Maclaren.Excell infuses a West London Victorian with cool concrete and steel

Merrett Houmøller Architects and interior design studio All & Nxthing collaborated to renovate and extend a Victorian terraced house in London, drawing inspiration from traditional Moroccan riads and Mediterranean architecture. The project aimed to create tall, light-filled spaces with a strong connection between the interior and exterior, while incorporating a rich palette of natural, earth-based materials. The clients, who have traveled extensively in Morocco and the Mediterranean, sought to infuse their London home with elements reminiscent of these regions. The existing Victorian proportions of the house were largely preserved, but a significant double-height extension was added to the rear. This extension houses a kitchen and dining area, distinguished by an angular ceiling and a skylight that bathes the space in natural light. A key design feature, inspired by the internal courtyards found in riads, is the first-floor staircase landing that overlooks the dining space, fostering a sense of openness and connection within the home. The material selection plays a crucial role in establishing the desired aesthetic and tactile experience. A continuous brick-paved floor extends from the original house into the new extension and further into the garden, which features a small pool and a concrete terrace. This deliberate material continuity blurs the boundaries between the indoor and outdoor environments, encouraging a seamless flow and providing varied textures underfoot. The angled walls and ceiling of the dining area are finished with clay plaster, contributing to a soft, natural ambiance. The main kitchen counter is set against exposed brickwork, serving as a visual reminder of the building's original structure and adding another layer of texture. The staircase was updated with oak cladding and a steel balustrade, blending modern elements with the rustic theme. Steve Nash, creative director of All & Nxthing, highlighted the influence of Mediterranean precedents on the interior materiality. He noted the use of natural, earth-based materials such as handmade brick for the floor, clay-plaster for the walls, band-sawn timber for joinery, and patinated copper. These choices contribute to a cohesive and authentic feel, reflecting the clients' inspirations. Beyond the extension, the front of the house accommodates a formal living room and a lounge area, complete with a fireplace and a dedicated space for home working. These areas feature more minimal finishes, but subtle angled elements subtly echo the geometry of the new extension, maintaining a consistent design language throughout the home. Nash explained that the interior designs aimed to mirror the boldness of the architecture, incorporating subtle angles in details like kitchen handles and living room alcove cabinetry to match the walls' angles. The first floor contains the main bedroom and a spacious bathroom, while an attic extension above provides an ensuite guest bedroom and an additional study space. Merrett Houmøller Architects, founded in 2014 by Peter Merrett and Robert Houmøller, and All & Nxthing, established in 2015 by Steve Nash, completed this project. The renovation exemplifies a thoughtful integration of cultural influences and modern design, resulting in a home that is both functional and aesthetically rich. #LondonExtension #MoroccanInfluence #VictorianRenovation #InteriorDesign #ArchitecturalRenovation #NaturalMaterials #ClayPlaster #Brickwork #ModernArchitecture #ResidentialDesign

Architects Christian Ducker and Tyeth Gundry of London-based Gundry & Ducker have completed an extension to a Victorian property in Kensal Rise, west London, transforming a formerly dark and narrow kitchen and bathroom into a bright, spacious, and open-plan cooking and dining area. The project, dubbed 'Slate House,' aimed to create a large, dramatic, and light-filled heart for the home that could function effectively throughout the year. The original kitchen occupied a low, confined space at the rear of the house. By utilizing an additional strip of land adjacent to the property, the architects were able to expand the footprint beyond a typical London house extension, while still maintaining a comfortable domestic atmosphere. This was achieved through a carefully selected material palette that blends traditional elements with a contemporary approach. The exterior of the garden-facing facade of the extension is clad with hexagonal slate tiles, creating a distinctive visual texture. This tiling extends to flank a patio area, designed to facilitate outdoor dining. The choice of hexagonal slate contributes to a modern aesthetic while referencing traditional materials. Inside, the design features timber tongue-and-groove panelling, used on both walls and a section of the sloping ceiling. These wooden panels are arranged in various patterns, including chevrons and stripes. The striped panelling serves a functional purpose by concealing doors and cupboards, including a "secret entrance" to a larder, which integrates seamlessly into the wall design. Natural light is a key aspect of the design, with a skylight strategically positioned to follow the orientation of the kitchen worktops. This placement highlights a direct sightline between a large picture window and the doorway leading to the older parts of the house. The extension also incorporates a window seat offering views of a tree, intended to be a pleasant seating area and a visual focal point at the end of the kitchen space. The dining area further connects to the garden through a pair of French doors. Further interior details include dark ceramic tiles framing the oven and fridge-freezer, providing a contrast to the lighter timber elements. The lighting scheme incorporates three types of fixtures, including cut-crystal light bulbs designed by London-based Lee Broom. The new kitchen and dining area is set two steps lower than the floor level of the rest of the ground storey, creating an informal seating ledge along the end wall. The project was executed by Gundry & Ducker, with structural engineering provided by Toynbee Associates. Photography of the completed extension was carried out by Hufton + Crow, capturing the interplay of natural light, traditional materials, and modern design principles. #ResidentialExtension #LondonArchitecture #VictorianRenovation #HexagonalTiles #SlateCladding #KitchenDesign #TimberPanelling #ModernInteriors #GundryDucker

This article highlights the transformation of a Victorian terrace in south London, where designer Laura Stephens reconfigured its layout to inject light and modern living while preserving its historical character. The project addressed the common dilemma of modernizing classic townhouses by integrating contemporary elements without compromising original features like paneling, plasterwork, and traditional layouts. Instead of extensive structural changes, Stephens focused on a less interventionist approach, retaining the 19th-century architecture and skillfully adapting the floor plan to suit a modern family. Key changes included relocating the sitting room to the back, moving the kitchen to the middle, and positioning the dining room, which also functions as a small home office, at the front of the house. To enhance natural light, a glazed screen was installed between the hallway and dining room, creating an effect similar to an old-fashioned office partition, which significantly brightened the front of the home. The design incorporated fresh colors, and natural textures like jute and seagrass, along with subtle architectural details to create a living space that feels both contemporary and timeless. The kitchen features periwinkle blue cabinetry designed to complement the high ceilings, contrasted with 'utilitarian' white metro tiles and bronze hardware, which adds a touch of aged elegance. In the sitting room, a new fireplace was installed, and half-paneling was introduced to balance the striped wallpaper. The designer also focused on sustainability and cost-effectiveness by recovering existing furniture pieces such as sofas, armchairs, dining chairs, and an ottoman, demonstrating a commitment to preserving and repurposing items. The main bedroom underwent a significant transformation, with previously 'bleak' wardrobes being revitalized by glazed doors lined with gathered fabric. A gauzy pendant light was chosen for its sculptural quality, echoing the textured pink wallcovering that envelops the room. In the top-floor bathroom, an innovative solution was found when a shortage of mustard and white tiles led to the installation of a mirror panel. This not only extended the striped design but also visually expanded the cozy, eaves-tucked space. Laura Stephens also designed unique rugs in collaboration with Bombay Sprout, incorporating motifs based on antique passementerie and natural jute textures, reflecting the blend of past and present in the home's overall design. Laura Stephens shared her style inspiration, citing her satisfaction with the glazed wall, her preference for 'Spruce' by Paint & Paper Library as a go-to color, and drawing inspiration from interior design books, historical and contemporary, as well as her youngest daughter. She expressed admiration for architect Gil Schafer and the Chrysler Building in New York City. The project successfully created a bright, comfortable, and ageless living space that honors its Victorian roots while embracing modern functionality and aesthetics. #LondonTownhouse #VictorianRenovation #InteriorDesign #LauraStephens #HomeRedesign #ColorPalette #TextureMixing #NaturalLight #KitchenDesign #BedroomTransformation

Freehaus, a north London architectural studio, has recently completed the renovation and extension of an early Victorian terraced house in Hackney, East London. The project aimed to transform the existing structure into a family home that balances minimalist aesthetics with practical functionality, specifically tailored to the clients' needs. The design prioritized creating a central kitchen area that serves as the heart of the home, offering clear views across the ground floor and into the garden to accommodate a young family of four. This approach focused on fostering connectivity between living spaces, catering to daily activities such as play, work, and relaxation. The architects implemented several key interventions to achieve their vision. They opened up communal areas to enhance flow and spaciousness, and added a kitchen extension featuring a 720mm deep cantilevered floating kitchen drawer unit by Big Little Projects. The material palette was deliberately kept simple and versatile, predominantly utilizing oak and marble to maintain a crisp, minimalist aesthetic. To visually delineate between the original structure and the new additions, darker brick was used for the rear volume of the extension. This thoughtful use of materials not only contributes to the aesthetic but also helps to articulate the home's evolution. Despite the project's seemingly straightforward outcome, the architects faced significant challenges, particularly in navigating the strict conservation area policies of Hackney. The design, which sought to maximize the extent of change to the property, initially encountered resistance during the planning application process. Consent was only granted after an appeal, highlighting the complexities involved in undertaking renovations in historically protected areas. This experience underscores the need for meticulous planning and engagement with regulatory bodies in such projects. Freehaus, though a relatively young firm, has established a notable presence in the architectural landscape, securing commissions for prominent projects like London's African Centre and the refurbishment of Bahlsen's historic headquarters in Germany. The studio views residential projects as a significant area of potential, emphasizing the importance of a collaborative approach with clients. For this East London home, the clients, who are actively involved in creative fields, contributed significantly to the design discussions, bringing ideas such as the floating kitchen counter that introduced lightness and playfulness to the space. This collaborative dynamic was crucial to the project's success, demonstrating that the most impactful residential designs often emerge from a partnership between architects and homeowners. The completed home exemplifies a successful blend of architectural vision and client collaboration, resulting in a residence that is both aesthetically refined and deeply functional for its inhabitants. The project demonstrates how thoughtful design, even within the constraints of existing structures and regulatory frameworks, can deliver spaces that are modest in appearance but rich in spatial quality and tailored to contemporary family living. #LondonArchitecture #VictorianRenovation #FamilyHomeDesign #MinimalistInterior #KitchenExtension #MaterialPalette #ConservationArea #CollaborativeDesign #ResidentialArchitecture #Freehaus

This article highlights an East London apartment, located within Martha's Buildings off Old Street, which has undergone a rehabilitation by architect Julie Richards. The two-bedroom property, currently listed for £1.25m with The Modern House, was featured on Channel 4's 'Britain's Best Home' due to its sophisticated design that optimizes light, height, and views of a leafy courtyard. The apartment is characterized by an industrial aesthetic softened with calm and elegant touches. A key design element is the integration of recessed lighting in the ceiling, walls, and epoxy resin floors, which not only enhances the overall illumination but also creates clear sightlines throughout the space. The kitchen embodies an industrial style, featuring stainless steel and glass finishes. It includes uplighting along the rear wall and custom-built lighting within a glass island. A notable appliance is the original Renzo Piano Smeg hob and matching extractor. Adjacent to the kitchen, an office nook is discreetly integrated into the layout. The living area is distinguished by a sunken lounge, accessible via a concrete staircase. This space is furnished with built-in modular units and features timber floors, adding warmth and texture. A wall of sliding glass doors provides direct access to an interior balcony, blurring the lines between indoor and outdoor living. At the rear of the apartment are two en-suite bedrooms, each equipped with built-in storage. A modular doorway system offers flexibility in arranging the bedroom layouts. The main en-suite bathroom is particularly luxurious, featuring a shower, a large freestanding bath, and sanitary ware by Starck 1. The apartment's location is ideal for urban professionals, offering a highly walkable neighborhood. The area provides easy access to markets, diverse restaurants, shops, theatres, and live music venues. Furthermore, a Tube station is conveniently located steps away, ensuring excellent connectivity to the wider London area, including the Thames. #EastLondonProperty #IndustrialDesign #ApartmentLiving #JulieRichardsArchitecture #ArtDeco #ModernHouse #LondonRealEstate

James Baker's curiosity was piqued by a boxy building near the Baton Rouge Country Club, hidden behind a tall, vine-covered barrier, recognizing its departure from the traditional south Louisiana architectural style. One Sunday, he discovered the secluded home was for sale and scheduled an open house. This timing was serendipitous, as he and his wife, Marsha, had been contemplating building a new home. Upon visiting, they were immediately captivated by the property's design, which featured massive windows looking out onto a lush private garden and a dramatically designed pool. Within days, they made an offer on the house. The home’s appealing features—streamlined structural details, an open floor plan, ample space for art, and a seamless connection between indoor and outdoor living—are characteristic of the tropical modern architectural movement prevalent in Miami. The house, built a dozen years prior, reflected the original owner’s preference for this South Florida aesthetic. Consistent with tropical modern design, tall and wide windows and doors throughout the home offer expansive views of the landscape and water features. Polished marble flooring extends from the interior to the exterior, creating a cohesive and luxurious feel. The overall ambiance is Zen-like, filled with natural light, and conducive to relaxed living, offering a warmer interpretation of typical modernism. Despite their previous homes being more traditional, the Bakers found the contemporary vibe of this house perfectly suited for their extensive and growing art collection, which primarily consists of bold and abstract pieces. The home's empty white walls provided ideal gallery spaces for displaying art acquired during their travels, as well as works by Louisiana artists sourced through Ann Connelly Fine Art in Baton Rouge and Soren Christensen Gallery in New Orleans. For the renovation, the Bakers enlisted Todd Normand of Bernhard Normand Construction. The project involved relocating a bar nook in the main open room to a separate living area, adding a fireplace and bookshelves to the opposite side of the room, and redesigning the master bathroom to include a sleek vanity alcove. Designers Helaine Moyse and Patrick Tandy, long-term collaborators with the Bakers, helped integrate the couple’s existing classic furniture with new contemporary pieces. This blend is exemplified in the dining area, where an 8x8-foot abstract painting by Meredith Pardue is framed by Venetian glass sconces and paired with a weathered antique Spanish dining table. Marsha noted that the mix of antique and modern elements, encouraged by the designers, prevented the space from feeling overly contemporary, maintaining a sense of warmth. The existing kitchen, featuring contemporary glass, metal, and exotic wood cabinet panels, initially challenged Marsha’s preference for all-white kitchens. However, replacing the dark granite backsplash with a multi-hued linear version brightened the space, and she eventually grew to appreciate its unique style, especially noting James's enjoyment of cooking there. Marsha, alongside friends Stacey Davis and Stacy Johnson, recently launched Envy, a decorating firm that began with holiday décor and expanded into full-service design. Through Envy, Marsha sourced window treatments and other furnishings for their new home, adding personal touches to the already impressive structure. The couple also took on most of the landscaping themselves, incorporating ferns, elephant ears, and other tropical-inspired plants around existing palm trees, with some natural materials from Red Onion and additional trees from Steve Rowley of Hydro-Scapes. They enjoy working in the flowerbeds and spending evenings on their marble-floored porch, which remains shaded and comfortable, watching the sunset with their three dogs. The once-mysterious home has become a cherished, comfortable space for the Bakers. #ModernArchitecture #TropicalModernStyle #HomeRenovation #InteriorDesign #ArtCollection #OpenFloorPlan #OutdoorLiving #LouisianaHomes #BatonRouge

Designer Celerie Kemble, alongside Kristen Blood, transformed a 4,500-square-foot Victorian home in Southampton, New York, originally built in the 1880s, to accommodate year-round living for a family with children and dogs. The clients, who initially envisioned a crisp white beach getaway, were guided towards a more seasonless design, prioritizing brightness, texture, and warmth while ensuring durability against the demands of beach house life. The design philosophy centered on layering textures and integrating a rich color palette derived from the family's art collection, featuring hues such as cobalt, beet, olive, turmeric, and coffee. In the entryway, a "cavernous" space was made cozier by wrapping the walls in cocoa-stained Madagascar grasscloth and painting the trim in Benjamin Moore Coffee Bean. This created a warm and inviting atmosphere suitable for both cold winter days and lazy summer afternoons. Furnishings in this area included an Arteriors bench upholstered in a vintage suzani textile and Lee Industries chairs with Pat McGann Gallery pillows, complemented by an M2C Studio ceiling light and an Arteriors floor lamp. The strategic use of materials aimed to establish a strong materiality throughout the house, incorporating elements like faux suede, tessellated shell, and Moroccan berbers to create tactile experiences. The living room, identified as the family's primary gathering spot, was designed for comfort and resilience. Upholstered furniture made with plush outdoor fabrics was selected to withstand the wear and tear from children and pets. Nickey Kehoe woven hassocks provided versatile seating or footrests. Design details included a 1stdibs ceiling light, Claremont curtain fabric, and Hollywood at Home ceramic lamps, all contributing to a relaxed yet stylish environment. To improve the flow and usability of the front parlor, which previously felt like a pass-through, the designers created a larger seating group. A puzzle table with chairs was placed by the window, and the bar cart was relocated to encourage guests to utilize the entire space. The continuous use of the same color palette and a consistent rug throughout both the living room and parlor created the illusion of one expansive area, enhancing the sense of unity and spaciousness. The primary suite was conceived as a refuge for the parents. The gentle undulations of catchweed wallpaper and soft colors fostered a breezy and calm atmosphere. Custom elements included a bed upholstered in Rose Tarlow fabric and bedding from Celerie Kemble for Chairish, with a custom hair-on-hide rug. Tailored pleat curtains made from gauzy sheer fabric accentuated the bay window, adding an elegant touch. An ottoman from Celerie Kemble for Taylor King and Kenian chairs upholstered in Rose Tarlow fabric furnished the lounge area within the suite, alongside original chandelier and table pieces. In the guest room, intricate paneling and chinoiserie wallpaper were employed to highlight the architectural angles and make the smaller space feel more expansive and inviting. Painting the trim and ceiling panels red and maintaining a simple color palette transformed the room into a "jewel box space" reminiscent of a luxurious hotel, according to Blood. Hudson Valley Lighting sconces, Kenian chest and mirror, a custom L&M Carpets rug, and Matouk bedding completed the decor, with personal touches like carafes and bedside books added by the homeowners. The guest bathroom underwent a gut renovation to achieve a more functional and modern layout while respecting the home's Victorian heritage. Finishes such as penny round floor tiles and suede crackle subway tiles were chosen to align with historic styles popular during the Victorian period. Visual Comfort sconces, Complete Tile, and a Dutton Brown towel rack were incorporated into the design, blending modern utility with period-appropriate aesthetics. The exterior of the 1880s Victorian, nestled within a hedge-lined yard in Southampton, New York, is adorned with hydrangea bushes, wisteria, and climbing roses, presenting a modern Victorian aesthetic that honors its past. #VictorianHome #InteriorDesign #TexturalDesign #ColorPalette #Southampton #CelerieKemble #HomeRenovation #EclecticStyle #YearRoundLiving

This article details a renovation project by Studio Ben Allen, focusing on a Victorian terraced house in York, England. The project involves extending the brick home by adding two barrel vaults, also constructed from brick, to the rear garden. This extension seamlessly integrates with the existing architecture while introducing modern elements. The newly created double-arched space houses the kitchen and a small dining area. To maintain a connection with the outdoors and preserve greenery, the extension incorporates a courtyard enclosed by glass doors and sliders on three sides. This design choice allows natural light to permeate the interior and offers a visual link to the garden. A recurring motif of arches is present throughout the home, extending beyond the external barrel vaults. Inside, arched cubbies are featured underneath the concrete sink, providing stylish storage solutions in the kitchen. In the main floor bathroom, tall mirrors with curved tops are installed above a double vanity, echoing the arch theme. Despite the consistent use of arches, the design avoids monotony, instead imparting a classic charm to the home. The interior design employs a mix of materials to create a fresh yet warm aesthetic. Raw concrete is used for the kitchen counter, complemented by polished concrete floors. The original brick walls are maintained, adding texture and historical character, while oak cupboards and shelving introduce warmth and a touch of natural elegance. This combination of materials and architectural details ensures the home feels contemporary without losing its inherent classic appeal. The renovation exemplifies how modern architectural interventions can respect and enhance the character of historic buildings. Studio Ben Allen's approach demonstrates a thoughtful balance between old and new, creating a functional and aesthetically pleasing living space. The emphasis on natural light, material selection, and the continuation of architectural themes contributes to a cohesive and inviting environment. #VictorianArchitecture #HomeRenovation #ArchitecturalExtension #BrickDesign #VaultedCeilings #InteriorDesign #MaterialMixing #StudioBenAllen #EnglandArchitecture

Studio McW undertook the extension and redesign of the lower ground floor of Threshold House, a semi-detached, split-level Victorian residence situated in London's De Beauvoir neighborhood. The project's primary objective was to expand the dwelling to accommodate extended hospitality and to introduce a greater connection to the rear garden through a sunken, brick-lined courtyard. The existing lower ground floor, characterized by a series of fragmented spaces and limited access to natural light, presented a significant design challenge. The clients, a couple with a strong affinity for hosting guests, sought a living environment that would foster social interaction and provide versatile spaces for both large gatherings and intimate moments. They also desired a seamless transition between the interior and exterior, a connection that was notably absent in the original layout. Studio McW's design response involved a strategic reorganization of the internal program and a thoughtful integration of a new outdoor area. The intervention focused on creating a coherent flow throughout the lower level, enhancing natural light penetration, and establishing a direct visual and physical link to the garden. The addition of a sunken courtyard not only introduced a verdant outlook but also served to define a new threshold between the renovated interior and the re-landscaped exterior. This courtyard, clad in brickwork, acts as an extension of the internal living areas, providing an additional space for relaxation and entertainment. Material selection played a crucial role in shaping the aesthetic and tactile qualities of the redesigned spaces. Studio McW opted for a palette of natural and durable materials, including exposed brick, concrete, and timber, to create a sense of warmth and permanence. The use of brick, in particular, establishes a continuity with the Victorian architectural heritage of the house while introducing a contemporary sensibility. Large expanses of glazing were incorporated to maximize natural light and offer uninterrupted views of the courtyard and garden, further blurring the boundaries between inside and out. The reconfigured lower ground floor now comprises a spacious open-plan living area, a modern kitchen, and dining facilities, all designed to facilitate social engagement. The layout allows for flexible furniture arrangements, accommodating a range of activities from casual family meals to more formal entertaining. The project successfully transforms a previously underutilized and disconnected basement level into a vibrant and inviting heart of the home, tailored to the clients' lifestyle and their passion for hospitality. The thoughtful integration of architecture and landscape design has resulted in a dwelling that not only meets the functional needs of its occupants but also enriches their daily experience. #ResidentialArchitecture #HouseRenovation #LondonArchitecture #StudioMcW #VictorianHome #InteriorDesign #CourtyardDesign #ArchitecturalExtension #UnitedKingdom

This article details the renovation of a Victorian Colonial home in Hastings-on-Hudson, purchased by Peter and Brittney Walgren, New York City transplants. The couple, with a young son, Teddy, sought to infuse new life into the older home, moving from their West Village apartment. Brittney, with a background in floral design, found her aesthetic aligned with Greenwich-based designer Becca Casey's vision. Casey's approach aimed to visually refresh the home with light walls, transitional furnishings, and a slightly West Coast aesthetic, emphasizing vibrancy. Her style, described as neo-traditional, blends classic silhouettes with modern and light elements, incorporating textural barn woods against stucco walls, ethnic textiles layered with neutral ones, and deliberately worn found pieces to soften the space. The color palette for the home primarily features off-white walls, sage and chartreuse greens, and matte black, contributing to an understated arrangement. A key aspect of the design process was preserving and working with the home's original features, such as intricate carpentry, wood moldings, inlay floors, and glass door hardware, which spoke to its Victorian heritage. Paint played a crucial role in initiating the design transformation. The house previously had heavy moldings and red and blue walls, requiring a significant overhaul before achieving the desired fresh and family-friendly environment. To create visual harmony across rooms, walls and moldings were painted in Simply White by Benjamin Moore, while the original wood moldings around door casings were retained as natural room dividers. Casey's objective was to open up the space, create a warm canvas, and then layer in a mix of pieces. Specific design interventions included the creation of a "boot room" from a previously voided area off the foyer. This space now features custom-designed built-ins, replacing church-like benches, to serve the needs of a growing family. The boot room is further enhanced with Granada tile flooring and millwork finished in Farrow & Ball’s Pigeon, complemented by brass fixtures. The living room fireplace was redone with a stucco façade and terra cotta tiles, and the room incorporates a variety of textiles like bouclé, ticking, and an antique Khotan rug. A Herman Miller Eames chair provides a reading nook. Adjacent to the living room, the library was painted with Farrow & Ball’s Railings and furnished with a chartreuse settee and mixed throw pillows. A built-in was added to house the couple’s antique record player and a collection of records, each a wedding gift. In the dining room, an oak table with mid-century style chairs serves as a focal point, capable of seating eight guests. The dining room fireplace received a textural paint treatment to give it an older, worn appearance, and an original Egyptian artwork gifted by Brittney’s mother is displayed above it. The overall ambiance of the home is natural, establishing a strong connection to the outdoors, inspired by the surrounding bucolic gardens and views of the Hudson River. Despite the natural theme, elements of glamour are integrated through the use of brass and richly finished metals, which add depth, antiquity, and prevent sterility in the newly finished spaces. The article concludes by listing the design team involved: Becca Casey of Becca Interiors as the designer, Stephen Madoka of Floe Painting for the fireplace, and Olvin Caballeros of Cabelleros Wood Flooring for the flooring. #VictorianColonialRevival #HomeRenovation #InteriorDesign #BeccaCasey #HastingsOnHudson #NaturalElements #GlamDecor #NeoTraditionalDesign #FamilyHome

This article details the transformation of a Colonial-style home in Wellesley, focusing on an interior design project led by designer Lindsey Crowley. The homeowner, who initially favored coastal blues, embraced an earth-toned palette of golds, browns, and olive greens, a departure from her previous aesthetic preferences. This shift underscores a strong client-designer trust, with the homeowner giving Crowley significant creative latitude to realize a sophisticated yet livable design. Crowley's design philosophy for the home, which belongs to a single mother with two teenage daughters, centers on a balance of femininity and strength. Her style is characterized by the juxtaposition of various elements: feminine versus masculine, hard versus soft, modern versus traditional, dramatic versus serene, and formal versus relaxed. This layered approach creates a dynamic tension that defines the interior spaces. The chosen color scheme, while rich, avoids being overtly colorful, instead emphasizing tonality and the interplay of patterns and textures. Upon entering, the home's foyer serves as a "palette cleanser" yet foreshadows the design elements to come. A black stair rail provides grounding, complemented by a vintage rug and a tailored windowpane plaid runner. A striking installation of handblown, mirrored glass droplets adds a dreamy, reflective quality. The dining room features a polished-brass concave mirror set against Colefax and Fowler's "Snow Tree" wallpaper, creating a captivating focal point for frequent dinner parties. Crowley notes that the bold, black floral wallpaper in this room epitomizes the homeowner's personality, blending feminine flowers with a strong backdrop. The sitting room, located opposite the dining room, displays a large abstract painting with a muted palette and messy markings above a sloped-back sofa with a tone-on-tone paisley stripe. A geometric sisal rug introduces linearity, contrasting with more romantic elements like a faded floral daybed. This deliberate mix prevents the room from becoming overly formal despite the presence of wall paneling and an antique chest. The family room mirrors this sensibility with another abstract painting over the fireplace, creating a visual connection with the sitting room. The open-concept space features warm, off-white walls that highlight patterns and materials. Seating includes an animal-print armchair with animal-shaped legs and a sectional with cement-tone ticking cushions and lichen velvet upholstery, edged with bohemian trim. The kitchen, though not understated, maintains a neutral and quiet aesthetic. Creamy cabinetry blends seamlessly with the walls, while rift-sawn white oak, burnished brass, and olive lampshades introduce texture and color. Crowley intentionally integrates motifs from the public areas into the private spaces to create a cohesive narrative throughout the home. For instance, the office features a pinstriped wallcovering and muddy-colored millwork, providing a stylish backdrop for video calls, alongside a tiger-print sofa for relaxation. In the primary bedroom, Schumacher's "Pyne Hollyhock" drapery with a black floral pattern echoes the dining room's design, framing a black bed with caned panels. This consistent use of recurring themes across different rooms ensures a well-designed home where elements can be interchanged without feeling out of place, contributing to a strong and unified narrative. #WellesleyColonial #InteriorDesign #EarthTones #LindseyCrowleyInteriors #HomeMakeover #SophisticatedDesign #Wellesley #HomeDecoration

This article explores the transformation of a 300-year-old London building, which has served various purposes from the Blewcoat School in the 1700s to an information center and a bridal boutique, into the first brick-and-mortar outpost for design firm Studio Ashby. The new space functions as both a Sister showroom and an office. Founder and creative director Sophie Ashby faced significant challenges due to the building's Grade I historical status, which imposed strict regulations on even minor alterations, such as hanging artwork or touching up paint, requiring lengthy approval processes. Despite the hurdles and a two-year-long negotiation period with preservation councils, Sophie Ashby was determined to realize her vision for a vibrant Studio Ashby hub, complete with community events and a comprehensive fabric swatch library. She describes the design process as a "surface intervention" due to the inability to modify the building's original framework. The decision to invest in a physical gathering space during a pandemic was driven by Ashby's belief in the immersive experience of a well-designed store, aiming to replicate that captivating atmosphere for her team and clients. The design approach treated the workspace as a client project, intending for it to be a physical representation of Studio Ashby's design philosophy. The main floor is organized into areas resembling a home's parlor, living room, and dining area, with four existing columns naturally defining these zones. A round table serves as a breakfast nook for client consultations, while a deep sofa and leather armchair create a welcoming space for weekly happy hours. Privacy in the open layout is achieved through strategically placed shelves filled with shoppable ceramics, sectioning off a quieter meeting area featuring a travertine desk and armchairs upholstered in pale green toile. Sophie Ashby meticulously selected furniture and fabrics to complement the building's original, unchangeable fixtures, such as the grayscale marble vanity in the bathroom. The primary workspace for the team is located upstairs, chosen for its abundant natural light, which even lower ceilings cannot diminish. Leopard-print chairs are incorporated to add a bold design element. The sample library is distributed between mood boards upstairs and extensive open shelving in the basement, both brimming with design inspiration. Ashby's design philosophy emphasizes eclecticism for timelessness. This is evident in the juxtaposition of diverse elements, such as a recycled plastic side table placed beside a mustard yellow velvet sofa, and an antique burl-wood chest paired with a modern ceramic lamp. Art installations were carefully executed using picture wires to avoid construction delays. Ashby notes that the building's historical white-box nature enhances whatever is placed within it, allowing each design element to stand out. #InteriorDesign #OfficeDesign #StudioAshby #LondonArchitecture #HistoricBuilding #DesignPhilosophy #WorkplaceDesign #EclecticStyle #RenovationChallenges

The article details the renovation of a 1970s split-level row house in Hackney, London, undertaken by Archmongers, the architectural firm led by Johan Hybschmann and his wife, Anita Freeman. The project's primary goals were to modernize the home for contemporary living, enhance its energy efficiency, and introduce more natural light into the interior spaces. The renovation adheres to Archmongers' commitment to using honest, exposed materials and traditional wood joinery, incorporating a palette of brick, galvanized steel, cast concrete, and timber. Before the renovation, the house had remained largely untouched since the 1970s, retaining its original structural elements like masonry, timber framework, and exposed concrete. However, its layout was inefficient, marked by a ground-floor garage that created an awkward entrance and a constricted kitchen/dining area. The original design also featured excessive storage and limited daylight connection to the street, with most rooms facing the rear garden. Archmongers addressed these issues by extending the ground floor and converting the garage into more functional living spaces. A new in-situ cast concrete extension at the rear significantly expanded the kitchen and dining areas on the lower level. This extension's insulated slab not only provides thermal insulation but also forms a new garden terrace, which doubles as a structural foundation to help distribute the load of both the existing and new facades. The flat roof of this extension was designed to accommodate a green roof at the first-floor level, contributing to the home's sustainability and biodiversity. The renovation focused on opening up the three-floor structure to create a more spatially vertical feel. Plasterboard walls were removed to reveal the underlying structural logic of the house, making its various elements more legible. The underside of the stairs was exposed to enhance spatial clarity, and strategically placed internal windows were incorporated to introduce sight lines and flood the interior with natural light. The rear elevation was further opened up with sliding doors at ground level and a large new window on the first floor, offering views of the new green roof from the living room. The design draws inspiration from Northern European modernism, with specific references to architectural works in Hybschmann’s native Denmark, including Wohlert’s Louisiana Museum of Modern Art, Finn Juhl’s house in Ordrup, and Arne Jacobsen’s Søholm houses, as well as Alvar Aalto’s homes in Finland. The interior design features a harmonious blend of gray brick, white-washed walls, and natural timber finishes. These are complemented by bold accents of red in the exposed steel beams, columns, and handrails, and by the terra-cotta tiles used on the lower floor. Repeated rectilinear motifs are consistently applied throughout the material arrangement, contributing to a unified aesthetic. In terms of exterior enhancements, the rear garden and the wildflower green roof were planted with indigenous species. A new, small pond was added to encourage local wildlife. The planting scheme, designed by Anita Freeman, specifically aims to boost biodiversity within the property’s limited footprint. The renovation successfully transformed a dated 1970s house into a modern, energy-efficient home that maximizes natural light and space while maintaining a strong connection to its natural surroundings and modernist architectural principles. #LondonRenovation #SeventiesRowHouse #ArchitecturalRenovation #EnergyEfficiency #ModernistDesign #GreenRoof #ExposedMaterials #NaturalLight #SustainableDesign

Mexican designer Stephanie Barba Mendoza and her Austrian husband embarked on a significant renovation of their Victorian home in northwest London seven years after moving in. Although the house was in good structural condition, the family sought to expand and update various spaces. The renovation, which commenced in 2022, involved a rear extension to enlarge the kitchen-dining area, modifications to the children's bathroom, and updates to several bedrooms. The project took eight months to complete, experiencing some delays, including a planning permissions error and construction during winter, which presented logistical challenges. The designer views her home as a "laboratory" for creative expression, allowing her to experiment with bold patterns and vibrant color palettes without creative limitations. A key focus of the renovation was the kitchen, which was designed to be warm and inviting. A custom dining table serves as the central gathering point, enhancing social interaction and practicality for a family with young children. To maintain a connection with nature despite sacrificing some outdoor space for the extension, botanical wallpaper was installed in the dining room, complementing the patio visible through the windows. Large rope beads were incorporated to create an architectural separation between spaces without using solid walls, fostering a continuous indoor-outdoor feel during summer. During winter, lighting in the patio's flower beds allows the family to enjoy the outdoor view from indoors. Green is a prominent color throughout the home, adorning the metal doors, window frames, and the patio ground, creating a calming effect and visually expanding the small outdoor area. The kitchen features whimsical Balineum tiles, hand-painted with artwork by Gergei Erdei depicting the family's astrological signs. In the living room, Barba Mendoza transitioned from a previous blue-green palette to a cozier hue, complementing a hand-painted fireplace with an updated mahogany-toned tortoiseshell effect. The living room, originally two separate rooms, was unified and infused with a peachy warmth, inspired by a Gucci dress pattern. Notable design elements include a plaster oyster shell pendant light, C&C Milano fabric drapery, and a bespoke plaster pedestal by artist Viola Lanari. The powder room, despite its small size, was made to feel expansive with antique mirrored panels, a moon brass and opal glass pendant, and a turquoise marble shelf. Further details include a Pierre Frey valance in the kitchen, a raspberry-pink powder-coated Visual Comfort star wall light, and custom kitchen cupboards designed with British Standard Cupboards, featuring rope trim and unlacquered brass handles. The primary bedroom, a loft conversion, is painted in Farrow & Ball’s Pink Ground, with an antique quilt and a Carlyle headboard from Ensemblier London. The children's bathroom features pale yellow porcelain fixtures from Water Monopoly’s Rockwell Collection, complemented by unlacquered brass faucets, and a citrus-themed shower curtain made from Schumacher’s Le Citron fabric. The eldest son's bedroom benefited from an expanded ceiling, creating a more spacious feel, and is decorated with an Istanbul-sourced rug and a headboard from Ensemblier London. The boys' playroom is designed for comfort and fun, featuring a drum kit, TV, wicker toy containers, and large crocodile decor, embodying the family's playful nature. The designer believes the home’s vibrant colors and patterns reflect classic Victorian and Georgian styles, suggesting a timeless appeal that may endure for many years. #VictorianRenovation #LondonHome #InteriorDesign #PatternAndPalette #KitchenExtension #IndoorOutdoorFlow #ColorfulInteriors #CustomFurniture #FamilyHome

This blog post offers a virtual tour of a unique five-bedroom Victorian home located in Canonbury, London, distinguished by its quirky octagonal tower. The property, currently on the market for £5.5 million through Savills, combines a detached house built around 1855 with a two-storey 16th-century tower, originally a garden room for Canonbury House. The interior showcases original period features meticulously restored by the current owners. The exterior of the property reveals a harmonious blend of the Victorian structure and the historical octagonal tower, creating an intriguing architectural presence. Upon entering, the galley kitchen, while compact for the house's overall size, is presented as a stylish and functional space. It features an all-white design accented by a vibrant blue paint application on shelves, offering a splash of color without overwhelming the clean aesthetic. The living room is highlighted for its preserved period details, including an elegant marble fireplace and intricate ceiling cornices, which underscore the home's historical charm. The dining room, uniquely situated within the octagonal tower, provides a distinctive dining experience. Its neutral decor allows the architectural uniqueness of the tower to be the focal point. The bedroom presented in the tour features a calming pink color scheme and innovative use of a 'zoning wall' for storage. This design choice helps define distinct areas within the large bedroom, separating sleeping quarters from other living spaces. The property also includes a garden room, a conservatory located off the kitchen at the rear of the house. This space is designed for relaxation, offering views of nature and a tranquil environment. Completing the tour is a glimpse of the garden, which complements the grandeur of the home. The current sale of the property is being managed by the daughter of its late owner, Evan Hercules, a renowned television and film production designer and art director known for his work on productions like 'Midnight Express'. The article concludes by inviting readers to consider the advantages and challenges of owning a home with such unusual architectural dimensions, particularly concerning furniture placement. #VictorianHome #LondonProperty #OctagonalTower #PeriodFeatures #HomeTour #InteriorDesign #RealEstate #Canonbury #ArchitecturalUniqueness