Seven of St. Louis’ Top Designers

The St. Louis area boasts a strong architecture and design community, making it an excellent hub for aspiring interior designers. Three local educational institutions—St. Louis Community College at Meramec, Maryville University, and Stevens, The Institute of Business & Arts (SIBA)—offer comprehensive programs designed to prepare students for successful careers in either residential or commercial design. Each program leverages the local industry by incorporating practicing professionals as instructors and providing hands-on experiences beyond traditional classroom settings. St. Louis Community College at Meramec offers a two-year Associate Degree program, requiring 60 credit hours that combine general education with major-specific courses. Key specialties include lighting design and the history of cultural environments, alongside a strong emphasis on fine arts such as drawing. The program aims to make students work-ready upon graduation, a feature particularly attractive to career changers and those with existing degrees. Erin LeClerc, program coordinator, highlights the program's cost-effectiveness and time efficiency, noting that many students transition directly into bachelor’s programs through transfer agreements with institutions like Maryville University. Graduates are equipped with a professional portfolio, resume, and website, benefiting from feedback from industry designers. Tuition rates are competitive, especially for local residents, and scholarship opportunities like the A+ Scholarship Program and various STLCC-specific options are available. The program also integrates a service-learning component, collaborating with organizations such as Habitat for Humanity and Our Little Haven, providing students with real-world experience and community engagement. Prospective students can explore the program through recruitment and outreach efforts, including a mobile classroom, or by requesting online information and campus visits. Maryville University provides a four-year Bachelor of Fine Arts (BFA) in Interior Design, totaling 128 credit hours. This program, accredited by the National Council for Interior Design and the National Association of Schools of Art & Design, includes courses in interior design history and architectural graphics and technology. A mandatory internship, often leading to employment offers, is a distinguishing feature, with many students completing multiple internships. Darlene Davison, the program director, emphasizes specialties like designing for sustainability and health, and furniture design. The curriculum culminates in a senior show where graduating students present projects to a large audience. Maryville's diverse student body includes recent high school graduates, adult learners, transfer students, and international students. Full-time undergraduate tuition is $12,383 per semester, with part-time options available, and a significant portion of students receive financial aid through various scholarships based on GPA, test scores, or club participation. The program prides itself on its small class sizes, fostering personalized attention and careful matching of students with design firms based on cultural fit and specific requirements. Campus visits, department faculty interactions, and special events like Design & Visual Art Day are encouraged for interested individuals. Maryville operates on rolling admissions, requiring a high school diploma and a minimum GPA of 2.5 or equivalent. Stevens, The Institute of Business & Arts (SIBA), offers both an Associate Degree (18 months) and a Bachelor Degree (36 months) in interior design at its Washington Avenue campus. The curriculum is structured into 10-week terms, featuring specialized courses such as kitchen and bath design, and healthcare facility design. Janelle Schrumpf, the department head, notes that the accelerated programs and term structure appeal to a wide age range of students, including a significant percentage of those aged 25 and older. Tuition is $285 per quarter credit hour, with additional application and textbook fees. SIBA provides scholarship opportunities through its own fund and external organizations like the St. Louis Graduates Scholarship. With an average class size of nine students, SIBA focuses on individualized learning, tailoring opportunities to students' diverse goals, whether in business, renovation, commercial, or residential design. Prospective students can sit in on classes or utilize a 30-day trial period, during which tuition is waived if the student decides not to continue. The application deadlines are structured around the 10-week terms, with specific academic requirements for admission, including a high school diploma with a minimum 2.5 GPA or equivalent test scores. #InteriorDesign #StLouis #HigherEducation #DesignPrograms #CareerDevelopment #CommunityCollege #UniversityEducation #VocationalTraining #Accreditation

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

This article highlights seventeen leading interior design firms and individual designers based in Charlotte, North Carolina, providing an overview of their unique styles, services, and notable projects. Each entry includes the owner's name, a brief description of their design philosophy, and a noteworthy project or interesting fact. The firms featured offer a range of services from full-service residential and commercial design to specialized areas like new construction interiors and antique sourcing. House of Nomad, a full-service firm in South End, draws inspiration from world travels and has been recognized in publications like Domino and HGTV. Barrie Benson, known for blending modern and traditional elements, has seen her work featured in Architectural Digest and Elle Decor. Lucy and Company, also in South End, offers comprehensive design services, with their work spanning from New York to San Diego. Charlotte Lucas Interior Design, founded in 2012, is distinguished by its use of bold colors and whimsical details, and its owner also co-owns a fabric and wallpaper company. Holly Phillips of The English Room is recognized for her vibrant color palettes and unexpected mix of styles, with her designs appearing in Better Homes & Gardens and House Beautiful. Mary Tobias Miller Interior Design, based in Dilworth, excels at sourcing unique pieces and has been in the industry since 1983. KBN Interiors specializes in new construction, handling everything from space planning to material selection, and has received awards for their kitchen designs. Amy Vermillion Interiors caters to diverse clients, including private jet design, and has been featured in The New York Times Magazine and Charlotte Magazine. Circa Interiors & Antiques combines an antique shop with a design studio, offering 18th to 20th-century English and Continental antiques, with owner Cindy Smith’s work showcased in Southern Accents and VERANDA. Georgia Street Design, operating since 2010, emphasizes creating well-designed spaces that foster family memories and has a presence at Slate Interiors. Traci Zeller Interiors, an award-winning firm, balances modernity with tradition, and Traci Zeller herself has been recognized as one of Charlotte’s most stylish individuals. New South Home focuses on mixing current trends with classic styles, ensuring functionality for families, and has received the 'Best of Houzz' award for five consecutive years. Dwell by Cheryl, founded by Cheryl Luckett in 2012, offers sophisticated yet approachable designs on a realistic budget and has won the Best of Houzz Design award for six years. Ashley DeLapp Interior Design, rebranded from Evaru Design, is known for mixing vintage with new, layered patterns, and bold colors, with Ashley DeLapp having a background in architecture. Jacy Painter Kelly Interiors provides creative and casual designs with a preference for clean lines and bold colors, and Jacy Painter Kelly also collaborates on projects through 431 Designs. The Redesign Company, led by husband-and-wife team Tim and Christina Lewis, integrates their skills to improve living spaces for families, with Tim being a therapist and Christina a designer. Lauren Nicole Designs, owned by Lauren Clement, focuses on reflecting clients' personalities, offering a range of services including online e-design, and has also received 'Best of Houzz' awards. #InteriorDesign #CharlotteDesign #HomeDecor #DesignFirms #LuxuryInteriors #ResidentialDesign #CustomDesign #DesignTrends

Interior designers regularly travel to industry events, antique markets, and design shows outside their local area to gather inspiration, discover new resources, and ensure their work remains fresh and dynamic. This practice is considered essential for keeping up with evolving product libraries and design trends. For instance, Lauren Thorpe of Bonboni Interior Design traveled to Les Puces de Saint-Ouen in Paris to immerse herself in history and diverse cultures, finding inspiration for her projects. Similarly, Kelly Johnson of Kelly Johnson Design emphasizes that exposure to new products and resources is vital for maintaining a dynamic portfolio. Traveling to these events necessitates meticulous planning, especially regarding accommodations, which can book up quickly, sometimes a year in advance, particularly for popular gatherings like High Point Market in North Carolina, as noted by interior designer Marci Marsh. David Deatherage, another interior designer, frequently attends Modernism Week in Palm Springs, California, drawn by its focus on mid-century art and architecture and the opportunity to continuously learn new things. He advises booking tickets for lectures and tours at least a month or two in advance due to high demand. Deatherage particularly appreciates tours of iconic architectural sites, such as the Albert Frey house, which incorporates natural elements like a boulder within its design. These excursions provide designers with fresh perspectives and ideas that might not be available in their immediate geographic area, fostering creativity and innovative approaches to their projects. Logistical considerations are paramount, especially when purchasing items from these events. April Jensen of ADJ Interiors, who frequently visits the Round Top Texas Antique Market, highlights the challenge of transporting large purchases. Dealers at such markets often do not offer shipping services, requiring attendees to arrange for their own transportation, such as renting a box truck or U-Haul. Thorpe faced similar challenges in Paris, initially limiting her purchases to small, portable items that fit in her luggage. However, she discovered that dedicated services exist in Paris's vintage markets to collect tagged furniture and arrange international shipping, a service she plans to utilize for future, larger acquisitions. Designers generally recommend traveling at least once a year, or even quarterly if feasible, to remain abreast of industry developments and broaden their creative horizons. While St. Louis offers a variety of resources, the consensus among these designers is that exploring different cities provides invaluable exposure to diverse histories, architectural styles, and design influences. Deatherage points out the distinct “California vibe” of Palm Springs, with its strong mid-century and Hollywood Regency influences, as an example of how regional differences can spark new ideas not found in the Midwest. Laurie LeBoeuf of Castle Design, reflecting on her experience at Deco-Off in Paris, notes that inspiration comes not only from organized events like lectures and product presentations but also from the city itself—its hotels, restaurants, gardens, and even simple streetscapes. This continuous engagement with external design environments ensures that designers can offer their clients unique and cutting-edge solutions, incorporating elements and trends sourced from a broader, global context. The investment in travel is seen not merely as an expense but as a crucial component of professional development, enriching their design perspectives and capabilities. By actively seeking out diverse experiences and resources, these interior designers ensure their work remains innovative and deeply informed by a wide array of cultural and historical influences, ultimately enhancing the quality and distinctiveness of their projects. #InteriorDesign #DesignInspiration #IndustryEvents #Travel #DesignTrends #ProfessionalDevelopment #MarketResearch #GlobalDesign #CreativeProcess

This article compiles insights from St. Louis-based interior designers on remodeling and decorating kitchens and bathrooms, offering practical tips and aesthetic inspiration. It features several distinct design approaches, beginning with designer April Jensen's budget-friendly kitchen transformation. Jensen revitalized her kitchen without replacing major components by repainting cabinets, reupholstering chairs in a vibrant hot pink, and updating lighting and window treatments, demonstrating how color and strategic accents can dramatically alter a space. She utilized Sherwin-Williams' Alexandrite for cabinets and Schumacher toile Roman shades in yellow to introduce warmth and personality, while retaining existing features like a raw cedar plank vent hood and handmade subway tile backsplash for an authentic, eclectic feel. Another featured project highlights designer Jessie Miller's work on a new Edwardsville home, where she created a 'slightly industrial' and 'Old World factory look' for an expansive 1,000-square-foot open-concept kitchen. Miller achieved this by layering whites, incorporating woodgrain accents, and selecting icebox-style cabinetry hardware. A massive 11.5-foot island with butcher block ends and white marble countertops was painted olive green to anchor the space. Custom heavy iron pendants and a barrel vault ceiling add unique architectural details, while handmade subway tiles from Sunderlands with imperfect grout lines contribute to an aged aesthetic. A custom arched window serves as a focal point, and an extensive butler's pantry with an Aegean Olive color scheme adds functionality and storage. The article then presents a kitchen remodel by Wendy Kuhn of Karr Bick Kitchen & Bath, which involved relocating the refrigerator and creating a butler’s pantry from a breakfast nook to enhance counter space and functionality. Kuhn chose Farrow & Ball’s Mizzle, a misty green, for the cabinets, paired with white quartz countertops for a balance of aesthetics and practicality, especially for a family with small children. A compact 3x3-foot island with decorative legs serves as a versatile seating and preparation area. Stylish Midcentury Modern barstools and a unique picket-shaped, textured backsplash from Country Floors further define the space. The butler’s pantry echoes the main kitchen’s green cabinetry but introduces black walnut countertops and glass-front upper cabinets for warmth and visual interest. Beyond specific projects, the article delves into broader design considerations. It explores 'aging in place' concepts for kitchens and bathrooms, emphasizing modifications like varied counter heights, pull-out cabinet drawers, two-level dishwashers, and accessible, no-threshold showers with built-in seats and grab bars. The importance of electrical outlets near toilets for washlets and taller 19-inch toilets for older adults is also discussed. This section highlights how thoughtful design can enable homeowners to comfortably and safely remain in their homes as they age. Additionally, the article examines historical and artistic interpretations of kitchens and bathrooms through analyses of artworks from the Saint Louis Art Museum, including pieces by Jim Dine, Willem Kalf, and Edgar Degas, illustrating how these utilitarian spaces have been represented in art. Finally, the article covers contemporary trends in bathroom and breakfast room design. Designers Michael Wyrock and Justin Maine of Nistenhaus Design advocate for bathrooms that feel like extensions of living spaces, incorporating elements like chairs, ottomans, and luxurious finishes such as silk wall coverings and peacock-motif curtains. They stress the importance of layout that allows for visual connection to appealing features within the bathroom, softening cold tile with textiles, and using high-performance, vinyl-backed wallpapers. Rebekah Moore Murphy of Stone Hall Cabinetry discusses the foundational role of cabinetry and creative lighting solutions like pendants over vanities. For breakfast rooms, designers Brett Clark and Danielle Kalish recommend embracing a personal, quirky aesthetic while maintaining a cohesive link with the adjoining kitchen. They suggest mixing furniture materials, metal finishes for hardware and lighting, and using bold wallpapers to create impact and define these casual dining spaces. #InteriorDesign #KitchenRemodel #BathroomDesign #HomeRenovation #StLouisDesigners #AgingInPlace #ColorSchemes #ResidentialArchitecture #HomeDecor

This article compiles a list of 14 leading architects and architectural designers in Charlotte, North Carolina, catering to individuals looking to build a new home or undertake significant home renovations. The selection criteria for this list include data from a reader survey, insights from industry experts, and customer reviews. The article clarifies that the list features both licensed architects and residential designers, emphasizing that both perform similar functions in the design process. It also notes that most architects in Charlotte typically charge a percentage of construction costs, a fixed fee, or an hourly rate for their services, with 9% of construction costs being a common percentage. The featured architects and firms demonstrate a wide range of styles and specializations. Pursley Dixon Architecture, known for custom residential work, has a national presence and has been highlighted in prominent publications. Ruard Veltman Architecture is recognized for hand-rendered design drawings and fluency in historical styles, maintaining a minimalist studio space to foster creativity. Frank Smith Residential Design, originating from New Orleans, offers diverse style inspirations, including English, French, Italian, and Mediterranean, with work featured in regional publications. Greg Perry Design integrates art and classic design into modern aesthetics, earning multiple "Best of Houzz Design" awards. Don Duffy Architecture brings over 30 years of experience, focusing on private homes and renovations in Charlotte's historic neighborhoods like Eastover, Dilworth, and Myers Park, and has received consistent Houzz awards. Kent Lineberger Architecture specializes in single-family custom renovations and new home designs across Charlotte, as well as lake and mountain regions of North Carolina. Meyer Greeson Paullin Benson, established in 1979, boasts extensive experience and has had their work featured in various national and local publications, also designing properties for resorts. Garret P Nelson Studio is presented as a rising star, emphasizing a personal approach to design centered on "creating home" and recognized for historic preservation projects. Schrader Design, founded in 1999, handles large-scale custom projects throughout the Southeast, designing homes for prominent figures. Elite Design Group, founded in 2003, offers versatile designs from farmhouses to Hamptons-style homes and provides an inventory of ready-to-build floor plans. Mermans Architecture & Design, led by Bryan Mermans, is noted for its unique influences from rural Netherlands and custom mid-century modern renovations. The Studio of Christopher Phelps, established in 1989, has designed thousands of homes across the Carolinas. Cox Architecture, an award-winning firm founded in 2003, specializes in renovations, additions, and new single-family homes, showcasing a range from lowcountry cabins to modern warehouses and accumulating numerous industry awards. Finally, Perry Poole Architects, an architectural, interiors, and building collective, challenges traditional architecture with projects in major U.S. cities and is recognized for innovative residential designs. #CharlotteArchitecture #HomeDesign #ArchitecturalDesigners #ResidentialDesign #HomeRenovation #CustomHomes #NorthCarolinaArchitects #LuxuryHomes

Milan Design Week annually transforms the city's historic streets with a multitude of installations, performances, and interventions, captivating visitors with creative displays in shop windows and hidden courtyards. In recent years, fashion brands have increasingly participated, extending their design expertise to furniture, interiors, and architectural spaces. This integration showcases a growing trend of interdisciplinary collaboration between fashion and design industries. Among the highlights of Milan Design Week 2019, Marni's 'Moon Walk' installation draws inspiration from celestial themes, merging 'primitive fascinations with the imagination of the future.' This project features a collection of brightly colored chairs, loungers, stools, and tables crafted from innovative materials by Colombian artisans, with whom Marni has a long-standing collaboration. The designs reflect an exploration of unexplored forms and textures, bringing a unique artisanal touch to the event. Jil Sander's 'Adjacent Field' installation, a collaboration between creative directors Lucie and Luke Meier and artist Linda Tegg, emphasizes sustainability and spontaneity. The Jil Sander headquarters in Milan houses a botanical display comprising mosses, succulents, weeds, herbs, and flowers, illuminated by a sophisticated lighting design by Nic Burnham. This installation transforms the space into a natural oasis, highlighting the beauty and importance of biophilia in urban environments. COS, an early adopter of Milan Design Week participation since 2012, partnered with architect Arthur Mamou-Mani for 'Conifera.' This futuristic bower, constructed from 3D printed wood and bioplastic conical bricks, occupied the courtyard of the historic Palazzo Isimbardi. The project exemplifies the brand's commitment to innovative design and sustainable practices through the use of advanced manufacturing techniques and eco-friendly materials. Tod's No_Code Shelter, a joint effort between Tod's and architect Andrea Caputo, created a multi-room exhibition within a cavernous space adjacent to the National Museum of Science and Technology. Surrounded by reconstructions of Leonardo da Vinci's inventions, the installation delved into themes of shelter, sustainability, and safety in contemporary society, prompting reflection on modern living challenges and solutions. Miu Miu presented 'M/Matching Colourstool,' a playful collaboration with creative agency M/M Paris. This design features a perforated linden wood stool that allows for customization with over 300 colored 'matchsticks,' offering owners a personalized decorative experience. The stool debuted at Milan's Teatro Gerolamo, underscoring Miu Miu's vibrant aesthetic and engagement with artistic expression. Issey Miyake, on its third appearance at Milan Design Week, collaborated with architect Jólan van der Wiel for 'The Strange Attraction of Water.' The piece, 'Journey of a Raindrop,' integrates water and design to simulate a raindrop's journey through various elements, showcasing an understanding of the natural world and its influence on creative expression. This installation offers an immersive experience, blending natural phenomena with artistic interpretation. Finally, Raf Simons and Kvadrat continued their collaboration with 'No Man's Land,' an installation at Garage 21 that explores the 'microarchitecture of yarn.' The exhibit featured apocalyptically styled soft furnishings, a prefab house by Jean Prouvé, and catering from London's Rochelle Canteen. This project highlights the innovative use of textiles and examines the intersection of fashion, architecture, and interior design in creating conceptual spaces. #MilanDesignWeek #FashionInstallations #InteriorDesign #ArchitecturalSpaces #SustainableDesign #ArtisanCraftsmanship #Biophilia #3DPrinting #TextileInnovation #CustomizableFurniture

The London Design Festival 2025 showcases a dynamic exploration of wood, challenging its traditional perceptions and highlighting its versatility through innovative designs. This year’s festival features numerous projects that push the boundaries of this everyday material, ranging from experimental uses of discarded offcuts and material combinations to the extraction of pine resin and novel manipulation techniques. Designers emphasize wood's environmental benefits and its adaptability, positioning it as a material perfectly suited for future design. Many young designers are redefining wood's potential. Blake Carlson-Joshua of B.C. Joshua, for instance, has transitioned from paper pulp to hardwoods, incorporating hand-painted aluminum inlay into his work. He notes that modern systems like CNC and laser cutting have significantly broadened creative possibilities in wood design. The festival also includes 'Grain Pile,' an exhibition at Clerkenwell Fire Station, where Max Radford Gallery collaborated with British furniture maker Ercol. Six London-based designers, including Lewis Kemmenoe, reimagined Ercol's wooden furniture, producing contemporary stools, tables, benches, chairs, and a rocking chair. Concurrently, the American Hardwood Export Council (AHEC) at Material Matters in Holborn spotlights emerging talents such as Andu Masebo, Daniel Schofield, and Anna Maria Øfstedal Eng. These designers craft furniture from 'No.1 Timber,' an underused, knotty hardwood grade, in partnership with Benchmark workshops. This initiative promotes a sustainable approach to material selection, embracing natural imperfections over demanding pristine materials. Additionally, Material Matters hosts the Wood Awards, exhibiting its 2025 shortlist, which features a range of wood-based creations from small furniture pieces to Feilden Fowles’ timber pavilions at the Natural History Museum gardens. These collective efforts demonstrate that tradition and innovation are complementary forces in wood design, revealing surprising new possibilities for a material with a long history. The article highlights seven specific projects that exemplify this innovative spirit. Brogan Cox and Nat Maks, inspired by Margate's tides, created 'Tides' tables using marbled timber surfaces. These sycamore pieces are CNC-machined, hand-finished, and then dipped into swirling inks. B.C. Joshua's 'Dogtrot II' stool, made from CNC-cut British ash with hand-painted aluminum inlays, draws inspiration from the Harlem Renaissance and African American history, featuring motifs of Black cowboys. Lewis Kemmenoe's 'Patchwork Rocking Chair,' crafted from ash and oak including factory waste, incorporates a spindle back with solid, paneled sides and distinctive patchwork detailing, transforming familiar forms. Jacob Marks explores pine resin, a historically significant material displaced by petroleum, showcasing its potential in contemporary design through various objects like handles, lights, and furniture, as well as a sustainable composite material. Darren Appiagyei’s 'Ignatius' vessels, made from cherry and horse chestnut wood, demonstrate his evolution into a wood artist through intricate pyrographic finishes. Tabitha Isobel and Dom Callaghan's 'Ferro' collection, including a side table, mirror, and wall light, utilizes London Plane timber sourced from felled city trees, presenting clean lines and a checkerboard pattern. Finally, Shintaro Oku of KOPPA showcases zero-waste designs using camphor wood off-cuts from Kagoshima, Japan, transforming them into smooth, textural forms and stackable cups dyed with natural methods, embodying a commitment to sustainability. #LondonDesignFestival #WoodDesign #SustainableMaterials #FurnitureDesign #MaterialInnovation #Craftsmanship #DesignExhibitions

This article highlights several Latinx-owned interior design studios, showcasing their unique approaches and contributions to contemporary home design. It emphasizes how these designers integrate cultural heritage, local materials, and traditional techniques with modern aesthetics to create distinctive and meaningful spaces. The piece begins by noting a common desire among Latin American designers to blend a sense of local belonging with cosmopolitan and international influences, a trend observed since the 1940s. This approach allows them to adapt modern design vocabularies to local contexts, materials, and production systems. Bravo Studio, founded by Rodrigo Bravo in Santiago, Chile, is presented as an example of this innovative spirit. Since its establishment in 2005, the studio has explored various mediums and materials, experimenting with modern methods. Bravo's "Monolith Series," which uses Chilean volcanic rock to create unique home décor pieces, exemplifies his ability to transform natural elements into contemporary art. His work, including designs for Fintual headquarters and the Neruda family office, showcases an alluringly minimalistic yet stylish approach, often leveraging the natural beauty and versatility of materials. The studio's collaborations, such as with WeWork, further demonstrate its versatility in both residential and commercial projects. Estudio Persona, led by Uruguayan designers Emiliana Gonzalez and Jessie Young in Los Angeles, focuses on chic and sleek interior design. Their philosophy centers on the subversive quality of minimalism, where seemingly simple designs are in fact incredibly complex and thoughtfully constructed. They prioritize unique shapes, distinctive lines, and unexpected accents, utilizing natural materials and traditional techniques without imposing creative boundaries. Their work, seen in projects like the H Bench at CDMX Design House and the UNA counter stools for Studio Fauve, reflects a subtle yet impactful aesthetic that questions perspectives without being overtly flashy, resonating with their preference for understated elegance. Casa Marcelo, founded by Abigail Marcelo Horace, an American interior designer with Dominican and Panamanian roots, integrates classic pieces, traditional styles, and natural accents. Horace draws inspiration from artisans and hand-woven objects, particularly the Mola art of Panama's Guna tribe, highlighting her appreciation for custom, handcrafted elements. Her studio, established in 2018, creates spaces that range from moody modern looks to those incorporating natural touches in contemporary interiors. Casa Marcelo’s designs are often characterized by vibrant colors, comfort, and chic elements, with Horace emphasizing the importance of creating peaceful and well-designed environments that nurture clients' passions and offer a safe escape from daily life. Blooming Home Society, led by Brazilian-born designer Ju DePaula, brings a vibrant and feel-good approach to interior design. DePaula, based in England, emphasizes the significant impact of home on well-being, advocating for spaces that allow individuals to relax, express themselves, and be authentic. Her entrepreneurial endeavors extend to a design school, offering online classes for individuals to learn how to create stylish spaces. Her signature style, evident in a colorful office space with bold floral wallpaper and a lively living room, incorporates bright shades, unique ideas, and pleasing touches, often featuring a blend of vibrant colors and black-and-white contrasts. Agnes Studio, a husband-and-wife duo comprising Estefania de Ros and Gustavo Quintana-Kennedy from Guatemala, focuses on future-inspired concepts and unrestrained techniques. De Ros, with a background in interior and furniture design, and Quintana-Kennedy, with expertise in architecture, launched their studio in 2017. Their artistic approach to design, drawing inspiration from the world around them and exploring potential existences, results in stunning spaces. Examples include a wood-filled area featuring their own Lana Chair and Códice Side Table, as well as a light-filled studio that combines natural materials, comfortable furniture, and modern accents, showcasing their ability to blend traditional influences with contemporary design. #LatinxDesign #InteriorDesignStudios #HomeDesignTrends #CulturalInfluences #MinimalistDesign #SustainableDesign #ArtisanCraftsmanship #ModernAesthetics #GlobalDesign

Sustainable interior design has evolved from a trend into a cultural movement, fundamentally altering how living spaces are constructed, furnished, and experienced. This transformation is driven by increasing environmental awareness, prompting designers to prioritize materials with inherent meaning, circular production models, and environments that foster both human well-being and ecological health. This paradigm shift extends beyond mere aesthetics, aiming to redefine human interaction with the environment and promote a more deliberate and conscious lifestyle. The article highlights seven influential creators who are spearheading this movement by integrating craftsmanship, innovation, and ethical ecological principles with their artistic visions. Victoria Yakusha stands out with her earth-centered design philosophy, emphasizing "live minimalism" through authenticity, tactility, and the use of natural, aging materials like clay, wood, felt, stone, and natural fibers. Her work honors traditional crafts and collaborates with artisans, creating grounded, warm, and honest spaces that encourage slow living. Yakusha's approach demonstrates that sustainable design is not a compromise but a return to authentic materials and intentional space creation. Ilse Crawford advocates for human-first interiors, focusing on well-being, comfort, and emotional connection to support healthier lifestyles. Her designs utilize natural fibers, recycled textiles, warm woods, and calming colors, with an emphasis on ethical production and local sourcing to create restorative environments. Patricia Urquiola, known for her experimental approach, integrates recycled and upcycled materials into high-end, luxurious pieces, pushing the boundaries of circular production with unconventional materials such as recycled plastics and bio-resins. Studio Mumbai, led by Bijoy Jain, grounds its architectural craft in nature, using hand-built techniques and local materials like stone, bamboo, and untreated woods. Their slow and intentional process respects both the environment and human labor, fostering relationships with artisans. Jeanne Gang applies sustainability to contemporary architecture by focusing on reducing environmental impact, maximizing natural light, and enhancing energy efficiency through responsibly sourced wood, recycled metals, and high-performance insulation, often incorporating green communal spaces and natural ventilation. Hella Jongerius explores sustainability through material innovation and color research, challenging conventional design practices by advocating for natural dyes, recycled yarns, and modular restorability. Her work combines craftsmanship with experimental approaches. Tord Boontje creates poetic interiors and objects inspired by organic forms, natural materials, and artisanal methods, celebrating imperfections and championing slow design principles through collaborations with small workshops and local materials. His designs underscore sustainability's artistic and emotional dimensions. These designers collectively reshape the understanding of sustainable design, proving it to be a holistic philosophy that values resources, celebrates craftsmanship, and inspires a deeper connection between individuals and their living spaces. Their diverse approaches contribute to a shared objective: crafting environments that benefit both humanity and the planet. #SustainableDesign #InteriorDesign #EcoFriendlyMaterials #CircularProduction #VictoriaYakusha #IlseCrawford #PatriciaUrquiola #StudioMumbai #JeanneGang #HellaJongerius #TordBoontje

This article celebrates the ninth annual "Design Masters" feature by New Orleans Homes & Lifestyles, highlighting a dozen creative professionals across nine categories in the New Orleans design scene. These masters are recognized for their contributions to various aspects of home and landscape design, showcasing their unique backgrounds, inspirations, and the ways New Orleans influences their work. The Masters of Architecture, Kim Payne Allen and Ben Allen of Studio BKA Architects, both hold degrees from LSU and UT-Austin, respectively. They bring diverse experiences, from large real estate developments in NYC to urban historic renovations, to their practice in New Orleans. They find the city's rich urban framework stimulating for design but acknowledge the complexity of converging voices and ideas. They are inspired by Francis Kéré's work for its simplicity and social message. Amanda Talley, the Master of Textiles and proprietor of Studio Amanda Talley, earned her BA in studio arts and an MFA from Savannah College of Art and Design. She transitioned from working as an assistant at Gerrie Bremermann Designs to establishing her own studio, specializing as an abstract painter. New Orleans' creative culture and everyday experiences provide abundant inspiration, while the weather presents the biggest challenge. Her inspiration comes from Lee Krasner's ideas, particularly the concept of adding beauty to abstract expressionism. Alex Geriner, Master of Furniture Design and founder of Doorman Designs, initially built his own furniture after realizing his dorm room pieces didn't suit his New Orleans apartment. This led him to create a business focused on handcrafted, original furniture using local materials and artisans. The city's colorful vibe inspires unique designs that blend fresh aesthetics with an aged feel, though the humid climate poses a challenge for furniture construction. BDDW, a handmade furniture company, is a significant inspiration for him. Joe Evans and Barney Lighter, Masters of Landscaping from Evans + Lighter Landscape Architecture, established their firm in 2014 with a focus on elegant, sustainable, and regenerative environments that respect historical context. They specialize in integrated stormwater management and ecological systems design. New Orleans offers cultural and ecological richness, but also critical challenges like stormwater flooding and coastal erosion, which add urgency to their work. They draw inspiration from the communities, non-profits, and professionals they collaborate with. Katie Logan Leblanc and Jensen Killen, Masters of Interior Design from Logan Killen Interiors, are long-time friends who met in Baton Rouge and studied Interior Design at LSU. After a decade in architecture and production design, they founded their firm in 2012, later opening Sunday Shop. New Orleans serves as a constant source of inspiration due to its architecture and eccentric residents, allowing for creative freedom. However, specific architectural features like shotgun layouts and high ceilings present unique design considerations. They are inspired by designers such as Ilse Crawford, Studio Ashby, Nickey Kehoe, and Kelly Wearstler for their diverse approaches to design. Prisca Weems, Master of Green Design at FutureProof, has a background bridging architecture and science, exploring the interplay between built and natural environments. Having made New Orleans her home, she emphasizes the city's role as a leader in climate adaptation. The challenges presented by New Orleans' environment have expanded her work from green building to urban water infrastructure and international coastal community design. Her inspiration comes from individuals who envision and act on future possibilities, including local figures like Robert Tannen, Oliver Houck, David Waggonner, Robert Miller, and John Barry. Maria Barcelona, Master of Kitchen Design from Maria Bar, co-founded her firm in 2000 with Paul Dodson. Their collaboration combines her artistic vision with his detailed technical approach. New Orleans' rich architectural history is a constant inspiration, though they find the scarcity of local design resources challenging. They are currently inspired by Aviva Stanoff's ability to transform natural materials into luxurious textiles and home accents. Whitney Jones, Master of Home Accents and founder of Whitney J Décor, initially pursued physical therapy before realizing her passion for a creative field, leading her to interior design. She runs her firm as the principal designer, with an assistant managing projects and sales for her online shop. She finds unique homes and architecture in New Orleans inspiring for her design projects, but desires a wider variety of local showrooms. Kelly Wearstler is her greatest inspiration for her glamorous, boundary-pushing design style. Renee Lejeune Laborde, Master of Drapery, is a New Orleans native who studied Interior Design at LSU. She self-taught drapery making, which evolved into her sole proprietorship. New Orleanians' pride in their homes and the city's architecture with high ceilings and tall windows create a constant demand for custom draperies, offering a steady flow of work. Her inspiration comes from Ann Dupuy, who was known for her neutral palettes, mixing modern and antique elements, and beautiful curtains in her designs. #DesignMasters #NewOrleansDesign #Architecture #InteriorDesign #LandscapeArchitecture #FurnitureDesign #TextileArt #GreenDesign #HomeAccents #Drapery

Toronto's top interior designers craft interiors that embody a clean and classic aesthetic, characterized by an understated elegance that mirrors the city itself. These designers skillfully employ soft color palettes, architectural lines, and abundant natural light to achieve balanced and refined living spaces. Anne Hepfer Designs showcases a sophisticated living area that integrates various textures and muted tones to create an inviting yet chic atmosphere. Another example from Anne Hepfer Designs features a luxurious bedroom with a serene color scheme, emphasizing comfort and elegant simplicity through strategic furniture placement and soft lighting. Douglas Design Studio presents a grand staircase, highlighting how architectural elements can become central features in a clean design. The studio also provides a view of a contemporary great room, illustrating how modern furnishings and open spaces can coexist with classic design principles, maintaining a harmonious flow and sophisticated appeal. McGill Design Group / Plum Furniture features a unique interior space that blends functional design with artistic elements. Another design from McGill Design Group / Plum Furniture highlights a different area, showcasing their ability to create visually appealing and functional layouts. Laura Stein Interiors demonstrates a transitional kitchen that balances traditional and contemporary styles through thoughtful material choices and a streamlined layout. Furthermore, Laura Stein Interiors presents a transitional dining room, emphasizing elegant table settings and sophisticated lighting to create a formal yet comfortable dining experience. These featured designs collectively underscore the prevalent design philosophy in Toronto, where designers prioritize creating timeless and elegant interiors that are both visually stunning and highly functional, reflecting a city known for its refined character and modern sensibility. #InteriorDesign #TorontoDesigners #CleanClassicDesign #UnderstatedElegance #HomeDecor #ArchitecturalLines #NaturalLight #SoftColors #LuxuryInteriors

Developer Steve Jones of bettershelter has redefined the concept of house flipping in Los Angeles, introducing what he calls the 'slow flip' movement. This approach focuses on thoughtfully and lovingly redesigning neglected properties, often referred to as 'zombie houses,' to create unique homes that blend seamlessly with their historical neighborhoods. Unlike typical quick-flip projects that prioritize speed and cost-cutting, Jones's method involves higher budgets and a deep consideration for potential buyers, whether they are families, young couples, or single individuals. His goal is to create homes that feel gently cared for rather than overtly renovated, often leading people to believe original features are present when they are in fact new additions crafted with historical accuracy. Jones's philosophy stems from the desire to avoid the common pitfalls of standard house flips, which often result in shoddy construction, leaky plumbing, and generic, 'cookie-cutter' designs lacking personality. He actively works against trends, quoting Karl Lagerfeld's adage that 'trendy is the last stage before tacky,' to ensure his designs possess timeless appeal and quality. The success of his approach is evident in how often people mistake new fixtures and flooring for originals, indicating that he has effectively created homes that honor their historical context while incorporating modern comforts and aesthetics. His strategies for achieving this 'slow flip' success include several key design principles. Firstly, he emphasizes using materials that evoke a historical feel, such as black and white tile in bathrooms, vintage pencil liner trim, and white subway tile, often complemented by vintage sconces. Secondly, Jones advocates for adding personality to homes through subtle details like brightly painted front doors, hand-painted address plaques, or distinctive fences, which help a house stand out without being ostentatious. A third crucial tip addresses kitchen updates. Acknowledging that nobody desires a 1920s kitchen, he pays particular attention to kitchens and bathrooms, ensuring they are light, bright, and functional for contemporary living while still fitting the home's overall character. Fourthly, vintage furnishings play a significant role in his designs. Jones sources unique pieces from flea markets, swap meets, Etsy, and architectural salvage yards, creating an eclectic yet coordinated look where colors complement each other, as exemplified by pairing a vibrant green sofa with subdued vintage black leather chairs. Fifth, decor and styling are paramount for adding visual interest and sophistication. Jones uses a variety of vintage items, including paintings and unusual three-dimensional objects, to create layered collages that elevate the home's aesthetic beyond flat artwork. Sixth, using fixtures that appear original, such as vintage sconces and light fixtures appropriate for the period of construction, helps maintain the illusion of a gently preserved home rather than a complete overhaul. Finally, Jones advises restraint in renovation decisions, urging renovators to consider what a 'home' truly means to them and to respect the property's inherent character. He believes that for many, the conception of 'home' is rooted in the past, and his designs aim to evoke that feeling of timeless care and preservation. #HouseFlipping #HomeDesign #InteriorDesign #VintageDecor #RenovationTips #HistoricalHomes #RealEstateDevelopment #LosAngelesDesign #Bettershelter

The architectural partnership of Raymond Maritz and William Ridgley Young is explored in this article, highlighting their significant contributions to residential and commercial design in St. Louis, particularly in areas like Clayton, Ladue, and the Central West End. Active for two decades, Maritz & Young designed over 160 structures, catering to prominent families and business leaders of their era. Their work introduced fresh design concepts to the St. Louis architectural landscape. The article references "The Architecture of Maritz & Young: Exceptional Historic Homes of St. Louis" by Kevin Amsler and L. John Schott, a publication that delves into the lives and careers of these influential architects. The author, having worked on various Maritz & Young homes over a 30-year career, attests to the lasting quality and distinctive style of their creations. A specific example of their design prowess is detailed through William Ridgley Young's own residence at 27 Wydown Terrace in Clayton, which he and his wife, Elizabeth, moved into in 1923. Despite Elizabeth's perception of it as a modest dwelling, the house demonstrates the architectural firm's characteristic attention to detail and Mediterranean influence. The exterior features rough stucco and brightly colored clay roof tiles, evoking a Mediterranean villa aesthetic. Inside, the living room showcases a hand-painted vaulted ceiling with wrought iron strappings complementing the heavily stuccoed walls. Two built-in bookcases frame the fireplace, while small porthole windows above French doors provide additional light and visual interest. Stone and terrazzo floors throughout the main level further enhance the Mediterranean theme. The home's loggia, historically used as a dining room, offers views of the terrace and gardens through its seven (originally) French doors. The enduring quality of plaster moldings and vaulted ceilings exemplifies the master craftsmanship prevalent during the home's construction. The current owners, Jeffery Warner, a real estate agent, and George Hettich, a bank executive, were drawn to the home's architectural character, which resonated with their extensive travels and appreciation for European design. They recognized the property's potential to offer a daily "European experience" within St. Louis. For the past year, Warner and Hettich have been diligently restoring and updating the home, preserving its historical integrity while adapting it to their modern lifestyle. This renovation project underscores the enduring appeal and adaptability of Maritz & Young's designs. #ArchitecturalHistory #StLouisArchitecture #HistoricHomes #MaritzAndYoung #ResidentialDesign #HomeRenovation #MediterraneanInfluence #LocalTalent #DesignRediscovered

This article highlights 25 influential power duos comprising high-end clientele and their style gurus who collaborate to curate spectacular interiors, ranging from private homes and palaces to public monuments and retail spaces. These partnerships are notable for their impact on the design world, setting high standards for aesthetics and functionality. The article details various collaborations, showcasing the diverse styles and approaches employed by these design teams. One prominent duo features hip-hop superstar Kanye West and Belgian designer Axel Vervoordt. Vervoordt, known for his tasteful minimalism and admiration for the Japanese aesthetic concept of wabi (exalting simplicity), was enlisted by West to perfect his Los Angeles crib's look. Vervoordt's client list also includes Bill Gates, Sting, and Calvin Klein, underscoring his reputation in high-end design. Actress Gwyneth Paltrow partnered with Robin Standefer and Stephen Alesch of Roman and Williams for the Goop Lab in Brentwood, her first permanent store. Roman and Williams, named for their grandfathers, also opened the Guild, a showroom and café in Soho, indicating their expanding influence in the design and lifestyle sectors. Fashion mogul Tom Ford and William Sofield, an inseparable pair for 25 years, have redefined luxury retail spaces. Their collaborations on stores in Madison Avenue and Rodeo Drive are renowned for their opulent design, challenging conventional retail aesthetics. Sarah Jessica Parker initially sought decorating tips from movie executive Eric Hughes in the '90s. His design career officially launched in 2002 after Parker commissioned him to design her Bridgehampton home. Hughes is currently working with architect Morris Adjmi to merge Parker's two West Village townhouses, demonstrating a long-standing and evolving client-designer relationship. The Beckhams, Victoria and David, chose antiques dealer Rose Uniacke to decorate their $44 million Holland Park palace in London. Uniacke is celebrated for her ability to modernize historical settings, creating a unique blend of classic and contemporary design. Lauren Santo Domingo, co-founder of Moda Operandi, continued a family tradition by enlisting French designer Francois Catroux to work on her 18th-century Paris apartment. Catroux has a history with the Santo Domingo family, having worked with them since the early '90s. LVMH CEO Bernard Arnault consistently collaborates with architect Peter Marino, who has designed numerous Louis Vuitton stores, including the flagship on Place Vendôme, showcasing Marino's significant role in shaping the luxury brand's physical presence. Actor Brad Pitt engaged starchitect David Adjaye for sustainable housing projects in New Orleans following Hurricane Katrina. Pitt's Make It Right Foundation, with Adjaye's involvement, constructed over 100 homes in the Lower 9th Ward, highlighting a commitment to socially conscious design. Adjaye later gained acclaim for his work on the National Museum of African American History and Culture. Raf Simons, during his tenure at Calvin Klein, relied on artist Sterling Ruby to infuse the brand's shows, headquarters, and flagship store with distinctive, vibrant energy. This partnership highlights the intersection of art and fashion in design. Collectors Edythe and Eli Broad have a long-standing relationship with Pritzker Prize winner Frank Gehry, commissioning him for their Brentwood manor and the Walt Disney Concert Hall in Los Angeles. Their collaborations underscore their patronage of groundbreaking architecture. French luxury boss Francois-Henry Pinault entrusted Parisian designer Pierre Yovanovitch with his personal office and the Hôtel de Clermont-Tonnerre, the headquarters of his Artémis conglomerate. Yovanovitch is known for incorporating vintage touches into contemporary settings. Former Vice President Joe Biden and his wife Jill selected Victoria Hagan, known as the “queen of restrained elegance,” to design their official private residence. Hagan's clean, timeless interiors aligned with the Bidens' aesthetic preferences. Designer Robert Couturier, celebrated for French-inspired exuberance, is collaborating with artist Jeff Koons to combine two Upper East Side townhouses. This partnership merges Couturier's classic style with Koons's grand artistic vision. John Pawson and Ian Schrager have a two-decade-long friendship and professional collaboration, extending from apartments at the Gramercy Park Hotel to Schrager's penthouse at 40 Bond, and now the West Hollywood Edition hotel. Their work emphasizes minimalist yet luxurious design. Tory Burch first met designer Daniel Romualdez in the late '90s and subsequently hired him for her apartment at the Pierre, followed by numerous homes and over 100 stores, including her Long Island location, showcasing a long and fruitful design partnership. Fashion designer Alexander Wang and Ryan Korban are close friends who collaborate on various projects, including Wang's flagship store and private residences, highlighting a youthful and contemporary approach to design. Ken Fulk, known for his flamboyant designs, is the trusted designer for Silicon Valley's elite, including Instagram's Kevin Systrom. Fulk designed Systrom's home and his wedding, demonstrating his versatility in creating bespoke experiences. Jamie Drake, known for his crisp and colorful rooms, has designed multiple properties for Michael Bloomberg, including his Upper East Side townhouse and his Georgian estate in Southampton, and also restored Gracie Mansion during Bloomberg's mayoral term. Michael Smith decorated the private residence of the Obamas in the White House, earning praise from former First Lady Michelle Obama for upholding the building's history. Smith also designed their 8,200-square-foot Kalorama home after their departure from office. The bond between decorator Stephen Shadley and Oscar winner Diane Keaton spans over 30 years and four homes. Keaton even documented their creation of her 8,000-square-foot Brentwood compound in her book, "The House that Pinterest Built," illustrating a deep, enduring creative partnership. #DesignDuos #InteriorDesign #LuxuryHomes #ArchitecturalPartnerships #CelebrityDesign #HomeDecor #HighEndClientele #ResidentialDesign #CommercialDesign

This article compiles a selection of notable design achievements and trends from the 2013 Design Awards, showcasing innovation across various categories from interiors and architecture to fashion and technology. The presented works highlight a period of design marked by updated traditional techniques, reissues of classic pieces, and forward-thinking concepts. In the 'Best Trend' category, a focus on "puzzle-like" designs emerged, featuring random patterns and asymmetric forms that updated traditional inlaying and overlaying. Materials like stone, wood, leather, acrylic, and ceramic were combined in unexpected ways to create decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with modern digital printing to allow for complex patterns. Massimo Morozzi's 'Bois de Rose' cabinet for Edra reimagined woodworking traditions with random rosewood veneers and innovative piano pedal openings instead of handles. Urquiola's 'Fishbone' coffee table for Moroso utilized Alycrite to mimic natural materials in a herringbone pattern, while Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrated the versatility of quartz compound beyond conventional surfaces, forming sculptural pieces through interlocking rings. The 'Best Reissues' section celebrates the successful reintroduction of classic designs. The 1951 'Calvert' coffee table by Bauhaus architect Ferdinand Kramer was re-released by E15, maintaining its original flat-pack design. Sambonet produced stainless-steel tableware based on unmanufactured 1951 sketches by Giò Ponti, including asymmetric flatware and a unique two-bowl centrepiece. Arne Jacobsen's 1939 'Mayor' sofa, initially designed for Søllerød City Hall, was reissued by &Tradition; featuring a solid oak frame and Kvadrat upholstery. Le Corbusier's 1954 'Projecteur 365' industrial lamp was updated by Nemo Cassina, offering wall, floor, and ceiling models with modern elements developed in collaboration with the Le Corbusier Foundation. Muriel Grateau was recognized for 'Best Reinvention,' transforming her Parisian gallery into a pristine white space that highlighted her bold ceramic, glassware, and linen collections. Starting as a fashion designer, her work across homeware and jewelry, often in collaboration with figures like Peter Marino and India Mahdavi, continues to define Parisian elegance. Chanel Fine Jewellery's 'Clair-obscur' ring received an award for 'Best Use of Material,' for its innovative juxtaposition of diamonds with blackened titanium, an industrial material often used in aerospace. This reinterpretation of Gabrielle Chanel's 1932 high-jewelry collection played on celestial themes, echoing the discovery of titanium in meteorites. Qusamura in Hiroshima was named 'Best Plant Shop' for its unique approach to botanical sculpture, pairing unusual cacti sourced from across Japan with distinctive pottery. Kohei Oda's vision transforms these plants into sculptural art for the home, emphasizing their unique character. Minotti's 2012 collection was lauded as 'Best Collection' for its blend of innovation and continuity, showcasing traditional workmanship, sumptuous materials, and a contemporary aesthetic with subtle nods to mid-century and Scandinavian styles. The collection introduced more color and pieces adapted for compact living, such as the 'York Lounge' armchair and 'Sherman 93' sofa. Cartier's 'ID Two' concept watch was celebrated for 'Best Future Vision.' This unique, not-for-sale timepiece featured a transparent case made from a single block of new-generation ceramic, vacuum-sealed to enhance reliability. It represents Cartier's commitment to pushing technological and aesthetic boundaries, with its innovations expected to influence future watch designs. The 'Best Finishing Touch' category recognized beauty essentials: Comme des Garçons' 'Amazingreen Eau de Parfum' for its green and spicy scent, Chantecaille's 'High Definition Perfecting Powder' for creating a flawless complexion, Matylda Krzykowski's 'Borste & Horne' brushes and pans for their contemporary design, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil' for hair care. The Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects won 'Best Lab.' Its design, inspired by a cubist tree, features a façade of variegated glass boxes and a central atrium, creating a striking and functional space that connects with its natural surroundings. 'Best Comfort Food' was awarded to Jacob's Pickles in New York for its blend of Southern soul food and East Coast pickle culture, and Häagen-Dazs' limited-edition 'Ice Moons' created in collaboration with London designers Doshi Levien, which featured moon-shaped, layered ice cream bombes. The 'Best Cover-up' category highlighted power outerwear brands: Herno, Sealup, CP Company, and Hancock, all recognized for their technical innovation, sharp silhouettes, and quality materials. 'Cartesia' by Nosigner for MSY, a chest of drawers named after René Descartes, was recognized as 'Best Bottom Drawer' for its effortless mechanics, graphic design, and two-directional opening. The 'Best Groom' products included Baxter of California's cut-throat razor, Ursa Major's 'Stellar Shave Cream,' Blind Barber's '90 Proof Pomade,' and Yang Ripol's innovative shaving brush with a magnetised stand. Piaget's 'Altiplano' hard-stone dial watches received 'Best Test of Time,' celebrating the revival of its 1960s and 1970s psychedelic-luxe designs. These timepieces, featuring gem-hued dials, were praised for their blend of fine jewelry and innovative engineering. The Franklin D Roosevelt Four Freedoms Park in New York City, designed by Louis Kahn, was named 'Best Day Out.' This park, completed decades after Kahn's death, offers spectacular views of the Manhattan skyline and serves as a tribute to Roosevelt's vision. Trevor Paglen's 'The Last Pictures' project earned 'Best Mission,' an ambitious artistic endeavor involving 100 photographs etched onto a silicon wafer and attached to a satellite, intended as a message to extraterrestrial life. Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara was celebrated as 'Best Bookshop,' a multi-pavilion complex designed to appeal to an older demographic but attracting a broad audience with its extensive collection and unique lounge bar. Bulthaup's 'B3' drawer fitting system won 'Best Storage' for its customizable inserts and organizational features within kitchen drawers. Roca's 'In-Tank Meridian Toilet' and CEA's 'Hydroplate' were jointly awarded 'Best Loo' for their innovative, space-saving, and hygienic designs. Le Sergent Recruteur in Paris, redesigned by Jaime Hayón, received 'Best Fixer-Upper' for its transformation into a modern European rural restaurant. Piquadro's 'Coleos' backpack was named 'Best Bag' for its advanced compartmentalization and expandable design, catering to the needs of the urban individual. The Alpina Gstaad in Switzerland was recognized as 'Best Winter Retreat' for its luxurious blend of traditional and contemporary design, including its Six Senses Spa and Japanese restaurant. Finally, the Shenzhen Stock Exchange by OMA and Cais Das Artes in Brazil by Paulo Mendes da Rocha and Metro Arquitetos were highlighted as 'Best Building Sites' for their architectural audacity and cultural significance. Casa Till in Chile by WMR Arquitectos received 'Best Getaway' for its remote location, minimalist design, and breathtaking sea views. #DesignAwards #InteriorDesign #Architecture #ProductDesign #Fashion #Technology #Watches #Jewellery #UrbanPlanning #Travel #FoodDesign

New York Design Week, held in May, showcased a diverse range of innovative lighting designs, establishing lighting as a central element of cultural storytelling and cutting-edge home design. Shelter by Afternoon Light, a newcomer to the design fair scene, made a significant debut with a focus on fresh talent and remarkable lighting products, including the popular “Jonald Dudd” exhibition, playfully titled “Grateful Dudd.” Minya Quirk, co-founder of Shelter, highlighted the transformative power of lighting, noting its ability to swiftly alter a space's aesthetic and mood. The event featured a variety of exhibitions across different venues, from major fairs like ICFF and WantedDesign to galleries and ateliers such as Love House, Colony, Lyle Gallery, and Lawton Mull, all contributing to a vibrant display of creativity and functionality. Among the standout pieces were Lana Launay’s ‘Kinship I & II,’ exhibited at Love House Gallery, which utilize stainless steel, aluminum, LED, and antique doilies to reflect on domestic craft and interconnectedness. Andreea Avram Rusu’s ‘Marea’ chandelier, presented at Shelter, captivated viewers with its hand-blown glass and ombre colors, reminiscent of a jellyfish’s fluid movement, created through a unique molten process. Samuel Aguirre, a Providence-based artist, debuted a collection of table lamps at WantedDesign, crafted from handmade Mexican Amate paper, combining ancient paper-making traditions with contemporary design principles, resulting in organic and archival pieces. Cuff Studio, founded by Kristi Bender and Wendy Schwartz, introduced a new triangular metal sconce as part of their “Within” exhibition at WantedDesign. This piece, available in patinated brass or copper, offers a graphic aesthetic with a soft uplight. Lawton Mull’s gallery featured the ‘Norrlanda Lamp,’ a collaboration with glass artist Jennie Olofsson, which blends industrial brass with mouth-blown, asymmetrical glass lobes, creating a balance of strength and lightness. Soft-Geometry’s ‘Long Hair’ sconces, showcased at Lyle Gallery, were inspired by intimate domestic rituals and incorporate sustainable hemp-lime composite material, marking a move towards eco-conscious design. Scott Newlin Design Studio presented whimsical ‘Stack Lights’ at the Jonald Dudd exhibition, transforming slip-cast ceramic into versatile, colorful lamps. Marmar Studio’s ‘Ette Sconce,’ displayed at Colony’s “The Independents” exhibition, combined ash wood and hand-painted dye to create a fixture that evokes both architectural lines and natural forms. FDK Junior Studio, led by Fernando Kabigting, launched a new porcelain lighting collection at Shelter, emphasizing the material’s delicate beauty and celebrating imperfections. Michiko Sakano Studio’s ‘Droplets’ glass lighting collection, also at Shelter, merged traditional Japanese aesthetics with glassblowing techniques, creating luminous sculptures that exude organic fluidity. Larose Guyon’s ‘Saule’ collection at ICFF drew inspiration from the willow tree, featuring hand-formed brass and glowing glass in an immersive display. Lastly, Steven Haulenbeek’s ‘RBS Nopal Chandelier,’ featured at Egg Collective, utilized resin-bonded sand in a subtractive process to create organic, desert flora-inspired forms, blurring the lines between art and lighting design. These diverse creations collectively highlighted the innovative spirit and artistic depth of contemporary lighting at New York Design Week. #NewYorkDesignWeek #LightingDesign #InteriorDesignTrends #ContemporaryLighting #HomeDecor #ArtisticLighting #SustainableDesign #HandcraftedLighting #DesignInnovation

The article highlights Urbanology Designs' award-winning living room, recognized in the Design 9 Awards for its luxurious and functional design. The design philosophy centers on merging sculptural artistry with functionality to create a space that is both refined and inviting, tailored for everyday living. The core inspiration was to ensure the room felt sophisticated yet welcoming, providing an elevated setting for a family home. A central feature of the design is a custom fireplace, which has been finished in limestone plaster and features gently rounded edges. This fireplace serves as an anchor for the space, with its organic curves intentionally softening the home's more rigid architectural lines. This detail introduces a sense of warmth and elegance, contributing significantly to the overall aesthetic and comfort of the living room. The designers emphasized that every element in the living room, considered the heart of the home, was selected with meticulous care and intention. This approach ensured that each furnishing and design choice contributed to the room's overarching theme of elevated living. Key pieces of furniture, such as a custom tête-à-tête and a curved sofa, were specifically chosen to encourage conversation and enhance the welcoming atmosphere of the space. These selections reflect the homeowner's appreciation for bespoke craftsmanship, contributing to a sense of uniqueness and personalization within the design. The overall design aims to create a harmonious balance between artistic expression and practical livability. The living room is envisioned not only as a visually impressive showpiece but also as a comfortable and functional gathering place where elegance, comfort, and connection seamlessly intertwine. Details of the project include a single-family home type, with David Goettsche of Desco Homes as the builder and Urbanology Designs responsible for the interior design. Resources for the project feature a Yale Large Sconce from Arteriors, custom window treatments from Day Design, cement side tables from Noir, and a Mya side table from Nuevo. This combination of bespoke elements and carefully selected pieces underscores the project's commitment to creating a luxurious and livable environment. #DesignAwards #LuxuryLiving #InteriorDesign #HomeDecor #CustomDesign #LivingRoomDesign #UrbanologyDesigns #DallasInteriors #SculpturalArtistry