This Copenhagen Fashion Designer Wakes Up Every Morning to a Patterned Glass Ceiling

This article highlights 15 emerging talents in product design who are making significant contributions to the industry. These designers and studios showcase innovation across various materials, techniques, and product categories, ranging from home furnishings to decorative objects. Lucie Roy, a member of the Kaléidosco collective in France, specializes in float-glass wall tiles. Her Blue Lands tiles manipulate translucency and opacity with aqueous hues, achieved through multiple enamels and three firing processes, and finished with subtle gold details. Bond Hardware, founded by Dana Hurwitz and Mariah Pershadsingh, originally known for jewelry made from scrap metal, has expanded its offerings to include home furniture. Ben Erickson's Erickson Aesthetics presents the "Halo Drippp," a product that integrates a rainbow spectrum into a fundamental form. Soft Geometry, led by Palaash Chaudhary and Utharaa Zacharias, focuses on shapes and references dessert in their new collection. Asa Pingree, drawing inspiration from his boat-building apprenticeship, explores fiberglass in his Brooklyn workshop, evident in his experimental stool designs. Jude Heslin Di Leo, inspired by feng shui principles, created "Amplifier," a 15-inch-high table crafted from pure quartz crystal, intended to enhance natural energy. Sasha Burchuk, founder of New Age Design Studio, reinterprets the ancient terrazzo technique for cement tiles and candleholders, utilizing ethically sourced precious and semiprecious stones in her "Gemstone Terrazzo" and "Ziv" lines. Marie Schumann, a Swiss designer, creates vibrant tapestries called "Softspace #5" and "Softspace #6." These textiles feature haptic fringing and draped threads, woven from materials like Lurex, Trevira CS, or cotton on an industrial jacquard loom and distributed through OKRO. Henri Judin’s "Liquorice" shelves, available vertically or horizontally, are crafted from black rods of bent and powder-coated steel by Lankapaja metalsmith, evoking the candy they are named after and sold through Young Finnish Design. Felicia Arvid, a former fashion designer, introduces "Addéra," a reconfigurable daybed. Its wool-covered cushions, armrests, backrests, and painted-birch tablet can be rearranged to slot into a tubular-steel base. Emiliana Gonzalez and Jessie Young, founders of Estudio Persona, launched "Flecha," an angled side table made of mahogany-veneered plywood, coinciding with the opening of their Los Angeles showroom. Virginia Valentini and Francesco Breganze of LatoxLato designed "Aracne," a coffee table with a 40-inch-diameter glass top supported by eight legs in light oak or dark walnut, noted for its innovative structure. Brecht Wright Gander of Birnam Wood Studio collaborated with jeweler Suna Bonometti on "Brutiful U&I," a cocktail table inspired by Carlo Scarpa’s Brion Cemetery, made from Valchromat wood-fiber visible through an acrylic top. Kyle Comeaux, founder of Komolab, offers "Walden," a dog bed featuring a walnut or white oak base topped with a removable wool-upholstered cushion and a waterproof liner. Finally, Daria Belyakova designed "Paspartu," an armchair described as an "inhabitable sculpture." It is made from chromed, molded fiberglass with wool upholstery and is supported by a nearly invisible glass stand, available through Palisander Gallery. These designers represent a diverse range of styles, materials, and functional applications within contemporary product design. #ProductDesign #RisingStars #InteriorDesign #FurnitureDesign #HomeDecor #TextileDesign #GlassArt #ContemporaryDesign

The article highlights the approach of Interior Design by Emily, a design studio in Decorah, Iowa, which emphasizes the significant role of window coverings in enhancing both the aesthetics and functionality of a home. Emily, the owner of the studio, explains that window treatments are often undervalued but can profoundly influence the feel and utility of a space. Her firm offers custom window solutions and comprehensive interior design services, operating from its downtown Decorah location at 215 W Water Street. As an authorized Hunter Douglas dealer, Interior Design by Emily provides a diverse range of premium window treatments. These include options with cordless and motorized functionalities, cellular shades designed for energy efficiency, and sophisticated layered drapery. Emily notes that clients frequently seek general design assistance but ultimately find that window coverings address practical challenges they may not have initially identified. These challenges range from mitigating glare in home offices to maintaining cooler temperatures in bedrooms during summer and aesthetically framing outdoor views. In response to contemporary demands for safety and environmental consciousness, the studio prioritizes child-safe cordless designs, compatibility with home automation systems, and the use of eco-friendly fabrics. The showroom allows visitors to interact with full-size displays, explore various fabric samples, and collaborate directly with Emily to develop a personalized window covering plan. This tailored approach considers the client's individual style, budgetary constraints, and lifestyle requirements, acknowledging that each window and home is unique. The studio's objective is to provide a design process that is straightforward, enjoyable, and customized for every client. Emily underscores that the distinctiveness of each home necessitates bespoke design solutions. Interested individuals can gain further information or schedule a consultation by visiting the studio's website at www.interiordesignbyemily.com, stopping by the downtown Decorah showroom, or engaging with their social media channels for design inspiration and updates on ongoing projects. This branded content piece aims to showcase how Emily's design philosophy elevates window coverings beyond mere accessories, transforming them into integral components of modern home design. #InteriorDesign #WindowCoverings #HomeDecor #DecorahDesigner #HunterDouglas #CustomDesign #SmartHome #SustainableDesign #FunctionalDecor

This article details the journey of Ivy Karlsgodt, a former costume designer who founded Ace of Shades, a Brooklyn-based business specializing in handmade lampshades. During the 2020 COVID lockdown, Karlsgodt, laid off from her costume industry job, began making lampshades to personalize her apartment, driven by a long-standing appreciation for vintage glamour and maximalism. This newfound hobby quickly evolved into a passion, leading her to document her intricate lampshade-making process through videos shared on Instagram and TikTok. Her online presence rapidly cultivated a significant following, captivated by both the soothing nature of her process videos, often set to old-timey music, and the visual appeal of her finished products. These creations are characterized by unique color palettes and opulent combinations of silk, lace, beads, and fringes, drawing inspiration from Victorian, Art Deco, and Art Nouveau aesthetics, yet with a modern twist. Her work is also recognized for its meticulous, slow craftsmanship, a refreshing contrast to the fast and inexpensive production common in today's market. Karlsgodt's approach to learning the craft was largely self-taught, building upon her extensive professional background in sewing and hat-making techniques. She utilized instructional DVDs by Mary Maxwell for foundational knowledge but largely developed her own methods. She emphasizes that while her videos are crucial for business growth and exposure, she only records a fraction of her work, prioritizing unique or particularly ornate commissions due to her heavy workload. The recording process, although sometimes disruptive, is deemed worthwhile due to its impact on her business success. She notes that the formulaic nature of her videos and efficient editing help mitigate the time commitment. Her design process is iterative, often starting with a specific frame shape, fabric, or color combination, then building the rest of the design around that initial inspiration. She utilizes an iPad for detailed drawings, comparing various material and color options before finalizing a design and sourcing supplies. When working on commissions, she offers clients extensive involvement in the design process, often presenting multiple versions for their selection. Materials for her lampshades are sourced globally, including custom-made frames from LA, wholesale fringe and braid from Spain, and fabrics and trims from NYC's Garment District, Etsy, and eBay. She also prioritizes the reuse of vintage materials, such as old dresses or embroidery, to create unique lampshades. Karlsgodt expresses surprise at the unexpected evolution of her hobby into a full-fledged business, a path she had not initially envisioned for her career. Her proudest moment to date involved her work being licensed for Stevie Nicks' concert backdrop, a significant full-circle experience given Nicks' influence on her style. This unexpected journey highlights the power of combining traditional craftsmanship with modern digital platforms to build a successful and personally fulfilling enterprise. #LampshadeDesign #HandmadeCrafts #SocialMediaMarketing #HomeDecor #MaximalistDecor #DesignProcess #CostumeDesignInfluence #VintageGlamour #ArtisanEntrepreneurship

Molly Mahon, a pattern designer, has transformed her English country cottage into a vibrant and highly personalized home, showcasing her unique block-printed designs throughout. The cottage, which dates back to the 1600s in its oldest parts, underwent significant renovations a decade ago, including moving the staircase to improve flow and lowering ceilings to accommodate her tall husband. During this period, Mahon and her family lived in tents in the garden for eight months, an experience she now humorously reflects on as a time of simplified living. Mahon's design philosophy centers on layering her own colorful fabrics and wall coverings, which she block-prints herself. She aimed to use her own creations, making the decorating process feel more intuitive. A prominent feature of her home's aesthetic is the extensive use of pink, specifically Farrow & Ball’s Pink Ground paint. Despite the cottage's forest location, which could make it feel dark, Mahon strategically applied pink in multiple rooms, noting its warm and comforting glow. She even admits that if she had her way, the entire house would be pink. Her home is filled with accumulated furniture and objects from previous residences. Mahon actively engages in DIY projects, such as creating needlework cushions backed with fabrics from her studio. The fireplace mantel is adorned with paintwork inspired by the nearby Charleston estate, a historical gathering place for the Bloomsbury Group. In the kitchen, plain shelves are given an inexpensive yet distinctive touch with block-printed paper edges cut into scallops, demonstrating her resourcefulness with scrap materials. The unstructured "skirt" lampshades found throughout the house are another example of her DIY approach, a design she loved so much that she began selling them. Mahon challenges the notion of craft being "granny-ish," emphasizing its transformative impact on her life. She also advocates for the use of bold patterns in tight spaces, such as hallways or staircases, to create a sense of depth and openness. Her own "ridiculously narrow" landing features oak leaf wallpaper, block-printed by her on-site, which effectively expands the visual space. The primary bedroom embodies a maximalist approach with clashing prints. Mahon, disliking white rooms, used a large swath of fabric behind the headboard as an alternative to a four-poster bed or framed artwork, providing a safe and stylish solution. Simple slatted-wood bedside tables with glass tops are strategically placed to incorporate more soft furnishings. The children's bedrooms, designed with her own upholstered fabrics, are intended to be timeless, accommodating their growth through teenage years. Guest accommodations are flexible, with Lani's room, for instance, featuring two movable single beds to facilitate sleepovers. Each room is designed to have its own character while remaining comfortable for anyone, aligning with Mahon's overarching aim of creating an inviting and personal living space. #HomeTour #TextileDesign #BlockPrinting #EnglishCottage #DIYHomeDecor #MaximalistDecor #PinkInteriors #PatternDesign

Charleston, South Carolina-based interior designer Angie Hranowsky, known for her vibrant use of color, showcases her distinctive approach in her own design studio. For Hranowsky, color serves as a primary source of inspiration and creativity, a philosophy evident across her diverse projects, from residential spaces to commercial installations. Her design signature is marked by the incorporation of saturated brights, applied through various elements such as paint, upholstery, large-scale art, and especially wall treatments. An example of her bold style is her Charleston home, which features a magenta living room sofa paired with Roman shades in a similar vibrant pink. Another instance is her installation at the design emporium Fritz Porter, where pale peony walls are accented with angular turquoise sconces and emerald green silk drapery. When designing her own studio, which functions as a showcase, a brainstorming hub for her team, and a client meeting space, Hranowsky deliberately opted for a bold aesthetic. She chose turquoise as the dominant color for her office, situated in a 1920s brick building in downtown Charleston. Hranowsky views turquoise as a color that reflects earth, sky, and water, providing constant inspiration. To achieve the desired depth and texture, she enlisted decorative painter Suzanne Allen, who applied layers of pigmented plaster to the walls. This labor-intensive process resulted in a multifaceted, earthy variance in texture and tone, transforming the turquoise from a simple color into an artistic element. Hranowsky made a conscious decision to not paint the entire height of the walls, leaving the upper sections and ceiling white. This choice was strategic, as it created an airy feel and provided a necessary contrast to the rich turquoise below. In decorating a room already featuring such a strong foundational color, Hranowsky employed a formula of adding more color. She strategically introduced fuchsia and golden yellow, hues she considers to have equal value in terms of their dense saturation and jewel-like richness. These colors serve as perfect accents to the turquoise. Her selection of a groovy desk chair and an angular accent chair in complementary colors exemplifies her skill in creating contrasting yet harmonious elements. Additional touches of golden warmth are incorporated through brass light fixtures, yellow-flecked abstract artwork, and fresh Forsythia branches. To maintain visual order, Hranowsky organizes her extensive collection of design resources, including swatches, samples, and strike-offs, by hue. These are neatly stored in assigned drawers within a custom quartzite-topped island, readily accessible when developing new schemes. The only concessions Hranowsky made to a more neutral palette were for the countertop and floors. This choice was deliberate and effective, allowing textiles placed on the island or spread on the floor to stand out without distraction. Although she is her own most adventurous client, the studio is fundamentally designed as a workspace to foster her creativity, ultimately benefiting the homeowners with whom she collaborates. #AngieHranowsky #InteriorDesign #ColorTheory #DesignStudio #CharlestonDesign #WallTreatments #TurquoiseDecor #HomeDecor #ColorfulInteriors

This article explores five key Danish design lessons observed during a brief trip to Copenhagen, focusing on how these principles can be applied to create cool yet cozy home interiors, especially during winter months. The author's journey began with an architectural tour, driven by an appreciation for craftsmanship and design narratives, particularly the iconic Black Diamond Library. Danish design is characterized by functionality, style, and an unfussy aesthetic, though achieving a warm Scandinavian feel can be challenging. The insights were gathered from various stylish locations, including restaurants, shops, and hotels in Copenhagen. One fundamental lesson highlights the importance of layered and iconic lighting. Given Denmark's limited winter daylight, the strategic use of lighting is crucial. This involves employing globe low-hanging pendants, Sputnik chandeliers, and a blend of ambient, task, and feature lighting to enhance atmosphere and functionality. The Hotel Alexandra in Copenhagen exemplifies this approach, emphasizing cozy lighting that creates an intimate ambiance, often achieved by hanging lights low and grouping them. The article notes the juxtaposition of various lighting designs, from soft warm glows to brighter white lights, and the prevalent use of candles to elevate spaces. Specific examples like Night Owl lamps from Fritz Hansen and marbled glass mushroom lamps are mentioned for their playful yet effective contributions to decor. The second lesson emphasizes the impact of even small pops of color in setting a room's tone. While neutral palettes are common in Scandinavian design, the Hotel Alexandra showcased how vibrant bookends and colorful accent chairs can significantly uplift spirits, especially when contrasted with cooler external environments. The article acknowledges a personal struggle with color shyness but points out how a simple change, such as swapping bedsheets, can dramatically alter a room's mood. Guidance on integrating color includes using blue with a grayish hue or a warmer stone color, combined with chromatic accents like green or vermillion red to achieve a Scandi aesthetic. Magnus Sangild of Mazo Design elaborates on color as a narrative, using subtle pastel wall tones and vibrant furniture to create a modern and inviting showroom. Chairs are presented as a significant opportunity for making a design statement, reflecting Copenhagen's rich furniture design heritage. Timeless chairs, designed for longevity and embodying the Danish aesthetic, are highlighted. The ARCH Lounge Chair by Magnus Læssøe Stephensen, crafted from steam-bent solid oak and paper cord, is cited as an example that combines natural materials with a bold design. The importance of comfort and functionality in chair design is underscored. The article mentions classic designs by Hans J. Wegner, Arne Jacobsen's Egg™ chair, and Poul Kjærholm's PK22™ design as examples of pieces that blend heritage, craftsmanship, and modern functionality, making them valuable additions to any home. The fourth lesson focuses on the instant timeless appeal of true craftsmanship. The article argues that fine design is an art, distinguishable by the meticulous care and thoughtful design applied to a piece of furniture. A commitment to quality materials and durability ensures that furniture can withstand the test of time, as exemplified by Mazo's TMBO Lounge Chair from 1935, which remains relevant and is expected to endure for decades. This dedication to lasting design reflects a commitment to sustainability. The tactile enjoyment derived from features like soft curves, buttery leather, fuzzy upholstery, or the grain of wood further emphasizes the value of incorporating handcrafted items into home decor, especially when they complement the home's natural architecture. Finally, the article suggests that incorporating just a touch of nature can elevate any space. This includes everything from Art Deco carvings on dining chairs to dried flower bouquets in tablescapes. Houseplants in overlooked corners, natural and raw materials, and organic forms help connect indoor spaces with the outdoors, bringing warmth and design essence regardless of the season. The article concludes by offering specific product recommendations that align with these Danish design principles, such as accent chairs, pendant lights, table lamps, and snake plants, to help readers infuse their homes with a Copenhagen-inspired cool and cozy aesthetic, emphasizing a balance between light and furniture through curved lounge pieces, natural upholstery, and colorful accessories. #DanishDesign #InteriorDesign #CopenhagenInspiration #HomeDecor #LayeredLighting #ColorTheory #FurnitureDesign #Craftsmanship #NaturalElements #ScandinavianStyle

Sarah Peake, founder of Studio Peake, showcases one of her most cherished interior design projects: a double-fronted Georgian cottage in South London. This project was particularly significant as it marked her first solo endeavor after establishing her studio. The cottage, located on a wisteria-filled terrace, previously featured an industrial aesthetic dominated by black and grey, and an unsympathetic 1980s rear extension. The initial phase of the project involved extensive renovation to restore original architectural elements such as architraves, doors, skirtings, cornices, and radiators, which had been lost or altered over time. The clients, who had moved into the house after their honeymoon, lived there for six months to understand its nuances before commissioning Peake. Their brief was to create a vibrant, distinctive, yet comfortable and cozy home. The kitchen, rather than being completely replaced, underwent a significant refresh to combine existing features with new additions. A new limestone floor, Lanyan Limestone by Artisans of Devizes, was installed, and the existing joinery was painted in a custom green matched by Dulux. Carrara marble replaced the laminate countertops, and new drawer handles were sourced from Lassco reclamation yard. A French polisher from Portobello Painters restored the timber cupboards, while a custom floor paint from Papers and Paints and 'Stone I' from Paint and Paper Library were used for the walls. To introduce coziness, soft furnishings were added, including curtain fabric from Namay Samay with a Samuel & Sons fringe, an A Rum Fellow rug, an embroidered cushion from William Yeoward, and a white lamp from Porta Romana, effectively balancing the hard surfaces. In the main living space, a bespoke yellow paint color, mixed by Papers and Paint, was chosen for the walls, extending the painted wooden floor from the kitchen. A colorful rug from Ornate Rugs complemented the vibrant walls. A fireplace surround made of Bardiglio marble from Jamb and a chandelier from The English House were key features. The client's appreciation for art was evident with a William Crozier painting from Piano Nobile displayed above the fireplace. The design aimed for an interesting yet unoverbearing space through a mix of patterns, plains, and finishes. A small, low-ceilinged area at the back was transformed into a cozy nook with bespoke TV and bookcase joinery by Billy Crawshaw, carpeted with Tim Page Claremont, and featuring a David Seyfried chair upholstered in Fermoie fabric with Besselink & Jones wall lights. The master bedroom, described as Peake’s favorite, achieved a balance of color and tranquility. The walls and joinery were painted in Fencing Blue by Papers and Paint Library. Curtain fabric from Lasso by Pierre Frey and a Kelly Wearstler headboard with Romo Linara piping were incorporated. A painting by Venetia Berry, already owned by the client, served as the color palette's foundation for the room. Bed linen from Gayle Warwick Siena, a throw from Once Milano, and a custom cushion made from Guy Goodfellow fabric with a Samuel and Sons fringe completed the space. Moving to the landing and stairs, the entrance hall was designed as a crucial introduction to the house. Sanderson ‘Hemp’ wallpaper provided a muted backdrop, contrasting with the more defined colors in adjacent rooms. The French polisher from Portobello Painters restored the handrail, and Edward Bulmer’s Celadon paint was used on architraves and doors. An antique chair, a Sarah Balme painting, a mid-century chandelier from Pamono, and a white lamp from Porta Romana adorned the half-landing. For the guest bedroom, situated opposite the main bedroom, the focus was on the view of the bed. A shaped headboard by Pat Giddens Ltd, upholstered in Holland and Sherry fabric, was a central element, complemented by Afghan hats from Etsy above the bed. Hand-dyed velvet cushions by Kirsten Hecktermann and a custom-embroidered rectangular cushion from A Rum Fellow added luxurious touches. An antique pedestal desk was brightened with modern pieces, including a Benchmark chair upholstered in Vaughan and Holly Hunt fabrics, a raspberry lacquered lamp from Salvesen Graham, and a gathered silk shade by Penny Morrison. Finally, the tiny box room underwent a significant transformation. Previously painted black with acid green wallpaper and a low, angled ceiling, it was re-envisioned with a ‘bed nook’ to maximize standing height. Billy Crawshaw paneled the walls with MDF, painting them in Edward Bulmer’s Fair Blue. Ottoline Devries’ wallpaper and fabric were used within the bed nook, along with Samuel and Sons contrast piping and Colefax and Fowler roman blind borders. A bookcase above the headboard and a wall light replaced a traditional bedside setup. The bathroom, largely preserved due to its existing good condition, received subtle enhancements using leftover stone and marble, Edward Bulmer Celadon paint on woodwork, a touch of Soane wallpaper, and a rattan mirror from Kempton Racecourse, demonstrating that minor changes can have a major impact. #InteriorDesign #HomeDecor #GeorgianCottage #StudioPeake #SouthLondon #Renovation #ColorfulInteriors #CozyHome #ArchitecturalRestoration

Designers and decorators are increasingly challenging the long-standing tradition of plain white ceilings, advocating for the integration of color and texture on the "fifth wall" to enhance interior spaces. This shift moves beyond the conventional belief that white ceilings universally make a room appear more spacious or are a safe choice for future resale. Instead, experts suggest that a thoughtfully decorated ceiling can significantly impact a room's atmosphere, making it feel grander, more intimate, or more visually engaging. One prominent approach, championed by designer Abigail Ahern, is "color drenching," where the ceiling is painted the same hue as the walls. This technique blurs the lines between walls and ceiling, creating an illusion of expanded space and a cohesive, enveloping feel. Ahern notes that this method is transformative for rooms of all sizes and styles, from small and quirky to large and modern, fundamentally altering the room's atmosphere and making design elements "pop." Beyond matching wall colors, some designers advocate for using contrasting or complementary colors on the ceiling. Betsy Smith, a color consultant, advises selecting a ceiling color with the same undertone as the walls to achieve a subtle, harmonious gradation. She suggests that a paler tone can visually lift the ceiling, enhancing the perception of light, while a darker shade can bring the ceiling down, fostering a sense of intimacy—particularly effective in bedrooms where warm, earthy tones like terracotta or cinnamon can create a soothing, cocooning environment. A saturated ceiling color can also introduce a modern, dramatic statement without being overwhelming, as it's not constantly in the direct line of sight but offers intriguing glimpses from various angles. This approach adds an unexpected element of sophistication and character to a room. Furthermore, ceiling design is not limited to paint. Textile artists and designers are exploring rich textures and intricate patterns. Aiveen Daly, for instance, creates decorative panels from hand-punched suede petals, arranging them in swirling patterns to evoke a sense of movement and luxury. These artistic installations offer a sophisticated alternative to paint, transforming the ceiling into a bespoke artwork. However, the article emphasizes that ceiling design requires careful consideration. Geraldine Larkin, an embroidery specialist, highlights the delicate nature of ceiling decoration. An incorrectly designed ceiling can create an oppressive sensation, making it feel as though it's "falling on your head." This risk is why many designers historically opt for white ceilings—it's perceived as the easiest and safest route. Nevertheless, Larkin's own work, such as a six-meter-long floral embroidered ceiling for a European villa, demonstrates that intricate and well-executed designs can be stunning, offering an ultimate understated luxury. The unexpected beauty of a meticulously designed ceiling can be a delightful surprise, filling a traditionally overlooked surface with artistry and enhancing the overall design narrative of a space. #InteriorDesign #CeilingDecor #ColorDrenching #HomeRenovation #DesignTrends #TextileArt #LuxuryInteriors #HomeDecoration

Mimi Shin, a UCLA-trained architect and interior designer, brings a unique perspective to her work, deeply influenced by her decade-long career as a fashion editor at prestigious magazines like Harper’s Bazaar and Vogue. Shin’s design philosophy emphasizes a foundational approach to space, prioritizing timeless, handcrafted materials, and graceful proportions, similar to how a fashion editor would focus on the silhouette of an outfit. She integrates carefully curated accessories to elevate the overall design, treating them as analogous to the finishing touches in fashion. This methodology is evident in her personal Venice bungalow remodel, which serves as a prime example of her ability to blend new construction with existing character. Shin's journey into interior design was sparked by a realization that her passion lay in the broader aspects of design rather than solely clothing. After a transformative dream, she pursued architecture at UCLA, attracted by its innovative 3D modeling program. Her architectural education provided her with a comprehensive understanding of construction, zoning laws, building codes, and materials, which she considers crucial for establishing credibility in a male-dominated field. She notes the importance for women in the industry to be highly qualified and knowledgeable, enabling them to confidently engage with other architects. In her professional practice, Shin has cultivated a loyal client base among Los Angeles's creative and executive communities, including Hollywood writers, producers, and Snapchat executives. Her clients value her design expertise and her distinctive fashion background. Her own home, a Spanish colonial beach shack in Venice, showcases her design principles. Facing the need for more space, Shin opted for a thoughtful expansion rather than a complete demolition, adding a second story to the main house and constructing a discrete two-story back house. This expansion respects the original character of the bungalow while addressing modern needs, including additional bathrooms and a media room. The outdoor space of her Venice home further exemplifies her innovative approach, featuring a rectangular pool, an outdoor dining area, and a wooden sauna nestled within an ORCA-designed urban garden. The design cleverly integrates these elements without making the lot feel crowded, maintaining a sense of openness and surprise for visitors. Shin consciously preserved the original footprint and scale of her bungalow, contrasting with the “raze and rebuild” philosophy sometimes taught in architecture school. She implemented design choices such as limewashed plaster walls to create a lived-in, authentic feel, preferring this over the sterile appearance of new drywall. Shin's fashion background is particularly evident in her approach to accessories and finishes. She integrates vintage furniture pieces, like a Charlotte Perriand chaise lounge, which add character and a sense of history, much like a stylist would use a worn item to add authenticity to an outfit. Her bathrooms feature an artful mix of tiles by Nathalie du Pasquier for Mutina, custom stained-glass windows, and fixtures chosen for their aesthetic appeal, often resembling jewelry. She actively seeks wall sconces that evoke earrings, highlighting her continuous thought process regarding lighting as a form of adornment. Her work demonstrates a cohesive integration of fashion-forward detailing with solid architectural principles, resulting in effortlessly beautiful and deeply personalized spaces. #MimiShin #InteriorDesign #FashionEditor #HomeTours #VeniceBungalow #ArchitecturalDesign #Remodeling #DesignPhilosophy #CreativeSpaces

Johannes Budde's LITE is a unique light installation that challenges traditional perceptions of lighting design by merging elements of art and function. The piece playfully explores the boundaries of physics and established viewing habits through its 'floating candle' concept. Budde, a German designer, has crafted LITE using a combination of industrial and natural materials, specifically wired glass and sandstone, to create a sconce-style lamp that is both visually intriguing and interactively engaging. The core components of LITE include a large sheet of wired glass, typically used in industrial applications, and a base made from natural sandstone. The wired glass is upcycled from a German manufacturer, demonstrating a commitment to sustainability and material reuse. The sandstone is locally sourced from a family-owned business, minimizing transportation impact and supporting local economies. Budde meticulously cuts and files the sandstone to form cube-shaped feet that securely hold the wired glass sheet in place. One of the most captivating aspects of LITE is the illusion of a 'floating' candle. This effect is achieved through a cleverly designed screw connection with a pointed stick, inserted into the center of the glass sheet. From the front perspective, this attachment is not visible, creating the impression that the candle levitates unsupported. This design choice not only adds a magical element to the installation but also encourages a more intimate interaction, as users must manually light the candle. This interactive quality distinguishes LITE from many traditional art pieces, which often adhere to a 'no touching' rule. Budde's material selection is deliberate, combining the raw, industrial aesthetic of wired glass with the organic, earthy texture of sandstone. This juxtaposition highlights the beauty in repurposed materials and showcases how everyday substances can be elevated into sophisticated design elements. The use of sustainable and locally sourced materials underscores a thoughtful approach to design, focusing on environmental responsibility. LITE is presented as a piece that blurs the lines between art and functional design. While it serves as a lighting fixture, its conceptual nature and unique form provoke contemplation on the definition of art itself. The installation's antique sconce-like silhouette provides a sense of familiarity, yet its innovative execution and interactive component push the boundaries of what a light can be. The design invites viewers to question their conditioned viewing habits and engage with the object on a deeper, more personal level. #HomeDecor #ArtDesign #SustainableDesign #LightingDesign #IndustrialDesign #MaterialInnovation #JohannesBudde

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

Peggy and David Matthews, celebrating their 30th wedding anniversary, undertook a significant interior design renovation of their Southside Place home, which they built 20 years ago. The initial design of the house catered to their young children, but with their five children now ranging from 16 to 28, and several back home due to the coronavirus pandemic, the family's needs and lifestyle have evolved. Peggy Matthews, who owns Rapid Record Retrieval, a legal support company, expressed a desire to upgrade, redo, and refresh their living space, driven by her love for change. The redesign project was spearheaded by Marie Flanigan Interiors, with Marie Flanigan and design director Melanie Hamel leading the effort. A key aspect of the renovation involved transforming a multi-purpose front room, which had served as a playroom and teenage hangout, into Peggy's personal retreat. This room now features deep blue lacquered walls and built-in bookshelves, a sofa reupholstered in white fabric, a bold geometric rug with chartreuse accents, and a dark blue tufted ottoman. This space allows Peggy to relax privately, though it remains appealing to other family members as well. Peggy's passion for fashion significantly influenced the design choices, prompting the designers to incorporate sophisticated yet functional fabrics inspired by runway trends, including Hermes and Jean Paul Gaultier fabrics. The home's existing art collection, notably Andy Warhol's "Cowboys and Indians" lithographs, served as a primary source of color inspiration. The rich ochers and cobalts present in Warhol's pieces, such as "Mother and Child" in the front room, "Geronimo" in the family room, and "Kachina Dolls" in the hallway, guided the selection of the home's new color palette. Flanigan and Hamel aimed to create a vibrant interior that matched Peggy's dynamic lifestyle, moving away from an all-white aesthetic. The dining room, frequently used for family gatherings, was reimagined with customized de Gournay "Willow" wallpaper featuring delicate branches and a Lindsey Adelman "Branching Bubble" chandelier. Vintage side chairs, discovered on firstdibs.com with garish green frames and old upholstery, were meticulously restored with a gold-bronze finish and reupholstered to complement the wallpaper. The family room was designed with two distinct seating areas to accommodate both large group television watching and intimate conversations, and even includes a designated "dance floor" for entertaining. Minor updates were also made to the kitchen, including replacing traditional island legs with edgier stainless steel ones to match the existing stainless steel counters and range hood. New barstools, combining wood frames with varied fabric on the backs and seats, added warmth. A geometric patterned backsplash was installed after a range replacement, contributing to the updated decor. The breakfast area received new furniture, including a round table that can expand to an oval for larger gatherings. Furthermore, part of the backyard patio was enclosed with large glass panels to create an indoor-outdoor sunroom, offering a climate-controlled space that can be fully opened to the outdoors. This sunroom is furnished with a mix of blue and white patterns in performance fabrics, including a bold Martyn Lawrence Bullard Perennials print on a large ottoman, a striped chair, a solid sofa, and a chevron rug, ensuring durability and a cohesive aesthetic that extends the home's style into the outdoor living area. #InteriorDesign #HomeRenovation #FashionInspiredDecor #LuxuryInteriors #ArtCollection #CustomWallpaper #ModernTraditional #IndoorOutdoorLiving #FamilyHome

The Art Deco style, which originated in 1925, is celebrating its centennial in 2025. This enduring design movement, known for its geometric patterns, bold colors, and luxurious materials, continues to influence contemporary interior design. A century after its debut at the International Exhibition of Modern Decorative and Industrial Arts in Paris, designers are exploring innovative ways to refresh and integrate Art Deco into modern spaces while honoring its historical roots. This article gathers insights from five design experts on how they are adapting and reinterpreting Art Deco for the current year. One significant trend identified by designers is the incorporation of mirrored ceilings. Eddie Maestri of Maestri Studio emphasizes how decorating with mirrors, especially those with ornate curves, complements Art Deco's lavish aesthetic. He highlights a project featuring hand-painted floral wallpaper, curved burl wood panels, brass accents, and an opulent mirrored ceiling medallion, along with a distinctive architectural stone fireplace. This approach marries classic opulence with contemporary innovation, resulting in designs that are both timeless and strikingly current. Another evolving aspect is the fusion of lavish Art Deco elements with rustic decor. Designer Ali Mahon advocates for mixing natural, rustic textures and furniture with the bold, modern materials characteristic of Art Deco. She suggests combining 1920s chevron or zigzag patterns with 19th-century Swedish slag-board tables, or pairing a fan-back chair with a wicker trunk. The juxtaposition of a streamlined sofa in emerald green mohair with an industrial zinc garden table also exemplifies this blend, showcasing a move towards integrating bold and antique elements. The concept of 'Deco-Tech' is introduced by Juliette Thomas, who sees Art Deco evolving beyond nostalgia into a future-forward aesthetic. This involves laser-etching vibrant, geometric motifs onto contemporary materials like carbon fiber and recycled metals. The focus is on blending 1920s glamour with eco-conscious minimalism. Thomas suggests experimenting with lit features, such as luminous geometric panels powered by embedded LED arrays or high-shine surfaces, to create a playful sense of futurism while capturing Art Deco's inherent optimism. Metallic accents remain a cornerstone of modern Art Deco design. Mara Rypacek Miller, founder of Industville, notes that bronze, brass, and gold accents are essential for creating an elevated Art Deco feel. She recommends using these materials in furniture and lighting to establish cohesion within a space, complemented by a rich color palette in soft furnishings. Pendant lights and floor lamps with sleek lines and elegant curves are particularly effective in instilling a sense of Art Deco glamour. Lastly, globe pendants are highlighted as a key lighting trend for integrating Art Deco into contemporary interiors. Lior Kahana, operations manager at 123 Remodelling, points out that lighting is one of the most accessible ways to introduce Art Deco. While tiered chandeliers capture the era, Kahana advises clients to opt for cleaner silhouettes, such as brass chandeliers with frosted glass globes, to achieve a modern yet authentically Art Deco look. This focus on statement lighting aligns with current interior design trends. #ArtDeco #InteriorDesignTrends #HomeDecor #MirroredCeilings #RusticGlamour #DecoTech #MetallicAccents #GlobePendants #DesignInnovation

The project "Knowing the Ropes," initiated by designers Brynhildur Pálsdóttir, Þuriður Rós Sigurþórsdóttir, and Theresa Himmer, delves into the ubiquitous nature and varied applications of rope, challenging conventional perceptions of this utilitarian material. This artistic endeavor explores the cultural and structural significance of rope within a Scandinavian context, specifically focusing on its dual existence in interior design and maritime industries. The designers utilize two historical production facilities, Hampiðjan in Reykjavík, Iceland, and Aarhus Possementfabrik in Denmark, both established in the early 20th century and employing similar machinery. These facilities represent the divergent paths of rope production: one for marine use and the other for interior textiles. The core of the project lies in highlighting the unexpected aesthetic and functional intersections that arise when examining a material with such diverse applications. The genesis of "Knowing the Ropes" dates back to 2017. Over time, the project evolved from its initial conceptualization into a comprehensive body of work, culminating in a publication and an exhibition featuring objects and video installations. The initial exhibition was held at the Reykjavík Art Museum in 2021, showcasing the designers' innovative interpretations and creations. The artists further developed their project by presenting an evolved version at the Hallwyl Museum in Stockholm. This particular venue, a meticulously preserved Victorian home from the turn of the 20th century, provided a unique juxtaposition for the contemporary design pieces. The museum's ornate and traditional environment offered a striking contrast to the modern and unconventional objects crafted from rope, creating an unexpectedly modern aesthetic within a historical setting. The exhibition features a range of objects that reimagine the use of rope in everyday items and art installations. These pieces include floor lamps with rope-wrapped bodies and exposed light bulbs, demonstrating how rope can be integrated into lighting design to create a distinctive texture and form. Pedestals made entirely from rope showcase the material's structural capabilities and its potential as a sculptural element. A standing round mirror, framed and supported by intricate rope work, highlights the material's versatility in creating decorative and functional home furnishings. A modern three-legged table also utilizes rope in its construction, presenting it as a primary material rather than a mere accent. Additionally, arch-shaped shelving units, crafted with rope netting, illustrate innovative approaches to storage and display. Through these creations, Pálsdóttir, Sigurþórsdóttir, and Himmer prompt viewers to reconsider the inherent qualities of rope and its potential for artistic and design expression. The project not only celebrates the craftsmanship and heritage associated with rope making but also pushes the boundaries of how textiles can be perceived and utilized in contemporary design. The juxtaposition of modern designs with a historic setting further emphasizes the timeless appeal and adaptability of this fundamental material, inviting a deeper appreciation for the overlooked elements of our material world. #TextileArt #RopeDesign #ScandinavianDesign #MaterialExploration #ContemporaryArt #ExhibitionDesign #InteriorFurnishings #DesignInnovation