The Acropolis of Athens among the multiple lighting design entries to win the 2021 LIT Design Awards

Czech glassmaker Lasvit showcased a series of new lighting designs at Euroluce 2025, taking inspiration from various natural elements and textures to create pieces that explore the relationship between light, material, and well-being. The exhibition, titled 'Soaked in Light,' featured several highly textured designs that blended innovative glassmaking techniques with natural aesthetics. One of the standout creations was 'Vera,' a sculptural glass pendant designed by renowned French designer Patrick Jouin. The concept for 'Vera' originated from Jouin's observation of a twig, leading to experiments with torn paper and eventually a glass piece that mimics the appearance of bark. This design incorporates two types of handmade glass: delicate borosilicate for the light source and fused glass, where molten glass is poured over raw wood to capture its intricate grain and texture. This process allows the glass to take shape influenced by gravity and nature, resulting in a unique interplay of surface, shadow, and light that evokes a primal connection to forests and trees. Another highlight was 'Splash,' an extravagant glass installation by Lasvit designer Martin Gallo. This piece was designed to emulate the calming effect of water, featuring fused glass forms suspended in a dramatic arrangement. Visitors could walk among these forms, which resembled water in motion, reflecting light like ripples and creating an immersive experience that promotes tranquility and well-being. At the entrance of the exhibition, Lasvit artistic director Maxim Velčovský introduced 'Loomo,' a new lighting system inspired by woven textiles. Despite its smooth-to-the-touch surface, the glass in 'Loomo' is imprinted with a structured weave, effectively capturing the softness of fabric within a rigid form. Designed for compact spaces like corridors or bedside areas, 'Loomo' is available in two wall sconce sizes, both finished in a warm, golden hue that enhances their sculptural glow. Velčovský emphasized the playful approach to light in its development, aiming to optimize every centimeter to transform the atmosphere of a space. Rounding out the showcase was 'Niveo,' a collection by Czech designer Jan Plecháč. Named after the Italian word for 'snow-white,' 'Niveo' captures the fleeting beauty of hailstones in hand-blown glass. The collection includes linear pendants, clusters, and an inverted spherical table lamp, all featuring an irregular texture that produces an alluring, soft glow. Additionally, the exhibition featured the 'Herbarium Radiant,' an immersive, color-shifting lighting installation that incorporates a new type of glass made from repurposed waste. This piece, first launched at Design Miami 2024, allows users to adjust the light color for a dynamic and mesmerizing visual experience. Lasvit's installation at Euroluce 2025 served as a contemplative contrast to the bustling Milan Design Week. It offered a moment for visitors to pause and appreciate the subtleties of design, emphasizing nature-inspired aesthetics and innovative glass craftsmanship in lighting. #Lasvit #Euroluce2025 #LightingDesign #GlassArt #MilanDesignWeek #NatureInspiredDesign #InteriorLighting #CzechDesign #DesignInnovation

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

This article showcases a curated selection of innovative lighting designs, originally featured in the October 2023 issue of Wallpaper* magazine, derived from highlights of Euroluce at Milan's Salone del Mobile 2023. The featured products span offerings from established brands like Lasvit, Cassina, and Flos, as well as independent studios such as Pelle and Ross Gardam. The presentation of these designs emphasizes a unique photographic approach, employing both digital and film techniques, with a particular focus on film photography to create optical contrasts and surface textures, exploring the interplay of light and shadow. Among the showcased designs is the 'Polaris' floor lamp by David Rockwell for Lasvit, part of the Constellation collection. Inspired by the celestial mural at Grand Central Terminal, this hand-crafted metal and glass lamp functions as both a dazzling focal point and a unifying element within any setting. Laurids Gallée's 'Pool 02' lamp, a limited-edition polymer resin light, explores the incorporation of traditional elements with experimental materials. This ice-blue lamp, which emits a warm yellow glow when illuminated, features a fluid shape and soft ridges that evoke the dynamic reflections of light on water. Herzog & de Meuron's 'Dreispitz' lamp, produced for Artemide, is a graphically appealing pendant available in black, silver, and a vibrant green. Originally conceived for the architects' Dreispitz project in Helsinki, this lamp can accommodate three distinct light sources that integrate into its triangular base, forming a clover-like profile. It offers various lengths and lighting options, designed for environmental sustainability through its high efficiency, optimized industrial processes, and the use of partially recycled and recyclable materials. Dirk Winkel's 'W225 Ion' lamp for Wästberg represents a deceptively simple design, the culmination of extensive research focused on creating well-being through optimal lighting. Its core innovation is a sophisticated miniature friction joint with a cordless power connection, enabling 360-degree rotation. The lamp's versatility is enhanced by a choice of arm lengths, mounting options, and two optical systems, providing illumination for wide-angle workspaces or focused reading. The 'Vestige' table lamp by Ross Gardam and Peter Kovacsy aims to evoke a sense of wonder. This brutalist-inspired sculptural form features a solid parabolic cone of cast crystal glass, created by Peter Kovacsy, emerging from a rectangular base. The design celebrates the allure and texture of glass, with bubbles within the glass creating a speckled pattern when illuminated, and is paired with a raw aluminum base and a machined conical dimmer. Bocci's '44T' table lamp distinguishes itself with its unique, irregular aluminum canopy, formed through various processes like blowing, pouring, carving, and polishing. Each lamp is individual, reflecting Bocci’s research into dendrite-like shapes. A notable feature is the use of spherical light bulbs that glow without visible electrical cables, as low-voltage electricity passes directly through the cast metal structure. The 'Channel' lamp by Pelle, known for its 'Bubble' chandelier, addresses the practical need for illuminating large table surfaces while brightening the overall room. This ceiling fixture comprises a sleek horizontal body in waxed brushed aluminum, housing four lighting components—two upward-facing and two downward-facing beams—with thin steel cables serving as power conduits. Michele Groppi’s 'Vis à Vis' table lamp for Davide Groppi is designed to seamlessly integrate into any environment. Made entirely of transparent glass, from its thin cylindrical stem to its circular canopy, it appears to float lightly and is rechargeable, allowing for mobility without visible electric cables. Finally, Philippe Malouin’s 'Bilboquet' table lamps for Flos, his first design for the brand, are based on experiments with magnetic elements. Named after a 16th-century French game, the lamp consists of two colored cylinders connected by a magnetic sphere, allowing for flexible orientation and acting as a decorative element, designed to adapt to changing lighting needs throughout the day. Jordi Canudas' 'Dipping' pendant for Marset, inspired by an experiment of dipping a switched-on light-bulb in paint, features a brilliant white hand-blown glass globe, hand-dipped multiple times to create concentric rings of color in various hues, with different layers of paint moderating light intensity. The 'Bijou' pendants by Antoni Arola for Santa & Cole and the 'Eitie' table lamp and pendant by Tobia Scarpa for Cassina offer further examples of innovative design, with 'Bijou' providing exceptional lighting and reflections, and 'Eitie' offering reconfigurable luminous strokes through unique black metal circular connectors. #LightingDesign #InteriorDesign #Euroluce #SaloneDelMobile #ProductDesign #ArchitecturalLighting #ContemporaryDesign #SustainableDesign #ArtisanCraft

Jason Krugman, a New York-based artist, creates captivating light sculptures using wire mesh forms embedded with thousands of hand-soldered LED bulbs. His journey into art began after a career in investment banking, leading him to study technology and art at NYU's Interactive Telecommunications Program (ITP). There, he learned about microcontrollers, soldering, digital fabrication, and new materials, which became foundational to his artistic practice. In 2009, Krugman established his studio in Brooklyn, focusing on the intersection of physical computing and fine art, transforming electricity into remarkable sculptures. Krugman's work is characterized by its fluid appearance, despite being constructed from static materials, often mimicking natural phenomena or intricate systems like swarms of mini-drones. He has developed several proprietary technologies, including a hand-soldered LED mesh, various cable systems, and custom printed circuit boards for LED artworks, holding two US patents. His designs are unique in that they often use the physical structure of the sculpture to conduct electricity to the light sources, eliminating the need for insulated wiring. This innovation allows thousands of LEDs to appear to float weightlessly within minimal wire forms, creating a soft, ethereal glow. His recent recognition includes a LIT Lighting Design Award for 'Capella Basket,' a large-scale installation described as a rectangular sheet of 2,000 LED bulbs rolled into a cannoli-like shape and seamed. This particular piece represents a decade of development, inspired by the challenge of shaping mesh material into complex forms. The 'Capella Basket' itself was a monumental undertaking, involving over 10,000 circuit boards, extensive prototyping in collaboration with Arup engineers, and fabrication with the support of the Brooklyn Navy Yard and other local businesses. Krugman views his work as a three-dimensional puzzle, where aesthetic form is deeply intertwined with functional utility. He believes that the beauty of his art is enhanced by its ability to perform, allowing viewers to engage with it intellectually and emotionally. The sculptures are shaped by their inherent capacity to efficiently distribute electricity. The artist's approach combines craft with technology, a process he manages by always building smaller versions and mockup sections, regardless of the project's scale or edition count. Feedback on Krugman's installations frequently highlights their resemblance to scientific structures and natural forms, fostering a sense of connection and collaboration with his audience. Looking ahead, Krugman aims to create even more complex forms while maintaining structural clarity. He also plans to explore folding and stretching techniques with different materials to delve deeper into surface creation, moving beyond his current focus on points and lines. He is also beginning to offer smaller sculptures for sale on his Instagram and website, providing more accessible ways for the public to engage with his art. #LightingDesign #ArtDesign #LightSculptures #LEDArt #InteractiveArt #PhysicalComputing #ContemporaryArt #Innovation #DesignProcess

The article details the 'Destinations' exhibition, a key component of Dubai Design Week, which brought together six international design weeks to showcase emerging brands with a focus on lighting. The event served as a global platform, highlighting diverse design approaches from cities including Mexico City, Beijing, Helsinki, Istanbul, Melbourne, and San Francisco. Each participating design week presented three emerging brands, demonstrating a variety of innovative lighting solutions. From Melbourne International Design Week, Lab De Stu, founded by Andre Hnatojko, featured highly modern and oversized Popper lamps. Ben Tovim contributed pieces that explore geometric structures and material values, while Christopher Boots presented graphical works that combine traditional and contemporary techniques. San Francisco Design Week showcased Lumio lamps, which are designed to open like a book, creating a unique illumination experience. Beijing Design Week's contribution included Eoq lamps, known for their Moiré effect, adding a distinctive visual element to lighting design. Helsinki Design Week featured Saas Instruments, which innovated with Alexander Lervik's crystal glass Sparkle pendant and Sense Light Swing lamps, offering both aesthetic beauty and functional versatility. Mexico City's Abierto Mexicano De Diseño highlighted craft-led and pattern-projected lighting solutions from Ediciones Jalapas, alongside Tributo's materially rich and formally sound designs. The exhibition emphasized how specific materials are utilized to reflect the distinct regional contexts in which these light sources are produced. The 'Destinations' exhibition underscored the global nature of design, where creativity converges from various corners of the world. The diverse range of styles and applications presented at Downtown Design Dubai demonstrated that despite geographical and cultural differences, the sublime qualities of light possess the potential to unify and connect communities worldwide. The showcase allowed for the appreciation of different interpretations of lighting, from clean geometry and ingenious references to intricate weaving techniques and crystal refraction, all contributing to the transformation of an essential resource into an art form. #DowntownDesignDubai #LightingDesign #DubaiDesignWeek #InternationalDesign #EmergingBrands #DesignInnovation #GlobalDesign #ArchitecturalLighting #HomeDecor

The "Design Awards 2013: best of the rest" article highlights a curated selection of innovative and influential designs across various categories, reflecting the top trends and notable reissues of the year. The first trend identified is the "puzzle-like" design, characterized by random patterns, asymmetric forms, and modern marquetry. This approach updates traditional inlay and overlay techniques by integrating diverse materials such as stone, wood, leather, acrylic, and ceramic, resulting in freestyle, decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with digital-print glazing to create mixed aesthetic patterns; Massimo Morozzi's 'Bois de Rose' cabinet for Edra, featuring random rosewood veneers and piano pedal-operated doors; and Urquiola's 'Fishbone' coffee table for Moroso, utilizing Alycrite to mimic natural materials in a herringbone pattern with a glossy finish. Additionally, Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrate the versatility of quartz compound beyond conventional surfaces, forming heavyweight, puzzle-like arrangements. The article also features significant reissues that have made a comeback. These include Ferdinand Kramer's 1951 'Calvert' coffee table, now produced by E15 in oak, walnut veneer, or colored lacquer, originally designed for flat-pack export. Giò Ponti's tableware, based on his 1951 sketches and manufactured by Sambonet, includes asymmetric 'Conca' flatware and a unique two-bowl centerpiece. Arne Jacobsen's 1939 'Mayor' sofa, conceived for Søllerød City Hall, is reissued by &Tradition; with a solid oak frame and Kvadrat upholstery. Le Corbusier's 'Projecteur 365' light, initially designed in 1954 and inspired by industrial lamps, is now produced by Nemo Cassina in various models. Further categories include "Best Reinvention," recognizing Muriel Grateau's revitalized gallery in Paris, showcasing her color-drenched ceramics, glassware, linen, jewelry, and new silverware and watch ranges in a newly whitewashed space. "Best Use of Material" highlights Chanel Fine Jewellery's 'Clair-obscur' ring, which ingeniously combines diamonds with industrial titanium, inspired by Gabrielle Chanel's original design philosophy and the celestial discovery of titanium. The "Best Plant Shop" award goes to Qusamura in Hiroshima, founded by Kohei Oda, which specializes in pairing unusual cacti with distinctive pottery, treating these botanical forms as sculptures for the home. Minotti's 2012 furniture collection is lauded as the "Best Collection," epitomizing a blend of innovation and continuity with detailed craftsmanship, luxurious materials, and mid-century and Scandinavian influences, featuring pieces like the 'Evans' table and 'Brice' coffee table, and adaptations for compact living spaces. "Best Future Vision" recognizes Cartier's 'ID Two' concept watch, a non-commercial prototype with a transparent ceramic case and vacuum-sealed interior, signaling future technological and aesthetic advancements in watchmaking. The "Best Finishing Touch" category covers beauty essentials, including Comme des Garçons' 'Amazingreen' Eau de Parfum, Chantecaille's 'High Definition Perfecting Powder', Matylda Krzykowski's 'Borste & Horne' brushes, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil'. Other notable mentions include the "Best Lab," the Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects, praised for its tree-inspired design and engaging spaces. "Best Comfort Food" highlights Jacob's Pickles in New York for its Southern soul food and East Coast pickle culture, and Häagen-Dazs' 'Ice Moons' designed by Doshi Levien. "Best Cover-up" showcases innovative outerwear from Herno, Sealup, CP Company, and Hancock, emphasizing technical fabrics and sharp silhouettes. "Best Bottom Drawer" features Nosigner's 'Cartesia' chest of drawers for MSY, a corner-fitting piece with trapezoid drawers opening in two directions. "Best Loo" recognizes Roca's 'In-Tank Meridian' toilet with a hidden cistern and CEA's 'Hydroplate' water jet cleaner. "Best Fixer-Upper" celebrates Jaime Hayón's redesign of Le Sergent Recruteur restaurant in Paris. "Best Bag" is awarded to Piquadro's 'Coleos' backpack for its extensive compartmentalization and thoughtful features. "Best Winter Retreat" goes to The Alpina Gstaad in Switzerland, a luxury hotel blending reclaimed timber and natural materials, with a Six Senses Spa and Japanese restaurant Megu. "Best Building Sites" features OMA's Shenzhen Stock Exchange in China, a symbol of economic power with a floating podium, and Paulo Mendes da Rocha and Metro Arquitetos' Cais das Artes in Brazil, an arts complex elevated above a plaza. Finally, "Best Getaway" highlights Casa Till in Chile by WMR Arquitectos, a remote, Spartan, yet stylish retreat with breathtaking sea views, constructed with local materials and labor. The article also mentions Trevor Paglen's 'The Last Pictures' project as "Best Mission," sending etched photographs into space to document human history for extraterrestrial audiences, and Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara as "Best Bookshop," a vast complex designed to appeal to a broad demographic with an extensive collection of books, music, and a unique lounge bar. #DesignAwards #InteriorDesign #ProductDesign #Architecture #LuxuryGoods #Fashion #Beauty #Travel #FoodAndDrink

The Livingetc Style Awards 2024 recognize outstanding achievements in lighting design, highlighting pieces that blend form and function to elevate interior spaces. A panel of Livingetc's senior editorial team, including Global Brand Director Sarah Spiteri, Executive Editor Pip Rich, Digital Editor Hugh Metcalf, and Print Deputy Editor Ellen Finch, meticulously reviewed numerous entries to select the winners across various categories. The Best Lighting Collection award went to Alchemist by Lee Broom. While Lee Broom is known for broader design contributions, his lighting designs are particularly celebrated. The Alchemist collection is inspired by celestial constellations, allowing for the creation of intricate clusters that resemble art installations. Pip Rich praised its versatility and endlessly fascinating shapes, suggesting it might be Broom's most accomplished work to date. The Soft Blown by Lladro, a collaboration with Nichetto Studio, was honored as the Best Table Lamp. This design combines Lladró’s Airbloom table lamp and Afloat chandelier, drawing inspiration from balloons. The judges lauded its whimsical and cartoon-like character, with Ellen Finch noting its humorous appeal. For the Best Ceiling Light category, Wave by Curiousa was selected. These chandeliers are characterized by their handcrafted, mould-free blown glass, which results in a charming lack of uniformity and an ice cream-inspired color palette. Pip Rich envisioned them as striking, contemporary clusters suitable for entryways or above dining tables, appreciating their carefree aesthetic. David Hunt Lighting's Pop collection won Best Wall Light. This globe-shaped bulb features a metal backing that acts as a reflector, casting a warm glow into the room. Available in four colors, its scalloped edge was particularly admired by Sarah Spiteri for its aesthetic detail and thoughtful design. The Best Portable Light award was given to Tom Dixon's Bell lamp. Recognizing the growing demand for flexible living solutions, portable lamps have become essential. The Bell lamp offers a range of calming hues and provides excellent downlight for reading, as noted by Ellen Finch. Its design ensures seamless integration into various settings. Finally, Dyson's Solarcycle Morph secured the Best Desk Light award. This innovative desk light is engineered to adapt to the user's needs throughout the day with a daylight tracking system. Hugh Metcalf highlighted its soothing ambient setting, underscoring its functional sophistication. This award category introduced a new level of engineering in lighting, focusing on dynamic light delivery based on daily tasks. #LivingetcStyleAwards #LightingDesign #InteriorDesign #LeeBroom #Lladro #Curiousa #DavidHuntLighting #TomDixon #DysonLighting #HomeDecor

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

The Dolli, a new hotel in Athens, represents a fusion of classic Greek culture and contemporary design, situated in a 1925 neoclassical building in the city's heart. Mari Daskalantonakis, the hotel's owner and creator, envisioned the Dolli as a home base for travelers seeking to immerse themselves in Athens' ancient charm and vibrant energy. The design inspiration stemmed from the building's original architecture by Andreas Kriezis, who also designed the Hellenic Parliament. The hotel’s interiors, materials, and art collection were carefully curated to align with the building's historical grandeur and the city's spirit. Located in Plaka, near the Acropolis, The Dolli respectfully incorporates its Greek heritage through elements like 18th-century antiques and ancient Macedonian motifs, which Kriezis himself preserved and restored. This historical richness is complemented by modern design pieces, including custom furniture from Pierre Augustin Rose, and significant artworks by Pablo Picasso and Jean Cocteau, creating a dialogue between past and present. Daskalantonakis highlighted the demanding process of restoring the facade to honor Kriezis' legacy and enhance Athens. A particular challenge was transforming the abandoned rooftop into a key feature. This rooftop offers unparalleled views of the Acropolis, Parthenon, Ancient Agora, and the 19th and early 20th-century architecture of Plaka. The goal was to create a unique viewpoint that respects the Acropolis without competing with its historical significance. Stelios Kois, a renowned contemporary Greek architect, was tasked with this challenge. He embraced Daskalantonakis' vision, designing The Dolli’s restaurant on the rooftop as a subtle yet divine architectural addition to Athens. The hotel’s design philosophy balances historical preservation with modern aesthetics, offering guests a unique experience that blends comfort, luxury, and cultural immersion. The selection of art, furniture, and decorative elements contributes to an ambiance that is both elegant and welcoming. The careful integration of various design periods and artistic styles aims to provide a sophisticated yet authentic Athenian experience, celebrating the city's past while looking towards its future. The project reflects a deep understanding of Athens' architectural and cultural landscape, transforming a historic building into a contemporary hotspot. #HotelDesign #AthensArchitecture #NeoclassicalBuilding #InteriorDesign #GreekHeritage #ContemporaryArt #RooftopRestaurant #ArchitecturalRestoration #LuxuryTravel

This article compiles a selection of notable design achievements and trends from the 2013 Design Awards, showcasing innovation across various categories from interiors and architecture to fashion and technology. The presented works highlight a period of design marked by updated traditional techniques, reissues of classic pieces, and forward-thinking concepts. In the 'Best Trend' category, a focus on "puzzle-like" designs emerged, featuring random patterns and asymmetric forms that updated traditional inlaying and overlaying. Materials like stone, wood, leather, acrylic, and ceramic were combined in unexpected ways to create decorative geometry. Examples include Patricia Urquiola's 'Azulej' tiles for Mutina, which blend ancient majolica with modern digital printing to allow for complex patterns. Massimo Morozzi's 'Bois de Rose' cabinet for Edra reimagined woodworking traditions with random rosewood veneers and innovative piano pedal openings instead of handles. Urquiola's 'Fishbone' coffee table for Moroso utilized Alycrite to mimic natural materials in a herringbone pattern, while Form Us With Love's 'Slab' vases for Cosentino/Silestone demonstrated the versatility of quartz compound beyond conventional surfaces, forming sculptural pieces through interlocking rings. The 'Best Reissues' section celebrates the successful reintroduction of classic designs. The 1951 'Calvert' coffee table by Bauhaus architect Ferdinand Kramer was re-released by E15, maintaining its original flat-pack design. Sambonet produced stainless-steel tableware based on unmanufactured 1951 sketches by Giò Ponti, including asymmetric flatware and a unique two-bowl centrepiece. Arne Jacobsen's 1939 'Mayor' sofa, initially designed for Søllerød City Hall, was reissued by &Tradition; featuring a solid oak frame and Kvadrat upholstery. Le Corbusier's 1954 'Projecteur 365' industrial lamp was updated by Nemo Cassina, offering wall, floor, and ceiling models with modern elements developed in collaboration with the Le Corbusier Foundation. Muriel Grateau was recognized for 'Best Reinvention,' transforming her Parisian gallery into a pristine white space that highlighted her bold ceramic, glassware, and linen collections. Starting as a fashion designer, her work across homeware and jewelry, often in collaboration with figures like Peter Marino and India Mahdavi, continues to define Parisian elegance. Chanel Fine Jewellery's 'Clair-obscur' ring received an award for 'Best Use of Material,' for its innovative juxtaposition of diamonds with blackened titanium, an industrial material often used in aerospace. This reinterpretation of Gabrielle Chanel's 1932 high-jewelry collection played on celestial themes, echoing the discovery of titanium in meteorites. Qusamura in Hiroshima was named 'Best Plant Shop' for its unique approach to botanical sculpture, pairing unusual cacti sourced from across Japan with distinctive pottery. Kohei Oda's vision transforms these plants into sculptural art for the home, emphasizing their unique character. Minotti's 2012 collection was lauded as 'Best Collection' for its blend of innovation and continuity, showcasing traditional workmanship, sumptuous materials, and a contemporary aesthetic with subtle nods to mid-century and Scandinavian styles. The collection introduced more color and pieces adapted for compact living, such as the 'York Lounge' armchair and 'Sherman 93' sofa. Cartier's 'ID Two' concept watch was celebrated for 'Best Future Vision.' This unique, not-for-sale timepiece featured a transparent case made from a single block of new-generation ceramic, vacuum-sealed to enhance reliability. It represents Cartier's commitment to pushing technological and aesthetic boundaries, with its innovations expected to influence future watch designs. The 'Best Finishing Touch' category recognized beauty essentials: Comme des Garçons' 'Amazingreen Eau de Parfum' for its green and spicy scent, Chantecaille's 'High Definition Perfecting Powder' for creating a flawless complexion, Matylda Krzykowski's 'Borste & Horne' brushes and pans for their contemporary design, and Shu Uemura Art of Hair's 'Essence Absolue Nourishing Protective Oil' for hair care. The Faculty of Pharmaceutical Sciences at the University of British Columbia by Saucier + Perrotte Architects and Hughes Condon Marler Architects won 'Best Lab.' Its design, inspired by a cubist tree, features a façade of variegated glass boxes and a central atrium, creating a striking and functional space that connects with its natural surroundings. 'Best Comfort Food' was awarded to Jacob's Pickles in New York for its blend of Southern soul food and East Coast pickle culture, and Häagen-Dazs' limited-edition 'Ice Moons' created in collaboration with London designers Doshi Levien, which featured moon-shaped, layered ice cream bombes. The 'Best Cover-up' category highlighted power outerwear brands: Herno, Sealup, CP Company, and Hancock, all recognized for their technical innovation, sharp silhouettes, and quality materials. 'Cartesia' by Nosigner for MSY, a chest of drawers named after René Descartes, was recognized as 'Best Bottom Drawer' for its effortless mechanics, graphic design, and two-directional opening. The 'Best Groom' products included Baxter of California's cut-throat razor, Ursa Major's 'Stellar Shave Cream,' Blind Barber's '90 Proof Pomade,' and Yang Ripol's innovative shaving brush with a magnetised stand. Piaget's 'Altiplano' hard-stone dial watches received 'Best Test of Time,' celebrating the revival of its 1960s and 1970s psychedelic-luxe designs. These timepieces, featuring gem-hued dials, were praised for their blend of fine jewelry and innovative engineering. The Franklin D Roosevelt Four Freedoms Park in New York City, designed by Louis Kahn, was named 'Best Day Out.' This park, completed decades after Kahn's death, offers spectacular views of the Manhattan skyline and serves as a tribute to Roosevelt's vision. Trevor Paglen's 'The Last Pictures' project earned 'Best Mission,' an ambitious artistic endeavor involving 100 photographs etched onto a silicon wafer and attached to a satellite, intended as a message to extraterrestrial life. Daikanyama T-Site in Tokyo by Klein Dytham and Kenya Hara was celebrated as 'Best Bookshop,' a multi-pavilion complex designed to appeal to an older demographic but attracting a broad audience with its extensive collection and unique lounge bar. Bulthaup's 'B3' drawer fitting system won 'Best Storage' for its customizable inserts and organizational features within kitchen drawers. Roca's 'In-Tank Meridian Toilet' and CEA's 'Hydroplate' were jointly awarded 'Best Loo' for their innovative, space-saving, and hygienic designs. Le Sergent Recruteur in Paris, redesigned by Jaime Hayón, received 'Best Fixer-Upper' for its transformation into a modern European rural restaurant. Piquadro's 'Coleos' backpack was named 'Best Bag' for its advanced compartmentalization and expandable design, catering to the needs of the urban individual. The Alpina Gstaad in Switzerland was recognized as 'Best Winter Retreat' for its luxurious blend of traditional and contemporary design, including its Six Senses Spa and Japanese restaurant. Finally, the Shenzhen Stock Exchange by OMA and Cais Das Artes in Brazil by Paulo Mendes da Rocha and Metro Arquitetos were highlighted as 'Best Building Sites' for their architectural audacity and cultural significance. Casa Till in Chile by WMR Arquitectos received 'Best Getaway' for its remote location, minimalist design, and breathtaking sea views. #DesignAwards #InteriorDesign #Architecture #ProductDesign #Fashion #Technology #Watches #Jewellery #UrbanPlanning #Travel #FoodDesign

Lodes, an Italian lighting pioneer, in collaboration with German design studio GECKELER MICHELS, is set to launch MAP, an innovative ceiling and wall lighting system during Milan Design Week 2025. MAP represents a new approach to lighting design, emphasizing creative freedom and emotional connection through light. The system's core innovation is a highly decorative conductive tape that simultaneously powers the entire system and facilitates limitless design configurations. This tape not only directs light but also evokes the imagery of celestial constellations, placing a romantic and visually engaging theme at the heart of the lighting concept. Founded in 1950, Lodes has a long-standing commitment to mastering light, a passion that is evident in MAP. The system reflects Lodes' evolution, embodying a refreshed brand identity that embraces change while retaining its fundamental values. MAP's design allows for significant adaptability, catering to various environments from residential to commercial spaces. Its conductive tape enables the free arrangement of luminous points and lines on ceilings and walls from a single power source, offering architects, interior designers, and lighting professionals unprecedented design flexibility. This adaptability facilitates the creation of dynamic compositions that both illuminate and aesthetically enhance a space. MAP is available in three matte finishes: black, champagne, and natural brown, which can be applied to both the modules and the tape for a cohesive and integrated appearance. The system's circular starting module houses an LED board with tunable white technology, allowing users to select the optimal color temperature during installation. The lighting modules, serving as fixed anchoring points, feature fabric bands that wrap around them, creating a minimalist yet fluid aesthetic. The fabric tape runs through each module, distributing power seamlessly from the primary module while concealing the power source. The tape comes in an 8-meter reel, 5 cm wide, equipped with specialized conductors, ensuring even power distribution even in the absence of additional ceiling or wall power sources. Each MAP module measures 130 mm in diameter and 63 mm in height and is fitted with a PMMA lens available in different variants to meet diverse lighting needs, from focused directional light to diffused ambient effects. The lens is magnetically sealed within the module, ensuring a harmonious fit. Customization is further possible with an optional honeycomb filter that can be applied to the lens to improve lighting comfort and reduce glare. The system's scalability varies by version: the TRIAC version supports up to five elements, while the DALI version accommodates up to eight. Beyond these, MAP is infinitely extendable by connecting a non-conductive tape to a starting module powered by a separate circuit, allowing for an unlimited number of light points. MAP addresses common design challenges, such as low ceilings or insufficient ceiling lighting points, by enabling the connection of a dedicated starting point to the wall. This non-illuminated module, equipped with a cover and an angular mounting bracket, blends seamlessly with the other components. The system also supports an indirect wall lighting application, where a screen directs and diffuses light onto the wall, creating a visual effect similar to the ceiling-mounted version. GECKELER MICHELS, the design studio behind MAP, known for its functionalist approach and focus on human behavior and storytelling, contributed to the system's innovative and emotionally resonant design. The studio, founded by David Geckeler and Frank Michels in 2013, draws inspiration from design history, contemporary technologies, and digital design techniques. MAP is scheduled to debut at Lodes’ exhibition at Euroluce 2025 during Milan Design Week, where Lodes will also showcase other innovative products, including its Standard Bespoke and Out of Scale solutions, and a new outdoor collection. #LightingDesign #MilanDesignWeek #InteriorDesign #ModularLighting #InnovativeMaterials #GECKELERMICHELS #Lodes #DesignInnovation #CustomizableLighting

This article showcases a curated selection of innovative lighting designs observed throughout 2023, highlighting how designers continue to push the boundaries of functionality and aesthetics in illumination. The pieces presented demonstrate a wide array of approaches, from minimalist forms to highly sculptural and technologically integrated solutions, reflecting current trends and advancements in the field of lighting design. Among the featured designs is Atelier de Troupe's Kyoto series, sconce lights distinguished by their unexpected use of cast aluminum, offering a unique texture and materiality to a classic lighting fixture. Bernhard Osann's Bird is introduced as an elegant desk lamp that redefines conventional design by eliminating the base, presenting a clean and airy aesthetic. The article also notes an update to the VL 56 pendant lamps, originally designed by Vilhelm Lauritzen in 1956, showcasing how timeless designs can be reinterpreted for contemporary appeal. Yuchao Lin's Macrozone Fan Lamp presents a more unconventional approach, integrating hidden fan blades that deploy on demand, combining functionality with a sense of playful surprise. Further examples include the Kelvin Epos 300 by Minoko, a precisely adjustable film/photography light with a robust industrial aesthetic, and Jordi Canudas's Dipping Light, which employs a distinctive production method to color its glass lampshades, resulting in unique visual effects. A peculiar lamp from Japanese cosmetics company Shiseido is highlighted, conjectured to be a promotional item from the 1980s, indicating the broader application of lighting in branding and marketing. Lukas Bazle's Méduse pendant lamp offers user-transformable lampshades, allowing for dynamic control over light direction, while Maxime Prananto's Continuous Chandelier challenges traditional notions of luxury lighting by incorporating industrial elements like I-beams and chains with common fluorescent bulbs. Lucas Muñoz Muñoz's B.A.R.E. Lamps are presented as an embodiment of minimum viable product in lighting design, focusing on essential form and function. Studio Huub Ubbens' Unico series showcases sophisticated lamp switches and dimmers, emphasizing the often-overlooked tactile experience of lighting control. Christian Flindt's minimalist bollard lights are featured for their clean lines and suitability for both indoor and outdoor environments. The Bolita lamp by Kaschkasch introduces a kinetic interface, offering an interactive element to lighting. Concept designs like Renaud Defrancesco's Spot, with its dual user-adjustable rotating LEDs, and Naoto Fukasawa's Half Dome series, incorporating subtle haptic touches, point towards future directions in user interaction and sensory experience in lighting. The Dyson Lightcycle Morph Lamp is acknowledged for its intelligent design and multiple applications, despite an aesthetic that prioritizes engineering. Bookman Urban Visibility's lightweight, rechargeable safety lights are noted for their fun form factors catering to pedestrians and cyclists. A 1970s-style manually adjustable Bill lamp concept by Stefanie Kay evokes a nostalgic yet functional design. Inga Sempé's w153 Island offers an improved design for a clamp lamp, enhancing utility and versatility. Keiji Takeuchi's lacquered pendant lamps, inspired by traditional Japanese bowls, combine cultural heritage with modern design. The article also covers outside-the-box innovations such as Stefan Diez's Plusminus lighting system, which utilizes power-conducting webbing straps for flexible installations, and Daniel Schofield's Ray Lamp, a stylish portable lighting solution for both indoor and outdoor use. Alexey Danilin's Amulet Lamp merges hand-blown glass with LEDs for a unique visual effect, while the Funambulb by Superlife is designed for easy portability and hanging. Robert Dabi's Poise Lamp series introduces infinitely-adjustable, impossibly-thin ring-light-like lamps. The evolution of portable lighting is further exemplified by neck lights featuring magnetic, removable flashlights. The Skot lamps by Louis Poulsen, originally designed for maritime use, are highlighted for their aesthetic appeal in terrestrial settings. Govee Curtain Lights are shown to transform walls and windows into animated displays, akin to large-scale Lite-Brites. LED strip lighting on reels, commonly used by European construction workers, is presented as a practical and bright solution for jobsite illumination. Finally, the Philips Ellipse provokes thought on whether the light bulb itself should be considered a design object, encapsulating a broader trend towards aesthetics in every component of lighting. #LightingDesign #IndustrialDesign #ProductDesign #DesignInnovation #HomeLighting #ModernDesign #SustainableDesign #TechIntegration

Signify myCreation, a leading lighting company, is revolutionizing the lighting industry through advanced 3D printing technology and a strong commitment to sustainability. The company empowers brands, startups, and designers to create personalized luminaires tailored to specific identities, visions, and needs. This is achieved through an intuitive online configurator that allows users to select from a diverse range of shapes, colors, textures, and lighting specifications. The platform offers over 190 design variants, facilitating the creation of lighting solutions that seamlessly integrate into retail, hospitality, business, and residential spaces. Additionally, all functional lighting solutions are designed to be energy-efficient and can be integrated with connected systems for further energy savings. Signify myCreation is returning to Milan Design Week 2025 with an elegant bar installation at Milan’s Palazzo Giureconsulti. This installation, designed in collaboration with Dekker Zevenhuizen and Triboo, will be illuminated by a curated selection of award-winning luminaires. The exhibition will feature the Gleam and Smooth luminaires, along with the Voila table lamp, showcasing the platform's ability to combine functionality with sophisticated aesthetics and environmental responsibility. A new addition to the Smooth Spotlight series, promising superb adaptability, will also be previewed. The Gleam luminaire, designed by Sebastian Bergne, is a refined bulb-based pendant light known for its serene, heptagon-inspired silhouette and its ability to add a touch of wonder to everyday objects. Available in multiple sizes, the Gleam design aligns with the 3D print grain, with all printed parts made from ISCC Plus certified bio-circular materials. Its minimalist and delicate nature allows it to create intimate atmospheres or serve as a striking interior accent. The Gleam lighting pendant family, recognized with a 2025 iF Design Award, reinterprets the simple glowing pendant globe through alternative geometry and Bergne’s distinctive flair. The flexibility of 3D printing enables horizontal form lines that create a skeleton of uninterrupted harmony, with each piece possessing a unique presence and allure, available in three sizes and one texture. The Smooth Spotlight series, also a recipient of the 2025 iF Design Award, is designed for hospitality and residential settings, offering superior customization in both colors and textures. This allows for the creation of unique lighting formulas to highlight spaces effectively. Its printed components are made from 65% recycled and ISCC Plus-certified bio-circular materials, while the heatsink is crafted from 85% recycled aluminum, ensuring durability and longevity. The minimalist spotlight includes a honeycomb accessory to reduce glare and improve light distribution. Its circular design ensures it can be upgraded throughout its lifespan. The Voila collection of table lamps features charmingly proportioned designs with a vibrant color palette and playful presence. These lamps, reminiscent of 1960s interior design with their petite mushroom silhouettes, are crafted from bio-circular materials like biomass and natural waste, processed into sustainable polycarbonate. The single light source shines both upward and downward, creating a mesmerizing diffused light with a mandala effect through the crafted underside of the lampshade. The Voila lamp, an iF Design Award winner in 2022, is available in various colors such as white, bronze, gold, pink, and green, subtly complementing any interior space with its lightness and versatility. Signify myCreation emphasizes eco-friendly practices by incorporating at least 65% recycled and bio-circular materials in all its products. The 3D printing process reduces material waste and carbon emissions through local, on-demand production, minimizing transportation impacts. The company actively collaborates with research institutions, startups, and industrial organizations to advance 3D printing technology and sustainable practices, having produced nearly 2 million luminaires globally. At Milan Design Week 2025, visitors can explore the potential of personalized, smart, efficient, and sustainable lighting solutions at Signify myCreation’s pavilion. The initiative plans to expand its offerings and improve user experience through enhanced configurators and advanced product roadmaps, aiming for ambitious sustainability goals such as increasing climate action revenues to 72% and achieving zero waste to landfill. Signify myCreation sets new standards in circular lighting design by blending cutting-edge technology with artistic expression and a commitment to sustainability. #LightingDesign #3DPrinting #SustainableDesign #InnovativeMaterials #MilanDesignWeek #CircularEconomy #ProductDesign #SmartLighting #BioCircularMaterials

The article introduces the 'Nest Lamp' by Bored Eye, a design studio founded by industrial product designer Liam de la Bedoyere, as their submission to the Render Weekly challenge. The challenge tasked designers with creating a custom light shade that seamlessly integrates with a provided socket. Bored Eye's innovative approach for the Nest Lamp focuses on accentuating the light's long cables, turning what is typically hidden into a central design feature. This concept was partly inspired by Gantri's ethos and their use of 3D printing in lighting products. The Nest Lamp is designed with a minimalistic aesthetic, appearing as a nest for a large 'egg lamp.' Its body is crafted from a plant polymer, which provides a soft-touch matte finish. This material choice is intended to avoid harsh, unflattering lighting, contributing to a more comfortable and natural illumination. The design philosophy behind the Nest Lamp aims to transform a seemingly messy pile of cables into a relatable and functional art piece, which Bedoyere believes is achievable by most users. Key features of the Nest Lamp include its eclectic warm opal shade, which effectively diffuses light to produce a natural and evenly distributed glow. Furthermore, the lamp boasts an extra-long cord, offering greater flexibility in terms of placement and how users can interact with the lamp within their environment. This extended cord length not only enhances the lamp's functionality but also contributes to its unique visual identity, reinforcing the idea of the cables as an integral part of the design rather than a component to be concealed. The design studio Bored Eye, based in Essex, UK, aims to create conceptual objects that blend function, style, and imagination. Liam de la Bedoyere, the founder, emphasizes crafting products that are far from conventional or 'boring,' focusing on unique solutions to common design challenges. The Nest Lamp exemplifies this by reimagining the functional elements of a light fixture as aesthetic components. This product represents a shift from traditional lamp designs where cables are typically hidden, instead embracing them as a core element that defines the lamp's form and interaction. #LightingDesign #ConceptDesign #InnovationDesign #IndustrialDesign #ProductDesign #SustainableDesign #HomeDecor #MinimalisticDesign

The Homes & Gardens Design Awards recognize exceptional product designs that introduce character and sophistication to interior schemes. These annual awards highlight items, from prominent statement pieces to subtle accents, that are both contemporary and enduring in their appeal. This year's awards encompass a wide array of categories, celebrating innovation, craftsmanship, and sustainability across various home furnishings and decor. In the rug categories, 'Lithic' by A RUM FELLOW was honored as the Best Rug Collection. Inspired by British landforms, this collection features designs that mimic weathered stone, evoking the wild landscape through ethically handcrafted rugs made from Tibetan wool, New Zealand wool, cactus fiber, and silk. These rugs are STEP and GoodWeave-certified, emphasizing their ethical production. The Best Rug Design award went to 'Acres' by Pelican House x Lucy Williams Home, a flatweave, handwoven from 100% New Zealand wool, reflecting the English countryside's pastoral beauty. For outdoor and sustainable rugs, 'Aster' by Weaver Green was recognized for transforming 100% recycled plastic bottles into wool-like fibers, creating ultra-durable yet authentic-looking kilims. The Best Runner Design was awarded to 'Skye' by Bombay Sprout x Laura Stephens, crafted by fourth-generation weavers in India from hand-harvested jute, a biodegradable and recyclable material. For flooring, 'Chicopee' by Unnatural Flooring won for its herringbone weave, combining sisal's rustic charm with synthetic yarn's practicality, making it water-resistant, UV-stable, and suitable for indoor or outdoor use. Furniture awards included 'Bill's carver' by Studio HÁM for Best Chair, inspired by early English antiques and made from oak with a woven seagrass seat. 'Lomada' by Isabel & Co received Best Desk for its custom-made design from solid oak, upholstered in various fabrics. The Best Sofa award was given to 'Dajo' by Porta Romana, noted for its retro aesthetics, modern craftsmanship, deep seat, elegant curves, and polished beech plinth. 'The Nautilus' by Astrid Houssin Interiors won Best Stool, offering decorative versatility with bespoke RAL colors and hand-painted finishes. 'The Bedroom collection' by Sims Hilditch x George Smith secured Best Furniture Collaboration, drawing inspiration from the Cotswolds' rolling hills. NiX by Nicola Harding's 'Shipshape chest of drawers in Sage Green' was recognized for Best Storage, featuring FSC-certified solid oak, a bold painted finish, and distinctive vertical handles. 'The Artesian' by Collection Seven won Best Bed for its customisable design, featuring poplar burl veneer posts and a luxurious upholstered base and headboard. 'Tides' by Brogan Cox x NAT MAKS was celebrated for Best Use of Colour for a Product, with marbled ink designs inspired by coastal life. Lighting categories saw several winners: 'Campanilla pendant light' by Birdie Fortescue for Best Affordable Design, offering handcrafted quality and timeless elegance. 'Insulator AB pendant' by Novocastrian won Best Fixed Ceiling Light, inspired by train journeys and made from machined brass and pressed glass. 'Thelma lantern' by Jamb received Best Pendant Light, blending historical craftsmanship with contemporary elegance. 'Bloomsbury' by Max Rollitt was named Best Table Light, honoring the Bloomsbury Group's artistic legacy with hand-turned and painted designs. 'Copper Coast rechargeable accent light' by Visual Comfort & Co x Waterford earned Best Portable Light, combining crystal craftsmanship with lighting expertise. 'Simone' by Hector Finch won Best Wall Light, drawing design cues from the Vienna Secession movement. Other notable winners include 'Bedding in Eva Belle by Liberty' by Coco & Wolf for Best Bed Linen, featuring a traditional ditsy floral print. 'Galia' by Porta Romana was awarded Best Mirror for its organic ceramic shape and customisable glazes. 'Anemone candle' by Grove England received Best Home Fragrance, combining chamomile, jasmine, and neroli with warming notes. Natasha Hulse's 'Bespoke design' won Best Headboard for its intricate, hand-painted, and embroidered artistic creations. 'The Palaces Collection' by The Soho Lighting Company x Historic Royal Palaces was recognized for Best Accessories Collaboration, drawing on historical patterns and crafted from solid brass. Rowen & Wren won Best Product Made in the UK for its commitment to British craftsmanship and sustainability. For outdoor accessories, 'Lampshade parasol in Double Cream' by Plia Parasols won for its fade-proof fabric and bullion fringe. 'Chatterley' by Francis Sultana for David Gill Gallery received Best Outdoor Collection for its sculptural, patinated bronze pieces inspired by the British landscape. Finally, 'Diamond Majesty mattress topper' by Vispring won Best Sustainable Design for its use of nature's finest materials and commitment to environmental responsibility. #HomesAndGardens #DesignAwards #InteriorDesign #ProductDesign #HomeDecor #SustainableDesign #Craftsmanship #LuxuryFurnishings #LightingDesign