DFA world's outstanding chinese designer tino kwan lets us into a world of lighting artistry

The article details the 'Destinations' exhibition, a key component of Dubai Design Week, which brought together six international design weeks to showcase emerging brands with a focus on lighting. The event served as a global platform, highlighting diverse design approaches from cities including Mexico City, Beijing, Helsinki, Istanbul, Melbourne, and San Francisco. Each participating design week presented three emerging brands, demonstrating a variety of innovative lighting solutions. From Melbourne International Design Week, Lab De Stu, founded by Andre Hnatojko, featured highly modern and oversized Popper lamps. Ben Tovim contributed pieces that explore geometric structures and material values, while Christopher Boots presented graphical works that combine traditional and contemporary techniques. San Francisco Design Week showcased Lumio lamps, which are designed to open like a book, creating a unique illumination experience. Beijing Design Week's contribution included Eoq lamps, known for their Moiré effect, adding a distinctive visual element to lighting design. Helsinki Design Week featured Saas Instruments, which innovated with Alexander Lervik's crystal glass Sparkle pendant and Sense Light Swing lamps, offering both aesthetic beauty and functional versatility. Mexico City's Abierto Mexicano De Diseño highlighted craft-led and pattern-projected lighting solutions from Ediciones Jalapas, alongside Tributo's materially rich and formally sound designs. The exhibition emphasized how specific materials are utilized to reflect the distinct regional contexts in which these light sources are produced. The 'Destinations' exhibition underscored the global nature of design, where creativity converges from various corners of the world. The diverse range of styles and applications presented at Downtown Design Dubai demonstrated that despite geographical and cultural differences, the sublime qualities of light possess the potential to unify and connect communities worldwide. The showcase allowed for the appreciation of different interpretations of lighting, from clean geometry and ingenious references to intricate weaving techniques and crystal refraction, all contributing to the transformation of an essential resource into an art form. #DowntownDesignDubai #LightingDesign #DubaiDesignWeek #InternationalDesign #EmergingBrands #DesignInnovation #GlobalDesign #ArchitecturalLighting #HomeDecor

Dana Harel, a San Francisco-based Israeli designer, has launched her inaugural lighting collection under her studio, White Dirt. Harel's career trajectory showcases a diverse artistic exploration, starting with architecture and extending into ceramics and line art before her current venture into luminaires. The new collection, dubbed "Ora," comprises three tented table lamps—Ora I, II, and III—and a suspended, trapeze-like floor lamp, Ora IV. These pieces draw inspiration from Harel’s existing body of work, particularly her vases and vessels, which inform their hand-carved sculptural aesthetic. The lamps are crafted using a combination of gypsum cement, muslin, and brass, materials that contribute to their unique visual and tactile qualities. The design intentionally evokes the imagery of draped wedding gowns, suggesting moments of concealed intimacy and exploring the delicate balance between revealing and hiding forms. This interplay of materials and forms allows the collection to convey a sense of fluidity and softness, a departure from more rigid sculptural traditions. Harel describes the process of working with fabric—folding, pleating, and draping—as a refreshing experience, contrasting with her previous work that often involved tools like chisels and hammers. This shift towards softer, more pliable materials allowed her to experiment with light in a new way, focusing on how textiles interact with illumination to create ambiance and shape. The collection's design ethos embraces a certain spontaneity, reflecting Harel’s approach to her creative process. Each piece in the Ora collection stands as a testament to her evolving artistic language and her ability to translate diverse inspirations into functional art. A notable and unconventional source of inspiration for Harel was a scene from the HBO series *Succession*, where characters Tom Wambsgans and Cousin Greg consume a rare delicacy with napkins tented over their heads. This seemingly obscure reference underscores Harel's willingness to draw from unexpected cultural moments, transforming them into artistic concepts. The designer interprets this act of "masking shame" or "heightening pleasure" as a metaphor for the lamps' ability to create intimate, almost cloistered, environments through their draped forms. The sculptural swagger of the lamps is deeply rooted in these varied influences, bridging architectural precision with textile softness and cultural anecdotes. The collection as a whole is an exploration of form, light, and material, reflecting Harel's multidisciplinary background and her continuous quest for new creative expressions. #DanaHarel #LightingCollection #SculpturalLighting #InteriorDesign #WhiteDirtStudio #ProductDesign #TextileArt #ContemporaryDesign

Masiero, an Italian lighting company established in 1981, has grown from a small workshop in Northern Italy to a global leader in lighting. The company’s success is attributed to its dedication to merging traditional Italian craftsmanship with contemporary aesthetics, as well as its collaborative approach with internationally renowned designers. Masiero works closely with designers and its in-house R&D department to produce distinctive lighting fixtures that shape its product portfolio. The collaborative process typically begins with Masiero providing designers with a brief outlining mood, product type, price range, and materials. However, Masiero also welcomes proposals from designers inspired by their own concepts. This fosters a unique relationship between designers and Masiero’s internal team, focusing on achieving optimal shapes and finishes. Masiero emphasizes the challenge of industrializing a designer's vision while maintaining economic sustainability, leveraging its expertise in metal processing and technological innovation in light management and flexibility. This flexibility, especially concerning color and size, is crucial for designers managing diverse projects. Masiero further supports these collaborations with a commercial network spanning 80 countries and robust marketing efforts, both online and offline. Alessia D’Alesio, Masiero's Global Marketing Manager, highlights the Horo collection by Pierre Gonalons as a particularly successful collaboration, having won the Good Design Award 2021. Gonalons' creative concept for Horo, featuring a sandwich construction of two prismatic glass circles within an outer frame, was faithfully translated into the final product. Masiero's internal team meticulously worked on optimizing illumination, refining the frame's finish, and selecting a decorative yet delicate glass. Gonalons describes Horo as a disk of light that simultaneously offers a light show, emphasizing his passion for handcrafted materials that narrate a story. He appreciates Masiero’s expertise in material and finish selection, which facilitated a natural development of the collaboration. The prototyping phase involved significant modification and improvement, demonstrating a strong collaborative spirit. Gonalons also praises the unique quality of Masiero’s hand-finished metalwork, achieved in their workshop, especially considering its competitive price point. Giovanni Battista Gianola's Sound collection was inspired by the artisans' ability to create perfect curves from shiny tubes, evoking musical instruments. This inspiration translated into lighting fixtures where material and shape are integral to the lamp’s aesthetic, much like they are to an instrument’s sound. The collection features gracefully shaped arms supporting glass diffusers encased by wide metal shades, resulting in layered sconces, floor lamps, chandeliers, and pendant lights. Gianola emphasizes that creating a new lamp involves a deep understanding of the brand's DNA, selecting materials that reflect its heritage, such as Masiero’s crystals, shining metals, and warm light. He views Masiero as having an eclectic spirit rooted in Venetian heritage, pursuing a distinctive path driven by a love for materials rather than fleeting trends. Marco Zito's Nappe collection, developed in 2018, showcases Masiero's material processing capabilities and the potential for a contemporary yet timeless language that integrates design technology with an artisanal approach. Zito's vision for Nappe drew inspiration from Venetian 'nappine' (tassels), reinterpreting this classical ornament into 10 modern pendant designs that can be combined for various installations. He believes such collaborative work generates virtuous processes and knowledge exchange, leading to innovative forms. Oriano Favaretto, who created the Honicé collection in 2018, commends Masiero's extensive experience and ability to balance contemporary designs with its foundational values of quality craftsmanship, noble materials, and ongoing research. He values the company's family-oriented approach to projects and shared perspectives. The Honicé collection, consisting of suspension lamps and wall lights, features a striking blend of opaque gold or brass finishes with natural onyx diffusers, paying homage to Masiero's history. Successful collaborations, according to Gonalons, involve a thorough assessment of the strengths of both the company and the designer. Masiero has honed this skill over the years, understanding his creative identity while he grasped their history and production capabilities. Masiero's D’Alesio notes that designers serve as a rich source of ideas, providing essential creative input from external perspectives. The brand encourages designers to express their creativity while considering the potential client's needs, offering 40 years of experience to produce beautiful, functional, well-finished, and recognizable items. #LightingDesign #ItalianCraftsmanship #DesignCollaboration #MasieroLighting #InteriorDesign #ProductDesign #ContemporaryAesthetics #DesignInnovation #LuxuryLighting

Jason Krugman, a New York-based artist, creates captivating light sculptures using wire mesh forms embedded with thousands of hand-soldered LED bulbs. His journey into art began after a career in investment banking, leading him to study technology and art at NYU's Interactive Telecommunications Program (ITP). There, he learned about microcontrollers, soldering, digital fabrication, and new materials, which became foundational to his artistic practice. In 2009, Krugman established his studio in Brooklyn, focusing on the intersection of physical computing and fine art, transforming electricity into remarkable sculptures. Krugman's work is characterized by its fluid appearance, despite being constructed from static materials, often mimicking natural phenomena or intricate systems like swarms of mini-drones. He has developed several proprietary technologies, including a hand-soldered LED mesh, various cable systems, and custom printed circuit boards for LED artworks, holding two US patents. His designs are unique in that they often use the physical structure of the sculpture to conduct electricity to the light sources, eliminating the need for insulated wiring. This innovation allows thousands of LEDs to appear to float weightlessly within minimal wire forms, creating a soft, ethereal glow. His recent recognition includes a LIT Lighting Design Award for 'Capella Basket,' a large-scale installation described as a rectangular sheet of 2,000 LED bulbs rolled into a cannoli-like shape and seamed. This particular piece represents a decade of development, inspired by the challenge of shaping mesh material into complex forms. The 'Capella Basket' itself was a monumental undertaking, involving over 10,000 circuit boards, extensive prototyping in collaboration with Arup engineers, and fabrication with the support of the Brooklyn Navy Yard and other local businesses. Krugman views his work as a three-dimensional puzzle, where aesthetic form is deeply intertwined with functional utility. He believes that the beauty of his art is enhanced by its ability to perform, allowing viewers to engage with it intellectually and emotionally. The sculptures are shaped by their inherent capacity to efficiently distribute electricity. The artist's approach combines craft with technology, a process he manages by always building smaller versions and mockup sections, regardless of the project's scale or edition count. Feedback on Krugman's installations frequently highlights their resemblance to scientific structures and natural forms, fostering a sense of connection and collaboration with his audience. Looking ahead, Krugman aims to create even more complex forms while maintaining structural clarity. He also plans to explore folding and stretching techniques with different materials to delve deeper into surface creation, moving beyond his current focus on points and lines. He is also beginning to offer smaller sculptures for sale on his Instagram and website, providing more accessible ways for the public to engage with his art. #LightingDesign #ArtDesign #LightSculptures #LEDArt #InteractiveArt #PhysicalComputing #ContemporaryArt #Innovation #DesignProcess

This article showcases a curated selection of innovative lighting designs observed throughout 2023, highlighting how designers continue to push the boundaries of functionality and aesthetics in illumination. The pieces presented demonstrate a wide array of approaches, from minimalist forms to highly sculptural and technologically integrated solutions, reflecting current trends and advancements in the field of lighting design. Among the featured designs is Atelier de Troupe's Kyoto series, sconce lights distinguished by their unexpected use of cast aluminum, offering a unique texture and materiality to a classic lighting fixture. Bernhard Osann's Bird is introduced as an elegant desk lamp that redefines conventional design by eliminating the base, presenting a clean and airy aesthetic. The article also notes an update to the VL 56 pendant lamps, originally designed by Vilhelm Lauritzen in 1956, showcasing how timeless designs can be reinterpreted for contemporary appeal. Yuchao Lin's Macrozone Fan Lamp presents a more unconventional approach, integrating hidden fan blades that deploy on demand, combining functionality with a sense of playful surprise. Further examples include the Kelvin Epos 300 by Minoko, a precisely adjustable film/photography light with a robust industrial aesthetic, and Jordi Canudas's Dipping Light, which employs a distinctive production method to color its glass lampshades, resulting in unique visual effects. A peculiar lamp from Japanese cosmetics company Shiseido is highlighted, conjectured to be a promotional item from the 1980s, indicating the broader application of lighting in branding and marketing. Lukas Bazle's Méduse pendant lamp offers user-transformable lampshades, allowing for dynamic control over light direction, while Maxime Prananto's Continuous Chandelier challenges traditional notions of luxury lighting by incorporating industrial elements like I-beams and chains with common fluorescent bulbs. Lucas Muñoz Muñoz's B.A.R.E. Lamps are presented as an embodiment of minimum viable product in lighting design, focusing on essential form and function. Studio Huub Ubbens' Unico series showcases sophisticated lamp switches and dimmers, emphasizing the often-overlooked tactile experience of lighting control. Christian Flindt's minimalist bollard lights are featured for their clean lines and suitability for both indoor and outdoor environments. The Bolita lamp by Kaschkasch introduces a kinetic interface, offering an interactive element to lighting. Concept designs like Renaud Defrancesco's Spot, with its dual user-adjustable rotating LEDs, and Naoto Fukasawa's Half Dome series, incorporating subtle haptic touches, point towards future directions in user interaction and sensory experience in lighting. The Dyson Lightcycle Morph Lamp is acknowledged for its intelligent design and multiple applications, despite an aesthetic that prioritizes engineering. Bookman Urban Visibility's lightweight, rechargeable safety lights are noted for their fun form factors catering to pedestrians and cyclists. A 1970s-style manually adjustable Bill lamp concept by Stefanie Kay evokes a nostalgic yet functional design. Inga Sempé's w153 Island offers an improved design for a clamp lamp, enhancing utility and versatility. Keiji Takeuchi's lacquered pendant lamps, inspired by traditional Japanese bowls, combine cultural heritage with modern design. The article also covers outside-the-box innovations such as Stefan Diez's Plusminus lighting system, which utilizes power-conducting webbing straps for flexible installations, and Daniel Schofield's Ray Lamp, a stylish portable lighting solution for both indoor and outdoor use. Alexey Danilin's Amulet Lamp merges hand-blown glass with LEDs for a unique visual effect, while the Funambulb by Superlife is designed for easy portability and hanging. Robert Dabi's Poise Lamp series introduces infinitely-adjustable, impossibly-thin ring-light-like lamps. The evolution of portable lighting is further exemplified by neck lights featuring magnetic, removable flashlights. The Skot lamps by Louis Poulsen, originally designed for maritime use, are highlighted for their aesthetic appeal in terrestrial settings. Govee Curtain Lights are shown to transform walls and windows into animated displays, akin to large-scale Lite-Brites. LED strip lighting on reels, commonly used by European construction workers, is presented as a practical and bright solution for jobsite illumination. Finally, the Philips Ellipse provokes thought on whether the light bulb itself should be considered a design object, encapsulating a broader trend towards aesthetics in every component of lighting. #LightingDesign #IndustrialDesign #ProductDesign #DesignInnovation #HomeLighting #ModernDesign #SustainableDesign #TechIntegration

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

Lighting design encompasses the strategic use of illumination to achieve both practical functionality and aesthetic appeal in various environments. This field involves the selection and arrangement of both artificial light sources, such as lamps and light fixtures, and enhanced performance lighting systems. The ultimate goal is to improve the visual impact and overall ambiance of a designated area. The scope of lighting design extends to diverse applications, including interactive lighting series that utilize air pressure to activate inflating lamp structures, showcasing innovative approaches to dynamic illumination. Other creative examples include upcycled lighting collections that blend vintage object parts with natural wax, offering a sustainable and artistic dimension to lighting. Designers are also reimagining traditional forms, such as Philippe Tabet's transformation of industrial bulkhead lamps into face-like fixtures, and Yusuke Kawai's modular 'Kawara' lighting crafted from Japanese roof tiles, demonstrating a fusion of heritage and contemporary design. Further advancements in the field involve the use of novel materials and technologies. Bacterial cellulose is being transformed into translucent, ruffled lighting sculptures, while 3D-printed ceramics by Jolie Ngo introduce vibrant and sculptural elements into lighting. Exhibitions like 'Nuts + Bolts' highlight the potential of everyday hardware store supplies to be repurposed into DIY lighting solutions, emphasizing accessibility and resourcefulness. Artists like Carmen D'Apollonio create glass and ceramic characters that illuminate spaces, blurring the lines between art and functional lighting. The 'WA' upcycled table lamp, made from retired Tokyo train parts, exemplifies innovative reuse in design. Technological innovations also play a crucial role, as seen in WINT design lab's collaborative effort to create a lamp that adjusts brightness through a stretchable textile interface. Custom-made LED walls, such as those found in Huit Sushi Restaurant in Montreux, demonstrate how lighting can dramatically shape commercial spaces. Installations like 'Blind Lucid Umbrella' by Tony Tao Li explore the symbolic and experiential qualities of blue light through LED modules. Designers like Karim+Elias use desert sand to create luminous wall lamps and sculptural vases, showcasing the artistic possibilities of natural materials. The field also explores historical and cultural influences, with Formafantasma reflecting on American domestic furniture archetypes through lighting design. Kurahito Craft's flexible and see-through lampshade covers, crafted from slabs of wood, illustrate a sophisticated approach to material manipulation. The continuous evolution of lighting design is further demonstrated by annual events such as Milan Design Week, where designers like Michael Anastassiades present modular lighting installations in historic settings, and Lachlan Turczan's interactive halo light sculptures are featured at Google's exhibitions. Studio Lugo's 'Anachron' furniture series, combining horsehair with steel, and A-POC ABLE ISSEY MIYAKE and atelier oï's innovative use of cloth and wire to illuminate spaces, collectively showcase the boundless creativity and interdisciplinary nature of contemporary lighting design. #LightingDesign #HomeDecoration #InteriorLighting #SustainableDesign #InteractiveLighting #InnovativeMaterials #ProductDesign #ArtisticLighting #SmartLighting

Astro Lighting, a British brand founded in 1997 by John Fearon and James Bassant, has unveiled five new luminaire collections on Dezeen Showroom. These collections, intended for a range of interiors including residential and hospitality settings, showcase a commitment to elegant simplicity and contemporary design. The products featured span pendant lights, wall sconces, reading lights, and desk lamps, each designed with specific functionalities and aesthetic considerations. One of the highlighted collections is Avignon, an art deco-style wall light available in rounded or square options. This design is suitable for both domestic and hospitality environments such as hotels, restaurants, and libraries. The Avignon light is characterized by a fluted front panel made from clear glass rods that effectively refract light, encased within a zinc body offered in dark bronze or antique brass finishes. The Hashira collection consists of sleek metallic lights, including pendants, wall lights (sconces), and surface-mounted downlights. These are designed to illuminate smaller spaces like hallways and corridors within a home. Inspired by neoclassical architecture, the Hashira range features a distinctive dodecagon shape and a slim profile. The 12 extruded facets of these lights are designed to catch and reflect light, creating a visually engaging effect. The collection is available in various finishes, including matt black, matt nickel, and matt gold. Miura is a compact lighting range that comprises desk lamps, reading lights, and swing-arm sconces. Its design is marked by tapered shades, circular bases, and slender tubular necks that are bent at a right angle, forming a striking silhouette. The desk lamp variant includes an integrated USB port for charging devices. Both the wall light and swing-arm sconce versions feature subtle switches on their bases. Like the Hashira range, Miura lights are offered in matt black, matt nickel, and matt gold finishes. The Lucca collection offers a modern interpretation of classic gooseneck task lights. This slim reading light, with a diameter of just 25 millimeters, is ideally suited for bedsides, study rooms, libraries, or dedicated reading corners. It comes in a variety of minimalist and contemporary finishes. Key features include a low-glare LED, available in surface or recessed options, and a flexible matt black bezel and silicone arm designed for easy cleaning. Finally, the Cambria Pendant is a minimalist drum-ppendant light with a soft, neutral design, making it suitable for a wide array of domestic interiors requiring functional yet understated overhead lighting. This pendant is part of the broader Cambria collection, which also includes wall and ceiling lights. The pendant features a polycotton fabric shade in white or putty, with options for textured or pleated finishes. It utilizes three E27 lamps for efficient daily performance, connected by a black braided fabric cable to a discreet metal ceiling rose. The design prioritizes straightforward installation, featuring a push-fit terminal block for loop-in and -out wiring and a tool-free connection, with all screws concealed for a seamless finish. Astro Lighting emphasizes circular economy principles in its product development. This commitment is reflected in the use of sustainable materials and manufacturing processes, the incorporation of repairable or replaceable components, and the design for recycling or responsible disposal at the end of a product's lifespan. The company's diverse range, including ceiling, wall, and pendant lights, as well as floor, spot, and table lights, alongside reading lights and other accessories, demonstrates its comprehensive approach to interior lighting solutions with a focus on both aesthetic and environmental considerations. #AstroLighting #DezeenShowroom #ContemporaryLighting #InteriorDesign #PendantLights #WallSconces #DeskLamps #ReadingLights #SustainableDesign

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

Femo Wong, founder of Femo Design Studio, shares his insights into the evolution of the Chinese design community and his design philosophy. Wong's extensive background in design, stemming from the 1990s, includes training under notable figures like Professor Yu Lizhan and Chinese designer Chi Wing Lo. His studio, based in Shenzhen, specializes in furniture, lighting, and lifestyle products for both domestic and international markets, demonstrating a deep understanding of modern design aesthetics and production technology. Wong has garnered over 130 professional design awards, including the Germany Red Dot Award and IF Design Award, and his work has been featured in over 40 exhibitions worldwide, such as the Milan Furniture Fair and Design Shanghai. Femo Wong emphasizes a design philosophy rooted in "less is more," heavily influenced by Bauhaus principles. He advocates for minimalist designs that prioritize functionality and eschew unnecessary embellishments. A crucial aspect of his approach is a profound respect for the inherent characteristics of materials. Wong believes that true innovation comes from understanding the unique properties of each material, whether it be metal, wood, plywood, or plastic. He illustrates this by contrasting the use of bamboo laminated lumber with traditional Chinese bamboo furniture, which optimally leverages bamboo's natural toughness and flexibility. For Wong, the quality of design is paramount, not the costliness of the materials. Wong actively seeks inspiration from renowned international designers such as Patricia Urquiola, Ronan & Erwan Bouroullec, Konstantin Grcic, nendo, and Jasper Morrison. He aspires to collaborate with prestigious brands known for their commitment to excellence, like Vitra, Cassina, and Flos. A significant part of his creative process involves diligent research, which includes gathering exhibitor lists from major design events, exploring brands' official websites, and studying over 10,000 brands over 14 years. This comprehensive immersion provides a macro perspective of the design discipline, fostering a deeper understanding of historical works and paving the way for future advancements. Wong also underscores the importance of hands-on, experiential learning, stressing that merely perusing product images cannot replace the practical insights gained from tackling real-world challenges and firsthand experience with materials and quality standards. Research is an essential component of Wong's design process. When embarking on new projects, he begins by immersing himself in information about the brand and visiting factories to observe production processes directly. This hands-on approach provides invaluable insights that inform his design concepts. He collaborates closely with factory engineers to develop prototypes, leveraging their expertise to refine designs. Wong asserts that without meticulous preliminary research, design concepts often remain theoretical and fail to translate into innovative realities. His current focus extends beyond furniture and lighting to industrial products like taps and luggage, demonstrating his commitment to continuous exploration. From Wong's perspective, the Chinese design community is moving away from simply imitating traditional styles or prioritizing aesthetics over functionality. Instead, contemporary Chinese designers are increasingly adopting modern design principles, influenced by the Bauhaus movement and minimalism, with a strong focus on functionality and human-centered design. He highlights how cultural influences, such as Hans J. Wegner drawing inspiration from Chinese Ming furniture, transcend borders and enrich both local and global design narratives. Wong believes design is a universal language shaped by cultural customs and upbringing, and his own work reflects traditional Chinese culture while maintaining simplicity, precision, functionality, and sustainability. Beyond the design world, he finds profound inspiration in nature, with elements like shells, plants, and flowers, as well as animal shapes, influencing his organic forms and natural motifs in designs such as the ‘Duck Table Lamp’ and ‘Toucan Lamp'. #ChineseDesign #FemoWong #FemoDesignStudio #BauhausInfluence #MinimalistDesign #MaterialityInDesign #FurnitureDesign #LightingDesign #DesignPhilosophy

New York Design Week, held in May, showcased a diverse range of innovative lighting designs, establishing lighting as a central element of cultural storytelling and cutting-edge home design. Shelter by Afternoon Light, a newcomer to the design fair scene, made a significant debut with a focus on fresh talent and remarkable lighting products, including the popular “Jonald Dudd” exhibition, playfully titled “Grateful Dudd.” Minya Quirk, co-founder of Shelter, highlighted the transformative power of lighting, noting its ability to swiftly alter a space's aesthetic and mood. The event featured a variety of exhibitions across different venues, from major fairs like ICFF and WantedDesign to galleries and ateliers such as Love House, Colony, Lyle Gallery, and Lawton Mull, all contributing to a vibrant display of creativity and functionality. Among the standout pieces were Lana Launay’s ‘Kinship I & II,’ exhibited at Love House Gallery, which utilize stainless steel, aluminum, LED, and antique doilies to reflect on domestic craft and interconnectedness. Andreea Avram Rusu’s ‘Marea’ chandelier, presented at Shelter, captivated viewers with its hand-blown glass and ombre colors, reminiscent of a jellyfish’s fluid movement, created through a unique molten process. Samuel Aguirre, a Providence-based artist, debuted a collection of table lamps at WantedDesign, crafted from handmade Mexican Amate paper, combining ancient paper-making traditions with contemporary design principles, resulting in organic and archival pieces. Cuff Studio, founded by Kristi Bender and Wendy Schwartz, introduced a new triangular metal sconce as part of their “Within” exhibition at WantedDesign. This piece, available in patinated brass or copper, offers a graphic aesthetic with a soft uplight. Lawton Mull’s gallery featured the ‘Norrlanda Lamp,’ a collaboration with glass artist Jennie Olofsson, which blends industrial brass with mouth-blown, asymmetrical glass lobes, creating a balance of strength and lightness. Soft-Geometry’s ‘Long Hair’ sconces, showcased at Lyle Gallery, were inspired by intimate domestic rituals and incorporate sustainable hemp-lime composite material, marking a move towards eco-conscious design. Scott Newlin Design Studio presented whimsical ‘Stack Lights’ at the Jonald Dudd exhibition, transforming slip-cast ceramic into versatile, colorful lamps. Marmar Studio’s ‘Ette Sconce,’ displayed at Colony’s “The Independents” exhibition, combined ash wood and hand-painted dye to create a fixture that evokes both architectural lines and natural forms. FDK Junior Studio, led by Fernando Kabigting, launched a new porcelain lighting collection at Shelter, emphasizing the material’s delicate beauty and celebrating imperfections. Michiko Sakano Studio’s ‘Droplets’ glass lighting collection, also at Shelter, merged traditional Japanese aesthetics with glassblowing techniques, creating luminous sculptures that exude organic fluidity. Larose Guyon’s ‘Saule’ collection at ICFF drew inspiration from the willow tree, featuring hand-formed brass and glowing glass in an immersive display. Lastly, Steven Haulenbeek’s ‘RBS Nopal Chandelier,’ featured at Egg Collective, utilized resin-bonded sand in a subtractive process to create organic, desert flora-inspired forms, blurring the lines between art and lighting design. These diverse creations collectively highlighted the innovative spirit and artistic depth of contemporary lighting at New York Design Week. #NewYorkDesignWeek #LightingDesign #InteriorDesignTrends #ContemporaryLighting #HomeDecor #ArtisticLighting #SustainableDesign #HandcraftedLighting #DesignInnovation

The XU JI Seafood Restaurant (Land Kylin) in Changsha, Hunan, China, designed by Daxiang Design Studio, presents a dining experience crafted around the core concept of a ‘mysterious jungle’ that transitions into a ‘deep ocean.’ The design narrative aims to evoke a dreamlike state where natural elements are reimagined, blurring the lines between different environments. Upon entering from the fourth floor of the W Hotel, guests are immediately enveloped in a dimly lit space. Star spotlights, emanating from the 'bottom of a tree,' guide them further into the restaurant. Blue light in the distance illuminates large fish seemingly swimming in the air, creating an initial illusion of moving from a jungle into an aquatic realm. This deliberate use of light and visual cues sets a mysterious and immersive tone from the outset. The central area of the restaurant reveals a grander spectacle, with light diffused from a giant curved LED screen on the ceiling, illuminating the entire space. The designers employed fragmented and de-symbolized formal language while maintaining a coherent spatial sequence. This approach involves manipulating structures and materials, along with the strategic placement of furnishings, to create interconnected montage spaces that vary in size and character. One such space is a golden wine house, drawing inspiration from traditional tea rooms, which blends classical and modern styles. This area serves for reception and tasting, enveloped by dense forest-like elements, symbolizing a process of meditation and reflecting oriental aesthetics within a contemporary context. The design incorporates reflective materials and mirrors to enhance the illusion and expand the visual scope of the restaurant. Drawing inspiration from historical metaphors about light reflection, the use of mirrors is not merely for expansion but to create a secretive beauty, respecting the patron's somatosensory consciousness and visual perception. The highly reflective surfaces in the dining hall enrich the spatial layers and visually enlarge the area. Frame-like mirrors break the solidity of walls, allowing diners to view the spectacle of large fish swimming among mountains on the LED screen, reinforcing the mysterious realm theme. Further within the restaurant, a tea tasting area is available in a private box, offering a tranquil space for diners to relax before or after their meal. The sliding doors open to a dining table adorned with wine and delicacies, providing views of the exterior scenery. Adjacent to another large box, an L-shaped sofa in the lounge area is accentuated by warm, diffused light from below. Decorative silk scarf paintings adorn the walls, and different themes are applied to various boxes to cater to diverse preferences, ensuring a quiet and private atmosphere for contemplation post-banquet. The restaurant's central island, featuring a bar counter, reflects a contemporary lifestyle, blending Western expressions with Chinese rhythm. This design choice aims to foster communication between Eastern and Western cultural elements, creating a dynamic and adventurous dining experience for guests within the 'Mysterious Realm.' The XU JI Seafood Restaurant's design is a comprehensive exploration of illusion, blending diverse elements to craft an immersive and multifaceted dining environment. Through careful manipulation of light, materials, and spatial arrangements, Daxiang Design Studio has created a space where the boundaries of reality are playfully challenged, offering a unique adventure for every guest. #RestaurantDesign #OpticalIllusion #InteriorDesign #ExperientialDining #ChineseDesign #DaxiangDesignStudio #MysteriousJungle #ReflectiveMaterials #LEDScreens

This article highlights ten new lighting designs featured on Dezeen Showroom, a platform for brands to showcase new products and connect with a global audience. The collection includes various lighting types, from floor and pendant lamps to wall lights and outdoor sconces, demonstrating a range of styles and functionalities. These products are developed by a mix of established and emerging designers for international brands, emphasizing both aesthetic appeal and practical innovation in contemporary lighting. Among the featured designs are the Ozz lamps by Paolo Cappello and Simone Sabatti for Italian brand Miniforms. This collection is characterized by its exaggerated curved forms, including a bedside lamp with an ash wood table, a floor lamp anchored by a concrete base, and a wall light with an adjustable lampshade. Another innovative design is Trypta by Stephen Burks for Luceplan, a pendant light engineered to enhance spatial acoustics. It comprises three sound-absorbing panels upholstered in flame-retardant fabric, available in eight colors, affixed to a cylindrical bar with either a matt-black or aluminum finish. Atelier de Troupe from California presents Compas Pendants, a series of handcrafted brass pendant lights. These lights feature an ellipse-shaped single sheet of brass for their shades, offered in perforated brass or a satin-white finish. Karim Rashid designed the Cyborg light for Martinelli Luce, a table lamp with long legs available in indoor and outdoor versions. The outdoor model is made from high-resistance concrete, while the indoor version is constructed from cast and lacquered aluminum. Marset, a Barcelona-based lighting brand, introduces Ginger C outdoor lights, a collection of circular sconces designed for illuminating paths and passageways. The rust-colored aluminum shades diffuse soft light from their centers. Ocrum Studios from New York offers the Dew & Drop pendant light, inspired by the form of dewdrops. This light consists of two hand-blown glass hemispheres encasing an LED light on a single fixture. Astro Lighting, a British brand, presents the Tacoma sconce, a wall-mounted light inspired by Gothic architecture. It features a mouth-blown glass globe shade in various finishes and a metal mount in matt black, antique brass, or polished chrome. Shakúff, a Brooklyn-based studio, created the Tamar Wand pendant lights, made from blown glass. These tubular shades have brushed brass and chrome details, with a drizzled texture created by thinly-blown borosilicate glass. Anglepoise expanded its Type 80 collection with the W2 and W3 wall lights. These lights feature a conical shade and an angular arm with flexible joints, allowing for adjustable light direction. Finally, Mayice Studio designed the Dune light for LZF Lamps, a hand-blown pendant light. An LED rod is housed within a single piece of hand-blown borosilicate glass that forms an organic, ballooning shape in the middle. These selections collectively illustrate contemporary trends in lighting design, focusing on innovative materials, forms, and functionalities. #LightingDesign #InteriorLighting #PendantLights #FloorLamps #WallLights #TableLamps #OutdoorLighting #DesignInnovation #DezeenShowroom

Dezeen Showroom has unveiled a curated selection of 10 new products, ranging from innovative room dividers to ergonomic office furniture and decorative homeware, showcasing the latest trends and designs in the industry. Among the highlights is the Feel Free room divider by Kriskadecor, a Spanish brand that collaborated with design company EstudiHac. This divider features a metal frame with linearly arranged chains, offering a flexible solution for segmenting spaces without completely enclosing them. It is available in both straight and curved forms and is suitable for both indoor and outdoor applications. This product exemplifies a creative approach to spatial organization, blending functionality with aesthetic appeal. Another notable inclusion is the Bilbao chair, designed by Tim Rundle for British furniture brand Morgan. This sculptural armchair draws inspiration from the city of Bilbao, featuring a biomorphic form crafted from carved foam. The Bilbao chair is offered in various finishes and colors, allowing for customization to suit diverse interior design schemes. Its design emphasizes organic shapes and comfort, contributing to a contemporary and inviting atmosphere in any setting. Complementing this, FSB, a German door handle manufacturer, introduced the Les Couleurs Le Corbusier handles. These door hardware pieces are inspired by architect Le Corbusier's iconic Polychromie Architecturale color palette. Made from aluminum, they are available in 63 different hues and are designed for use with both windows and doors, offering a refined touch that integrates historical design principles with modern functionality. Lighting and product designer Marc de Groot presented the StarDust lamp shades, a collection characterized by its faceted appearance and gaps that evoke celestial constellations. These metal lamp shades come in various colors and sizes, all featuring an angular yet spherical profile reminiscent of origami, adding a unique and artistic element to interior lighting. In the realm of outdoor and functional design, Czech brand Mmcité, in collaboration with designers David Karásek and Michael Tomalik, launched the Typo planters. These planters are made from 3D-printed concrete, exhibiting undulating, tapered walls. Their innovative production process allows for organic forms, and they can be equipped with irrigation systems, making them suitable for diverse environments. For workplace solutions, Leet Design introduced the Arche acoustic pods. These work pods, available in two-person and single-seater versions, feature arched profiles and advanced noise reduction capabilities, alongside various high-tech functionalities. Constructed from recycled steel, they can be customized with different color finishes, providing a sustainable and efficient solution for modern office spaces. American electronics brand Charcoal launched the Charcoal Desk, an intuitive and versatile desk designed to promote user well-being. This adjustable desk seamlessly transitions between sitting and standing heights and includes a subtle button that illuminates to remind users to take breaks, aiming to enhance productivity and encourage healthier work habits. Further enriching the outdoor furniture category, Spanish brand Diabla unveiled the Cacao outdoor collection, designed by Odosdesign. This collection includes an inflatable furniture piece that functions as both a leilo mattress and a daybed. Its segmented appearance, reminiscent of a chocolate bar, adds a playful touch. The Cacao design is available in standard white with a selection of colored base options. Australian designer Alexander Lotersztain, in collaboration with furniture brand Derlot, introduced the Sfera bowl. This bowl features a tilted silhouette, presenting its contents at an angle. It is versatile enough for food presentation, holding keys, or organizing office supplies, showcasing a practical yet aesthetically engaging design. Lastly, Italian brand Gessi presented the Jacqueline tap collection, a series of taps featuring spouts made from bent bamboo. These taps combine a characteristic bamboo faucet with mounting sections and valve handles available in various leather and metallic finishes, offering a blend of natural materials and sophisticated design for bathrooms and kitchens. #DezeenShowroom #ProductDesign #Furniture #Lighting #Homeware #InteriorDesign #OfficeSolutions #OutdoorFurniture #SustainableDesign

Architects Serene Kim and Elliot Meier, recognizing a common challenge in the design world, have launched Equal Equal, a new lighting studio dedicated to creating functional yet aesthetically pleasing light fixtures. The ongoing joke among architects and interior designers highlights the common issue where a visually striking light fixture often fails to adequately illuminate a room. Kim and Meier, having consistently encountered this problem on various projects, began custom-designing fixtures to bridge this gap between form and function. Their accumulated experience over a decade in crafting bespoke lighting solutions for projects ultimately led to the official launch of Equal Equal in May. The studio's name, Equal Equal, draws inspiration from the architectural symbol for equidistant length, 'EQ', reflecting their commitment to precise and balanced design. The company offers made-to-order pieces directly to consumers, encapsulating the architects' meticulous approach to design. Equal Equal's initial offerings include two distinct collections: the Frankie and the Vianne. The Frankie collection features classic ceramic lights, meticulously pressed and glazed in their New York City studio. These lights are highly customizable, available in an extensive palette of 18 color and glaze combinations. Expanding on the Frankie collection, the Sena light incorporates a hand-blown glass shade atop a Frankie light base, allowing for playful and unique color pairings that enhance the visual appeal. The Vianne collection introduces the Jessica pendant, a design that pays homage to the vibrant glasswork prevalent in 1920s French collectives, known for their bold colors and distinctive shapes. The glass components for the Jessica pendant are custom-produced at Brooklyn's KEEP studio, ensuring unique craftsmanship. Kim and Meier then personally assemble these pieces, integrating them with warm, contemporary hardware to create a harmonious blend of vintage inspiration and modern sensibility. The Jessica pendant is designed for versatility, capable of enhancing diverse spaces, from a dining area with a wooden table to a bathroom featuring tiled walls. Meier humorously likens the fixture's role to an award-winning supporting actor in a film, emphasizing its crucial yet complementary function. Despite the potentially bold color combinations, such as a pink-and-yellow sconce in a white-walled hallway, Kim and Meier encourage clients to embrace an open-minded approach to design. Kim articulates their philosophy, stating their goal is to demonstrate that color accents do not need to be overtly loud to create a significant impact. They believe that often, the most unexpected color combinations can result in the most harmonious and visually appealing outcomes, challenging traditional notions of color application in interior lighting. #LightingDesign #ArchitecturalLighting #CeramicLighting #GlassArt #HomeDecor #CustomLighting #InteriorDesign #ProductLaunch

The article explores the top 10 lighting trends predicted to dominate home interiors in 2026, moving beyond mere functionality to emphasize mood, color, and decorative impact. Great lighting schemes are built upon a foundation of layered lighting, balancing ambient, task, and accent illumination. Once this fundamental aspect is established, the focus shifts to the form, finish, and overall aesthetic of the light fittings. One significant trend is the emergence of flexible fittings, such as modular designs that allow for customization in width, height, and layout. These adaptable systems provide creative freedom for designers and homeowners to sculpt light to fit specific spaces, addressing challenges like tricky ceiling beams or off-center areas. Kayli Rowsell, Design Manager at Arteriors, highlights how these multi-point suspension systems enable experimentation with form and balance, treating lighting as a sculptural element. Another trend is "multiplicity," where lighting collections offer a complete family of coordinating fixtures, including chandeliers, wall lights, pendants, floor lamps, and flush mounts, all sharing a consistent design aesthetic. This approach brings continuity and cohesion to open-concept living spaces, simplifying design decisions and ensuring a unified look without being overly matchy. Multiplicity also supports sustainability by encouraging the reuse of materials and components across collections. Mixed materials are also gaining prominence, with designers combining diverse elements like stone composites, metal mesh, leather tassels, and faux shagreen. This trend reflects a desire for warmth and tactility, making light fixtures feel like curated art objects. Brands like Contardi, Crudo Designs, Apparatus Studio, and Arteriors are leading this movement, creating pieces that offer rich textures and visual interest, often with subtle contrasts that enhance the overall design. Color dosing is another key trend, with lighting fixtures becoming a primary source of color accents through boldly tinted glass, enamel, and resin. This provides an immediate burst of personality and elevates the mood of a room. Esther Patterson, founder of Curiousa, notes that colorful lighting can transform a space's ambiance, allowing for vibrant accents or even serving as the central color element in a room. Craftsmanship is being celebrated, with an emphasis on artisanal, hand-finished light fittings that bring authenticity and tactile luxury. Designers like Lee Broom, Tom Raffield, and Inglis Hall are creating pieces that are not only functional but also works of art, using materials such as Carrara marble, steam-bent wood, and brass. This trend reflects an appreciation for personal, enduring designs that can become future heirlooms. Supersize style is making a bold statement, featuring elongated chandeliers, dramatic pendant clusters, and sculptural floor lamps that act as focal points. Rachel Morrison, principal designer at Morrison Interiors, explains that these generous fittings add drama and unexpectedness, commanding attention without overwhelming the space. Their transparency often keeps rooms feeling open and airy, while their scale anchors the design. Sculptural installations are transforming lighting into an art form, moving beyond traditional placements. Interior designers are suspending lights at unexpected angles, clustering them asymmetrically, or scattering them across ceilings to create dynamic and personalized spaces. Benjamin Johnston's use of Wren globe lights is cited as an example of how creative placement can infuse whimsy and shift the mood of a room. Conscious illumination emphasizes sustainability, with designers focusing on provenance, purpose, and storytelling in their creations. Studio Gräfling and Felix Kultau, for instance, transform granite offcuts into luminous sculptures, giving discarded materials a second life. Will Earl of J. Adams & Co. highlights the importance of preserving traditional craftsmanship and creating timeless pieces with a meaningful narrative. Fluid forms are replacing rigid geometry, introducing curves, waves, and organic silhouettes that are inviting and sensual. This shift is driven by a desire for softness, tactility, and emotional resonance in interiors. Jo Annah Kornak, Creative Lead at Holly Hunt, notes that advancements in lighting technology enable more sculptural and expressive forms, exemplified by the Dune Hanging Light, which captures movement in solid alabaster. Finally, quiet lighting, inspired by the quiet luxury trend, focuses on subtle, diffused illumination that creates a cocooning and calm atmosphere without glare. This involves using materials like frosted glass, alabaster, and linen shades, along with hidden LEDs that wash walls and surfaces with warmth. Susie Pfeiffer, founder of Pfeiffer Design, emphasizes the shift towards enhancing a room through discreet, layered lighting that brings calm and balance. #LightingTrends #InteriorDesign #HomeDecor #FlexibleLighting #MultiplicityLighting #MixedMaterials #ColorDosing #Craftsmanship #SupersizeLighting #SculpturalInstallations #ConsciousIllumination #FluidForms #QuietLighting