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An Impressive Coastal Queen Anne Restoration Project
Mike and Laura Brosius, drawn to Astoria, Oregon, and a specific 1892 Queen Anne/Stick Style house, embarked on a significant restoration project. The house, untouched by prior remodels, boasted original stained-glass windows, Eastlake-style hardware, and faux-grained woodwork, retaining its original room layouts. However, after purchasing it in 2016 at a reduced price, they discovered the extent of neglect that necessitated a comprehensive restoration to revive its 19th-century elegance.
The exterior of the house suffered from decades of neglect, with white paint obscuring decorative trim. The attic was infested with pigeons and roof leaks, leading to significant water damage. All 38 sash windows required restoration due to broken pulleys, paint-sealed frames, and shattered glass. Inside, plaster throughout the house was cracked, and the dining room's embossed Anaglypta wallcovering was damaged. The faded and water-damaged faux-grained wainscot in the front hall also needed attention. Both bathrooms were in disrepair; the upstairs featured a cheap fiberglass shower, while the downstairs suffered from severe water damage and lacked heating. The main rooms had inappropriate shiny brass lighting and wall-to-wall beige carpeting, replacing original features. A poorly executed 1960s kitchen remodel had removed original trim, installed an aluminum slider window, a dropped ceiling, and a dividing peninsula. The kitchen's deck, offering views of the Columbia River, was rotting beneath three 1970s plastic bubble skylights.
The restoration process addressed numerous structural and aesthetic issues. The two-brick-wythe foundation, compromised by water infiltration, required hundreds of feet of new drain lines. A new concrete foundation was poured, necessitating an 18-inch excavation to create sufficient ceiling height for a new mudroom and bath, extending the projected 90-day project to nine months. Seismic upgrades were performed, the crumbling chimney was rebuilt, and a new cedar-shake roof was installed to match the original. A new HVAC system was integrated, and all 38 windows were meticulously removed, restored, and rehung.
Interior renovations focused on historical accuracy and artisanal craftsmanship. The original, embossed Anaglypta wall covering in the dining room was repaired and refinished. Floors, previously bleached, were stained to a rich brown to complement the restored woodwork. Gilded picture-rail molding, discovered in the attic, was repaired and reinstalled. An archival photograph of the original owners guided the replication of missing battlement moldings, window trim, and rosettes. The Brosiuses opted for a “Painted Gentleman” aesthetic for the exterior, utilizing a subdued polychrome palette of Benjamin Moore’s Knoxville Gray for the body, low-luster black for sashes, and Montgomery White for trim, with Brass Monkey metallic accents, departing from the brighter “Painted Lady” style. Talented local artisans contributed significantly; Christy Mather repaired the Anaglypta, while Joanne Lumpkin Brown and Faith Brown restored and faux-grained 29 doors, six pocket doors, and 31 windows, as well as re-creating trompe l’oeil wood-panel wainscoting. Faith also stenciled gold medallion patterns in the dining room and parlor. The kitchen was completely gutted and rebuilt to an 1890s aesthetic, featuring a stenciled floor mimicking Victorian linoleum, subway tiles, period lighting, and a restored vintage Magic Chef stove. A former pantry was reinstated to its original use. Swedish wallpaper from Boråstapeter was chosen for the parlor, honoring Gustav Holmes, the original owner. The house was furnished with period antique furniture and lighting, complemented by personal travel mementos, completing a comprehensive and historically sensitive restoration.
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