City hotspot The Dolli rethinks Athens’ elegance

Domes Resorts are transforming the Greek luxury hospitality landscape by offering year-round vacation experiences that seamlessly blend high design, hyper-local activities, and refined service. With properties across mainland Greece and its islands, Domes is establishing a unique brand identity that is both deeply rooted in local culture and exquisitely elevated. This approach is evident in their newest offerings, from the glamping-style resort on the Athenian Riviera to the historic Domes Miramare in Corfu and the tranquil Agali Hotel in Paxos. The 91 Athens Riviera, The Resort, situated just 30 minutes south of the bustling capital, introduces a unique glamping concept designed by Chadios Architects. This resort redefines outdoor luxury with 28 upscale tents that merge the comforts of a boutique hotel with a profound connection to nature. Each tent is meticulously appointed with modern amenities, nestled within manicured greenery, and complemented by shared facilities including pools, a spa, a fitness center, a private beach, and various sports activities. This design ethos creates an experience that balances rustic barefoot escapism with conscious, high-standard living, making it distinct from traditional camping. Culinary experiences are a cornerstone of the Domes philosophy. At 91 Athens Riviera, the beachside outpost of Barbarossa, a renowned Greek restaurant, serves elevated interpretations of local cuisine. Dishes such as a cloud-like taramasalata or refined lobster ravioli exemplify a culinary approach that honors traditional flavors while incorporating modern techniques and presentation. The Michelin-starred Makris, Domes’ flagship restaurant in Athens, led by Chef Petros Dimas, further elevates Greek gastronomy. Dimas draws inspiration from his personal history, including his grandmother's cooking and farm-grown vegetables, to create inventive and refined Greek dishes like the Hellenic red mullet, prepared with a skillful blend of tradition and modernity. Beyond Athens, Domes Miramare in Corfu reimagines luxury within a historical context. Once the private retreat of Aristotle Onassis, this adults-only resort seamlessly integrates its rich past, having hosted iconic figures like Maria Callas and Jackie O, with contemporary design and a vibrant cultural program. The resort offers diverse accommodations, from beachfront rooms and olive tree-view suites to sea-access pavilions and a newly opened panoramic wing featuring a pool and spa. Makris, the restaurant, also originated here and continues to operate alongside other dining establishments. The proximity to Corfu's UNESCO-listed town allows guests to explore its Italian-influenced architecture and cosmopolitan atmosphere. Further afield, a boat trip to Paxos reveals the Agali Hotel, a 30-room resort that embodies slow-living luxury, offering a refined, relaxed, and nature-immersed experience along the island's dramatic coastline. These diverse properties collectively showcase Domes Resorts' commitment to redefining luxury travel in Greece through thoughtful design, culinary excellence, and a deep appreciation for local heritage and natural beauty. #DomesResorts #GreekLuxury #HospitalityDesign #AthensRiviera #Glamping #Corfu #Paxos #MichelinStar #SustainableTravel

The Radisson BLU Hotel Kaş, designed by Öznur Çaglayan Architectural Design Studio, is located in Antalya, Türkiye, and was completed in 2023. The project, covering an area of 2241 square meters, focuses on integrating modern luxury with Mediterranean tradition. The design philosophy aims to reflect the unique character of insular societies, blending a sense of ancient history with contemporary architectural needs. This approach is inspired by the resilience and cultural richness of cities that have long interacted with the sea. The architectural concept emphasizes a harmonious relationship with the surrounding natural landscape, drawing inspiration from the Mediterranean context. The design seeks to provide guests with an experience that is deeply connected to the local environment while offering modern comforts. The project's overall aesthetic is characterized by a blend of traditional elements and modern design principles, creating a distinctive visual identity that resonates with both local culture and international hospitality standards. The hotel's exterior design incorporates elements that respond to the climate and cultural heritage of Kaş. Details such as window treatments and facade materials are chosen to reflect the region's architectural vernacular, while also ensuring energy efficiency and durability. The objective is to create a building that feels indigenous to its setting, minimizing its visual impact and maximizing its integration into the landscape. The use of specific materials and construction techniques further enhances this connection to the locale. Inside the Radisson BLU Hotel Kaş, the interior design, managed by Yeşim Kozanlı Architecture and Interior Design, extends the theme of fusion. Spaces are crafted to evoke a sense of Mediterranean warmth and hospitality, utilizing natural light, local materials, and a color palette inspired by the sea and sky. Common areas, guest rooms, and dining spaces are designed to offer both luxury and a relaxed ambiance. The interior layout is planned to optimize views of the surrounding natural beauty, providing an immersive experience for guests. Key design specifications include the collaboration with Engiz Mühendislik for structural design, Tomay Mühendislik for mechanical design, and Şengök Mühendislik for electrical design, ensuring the hotel's operational efficiency and structural integrity. The project manager was Hilal Bozkan, with Can Ozduğan as the architect, and MK Group serving as both client and contractor. These collaborations highlight a comprehensive approach to the hotel's development, ensuring that all technical and aesthetic aspects were meticulously addressed. The project's photography, captured by İbrahim Özbunar, showcases the architectural details and the interplay between the hotel and its environment. These images highlight the thoughtful integration of the building with its coastal location and the interior spaces that define its character. The hotel's design reflects an awareness of its context, aiming to provide a unique destination that respects and celebrates the spirit of Kaş. #HospitalityArchitecture #Hotels #Antalya #ArchitecturalDesign #MediterraneanArchitecture #ModernLuxury #InteriorDesign #StructuralDesign

The Kaufman House, a historical landmark in Zelienople, Pennsylvania, originally built in 1902, has undergone a significant restoration after being severely damaged by a fire in 2011. This 121-year-old building, which served as a hotel, factory worker housing, and an iconic tavern, was a vital rest stop for travelers and a community focal point. After the fire, the building remained closed until 2020, facing potential demolition. However, the Zelienople Borough recognized its cultural and economic importance, purchasing it in 2017 with a state Redevelopment Assistance Capital Grant to ensure its preservation. The restoration project aimed to maintain the building's original aesthetic, particularly concerning its windows. James Druschel, former vice president of finance and CFO of Veka, played a crucial role by initiating the project and facilitating the donation of window profiles from Veka Inc. Wincore Windows contributed by charging only for labor, glass, and hardware. The choice was made to use residential windows, specifically the 7700 Series from Veka, to replicate the original single-hung, wood windows. These included double-hung, fixed, and awning glass windows, with picture windows on the street level and double-hung windows on the upper floors. The 7700 Series is an LC-rated product, deemed suitable for the project. Technical specifications include white interior and exterior frames and low-e argon insulated glass with a 0.29 U-value, totaling 51 double-hungs, 30 fixed, and 3 awning windows. Beyond windows, the restoration also involved reinforcing the Main Street-facing balcony on the second floor with beams and updating it with VEKAdeck in Signature Storm color and white Veka rails, with the contractor receiving a reduced price for these materials. The rehabilitation proved more extensive than initially anticipated, as structural deficiencies were progressively discovered. Many previous repairs had overlooked structural integrity, leading to a situation where 60 percent of the building's structural integrity was found to be compromised and required replacement. The interior was gutted, re-walled, rewired, and re-plumbed, essentially rebuilt to meet modern codes. In its reimagined state, the Kaufman House now serves multiple purposes. The ground floor has been re-established as a restaurant, coffee shop, and bar. The second floor features a banquet hall, retail and office spaces, and meeting rooms. The third floor accommodates the regional office of a marketing firm. The basement is designed to host entrepreneurs offering complementary products to the restaurant. To ensure compliance with local codes, an elevator and a new stairwell were installed. Looking ahead, the building is also slated to function as a boutique hotel and a training facility for the tourism, culinary arts, and hospitality industries, further cementing its role as a revitalized community asset. #HistoricPreservation #BuildingRestoration #ArchitecturalDesign #WindowRenovation #KaufmanHouse #CommunityRevitalization #VekaWindows #WincoreWindows #ZelienoplePennsylvania

Palazzo delle Pietre, a 15th-century building in Rome's historic Campo Marzio district, offers a unique hospitality experience that blends ancient Roman history with modern design. Owner and collector Carlo Mazzi transformed the time-worn structure, which sits atop the ancient Baths of Nero, into a collection of luxury serviced apartments. The restoration, completed over seven years, aimed to create a space that fosters a "conversation between past and future," embodying the ancient concept of _Civis Romanus sum_—that one becomes a Roman citizen through elective affinity rather than birth. The property features 10 unique apartments, ranging from intimate studios to expansive penthouses, each meticulously designed to serve as a private home for sophisticated, art-loving travelers. Mazzi's extensive collection of approximately 200 archaeological finds and 50 Renaissance-era pieces is distributed throughout the common areas and apartments, creating a continuous dialogue with contemporary design elements. Guests will find modern furnishings and lighting, such as Harry Bertoia chairs by Knoll, desks by De Padova, and Artemide lights, juxtaposed with antique wooden headboards, restored doors, and Roman stone fragments. The interior design emphasizes material richness, incorporating at least ten different types of marble, including rare book-matched slabs, alongside vaulted ceilings and travertine doorways. Textiles from Lo Studio di Beatrice Petriccione di Vadi soften the architectural geometry of stone and wood. Each apartment is fully equipped with bespoke items, including Richard Ginori porcelain, allowing guests to immerse themselves in daily Roman life while benefiting from hotel-like services such as concierge assistance, spa appointments, and event space access. Notable accommodations include the "Penthouse Apartment" and "La Corte Rooftop Terrace," a split-level residence with panoramic views and a private hammam. The property's strategic location on Via delle Coppelle places guests within walking distance of iconic Roman landmarks such as Piazza Navona, the Pantheon, and Caravaggio's masterpieces, yet it maintains a distinct neighborhood feel away from chaotic tourist hubs. This provides an authentic Roman living experience where history, art, and artisan culture converge. Palazzo delle Pietre also cultivates a vibrant cultural atmosphere through its "FraMmenti Club," which hosts monthly events, talks, and salons designed to foster social cohesion and revive the spirit of ancient Roman academies. Wellness facilities are integrated with artistic flair; the fitness room is uniquely adorned with original Andy Warhol Marilyn portraits, contrasting with the ancient surroundings. The communal wellness area features a hammam with green mosaics and a massage room clad in warm yellow marble, underscoring the property’s commitment to an artful and luxurious guest experience. The establishment aims to offer a discreet and unique hospitality choice, enabling travelers to feel like citizens rather than mere tourists in a city that continually evolves. #LuxuryTravel #RomanHistory #ModernDesign #BoutiqueHotel #ArtCollection #ItalyTravel #InteriorDesign #CulturalImmersion #PalazzoDellePietre

Peninsula House, a holiday home on the Greek island of Antiparos, represents a collaboration between Atelier Bow-Wow and the design-led property developer Oliaros. This project is the personal residence of Oliaros founder Iasson Tsakonas and his family, including his wife Argyro Pouliovali, founder of ARP. The house was conceived with a strong emphasis on timeless design, integrating contemporary architecture with the distinctive context of the Cycladic island. The genesis of Peninsula House dates back to 2006 when Tsakonas acquired the land, with Atelier Bow-Wow's design selected in 2008. The initial plan for a family home evolved, and adjustments were made after Tsakonas married Pouliovali to better suit their family's needs. Oliaros is known for its commitment to low-impact properties and a well-considered masterplan that preserves the island's identity while establishing it as an architectural destination. The company has previously worked with notable architects such as Nicos Valsamakis, Sou Fujimoto, and Bjarke Ingels Group on other villa projects on the island. Atelier Bow-Wow's co-founders, Yoshiharu Tsukamoto and Momoyo Kaijima, share a synergistic working relationship with Tsakonas. Tsukamoto highlights the project's dialogue with the region's traditional Greek architecture, appreciating the vernacular styles that emerge from the island's harsh yet beautiful environment. The design subtly draws parallels between Japanese architecture, known for its simple yet detailed approach, and the Cycladic vernacular. The architects' ongoing research into local construction methods and materials informed the design process. The house features two distinct volumes interconnected by an intricate network of outdoor spaces, designed in collaboration with Athens landscape architecture firm Doxiadis+. This includes a series of terraces, al fresco seating areas, and open-air circulation routes. A key feature is a long swimming pool that meanders between the two stone volumes, acting as a central water element. Tsakonas was particularly drawn to Atelier Bow-Wow's concept of a water canal connecting the "ruin" (an open-air BBQ pavilion) and "the village" (the family building). Despite challenges posed by the pandemic, which limited the architects' on-site visits, the project was executed to high standards with the support of local architect Stefanos Nassopoulos and the Oliaros technical team. The interiors of Peninsula House feature whitewashed walls and light concrete floors, serving as a backdrop for Tsakonas' extensive collection of art and design. This collection, amassed since his time in real estate in Azerbaijan and growing after establishing Oliaros in Athens, includes contemporary art, design pieces, ceramics, and Azeri rugs. The curated blend of new and heritage items creates an effortless and era-transcending aesthetic. An example of this fusion is the terrace's marble pattern, which draws inspiration from traditional Japanese gardens and calligraphy. This design evokes the work of Greek architect Dimitris Pikionis, who also found inspiration in Japanese garden traditions for his landscaping around the Acropolis in the 1950s. Tsakonas envisions Peninsula House as an embodiment of contemporary Greek architecture with a Japanese influence, characterized by timeless elegance rather than overt statements. The design of the pergola above the parking space integrates solar panels, oriented for optimal efficiency, showcasing a commitment to sustainable practices. #GreekArchitecture #AtelierBowWow #Oliaros #Antiparos #CycladicDesign #ResidentialArchitecture #ContemporaryDesign #ArtCollection #LandscapeArchitecture

The Myconian Collection, initiated by George Daktylides in the early 1960s, began its journey from a local bus transportation business to a prominent hospitality portfolio on Mykonos. Starting with the 25-room Kohili in 1979, the family gradually expanded its offerings, culminating in the Myconian Ambassador, the island's first five-star private hotel, in 1986. The development philosophy emphasized integrating structures respectfully into the natural landscape, considering local environmental factors like wind, sun, and topography. This ethos is continued by George and Eleftheria’s four sons, who manage the collection as an organic, place-responsive growth rather than a standardized franchise. Myconian O', opened in 2022 in Ornos Bay, exemplifies this design approach. Designed by Antonis Kalogridis, the hotel was conceived to harmonize with its environment, featuring 65 rooms and suites with private terraces or plunge pools, seamlessly blending indoor and outdoor spaces. The material palette is restrained, utilizing local stone, wood, sand, and various muted tones, complemented by custom-designed lighting fixtures from natural materials. The landscaping incorporates native plants and palm trees, while a desalination system and treated greywater are used for irrigation, reflecting a commitment to sustainability. The restaurant focuses on seasonal, locally sourced ingredients, continuing long-standing relationships with island farmers and fishermen. Panoptis Escape, situated on a high point above Elia Beach, offers a different experience, emphasizing tranquility and panoramic views. Completed in 2022 and a member of Small Luxury Hotels of the World, it comprises 18 independent suites and a central estate designed as a secluded micro-village. The architecture features minimal, low-volume structures of Cycladic white, stone, and raw wood, integrated into the hillside. Interiors are defined by natural textures and bespoke furnishings, with each unit including a private terrace with a pool or whirlpool. The expansive Panoptis Escape Villa provides a self-contained luxury experience for a large number of guests, while remaining discreetly concealed within the terrain, maintaining the Collection’s architectural principles. Deos, located above Mykonos Town, offers a unique perspective balancing traditional charm with modern luxury. Designed by GM Architects, the hotel provides a sequence of sensory experiences, from stone-paved private roads to sunlit terraces and narrow passages opening to broad panoramas. The interiors use wood, marble, and limewashed surfaces, and the spa is carved directly into natural rock, utilizing filtered light. Epico, the hotel’s signature restaurant, focuses on Mediterranean traditions and Greek gastronomic heritage, using fresh, locally sourced ingredients and a wine list highlighting independent Greek wineries. The dining experience transitions from informal lunches to curated multi-course dinners, all designed to maximize views of the Aegean and Mykonos Town. The Myconian Ambassador at Platis Gialos, established in 1992, marked a significant milestone as Mykonos’ first five-star hotel. As a member of Relais & Châteaux, it set a benchmark for Greek island hospitality. Its architecture respects the natural slope, offering panoramic views, and its materials reflect Cycladic forms with whitewashed exteriors and natural stone. Efisia, the award-winning fine dining restaurant, reinterprets local culinary traditions with precise techniques and thoughtful sourcing, featuring dishes inspired by the Cycladic terroir and ancient recipes. Sunrise Mykonos at Agrari Beach represents a return to a more intimate relationship with the land. Positioned on an undeveloped beach, the hotel’s architecture consists of seven elevated volumes that preserve the natural dune morphology. The design emphasizes minimal impact, using thick whitewashed walls, natural stone, timber pergolas, and planted rooftops. Almiriki restaurant, a Relais & Châteaux member, focuses on Greek food heritage through seasonal availability, minimal processing, and ancestral techniques. The Myconian Collection’s sustainability initiatives extend beyond infrastructure to education, biodiversity, and community engagement. This includes operating desalination plants, reusing greywater for irrigation, employing high-efficiency energy systems, and extensive waste recycling. The group also donated a state-of-the-art secondary school with staff residences to Ano Mera and supports local NGOs for beach cleaning and marine biodiversity protection. Their culinary philosophy strongly emphasizes local sourcing, and staffing practices prioritize employee well-being and long-term retention. #MykonosHospitality #VernacularArchitecture #RegenerativeTourism #CycladicDesign #SustainableHotels #FamilyBusiness #GreekArchitecture #LuxuryHospitality #EnvironmentalStewardship

The "Chaos Calls Harmony in Entropy" project, designed by THIS IS IMDA, is a architectural endeavor located in Pyrgos Santorini, Greece. It involves the reconstruction of two excavated spaces, originally housing domestic staff, two stables, and the construction of a new building within a 1876 mansion. The project's genesis lies in addressing significant alterations made to the mansion's facades and interiors during the 1970s, which deviated from the traditional architectural homogeneity and unity characteristic of Pyrgos, reflecting an earlier period of Venetian influence that emphasized equality and justice. The architects aimed to reintroduce these Venetian ideals while integrating the arbitrary features that had accumulated over time, thereby formulating a new conceptual language termed "asymmetrical symmetry." The exterior design of the retreat is characterized by a complex, angular formal language, featuring sharp, slanted walls and fractured planes that intentionally subvert conventional axial logic and symmetry. This design approach creates a sense of "frozen motion," suggesting an architecture caught between states of collapse and eruption, yet it avoids appearing disordered. Instead, the inherent chaos is meticulously calibrated, resulting in a controlled unpredictability. Despite the fragmentation of surfaces and boundaries, the exterior spaces successfully convey a feeling of protection and intimacy. Elevated, sloping levels enhance privacy and delineate zones with a surprising softness, suggesting that entropy in this context is not destructive but rather a gentle dismantling of certainty, facilitating discovery. In contrast to the exterior, the interior spaces introduce curvatures that provide an emotional resolution to the external chaos. These smooth, intersecting forms create a continuous whole, revealing an architectural intelligence that avoids merely imitating the external complexities. The incorporation of vaulted arches, drawing from ancient and sacred architectural forms, grounds the work in a profound architectural lineage. Light plays a crucial role in the design, acting as a collaborator that sculpts and defines space. The angular geometries are strategically designed to trap, reflect, and refract light throughout the day, producing sharply contrasting zones of shadow and glow. This interaction transforms the multifaceted geometry into a kinetic, temporal sculpture, enhancing the sensory experience of the building. The color palette of the retreat is intentionally soft and sun-washed, contributing to a sense of dissolution where surfaces appear to blur into the landscape. This further emphasizes the concept of entropy, not just in form but also in the material's integration with its surroundings. The overall design actively resists simple legibility, with spatial sequences that are non-axial and non-diagrammatic, creating a labyrinthine logic. This approach prioritizes an experiential and physical engagement with the architecture over a purely visual or logical understanding. The building thus functions as a landscape of encounter rather than instruction, compelling occupants to move intuitively and experience the space slowly and attentively. The title, "Chaos Calls Harmony in Entropy," encapsulates the project's philosophy. "Chaos Calls" is presented not as a threat but as an invitation to a world where order is discovered rather than predetermined. "Harmony in Entropy" is not a contradiction but a philosophy that embraces balance within uncertainty. This project posits that entropy is not an end but a renewal for architecture, and chaos becomes a potent instrument for beauty. The architectural elements reinterpret the traditional DNA of Pyrgos, presenting memory in fractured and recomposed pieces, reflecting how culture is transformed and remembered. The retreat measures 230 sqm on a 420 sqm site and is expected to be completed in 2025, with Ioanna Tsagkouli as the principal architect from THIS IS IMDA. #Architecture #ResortDesign #Santorini #GreeceArchitecture #ModernArchitecture #SustainableDesign #CulturalHeritage #InteriorDesign #ExteriorDesign

Crystal Plaza, a family-owned and operated wedding venue in Livingston, New Jersey, has recently undergone an extensive transformation, blending its historic charm with contemporary updates. Established over 100 years ago, the venue is known for hosting one event at a time, providing a highly personalized and accommodating experience. In 2020, Crystal Plaza expanded with a new 13,000 square foot event space and renovated numerous areas under the guidance of interior designers Judi Schwarz and Jennifer Lewicki of Judi Schwarz Interiors. Schwarz and Lewicki, who have worked together for 30 years and typically specialize in residential and office design, developed a clean, modern aesthetic with an edgy flair for Crystal Plaza. Their design incorporated mixed metals, eccentric materials, and customizable lighting to create versatile spaces that can be tailored to each client's vision. The venue ensures complete accessibility with three elevators and can accommodate up to 400 guests. Key renovated spaces include The Penthouse, an exclusive bridal suite designed to cater to every need of the bride and her bridal party. It features a full-service nail and hair salon, dedicated photo areas, organized wardrobes, multiple changing rooms, steam showers, and a massage area. A butler service provides food and beverage, and all furniture is movable for customization. Adjacent to The Penthouse is the Chandelier Suite, a tranquil space for the bride to relax, complete with a couch and en-suite bathroom. Flower arrangements throughout these spaces are provided by Dalsimer Spitz & Peck. Coming in the summer of 2021, The Vault is designed as a luxurious groom's lounge, offering a full-length bar, a fully-ventilated cigar lounge, a golf simulator, and a barbershop. This addition aims to provide a comprehensive experience for the groom and his party. The Atrium, Crystal Plaza’s new indoor ceremony location, is a versatile space suitable for weddings, bar/bat mitzvahs, and after-parties. It features a bright, clean white base, a large open ceiling, and unique details such as silver-speckled wood floors by Kuche+Cucina. The room's lighting, enhanced by West Essex Lighting Studio, can change colors, as can the icy glass panels by Galaxy Glass, allowing for adaptable ambiance. Windows in The Atrium can be covered by moving screen doors for photography or used as projectors. The Grand Ballroom, originally built in 1995, also received significant upgrades. Space was added to increase capacity, chandeliers were raised, lighting was modernized, and window dressings were removed to enhance brightness and openness. The room's intricate details were repainted in 14 Karat yellow-gold, imparting a palatial feel. A 30-foot round mahogany dance floor anchors the room, offering views of the nearly 2-acre manicured garden, which itself has been updated with new stone and lighting. Even the administrative offices at Crystal Plaza were part of the renovation, with lighting updates, new furniture, and a stunning restoration of a 100-year-old family heirloom desk. Custom pieces and elegant carpets by Starr Carpet contribute to a sleek and refined workspace for the Crystal Plaza team. Ultimately, Crystal Plaza's revitalization successfully merges its rich history with modern design, creating a versatile and enchanting venue that moves away from conventional event spaces, ensuring a unique and memorable experience for all its clients. #CrystalPlaza #WeddingVenue #VenueRenovation #InteriorDesign #JudiSchwarzInteriors #EventSpace #LuxuryDesign #NewJerseyEvents

Amanzoe, the celebrated Greek outpost of the Aman hospitality brand, offers a luxurious hilltop retreat in the Peloponnese, designed by the late American architect Ed Tuttle. This destination, featured as the backdrop for a summer fashion story, is the third Aman property in the Mediterranean, following Montenegro’s Aman Sveti Stefan and Turkey’s Amanruya. Ed Tuttle was a significant influence on Aman’s architectural style, having designed seven of their properties, including the inaugural Amanpuri in Thailand in 1988. Situated on the eastern edge of the Peloponnese, a short drive from Athens, Amanzoe embodies Aman's signature blend of tranquility and dramatic experiences, seamlessly integrated with the spirit of its location, sea, and sun. The resort, featuring 38 suites, is strategically positioned just outside the charming town of Porto Heli. The architectural design of Amanzoe is characterized by its low, gentle composition, which is both refreshingly clean and contemporary. The aesthetic employs serene neutral colors and minimalist architecture while subtly referencing classical Greek architecture through elements like column and cornice detailing. The entire complex is thoughtfully embedded into its verdant surroundings, providing expansive 360-degree views of the sea and the lush natural landscape. Amanzoe is ideally situated atop a gentle hill, approximately a ten-minute walk from the heart of Porto Heli. Key building materials, such as marble and stone, are extensively used throughout the resort, forming a fundamental part of Amanzoe’s architectural identity. Tuttle, who passed away in 2020 at the age of 75, considered these materials to be “the most basic and noble materials of Greece.” The design incorporates beige-colored Sinai Pearl Antique and dark-green Guatemala Verde marble, complemented by the region’s traditional dry stone cladding. Additionally, timber elements, particularly the pergolas on the outdoor terraces, further connect the spaces to the local environment. Alongside the hotel offerings, Amanzoe also includes several private villas, designed in a similar style, providing exclusive accommodations for guests. Amanzoe exemplifies a harmonious blend of modern luxury with classical Greek influences, set within a breathtaking natural landscape. The resort’s design prioritizes a sense of calm and integration with its surroundings, offering an immersive experience that reflects both the heritage of the region and the sophisticated standards of the Aman brand. This thoughtfully curated environment ensures that guests can enjoy both the serenity of the retreat and the cultural richness of the Peloponnese. The meticulous attention to detail in material selection and architectural composition creates a cohesive and elegant destination that stands as a testament to Tuttle's vision and Aman's commitment to exceptional hospitality. #Amanzoe #EdTuttle #LuxuryResort #GreekArchitecture #Peloponnese #HospitalityDesign #TravelDestination #MinimalistArchitecture #InteriorDesign

StudioTamat, a Rome-based architectural firm, has undertaken the renovation of an 80-square-metre "villino" in the heart of Rome, situated within the courtyard of a late-19th-century building on Viale di Trastevere. The project, known as RA House, was designed to create a sense of spaciousness and vibrancy for a couple who split their time between multiple residences. The intervention strategically employs elements of color, transparency, and reflection to achieve this objective within the compact three-level property. The design ethos centers on amplifying spatial dynamism while maintaining a coherent aesthetic that nods to the existing charm of the villino and the lively Trastevere neighborhood. Architects Matteo Soddu, Tommaso Amato, and Valentina Paiola spearheaded the transformation, which involved a significant rethinking of the vertical arrangement of the house. A key modification was the replacement of part of the original first-floor mezzanine with a structural glass floor. This innovative feature establishes a direct visual connection between the ground-floor living areas and the bedroom located above, promoting a more open and integrated living experience. Further enhancing the feeling of openness, a void was introduced into this new glass floor, creating a double-height lightwell. This lightwell is complemented by a new window, allowing natural light to permeate deeper into the interior. Mirrored ceilings are strategically incorporated throughout the house, contributing to an illusion of expanded space and vertical infinity. These reflective surfaces work in conjunction with the transparent elements to dematerialize boundaries and make the relatively small footprint feel significantly larger. A central blue volume acts as a functional core, extending between two levels. On the lower floor, it neatly houses the kitchen and utility spaces, while on the upper level, it accommodates an en-suite bathroom. This clever integration of services within a unified volume optimizes space and maintains visual continuity. The circulation within the house is also thoughtfully designed; a bookshelf ingeniously doubles as a space-saving staircase connecting the two main floors, while a spiral staircase provides access to the second floor, which serves as a flexible study or guest room. In addition to these structural and spatial interventions, the project meticulously restored the art-nouveau-style stained glass, which now forms an orangery at the entrance, infusing the space with shades of green, orange, and yellow. New materials are introduced with a discerning eye, including Verde Alpi marble, which is prominently featured as a podium at the base of the chestnut wood staircase and on kitchen surfaces. Fluted glass is used for partitions in the upstairs en-suite, offering a degree of privacy while maintaining light and an open feel. The kitchen also showcases metal cabinets with an ombre effect, fading from rose-gold to black. The interior is furnished with a mix of contemporary and vintage pieces, including a concrete table, vintage Thonet chairs, and a custom-made bed, providing the final touches to a sophisticated and spatially efficient urban residence. The project successfully blends historical preservation with modern design principles, creating a functional, elegant, and seemingly expansive home within its compact Roman setting. #StudioTamat #RAHouse #RomeArchitecture #VillinoRenovation #GlassFloors #MirrorCeilings #SpatialDynamism #InteriorDesign #ResidentialArchitecture

The quality of life in cities significantly impacts human lifespan, with differences potentially spanning two decades, according to the WHO. The World Health Organization's 2001 International Qualifications Framework for Health (ICF) highlights that most individuals will experience some form of temporary disability due to factors like illness, age, or pregnancy. This perspective reframes disability not as a minority issue, but as a universal human experience. This shift underscores the importance of inclusive urbanism, barrier-free design, and universal access, moving beyond basic 'accessibility' discussions to widespread implementation, particularly in the US, Canada, and Europe. This article explores the progression of inclusive design, its philosophical underpinnings, and its current status in Ukraine. In the United States, the Americans with Disabilities Act (ADA) Standards for Accessible Design, established in 1991, marked a significant legal framework. While violations persist, the American legal system effectively enforces these standards through litigation. This has solidified inclusive design as a civil rights concept, a result of hard-won battles against initial resistance from state and corporate entities. Pioneering figures like industrial designer Patricia Moore faced resistance in advocating for design solutions that accommodated diverse needs, illustrating the historical struggle. An early example of adaptive architecture is Frank Lloyd Wright's Laurent House (1952), designed for a wheelchair-bound World War II veteran. Wright incorporated features like gentle ramps, wide doorways, and ergonomically placed fixtures, demonstrating that adaptive design can coexist with aesthetic appeal. Today, the Laurent House serves as a museum, a testament to this principle. While private, adapted mansions are now common, the urban environment required a more widespread fight. Activist Ed Roberts, partially paralyzed by polio, spearheaded the movement for accessible urban environments. His persistence led to the conversion of a university ward for his accommodation and, subsequently, the formation of the 'Rolling Quads' – a group that used radical methods, including smashing curbs, to advocate for accessibility. This activism, alongside broader civil reforms of the 1960s and 70s, culminated in the signing of the ADA in 1990. Ronald Mace, an architect and industrial designer also affected by polio, was another pivotal figure. He developed the first US building accessibility code in 1973 and coined the term 'universal design.' This concept goes beyond minimum accessibility, aiming for aesthetically pleasing and comfortable environments usable by everyone, regardless of age, ability, or status. Mace formulated seven principles of universal design: equitable use, flexibility in use, simple and intuitive use, perceptible information, tolerance for error, low physical effort, and appropriate size and space for approach and use. These principles were applied in the reconstruction of the World Trade Center site, including the 9/11 Memorial, where subtle slopes replaced stairs, and monument details were made visible to individuals of varying heights and mobilities. The Ed Roberts Campus in Berkeley, a world model for accessibility, exemplifies universal design principles, featuring acoustic landmarks, high-contrast decor, textured floors, remote-controlled elevators, and a spiral ramp. The building also prioritizes natural materials and advanced air filtration for those with environmental sensitivities. Terms like 'universal design' (US), 'inclusive design' (UK, Central Europe), and 'design for all' (Nordic countries) are largely synonymous, reflecting a global movement towards accommodating diverse needs in infrastructure and public spaces. 'Design to the Edges' is a more recent term that emphasizes designing for extreme user parameters to achieve versatility. Originating from a mid-20th century US Air Force study that found only a small percentage of pilots fit 'average' anthropometric data, this approach advocates for adjustable designs that cater to the broadest possible range of users. This principle leads to innovations like adjustable car seats and multifunctional urban elements. In contrast, Ukraine's progress in inclusive design lags despite ratifying the UN Convention on the Rights of Persons with Disabilities in 2009. Accessibility is often addressed reactively and inadequately. Examples include the delayed adaptation of parliamentary premises for a wheelchair-bound MP and instances of poor hospital design. Ukrainian cities grapple with fundamental issues like pedestrian mobility, with traffic light timings often prioritizing vehicular flow over pedestrian needs, particularly for those with reduced mobility. The lingering effects of Soviet-era neglect have fostered a 'learned helplessness' among many disabled individuals, who remain largely confined to their homes. However, individual initiatives, such as landscape designer Yuliya Polyanska's inclusive flowerbed project, offer glimpses of progress and advocate for sensory gardens. The challenges include lack of funding, absence of governmental programs, and vandalism. The broader implication of these struggles is that true inclusiveness is not about an accumulation of ramps but a fundamental rethinking of environmental design. In the digital age, inclusivity extends to corporate practices and UX design, benefiting a wide range of users beyond those with disabilities. Despite some famous architects still failing to implement inclusive designs, the pursuit of universal design continues. Ultimately, inclusive design represents a new elegance for cities, reflecting a humane and thoughtful approach to urban planning that offers comfort and dignity to all, often in subtle and harmonious ways. #inclusiveDesign #universalDesign #urbanism #accessibility #disabilityRights #barrierFree #architecture #urbanPlanning #socialEquality

Rome is preparing for a significant year, marked by a Catholic jubilee, which occurs every 25 years. This event, commencing on December 24 with the opening of the holy door in St Peter’s Basilica, is expected to draw millions of pilgrims seeking plenary indulgence. Coinciding with this momentous period, a new luxury establishment, the Romeo Roma, has opened its doors on Via di Ripetta, near Piazza del Popolo, after over a decade of development. This is the second hotel from the family-owned Romeo Collection, situated within an elegant 17th-century palazzo. The Romeo Roma is among several ultra-luxury hotels that have recently launched or are under development in Rome, including the Bulgari, the W, the Edition, the Rosewood, a forthcoming Four Seasons, and a Nobu. The Six Senses, an IHG-owned wellness brand, also opened its first European hotel in Rome in early 2023. The Romeo Roma distinguishes itself with a starting rate of approximately £2,000 per night, positioning it as one of the world's most expensive hotels. This price point surpasses that of competitors like the Bulgari, a detail the hotel seems to emphasize. Key to the Romeo Roma's extraordinary appeal are its high-profile collaborators: Zaha Hadid, who designed the interiors, and Alain Ducasse, responsible for the culinary offerings. The hotel's design is characterized by avant-garde elements, featuring lacquered Macassar ebony and Carrara marble. The restoration of Palazzo Capponi, originally a government office, began in 2012 and uncovered an ancient workshop in the basement. The construction involved the careful integration of tons of wood, marble, and steel, all while preserving the historical integrity of the building, which includes a rotating head of Livia Drusilla in a glass case in the lobby. The lobby itself, formerly the palazzo's inner courtyard, now boasts a retractable glass roof, a vaulted steel lattice ceiling, a red Schulze Pollman grand piano, Rubinacci floor cushions, and an uplit waterfall that spells out “ROMEO” in rainbow-colored water. The rooms continue the space-age aesthetic, with Hadid’s signature curves evident in the ebony beds, mirrored TV stands, and sinuous white spa baths. Some rooms even feature original 17th-century frescoes discovered during renovation. The owner, Alfredo Romeo, expressed the challenge of merging historical heritage with innovative contemporary architecture and sustainability. Culinary experiences at the Romeo Roma are a major draw. Il Ristorante Alain Ducasse offers a ten-course tasting menu for £232, featuring dishes such as charred puntarelle and pink venison. Breakfast by Alain Ducasse, included in the room rate, provides an extensive spread and the Monégasque chef’s signature hot chocolate. The slightly less extravagant Il Cortile offers a Roman menu with pasta, pizza, and fish amidst Carrara marble columns and a shimmering ebony ceiling. The hotel also includes a Sisley spa with treatment rooms, a hammam, an infrared sauna, and a Sicilian salt relaxation room. The hotel caters to a distinguished clientele, as evidenced by the attendance of ambassadors from various countries at its opening. Despite its opulent nature, the hotel considers micro-level details, such as staff remembering coffee orders and personalized amenities like silk eye masks and branded toiletries. The owner, Alfredo Romeo, personally approved many details, including eclectic artworks and custom furniture. While some minor issues, like a lack of bathroom hooks or temperamental lighting, were noted, they are attributed to opening jitters. The article concludes by highlighting Rome's attractions during the jubilee year, including pedestrianized areas, renovated historical sites, and new cultural experiences, affirming the city's appeal beyond the hotel's luxury. #LuxuryHotel #RomeTourism #ZahaHadid #AlainDucasse #HotelDesign #JubileeYear #ItalianHospitality #ArchitecturalInnovation #HistoricalPreservation

This article explores ten design hotspots in Rome, drawing inspiration from Harry Styles' recent visit to the city. It highlights various locations, ranging from high-end restaurants and art galleries to flea markets and independent homeware shops, suggesting an unconventional 'Roman Holiday' itinerary that blends celebrity-inspired sightings with local design and cultural experiences. The exploration begins with Il Pagliaccio, a two-Michelin-starred restaurant, where Harry Styles was spotted. This establishment is known for its intimate ambiance, sophisticated Mediterranean cuisine, and modern industrial interior design. It was the first Roman restaurant to achieve two Michelin stars and is guided by Italian-French chef Anthony Genovese, focusing on enhancing connection and conviviality through its design. Next, the article introduces Spazio Giallo, a design lab and gallery housed in a deconsecrated church, founded by Carolina Levi. This unique space functions as both an exhibition venue and a concept store, showcasing a curated collection of sculptural ceramics, table sets, paintings, prints, handmade fashion accessories, and designer furniture from contemporary artists and designers. Its relocation to Piazza dé Ricci, near Campo de’ Fiori, has transformed it into a hub for cultural events, including dance, music, DJ sets, roundtables, and workshops, fostering a vibrant creative atmosphere. The third hotspot is Porta Portese, Rome’s largest flea market, which Harry Styles visited. The market, dating back to 1945, offers a wide array of items, from antiques and home accessories to clothes and books. Its historical significance is noted, having appeared in classic Italian films and inspired local artists, serving as a cultural crossroads in the Trastevere district. The Style Hotel is presented as a potential accommodation option, even though Styles did not stay there. This four-star boutique hotel, located near iconic landmarks, blends historical architecture with contemporary furnishings, featuring Murano glass chandeliers, neutral palettes, and marble and wooden surfaces. It offers an elegant and unforgettable Roman experience within its design-rich interiors. C.u.c.i.n.a., an independent store specializing in kitchenware, is highlighted due to Styles' reported shopping there. The store offers high-quality home appliances, coffee pots, pans, and vintage-inspired table accessories, appealing to those seeking chef-style or industrial kitchen aesthetics with a blend of style and functionality. It has two locations in Rome. The article then delves into Trastevere, emphasizing its blend of local delicacies and cultural sightseeing. It suggests visiting Piazza di Santa Maria with its ancient fountain and the Basilica di Santa Maria in Trastevere, known for its mosaics, and the Basilica di Santa Cecilia. Casa Totem, a small apartment designed by STUDIOTAMAT, is recommended for those wishing to immerse themselves in the district's creative energy with its modern rustic, glamorous style. Auditorium Parco della Musica, designed by Renzo Piano, is featured as Europe's largest multifunctional entertainment venue. It hosts a variety of concerts, film festivals, and cultural activities, serving as a significant cultural institution. Harry Styles and Alessandro Michele's attendance at a concert here underscores its importance as a contemporary cultural destination. Antico Caffè Greco, an 18th-century cafe, is recognized as the oldest in Rome and the second oldest in Italy. It has served historical figures and is known for its Baroque, red-and-gold interiors, offering a step back in time. Its long-standing legacy and reputation for outstanding hospitality make it a must-visit for a traditional Roman experience. Edicola Erno, a “non-ordinary Roman newsstand,” is presented as a destination for design and fashion enthusiasts. It revitalizes the concept of Italian newsstands by offering niche publications, temporary art displays, and pop-up events that foster community and interdisciplinary connections, cementing Rome's role in contemporary culture. Finally, the article suggests a day trip to Civita di Bagnoregio, a hilltop village where Styles reportedly bought property. Known as 'the dying city' due to its eroding hillside, this picturesque village has inspired artists and filmmakers, offering unparalleled beauty and a unique cultural experience in the Lazio region. #RomeTravel #HarryStyles #ItalianDesign #LuxuryDining #FleaMarkets #BoutiqueHotels #Kitchenware #TrastevereCulture #CulturalHotspots #CivitaDiBagnoregio

Don Tanani, a new brand and design gallery, has emerged from a collaboration between Egyptian interior design firm Living in Interior and wood producers Ar-Co. This brand aims to offer a fresh perspective on contemporary furniture, interpreting Egyptian design and identity in a timeless manner. The inaugural collection, designed by Lina Al Orabi and titled Duality, features wooden furniture, including tables, consoles, and seating. These pieces are characterized by their curved lines and are crafted using traditional joinery and carving techniques rooted in ancient Egypt. The founders of Don Tanani, members of the Tanani family, express their intention to address a gap in the MENA region and Egyptian design market by elevating design made in Egypt and the Middle East. Their goal is to push the boundaries of Egyptian design and functional art, creating products that blur the line between utility and artistic expression. The brand plans to expand its collection through future collaborations with more Egyptian designers. The Duality collection, a result of a two-year development process, showcases a contemporary design approach deeply embedded in local traditional crafts. The collection draws inspiration from ancient Egyptian beliefs, where objects and art were considered living images, preserving likeness for future generations. The artisans of ancient Egypt imbued static materials with warmth, movement, and life through carving, effectively encapsulating moments in time. This historical reverence for craft is evident in Don Tanani's creations. The furniture pieces in the Duality collection feature sleek wooden forms with curved silhouettes and substantial volumes. Subtle patterns are integrated into the designs, adding a sense of lightness to the wooden structures. The collection skillfully combines natural woods with wood veneer techniques that mirror those employed in ancient Egypt. Furthermore, oxidized wood inlaid with camel bone is utilized to create compelling visual contrasts. This intricate detailing pays homage to ancient Egyptian craftsmanship, where similar inlay techniques were used with precious stones. Ultimately, the Duality collection endeavors to rekindle cultural memories and bridge centuries of craft and design with contemporary aesthetics. It represents the beginning of Don Tanani's journey to elevate Egyptian design and celebrate the creative talent within the region. The brand's commitment to both historical authenticity and modern interpretation positions it as a significant contributor to the evolving landscape of Egyptian design. #EgyptianDesign #FurnitureDesign #ContemporaryDesign #TraditionalCraftsmanship #LinaAlOrabi #DonTanani #InteriorDesign #Woodwork #CulturalHeritage

Violino d’Oro, a five-star boutique hotel unveiled by Collezione Em from the Maestrelli family, is situated a short walk from St. Mark's Square in Venice. This property aims to offer an immersive experience into Venetian culture, blending tradition with contemporary design, sustainability, and an authentic Venetian spirit. The hotel reflects the Maestrelli family's over three decades of experience in hospitality, emphasizing respect for cultural heritage and excellence. It has been recognized by The Leading Hotels of the World, signifying its status among exclusive global destinations. The hotel is housed within three meticulously restored 17th-century buildings. The interior design prioritizes silence, texture, and natural light. Every detail, from the materials to the subtle scents, contributes to a unique atmosphere. Sara and Elena Maestrelli have guided the reimagining of Venetian hospitality with a focus on sophistication and human connection. The decor features fabrics by Rubelli, lamps by Venini, artisanal Venetian terrazzo floors, and a curated collection of Italian art and design, all harmoniously integrated. The 32 rooms and suites balance elegance and comfort, showcasing a blend of clean-lined Italian furniture, Oriental pieces, Venetian antiques, and contemporary elements. Canal views, high ceilings, and a soft color palette contribute to a serene and sophisticated ambiance. Sara Maestrelli describes the hotel as an “artisanal Italian project designed like a home,” with everything from glassware to headboards crafted locally in Venice and Tuscany, using noble materials and skilled craftsmanship. Velvets, brocades, and damasks from Rubelli, Carrara marble inlays, and hand-blown Murano glass lamps are prominent features, each with a unique story and tactile quality. Sustainability is a core philosophy at Violino d’Oro, extending beyond a marketing label. This commitment is evident in the use of local materials, support for artisan economies, and mindful resource management, reflecting a dedication to environmental responsibility and the future of luxury travel. The hospitality is characterized by warmth, attentiveness, and personalized service, with staff trained to anticipate guest needs, offering a balance of professionalism and approachability. Breakfasts are served in a sun-drenched dining room, featuring fresh, seasonal, and organic produce, artisanal pastries, and made-to-order coffee, catering to various dietary preferences. The serene atmosphere is designed to promote a sense of well-being. The hotel's culinary highlight is Il Piccolo, an intimate, Michelin-recognized restaurant with nine tables. It offers a contemporary, plant-forward menu based on local and seasonal ingredients, complemented by creative cocktails from head bartender Francesco. The menu evolves with the seasons, combining innovative techniques with traditional respect for ingredients. Violino d’Oro offers unique experiences connecting guests to the soul of Venice. These include Venetian cooking classes, yoga by the canals, mixology workshops, and private visits to artisan ateliers like Rubelli or Micheluzzi. Cultural tours provide access to lesser-known parts of the city, operas, or private palaces. Tailor-made experiences such as sunrise photography walks, guided strolls through Dorsoduro, private lagoon cruises, and food tours through traditional Venetian bacari are also available, aiming to foster a deep connection with the city. Excursions to Murano and Burano are also arranged, offering insights into glassmaking and lace-making traditions, respectively. Murano provides opportunities to observe glass artisans at work and purchase unique pieces, while Burano captivates with its colorful houses and the delicate craft of handmade lace. The hotel aims to provide a new way of experiencing Venice—authentic, sophisticated, and deeply emotional, a sanctuary that makes guests feel at home while offering an exceptional and unique stay. #VenetianLuxuryHotel #BoutiqueHotel #VeniceTravel #ItalianDesign #SustainableHospitality #CulturalImmersion #ArtisanCraftsmanship #MichelinRestaurant #HistoricRenovation