Lasvit brought forest, fabric and frozen light to Euroluce 2025

This article showcases a curated selection of innovative lighting designs, originally featured in the October 2023 issue of Wallpaper* magazine, derived from highlights of Euroluce at Milan's Salone del Mobile 2023. The featured products span offerings from established brands like Lasvit, Cassina, and Flos, as well as independent studios such as Pelle and Ross Gardam. The presentation of these designs emphasizes a unique photographic approach, employing both digital and film techniques, with a particular focus on film photography to create optical contrasts and surface textures, exploring the interplay of light and shadow. Among the showcased designs is the 'Polaris' floor lamp by David Rockwell for Lasvit, part of the Constellation collection. Inspired by the celestial mural at Grand Central Terminal, this hand-crafted metal and glass lamp functions as both a dazzling focal point and a unifying element within any setting. Laurids Gallée's 'Pool 02' lamp, a limited-edition polymer resin light, explores the incorporation of traditional elements with experimental materials. This ice-blue lamp, which emits a warm yellow glow when illuminated, features a fluid shape and soft ridges that evoke the dynamic reflections of light on water. Herzog & de Meuron's 'Dreispitz' lamp, produced for Artemide, is a graphically appealing pendant available in black, silver, and a vibrant green. Originally conceived for the architects' Dreispitz project in Helsinki, this lamp can accommodate three distinct light sources that integrate into its triangular base, forming a clover-like profile. It offers various lengths and lighting options, designed for environmental sustainability through its high efficiency, optimized industrial processes, and the use of partially recycled and recyclable materials. Dirk Winkel's 'W225 Ion' lamp for Wästberg represents a deceptively simple design, the culmination of extensive research focused on creating well-being through optimal lighting. Its core innovation is a sophisticated miniature friction joint with a cordless power connection, enabling 360-degree rotation. The lamp's versatility is enhanced by a choice of arm lengths, mounting options, and two optical systems, providing illumination for wide-angle workspaces or focused reading. The 'Vestige' table lamp by Ross Gardam and Peter Kovacsy aims to evoke a sense of wonder. This brutalist-inspired sculptural form features a solid parabolic cone of cast crystal glass, created by Peter Kovacsy, emerging from a rectangular base. The design celebrates the allure and texture of glass, with bubbles within the glass creating a speckled pattern when illuminated, and is paired with a raw aluminum base and a machined conical dimmer. Bocci's '44T' table lamp distinguishes itself with its unique, irregular aluminum canopy, formed through various processes like blowing, pouring, carving, and polishing. Each lamp is individual, reflecting Bocci’s research into dendrite-like shapes. A notable feature is the use of spherical light bulbs that glow without visible electrical cables, as low-voltage electricity passes directly through the cast metal structure. The 'Channel' lamp by Pelle, known for its 'Bubble' chandelier, addresses the practical need for illuminating large table surfaces while brightening the overall room. This ceiling fixture comprises a sleek horizontal body in waxed brushed aluminum, housing four lighting components—two upward-facing and two downward-facing beams—with thin steel cables serving as power conduits. Michele Groppi’s 'Vis à Vis' table lamp for Davide Groppi is designed to seamlessly integrate into any environment. Made entirely of transparent glass, from its thin cylindrical stem to its circular canopy, it appears to float lightly and is rechargeable, allowing for mobility without visible electric cables. Finally, Philippe Malouin’s 'Bilboquet' table lamps for Flos, his first design for the brand, are based on experiments with magnetic elements. Named after a 16th-century French game, the lamp consists of two colored cylinders connected by a magnetic sphere, allowing for flexible orientation and acting as a decorative element, designed to adapt to changing lighting needs throughout the day. Jordi Canudas' 'Dipping' pendant for Marset, inspired by an experiment of dipping a switched-on light-bulb in paint, features a brilliant white hand-blown glass globe, hand-dipped multiple times to create concentric rings of color in various hues, with different layers of paint moderating light intensity. The 'Bijou' pendants by Antoni Arola for Santa & Cole and the 'Eitie' table lamp and pendant by Tobia Scarpa for Cassina offer further examples of innovative design, with 'Bijou' providing exceptional lighting and reflections, and 'Eitie' offering reconfigurable luminous strokes through unique black metal circular connectors. #LightingDesign #InteriorDesign #Euroluce #SaloneDelMobile #ProductDesign #ArchitecturalLighting #ContemporaryDesign #SustainableDesign #ArtisanCraft

Designer Lee Broom launched his new 'Optical' lighting collection by transforming his studio's delivery van into a mobile exhibition space. This innovative concept, named 'Salone del Automobile,' involved meticulously designing the van's interior to resemble a traditional Italian palazzo. The transformation included painting the van's interior in Broom's signature grey, and adding ornate Corinthian columns, architraves, and stuccoed details, complemented by an illuminated floor. This elaborately decorated van served as a dramatic backdrop for the new monochromatic lighting fixtures. The 'Salone del Automobile' embarked on a journey from Broom's London headquarters to Milan, where it was showcased at various prominent locations during Salone del Mobile, including Brera Design District, Spazio Rossana Orlandi, ZonaTortona, San Gregorio Docet, and Ventura Lambrate. This unconventional exhibition strategy allowed the collection to reach a wider audience and provided a unique viewing experience, highlighting the pieces within an unexpected, yet grand, setting. The 'Optical' lighting collection itself features illuminated globes adorned with graphic, linear patterns. These designs are asymmetrical, creating a dynamic visual effect where their appearance shifts depending on the viewer's angle. Broom drew inspiration for this collection from his own experiences in the early 1990s, specifically recalling his use of monochrome graphics when decorating his bedroom. This personal connection to the design imbues the collection with a sense of nostalgia while maintaining a contemporary aesthetic. The collection is characterized by its stark black and white palette, which further emphasizes the graphic quality of the patterns. Each piece is designed to create an interplay of light and shadow, enhancing the 'optical' illusion and making the fixtures captivating from all perspectives. The installation within the van was carefully orchestrated to maximize this effect, presenting the lights as functional art pieces within a curated, mobile environment. This method of presentation not only served as a launch for the 'Optical' collection but also demonstrated a creative approach to exhibition design in the competitive world of furniture and lighting. By bringing the showroom directly to the audience in an artistic and memorable way, Lee Broom successfully generated significant attention and discussion around his new works, solidifying his reputation for innovative design and marketing. #LeeBroom #LightingDesign #SaloneDelMobile #ProductLaunch #ExhibitionDesign #OpticalLighting #MilanDesignWeek #InteriorDesign

The importance of a well-conceived lighting plan in home design is often underestimated, frequently being an afterthought rather than an integral part of the initial concept. Good lighting significantly contributes to an inhabitant's well-being, optimizes functionality, and elevates the overall aesthetic of a room, transforming an ordinary space into something remarkable through strategic fixture selection and placement. This principle was vividly demonstrated at the recent WOW!house design exhibit held at the Design Centre, Chelsea Harbour in London, England. The exhibition featured 22 unique rooms, each crafted by leading interior designers, where lighting often took center stage. The WOW!house exhibition, open to the public for a month in June to support the United in Design charity, was not a traditional house but an innovative installation. It comprised a series of exterior and interior spaces within the atrium of the Design Centre. These spaces were diverse, ranging from entries, kitchens, dens, bars, and dining areas to libraries, bathrooms, bedrooms, and outdoor courtyards, all brimming with originality and creative design solutions. Across most of these spectacular settings, lighting played a prominent role in defining the ambiance and functionality. One of the most striking examples was the grand entry of the installation, which featured an dramatic leaf chandelier by Cox London. Victoria Davar, founder of Maison Artefact, specifically requested a five-meter ceiling height to ensure the fixture was not only accommodated but also given pride of place, asserting its visual dominance upon entry. Davar emphasized that this height aligns with classical design principles. Her design philosophy for the entry embraced a blend of classical and modern elements, where the chandelier was framed against a traditional-surround fireplace. This approach allowed each element to balance the other, creating a dialogue between the old and the new. Davar intentionally utilized negative space, leaving the wall above the fireplace blank, to allow the chandelier to stand out as a sculptural piece without visual interruption, fostering a sense of airiness. Another innovative approach was seen in the courtyard room designed by Emma Sims-Hilditch. This multi-functional space, envisioned to support various aspects of country living such as a boot room, dog wash station, and gardening area, integrated classical elements of heritage country homes with modern touches. Sims-Hilditch positioned an oversized Charles Edwards lantern as a focal point above an island, drawing inspiration from classical English country house lanterns. The lantern received a contemporary update through its coloration, painted in Farrow & Ball's Lulworth Blue. Wall lights, inspired by carriage lanterns, and pendant lights with fabric shades in corner spaces were strategically placed to layer the lighting, ensuring both functionality and comfort. Sims-Hilditch underscored the importance of soft lighting and avoiding bare bulbs, opting for a layered system that included John Cullen Lighting for downlights and Soane Britain for wall lights. The bathroom designed by 1508 London exemplified how lighting can transform a functional space into a luxurious retreat. The design studio incorporated an advanced lighting system by John Cullen Lighting and Lutron, offering three distinct illumination programs: Ritual, Revitalizing, and Revery. Paris Albert, an associate at 1508 London, explained that “Ritual” supports daily cleansing routines, “Revitalizing” enhances vanities and showers for rejuvenation, and “Revery” creates a dreamlike state for relaxation. These options, accessible at the touch of a button, elevated the bathroom experience from mere utility to a restorative escape. Interior decorator and antiques dealer Daniel Slowik presented his morning room design, emphasizing subtle, layered lighting rather than bright, centralized fixtures or intrusive task lighting. He advocated for side lights, often converting decorative vases or antique items like Arts & Crafts candlesticks into lamps, to create ambient illumination. Slowik aimed for a subdued, not overlit, atmosphere, focusing on objects that also serve as beautiful design elements. While generally disliking overt task lighting, he integrated a brass floor lamp discreetly next to a reading chair, chosen for its distressed appearance that conveyed a sense of history and permanence. The unifying theme across all these designs is the necessity for lighting to be an intrinsic component of the overall design strategy. A thoughtful approach to illumination enhances comfort and functionality, highlights the aesthetic, and can dramatically transform a room into a unique and spectacular environment. #HomeDesign #InteriorDesign #LightingSolutions #WOWHouse #DesignExhibition #ArchitecturalLighting #DecorativeLighting #SmartLighting

The 2015 Stockholm Furniture & Light Fair showcased a vibrant array of established brands and emerging talents, with a refreshed layout that enhanced the exhibitor experience. Guest of honor Ilse Crawford, founder of Studioilse, reimagined her South London studio within the fair's central meeting area, providing a space for visitors to explore the profound impact of design on daily life. Coinciding with the fair, Crawford unveiled her inaugural collaboration with IKEA, introducing an accessible collection of furniture, lighting, and smaller items, including cork tables, hanging lights, accessories, and a day bed. This collection was presented in the charming setting of Ett Hem, a historic Stockholm house that Studioilse had previously redesigned into a boutique hotel in 2012. Several promising designers from previous years demonstrated their evolution into established brands. Baux, for instance, made its debut in the main hall, introducing a new wall system developed in partnership with Stockholm-based Form Us With Love. A notable newcomer was Taiwanese brand NAKNAK, a Taichung-based manufacturer with extensive experience in producing metal components for other brands. NAKNAK launched its first in-house collection, collaborating with international designers like Kyuhyung Cho from Stockholm. Their powder-coated metal wire house numbers, designed by Cho and Erik Olovsson, garnered significant attention for their innovative design. The fair's annual Greenhouse exhibition, a platform dedicated to fostering emerging talent, was curated by Note Design Studio. Their mirrored pavilion ingeniously highlighted the work of several up-and-coming designers. Among these, Danish designers Pettersen & Hein captivated with their structurally dynamic light objects, while Glen Baghurst showcased his colored concrete tiles and a versatile movable chair. Adding to the fair's dynamic, established Swedish architects and Wallpaper* Design Award winners, Claesson Koivisto Rune, ventured into production with their new homeware company, 'Smaller Objects.' This new venture focuses on everyday design, offering a collection of household items ranging from cooling stone coasters to innovative herb pots. In parallel, the architects launched a bright light collection with Wästberg and a structural modular sofa and side table with Offecct. Danish design stalwarts and fellow Wallpaper* Design Award winners Carl Hansen & Søn introduced a double-sided tray table with collapsible legs and a removable tray, available in light oak and smoked oak veneers, which quickly became a customer favorite. On a larger, architectural scale, Spanish powerhouse Cosentino, known for its ultra-compact slab material Dekton, collaborated with Munich-based designer Steffen Kehrle. Kehrle crafted a small structure entirely from Dekton, creating an informal gathering space called 'House of Dekton,' which offered a serene escape from the bustling fairground. The fair also featured other notable pieces like the 'Ghost Chair' by Ingrid and Olle Wingård for Minus tio, the 'Tuann' red shelf by Shuang Liang, and new copper 'PH 3.5-2.5' table lights from Louis Poulsen, all contributing to the diverse and innovative displays at the 2015 Stockholm Furniture & Light Fair. #StockholmFurnitureFair #DesignExhibition #FurnitureDesign #LightingDesign #EmergingTalent #NordicDesign #InteriorDesign #Homeware #ProductInnovation

Lodes has officially launched its first outdoor lighting collection, 'Outdoor,' following its preview at Euroluce 2025. This collection marks a significant expansion for the Venetian brand, extending its established indoor aesthetic and design philosophy to exterior spaces. The collection aims to redefine the continuity between indoor and outdoor living by offering high-performance lighting solutions with a strong decorative appeal, suitable for both residential and hospitality environments. Instead of serving a purely technical function, the lighting is designed to enhance the experience of living spaces, combining well-being, visual allure, and a seamless transition between interior and exterior areas. The core principles guiding the 'Outdoor' collection include aesthetic innovation and visual comfort, evident in the shapes, details, and finishes that interact harmoniously with the environment. Advanced technology is integrated to ensure efficiency and durability, utilizing carefully selected materials and components to guarantee superior performance under various conditions. The collection emphasizes light customization, allowing for enhanced color rendering and emission control, thereby merging visual quality with design flexibility. Furthermore, sustainability is a key consideration, reflected in the modularity and detachability of the products. These features promote longevity, ease of maintenance, and responsible resource utilization, positioning each lighting fixture as a subtle yet impactful architectural element that enriches outdoor spaces with a poetic and enduring presence. The 'Outdoor' collection comprises seven distinct projects, each contributing to a unified design language while showcasing diverse sensibilities. Collaborations include designers Patrick Norguet, Snøhetta, and estudi{H}ac, alongside Lodes' in-house design team, ensuring consistency with the brand's philosophy. Each product tells a unique story about experiencing outdoor light, ranging from technical versatility and integration with nature to formal elegance, decorative impact, and direct engagement with architectural surfaces. This approach highlights how light can simultaneously fulfill functional, emotional, and architectural roles. Patrick Norguet's contributions include 'Focus,' a versatile projector inspired by photography, offering adjustable light and various installation options across different settings. 'Kinno,' a bollard with an organic, mushroom-like design, is available in plant-inspired finishes and can be mounted on walls, ceilings, or the ground, adding movement to lighting compositions. 'Chelsie' is a compact architectural light designed as a floor washer or step light, providing uniform illumination with a discreetly concealed LED source, emphasizing its decorative nature. Snøhetta studio introduces 'Volum Outdoor,' which translates the elegance of blown-glass spheres from Lodes' indoor collection to exterior spaces. These fixtures, with their unique yet similar shapes and glossy finishes, emit a soft, even light, fostering continuity between indoor and covered outdoor areas like loggias and terraces. Estudi{H}ac's 'Stitch' family of lanterns brings a decorative vision to the collection, with technical fabric ribbons woven through metal frames to create intriguing light and shadow effects, serving as a versatile furnishing element. The Lodes design team developed 'Reed' and 'Puzzle Outdoor.' 'Reed' features slender metal stems with organic diffusers, designed to blend seamlessly with vegetation, creating a natural extension of the landscape. 'Puzzle Outdoor' adapts Lodes' indoor wall lights for exterior use, producing grazing light that highlights surfaces and textures. Available in single or double versions with customizable rotation and tilt, it offers designers creative freedom to transform walls into luminous backdrops. The 'Outdoor' collection represents a pivotal moment for Lodes, expanding its design horizon and introducing new possibilities for how light shapes and interacts with both natural and built environments, ultimately blurring the boundaries between design and nature. #Lodes #OutdoorLighting #ExteriorDesign #LightingDesign #HomeDecoration #ProductLaunch #ArchitecturalLighting #SustainableDesign

Lasvit, a Prague-based manufacturer, continues a rich tradition of Czech glassmaking, creating bespoke lighting and sculptural installations that are both luxurious and awe-inspiring. Founded in 2007 by Leon Jakimič, the company distinguishes itself by collaborating with a diverse array of in-house and external designers, including renowned artists like Nendo, Ross Lovegrove, and Daniel Libeskind, whose works are celebrated in museums worldwide. This approach has earned Lasvit accolades, such as the Harper’s Bazaar 2015 Best Lighting Brand award. Among their standout creations is Petra Krausova’s "Supernova," which received first prize for its innovative design. This undulating light sculpture consists of hundreds of individual glass pieces connected by wires to a complex system of motors. These motors allow the sculpture to transition into infinite forms, with each glass 'tile' capable of being raised, lowered, and tilted through gesture control. While envisioned for large public spaces, the artistic merit and technological sophistication of the Supernova highlight Lasvit's commitment to pushing the boundaries of lighting design. For those seeking more modest, yet equally distinctive, lighting options, Lasvit offers pieces like "Bonbon." This pendant light, shaped like a wrapped candy, features a crimped paper-like top and an internal lamp that resembles a hard candy, priced at approximately $1,990. Another notable collection is "Crystal Rock," a family of pendants that blend modern aesthetics with a raw, geological feel. These glowing, hand-cut faceted shapes come in various colors—amber, blue, clear, opal, and red—with a laminated interior surface designed to maximize sparkle. Crystal Rock is available in single, triple, and quintuple configurations, with pricing available upon request. The "Neverending Glory" series, designed by Jan Plecháč & Henry Wielgus, reimagines chandeliers from iconic global venues such as Milan’s La Scala, Paris’ Palais Garnier, and New York’s Metropolitan Opera. The designers aimed to capture the blurred, dynamic forms these chandeliers would take if spinning rapidly, creating a unique fusion of classic elegance and contemporary motion. The collection includes various models, such as the La Scala version, and is available in opal and clear glass, each priced around $2,380. Concluding with a high-end example, "Twill," by Taťána Dvořáková, showcases a fabric of woven crystals that can be customized into nearly any shape or design. Featured at Harrods, this installation integrates pinhole LED lights above the crystal fabric, producing a dazzling, organic ceiling that creates a sophisticated ambiance. Given its bespoke nature, the pricing for Twill is reflective of its custom craftsmanship and luxurious appeal. Lasvit's products are not widely available in all locations, with showrooms primarily found in eastern and western coastal states of the USA, including New York, Los Angeles, Miami, and Washington D.C. The closest showroom to Dallas, for example, is Luminaire in Chicago. Beyond individual pieces, Lasvit also specializes in large-scale bespoke installations for hotels, offices, and public spaces, transforming environments with their innovative glass and lighting artistry. The company's work, often encountered unknowingly, consistently leaves a lasting impression due to its beauty and ingenuity. #LasvitLighting #CzechGlassmaking #LuxuryLighting #BespokeDesign #SculpturalInstallations #HomeDecoration #InteriorDesign #LightingInnovation #ArtisticGlass

Lucifer Lighting, a company that has grown from a family business to a global entity, is headquartered in San Antonio, Texas, on a 13-acre campus alongside Salado Creek. This facility serves as the hub for all creative processes, including design, assembly, prototyping, and management. The spaces are adorned with art, and the building offers access to 20 miles of walking and biking trails. In addition to its Texas headquarters, Lucifer Lighting expanded its presence by opening a showroom in San Francisco's Jackson Square in 2022, followed by its first New York City showroom in 2023. The company continues its expansion, with 2025 being particularly active, marked by the debut of its new decorative fixture, Stellaris, at Euroluce during Milan Design Week. Gilbert Mathews, the founder of Lucifer Lighting, discussed the evolution of their decorative fixtures. He noted that Stellar, their first decorative fixture, was launched in 2020 to commemorate the company's 40th anniversary. While Stellar is characterized by its elegance and modest scale, Stellaris, their latest creation, measures approximately 30 inches in diameter and is designed to command a striking presence, capable of defining the ambiance of a space independently. A key innovation in Stellaris is its ability to integrate both downlight and volumetric light within a single form. Mathews expressed particular pride in the patented fold design, which incorporates discrete, concealed LEDs within the waveguide, creating a mesmerizing effect that prompts observers to question the light source. Stellaris is slated for an official launch in September 2025. The Stellaris design comprises two primary components: a suspended enclosure featuring internally illuminated tubes and a translucent barrier that defines the fixture. This design was a collaborative effort with the architecture firm Gensler, which also designed Lucifer Lighting's showrooms. All of Lucifer Lighting's finished products are assembled in the United States, with 93% of the fixture components sourced from North America. Mathews emphasized the company's philosophy regarding architectural lighting, stating that “the best lighting is the kind that no one notices.” He explained that their architectural lighting can be customized with special baffles, kick reflectors, and discrete aiming and adjustment mechanisms, allowing for precise illumination without drawing attention to the light source itself. Their motto, “Design, Define, Disappear,” highlights this paradoxical approach where beautifully crafted fixtures are designed not to be the focal point. Mathews noted that this philosophy represents a departure from traditional American lighting product design, which he found to be largely utilitarian and purely functional. He drew inspiration from European lighting fixture design, appreciating its sleek aesthetic, and sought to elevate this approach through Lucifer Lighting's engineering and fabrication capabilities. He finds inspiration in the seamlessly integrated surfaces of sculptural forms, comparing them to fine watches, cameras, and Italian sports cars. The company's work has graced prominent hotels and flagship stores globally, including The Peninsula, The Standard, Four Seasons, Mandarin, St. Regis, Rosewood, and The Ritz Carlton, as well as retail spaces for Apple, Chanel, Cartier, Gucci, Louis Vuitton, Ralph Lauren, and Tiffany & Co. The company's name, Lucifer Lighting, originated from its first strip light, the Lucifer Light, derived from the Latin root "luciferous," meaning "light-bringing," a name that proved memorable and distinctive. #LuciferLighting #LightingDesign #MilanDesignWeek #Stellaris #ArchitecturalLighting #InteriorDesign #ProductInnovation #LuxuryLighting

Lumibright has introduced an innovative Integrated LED Handrail Lighting System, designed with a focus on both aesthetic appeal and practical functionality. This system is engineered to provide unique lighting solutions with exceptional uniformity and photometric performance. A key aspect of its design is the elimination of the need to illuminate entire areas, thereby contributing to increased safety and security while maintaining minimal energy consumption. The LED Railing Module is a versatile system that integrates lighting directly into handrails. Constructed with a durable stainless steel body and boasting an IP67 waterproof rating, this lighting system is suitable for a wide array of interior and exterior applications. These include staircases, atrium surrounds, balconies, viewing galleries, ramp ways, pedestrian bridges, and walkways. Its robust build quality ensures reliability and longevity in various environmental conditions. A primary function of these handrail lights, particularly in public spaces, is to enhance safety and provide resistance against vandalism. The integrated lighting significantly improves visibility, which is crucial in dimly lit areas or during nighttime. Beyond its safety features, the illuminated handrail system also serves as a decorative element, capable of being incorporated into street furniture and urban art installations. This dual functionality allows for both practical illumination and an enhancement of urban aesthetics. Each CREE LED module within the system is designed to be powerful yet unobtrusive. These modules produce an oval-shaped beam with a sharp cut-off, a design choice intended to deliver non-overbearing illumination. The system prioritizes a high degree of uniformity in light distribution, minimizing glare, light spill, and wasted light. This precise light control ensures that illumination is directed where it is most needed without causing discomfort or unnecessary light pollution. Flexibility in installation is another notable feature of the Lumibright LED Handrail Lighting System. It can be integrated into newly constructed handrails or retrofitted into existing ones, offering a practical upgrade solution for various settings. This adaptability makes it a suitable choice for a broad range of projects, from new developments to renovations, allowing for enhanced safety and aesthetic improvement across different architectural contexts. #LEDLighting #HandrailSystem #ArchitecturalLighting #SafetyLighting #UrbanDesign #OutdoorLighting #EnergyEfficiency #CREELED #Lumibright

Allied Maker, a New York-based design and manufacturing studio founded in 2012, recently introduced four new lighting fixtures at the Architectural Digest Design Show. The studio is known for its minimalist designs that emphasize the inherent beauty of materials such as brass, glass, and hardwoods. The newly unveiled collection continues this aesthetic, incorporating both angular, structural lines, specifically triangles, and soft, curving circular forms into their latest creations. One of the new additions is the Tri Cone Pendant, a fixture that features a cone-shaped shade designed to direct a focused beam of light. This focused illumination is achieved with a glass disc, all contained within a tetrahedron-inspired structural frame. The design seamlessly blends geometric precision with functional lighting, creating a visually compelling piece that is both modern and elegant. Another significant launch is the Grand Aperture 4, an expanded version of Allied Maker's existing Aperture 4 chandelier. This larger chandelier is specifically engineered to make a substantial visual impact in spacious environments. It comprises four glass domes strategically placed to encircle four distinct light sources. This arrangement ensures a broad and even diffusion of light, making it suitable for grand living areas or commercial spaces where significant ambient lighting is desired, all while maintaining a sophisticated aesthetic. The collection also includes the Contour Wall Lamp 22”. This wall-mounted fixture is characterized by its graceful, hand-bent arc, which extends to connect with a glass sphere. The design's functionality is enhanced by its ability to swivel against the wall, allowing for adjustable lighting direction and adaptability to various room configurations. The elegant curve and spherical element offer a blend of art and utility, providing both illumination and a sculptural presence. Completing the quartet of new fixtures is the Concentric 15”, a versatile piece designed for either wall or ceiling installation. This fixture stands out due to its handcrafted wooden dome, which features a series of concentric circles. These circles create a topographic effect, giving the fixture a unique textural and visual depth. The pleasing arrangement of the concentric rings adds a subtle yet striking decorative element to any space, reinforcing Allied Maker's commitment to thoughtful design and meticulous craftsmanship. These new offerings from Allied Maker reinforce their dedication to creating lighting solutions that are not only functional but also serve as artistic statements within a space. The combination of high-quality materials, expert craftsmanship, and a keen eye for minimalist design ensures that these fixtures enhance the ambiance and aesthetic of contemporary interiors. #AlliedMaker #LightingFixtures #ArchitecturalDigestDesignShow #MinimalistDesign #BrassLighting #GlassDesign #Chandeliers #WallLamps #HomeFurnishings

An exhibition titled 'Lightings' at the Grand-Hornu in Belgium showcases a comprehensive collection of 100 lamps by Alvar Aalto, a significant figure in organic design and Scandinavian architecture. Aalto's work, which spans architecture, furniture, and lighting, emphasizes natural forms, materials, and a free approach to space, aiming to enhance everyday life within the home. His lighting designs, often developed as integral components of broader architectural projects, highlight his dedication to creating a more humane built environment and promoting the social and therapeutic benefits of light. The exhibition, which commenced on February 9th, 2014, covers Aalto's lighting creations from the late 1920s to the 1950s and is structured into two main sections. The initial section features an immersive installation where visitors cross a wooden bridge over water. This setup allows Aalto's luminaires to cast their light and reflections onto the water below, creating a chiaroscuro effect that underscores the importance of nature in his design philosophy. This sensory experience is designed to remind viewers of the natural elements that often inspired Aalto's artistic and architectural endeavors. The second part of the exhibition delves into the developmental process of Aalto's lighting designs. It presents reproductions of archival documents, including photographs, drawings, and other materials, which detail the genesis, mechanical aspects, and intrinsic architectural connections of his lights. This section offers insights into the intricate relationship between Aalto's lighting and his overall architectural vision, demonstrating how each piece was conceived as part of a larger, cohesive design. The article highlights several notable lighting designs featured in the exhibition. The A805 'enkelinsiipi' or 'angel wing' lamp, originally designed in 1955 for the National Pensions Institute in Helsinki, exemplifies Aalto's architectural approach to lighting. Its hand-riveted steel shade slats filter light to create distinctive shadows, which influenced its name. A variation, the A809, designed in 1950 with three shades, was created for the living room of Maison Louis Carré in France, showcasing Aalto's ongoing experimentation with light reflection through fanned-out slats. Another iconic piece is the 'beehive' lamp (A331/A332), designed in 1953 for the University in Jyväskylä. Inspired by Danish architect Poul Henningsen's research into perfect lighting, this sculptural luminaire features five or six reflecting metal slats, available in black or white variations. The 'hand grenade' light, available in variations A110 and A111, derives its name from its resemblance to a German weapon. Conceived in 1952 for the Finnish Association of Engineers building and the council chamber of Saynatsalo Town Hall, its lacquered metal dual cylindrical form is noted for its texture and technicality, with an additional non-mass-produced variation featuring an organic opening for light. These examples illustrate Aalto's ability to blend practicality with aesthetic value, creating objects that are both functional and artistic. The exhibition also explores Aalto's collaboration with his wife Aino and partners Maire Gullichsen and Nils-Gustav Hahl in establishing Artek in 1935. This company was founded to promote and sell Aalto's furniture and lighting designs, aiming to foster a modern culture of habitation through exhibitions and educational initiatives. Artek's core philosophy centered on the combination of aesthetics, functionality, and series production to make everyday environments more beautiful. Beyond individual pieces, the second half of the exhibition uses deep viewing boxes to present glimpses into Aalto's broader architectural and industrial projects, such as the Savoy Restaurant (1936) and the Paimio Sanatorium (1933). Each viewing box encapsulates a different project, revealing the meticulous attention to detail and conceptual genesis behind Aalto's compositions. This approach provides context for his lighting designs, demonstrating how they are integral to his overarching vision for harmonious and human-centric spaces. #AlvarAalto #LightingDesign #Exhibition #GrandHornu #ScandinavianDesign #OrganicDesign #ArchitecturalLighting #FinnishDesign #ModernistDesign

The biennial Euroluce lighting exhibition, a central component of Milan design week, showcases the latest innovations and designs in lighting. Dezeen editor-at-large Amy Frearson curated a selection of twelve notable lighting launches from Euroluce and other venues across Milan. The Salone del Mobile, a furniture fair, hosts Euroluce, featuring prominent international lighting companies such as Flos, Foscarini, Artemide, A-N-D, and Lambert & Fils. Among the featured designs, Ronan Bouroullec's Luce Sferica for Flos is a modular suspension lamp described as a blend of softness, magic, and technical sophistication. It consists of mouth-blown glass spheres connected by a polished extruded aluminum body, evoking the delicacy of raindrops or a soap bubble. Michael Anastassiades also contributed to Flos's new collection with the Linked lights, which utilize linear glass links forming illuminated ropes. These glass-encased elements hook over each other, creating vertical lines that can extend from the ceiling to the floor, functioning as both lighting and spatial dividers. Herzog & de Meuron's Trois Rois lamps for Artemide, originally designed for a hotel in Basel, are portable, rechargeable, and dimmable table lamps with a curvy shade and animal-like three-legged base. Available in felt or die-cast aluminum, the design aims for a lightweight, creature-like aesthetic. Patrick Jouin's Vera pendant for Lasvit features a unique texture created by pouring molten glass over a tree trunk, inspired by the natural presence of the forest surrounding Lasvit's production facility. Kwangho Lee collaborated with Lambert & Fils on the Bolda pendant, incorporating copper enamelling on polished aluminum sheets, drawing inspiration from traditional Korean chilbo art. Lukas Peet of A-N-D designed Tier, a multi-level linear light system suitable for various surfaces like kitchen counters or desks, utilizing extruded aluminum elements that can be stacked and feature a scalloped form for even light reflection. Francesca Lanzavecchia's asymmetric Allumette chandelier for Foscarini reinterprets traditional chandelier forms with arms of varying lengths connecting a central body to transparent tubes, aiming to soften its formal rigidity through technological elements and irregular balances. Aqua Creations' Metropolitan Collection, including the Miami wall lights, draws inspiration from art deco, placing lights behind translucent materials like silk, handmade paper, and wood veneer to create functional artworks that resemble paintings. Alessandro Zambelli's Dansì wall lights for Luceplan are a family of four geometric designs made from die-cast aluminum, which can be arranged to create the illusion of a thread weaving through a wall, offering a sculptural presence by day and an unexpected brightness by night. Samuel Wilkinson’s Corka pendants for Zero are conical lamps made from granulated cork pressed into a mold, emphasizing a sustainable, single-material design with minimal electrical components. Mathias Hahn's Gambosa lamp for Marset provides a sculptural take on the classic table lamp, featuring a smoothly curved steel base and a matching shade in various color combinations. Lastly, Form Us With Love developed the modular Catena desk lighting system for Blond, a workplace solution allowing for diverse sizes and configurations. This system, debuted at Stockholm Design Week, uses glass tube lights connected by aluminum frames, which can be exposed or encased in aluminum mesh shades, demonstrating versatility in design and application. These diverse lighting solutions highlight innovative uses of materials, sustainable practices, and creative forms presented at Milan Design Week. #MilanDesignWeek #Euroluce #LightingDesign #RonanBouroullec #MichaelAnastassiades #HerzogDeMeuron #PatrickJouin #KwanghoLee #LukasPeet #FrancescaLanzavecchia #AlessandroZambelli #SamuelWilkinson #MathiasHahn #FormUsWithLove #SustainableDesign #InteriorLighting #ProductDesign #DesignInnovation

Signify myCreation, a leading lighting company, is revolutionizing the lighting industry through advanced 3D printing technology and a strong commitment to sustainability. The company empowers brands, startups, and designers to create personalized luminaires tailored to specific identities, visions, and needs. This is achieved through an intuitive online configurator that allows users to select from a diverse range of shapes, colors, textures, and lighting specifications. The platform offers over 190 design variants, facilitating the creation of lighting solutions that seamlessly integrate into retail, hospitality, business, and residential spaces. Additionally, all functional lighting solutions are designed to be energy-efficient and can be integrated with connected systems for further energy savings. Signify myCreation is returning to Milan Design Week 2025 with an elegant bar installation at Milan’s Palazzo Giureconsulti. This installation, designed in collaboration with Dekker Zevenhuizen and Triboo, will be illuminated by a curated selection of award-winning luminaires. The exhibition will feature the Gleam and Smooth luminaires, along with the Voila table lamp, showcasing the platform's ability to combine functionality with sophisticated aesthetics and environmental responsibility. A new addition to the Smooth Spotlight series, promising superb adaptability, will also be previewed. The Gleam luminaire, designed by Sebastian Bergne, is a refined bulb-based pendant light known for its serene, heptagon-inspired silhouette and its ability to add a touch of wonder to everyday objects. Available in multiple sizes, the Gleam design aligns with the 3D print grain, with all printed parts made from ISCC Plus certified bio-circular materials. Its minimalist and delicate nature allows it to create intimate atmospheres or serve as a striking interior accent. The Gleam lighting pendant family, recognized with a 2025 iF Design Award, reinterprets the simple glowing pendant globe through alternative geometry and Bergne’s distinctive flair. The flexibility of 3D printing enables horizontal form lines that create a skeleton of uninterrupted harmony, with each piece possessing a unique presence and allure, available in three sizes and one texture. The Smooth Spotlight series, also a recipient of the 2025 iF Design Award, is designed for hospitality and residential settings, offering superior customization in both colors and textures. This allows for the creation of unique lighting formulas to highlight spaces effectively. Its printed components are made from 65% recycled and ISCC Plus-certified bio-circular materials, while the heatsink is crafted from 85% recycled aluminum, ensuring durability and longevity. The minimalist spotlight includes a honeycomb accessory to reduce glare and improve light distribution. Its circular design ensures it can be upgraded throughout its lifespan. The Voila collection of table lamps features charmingly proportioned designs with a vibrant color palette and playful presence. These lamps, reminiscent of 1960s interior design with their petite mushroom silhouettes, are crafted from bio-circular materials like biomass and natural waste, processed into sustainable polycarbonate. The single light source shines both upward and downward, creating a mesmerizing diffused light with a mandala effect through the crafted underside of the lampshade. The Voila lamp, an iF Design Award winner in 2022, is available in various colors such as white, bronze, gold, pink, and green, subtly complementing any interior space with its lightness and versatility. Signify myCreation emphasizes eco-friendly practices by incorporating at least 65% recycled and bio-circular materials in all its products. The 3D printing process reduces material waste and carbon emissions through local, on-demand production, minimizing transportation impacts. The company actively collaborates with research institutions, startups, and industrial organizations to advance 3D printing technology and sustainable practices, having produced nearly 2 million luminaires globally. At Milan Design Week 2025, visitors can explore the potential of personalized, smart, efficient, and sustainable lighting solutions at Signify myCreation’s pavilion. The initiative plans to expand its offerings and improve user experience through enhanced configurators and advanced product roadmaps, aiming for ambitious sustainability goals such as increasing climate action revenues to 72% and achieving zero waste to landfill. Signify myCreation sets new standards in circular lighting design by blending cutting-edge technology with artistic expression and a commitment to sustainability. #LightingDesign #3DPrinting #SustainableDesign #InnovativeMaterials #MilanDesignWeek #CircularEconomy #ProductDesign #SmartLighting #BioCircularMaterials

The 2025 Salone del Mobile in Milan showcased a variety of furniture and lighting innovations, with Moooi's collection of sculptural lighting fixtures standing out among the exhibitors. Moooi, a Dutch design company, presented pieces that merge artistic expression with practical functionality, embodying the exhibition's theme of "A Life Extraordinary." Their display featured designs from both emerging talents and renowned international designers, emphasizing dynamic movement and aesthetic appeal in lighting solutions. Among the notable contributions was Umut Yamac's 'Perch' series, characterized by lamps resembling paper origami birds. These fixtures offer an elegant design that diffuses soft light, while also functioning as kinetic sculptures. The birds are designed to gently sway, adding a subtle, dynamic element to interior spaces. The 'Perch' series is versatile, suitable for individual sconces or as part of larger, tree-like light installations, demonstrating how lighting can contribute to a home's artistic ambiance. Another compelling collection was Moooi's 'Raimond II' series, originally conceived by Raimond Putts in 2009. These spherical lights, punctuated by numerous LED bulbs, create captivating shadow patterns as they twist and turn. The series was presented in various models at Salone del Mobile, illustrating its capacity to transform a room into an engaging visual experience, reminiscent of a contemporary disco ball. The interplay of light and shadow highlights the theatrical potential of well-designed illumination. Adding to Moooi's innovative offerings is the 'Serpentine' suspension lamp, a new fixture designed by the Swedish studio Front. This lamp features interconnected elements that resemble a series of interlocking paper fans. Its design allows for diffuse lighting, and its serpentine form suggests continuous movement, contributing to a sense of fluidity and dynamism within a space. The 'Serpentine' exemplifies Moooi's commitment to exploring novel forms and functionalities in lighting design. Moooi's approach involves collaborating with individual designers, ensuring a continuous stream of fresh and inventive products. This strategy allows the brand to maintain its position at the forefront of design innovation, showcasing that design can seamlessly integrate artistic vision with everyday utility. The company's presentation at Salone del Mobile underscored its philosophy that lighting fixtures can transcend their primary function to become significant art pieces within a living environment. For those interested in acquiring these lighting solutions, Moooi provides a store locator on its website, detailing both physical retail locations and online purchasing options. #SaloneDelMobile #Moooi #SculpturalLighting #UmutYamac #RaimondPutts #FrontDesign #InteriorDesign #ModernLighting #DesignInnovation

Edward Linacre's Nest Lamp is an innovative flat-pack pendant light made from fast-growing bamboo veneer. The design draws inspiration from natural forms, specifically the honeycomb structure found in beehives, giving the lamp an organic and aesthetically pleasing appearance. This lamp is designed to be lightweight and strong, measuring 23 inches wide, while its flat-pack nature allows for easy and efficient shipping. The construction involves interlocking pieces of bamboo veneer, held together using non-toxic glue, emphasizing a commitment to sustainable materials and production methods. Linacre, an Australian designer, recently showcased the Nest Lamp at Milan Design Week as part of the Melbourne Movement, a collective known for presenting cutting-edge Australian designs. The exhibition provided a platform for the Nest Lamp to be introduced to a global audience, highlighting its unique design and sustainable attributes. The use of bamboo veneer, a renewable resource, aligns with growing interests in environmentally conscious product design, offering an alternative to more resource-intensive materials. The interlocking mechanism not only contributes to the structural integrity but also simplifies assembly for the end-user, enhancing its practicality. This product exemplifies a trend in design that combines natural inspiration with functional innovation. The honeycomb pattern is not just decorative; it inherently provides strength and an intriguing visual texture. The flat-pack characteristic is particularly noteworthy for its environmental implications, as it reduces shipping volume and, consequently, carbon footprint. This approach also makes the product more accessible for distribution across various markets, potentially reducing costs and making it a more competitive option in the lighting market. The Nest Lamp is positioned within the broader context of green lighting and sustainable interior design. Its presence at Milan Design Week under the banner of the Melbourne Movement underscores a shift towards designs that are both beautiful and responsible. The choice of bamboo, known for its rapid growth and minimal environmental impact, is a key element of its sustainable profile. The designer's emphasis on non-toxic adhesives further reinforces the product's eco-friendly credentials, ensuring that it is safe for indoor environments. Overall, the Nest Lamp by Edward Linacre represents a harmonious blend of natural aesthetics, functional design, and environmental consciousness. It caters to a market that values sustainable products without compromising on style or quality. The lamp's design, material selection, and production methodology reflect current trends in interior design and product development that prioritize ecological responsibility and innovative solutions for everyday items. #EdwardLinacre #NestLamp #BambooVeneer #FlatPackDesign #GreenLighting #SustainableDesign #InteriorDesign #MilanDesignWeek #MelbourneMovement

Milan Design Week transforms the city into a global design hub, attracting attendees to both Salone del Mobile and Fuorisalone. This year's event showcases a diverse range of installations, highlighting innovative approaches to design, lighting, and materiality. Atelier Biagetti, a recurring favorite at Fuorisalone, presents "The King," an exploration of obsessions inspired by Elvis Presley. Their installation reimagines a fantastical living room featuring "The King Sofa," a modular piece accompanied by guitar cases cleverly reinterpreted as tables with intricate Ravenna mosaics. This piece exemplifies their propensity for the impossible and their unique artistic vision. Ross Gardam, an Australian lighting designer, offers "Transcendence," an exhibit focused on the allure of illuminated glass. Gardam, known for creating meditative moods with his fixtures, demonstrates his broad talents and deep fascination with glass's ability to transcend physical boundaries. The installation promises a dynamic curation of luminaires, showcasing the material's unparalleled qualities. Giopato & Coombes, Treviso-based lighting masters, unveil "18 Pockets" after six years of dedicated research. This exhibit provides a glimpse into their creative process, highlighting the magical qualities of the immaterial. Their previous fixtures are transformed into 18 unique luminaires through a complex system of weight and balance, creating charming and poetic combinations. Galerie Philia's "Desacralized" exhibition takes place in a deconsecrated 11th-century Milanese church, fittingly exploring the theme of desacralization. Over 20 artists from the gallery's roster contribute to this unique setting. Notable pieces include Studiopepe's octagonal marble side table, inspired by Italian baptisteries, Kar Studio’s chair, drawing inspiration from ancient Chinese Shang Dynasty script, and a monumental chandelier by Morghen Studio, designed to offer a transformative experience of light within the historic space. SolidNature returns with "Beyond the Surface," an OMA-designed installation that metaphorically connects quarrying stone with the act of dreaming across seven distinct rooms. A highlight is Sabine Marcelis’s lustrous table, an ombré glass coffee table anchored by impressive stone blocks, demonstrating her experimental approach to materials. Objects of Common Interest, composed of Eleni Petaloti and Leonidas Trampoukis, presents "Poikilos." Inspired by ancient Greek references to iridescence and insights from Romanian artisan Ovidiu Colea, their ethereal objects and tables with opalescent finishes and sinuous curves inject energy into the Nilufar Depot. Loewe Chairs, under Jonathan Anderson's direction, reinterprets chairs into distinctive totems through an emphasis on texture, personality, color, and weaving. The display integrates materials close to Loewe’s brand identity, such as leather and raffia, with unexpected techniques like incorporating thermal blankets, elevating the humble stick chair into a canvas for elaborate woven decoration. Suchi Reddy, founder of Reddymade Architecture and Design, collaborates with Lexus on "Shaped by Air," an installation focused on carbon neutrality. Visitors navigate a forest of Matisse-like forms to discover a life-sized interpretation of the Lexus Electrified Sport, designed to evoke the sensation of being shaped by air. Lastly, "Bar Flora" is a collaboration between Sophie Lou Jacobsen, Nick Ozemba, and Felicia Hung of In Common With. Building on their Flora Collection, which employs Venetian glassmaking techniques to mimic natural forms, this installation transforms Palinurobar into a floral oasis. It introduces two new additions, including a sandblasted amber colorway, further enhancing their partnership. Byredo, known for its unconventional approach to fragrance, showcases "Bal D’Afrique by Dozie Kanu." Founder Ben Gorham teamed with Portugal-based artist Dozie Kanu to capture the essence of the beloved fragrance through a showcase that merges Kanu's unique objects with photographic negatives from Adjoa Armah’s _saman archive_, creating a multi-sensory experience that extends beyond traditional perfumery. #MilanDesignWeek #DesignInstallations #Fuorisalone #LightingDesign #FurnitureDesign #MaterialInnovation #CollectibleDesign #ArtAndDesign