes original built-in features that speak to the craftsmanship of the era. The kitchen is a vibrant space, distinguished by rainbow tiles that were hand-glazed by Otto himself, adding a personal and artistic touch to a utilitarian area. This detail exemplifies the couple's integration of their art into their daily lives. One of the home's two bedrooms offers direct access to a balcony, seamlessly blending indoor and outdoor living, and providing views of the surrounding natural landscape. The bathrooms also feature classic designs, with one specifically highlighted for its ivory tiles, maintaining a consistent aesthetic throughout the older section of the home. Beyond the main house, the property includes several distinct areas that reflect the Natzlers’ professional and personal lives. A guest bedroom, paneled with knotty pine, offers a rustic and inviting atmosphere. Balconies are strategically placed to extend into the treetops, providing expansive views over the canyon, fostering a sense of tranquility and connection with nature. The 1988 addition, designed as Gail Natzler’s photography studio, includes a dedicated darkroom, highlighting the functional needs of an artist's workspace. Additionally, the second bedroom in the main house was utilized as Otto’s office, indicating how different spaces were adapted to suit their creative endeavors. Separate from the main living areas, Otto and Gertrud’s original studio was housed in a detached space situated above the garage, emphasizing the separation of work and home while keeping their artistic pursuits close at hand. The exterior of the residence is as thoughtfully designed as the interior. A brick-lined patio offers an ideal space for outdoor relaxation and entertainment. Throughout the property, the artists' influence is visible in various forms, with tiles and other distinct markings animating the steps and walkways. These subtle, artistic interventions transform functional elements into decorative features, further personalizing the estate. The Natzler Residence, therefore, stands as a testament to the lives and work of its renowned occupants, embodying their artistic spirit through its architectural details and integrated art pieces. #NatzlerResidence #HomeDesign #CeramicistsHome #ArtisticInteriors #MidCenturyArchitecture #ArtistStudio #ArchitecturalHistory #CustomTiles #CanyonViews

The Bell Museum's Curiosity Shop has undergone a significant reinvention, moving beyond traditional museum merchandise to offer a curated selection of quirky and unique items. Emma Allen, the museum's director of operations, spearheaded this transformation with the goal of creating a retail space that stands out from typical museum stores. She aimed for a distinctive aesthetic and product range, ensuring visitors could find items that reflect curiosity and individuality rather than just branded souvenirs. Key to this new approach is the emphasis on items that facilitate personal expression and creativity, such as magnifiers, cloches, moss, miniature plastic animals, and faux bird eggs. These components are specifically chosen to inspire customers to create their own dioramas, a nod to the museum's natural history focus. This interactive and creative aspect differentiates The Curiosity Shop, providing an experience that encourages engagement with the products and their potential for home decor. Beyond the diorama elements, the shop features a variety of unconventional decor pieces. One notable example is a framed insect riding a motorcycle, playfully titled 'Weevil Knievel,' which Emma Allen highlights as a personal favorite. This item exemplifies the blend of natural history with whimsical, artistic flair that defines the shop's inventory, catering to those who appreciate unusual and conversation-starting decorative accents. Inspired by these unique offerings, the article presents several home decor ideas that draw from the Bell Museum's distinct aesthetic. These include Christian Lacroix playing cards, known for their fantastical illustrations, which offer a sophisticated yet playful touch to any living space. Another suggestion is 'Whales: An Illustrated Celebration,' a nature-based book by local author Kelsey Oseid, which combines artistic illustration with scientific themes, perfect for adding an educational yet decorative element. Further decor ideas include a John Derian plate featuring a vintage mushroom print, demonstrating how functional items can also serve as artistic displays. Animal print shoes, such as Ulla Johnson's leopard print mules, are cited as an example of incorporating wild, natural patterns into personal style, which can be extended to home textiles or accents. Sculptural art pieces like blue-gray coral offer an organic, oceanic touch, bringing natural forms indoors. The collection also features a gold honeybee necklace from Gumuchian, with a portion of its proceeds supporting the University of Minnesota’s bee and pollinator program. This item connects directly to environmental consciousness and wildlife preservation, reflecting a broader interest in nature. Finally, a taxidermy Abyssinian roller, with its vibrant blue plumage, represents a more traditional yet striking natural history display, echoing the museum's core exhibits and providing a bold statement piece for home interiors. These curated selections aim to help individuals infuse their living spaces with a sense of wonder and uniqueness, mirroring the spirit of The Curiosity Shop. #HomeDecor #InteriorDesign #BellMuseum #TheCuriosityShop #QuirkyDecor #NaturalHistory #Diorama #ArtisticHome #Stylemaker

Daniel Beauchemin, an interior designer who previously assisted Jamie Drake in decorating New York mayor Michael Bloomberg's apartment, and Marc de Laat, a graphic designer and photographer, decided to leave Manhattan's fast-paced life. They exchanged their Chelsea apartment and a house in Bucks County, Pennsylvania, for a small castle in the Netherlands, located near Eindhoven, de Laat’s hometown. The property, built in 1864 as a summer residence for a royal court member, was transformed by Beauchemin and de Laat into a cozy and inviting home. Beauchemin and de Laat met in Manhattan in 2005, and de Laat later moved to New York. Beauchemin, who continued to design interiors selectively after leaving Jamie Drake, focused on creating homes that reflected the owner's story rather than mere movie sets. This philosophy extended to their own residence, which features a harmonious blend of their individual collections. They discovered a shared aesthetic, including similar vintage Wedgwood Queen’s Ware, Haags Lofje silverware patterns (Dutch and British versions), and Persian rugs, indicating a deep compatibility in their tastes. Their search for a European property revealed a mutual appreciation for architectural styles, particularly pure Bauhaus or 19th-century designs. They found the Dutch castle online in the fall of 2007, and, drawn by its proximity to de Laat’s family, made an offer four months later, moving in the following spring. De Laat describes the castle as having “beautiful bones” despite its previous “Disney palace” décor, characterized by crystals, stained-glass windows, and pastel walls. The renovation took approximately 18 months, involving the recovery and painting of the facade and the replacement of much of the ground-level flooring with aged wood parquet. Beauchemin managed the interior color scheme and furniture arrangement, while de Laat meticulously curated objects and art, creating still life-like displays. Examples include a Dutch Louis XVI card table with a colorful glass bowl by a young Czech artist and Beauchemin’s collection of lemon squeezers alongside a vintage Christofle tea service. The grand rooms are made intimate by the extensive art collection, primarily housed in Beauchemin’s custom frames. The couple owns nearly 1,100 artworks, two-thirds of which are on display, ranging from an original Rembrandt print and an abstract Ralph Rucci painting to an iconic Mario Testano photograph of Princess Diana. Beauchemin now serves as the director of Larson-Juhl France, one of the world's largest custom-framing companies, spending several days a week across the border. Despite their active lives, they continue to garden and host friends at their Dutch castle, viewing their home as a reflection of their lives rather than a mere display. #DutchCastle #InteriorDesign #ArtCollection #HomeRenovation #LuxuryLiving #EuropeanHome #DesignPhilosophy #MarcDeLaat #DanielBeauchemin

This article highlights some of the leading interior designers in Britain who excel in blending the classic English Country House style with modern living requirements. The designers featured are known for their distinct approaches, ranging from opulent traditional designs to fresh, contemporary interpretations. Alidad Mahloudji, known professionally as Alidad, specializes in grand country-house aesthetics, as showcased in his Legend Room at WOW!house, which featured richly layered and inviting styles. Eadie & Crole, founded by Sophie Eadie and Fi Crole, create elegant interiors using subtle hues, natural textures, antiques, and contemporary art, also offering a collection of furniture, fabrics, and wallpapers. Edward Bulmer, an interior designer and architectural historian, focuses on heritage building restoration and environmental sustainability, using his own natural paint line. His projects include his Queen Anne home and work at Pitshill and Althorp. Nels Crosthwaite Eyre of Eyre Interiors is praised for her light and bright interpretation of English country-house style, suitable for new generations. She integrates practicality for family life with vintage textiles, art, and antique furniture. Guy Goodfellow, with over two decades of experience, designs classic interiors by combining heritage architecture knowledge with an eye for color and comfort, now collaborating with creative director Steven Rodel. His collection of fabrics and wallpapers is inspired by historic textiles. Isabella Worsley, based in London, runs a studio known for its confident use of color and pattern, celebrating British artists and craftspeople in both residential and commercial projects. Janine Stone & Co. offers a comprehensive service encompassing architecture, interior design, construction, and project management for private residences, focusing on timeless designs tailored to client lifestyles. Kit Kemp, co-founder of Firmdale Hotels, is admired for her colorful and inviting interiors. Her design studio, which includes her daughters, undertakes residential projects globally and collaborates with various design brands. Lonika Chande specializes in multi-faceted interiors for young families, blending color, texture, and pattern with practicality, often incorporating antiques and modern elements. Lucy Cunningham brings new life to classic English country-house style through pattern, color, interesting textiles, and antiques. Lucy Elworthy, a former decoration editor, designs timeless rooms that appear to have evolved over time, often collaborating with architect John Comparelli. Max Rollitt, an interior designer, furniture-maker, and antiques dealer, is recognized for his distinctive style that combines antique originals with his bespoke furniture. Nina Campbell, an OBE recipient, is involved in diverse projects including care homes and pubs, and has ongoing collaborations for rugs, tiles, fabrics, and homewares. Her eponymous shop offers chic tableware and accessories. Oliver Laws, led by Guy Oliver, focuses on elegant and timeless interiors that highlight bespoke craftsmanship, with projects including the Connaught hotel renovation. Bee Osborn of Osborn Interiors creates restful interiors that emphasize natural materials and an 'organic luxury' aesthetic. Pippa Paton Design is known for transforming historic properties in the Cotswolds into inviting modern spaces by combining spatial planning with natural beauty. Rita Konig blends traditional decoration with a fresh, modern verve, working in the UK and US, and has launched a fabric and wallpaper collection. The practice of Robert Kime, now headed by Orlando Atty, continues to create traditional yet unstuffy interiors filled with antiques and colorful textiles. Sean Symington, a rising designer, blends a building's character with elegant style, often mixing antiques with modern pieces. Sibyl Colefax & John Fowler, a venerable firm founded in the 1930s, is known for quintessentially English style and undertakes diverse projects worldwide. Sims Hilditch offers a fresh take on English country-house style, working on projects including show apartments and country estates. Lady Henrietta Spencer-Churchill of Spencer-Churchill Designs specializes in grand English country-house style, drawing inspiration from Blenheim Palace. Susie Atkinson of Studio Atkinson creates contemporary interiors with understated luxury for private houses and boutique hotels. Thorp, celebrating its 40th anniversary, provides full architecture, interior design, and project management services for an international clientele. James Thurstan Waterworth of Thurstan brings history to life through antique finds and aged materials, creating atmospheric interiors. Todhunter Earle Interiors, led by Emily Todhunter and Kate Earle, is highly regarded for imaginative designs that balance contemporary living with historic houses. Turner Pocock, led by Bunny Turner and Emma Pocock, is admired for its creativity and confident use of color and pattern in various residential projects. Veere Grenney Associates' interiors are rooted in classical tradition, with projects spanning the UK, Switzerland, Italy, and the Middle East. Henriette von Stockhausen of VSP Interiors is known for designing large country properties with a classic, colorfully eclectic style. #InteriorDesign #BritishDesigners #CountryHouseStyle #LuxuryInteriors #ArchitecturalDesign #HomeDecoration #TimelessDesign #Renovation #SustainableDesign

The evolution of architectural and interior design philosophies for residential spaces demonstrates a significant shift from strict historical preservation to a more integrated approach that respects the past while embracing modern living requirements. Early movements like the heritage movement, championed by figures such as Sir John Betjeman and Gavin Stamp, instigated a radical change in how historic buildings were treated. This era saw passionate conservationists investing heavily in restoring historic houses to their original states, as exemplified by the work in Spitalfields where structures were meticulously restored and furnished to reflect their 18th-century inhabitants. However, contemporary restoration efforts have moved beyond mere historicism. The current trend is to create comfortable homes that, while sympathetic to their historical context, acknowledge the modernist ideal of a house as a 'machine for living in.' This involves a nuanced blending of styles, the incorporation of open-plan layouts, and the strategic use of modern materials such as steel and glass. These advancements facilitate improved natural light, enhanced thermal efficiency, and designs that cater to contemporary lifestyles, often with reduced domestic help requirements. This approach ensures that a house evolves with its occupants and reflects the era in which modifications are made, much like how Regency, Victorian, and Edwardian additions historically enhanced older properties. A growing number of British architects, interior designers, and builders are at the forefront of this movement. Their collective expertise, deep understanding of historic buildings, and commitment to sustainable practices are ushering in what is described as a 'golden age of restoration.' These professionals are adept at balancing the preservation of historical integrity with the integration of modern functionality. Their work includes using natural, breathable, and durable materials, alongside the installation of renewable energy technologies such as solar panels and biomass systems. This not only ensures the longevity and sustainability of the renovated properties but also addresses contemporary environmental concerns. The article highlights the importance of these innovative practitioners and their clients, whose dedication is crucial to the continued success and evolution of this thoughtful approach to home design and restoration. The philosophy extends to viewing the home not just as a static historical artifact but as a dynamic space that adapts to current needs while carrying forward its legacy. This contemporary perspective allows for a conversation between different eras, where each addition or renovation contributes to the building's ongoing story rather than freezing it in a single moment. The skilled professionals in this field are celebrated for their ability to navigate this complex interplay, creating residences that are both historically rich and perfectly suited for modern life. Their efforts underscore a critical understanding that true restoration involves intelligent adaptation, ensuring that homes remain relevant, comfortable, and sustainable for generations to come, moving beyond a purely academic exercise to a practical application of evolving design principles. #HomeRestoration #InteriorDesign #Architecture #HistoricBuildings #SustainableDesign #ModernLiving #BritishDesigners #CountryLife

This article details the six-month renovation of an 18th-century townhome in Society Hill, Philadelphia, undertaken by a long-time couple who were becoming empty nesters. After two decades of raising a family, the couple decided to update their residence, which was originally built in 1789. Designer Michele Plachter spearheaded the project, focusing on a fixture-and-finishes upgrade for the living and dining rooms, the front entry, and the master bathroom. While the home was largely in good condition, the master bathroom underwent a significant overhaul, a task for which Plachter collaborated with Teknika Design Group in Old City. The clients desired an interior that was both masculine and vibrant, leading Plachter to incorporate bold blue and orange hues, diverse patterns, and striking light fixtures. The design approach aimed to introduce a modern and youthful touch while respecting the historical context of the home, resulting in a sophisticated yet contemporary aesthetic. Plachter emphasizes the importance of a functional space plan as the initial step, followed by the integration of distinctive design elements to enhance the overall appeal. In the living room, updates included disguising radiators with cabinetry-like covers and installing an Arteriors Ramirez chandelier, chosen for its modern contrast within the traditional setting. Jim Thompson Fabrics patterns were used on a wing chair, echoing the design of a custom area rug. The dining room features two Robert Abbey Bling chandeliers, positioned above a Bausman dining table to introduce sparkle and compensate for limited natural light. A wall-mounted Made Goods Jilt mirror was strategically placed to further illuminate the space, complementing the blue Thibaut wallpaper. The front entrance received minor yet impactful updates, including painting the exterior door a bright red and adding new lighting fixtures to refresh the home's facade. Custom built-ins were incorporated into the living room on either side of the fireplace, designed to maximize space and enhance the room's utility. These built-ins are backed with a blue Candice Olson wallpaper, adding a layer of visual interest. The renovation successfully transformed the historic property, blending its classic charm with a vibrant, modern sensibility suitable for the next phase of the homeowners' lives. #InteriorDesign #HomeRenovation #SocietyHill #HistoricalHome #MichelePlachter #ModernTraditional #CustomDesign #LuxuryInteriors

Building a new home offers the advantage of creating a bespoke space free from the constraints of old floor plans or previous owners' preferences. However, a significant challenge in new construction is the absence of inherent history, original features, or quirky characteristics that often define older properties. This article details how designers Annabel Hickton and Samantha Liu of Untold Interiors tackled this challenge in a 2024 project: transforming a contemporary new build into a home imbued with a sense of history and character without resorting to pastiche. The clients desired a family home that was practical, comfortable, light, and airy, while also feeling stylish and sophisticated. They needed spaces for daily family life, like breakfast areas for children, and more formal, tranquil areas for entertaining and evening relaxation. Crucially, they wanted to avoid the generic feel often associated with new builds, prompting a focus on unique detailing and finishes. For instance, the limestone floor was chosen with a tumbled edge and rustic grout to achieve an aged appearance, deliberately eschewing mass-produced, overly straight elements. Untold Interiors collaborated with architects Concept Eight from the project's inception, allowing them to influence the interior architecture and design every space to suit the clients' lifestyle. The property, located in the Hertfordshire countryside, replaced an existing bungalow. The designers emphasized the importance of early involvement to tailor the layout and specific room functions. They meticulously considered the shape, proportion, and purpose of each room, integrating distinctive design elements to enhance character. In the double-height entryway, fluted wall paneling and high stone skirting were incorporated, details that are unconventional but create a significant visual impact upon entry. An arched entrance with a pocket door was chosen to introduce softness and a welcoming ambiance, contrasting with a standard rectangular opening. Decorative panels and curved black anodized steel spindles accentuate the hallway's proportions, complemented by wall sconces from Allied Maker and a dark-stained wooden handrail. A 19th-century French bleached walnut gueridon and two aged-brown oak console tables further add historical charm. The designers paid particular attention to ceilings, introducing oversized coving in the family living room, a tongue and groove ceiling in the dark blue media room, and decorative wall beading in the formal dining and lounge. These elements were crucial in making the ceilings feel less generic, adding layers of interest throughout the house. Material selection was also key to grounding the interior and providing warmth, with choices like honed limestone flooring, limewash paint for depth, and antique bronze metal accents. The emphasis was on materials that develop a patina, conveying authenticity and timelessness. The color scheme was primarily neutral but carefully curated to offer depth and interest through natural materials such as oak and limestone flooring, and limewash walls. The designers also incorporated varied textures, patinas, and color tones. This calm background serves to highlight carefully chosen furniture and art, curated by Art Consultancy, Hollandridge, and allows the natural beauty of the garden and surrounding countryside to become a focal point. The kitchen, designed as the heart of the home, is integrated into an L-shaped family living space. Flush wall cabinets and a subtly enclosed extraction fan were chosen to make the kitchen feel like a natural extension of the room, rather than a distinct, bulky area. Additional kitchen storage, a second dishwasher, and a wine store are discreetly placed in a pantry, allowing for a clutter-free main kitchen, especially when entertaining. Notable kitchen features include a four-meter semi-honed Taj Mahal quartzite island, in-frame solid oak cabinets with a sand gray stain, and dovetailed drawers. Bar stools were custom-made. The kitchen collaboration with 202 Design involved bespoke solid oak shaker cabinets with a unique sand gray stain and a hand-decorated finish, alongside Gaggenau appliances and aged brass hardware. In the family living space, oversized seamless coving extends from the walls, accentuating height and echoing the home's curved elements. The home bar, a focal point for entertaining, was inspired by classic hotel bars but designed with a softer, more inviting feel. It features a curved timber arch, a rounded stone countertop, bespoke wall detailing, and decorative bobbin beadwork paneling. Caned chairs and a Porta Romana side table complete the sophisticated setup, which also includes open shelving, beverage refrigeration, and discreet drawers. The master bedroom, with its high ceilings and awkward angles, presented a challenge. Thoughtful design, including high skirting that adapted to the windows and a custom-made door frame, created a serene and intentional space. Sixty percent of the home's elements, including all sofas, were custom-made, requiring careful coordination and testing to ensure perfect proportions. Even functional spaces like bathrooms received meticulous attention, with marble slopes replacing standard shower niches for ease of cleaning and improved aesthetics. The entire project took three years, resulting in a home that feels natural, modern, and understated, yet elegant and timeless, successfully blending traditional country details with contemporary interpretations. #HouseDesign #NewBuild #InteriorDesign #CountryCharm #HistoricFeel #CustomDetails #TimelessDesign #FamilyHome #LuxuryInteriors

Child Studio, a London-based firm, drew inspiration from modernist European villas to redesign a three-storey townhouse in Belgravia, London. The project, undertaken for an art collector, focused on creating a sophisticated yet understated living space tailored to the homeowners' specific needs and preferences, eschewing transient design trends. The renovation primarily involved the top two floors of the 280-square-metre Georgian building, where a light-filled double-height space was created and clad in a plaster finish. A key architectural intervention was the addition of a mezzanine floor, which seamlessly connects the living room to an outdoor roof terrace via a cast-iron spiral staircase. In the living area, five-meter-tall mahogany wooden shelves were installed, covering an entire wall. These shelves, designed to house the owner's extensive book collection, were inspired by the library in the Paris studio of the late fashion designer Karl Lagerfeld. The dark wood of the shelves provides an elegant contrast to the pale plaster walls, contributing to the home's refined aesthetic. Wood is a dominant material throughout the interior, emphasizing a natural and tactile feel. The bedroom features an undulating wooden headboard, creating a sculptural focal point. According to Child Studio founders Che Huang and Alexy Kos, the design revolved around a carefully selected palette of natural materials including hand-crafted wood, solid stone, and tactile fabrics, reflecting a pared-back approach intended to highlight the owners' lives rather than overpowering them with design elements. The studio incorporated both classic and custom-designed furniture pieces. The dining room is furnished with Chandigarh chairs, a mid-century classic. The guest bedroom also features a Chandigarh chair, paired with a desk and chair by architect Pierre Jeanneret and a desk lamp by modernist architect Marcel Breuer. Child Studio also designed several bespoke furniture pieces for the project, including a custom daybed and mahogany stool in the main bedroom, influenced by Art Deco designer Jules Leleu, and a low teak table in the living room, inspired by 20th-century Swedish designer Axel Einar Hjort. This collaborative process involved artisans with whom the studio had established long-standing relationships. Beyond wood, stone plays a significant role, particularly in the bathroom. Drawing inspiration from Porto's Villa Serralves, the bathroom features an interior almost entirely sculpted from green Verde Guatemala marble. The built-in elements, including a marble sink and bathtub, were carved from solid stone blocks by a specialized marble workshop in northern Italy. The soft curves of these fixtures blend seamlessly into the walls and floor, creating a luxurious and cohesive space. The townhouse's lounge also references modernist villas, specifically Villa Necchi in Milan, with its mahogany-panelled walls and an antique Iroko-wood coffee table. The designers expressed their admiration for the craftsmanship and attention to detail found in early modernist European villas, applying this ethos to the Belgravia project by working closely with artisans in England and Italy. To ensure a coherent aesthetic, Child Studio also reinstated original Georgian architectural features, such as panelled wooden shutters, herringbone parquet flooring, and semicircular plaster ceiling cornices. The ultimate goal was to create a comfortable, effortless, and evolving home that serves as a subtle yet elegant backdrop for its occupants' lives. #BelgraviaTownhouse #ChildStudio #ModernistVillas #InteriorDesign #LondonArchitecture #ResidentialRenovation #CustomFurniture #NaturalMaterials #ArtCollectorHome

David Collins Studio has been a pivotal force in interior design for four decades, creating glamorous and inviting spaces that have become iconic London establishments. The studio's influence spans from renowned restaurants and hotels to luxury fashion boutiques and residential projects. Its enduring success is attributed to its distinctive approach to design, which balances elegance with approachability, making spaces desirable to a diverse clientele. The studio's journey began with a significant partnership with chef Marco Pierre White in 1988, starting with Harvey's on Wandsworth Common. This collaboration expanded to include other notable restaurants like Mirabelle, Quo Vadis, and the Canteen, establishing David Collins Studio as a key player in London's vibrant dining scene. Iain Watson, the CEO of David Collins Studio, who joined in 1988, highlights the impact of these early projects, noting that White was a pioneer in fine dining at a grand scale. A landmark project for the studio in 1998 was the transformation of Claridge’s Bar. It evolved from a modest eatery into a premier destination with distinctive features such as red crocodile-print leather and Art Deco elements, alongside its own dedicated entrance. This redesign attracted a fashionable crowd, including celebrities like Kate Moss. Simon Rawlings, the chief creative officer, who joined in the same year, emphasizes how the bar successfully drew in non-hotel guests, a novel concept at the time. The studio subsequently modernized Claridge's sister hotels, the Berkeley and the Connaught, adopting a formula of chic bars and acclaimed restaurants with celebrity chefs like Gordon Ramsay, Angela Hartnett, and Marcus Wareing, revitalizing these historic establishments. Another significant collaboration was with restaurateurs Chris Corbin and Jeremy King, known for their work with The Ivy and Le Caprice. Their first joint venture was the redesign of J Sheekey, an old London fish restaurant, which proved highly successful with its intimate booths and interconnected rooms. This led to further projects, including Colbert, the Delaunay, Brasserie Zédel, and especially The Wolseley. The Wolseley, originally a car showroom and later a bank, was reimagined as a grand Viennese-style café, revolutionizing London's breakfast culture by making dining out for breakfast a lifestyle choice rather than just a meal. Rawlings recalls traveling to Vienna to study café culture, observing details such as the presentation of espresso with a glass of water, which influenced The Wolseley's unique appeal. Beyond hospitality, David Collins Studio also made its mark in luxury retail. It designed five Anglomania stores in Japan and a flagship store in New York for Vivienne Westwood. The studio faced creative challenges, such as creating flooring that mimicked hair, reflecting the designer's unique aesthetic. In 2012, the studio collaborated with Alexander McQueen, developing a global retail concept that incorporated traditional-looking panels revealing iconic McQueen motifs like flowers and butterflies, reproduced by local artisans worldwide. The studio’s extensive portfolio also includes residential projects for high-profile clients such as Madonna and Tom Ford, and nightclubs like Kabaret’s Prophecy. Even the widespread Café Rouge chain, which brought the relaxed bistro concept to the UK, benefited from the studio's design expertise, with each of its over 100 branches featuring authentic French artifacts. Although David Collins passed away in 2013, his vision is sustained by the 60-strong team, led by Watson and Rawlings, who continue to pursue diverse and challenging projects, ensuring the studio's legacy of designing memorable and lasting experiences. #DavidCollinsStudio #InteriorDesign #LondonHospitality #LuxuryRetailDesign #RestaurantDesign #HotelInteriors #ArchitecturalLegacy #BritishDesign #GlamorousInteriors

This article delves into the holiday home of prominent gallerists Kadee Robbins, director of the Michael Werner Gallery in London, and Stefan Ratibor, director of the Gagosian in London. Their residence is a 17th-century baroque manor in the Danube valley, about half an hour from Vienna, Austria. The property, initially found and purchased by Ratibor in 2005, became a shared project and a labor of love after he and Robbins began their relationship. The manor was once owned by an "aged and reclusive opera singer" and had fallen into disrepair, described as being hidden in a forest and overrun with flora. With the assistance of architect Annabelle Selldorf, a friend of the couple known for her work on projects like the Frick Collection extension in New York, the manor underwent a comprehensive restoration. The renovation focused on removing clutter both inside and outside the structure and simplifying its layout to create a more relaxed and airy living space. The goal was to transform the historical property into a comfortable family home, suitable for the couple and their three young children. The family typically uses the home for holidays during Christmas, Easter, and a summer period. A central feature of the home is its extensive collection of contemporary art, carefully curated by Robbins and Ratibor. The collection includes pieces by artists they have collaborated with, befriended, or admired, such as Ed Ruscha, Peter Doig, Franz West, and Jeff Koons. Robbins emphasizes that this collection was assembled organically over time, rather than through a predefined grand plan. Despite the high value of the artworks, she maintains a pragmatic approach, acknowledging that the house is a living space for children. She notes that while the pieces are lovingly cared for, the family remains philosophical about potential wear and tear, joking about a Carsten Höller yellow rhino sculpture in the upstairs hall that has likely been sat upon by the children. The article highlights several specific artworks and design elements within the home. For instance, the master bedroom features a picture by American artist Aaron Young, created from motorcyclists driving across primed panels, leaving skid marks. This room also contains 1960s Italian chairs and a carpet from Azerbaijan. A photograph by Douglas Gordon is flanked by baroque chairs inherited from Ratibor’s great-aunt, with a 1960s French lamp. A neon artwork by Tracey Emin is displayed above a 19th-century sofa, which is a Ratibor family heirloom. The guest bedroom showcases works by Glenn Brown and Ed Ruscha, with an Iranian carpet and a chocolate velvet chaise longue from Robbins's previous life in New York. The first-floor sitting room includes sofas by 20th-century Italian designer Guglielmo Ulrich, a mirror by Jeff Koons, a sculpture by Franz West, and a painting by Adam McEwen, all set against an original mantelpiece. In the garden, there is a sculpture by the late Franz West, an Austrian artist and close friend of the owners. These details illustrate the blend of historical architecture, contemporary art, and personal touches that define the couple's unique holiday home. #HolidayHome #BaroqueManor #ContemporaryArt #InteriorDesign #AustrianArchitecture #ArtCollection #GalleristHome #AnnabelleSelldorf #FamilyHome

This blog post offers an exclusive tour of Dallas-based interior designer Erin Sander's custom-built home in University Park, highlighting her unique design philosophy of 'relaxed, refined luxury' and 'Belgian farmhouse' aesthetic. The 5,000-square-foot estate, featuring four bedrooms and five baths, was constructed from the ground up on a quarter-acre lot, with Sander herself drawing the floor and architectural plans. The design emphasizes natural light and understated yet impactful details, drawing inspiration from her travels and other design projects. The home’s architectural features include a long hallway terminating in a window, with steps leading to the second floor, designed to create visually appealing focal points. Custom light fixtures and detailed wood flooring were also designed by Sander. The living room, a space optimized for practicality for her young children, features performance fabrics, a custom grasscloth-covered coffee table, and artwork by Katrine Hildebrandt. An annex, originally Sander's home office, now serves as a family study. This vaulted, story-and-a-half space offers ample storage and privacy. The kitchen is a central highlight, showcasing rift-sawn white oak flooring and hand-hewn Douglas fir beams. A striking pale blue Lacanche oven range, chosen early in the design process due to its year-long procurement time, sets the tone for other blue accents in the space. Other notable kitchen elements include an unlacquered brass faucet by Waterstone and a backsplash by Clé Tile. Over the eye-catching island, custom-made fixtures from Urban Electric Company in a hand-hewn brass finish are suspended. Scandinavian-designed stools provide practical seating, and decorative bowls, including a vintage piece from Sander’s grandmother and ceramics by Sara Kersten, add personal touches. The honed marble countertops were intentionally chosen to observe their wear and tear over time, informing her client recommendations. Café curtains made from hand-blocked fabric by Galbraith & Paul add another layer of detail. The dining room combines vintage McGuire chairs, re-covered in Peter Dunham fabric, with contemporary art by Addie Chapin. Exposed brick and a light fixture from Currey & Company contribute to a modern yet cozy atmosphere. A collection of pewter dishes, including pieces from her mother and finds from the vendor Unrefined, adds dark contrast and personal history to the dining area. A custom coffee station, a testament to the family’s love for coffee, features a La Spaziale espresso machine with walnut panels, open shelving, and an Ann Sacks’ Savoy series backsplash. This functional space is equipped with refrigerator drawers for coffee essentials. The primary bedroom boasts a whimsical Oly Studio light fixture depicting a flock of birds, vintage cabinets from Juxtaposition Home, custom lamps, and quadrille bedding. The master bathroom includes custom white oak vanities and hand-cut limestone floors laid in a unique pattern, accented with tiny blue celeste marble mosaics. The home's exterior features a mix of materials like lime-washed brick and cedar shake, surrounded by live oaks and potted olive trees, creating an approachable street view. A custom wood bench from David Sutherland is nestled among Savannah holly trees in the backyard. The article provides a comprehensive look into an interior designer's personal residence, showcasing a blend of functionality, luxury, and personal style. #InteriorDesign #CustomHome #DallasHomes #HomeFeatures #LuxuryInteriors #BelgianFarmhouse #DesignerHome #HomeDecor #ErinSanderDesign

Hallie Meyers-Shyer, a director known for her work in film, brings her cinematic eye to her Benedict Canyon home, a 1954 one-story hacienda that blends mid-century Spanish style with modern charm. Her design philosophy, honed through her film projects like "Home Again," emphasizes creating lived-in spaces that reflect character and personal stories. The article highlights how Meyers-Shyer's approach to home design is deeply influenced by her professional experience in filmmaking, where every detail contributes to the overall narrative and aesthetic. In her directorial debut, "Home Again," starring Reese Witherspoon, Meyers-Shyer meticulously crafted the interiors of the main character's home to convey a California bohemian feel, incorporating vibrant colors, patterns, and authentic details. This hands-on approach extended to her own residence, which she shares with tech entrepreneur Ophir Tanz and their dog, Indy. After a year-long search, they discovered the hacienda, drawn to its unique layout, mystical vibe, and echoes of homes from her childhood and those admired, like Georgia O’Keeffe’s desert abode. The challenge was to merge her earthy, cozy style with Tanz's preference for mid-century modern, resulting in a refined-meets-rustic aesthetic. The couple's home features exposed wood beams, skylights, textured stucco walls, and a soft, neutral color palette, drawing inspiration from designers such as Axel Vervoordt, Atelier AM, and Rose Uniacke. They preserved the hacienda’s original architectural elements, such as dramatic arches, hidden nooks, and a double-sided fireplace, while undertaking modern renovations in the bathrooms and kitchen. The kitchen, for instance, retained its adobe walls but was updated with handmade white square tiles and ceramic pendant lamps, reflecting Meyers-Shyer's preference for combining neutrals with rustic architecture and collecting black pottery. Family friend and designer Mark D. Sikes provided a decor blueprint, assisting with spatial planning for the home's unique layout. Furnishings and accessories were sourced from favored stores like Nickey Kehoe, Garde, deKor & Co., and John Derian. Custom pieces, such as the wood dining room table with an iron base by Chad Hagerman, were also incorporated. The decor is further enriched by an eclectic mix of objects and textiles collected during their travels, including a suzani wall hanging and Moroccan rugs. Meyers-Shyer prioritizes vintage pieces and lived-in elements, valuing the stories they tell over brand-new items. Personal touches abound, including items from her film sets, such as a Meridith Baer foyer table and an abstract painting by Catherine Booker Jones. Her parents, who live nearby, contributed vintage lamps, upholstered French Deco chairs, and various art pieces, adding to the home’s sentimental value. Meyers-Shyer reflects on the importance of patience in creating a home, understanding that it's a process that unfolds over time. She offers three key cues for creating a "picture-perfect home": visualizing the space through tools like Pinterest, embracing cinematic design principles with rich textures and colors for visual impact, and focusing on the warmth and relatability that make a home inviting and reflective of its inhabitants. #HomeTour #MidCenturyDesign #HaciendaStyle #InteriorDesign #HallieMeyersShyer #BenedictCanyon #ModernCharm #FilmMakingInfluence #RusticModern

This article details the transformation of a 4,100-square-foot penthouse on Commonwealth Avenue in Back Bay, Boston, owned by Savannah and Henry Helgeson. The Helgesons purchased the unit in 2012, attracted by its ideal location—a block from Newbury Street and within walking distance of the Public Garden and Esplanade—and its two-floor layout with a private elevator, which was a more manageable alternative to their previous five-story South End walkup. However, the penthouse presented several challenges, including an awkward master suite and an outdated kitchen. The couple lived in the unit for a year with the previous owner's furnishings to fully understand its deficiencies before embarking on a major renovation. They enlisted the expertise of interior designer Nicole Hogarty with clear objectives: to open up the master suite, completely gut and redesign the kitchen, and optimize every square inch for functionality. Hogarty was inspired by Savannah's warm and inviting personality, aiming to create a home that mirrored this generous spirit, as the existing space lacked the elegance required for both entertaining and relaxation. Collaborating with Venegas and Company, Woodbourne Builders, and C & R Flooring, Hogarty oversaw a comprehensive kitchen renovation. This included installing tall Premier cabinets for enhanced storage, applying a custom stain to the existing oak floor to infuse warmth, and incorporating a wet bar that cleverly doubles as a breakfast bar. The living room received custom-designed large window seats, providing comfortable spots for the couple and their two dachshunds, Roscoe and Molly, to enjoy. In the master suite, Hogarty reconfigured two small closets into a single, spacious one. She also merged four awkward spaces to create an open, spa-like bathroom, which features a steam shower designed to accommodate Henry's height, his-and-hers Savoy sinks from Waterworks, and a large, squared-off tub. The bathroom's aesthetic was further elevated with Waterworks "Basketweave" tiles made from Thassos and Carrara marbles for the floor and shower walls. Hogarty adhered to Savannah's preference for a neutral color palette, predominantly using grays to establish a serene backdrop. This allowed for the introduction of rich textured details, such as a pieced-cowhide rug from Landry & Arcari, Parsons dining chairs from Restoration Hardware upholstered in Galbraith & Paul “Lotus” fabric, and an Edward Ferrell + Lewis Mittman sofa in Holly Hunt “Great Plains” mohair. The Helgesons' personal touches are evident throughout, with some artwork reflecting their travels, like a reproduction map of Paris from Restoration Hardware. The couple's passion for aviation is showcased through a custom bookshelf designed to display Henry's collection. To complement their growing art collection, the team worked with Jules Place, a South End gallery, to incorporate vibrant, eclectic pieces, including floral photographs by local artist Debby Krim and Karole Moe’s "Orange Wave" acrylic. A central feature of the renovation, and Hogarty's pièce de résistance, is a sculptural, floor-to-ceiling wine cellar. This design element was inspired by the Helgesons' annual trips to Napa and their frequent in-home sommelier-led wine tastings. The cellar, capable of housing several hundred bottles, is prominently positioned as the first thing guests see upon exiting the private elevator, serving as a significant conversation starter. Beyond the wine cellar, other subtle yet elegant details include an antiqued-glass backsplash behind the kitchen's wet bar and an oversized A. Rudin custom sectional sofa. This sectional was specifically designed with added length and lumbar support for Henry, upholstered in velvet with silk paisley pillows, enhancing both daily comfort and evening sophistication. Hogarty emphasized the versatility of the living space, noting its ability to comfortably host anywhere from two to twenty people, allowing the couple to relax informally or entertain formally. Original architectural elements, such as ebony and marble inlays and crown molding, were meticulously preserved to maintain the building's historical integrity. Additional design choices include Phillip Jeffries "Quartz" wallpaper that mimics stone veneer behind the custom wine rack and Kravet leather-wrapped dining room doors adorned with polished-nickel studs from Nanz, all contributing to the blend of modern elegance and historical charm. #HomeDesign #LuxuryPenthouse #BackBayBoston #InteriorRenovation #ModernLiving #CustomDesign #WineCellar #SpaBathroom #ElegantInteriors

Rikke Baumgarten, creative director and cofounder of Danish fashion brand Baum Und Pferdgarten, found her dream home in Copenhagen's historic Carlsberg neighborhood in 2021. She and her husband sought "romantic, architectural homes" with a sense of history, a preference that ultimately secured their current 3,800-square-foot villa. During a bidding war, despite offering a lower price, the couple was chosen by the previous owner because the competing bidders intended to remove the home's historic glass ceilings, which Baumgarten cherished. Built in the late 18th century by architect Oscar Kramp, the villa features Italian and South European architectural details that Baumgarten found particularly appealing. The property includes a substantial garden, where she enjoys spending time during warmer months. Having previously resided in an apartment, Baumgarten describes the move as akin to a permanent vacation, particularly in the summer, where she experiences a holiday-like atmosphere at home. Baumgarten's approach to interior decoration balances the home's historical elements with modern design. While her husband wished to preserve traditional features like the mahogany staircase and kitchen cabinets, Baumgarten revitalized them with vibrant colors and contemporary furnishings. For instance, a friend suggested painting the staircase, leading her to adorn it in vermilion and complement it with a fringed textile piece. Her design philosophy revolves around color, which serves as her initial point of interest for art and textiles, allowing her to blend modern art with vintage furniture seamlessly. In the primary bedroom, the ceiling, distinguished by its geometric pattern, is considered the most beautiful in the house and provides daily inspiration. Upon waking, Baumgarten's attention often turns to a set of bookshelves, a sleek system she installed after being inspired by a visit to the Museum of Modern Art in New York. She finds that having bookshelves in the bedroom, an unconventional choice, brings her a sense of calm and peace. Having settled into her new home, Baumgarten's older children have moved out, and she has focused her attention on enhancing her outdoor space, primarily investing in garden flowers. She envisions a future expansion to connect the kitchen to her adjacent atelier, allowing her to cook and engage in creative pursuits like painting or flower arranging simultaneously. Regardless of how often she rearranges art or changes sofa pillows, fresh flowers remain a constant element in her home, reflecting her appreciation for the magic of growing things from small seeds. #CopenhagenHome #FashionDesigner #HomeTours #InteriorDesign #HistoricHomes #ArchitecturalDetails #ModernEclectic #GlassCeiling #GardenLiving

The article highlights the home of Kat Rogers in Birmingham, Alabama, showcasing how designer Caroline Gidiere transformed the space by integrating family antiques with contemporary touches. Kat Rogers, facing a new home and an upcoming dinner party, enlisted Gidiere's help to furnish her dining room, primarily using pieces inherited from her aunt who was downsizing. This initial collaboration set the tone for decorating the entire house, as Rogers had access to a trove of sentimental family furniture, which Gidiere skillfully incorporated into each room. The design philosophy employed in Rogers' home aligns with the 'grandmillennial' style, a growing trend that blends traditional aesthetics, often featuring inherited or antique items, with modern elements. Gidiere explains that this style resonates with many, particularly after recent global events, as it encourages a return to roots and a preference for meaningful, historical pieces over new, custom-made furniture that might involve long lead times. Kat Rogers expresses deep appreciation for this approach, finding joy and heritage in seeing her grandmother's beloved items actively used and cherished in her own home. The article details several key design strategies Gidiere used throughout the house. In the dining room, for instance, Gidiere refreshed antique furniture with vibrant colors and patterns, including new seat covers and floral wallpaper, and introduced contemporary accents to reflect Rogers' personality. For the foyer, Gidiere requested a chest of drawers and two chairs, which Rogers sourced from family members, allowing Gidiere to enhance them with lively hues and prints. This process of incorporating existing family pieces continued across various rooms, each time revitalized with Gidiere's design expertise. Specific examples of Gidiere's work include the integration of a chest of drawers with intricate inlay work alongside a French mirror, Central Asian-inspired prints, and a mid-century-style chandelier, demonstrating a balance between traditional and modern elements. In the kitchen, Gidiere modernized a 1990s layout while maintaining a classic feel by adding beaded board backsplashes, cabinet brackets, and latch-style hardware, complementing the existing antiques. A new built-in bar area was also added to facilitate entertaining. The dining room, almost entirely furnished with handed-down pieces, achieves cohesion through a scenic wallpaper and a consistent blue color scheme, with a custom-colored chandelier chosen to match the draperies and rug. Gidiere emphasizes her intuitive approach to design, mixing various styles of lamps and furniture legs to create an eclectic yet harmonious environment. The 'adult den' features a screen from Rogers' mother's house as its centerpiece, around which Gidiere built the room's design with a blue color palette encompassing painted ceilings, grass cloth walls, and a performance velvet sectional, ensuring the space is both stylish and family-friendly. Pattern play is another significant aspect of Gidiere's design, guided by her philosophy that 'more is less when it comes to prints' – meaning a bolder use of patterns can sometimes make them blend in more seamlessly. This is evident in a younger daughter's room with a sophisticated yet playful wallpaper and in the primary bedroom, where Brunschwig & Fils wallpaper was chosen to complement existing turquoise armchairs. Even the screened porch was updated by refreshing antique iron furniture, swapping a wood tabletop for glass, and adding warm woven accents, using vintage textile patterns like 'Chrysanthemum by Tillett' for upholstery to tie everything together. The overall design successfully marries the past with the present, creating a home that is rich in history and personal meaning. #HomeDecor #InteriorDesign #GrandmillennialStyle #FamilyAntiques #BirminghamHome #CarolineGidiere #SentimentalStyle #TraditionalDecor #ModernEclecticism