314 architecture studio inserts a frosted glass façade into athens streetscape

The Dolli, a new hotel in Athens, represents a fusion of classic Greek culture and contemporary design, situated in a 1925 neoclassical building in the city's heart. Mari Daskalantonakis, the hotel's owner and creator, envisioned the Dolli as a home base for travelers seeking to immerse themselves in Athens' ancient charm and vibrant energy. The design inspiration stemmed from the building's original architecture by Andreas Kriezis, who also designed the Hellenic Parliament. The hotel’s interiors, materials, and art collection were carefully curated to align with the building's historical grandeur and the city's spirit. Located in Plaka, near the Acropolis, The Dolli respectfully incorporates its Greek heritage through elements like 18th-century antiques and ancient Macedonian motifs, which Kriezis himself preserved and restored. This historical richness is complemented by modern design pieces, including custom furniture from Pierre Augustin Rose, and significant artworks by Pablo Picasso and Jean Cocteau, creating a dialogue between past and present. Daskalantonakis highlighted the demanding process of restoring the facade to honor Kriezis' legacy and enhance Athens. A particular challenge was transforming the abandoned rooftop into a key feature. This rooftop offers unparalleled views of the Acropolis, Parthenon, Ancient Agora, and the 19th and early 20th-century architecture of Plaka. The goal was to create a unique viewpoint that respects the Acropolis without competing with its historical significance. Stelios Kois, a renowned contemporary Greek architect, was tasked with this challenge. He embraced Daskalantonakis' vision, designing The Dolli’s restaurant on the rooftop as a subtle yet divine architectural addition to Athens. The hotel’s design philosophy balances historical preservation with modern aesthetics, offering guests a unique experience that blends comfort, luxury, and cultural immersion. The selection of art, furniture, and decorative elements contributes to an ambiance that is both elegant and welcoming. The careful integration of various design periods and artistic styles aims to provide a sophisticated yet authentic Athenian experience, celebrating the city's past while looking towards its future. The project reflects a deep understanding of Athens' architectural and cultural landscape, transforming a historic building into a contemporary hotspot. #HotelDesign #AthensArchitecture #NeoclassicalBuilding #InteriorDesign #GreekHeritage #ContemporaryArt #RooftopRestaurant #ArchitecturalRestoration #LuxuryTravel

This blog post compiles recent articles and projects from Designboom focusing on the application of glass in art, architecture, and design. The collection highlights the versatility and aesthetic potential of glass, ranging from large-scale public installations to architectural facades and interior elements. The articles showcase how artists and designers are pushing the boundaries of traditional glass use, incorporating it into innovative structures and artistic expressions. Key examples include a luminous forest in Hanoi composed of mirroring steel branches, demonstrating glass's role in creating immersive public art. Another project features an 'invisible Tokyo bar' that utilizes heated, transparent acrylic glass panels to distort reality, illustrating glass's capacity for experiential design. Architecture projects frequently employ glass for facades, as seen in Selgascano's transparent seaside café in China with three parallel glass volumes, and Cossement Cardoso's Helsinki museum concept, which features a textured glass skin forming a curved roof. The DA VÀNG studio in Vietnam also uses 3,000 glass bricks to create a curved, translucent house facade, emphasizing both structural and aesthetic applications. The articles also delve into the use of glass in smaller-scale design and art pieces. For instance, Bottega Veneta's summer show features 'lucid murano blown-glass stools' that mimic sea waves, showcasing glass as a medium for elegant furniture and decor. Artists like Vincent Leroy use floating lenses in an optical mobile, and Ben Tuna transforms a Porsche 911 into an art car with cathedral-inspired stained glass, highlighting the material's artistic adaptability. Sarah Brahim and Ugo Schiavi explore ancient rituals through glass temples and vessels, linking glass to cultural and historical narratives. Further architectural applications include a gradient brick facade by Delmulle Delmulle in a Belgium house, transitioning from terracotta to glass, and Vinklu's triangular prism coffee shop in Romania, using glass to fill narrow urban gaps. SICIS uses decorative glass to create glowing swimming pool surfaces in Cambodian villas, while BBWORKSPACE's Thai café employs iridescent panels to evoke gemstones and refract light. EcoLogicStudio's microbial installation at Triennale Milano reimagines domesticity with glass components, and Apropos Architects use a translucent glass facade for the Czech pavilion at Expo 2025 Osaka, demonstrating its use in significant public structures. Industrial design also features glass, such as Bugatti's Brouillard Coupe, which includes a miniature glass sculpture in its gearshift. Fredrik Nielsen's Stockholm studio explores glass's resistance to fragility and embraces chance in its creation. Atelier Échelle’s lakeside gallery residence subtly integrates glass within dark clay brick structures, harmonizing modern elements with traditional aesthetics. The variety of projects presented collectively underscores glass's multifaceted role in contemporary design, from enhancing visual experiences and light manipulation to contributing to structural integrity and artistic expression across diverse scales and contexts. #GlassArt #GlassDesign #ArchitecturalGlass #PublicInstallations #InteriorDesign #ContemporaryArt #BuildingMaterials #DesignInnovation #SustainableDesign

The Milan-based design studio 6:AM, founded by Edoardo Pandolfo and Francesco Palù in 2018, is redefining the application and perception of Murano glass. The studio's name, 6:AM, signifies the moment the furnaces on the Venetian island are ignited daily, marking the continuation of a 700-year-old glassmaking tradition. Pandolfo, a Venice native, and Palù, an architect, aim to introduce Murano glass to a broader audience through a diverse range of products, including architectural installations, modular lighting, furniture, and sculptural objects, all characterized by precision, materiality, and conceptual clarity. Their work spans bespoke commissions for international brands and research-driven explorations into the future of glassmaking. 6:AM's approach marries ancient techniques with contemporary aesthetics, emphasizing a continuous dialogue between craftsmanship and design. This synergy means that product development and glassworking techniques evolve in parallel, where the object's shape often dictates how the glass is worked, and conversely, the design influences the choice of technique. The studio collaborates closely with Murano's master artisans, leveraging their extensive expertise in manipulating glass in its molten state. They actively experiment with layering, fusing, and adapting traditional methods to expand the material's potential while striving to minimize environmental impact. A notable project demonstrating this ethos is FLOAT, unveiled during Milan Design Week 2024. This collection repurposed salvaged glass from 1930s Milanese windows into furniture, shelving, and architectural cladding. By combining fused glass panels with minimalist steel structures, FLOAT explored new technical and aesthetic possibilities for post-industrial materials. This initiative culminated in the 'Resourceful Intelligence' installation at the 2025 Venice Architecture Biennale, where reprocessed glass from Milan’s Palazzo Missori was utilized to showcase circular design strategies, developed in collaboration with Park Associati. Earlier in the year, 6:AM held its inaugural solo exhibition, 'Two-Fold Silence,' at Milan's historic Piscina Cozzi during Milan Design Week. The exhibition featured Quadrato, a lighting collection that draws inspiration from 1920s industrial design, blending Bauhaus rationalism with the geometric abstraction of Kazimir Malevič. The Quadrato collection, crafted from blown Murano glass with varying textures and opacities, included a screen-printed lattimo wall lamp encased in painted iron, offering a modern interpretation of early 20th-century emergency lights. From crafting jewel-like hand-blown Murano glass stools for Bottega Veneta’s SS26 runway show to their pioneering material recovery projects, 6:AM consistently demonstrates a distinctive visual language. This language is characterized by fluid silhouettes, luminous textures, and a steadfast commitment to handmade quality. Each cuboid stool for Bottega Veneta, for instance, began as a 43 cm glass block shaped using cast-iron molds engraved with CNC technology, reflecting a process akin to traditional marble sculpture. The studio's work is deeply embedded in Murano’s historical glassmaking heritage, yet it is decisively forward-looking, continuously pushing the boundaries of glass design. #GlassDesign #MuranoGlass #6AMStudio #MilanDesign #SustainableDesign #BottegaVeneta #ArchitecturalInstallations #ContemporaryCraftsmanship #CircularDesign

For decades, architects and government officials have recognized the importance of energy-efficient buildings, especially since the 1970s energy crisis. Buildings, including their construction, materials, and associated infrastructure, contribute up to 40 percent of global carbon emissions, making energy efficiency a critical concern. This understanding is foundational in North American architecture schools and has been emphasized by European institutions for even longer. The "Passive House Design" approach, pioneered by German architects, considers a building's entire interconnected system, focusing on its integration with the site, climate, and social support. This philosophy extends beyond residential structures to all building types. A more recent evolution, the "Net Zero Design" approach, also led by German designers, takes this further by requiring buildings to be highly efficient, use minimal energy, and replace all the energy they consume, potentially even contributing excess energy back to the local power grid. Europe, with its advanced energy design and construction history, has developed numerous innovative building cladding systems that contribute to energy efficiency. These systems often incorporate specialty fabrics in intelligent ways, such as vertical shade systems, retractable awnings, and entire building wraps. Industry experts, including Steve Fredrickson from Serge Ferrari North America, note that Europe is significantly ahead of North America in this area due to a lack of air conditioning standardization in European homes and retail, creating a greater need for heat barrier solutions. Additionally, European building codes are more adaptable to new energy-reducing products and developments. In contrast, existing North American building codes and the time required for their amendment make widespread adoption of fabric shade systems more challenging. Architect Samuel Armijos observes that while European markets showcase many examples of vertical fabric systems, such projects are scarce in the U.S. This lack of visible examples hinders broader acceptance and design incorporation. Architect Nicholas Goldsmith, however, notes a growing recognition among North American designers that exterior shading, particularly in specific regional climates, offers advantages over other cladding systems, such as being lightweight, efficient, and cost-effective. Mike Squizzato of Stobag North America Corp. highlights that Europeans prioritize shade for cooling due to higher electricity costs, whereas North Americans typically rely on air conditioning. He believes that as electricity costs rise and climate concerns grow, North American markets will rapidly adopt shading solutions, with awnings and vertical shading providing natural air-conditioned environments and potentially saving over 50 percent on electricity bills. Paul Snustead, director of facades at Structurflex, acknowledges Europe's lead but points to Structurflex's efforts to advance fabric facade architecture in the U.S. Tensile facades, also known as textile, fabric, or flexible facades, offer an innovative, long-lasting, and cost-effective alternative to traditional metal mesh screens, often costing about 50 percent less. These systems act as a 'second skin' for buildings, providing screening and shading, which can contribute to reduced energy consumption and LEED certification. Despite the clear benefits, the adoption of fabric-based shading systems in North America faces challenges. Traditional cladding materials remain strong competitors. Armijos notes a decline in leads for shade jobs, with parking garages being the primary market, but even there, fabric competes with pre-fabricated concrete and metal mesh systems. He suggests a major global event might be needed to spur a push toward textile facades. Andrew Trowbridge of Ronstan International observes a shift away from stainless steel cables in fabric structures towards greening systems and perforated aluminum panels for shade and facade coverage. Conversely, Fredrickson sees growth in both static and retractable vertical shading options across North America. Snustead describes an exponential expansion in the fabric facade architecture market, particularly for tensile fabric meshes, membranes, and foils, initially driven by parking garage screening requirements. Structurflex has seen an 800 percent increase in facade projects annually, with fabric facades becoming a significant part of their operations. Squizzato predicts that as temperatures rise, North Americans will increasingly seek cost-effective cooling solutions beyond air conditioning, leading to buildings with more colorful awnings and widespread vertical shading, eventually mirroring European practices within 15 years. For companies looking to enter or expand in this market, experts emphasize the need for knowledge, education, and accessibility of information. The ideal company size varies by region and market, but success hinges on having the right products and expertise. Fredrickson warns against using cheap, unproven products, which can harm the market's reputation. Snustead highlights the versatility of tensile facades, which can span large distances with less structural support and use materials that are often 100% recyclable with long lifespans. Squizzato points out that many existing businesses, from awning companies to landscape architects, can leverage sun shade protection to expand their services, provided they have appropriate insurance, training, and competent staff. The overall outlook for vertical fabric shading remains positive, with continued growth anticipated, especially as architects and contractors become more familiar with the medium's innovation and economic advantages. #BuildingFacades #VerticalShading #EnergyEfficiency #FabricArchitecture #SustainableDesign #ArchitecturalTextiles #NetZeroDesign #ClimateControl #ConstructionInnovation

The 500 Walnut Street residential tower, designed by Cecil Baker + Partners for Scannapieco Development Group, stands as a prominent example of contemporary residential architecture in Philadelphia. The 26-story building, located behind Independence National Historical Park, features 35 luxury condominiums, an automated underground parking garage, and multiple terraces offering views of the historic neighborhood. Its design is characterized by a slender, prismatic glass exterior, which integrates modern aesthetics while respecting the historical context of its surroundings. Mayor Jim Kenney noted the project's success in blending new development with the city's rich history upon its 2017 opening. A key aspect of the building's ultra-modern design is its advanced glazing system, particularly the floor-to-ceiling unitized window wall system from ESWindows. Unlike typical window wall systems that use aluminum slab covers, 500 Walnut incorporates glazed glass slab covers specifically developed for the project. This innovative use of glass for slab covers, combined with the ESW725 unitized system, results in a fully structurally glazed curtain wall appearance. The ESW725 system arrives pre-assembled, pre-glazed, and thermally broken, contributing to the building's energy efficiency and sleek facade. The installation of this sophisticated glazing system presented significant challenges, primarily due to the large scale of the project and the extremely tight tolerances—reduced to one-eighth of an inch. GMI General Foreman Charles Lopuszanski highlighted the precision required, stating that the team had to be "on the money." GMI Contractors, Inc., an AGI member, was responsible for the installation. Their team tackled the project floor by floor, overcoming the complexities through determination and skill. The experience gained from 500 Walnut has since been applied to other projects, with GMI now using similar systems. Beyond the primary window wall system, GMI's scope of work included the installation of a thermally broken awning system and terrace and slider door systems, all supplied by ESWindows. The glazing throughout the building utilizes Solarban 67 clear glass, featuring a Duranar Sunstorm Grey Velvet exterior finish and Duracron 100 White interior finish. Different coatings were strategically applied to various sides of the building to optimize solar performance, demonstrating a comprehensive approach to thermal management and energy efficiency. Additionally, laminated glass railings from C.R. Laurence were installed. GMI employed a dual foreman approach, with Charles Lopuszanski and Tim McDonald sharing responsibilities, which provided a system of checks and balances. McDonald focused on system installation, while Lopuszanski ensured proper preparation and waterproofing of each opening and validated quality post-completion. This collaborative leadership was crucial for managing the project's intricacies. The experience also fostered valuable feedback, with GMI's owners—James McDonald, Stephen Gilchrist, and Mike Lopuszanski—providing insights to ESWindows, leading to product improvements. McDonald also contributed to the design assist for the screen wall on the rooftop and the fourth and thirteenth-floor terraces. This project significantly enhanced GMI's reputation, marking their expertise in sophisticated high-rise glazing. Having previously collaborated with Cecil Baker + Partners on the 2110 Walnut residential development, 500 Walnut showcased GMI's ability to manage large-scale projects and contribute to design assist. The successful execution of this project positioned GMI as a leader in handling complex glazing challenges and underscored their commitment to quality and innovation in the construction industry. #ResidentialArchitecture #GlassFacade #CurtainWallSystem #GlazingInstallation #ArchitecturalDesign #HighRiseConstruction #BuildingTechnology #PhiladelphiaArchitecture #ConstructionCaseStudy

The emergence of glass houses stands as a pinnacle of modernist design, with materials like glass, steel, wrought iron, and concrete defining a significant architectural movement and captivating the imagination of architects worldwide. Glass structures, renowned for their lightness, transparency, translucency, and reflectivity, offer an unparalleled ability to reveal a home's interior while fostering a deep connection with nature. Iconic examples such as Mies Van Der Rohe’s Farnsworth House in Illinois and Philip Johnson’s Glass House in Connecticut are celebrated as seminal works that ingeniously captured the zeitgeist. The period of postwar America saw a boom in experimentation and expansion, leading to the widespread popularity of glass as a primary building material for residential homes. This architectural style has since transcended geographical boundaries, inspiring architects across continents, including South Africa, Vietnam, and Brazil. A new publication from Phaidon showcases 50 such homes, highlighting extraordinary architectural achievements that thoughtfully and compellingly incorporate glass. This article spotlights 15 of these beautiful glass houses, making a strong case for integrating glass into modern home design, suggesting a departure from traditional materials like brick, stone, timber, and concrete. Among the featured homes is the Shokan House in New York, designed by Jay Bargmann, which appears to organically emerge from the Catskills hillside. Despite its imposing structure, the house's highly reflective glass panels and black steel frame create an immersive natural experience. Similarly, the Glass Pavilion in Spain’s Gorafe desert, by Ofis Arhitekti, offers a tranquil retreat. Its triple-glazed, mirrored-glass panels effectively deflect sun rays and withstand extreme desert conditions, providing an essential and serene holiday escape. The Tower House in upstate New York, by Gluck+, features an unconventional design that minimizes its footprint by elevating living areas into the sky, supported by a V-shaped beam. The upper floor provides an expansive, nature-enveloped view, reminiscent of a modern treehouse. In Paris, the Maison de Verre, designed by Pierre Chareau and Bernard Bijovet, challenged architectural norms by using industrial materials like glass blocks and steel beams in a residential setting. The Sheats-Goldstein Residence in Los Angeles, by John Lautner, built in 1963, seamlessly integrates with its landscape through floor-to-ceiling glass panels, offering panoramic views of the city. Philip Johnson’s Glass House in Connecticut, an homage to Mies Van Der Rohe, is a celebrated example of glass architecture, serving as Johnson’s primary residence for nearly sixty years. Lina Bo Bardi’s Glass House in São Paulo, Brazil, known as Casa de Vidro, is celebrated for its wrap-around glass windows and stilted design, creating a treehouse-like feel amidst lush rainforest vegetation. The Flip House in San Francisco, by Anne Fougeron, is recognized for its innovative floor plan, utilizing a prismatic custom-built glass façade to maximize natural light and offer dynamic city views. The Kramlich Residence and Collection in Napa, California, designed by Herzog & de Meuron, integrates art and living spaces through two intersecting curved glass panels, showcasing a significant collection of video and media art. The Glass-Block Micro House in Ho Chi Minh, Vietnam, by Room+ Design and Build, demonstrates an affordable and functional use of glass bricks for a small 18-square-meter home, allowing ample natural light and creating a lantern-like effect. Pierre Koenig’s 1960 Stahl House in Los Angeles, also known as Case Study House #22, epitomizes postwar modern living with its glass and steel construction, offering sweeping views of the city. The Conservatory in Zwavelpoort, South Africa, by Nadine Engelbrecht, features a double-height glass and steel conservatory as its focal point, blending indoor and outdoor living. Villa Kogelhof in the Netherlands, by Paul de Rutter Architects, is a futuristic, energy-neutral home that harnesses wind, sun, and rain, encapsulated by a functional glass façade. Mies van der Rohe’s Farnsworth House in Illinois, built between 1945 and 1951, challenged notions of privacy by using floor-to-ceiling glass windows, relying on the surrounding forest for concealment. Finally, the Mirror Houses in Bolzano, Italy, by Peter Pichler Architecture, reflect their idyllic surroundings with mirrored-glass façades, offering autonomous holiday homes that subtly blend into the landscape. #GlassHouses #ModernistDesign #ArchitecturalInnovation #SustainableLiving #LuxuryHomes #InternationalArchitecture #HomeDesign #ContemporaryArchitecture #ResidentialDesign

This article highlights eight architectural projects from around the world that utilize glass bricks and blocks to enhance natural light, privacy, and aesthetic appeal. Glass bricks, which gained popularity in the 1930s, are experiencing a resurgence in modern architecture due to their ability to create luminous facades, internal partitions, and intriguing patterns of light and shadow. The selected projects demonstrate diverse applications of this material, ranging from residential homes to commercial spaces and greenhouses. The Optical Glass House in Japan, designed by Hiroshi Nakamura, features a shimmering glass-brick facade that encloses a residence on a busy street in Hiroshima. Approximately 6,000 bespoke glass blocks provide privacy while allowing diffused views and casting dynamic light patterns onto a tree-filled courtyard. The Brest Post Office renovation in France by Chatillon Architectes integrated glass bricks into the extension of a 1950s post office converted into flats, giving the building a contemporary quality alongside concrete and wooden elements. In Chile, Max Núñez Arquitectos' Casa de Vidrio uses square glass blocks to form vaulted roofs for a greenhouse. These blocks refract light, creating a warm environment suitable for tropical plants without direct sun exposure. Delmulle Delmulle Architecten's Glass Brick House in Belgium, situated on a narrow, enclosed plot in Ghent, employs a glass-brick facade to maximize natural light within the three-story home, addressing the challenge of limited window space. The Glass Fortress in Thailand, by Archismith, serves as an entrance pavilion for a sales office in Bangkok. Its facade comprises 20,000 rectangular glass bricks, which reduce the feeling of claustrophobia within the eight-meter-high walls and block out external noise. MVRDV's Crystal Houses in the Netherlands feature a partially transparent facade made from hundreds of glass bricks and transparent high-strength glue, creating the illusion of a dissolving wall that merges with existing terracotta brickwork, offering an alternative to a traditional shopfront. Remi Connolly-Taylor's self-designed Maryland House in the UK incorporates a tower of square glass blocks to enclose a red staircase. This design maximizes natural light while maintaining privacy and light standards for adjacent properties. Finally, ROOM+ Design & Build's Glass-Block Micro House in Vietnam involved renovating a compact house and shop in Ho Chi Minh City, replacing two street-facing walls with translucent glass blocks. At night, the house transforms into a sparkling lantern, enlivening the neighborhood. These projects collectively illustrate the versatility and renewed appeal of glass bricks in contemporary architecture for their functional and aesthetic benefits. #GlassBricks #ArchitectureDesign #NaturalLight #Privacy #FacadeDesign #GreenhouseDesign #ResidentialArchitecture #CommercialArchitecture

Peninsula House, a holiday home on the Greek island of Antiparos, represents a collaboration between Atelier Bow-Wow and the design-led property developer Oliaros. This project is the personal residence of Oliaros founder Iasson Tsakonas and his family, including his wife Argyro Pouliovali, founder of ARP. The house was conceived with a strong emphasis on timeless design, integrating contemporary architecture with the distinctive context of the Cycladic island. The genesis of Peninsula House dates back to 2006 when Tsakonas acquired the land, with Atelier Bow-Wow's design selected in 2008. The initial plan for a family home evolved, and adjustments were made after Tsakonas married Pouliovali to better suit their family's needs. Oliaros is known for its commitment to low-impact properties and a well-considered masterplan that preserves the island's identity while establishing it as an architectural destination. The company has previously worked with notable architects such as Nicos Valsamakis, Sou Fujimoto, and Bjarke Ingels Group on other villa projects on the island. Atelier Bow-Wow's co-founders, Yoshiharu Tsukamoto and Momoyo Kaijima, share a synergistic working relationship with Tsakonas. Tsukamoto highlights the project's dialogue with the region's traditional Greek architecture, appreciating the vernacular styles that emerge from the island's harsh yet beautiful environment. The design subtly draws parallels between Japanese architecture, known for its simple yet detailed approach, and the Cycladic vernacular. The architects' ongoing research into local construction methods and materials informed the design process. The house features two distinct volumes interconnected by an intricate network of outdoor spaces, designed in collaboration with Athens landscape architecture firm Doxiadis+. This includes a series of terraces, al fresco seating areas, and open-air circulation routes. A key feature is a long swimming pool that meanders between the two stone volumes, acting as a central water element. Tsakonas was particularly drawn to Atelier Bow-Wow's concept of a water canal connecting the "ruin" (an open-air BBQ pavilion) and "the village" (the family building). Despite challenges posed by the pandemic, which limited the architects' on-site visits, the project was executed to high standards with the support of local architect Stefanos Nassopoulos and the Oliaros technical team. The interiors of Peninsula House feature whitewashed walls and light concrete floors, serving as a backdrop for Tsakonas' extensive collection of art and design. This collection, amassed since his time in real estate in Azerbaijan and growing after establishing Oliaros in Athens, includes contemporary art, design pieces, ceramics, and Azeri rugs. The curated blend of new and heritage items creates an effortless and era-transcending aesthetic. An example of this fusion is the terrace's marble pattern, which draws inspiration from traditional Japanese gardens and calligraphy. This design evokes the work of Greek architect Dimitris Pikionis, who also found inspiration in Japanese garden traditions for his landscaping around the Acropolis in the 1950s. Tsakonas envisions Peninsula House as an embodiment of contemporary Greek architecture with a Japanese influence, characterized by timeless elegance rather than overt statements. The design of the pergola above the parking space integrates solar panels, oriented for optimal efficiency, showcasing a commitment to sustainable practices. #GreekArchitecture #AtelierBowWow #Oliaros #Antiparos #CycladicDesign #ResidentialArchitecture #ContemporaryDesign #ArtCollection #LandscapeArchitecture

The article revisits the architectural material of glass bricks, highlighting their resurgence in contemporary design. Initially gaining popularity in 1977, as noted by Carter B. Horsley in a New York Times article, glass bricks were appreciated for their translucence, privacy, visual appeal, and structural order in residential and restaurant projects. However, after a period of widespread use, the material became associated with the dated aesthetics of the 1980s, leading to a decline in its perceived value. Despite this historical perception, contemporary architects are now re-evaluating and re-integrating glass bricks into modern designs. This renewed interest stems from their unique properties, which allow for innovative applications across various architectural contexts. The material offers a balance of natural light penetration and visual obstruction, making it suitable for spaces requiring both openness and privacy. Modern architects are employing glass bricks in diverse projects, moving beyond their previous utilitarian roles. Examples include their use in sleek, minimalist bathrooms where they contribute to a sense of spaciousness while maintaining privacy, and in industrial-themed bars and restaurants, where they add a distinctive textural and luminous quality. The material is also being incorporated into vintage residential windows, blending historical charm with contemporary functionality. Furthermore, glass bricks are finding applications in experimental urban facades, where they contribute to dynamic and visually engaging building exteriors. The versatility of glass bricks allows them to create different aesthetic effects, from smooth and uniform surfaces to more textured and fragmented appearances, depending on the type and arrangement of the blocks. Their ability to diffuse and transmit light without offering clear views makes them ideal for interior partitions, exterior walls, and decorative elements where controlled light and a sense of enclosure are desired. This adaptability supports a wide range of architectural styles and design intentions. The comeback of glass bricks signifies a shift in architectural trends, where previously overlooked or stigmatized materials are being re-imagined and utilized in innovative ways. This trend reflects a broader architectural movement towards material exploration and the re-evaluation of established construction components. The article suggests that the current "boom" of glamorous glass bricks is not merely a nostalgic revival but a sophisticated re-introduction driven by their inherent qualities and the creative approaches of modern designers, who are harnessing the material's potential to meet contemporary design challenges and aesthetic preferences. #GlassBrick #Architecture #MaterialInnovation #ContemporaryDesign #ResidentialArchitecture #CommercialArchitecture #GlassFacade #DesignTrends #BuildingMaterials

Dutch designers Scholten & Baijings, in collaboration with Skyline Design, have unveiled a new collection named 'Glass Gradients.' This innovative collection of etched and printed patterns for glass applications is currently being showcased at the NEOCON 2016 design exposition. The primary focus of this collection is to highlight the transparent properties of glass through the application of various innovative techniques, offering novel solutions for interior spaces. The 'Glass Gradients' collection features two distinct geometric forms: a dot and a square. These shapes are meticulously applied to the glass both vertically and horizontally, creating a repetitive pattern across the material's surface. While maintaining the inherent transparency of glass, these precise patterns are designed to introduce a higher level of privacy. This feature provides practical and creative solutions for defining spaces within open-plan layouts, allowing for a balance between openness and seclusion. One of the key aspects of these designs is the subtle incorporation of color variants, which enriches the overall aesthetic and functionality. These color combinations are achieved through an environmental etching process, creating a translucent appearance that allows light to filter through while obscuring direct views. Additionally, an 'ast printing' technique is employed on the opposite side of the glass, further enhancing the visual depth and interplay of opacity and transparency. This combination of techniques allows for dynamic control over visual perception, creating an intriguing interaction between density, scale, and movement within a space. The graphic markings on the glass are intended to redefine spatial contexts, transforming interiors in unexpected ways. The customizable nature of these designs enables them to convey a sense of surprise and dynamic movement, effectively concealing or revealing different aspects of a given space as needed. The grid-like patterns serve as a significant architectural element, promoting flexibility and personalization in how spaces are utilized and perceived. This approach encourages a playful engagement with the environment, allowing users to adapt the glass applications to various design requirements and aesthetic preferences. Overall, the 'Glass Gradients' collection by Scholten & Baijings for Skyline Design represents a thoughtful fusion of artistry and practicality. By leveraging advanced etching and printing technologies, the designers have created a versatile product that can enhance both the visual appeal and functional privacy of interior glass installations. The collection's ability to introduce subtle color, precise geometric patterns, and varying degrees of translucency offers architects and interior designers a powerful tool to shape environments, manage visual access, and add a distinctive design element to contemporary spaces. #ScholtenBaijings #SkylineDesign #GlassGradients #EtchedGlass #PrintedGlass #InteriorDesign #NEOCON2016 #ArchitecturalGlass #PrivacySolutions

French design duo Ronan and Erwan Bouroullec have launched a new collection of architectural glass panels, developed in partnership with Skyline Design. This collection, which debuted at NeoCon, received a Silver award in the Architectural and Decorative Glass category. The project represents a thoughtful exploration of color, light, and scale, drawing inspiration from various observations in their daily lives. The design process began with the brothers capturing photographs of their surroundings, ranging from natural landscapes to urban scenes. The aim was to distill the inherent sensations of colors and light present in these everyday moments. From a selection of eight initial images, Erwan Bouroullec utilized a custom computer script to analyze the color information. This script then condensed the captured colors into a unique base color for each panel, simultaneously transforming the rhythmic qualities of the original images into distinct patterns. A subsequent layer of translucent patterns further enhances this foundational color, resulting in a multitude of additional color variations. The patterns are delineated by a darker outline, intentionally designed to evoke the lead lines found in traditional stained glass. This technique aims to mimic how lead frames shape the visual experience of stained glass, with the lines in the Bouroullec panels subtly influencing the distribution and density of colors, creating an almost imperceptible shift. The Bouroullec brothers specifically sought to reinterpret the captivating qualities of stained glass found in medieval cathedrals. Their objective was to translate the immersive and atmospheric experience of these historical artworks into contemporary architectural glass. The complex interplay of color and line within their panels is designed to create a sensation of being enveloped within an abstract landscape, evoking a similar sense of wonder that one might experience in a medieval cathedral. Skyline Design’s digital print and manufacturing capabilities bring these designs to fruition. The panels offer considerable customization options in terms of size, scale, and color, allowing them to be adapted for diverse applications. The collection features four distinct pattern variations: Oblique Regular, Oblique Bold, Chevron Stroke, and Chevron Fill. Each of these patterns is available in four monochromatic color schemes or four polychromatic palettes. These versatile glass panels can be integrated into various architectural contexts, both internal and external. Potential interior applications include feature walls, space dividers, and stair railings. For exterior use, the panels can be incorporated into facades, railings, and canopies, demonstrating their adaptability to different design needs and environments. #BouroullecBrothers #StainedGlass #ArchitecturalGlass #SkylineDesign #ColorAndLight #DesignInnovation #InteriorDesign #ExteriorDesign

Maison de Verre in Carantec, Brittany, designed by Studio Odile Decq, addresses a unique architectural challenge: creating a living space for a client with a degenerative eye condition who required perfect, homogeneous light without glare. This contemporary structure distinguishes itself from previous "Maisons de Verre," notably Pierre Chareau's 1928 proto-industrial dwelling, by its extensive use of a specific type of glass and its overall aesthetic. The house is conceived as a "box of natural light," featuring a combination of milky white glazing and reflective gloss black panels. Its angular, almost alien appearance contrasts with its suburban setting, giving the impression of a high-tech commercial building transplanted into a residential plot. To ensure privacy and enhance its dramatic isolation, the architects incorporated new hedges and fruit trees around the property. The unique façade serves a dual purpose: to create an interior space that is brightly lit yet free from uncomfortable glare. The design intends to offer a "cocoon" effect, isolating the occupants from the external world. Inside, living areas are defined by white walls, while functional spaces such as bathrooms and kitchens are shielded by black glass. A crucial element of the design is the collaboration with specialist glazing supplier Okalux, which manufactured insulated panels of translucent glazing. These panels integrate a thin insulating textile between the panes, allowing for diffuse and even light distribution that minimizes strong shadows. Despite its predominantly glazed exterior, the house incorporates a few conventional windows to provide views of the garden from the main double-height living space. This open-plan area includes a kitchen, sitting area, and dining space, connected by a glass-tread staircase leading to the main bedroom. Two additional bedrooms are situated on the ground floor. The ceiling also contributes significantly to natural light, utilizing lighter glazed panels aligned with the building's angled grid, from which carefully selected artificial lights are suspended. At night, the Maison de Verre transforms into a glowing lantern, offering both a distinctive appearance and enhanced privacy compared to its predecessors. Studio Odile Decq, founded in 1979 by Odile Decq and initially joined by Benoît Cornette, is renowned for its bold, deconstructed, and high-tech architectural approach. The firm has consistently delivered innovative and unconventional architectural statements, earning numerous accolades. Following Cornette’s passing, Decq continued to lead the Parisian studio, further solidifying its reputation for pushing architectural boundaries. The Maison de Verre exemplifies the studio's commitment to combining artistic vision with technical precision to address complex client needs. #ArchitecturalDesign #GlassHouse #StudioOdileDecq #ModernArchitecture #BrittanyFrance #NaturalLight #InnovativeGlazing #ResidentialArchitecture #ContemporaryDesign

Structural glass is gaining traction as a reliable building material due to its diverse applications and cost-effectiveness. Amidst a 23% surge in interest for 'glass architecture' and a 22% increase in 'sustainability' searches, Specialist Glass Products, a prominent UK glass manufacturer, collaborated with a graphic design student to envision five iconic UK landmarks reimagined entirely in glass. This initiative aims to highlight the suitability of eco-friendly and 100% recyclable glass for various architectural contexts. The Houses of Parliament, for instance, could benefit significantly from structural glass. The design would incorporate toughened and bomb-proof glass to meet blast performance requirements, enhancing security against severe weather and providing durability in elevated temperatures—a crucial feature in response to the UK’s changing climate. Given the confidential nature of discussions within the building, acoustic and white diffuser glass would be integrated to minimize sound and ensure privacy in meeting rooms and the high court. For the Palace of Holyroodhouse, the official Scottish residence of the British monarch, energy-efficient coated glass could address the challenge of rising indoor temperatures, especially during the summer months when daily averages reach 21 degrees Celsius. This type of glass would help maintain cooler interiors without relying on open windows or air conditioning. Additionally, energy-efficient glass would maximize natural light, reducing the need for artificial lighting, which is beneficial for health, eyesight, and stress reduction. Leeds Corn Exchange, a boutique shopping center, could leverage 'Clearsight' glass for its storefronts. This anti-reflective glass would provide an unobstructed view of displays by minimizing glare and reducing light reflection to less than 1%, a substantial improvement over the 8% typically seen with conventional glass. This enhancement would help independent retailers attract foot traffic and remain competitive against online businesses. Christ Church Cathedral in Dublin, founded in 1030, frequently experiences heat loss due to its age. Installing energy-efficient glass walls, flooring, and roofing would improve indoor comfort, reduce energy bills, and mitigate issues such as mold, leaks, and condensation. This glass would allow sunlight to pass through while reflecting and retaining heat from internal sources, ensuring a more stable and comfortable interior climate. Conwy Castle, built by Edward I between 1283 and 1289, presents another unique opportunity for glass integration. The manufacturing capability to curve glass up to 3200mm x 5000mm would allow for the recreation of the castle's great towers. Beyond the walls, internal spiral staircases could be constructed from sturdy, toughened glass, offering extended durability and a modern aesthetic. A glass-built castle would also provide panoramic views of Snowdonia, the harbor, and Conwy's narrow streets from every vantage point. Glass, despite these conceptualizations, is already a versatile material used in homes, offices, and public buildings globally. Its functional and decorative qualities extend beyond aesthetics, offering practical benefits such as natural light diffusion, which saves money and energy by reducing the need for artificial lighting and regulating indoor temperatures—keeping spaces warm in winter and cool in summer. Furthermore, glass is 100% recyclable, meaning it can be reprocessed into new products if removed or replaced, underscoring its sustainability. For those prioritizing energy efficiency, sustainability, and security, glass presents itself as an optimal building material. #GlassArchitecture #SustainableBuilding #ArchitecturalDesign #UKLandmarks #EnergyEfficiency #BuildingMaterials #GlassManufacturing #ModernDesign

Glass bricks, originally popularized in the 1930s by architects like Pierre Chareau and Arne Korsmo, and later embraced by Tadao Ando in the 1970s, are experiencing a resurgence in interior design. This lookbook presents ten contemporary projects that highlight the versatility and aesthetic appeal of glass-block walls in various settings, demonstrating their ability to manipulate light and shadow while providing privacy and unique visual effects. The featured projects showcase how these glazed masonry units can illuminate and transform interior spaces, ranging from compact bathrooms and hallways to restaurants, co-working offices, and residential dwellings. Among the examples is Maido, a sushi restaurant in London designed by Child Studio, which converted a 1960s post office. The design incorporates a semi-circular glass-block wall that pays homage to the building's modernist origins, complemented by dark cherry wood and a soft-blue coffered ceiling. In Hiroshima, Hiroshi Nakamura & NAP's Optical Glass House features a towering, two-storey wall of 6,000 specially crafted glass bricks. This innovative partition separates the house and its planted courtyard from the busy city streets, creating a play of shadows and refractions that extend into the living spaces, which can open completely to the garden. Remi Connolly-Taylor's self-designed London home, Maryland House, utilizes glazed inserts in a small statement staircase and as a balustrade for an adjacent balcony. These glass bricks filter light into the interior, maintaining privacy while ensuring sunlight reaches two bright-white bedrooms. Buckle Street Studios, a hotel in east London by Grzywinski+Pons, features a glass-brick facade with radiused corners on its top floors, giving the building a lantern-like appearance at night. The interior guest suites echo these curves with custom-made furniture designed to fit the rounded corners. In Athens, Studio Andrew Trotter transformed a 1970s warehouse into 10AM Lofts, a bright and sunny event space. The renovation involved replacing a significant portion of a concrete wall with glass masonry and inserting new windows on the ground floor, enhancing natural light. The Glass-Block Micro House in Ho Chi Minh City, designed by ROOM+ Design & Build, is a Dezeen Awards-shortlisted renovation where frosted glass bricks entirely replace the walls, even in the second-floor bathroom. This design choice transformed a dark and cramped space into a private, sun-dappled sanctuary. Spacial, a co-working space in Montreal by Ivy Studio, employs a glazed-block wall to delineate public and private office areas while allowing light to permeate. The interior predominantly features a greyscale palette, accented by large circular blue mirrors and a zinc-plated reception desk. Jun Murata's Diamant Glass Art Gallery in Japan utilizes glass bricks of various textures and translucencies to create shimmering refractions, mimicking light filtered through water. The sparsely furnished interior, including a classic Barcelona chair, allows the glass wall to be the focal point for temporary product displays. J Boroski, a bar in Shanghai by Atelier XY, incorporates a glazed wall that bisects the space, separating the main bar from an intimate lounge. This wall also serves as a ledge for drinks and is part of an unusual interior design reflecting the owner's fascination with insects, including a display of preserved tarantulas. Finally, the Vizor office in Minsk, Belarus, by Studio 11, reinterprets Soviet-era design. A snaking wall of glass blocks, combined with a deep red colour palette, geometric flooring, and hanging ferns, integrates traditional elements into a modern workplace. These diverse projects collectively demonstrate the enduring appeal and adaptive qualities of glass bricks in contemporary interior architecture. #GlassBricks #InteriorDesign #ModernArchitecture #ArchitecturalTrends #LightAndShadow #RenovationProjects #HomeDecor #CommercialInteriors #SustainableDesign

This blog post highlights a 4,000-square-foot, cedar-clad home in Rumson, New Jersey, designed by Narofsky Architecture, which seamlessly integrates with its natural surroundings through extensive use of windows and doors. From the street, the home appears to be a single story, but closer inspection reveals a second ground level and a prominent glass-encased stair tower. The full geometric and angular composition, coupled with expansive glass, becomes evident from the rear. The homeowner, Kerry Ancheta, sought a modern yet organically harmonized dwelling. Narofsky Architecture achieved this by strategically placing the main living spaces on the lower level, fostering a strong connection to the outdoors. The design team incorporated solutions from Kolbe Windows & Doors' VistaLuxe® Collection to enhance this indoor-outdoor flow. The ground level, featuring an open floor plan encompassing the kitchen, living, and dining rooms, along with a guest bedroom, is enveloped by nature through floor-to-ceiling windows and doors. Stuart Narofsky, FAIA and principal architect, noted that the VistaLuxe Collection allowed for maximum heights and widths, accommodating doors along the entire length of the kitchen and family rooms. A unique aspect of the home is the absence of a traditional bedroom wing. Instead, sleeping quarters are arranged in separate areas, connected by the home’s open layout. A catwalk extends across the center of the home, linking the master bedroom to additional rooms on the opposite end. A cantilevered cube on the top level houses a second guest bedroom, projecting over the backyard. All these spaces are unified by a glass-enclosed floating pine staircase, which serves as a light-filled passageway. The stair tower, which travels vertically above a Zen garden, allows residents to look down into this tranquil space. The selection of windows and doors prioritized maximizing sight lines and complementing the home’s modern aesthetic. The VistaLuxe Collection's clean, minimalist design offers narrow sight lines and slim corner posts, creating a nearly frameless view from the interior. The collaboration between architects and Kolbe resulted in a wide selection of windows and doors with low-maintenance extruded aluminum exteriors and warm wood interiors, ideal for modern floor plans and large expanses of glass. For instance, a corner window unit in the living room provides an unobstructed view of the swimming pool, further blending the interior with the exterior. #ModernArchitecture #WindowDesign #IndoorOutdoorLiving #ArchitecturalDesign #SustainableDesign #HomeIntegration #GlassWalls #NewJerseyHomes #NarofskyArchitecture

The article explores the increasing and creative use of color in architectural design, focusing on the application of laminated glass with colored interlayers in both interior and exterior spaces. It highlights how architects and designers are leveraging colored interlayers to achieve specific design objectives, such as influencing daylighting, aiding in wayfinding, defining distinct areas, or simply enhancing the aesthetic appeal and emotional impact of a space. The versatility of glass in architecture is attributed to advancements in its strength and performance through the incorporation of plastic interlayers. Laminated glass, created by bonding two layers of glass with a thin, flexible plastic interlayer under heat and pressure, offers enhanced durability and functionality. The article details the composition and characteristics of laminated glass, explaining that interlayers can be used with various types of glass, including annealed, heat-strengthened, or fully tempered glass, without compromising optical clarity. It notes that while heat processing can introduce some undulating waves in the glass, this is considered a characteristic and can be managed. Laminated glass finds applications in a wide range of architectural elements, such as façades, stairways, balustrades, railings, curtain walls, windows, overhead glazing, interior partitions, and various decorative features. The aesthetic advantages are broad, encompassing a spectrum from natural earth tones and contemporary neutrals to vibrant whites and all colors of the rainbow. Colored interlayers are presented as a transformative tool that can turn ordinary buildings and interiors into distinctive statement pieces. The article emphasizes the extensive design possibilities, noting the availability of over 17,000 color combinations and the capacity to layer up to four colored interlayers, leading to more than 3,000 potential transparent or translucent glass colors. This flexibility also allows for the use of two different colors to create varied visual effects on each side of the glass. These custom design options unlock virtually limitless opportunities for integrating color with functional requirements, such as safety, security, solar control, and sound damping. Furthermore, the article provides examples of building projects where designers have successfully incorporated color, including theaters, schools, hospitals, offices, retail establishments, hospitality venues, parking garages, and wayfinding systems. It reiterates the benefits of laminated glass, which include security, improved thermal performance, structural stability, sound reduction, solar management, and storm resistance. The possibility of combining or 'stacking' different interlayers allows for multiple functions to be served within a single application. The technical aspects of ensuring uniformity and minimizing optical distortion during the manufacturing process are also touched upon, with technical experts collaborating with glazing customers to achieve optimal results. Heat-strengthened glass is highlighted for its ability to resist thermal stress breakage, reduce spontaneous breakage, provide a larger break pattern, and maintain residual strength after breakage. #ArchitecturalDesign #ColoredGlass #LaminatedGlass #GlassInterlayers #BuildingMaterials #InteriorDesign #ExteriorDesign #ConstructionInnovation