Award-winning West End Queen Anne home features abstract stained glass

This article highlights the renovation of a home at 1909 Baymiller Street in Cincinnati's West End, undertaken by Rosie Kovacs and Hayes Shanesy, the husband-and-wife team behind Brush Factory. The West End is presented as a vibrant neighborhood with a rich history, known for its unique homes and ongoing revitalization efforts, exemplified by previous renovations like a church-turned-home. The current owners' dedication to restoring historically significant buildings contributes to the area's distinct character. The renovation of the three-bedroom, three-bath home focused on maximizing square footage and enhancing the existing south-facing window exposure. A significant aspect of the project involved the complete rehabilitation of the staircase. Hayes Shanesy, with the assistance of his father, a retired master cabinetmaker, meticulously disassembled the curved cherry handrail and balusters. Each piece was stripped and refinished before being painstakingly reassembled, a process described as a labor of love due to the staircase's intricate design, wrapping around three flights. Custom woodwork is a prominent feature throughout the residence, reflecting the owners' craftsmanship. In the living room, built-in cabinets span the entire length of the space, offering both aesthetic appeal and practical storage. The kitchen showcases light wood cabinets paired with black hardware, creating a striking contrast against the tile backsplash. These custom elements contribute to the home's unique and refined interior design. The primary bathroom is another highlight, featuring a claw-foot tub, a walk-in shower, and a custom vanity. Adjacent to the bathroom, a door leads to a private deck, accessible from the owner's suite, providing an exclusive outdoor retreat. These details underscore the thoughtful design and high-quality finishes incorporated into the renovation. Shanesy reflects on the transformation of the property and the neighborhood, noting that when he purchased the house in 2016, it was a vacant, abandoned building in disrepair, a common sight on Baymiller Street at the time. He observes that most homes on the street have since been renovated, contributing to a beautiful streetscape. The owners appreciate the historical significance of the homes in the West End, particularly along Dayton Street's "Millionaire's Row," enjoying walks with their dog and daughter. The article concludes by emphasizing the neighborhood's romantic charm and its immense potential. #RosieKovacs #HayesShanesy #BrushFactory #Baymiller #WestEnd #HomeRenovation #CustomWoodwork #InteriorDesign #CincinnatiRealEstate

Stained glass, traditionally associated with churches and religious buildings, is experiencing a resurgence in contemporary interior design. While its origins lie in medieval churches where it was used to depict biblical stories for illiterate congregations, the art form has evolved to become a striking feature in secular buildings and private residences. Historical examples can be found in prominent structures like Canterbury Cathedral and Westminster Abbey, and renowned architect Charles Rennie Mackintosh frequently integrated stained glass into his designs, such as The Glasgow School of Art. During the Victorian era, stained glass became more common in smaller, private homes, particularly in front doors. Its dual purpose was to infuse hallways with atmospheric light while offering privacy from outside views, making it a practical choice for spaces like bathrooms. The popularity of stained glass mirrored design movements like the Arts and Crafts era, which valued craftsmanship, and the Art Nouveau period, famous for Tiffany Lamps. Despite a decline during the rise of Modernism in the 20th century, contemporary designers are now rediscovering its elegance and versatility. Designers like Gemma McCloskey of Cuplà design studio advocate for incorporating stained glass to integrate art directly into a home's architecture. McCloskey designed abstract, pastel-hued stained glass panels for her sister Orlagh’s house, strategically placing them in darker corners of the sitting room to introduce decorative elements beyond textiles and accessories. To ensure a contemporary feel, she suggests using modern, fluid lines rather than traditional ornate designs, an approach she applied to her designs inspired by brutalist panels. A significant advantage is the dynamic play of light and color that stained glass creates as sunlight shifts throughout the day, adding intrigue and movement to a room. Modern installations can also be made as insulating as double glazing by backing the stained glass with a plain pane of glass on the exterior. Artist Natasha Mann has extensively used stained glass in her own home, viewing it as a way to embed art into the building's structure. For her front door, she chose a design that harmonizes with its Edwardian style. In her sitting room, a geometric stained glass motif obscures an undesirable view while still allowing ample light. In her bathroom, stained glass windows complement a painted ceiling pattern inspired by the Alhambra Palace, signifying water and evoking a sense of joy. Similarly, interior designers Angus and Charlotte Buchanan installed a reclaimed Victorian stained glass window in their windowless laundry room. This not only added visual interest but also allowed light from the corridor to brighten the space, without sacrificing privacy. James Williamson, a glass artist at Art With Glass, has observed a notable increase in commissions for decorative stained glass panels. He notes a shift in perception, where stained glass, once considered unfashionable, is now celebrated as an original architectural feature. Clients increasingly seek bespoke panels that extend the artistic theme of a space, drawing inspiration from artists like Kandinsky, Mondrian, Gaudi, or William Morris. While custom-commissioned pieces offer creative freedom, budget-conscious individuals can explore reclamation yards for unique, antique stained glass finds. The resurgence of stained glass transforms ordinary windows into vibrant focal points, bathing rooms in a kaleidoscope of colors. #StainedGlass #InteriorDesign #HomeDecor #ArchitecturalFeatures #ArtInArchitecture #VictorianDesign #ModernInteriors #HomeRenovation #DecoratingAdvice

Designer Annie Kern undertook the renovation of a 1913 Kansas City, Missouri, home, focusing on preserving its unique character while updating its interior to be more approachable and comfortable. The house, built by a Frank Lloyd Wright protégé, features distinctive stained-glass windows, reportedly custom-made by Indiana’s Kokomo Opalescent Glass Co. These windows, with their jewel tones, amethysts, ochres, and aubergines, served as the primary inspiration for the home's new color palette, guiding the selection of fabrics, wall coverings, and decorative elements throughout the expansive 14,000-square-foot residence. The design aimed to replace the previous owner's opulent and glitzy décor, which included silk damask walls and peachy colors, with a more inviting aesthetic. A significant challenge in redecorating the six-bedroom home was its sheer volume and the acoustic issues posed by its reinforced concrete construction and shot-sawn limestone cladding. To counteract the echo and create a warmer, more intimate atmosphere, Kern incorporated upholstered walls backed with batting. These wall coverings, featuring diverse patterns such as Mulberry Home’s plaid Braemar in the billiard room and a sunshine yellow gingham in the playroom, were chosen not only for their aesthetic appeal but also for their ability to absorb sound and envelop the rooms in a tactile sumptuousness. The music room, for instance, received Phillip Jeffries grasscloth walls to soften its plaster relief barrel-vaulted ceiling, complemented by custom shades on pendant lights. The redesign extended to various living spaces, each meticulously detailed. The main entry hall features a two-story stained glass window that immediately establishes a grand tone, with a custom sofa in Brunschwig & Fils fabric and Vaughan table lamps. The music room, designed with an “old-school, dapper, and prim” vibe, includes a custom sofa in Pierre Frey fabric, a custom ottoman, and a Ferrell Mittman armchair, all grounded by a Bellbridge rug. In the living room, Claremont Furnishing Fabrics wall coverings and Filippo Uecher draperies with Samuel & Sons trim create an elegant backdrop, while custom armchairs in Fermoie fabric and a Charles Edwards ceiling light add to the sophisticated ambiance. The snug offers a cozy retreat with Ferrell Mittman swivel chairs in Sanderson fabric, a Soane Britain ceiling light, and Les Indiennes wallcovering, alongside a Highland House sofa. The billiard room evokes a “Roaring Twenties–like parlor feel” with chairs from Esperance Gallery in Le Gracieux fabric and Mulberry Home wallcovering. The kitchen features a custom Gieske range hood, Armac Martin cabinetry, International Materials of Design tile, and Viking appliances. A high-gloss painted bar area includes custom cabinetry by Refined Finishes and Carthage Stoneworks backsplash and counter. The dining room, embracing a low-light setting, is painted in a high-gloss inky finish by Fine Paints of Europe, furnished with a New Classics dining table and Rose Tarlow dining chairs. Bedrooms also reflect the home’s renewed character. The primary bedroom boasts Schumacher wallcovering bordered with dark aubergine grosgrain, a Vaughan table lamp, and a custom bed. The children's bathroom combines whimsical and sophisticated elements with Scalamandré wallcovering, Visual Comfort & Co. sconces, and a Caldwell Green vanity by Benjamin Moore. The playroom, with its yellow gingham wallcovering by Romo and a Coleen & Company ceiling light, coordinates with the stained glass, offering a fun and vibrant space. Externally, a simple yet impactful change was the removal of hedges that had obscured the landmarked property for years, allowing the home to be visible and admired once again, signifying a complete transformation both inside and out. #HomeRenovation #InteriorDesign #HistoricHome #StainedGlass #ColorPalette #LuxuryInteriors #KansasCity #DesignInspiration #HouseTour

Bill and Dorrie McGonigal, the homeowners, designed their oceanfront dream home in Kure Beach, North Carolina, with a strong emphasis on glass, leveraging Bill's background in the commercial glass installation industry. The house, slightly under 5,000 square feet, was built on a lot-and-a-half of oceanfront property not in a flood zone, adjacent to a beach access. The couple, who began vacationing in Kure Beach in the 1980s, purchased the property in 2011, which initially housed a bungalow and an apartment building that were subsequently demolished to make way for their new home. The design inspiration for the house was drawn from various sources including television shows, magazines, and past vacations. The McGonigals collaborated with Jimmy Doster, president of Doster Building Company in Wrightsville Beach, who was intrigued by their vision for a modern, unprecedented design. The construction process was highly collaborative, with the homeowners actively involved, especially in the early stages, sharing their expertise in glass installation. Bill and his sons even participated in installing a portion of the glass, a process that Doster's team then learned and completed. The build spanned two years, characterized by continuous brainstorming and problem-solving, without the involvement of a traditional architect, evolving organically through the combined expertise of the homeowners and the builder. A key feature of the home is its extensive use of hurricane-resistant commercial-grade glass for the ocean-facing exterior. These custom-fabricated panels, measuring up to 7 feet wide and 10 feet tall, were chosen for their durability and ability to maximize ocean views. The exterior also incorporates white painted glass tile, sizable glass panels, and bamboo planks, with ipe decking for the outdoor porches and electric solar panels on the roof, all chosen for low maintenance. The front entrance is marked by a slab of marble, and the property includes a four-car garage and a ground-level apartment designated for grandchildren. The interior design continues the theme of openness and reflection. High-gloss white cabinets in the kitchen complement carved concrete countertops mixed with cobalt and royal blue glass aggregates, mirroring the ocean's colors. Radiant heated porcelain tile is used throughout the home for flooring and accent walls. A glass staircase imported from Italy serves as an architectural centerpiece, alongside hand-blown glass light fixtures and one-inch thick glass railings fastened by metal clips, ensuring maximum transparency between floors. Embracing a minimalist lifestyle, the home features only two closets and sparse furniture in most bedrooms, with beds floating in the center of the room, all oriented towards the ocean. The master bathroom boasts a custom-fabricated sandstone tub, weighing over 2,000 pounds, which required a crane for installation before the final exterior wall was constructed. This tub was inspired by two sandstone vessels the McGonigals found. Upstairs, guest bedrooms accessible via the mezzanine feature painted glass sliding doors in various colors like blue, green, and coral, with each room offering ocean views over the glass railing. The design allows every bedroom to have an oceanfront perspective, a rare feature for a five-bedroom house. The outdoor spaces, including an infinity pool and a rooftop deck with 360-degree glass railings, are designed for year-round enjoyment, providing panoramic views of the ocean, Kure Beach, Carolina Beach, and even Wrightsville on clear days, fulfilling the homeowners' desire to immerse themselves in the coastal environment during their retirement. #GlassHouse #ModernArchitecture #OceanfrontHome #KureBeach #CustomDesign #CoastalLiving #LowMaintenance #SustainableDesign #LuxuryHome

Once primarily associated with religious institutions or antique lamps, stained glass is experiencing a modern resurgence as a distinctive element in home design. This traditional art form is being reimagined beyond its conventional applications, offering homeowners unique ways to incorporate color and visual interest into their living spaces. The renewed interest in stained glass is evidenced by a significant increase in online searches, with platforms like Etsy reporting a 69 percent rise in relevant searches over the past six months, highlighting a growing trend in contemporary interior design. Modern applications of stained glass are diverse, ranging from subtle accents to prominent architectural features. Instead of being confined to small suncatchers, designers are now integrating stained glass into full-sized doors and windows, transforming them into vibrant focal points. This allows for a creative blend of art and functionality, providing both aesthetic appeal and an element of privacy, especially for street-facing windows. The abstract patterns and subtle color compositions found in contemporary stained glass art depart from the elaborate, traditional designs, offering a fresh aesthetic that appeals to a modern sensibility. Several approaches cater to different levels of commitment and budget. For those with an affinity for abstract art, incorporating stained glass panels with subtle colors into windows can enhance curb appeal and add a unique artistic touch to a home's exterior. Alternatively, a stained glass accent wall can replace traditional paint, creating a striking visual impact, particularly in areas like entryways or dining rooms, where the interplay of light and color can transform the ambiance of a space. This method provides an artistic backdrop without the need for traditional wall coverings. For individuals hesitant about permanent installations, smaller, impactful applications are possible. For instance, customized glass rondels integrated into front doors offer a charming and understated way to introduce stained glass. Budget-conscious decorators can explore DIY options, such as creating faux stained glass panels for windows using glass paint, allowing for creative color combinations and gradients without significant expense or professional installation. These DIY projects enable personalization and a hands-on approach to home decoration. Furthermore, sourcing vintage or antique stained glass sheets from flea markets or stores presents an opportunity to incorporate a piece of history into a modern home. These found pieces can be secured in windows with minimal construction, providing an effortless way to add character. For those seeking to make a bold statement, entire sets of French doors can be transformed into expansive stained glass mosaics. This dramatic use of stained glass can invigorate a space, such as a galley kitchen, especially when complemented by elements like butcher block counters and rustic lighting, creating an immersive and colorful environment that feels both historic and contemporary. #StainedGlass #HomeDecor #InteriorDesign #ArtInstallation #DesignTrends #DIYHomeDecor #ArchitecturalFeatures #ModernDesign

The article details a midcentury home renovation project in Seattle, undertaken by three creative sisters for their mother, Cynthia Chua. The property, identified by architect Sarah Smith of Best Practice Architecture and Julia Smith of Unique Art Glass, was purchased with the intention of transforming it into a forever home. The renovation involved extensive structural and aesthetic changes, highlighted by the addition of unique design elements such as fish scale shingles, vibrant paint colors, and custom stained glass windows. These stained glass pieces were designed by one of the siblings, showcasing a personalized artistic touch. The project reflects a collaborative family effort, leveraging the distinct skills of each sister. Sarah's architectural expertise guided the structural and spatial reorganization, ensuring the home met modern living standards while preserving its midcentury character. Julia's background in custom stained glass allowed for the integration of unique, handcrafted art into the home's facade, contributing to its distinctive and cheerful aesthetic. The decision to incorporate these specific design elements underscores a thoughtful approach to renovation, aiming to create a residence that is both functional and deeply personal. The home's exterior features, such as the fish scale shingles and punchy paint, were carefully chosen to revitalize the midcentury structure, giving it a contemporary yet respectful update. This blend of old and new design principles was central to the renovation's philosophy. The interior spaces were likely reconfigured to enhance flow and natural light, common goals in midcentury remodels, though specific interior details are not provided in this excerpt. The overall objective was to transform the house into a comfortable, stylish, and enduring home for their mother. This renovation serves as an example of how a family's combined talents can lead to a successful and meaningful home transformation. The article emphasizes the journey of revitalizing an older property through thoughtful design and craftsmanship, resulting in a residence that reflects the personality and collaborative spirit of its creators. The Seattle midcentury house, now adorned with personalized details, stands as a testament to the sisters' dedication and vision for their mother's long-term dwelling. #MidcenturyHome #HomeRenovation #SeattleArchitecture #FamilyCollaboration #StainedGlass #BeforeAndAfter #HomeDesign #BestPracticeArchitecture #UniqueArtGlass

Mike and Laura Brosius, drawn to Astoria, Oregon, and a specific 1892 Queen Anne/Stick Style house, embarked on a significant restoration project. The house, untouched by prior remodels, boasted original stained-glass windows, Eastlake-style hardware, and faux-grained woodwork, retaining its original room layouts. However, after purchasing it in 2016 at a reduced price, they discovered the extent of neglect that necessitated a comprehensive restoration to revive its 19th-century elegance. The exterior of the house suffered from decades of neglect, with white paint obscuring decorative trim. The attic was infested with pigeons and roof leaks, leading to significant water damage. All 38 sash windows required restoration due to broken pulleys, paint-sealed frames, and shattered glass. Inside, plaster throughout the house was cracked, and the dining room's embossed Anaglypta wallcovering was damaged. The faded and water-damaged faux-grained wainscot in the front hall also needed attention. Both bathrooms were in disrepair; the upstairs featured a cheap fiberglass shower, while the downstairs suffered from severe water damage and lacked heating. The main rooms had inappropriate shiny brass lighting and wall-to-wall beige carpeting, replacing original features. A poorly executed 1960s kitchen remodel had removed original trim, installed an aluminum slider window, a dropped ceiling, and a dividing peninsula. The kitchen's deck, offering views of the Columbia River, was rotting beneath three 1970s plastic bubble skylights. The restoration process addressed numerous structural and aesthetic issues. The two-brick-wythe foundation, compromised by water infiltration, required hundreds of feet of new drain lines. A new concrete foundation was poured, necessitating an 18-inch excavation to create sufficient ceiling height for a new mudroom and bath, extending the projected 90-day project to nine months. Seismic upgrades were performed, the crumbling chimney was rebuilt, and a new cedar-shake roof was installed to match the original. A new HVAC system was integrated, and all 38 windows were meticulously removed, restored, and rehung. Interior renovations focused on historical accuracy and artisanal craftsmanship. The original, embossed Anaglypta wall covering in the dining room was repaired and refinished. Floors, previously bleached, were stained to a rich brown to complement the restored woodwork. Gilded picture-rail molding, discovered in the attic, was repaired and reinstalled. An archival photograph of the original owners guided the replication of missing battlement moldings, window trim, and rosettes. The Brosiuses opted for a “Painted Gentleman” aesthetic for the exterior, utilizing a subdued polychrome palette of Benjamin Moore’s Knoxville Gray for the body, low-luster black for sashes, and Montgomery White for trim, with Brass Monkey metallic accents, departing from the brighter “Painted Lady” style. Talented local artisans contributed significantly; Christy Mather repaired the Anaglypta, while Joanne Lumpkin Brown and Faith Brown restored and faux-grained 29 doors, six pocket doors, and 31 windows, as well as re-creating trompe l’oeil wood-panel wainscoting. Faith also stenciled gold medallion patterns in the dining room and parlor. The kitchen was completely gutted and rebuilt to an 1890s aesthetic, featuring a stenciled floor mimicking Victorian linoleum, subway tiles, period lighting, and a restored vintage Magic Chef stove. A former pantry was reinstated to its original use. Swedish wallpaper from Boråstapeter was chosen for the parlor, honoring Gustav Holmes, the original owner. The house was furnished with period antique furniture and lighting, complemented by personal travel mementos, completing a comprehensive and historically sensitive restoration. #HomeRestoration #QueenAnneArchitecture #VictorianHome #HistoricalPreservation #InteriorDesign #ExteriorPainting #ArchitecturalDetails #Craftsmanship #CoastalHome

Interior designer Nicole Fisher of BNR Interiors transformed a four-bedroom, builder-grade row house in Hudson, Upstate New York, into a vibrant home with British charm. The initial state of the house, purchased by a developer, lacked character with generic hardware store moldings and fixtures. Fisher's primary goal was to infuse personality and warmth into the space, moving away from the common 'white on white' aesthetic prevalent in the region. The design process began with selecting a cohesive color palette, largely inspired by House of Hackney’s Avalon wallpaper, a striped and floral pattern used in the dining room. This wallpaper dictated the selection of 14 different paint colors applied throughout the house, aiming to create a distinctly British, rather than farmhouse, atmosphere. The homeowners, being British themselves, were receptive to a bold and layered approach to interior design, having previously embraced unconventional choices like a lime green kitchen in their London home. Fisher embraced the British tendency for playful interiors, characterized by multiple patterns and layers, creating spaces that feel timeless rather than confined to a specific era. The philosophy was to choose elements that the homeowners loved, ensuring they would work together harmoniously if executed correctly. A significant feature of the renovation included the incorporation of two hidden doors—one leading to a pantry and another in the TV room. These hidden spaces serve both functional and aesthetic purposes, providing privacy in a house where the entire length is visible from the front door, and offering practical solutions for entertaining by concealing clutter or creating a 'speakeasy' feel. Attention to detail extends to specific rooms, such as the primary bedroom, where multiple patterns are successfully integrated. The key to this success lies in a common color thread, specifically a cranberry hue, which is consistently pulled through various elements like the bed, wallpaper, and chair tassels. Additionally, Fisher employed variations in scale, combining small and large patterns, such as a chunky floral fabric from Liberty (which held sentimental value for the homeowner as her wedding dress designer) for the headboard. This approach creates a collected, aged feel, reminiscent of a modern grandmother's country house, avoiding a 'too new' or 'too precious' ambiance. The kitchen also showcases unique finds, including a faux marble island sourced from 1stDibs. This island, with its colors complementing the chosen wallpaper, became a central element that set the tone for the rest of the kitchen, contributing to the overall layered and inviting aesthetic Fisher aimed for. Other notable design choices include Sanderson’s Stapleton Park Wallpaper in the dressing room, Farrow & Ball’s Potted Shrimp for the den walls, Phillip Jeffries’s Island Raffia in the living room, Cole & Son’s Frutta e Geometrico in the bar area, Soane’s Scrolling Acanthus in Bloom in the primary bedroom, John Derian wallpaper in another bedroom, and Scalamandre’s Magnus in Indigo Blue in the laundry room. These selections highlight a rich interplay of patterns, textures, and colors, successfully transforming a generic space into a home filled with character and warmth, deeply influenced by British design sensibilities. #InteriorDesign #HomeRenovation #BritishCharm #PatternMixing #WallpaperDesign #ColorPalette #HiddenDoors #HudsonHome #BNRInteriors

This article highlights the transformation of a Los Angeles home, originally designed in 1951 by Chinese American architect Gilbert Leong, who notably incorporated an ornate stained-glass window. Decades later, interior designer Sarah Zachary-Jones took on the task of updating the home for a young couple working in comedy, aiming to refresh the entry, dining space, and two living rooms while preserving its mid-century character. The design approach was heavily influenced by a postcard depicting a poppy field in Yosemite, inspiring a palette of red-orange and emerald green. In the dining room, Zachary-Jones maintained an original fluted plaster wall, revitalizing it with several coats of Ash Grey by Farrow & Ball, a color chosen for its classic appeal and dynamic interaction with light. Furnishings were carefully selected, with an emphasis on vetted reproductions from brands like Lawson-Fenning and Design Within Reach, providing mid-century aesthetic without the extensive search for vintage pieces. The dining area's layout was optimized by repositioning the table and light fixture, and introducing a larger rug to enhance spaciousness and functionality. The entry, though compact, was enhanced by filling previously empty corners with living elements, including a tall, freestanding planter and large, graphic art pieces on the ledge above the door. The living room features Leong’s original metallic wallpaper. Zachary-Jones addressed a fading tree trunk pattern on the wallpaper by designing an 11-foot-long walnut storage bench with grasscloth doors, suggesting it replaced a custom cabinet that likely existed when the house was first built. The living room's proximity to the kitchen necessitated a modular sofa with a movable ottoman, offering flexibility for entertaining. For the casual TV room and office, a leafy wallpaper print was chosen for all four walls, with the ceiling left white to prevent overwhelming the space. In line with the home's 1950s origins, window treatments in both the TV and dining rooms were ceiling-mounted using a track system. This design choice, eschewing traditional iron rods, facilitates a ripple fold effect, creating a continuous wall of yellow when the curtains are closed, ensuring a consistent warm ambiance throughout the day and evening. #HomeRenovation #InteriorDesign #MidCenturyModern #LosAngelesHomes #StainedGlass #HomeDecor #DesignInspiration #SarahZacharyJones #DesignRevitalization

The emergence of glass houses stands as a pinnacle of modernist design, with materials like glass, steel, wrought iron, and concrete defining a significant architectural movement and captivating the imagination of architects worldwide. Glass structures, renowned for their lightness, transparency, translucency, and reflectivity, offer an unparalleled ability to reveal a home's interior while fostering a deep connection with nature. Iconic examples such as Mies Van Der Rohe’s Farnsworth House in Illinois and Philip Johnson’s Glass House in Connecticut are celebrated as seminal works that ingeniously captured the zeitgeist. The period of postwar America saw a boom in experimentation and expansion, leading to the widespread popularity of glass as a primary building material for residential homes. This architectural style has since transcended geographical boundaries, inspiring architects across continents, including South Africa, Vietnam, and Brazil. A new publication from Phaidon showcases 50 such homes, highlighting extraordinary architectural achievements that thoughtfully and compellingly incorporate glass. This article spotlights 15 of these beautiful glass houses, making a strong case for integrating glass into modern home design, suggesting a departure from traditional materials like brick, stone, timber, and concrete. Among the featured homes is the Shokan House in New York, designed by Jay Bargmann, which appears to organically emerge from the Catskills hillside. Despite its imposing structure, the house's highly reflective glass panels and black steel frame create an immersive natural experience. Similarly, the Glass Pavilion in Spain’s Gorafe desert, by Ofis Arhitekti, offers a tranquil retreat. Its triple-glazed, mirrored-glass panels effectively deflect sun rays and withstand extreme desert conditions, providing an essential and serene holiday escape. The Tower House in upstate New York, by Gluck+, features an unconventional design that minimizes its footprint by elevating living areas into the sky, supported by a V-shaped beam. The upper floor provides an expansive, nature-enveloped view, reminiscent of a modern treehouse. In Paris, the Maison de Verre, designed by Pierre Chareau and Bernard Bijovet, challenged architectural norms by using industrial materials like glass blocks and steel beams in a residential setting. The Sheats-Goldstein Residence in Los Angeles, by John Lautner, built in 1963, seamlessly integrates with its landscape through floor-to-ceiling glass panels, offering panoramic views of the city. Philip Johnson’s Glass House in Connecticut, an homage to Mies Van Der Rohe, is a celebrated example of glass architecture, serving as Johnson’s primary residence for nearly sixty years. Lina Bo Bardi’s Glass House in São Paulo, Brazil, known as Casa de Vidro, is celebrated for its wrap-around glass windows and stilted design, creating a treehouse-like feel amidst lush rainforest vegetation. The Flip House in San Francisco, by Anne Fougeron, is recognized for its innovative floor plan, utilizing a prismatic custom-built glass façade to maximize natural light and offer dynamic city views. The Kramlich Residence and Collection in Napa, California, designed by Herzog & de Meuron, integrates art and living spaces through two intersecting curved glass panels, showcasing a significant collection of video and media art. The Glass-Block Micro House in Ho Chi Minh, Vietnam, by Room+ Design and Build, demonstrates an affordable and functional use of glass bricks for a small 18-square-meter home, allowing ample natural light and creating a lantern-like effect. Pierre Koenig’s 1960 Stahl House in Los Angeles, also known as Case Study House #22, epitomizes postwar modern living with its glass and steel construction, offering sweeping views of the city. The Conservatory in Zwavelpoort, South Africa, by Nadine Engelbrecht, features a double-height glass and steel conservatory as its focal point, blending indoor and outdoor living. Villa Kogelhof in the Netherlands, by Paul de Rutter Architects, is a futuristic, energy-neutral home that harnesses wind, sun, and rain, encapsulated by a functional glass façade. Mies van der Rohe’s Farnsworth House in Illinois, built between 1945 and 1951, challenged notions of privacy by using floor-to-ceiling glass windows, relying on the surrounding forest for concealment. Finally, the Mirror Houses in Bolzano, Italy, by Peter Pichler Architecture, reflect their idyllic surroundings with mirrored-glass façades, offering autonomous holiday homes that subtly blend into the landscape. #GlassHouses #ModernistDesign #ArchitecturalInnovation #SustainableLiving #LuxuryHomes #InternationalArchitecture #HomeDesign #ContemporaryArchitecture #ResidentialDesign

The article details the collaboration between interior designer Lynn Biase and mixed media artist Jenn Lewis to transform Lewis' new West Harrison home into a vibrant, family-friendly space that seamlessly integrates her distinctive artwork. Lewis, known for her bold, graffiti-style paintings and collages, sought Biase's expertise to create a fun and comfortable environment for herself, her two teenagers, and for hosting social gatherings. Biase had previously worked with Lewis on her former residence, indicating a pre-existing professional relationship built on trust and a shared aesthetic understanding. The design approach prioritized integrating Lewis's artwork, which the artist noted felt organic due to Biase's color choices throughout the home. The house's open layout, high ceilings, and large windows were naturally conducive to displaying art, creating a bright and airy atmosphere. Biase employed a 'high/low' design philosophy, combining custom-made elements with existing features and sourced items to achieve a cohesive yet unique look. An example of this is seen in the foyer, where the existing natural grass cloth wallpaper was complemented by a custom graphic stair runner that extends to the upstairs landing, establishing a striking entrance. The upstairs landing was transformed into a dedicated family area, featuring a game table with a built-in chess board to accommodate Lewis's son's hobby. Sculptural accessories from Current Home further adorned the shelving in this space, adding visual interest. In a previously neutral powder room off the foyer, Biase introduced an arched Arteriors mirror and patterned wallpaper by Kelly Wearstler, significantly enhancing its character. The kitchen saw minor yet impactful updates, including a black and brass faucet, modern black hardware, and pendant lights over the island, all contributing to a contemporary feel. Biase also introduced a pop of color with bright yellow chairs in the kitchen's breakfast area, a departure from Lewis's usual preference for grays. This sunny hue was echoed in the adjoining family room through throw pillows, connecting the spaces visually. For comfort, a custom coffee table with a fabric center was designed to match a large cream-colored sofa from RH, fulfilling Lewis's desire for a soft place to relax. The dining room features watercolor-inspired wallpaper from Emma Hayes, which harmonizes with the gray tones of the dining table and light fixture, while Arhaus dining chairs with antique brass accents add a touch of sparkle. The living room's design began with another bold wallpaper selection, complemented by a rust-colored sectional for visual contrast. In Lewis's office, Biase opted for a cool gray paint, providing an ideal backdrop for the artist's work and highlighting the walnut desk and wool patterned rug. A sitting room adjacent to the primary bedroom showcases one of Lewis's paintings of a bookshelf, seemingly custom-made for the space. The overall design successfully brought Lewis's artistic vision into her living environment, creating a home that feels both fresh and welcoming, according to the artist.

The article explores Queen Anne-style homes, a distinctive and ornate architectural style that emerged in the United States in the 1880s during the Gilded Age. These homes are characterized by their whimsical use of color, elaborate stucco work, and often unconventional floor plans, reflecting the period's economic prosperity and lavish tastes. The beauty of Queen Anne architecture lies in its individuality, with variations seen across different properties and regions. The article highlights five iconic examples of Queen Anne-style homes across the United States. The first example is a red brick townhouse in Kentucky, built in 1889. This property exemplifies classic Queen Anne features, including tall bay windows, unique stained glass, and a fanciful turret. The owner, Zane Platt-Faulkner, emphasizes the ornate grandeur of the late 19th-century residential design, noting the mix of red brick and wood materials, and the personalized stained glass depicting the home's original female inhabitants. The second featured property is the Harper House in Hickory, North Carolina, constructed in 1887. This mansion is notable for its unique layout and exterior, featuring a wraparound porch, a distinctive element of the Queen Anne style, along with a top-floor balcony and an upstairs extension. The house also boasts stained glass windows throughout its tower and interior. Recent renovations have focused on preserving its architectural integrity, using new wood for balustrades and columns that contrast with the gabled roof and paneled walls. The exterior is finished in subtle yellow with darker yellow trim and wood accents, enhancing its intricate design. The third example is a traditional family home in Chevy Chase Village, Maryland, built in 1905, representing a later phase of Queen Anne construction. Interior designer Nina Farmer led the redesign of its interiors, aiming to maintain the home's historical character while updating it with a contemporary color palette. The house features a classic asymmetrical façade, decorative gables, a welcoming wraparound porch that extends beyond the house's perimeter, a white picket fence, and grand classical columns, blending traditional aesthetics with modern sensibilities. The fourth illustration is a butter yellow residence in Lockhart, Texas. This home showcases the whimsical color palette often associated with Queen Anne style, combined with castle-like turrets, ornately carved stuccos, and gabled roofs. The property’s impressive height, exaggerated by its spiral turret and layered roof, and its unconventional three-tiered roof design contribute to its distinctive personality and fable-like reputation. A white-painted balustrade porch and a double curved doorway add to its visual appeal. Finally, the article describes the renowned “Painted Ladies” of San Francisco, a row of Queen Anne-style buildings in the Alamo Square neighborhood, built in the 1870s. These homes are famous for their vibrant, whimsical colors and ornate, individualistic exteriors. Repainted in the 1960s, each house in the row features distinct carved patterns, gable styles, and shaped doorways, transforming a residential street into a widely recognized landmark. These examples collectively demonstrate the diversity and charm inherent in Queen Anne architecture, underscoring its enduring appeal and historical significance in American design. #QueenAnneStyle #AmericanArchitecture #VictorianHomes #ArchitecturalHistory #HistoricHomes #InteriorDesign #HomeStyles

Stained and tinted glass, while an ancient art form, is finding renewed relevance in contemporary interior design. Designers are increasingly incorporating colorful glass accents and large planes of tinted glass to introduce an energizing glow and unique visual interest into modern spaces. This trend moves beyond traditional stained glass windows to include experimental geometric patterns and lighter color palettes, alongside minimalist applications of uninterrupted tinted or filtered glass in features like room dividers and interior windows. Fiona Stone, design development director at Róisín Lafferty, highlights that tinted glass diffuses light and creates an ethereal glow, noting its increased versatility beyond traditional windows and doors. The incorporation of colorful glass transforms both the light quality and the overall ambiance of a room. One approach involves using jewel tones, as seen in a Haussmannian flat designed by Uchronia for a jewelry designer. A rounded, rainbow-hued stained glass window leading to the kitchen infuses the space with a timeless, sanctuary-like feel. Designers suggest that for those unable to install such windows, arranging colorful vases and jugs on windowsills can achieve a similar light-catching effect. Another application is imparting a modern glow through elements like tinted glass balustrades. In a Dublin home, Róisín Lafferty utilized a cobalt blue tinted glass railing for a central staircase spanning four levels. This feature, complemented by surrounding blue surfaces, creates the impression of a growing blue cube, saturating the space with its striking hue and serving as a dramatic visual centerpiece. Tinted glass can also warm up a scheme. César Béjar Studio in Mexico employed a thin layer of amber paper to tint a window in the uppermost part of a house, which, while out of sight, floods lower levels with warm yellow light. This technique contributes to naturally warmer atmospheres, aligning with a current design emphasis on less industrialized materials and enhanced natural experiences. Color can be used to tell a story, as demonstrated by YSG Studio in a Melbourne Victorian home's living room extension. Colored panes were chosen to match the homeowner's Egyptian heritage, perfuming the kitchen and dining area with shades of turmeric and saffron, and reflecting the colors of the tiled floor, thereby harmonizing with the interior's overall color scheme. Colored glass can also be utilized for zoning with decorative screens. Maksym Dietkovskyi of Modektura used textured, multicolored stained glass to create an abstract wall and door behind a headboard, effectively zoning off a walk-in closet. This solution allows natural light to pass through while maintaining visual interest and providing additional lighting from the wardrobe in the evening, blending retro aesthetics with modern functionality. Finally, a warm filter can be added to bathrooms, such as a yellow-tinted shower screen in a Balearic islands bathroom designed by Laplace. This creates a glowing atmosphere, acting like a lens to bestow modesty, add interest to a minimal interior, and reflect the golden light of the environment, softening the space and segmenting the room effectively. #ColoredGlass #StainedGlass #InteriorDesign #HomeDecor #LightingDesign #ModernInteriors #ArchitecturalDesign #HomeRenovation #DesignTrends

James Mercer, the singer-songwriter for The Shins, and his wife, garden designer Marisa Kula Mercer, enlisted designer Jessica Helgerson to refresh their 130-year-old Queen Anne Victorian home in Portland, Oregon. The Mercers sought to update their home for modern living while preserving its historical integrity and original charm. Their property, a former hazelnut orchard spanning nearly an acre, features 300-year-old Douglas fir trees and gardens designed by Marisa, who draws inspiration from English gardens like Great Dixter House & Gardens. The remodel, which spanned 12 years, focused on incremental changes rather than a complete overhaul. The initial challenge involved redesigning the kitchen. Helgerson's team enlarged the space by absorbing a former screened porch, ensuring it remained proportionally aligned with Victorian-era kitchens. The design incorporated antique light fixtures, cream-colored wall tiles, and a Lacanche range set within a niche, evoking the feel of an old hearth. The kitchen island was designed on legs, resembling a case piece, to maintain appropriate scale. One significant alteration was dividing the voluminous primary suite to create a dedicated dressing room. This new space features a Calacatta Viola marble-topped vanity and recessed paneling with decorative elements, aligning with the Victorian emphasis on ornamentation. The family also sought to improve the home's connection to the outdoors, a feature largely absent in the original layout. Helgerson designed a karaoke room, addressing its previously erratic ceiling structure. She employed an architectural solution by painting a green crown molding in a clean, rectangular shape to define the space and manage the 'wandering' ceiling. A custom built-in sofa with a deep cushion and a tiled window sill serving as a conservatory for houseplants were incorporated into this room, providing both comfort and functionality. James Mercer also contributed personal DIY touches to the home. He used rope to level floorboards in the former horse stable, now a music studio, and constructed Marisa's garden shed based on a vintage Sears catalog image. A distinctive, quirky detail includes plastic spiders hot-glued to ceiling medallions and painted over, creating the illusion of being permanently trapped. The overall design philosophy aimed to blend modern functionality with the inherent character of the historic Queen Anne style, maintaining the home's original nicks and scratches as part of its charm. #HomeRenovation #VictorianArchitecture #InteriorDesign #QueenAnneStyle #HistoricPreservation #GardenDesign #KitchenRemodel #PortlandHomes #CelebrityHomes

The article showcases a top-floor condominium located within the former West Queen Anne Elementary School in Seattle, a building recognized on the National Register of Historic Places since 1975. This historic school, which closed in 1981, was subsequently converted into 49 residential units in 1984, serving as a significant example of preserving surplus educational buildings. The specific condo featured is on the top floor and includes a sunny deck integrated into the roofline, making it one of 12 such units in the building. It offers a bright and spacious living environment with high ceilings. The interior has been thoroughly updated to reflect contemporary design aesthetics, featuring a galley-style kitchen equipped with high-end appliances, quartz countertops, subway tiles, and European white oak floors. A notable design element in the living room includes wall panels that subtly reference the building's historical character. These panels also cleverly conceal a twin-size Murphy bed and an entertainment center, blending modern functionality with vintage charm. The design philosophy of the condo, as described by listing agent Susan Mudarri, successfully merges the best of both historical preservation and contemporary living. The large, loft-style bedroom is illuminated by a skylight and features modern cable railings and recessed lighting, contributing to a minimalist and airy atmosphere. The unit also includes an en suite bathroom, an additional half-bath downstairs, a stacked washer and dryer, and custom closet cabinetry, ensuring practical needs are met while maintaining a clean aesthetic. The location of the condominium offers convenient access to local amenities in the Queen Anne community, such as Molly Moon’s Homemade Ice Cream and Caffe Fiore, which are situated on the same street. The Queen Anne branch of the Seattle Public Library, also a National Register of Historic Places peer to the school, is just a block away. The neighborhood provides various recreational opportunities including pickleball courts, parks, and pizzerias, fostering a rich urban lifestyle. Historian Larry Kreisman noted that the successful conversion of the West Queen Anne Elementary School into residential units required a unique combination of factors. The community's efforts to save the building from demolition in the 1970s played a crucial role in its preservation and subsequent transformation. This communal spirit is noted to persist, with neighbors actively engaging in mutual support, such as watching packages and welcoming new residents. The article highlights that the building's historical integrity and its modern residential functionality are beautifully maintained. #PropertyWatch #QueenAnne #Condominiums #HistoricPreservation #ArchitecturalConversion #SeattleRealEstate #UrbanLiving #HomeDesign

This article highlights the transformation of a historic 1920s Salt Lake City home, which previously featured a "hodgepodge" of renovations, into a cohesive and stylish living space through the strategic application of color and design elements. Designer Susannah Holmberg was tasked with unifying the disparate architectural styles and renovations undertaken by the homeowners, a couple with four children, which included a glass-enclosed kitchen addition, floral wallpaper in the dining room, and Spanish kitchen tiles. Holmberg's primary technique for creating cohesion was to weave a consistent color story throughout the house. One notable example is the painting of the undersides of the arches in Benjamin Moore’s Burnt Cinnamon, a rust color that subtly connects different areas. The designer aimed for more refined tones, opting for soft pinks, golds, and blues over obvious pastels or overly saturated primary shades, ensuring that the chosen color palette unified the entire home's experience. Beyond achieving cohesion, Holmberg also sought to introduce an edgy, non-traditional feel. The entryway, for instance, was entirely painted in Portola’s Angel’s Landing, a warm blush pink, including the ceiling and trim. To prevent it from appearing overly feminine, she paired this with a checkered stair runner found on Etsy and coated the stair risers and railing in black paint. The living room features Benjamin Moore’s Glass Slipper on the ceiling, a lighter shade that complements the monochromatic office nook, which was painted in Water’s Edge. Further elevating the home's aesthetic, the fireplace underwent a significant upgrade. The designer replaced the existing large-format tiles with elongated black rectangles from Stone Source. By widening the spacing between the tiles and using an ochre-hued grout, she created a sophisticated and noteworthy feature using affordable materials. Curved furniture pieces, such as a red sofa from Normann Copenhagen and a light from Couleur Locale, were incorporated to introduce modern forms that contrast effectively with the older architectural elements of the home, helping it feel current. A shaggy rug from Rugs Direct was added to enhance coziness during colder months. Art curation also played a crucial role in the home's design, given that one of the homeowners works in film. Holmberg sourced large-scale, contemporary art, such as a Joan of Arc film poster in the living room, which was strategically hung off-center to ground the wall and emphasize the artwork through surrounding white space. Existing art pieces owned by the couple were updated with simpler frames to draw attention to the art itself. In the dining room, crackled wallpaper from NLXL was used to add texture without the expense of grasscloth. These design choices collectively transformed the previously disjointed house into a harmonious and distinctly styled family home. #HomeTour #InteriorDesign #ColorPalette #PaintColors #Renovation #ArchitecturalDetails #ContemporaryArt #FurnitureDesign #SaltLakeCity #DesignInspiration

This article investigates a specific claim made by Instagram personality Caroline Calloway regarding a 'real Murano-glass Venetian chandelier' valued at over $3,000, which she listed as an improvement to an apartment she rented. Calloway, known for her online presence and a past book deal controversy, recently vacated a New York apartment, leaving it in a state of disarray. Her landlord subsequently conducted renovations, listed the apartment for rent, and initiated a lawsuit against Calloway for unpaid rent. In her legal defense, Calloway cited several improvements she allegedly made to the apartment, including the aforementioned chandelier, arguing these should offset the outstanding rent. Photographic evidence submitted in court documents, depicting the apartment before renovation, shows a distinctive light fixture with some filigree near the front door. Post-renovation images reveal a standard 'boob light' in the same location, indicating the original fixture was removed. Further investigation into Calloway's past social media posts, specifically a 2016 Instagram image from her former London apartment, shows what appears to be the identical fixture. The article also references a photo accompanying an earlier news story about Calloway's departure from New York, which also features the blue glass globe and clear pendant crystals of the chandelier. The fixture is characterized by a blue glass globe and clear pendant crystals, suspended from metalwork described as 'tole.' The article points out that similar tole-light fixtures are readily available on online marketplaces like eBay and Etsy. A comparable chandelier with a simpler blue glass globe was found listed for $329. Numerous variations in color, such as red, white, pink, and clear glass, are also accessible, often specializing from certain Etsy dealers who offer these fixtures cleaned and rewired, alongside matching sconces. The pricing of these fixtures consistently falls within a few hundred dollars, significantly below Calloway's asserted $3,000 valuation. Some dealers attribute the glass components of these chandeliers to Fenton Art Glass, an American company established in 1905, still operational today in jewelry bead production. While acknowledging the remote possibility that the blue glass bubble could genuinely be from the Venetian island of Murano, the article suggests that Calloway's use of 'Murano' might be more about evoking a certain aesthetic or 'vibe' rather than an accurate description of its origin or material. The author critically notes that the overall design of the chandelier appears to have little in common with authentic Italian craftsmanship, drawing a comparison to American chain restaurant decor. The article concludes by humorously speculating that the exaggerated valuation might stem from an opportunistic seller taking advantage of a buyer prone to impulsive spending, implying that Calloway herself might have been 'scammed' into believing the fixture's inflated worth. #CarolineCalloway #Chandelier #MuranoGlass #ApartmentRenovation #DesignInvestigation #RealEstateLawsuit #OnlineMarketplaces #HomeDecor #SocialMediaPersonality