A Wellesley Colonial Gets a Sophisticated Earth-Toned Makeover

This article details the transformation of a new-build property into a characterful family home with a country-style charm, achieved through careful planning and a keen eye for design. The owners, who acquired the house as a blank canvas due to its practical benefits and ideal location near family, the countryside, and transport links, embarked on a decade-long journey to personalize their space. They focused on injecting personality into the neutral scheme, ensuring the home reflected their tastes while accommodating their growing family, including a new daughter and two dogs. The kitchen-diner, though small, was designed for both functionality and intimacy, facilitating family interaction during meal preparation and hosting cozy dinner parties. The owners introduced red and green accents to add character and warmth to the otherwise neutral palette. The red provided richness, while the green offered a calming, natural balance. To delineate the dining area, they installed wall paneling and added open shelving made from repurposed scaffolding planks, which not only offered practical storage but also served as a canvas for decorative displays, allowing for personal touches and regular aesthetic updates. The original kitchen lacked personality, prompting a renovation that aimed to blend contemporary style with classic country charm without a complete overhaul. This involved incorporating zellige tiles, replacing standard door fronts with traditional Shaker kitchen cupboard doors, and swapping a stainless-steel sink for a ceramic one. To conceal non-integrated large appliances, green linen curtains were used, contributing to a softer, less cluttered look. The chosen paint for the doors was Farrow & Ball's School House White Estate Eggshell, complemented by angled spotlights in Antique Brass to enhance the desired aesthetic. In the living room, the goal was to create a cozy, multi-functional space, as it was the most frequented area. Wall paneling was introduced to add texture, depth, and a cozier feel to the plain walls. The room was further enriched with layers of natural materials, varied textures, and warm, earthy tones, transforming it into a comfortable and inviting environment. The primary seating in this room is an Otto medium RHF chaise sofa in Taupe Brushed linen Cotton. The bedroom showcases a bolder approach to color, utilizing Farrow & Ball’s Setting Plaster for walls and wardrobes to create a warm and cozy atmosphere. A luxurious dark green velvet headboard was incorporated to add richness and elegance, making the bed a focal point without significant expense. The unexpected pairing of pink and green hues was a deliberate choice to infuse fresh energy and dynamism into the narrow space, reflecting the owner's personal style and achieving a boutique hotel aesthetic for a calm retreat. Practical elements like sheer linen curtains were chosen for affordability, softness, and diffused natural light. The home office was designed as a calm and creative space, featuring a soft color palette and a blend of different wood tones and grains. This approach aimed to add warmth, texture, and a balanced, natural feel, ensuring a conducive environment for work. For the compact bathroom, instead of a costly renovation, simple updates were made, including a bespoke curtain, vintage-framed artwork, mirrors, and soft towels to introduce color and texture, making the space more engaging. Thoughtful styling is evident throughout the home, particularly with organized living room shelves that display books and objets d’art. Books are often arranged with their spines hidden to maintain an artful and consistent look. Built-in cabinetry, combining Ikea units and MDF, provides both lower storage for children's toys and open shelving for decorative items, adding character and functionality to the room. The daughter's bedroom was designed to be adaptable as she grows, maintaining a neutral scheme with pops of color and playful touches, while incorporating functional and charming storage solutions like peg rails for coats and bags, encouraging tidiness and accessibility for toy storage. Overall, the home demonstrates how a new-build can be transformed into a deeply personalized and character-filled space through deliberate design choices and the strategic use of color, texture, and materials. #NewBuildDesign #CountryStyleHome #InteriorDesign #HomeRenovation #KitchenDinerIdeas #LivingRoomDecor #BedroomDesign #HomeOffice #FamilyHome

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

This blog post showcases the transformation of a 1915 Colonial Revival home in New Jersey, where designer Michael Maher skillfully blended historical charm with modern vibrancy. Following a significant addition that nearly doubled its original footprint, Maher implemented a gutsy color palette, wallpapered ceilings, and graphic painted floors to create a seamless and refreshed interior. The entrance features a visually engaging geometric pattern on the painted floor, complemented by a banquette in a Kravet stripe and 1940s French sconces, with walls painted in Farrow & Ball’s Parma Gray. The spacious foyer, connected to the dining room, serves as a functional and welcoming area. It includes an extra table for large gatherings, a banquette, and a wing chair, with an English round table from Balsamo and an armchair in a Colefax and Fowler print. The lighting is enhanced by a Charles Edwards pendant. The kitchen adopts a layered neutral scheme, with walls in Benjamin Moore’s Jute and cabinetry and trim in Farrow & Ball’s Hardwick White. It is equipped with a custom Waterworks sink and Vermont Danby marble countertops. Hickory Chair stools, upholstered in Larsen leather, and a Visual Comfort chandelier, matching one in the adjacent breakfast room, complete the look. Ann Sacks floor tiles add a refined touch. In the breakfast room, a 19th-century English pine mantel from Chesney’s anchors the space, while vintage Swedish chairs are painted in Farrow & Ball’s Hague Blue, contrasting with walls in Old White. Kilim rugs from Double Knot add warmth and texture. A highlight is the butler’s pantry, designed with a focus on color, pattern, and intricate details. It boasts glossy cabinetry and millwork in Farrow & Ball’s Hague Blue, Pomegranate wallpaper by Galbraith & Paul, and a mahogany countertop with brass banding and a copper sink, featuring a Perrin & Rowe faucet. The study, known as the Dukes Room, incorporates a Thibaut wallpapered ceiling and walls in Farrow & Ball’s Lichen, with a vintage Italian sofa covered in Lee Jofa fabric. The windows are left bare to emphasize the original architecture, and the room is furnished with a Visual Comfort pendant and Stark carpet. An antique secretary cabinet in the study showcases a collection of British commemorative cups. The dining room, located in the new wing, incorporates elaborate dentil moldings to harmonize with the home’s original architectural style. It is designed for comfortable entertaining with good lighting, comfortable chairs, and a five-foot-wide table. A personalized touch is added by a mural painted by Marylyn Modny, depicting the clients’ daughter within a historic New York Harbor scene, created in grisaille and including subtle details like the family’s children and dog. The living room is striking with its custom canary-yellow lacquered walls by Stephen and Lisa Longworth, creating a warm ambiance and complementing a palette of blue, coral, and ocher, especially luminous at night. Furnishings include an Ebanista sofa with Lee Jofa fabric pillows and curtains, and a Plexi-Craft cocktail table. The master bedroom is designed as a serene retreat overlooking the woods. Walls are wrapped in a mushroom silk from Phillip Jeffries, and the bed is adorned with a large-scale ikat in purple and pale blue from Carleton V, complementing a custom headboard. Curtains in Pierre Frey linen, a Vaughan sconce, and a Christopher Spitzmiller lamp enhance the luxurious and tranquil atmosphere. #NewJerseyColonial #HomeRenovation #InteriorDesign #ColorPalette #MichaelMaher #HistoricHome #WallpaperedCeilings #GraphicFloors #CustomInteriors

This article details the transformation of a formal center-hall Colonial home in Canton into a light, airy, and casual space, a challenge undertaken by mother-daughter interior designers Susan Hayward and Jillian Hayward Schaible. The clients, whose tastes lean traditional, sought a refreshed aesthetic for their long-standing residence. The renovation began in the kitchen, located at the back of the house, which was initially made brighter through the addition of skylights by the builder. The designers' role involved selecting fixtures and finishes to imbue warmth into the all-white kitchen the clients desired. To achieve this, the designers incorporated nickel gap and walnut beams to visually break up the extensive ceiling in the large, cabinetry-filled space. A warm white paint, Benjamin Moore Cotton Balls, served as a foundational creamy hue, complemented by oil-rubbed bronze accents and a hammered copper sink, with the bronze hardware's subtle gold undertones adding depth. A custom walnut top on the dining island introduced a rich contrast to the quartzite used on the perimeter and prep island. The connection between the kitchen and breakfast nook was enhanced by widening the opening, allowing more natural light to flood the spaces. Hayward noted that sunlight now streams directly into the nook, drawing attention to this area, which was further embellished with a textural wallpaper featuring oversized leaves. The breakfast nook also features a curved banquette, strategically implemented to maximize the natural light and views of the surrounding greenery. This design choice also resolved a furniture layout challenge, as the clients' original table and chairs did not fit centrally. Positioning them with a banquette in a corner created a cozy gathering spot. In the front of the house, an office, already featuring new, traditional walnut millwork, was transformed into a feminine retreat. The design process for this room started with selecting wallpaper, with the client being drawn to Lee Jofa panels by Aerin, which provided an old European, romantic garden feel. Complementary elements included a subdued neutral rug, a velvety blue chair, and a distressed iron chandelier adorned with glass crystals. A key objective for the designers was to ensure that the refreshed home did not appear to be recently redone. Schaible emphasized that the design aimed for an aesthetic where everything seemed to have always been in place, belonging naturally within the home's existing character. The article also provides resources for the interior design services and the carpenter involved in the project, along with a correction regarding the carpenter's phone number. #HomeMakeover #InteriorDesign #ColonialHome #KitchenRenovation #BreakfastNook #HomeOfficeDesign #TraditionalStyle #ResidentialDesign #CantonMassachusetts

Widad and Ara Tachdjian, along with their two young children, relocated from France to North London, bringing with them a cherished collection of furniture and artwork. This collection, consisting of a dozen paintings, two sofas, a dining table and chairs, and other smaller items, became the foundation for their vision of a warm and vibrant home. Widad expressed a desire for a home filled with energy and color, incorporating various styles that reflect their travels and African heritage. Before realizing this vision, several structural changes were necessary. The Edwardian house, despite its high ceilings and solid structure, required a layout redesign to enhance flow and maximize its potential. Additionally, period features such as fireplaces, ceiling mouldings, and skirting boards, which had been removed previously, needed to be reinstated. The unique construction of the semi-detached house, connected at the back to another property, meant the only garden was at the front and there were no windows at the rear. This resulted in abundant light at the front but a dark back portion of the house. Specifically, the kitchen, situated behind a reception room, only received light from a small side window, and the stairwell lacked natural light entirely. To address these challenges, Widad and Ara enlisted the help of Zulufish, a London-based interior design and architectural practice. Caroline Milns from Zulufish spearheaded the creation of a large, light-filled family space on one half of the ground floor. This involved removing the wall between the former kitchen and front reception room to allow light from the front bay window to permeate the entire area. A glazed door was also added to the side window, providing garden access. Within this open-plan family space, distinct zones were created. The kitchen, featuring denim blue cabinetry built by Hux London (Zulufish's sister company), was visually separated by blue graphic floor tiles. Caroline noted the clients' adventurous spirit regarding color and pattern, which influenced the lively interiors. The dining and lounging areas, in contrast, featured honey-colored herringbone oak flooring, chosen for its classic appeal, and were softened with rugs and tactile upholstery. Modern globe lamps were a recurring lighting theme throughout the home, blending contemporary aesthetics with the period setting. A significant innovation was the removal of a corner section of the second reception room, replaced with an L-shaped Crittall-style glass panel and double doors. This transformation dramatically improved natural light in the previously dark hallway and stairs. Widad highlighted this change as having the most significant impact on the home's sense of openness while maintaining room separation and privacy. The Crittall-style panels were echoed in kitchen shelving and an expansive L-shaped ebony veneer bookcase in the second reception room, custom-made by Hux London. The second reception room also housed two velvet Roche Bobois sofas from France, one in midnight blue and the other with a graphic print, alongside colorful artworks by Ara’s uncle. The design process centered on integrating these personal items, ensuring they complemented the layout and that the color schemes, flooring, joinery, and furnishings harmonized with them. The overall palette of the house was directly influenced by the artworks, creating a cohesive and vibrant environment that breathed new life into the home. Widad’s vision for an eclectic, vibrant home filled with beloved family pieces was successfully realized. #EdwardianRenovation #HomeMakeover #InteriorDesign #ColorfulInteriors #OpenPlanLiving #KitchenDesign #LightingDesign #Zulufish #NorthLondonHome

This article details the comprehensive renovation and interior design of a 1901 limestone row house in Brooklyn's Park Slope, situated near Prospect Park. The project, described as more of a restoration than a renovation, was a collaboration between Brooklyn Heights-based CWB Architects and Portland, Oregon's Jessica Helgerson Interior Design (JHID). The homeowners sought a casual, eclectic, and kid-friendly aesthetic, deliberately avoiding a fancy or pretentious feel. CWB Architects focused on structural and functional updates while preserving the home's original character, including well-preserved inlay floors and exquisite woodwork. Key architectural changes involved installing all-new bathrooms and a new kitchen, which was relocated to what was formerly part of the butler’s pantry, necessitating the removal of a service stair to the cellar. A significant remodel transformed a top-floor area into a playroom for the family's three sons, and central sinks and closets on the second floor were removed to create a library, integrated into a new master suite. Jessica Helgerson Interior Design was responsible for the complete furnishing and decoration of the house. A notable design decision involved painting the dining room's wood-paneled walls white, a choice made after considerable deliberation to brighten the space, which was not naturally super-bright, and to balance the existing abundance of wood from floors, box beams, cabinets, and trim. Most rooms feature white walls, allowing color to be introduced primarily through the furnishings. Specific design elements and material choices are highlighted throughout the article. The ground floor was designated as a play space for the single-family occupants. The entry vestibule features custom floor tile designed to echo the ironwork on the original exterior doors. In the front parlor, a blue tufted sofa and many other upholstered pieces are custom designs by JHID, complemented by a pink wing chair by Frits Henningsen for Carl Hansen and a Bubble chandelier by Lindsey Adelman. The middle parlor includes two custom curved sofas by JHID, and its existing fireplace was updated with new tile work. The dining room received new cabinetry with leaded-glass doors, a table designed by JHID, spindle chairs by BassamFellows, and an ultra-modern chandelier by Lindsey Adelman. A wide hallway connects the dining room to the kitchen, lined with new cabinetry. The kitchen, located in an existing extension at the rear of the parlor floor, received added windows above the sink. It features stain-grade butternut cabinetry, white marble counters, and a Cluny range from Lacanche. Custom wall tiles in the kitchen were crafted by Tempest Tileworks from a pattern by artist Lindsay Cowles. The master bedroom opens onto a deck above the kitchen extension. A multi-purpose library area, accessed through new arched French doors, is furnished with a custom JHID table and four blue Saari chairs by Arper. The master and children’s bathrooms are similar in design, both featuring vanities by Drummonds and mosaic floor tile designed by JHID and produced by Pratt & Larson. The children's bath includes a tub instead of a shower. The top floor hallway showcases newly made leaded glass in the skylight and a built-in storage cabinet. An upstairs playroom, with an upholstered, skylit reading nook, was created from a former cluster of closets. #ParkSlope #LimestoneHouse #HomeRenovation #InteriorDesign #Brooklyn #CWBArchitects #JessicaHelgersonInteriorDesign #CustomFurnishings #HistoricPreservation

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

Brandi and Scott Fuller embarked on a renovation journey for their 1914 Georgian home in Park Hill, Denver, intending to complete a few specific updates. Initially, their plans were modest, focusing on expanding and remodeling the kitchen, which felt too small for their combined family of seven and the 8,000-square-foot house. They also planned to add ensuite bathrooms to two upstairs bedrooms, a walk-in master bedroom closet, and a basement home gym. Despite their experience in the architecture and real estate industries, the Fullers did not anticipate the extensive scope their renovation project would ultimately encompass. What began as a "few things" quickly escalated into a near-complete transformation of their historic residence. The catalyst for this expansion was the discovery of a sagging kitchen floor, a result of a previous shoddy renovation. The architect, Toby Branch of Branch Architecture Studio, explained that addressing this structural issue required significant interventions in the basement, leading to a full structural remodel of the kitchen floor and the basement ceiling below. This, in turn, caused new cracks to appear in the main level's plaster walls, necessitating further repairs. The snowball effect continued throughout the house. The upstairs updates followed a similar pattern; converting two children's bedroom closets into bathrooms required unexpected construction, which then prompted Brandi and Scott to overhaul their master bathroom. While these projects were underway, they also decided to remodel the third-floor bathroom and bedrooms, restore a bedroom suite above the garage, replace most of the home's lead pipes, and install a new HVAC system. Brandi likened the process to getting a new sofa and then realizing the drapes and paint needed updating, illustrating how one improvement led to the desire for others. Outdoors, the initial plans to repair the original red-brick walls, sand, and paint also grew significantly. The architect enclosed the walkway between the garage and the house to create a new mudroom and added a French door and metal staircase connecting the kitchen to the yard. This enhancement transformed the yard into an additional living space, usable for a significant portion of the year. The property's original brick hardscaping now frames new plantings designed by Lifescape Colorado and artificial turf, which the Fullers chose to retain and integrate into the design due to shade and maintenance considerations. Ultimately, the renovations covered 6,000 square feet. Beyond the structural changes, a key challenge was to seamlessly blend the home's preserved original architectural details—such as old windows, millwork, wood-plank floors, marble fireplace surrounds, and even original call boxes—with modern updates. The kitchen served as a prime example of this vintage-meets-modern aesthetic. Mikal Otten, owner and lead designer of Exquisite Kitchen Design, created a "traditional kitchen with soft contemporary touches." This was achieved by incorporating simplified traditional elements, like custom cabinets with a subtle cove profile and a soft white brushstroke finish, and ethereal blue glass backsplash tiles that offer a contemporary nod to classic brick styles. A stainless steel farmhouse sink replaced traditional porcelain, providing a cleaner, edgier look, while a walnut coffee-bar armoire and chevron-patterned white oak flooring reintroduced turn-of-the-century flair, recalling a historical practice of special floor treatments in specific rooms. The floor coverings played a crucial role in anchoring the decor of each room. Brandi explained that they started with the rug in each room and built the design from there. For instance, the dining room's modern floral rug influenced the choice of silk shantung wallcovering, a branch-like brass chandelier, and clear Lucite chairs. In the living room, a neutral rug set the tone for gray crushed-velvet sofas, a marble-topped coffee table, and a ring-shaped crystal chandelier. The foyer featured a custom stair runner with a cherry-blossom pattern, complementing a midcentury-style credenza and bold custom artwork. The furnishings selected by Brandi and Scott represent a diverse mixture of styles, primarily transitional but incorporating midcentury, contemporary, and bohemian pieces, which Brandi noted "came together in the end." Branch attributed the project's success not just to luck, but to the inherent integrity and forgiving nature of century-old homes, which allow for structural repairs and modern updates without losing their original character. The complete transformation ultimately highlighted the enduring strength and beauty of the home's historic foundation. #HomeRenovation #HistoricHome #InteriorDesign #KitchenRemodel #StructuralRenovation #ParkHillDenver #VintageModern #ArchitecturalPreservation

This article details the transformation of a 1925 Colonial home in Seattle's Montlake neighborhood, owned by Sally and Anders Zwartjes. The couple purchased the 3,000-square-foot house in 2016, drawn to its charm but recognizing the need for significant updates to accommodate a family of four, particularly the limited one and a half bathrooms and outdated features. Designer Casey Keasler of CASEWORK, a family friend, was enlisted to lead the extensive renovation. The project spanned a year and a half and involved both cosmetic changes, such as new flooring and fresh paint, and dramatic structural modifications. A 500-square-foot addition was integrated into the home, expanding its overall footprint. The primary goal was to modernize the living space for a contemporary family while respectfully preserving the colonial style and original architectural elements. Keasler emphasized the importance of functionality, collaborating with architect Paul Crowther to secure permits before focusing on the aesthetic details. A key aspect of the renovation involved altering the home's original layout to better suit the family's needs. This included the decision to convert one of the four original bedrooms into a full second bathroom, prioritizing utility over adherence to traditional room counts. This strategic choice highlights a flexible approach to renovation, where individual family requirements dictate design decisions rather than rigid conventions. The addition also included a larger kitchen, a significant item on Sally and Anders' wish list. This new kitchen features a classic white design, a breakfast nook, a pantry, and a mudroom, contributing to a brighter and more open feel throughout the home. The window-lined breakfast nook, in particular, was designed as a central gathering space for the family. Keasler aimed to balance the inherent seriousness and symmetry of colonial architecture with a more relaxed, Northwest aesthetic. This equilibrium was achieved through deliberate contrasts. Existing period details such as built-ins, cove ceilings, crown molding, and oak floors were maintained and refreshed. The millwork and built-ins, for example, replicated the intricate details of the original cabinetry, including the bead on the inside cabinet panels, ensuring consistency with the home's historical character. To introduce modern elements and create visual interest, Keasler incorporated contemporary furniture and light fixtures, often in mid-century, Scandinavian, or modern styles. Graphic-style rugs were also used to provide a modern accent against the traditional backdrop. The designer's tips for blending old and new include maintaining consistency with metal finishes, refreshing existing features like built-ins with new paint and hardware, and unifying the home's trim and molding with a consistent color and varying sheens to achieve a modern look. This project demonstrates that a careful integration of historical preservation and modern functionality can create a home that is both charming and highly livable. #ColonialHome #HomeRenovation #ModernFacelift #InteriorDesign #SeattleRealEstate #HistoricalPreservation #StructuralChanges #KitchenDesign #ContemporaryLiving

This article details the renovation of a Victorian Colonial home in Hastings-on-Hudson, purchased by Peter and Brittney Walgren, New York City transplants. The couple, with a young son, Teddy, sought to infuse new life into the older home, moving from their West Village apartment. Brittney, with a background in floral design, found her aesthetic aligned with Greenwich-based designer Becca Casey's vision. Casey's approach aimed to visually refresh the home with light walls, transitional furnishings, and a slightly West Coast aesthetic, emphasizing vibrancy. Her style, described as neo-traditional, blends classic silhouettes with modern and light elements, incorporating textural barn woods against stucco walls, ethnic textiles layered with neutral ones, and deliberately worn found pieces to soften the space. The color palette for the home primarily features off-white walls, sage and chartreuse greens, and matte black, contributing to an understated arrangement. A key aspect of the design process was preserving and working with the home's original features, such as intricate carpentry, wood moldings, inlay floors, and glass door hardware, which spoke to its Victorian heritage. Paint played a crucial role in initiating the design transformation. The house previously had heavy moldings and red and blue walls, requiring a significant overhaul before achieving the desired fresh and family-friendly environment. To create visual harmony across rooms, walls and moldings were painted in Simply White by Benjamin Moore, while the original wood moldings around door casings were retained as natural room dividers. Casey's objective was to open up the space, create a warm canvas, and then layer in a mix of pieces. Specific design interventions included the creation of a "boot room" from a previously voided area off the foyer. This space now features custom-designed built-ins, replacing church-like benches, to serve the needs of a growing family. The boot room is further enhanced with Granada tile flooring and millwork finished in Farrow & Ball’s Pigeon, complemented by brass fixtures. The living room fireplace was redone with a stucco façade and terra cotta tiles, and the room incorporates a variety of textiles like bouclé, ticking, and an antique Khotan rug. A Herman Miller Eames chair provides a reading nook. Adjacent to the living room, the library was painted with Farrow & Ball’s Railings and furnished with a chartreuse settee and mixed throw pillows. A built-in was added to house the couple’s antique record player and a collection of records, each a wedding gift. In the dining room, an oak table with mid-century style chairs serves as a focal point, capable of seating eight guests. The dining room fireplace received a textural paint treatment to give it an older, worn appearance, and an original Egyptian artwork gifted by Brittney’s mother is displayed above it. The overall ambiance of the home is natural, establishing a strong connection to the outdoors, inspired by the surrounding bucolic gardens and views of the Hudson River. Despite the natural theme, elements of glamour are integrated through the use of brass and richly finished metals, which add depth, antiquity, and prevent sterility in the newly finished spaces. The article concludes by listing the design team involved: Becca Casey of Becca Interiors as the designer, Stephen Madoka of Floe Painting for the fireplace, and Olvin Caballeros of Cabelleros Wood Flooring for the flooring. #VictorianColonialRevival #HomeRenovation #InteriorDesign #BeccaCasey #HastingsOnHudson #NaturalElements #GlamDecor #NeoTraditionalDesign #FamilyHome

This blog post details the renovation of a three-story Victorian home overlooking Long Island Sound in Larchmont, owned by the Pinchin family. The project, led by architect Robert Keller of Keller/Eaton and homeowner Gillian Pinchin, who also runs her interior design firm Wondernose, focused on transforming the traditional exterior with a funky, eclectic, and modern interior designed for contemporary family living. The primary objective was to modernize the home while maintaining its historical charm. The most substantial changes were implemented on the third floor. This area, which previously consisted of five small maids' rooms, was reconfigured to create a spacious master suite. This new suite now includes a master bedroom, a dedicated bathroom, a dressing room, separate his-and-hers offices, and a deck offering views of the water. The architect noted that the goal was to repurpose underutilized spaces into functional and aesthetically pleasing areas suitable for a modern lifestyle. A unique challenge was creating a sense of privacy for the parents within the master suite without isolating it from their three young children. The solution was a 2-inch-thick, 400-pound walnut door, crafted by Pinchin’s father, which slides on casters like a barn door. This door provides privacy when closed but allows the third floor to feel contiguous with the rest of the house when open. The second floor of the home features three bedrooms and a bathroom for the children, along with a guest room, an additional bathroom, and a laundry room. On the first floor, a modern island was incorporated into the traditional kitchen, blending new elements with existing aesthetics. Additionally, a formal living room was re-envisioned as a "grown-up room" by Pinchin, providing a tranquil space with two chaises for relaxation. The basement was also renovated to include a bedroom, a bathroom, a mudroom, and a gym, all designed with a clean, simple, and functional style. For the interior design, Pinchin adopted a "gallery approach," painting most walls white to allow select pieces of artwork or furniture to stand out. The most striking element in the house is a custom graffiti wall in the dining room. Pinchin commissioned an artist from San Francisco, who used traditional paint to create a "sloppy" graffiti look, even incorporating the children's initials into the design. This "crazy wall" creates a compelling contrast with the otherwise quiet room, furnished with midcentury pieces inherited from Pinchin's grandmother. The architect highlighted this surprising juxtaposition between the home's traditional exterior and its modern interior as a key success of the project. The article further elaborates on specific design choices in various rooms. In the master bedroom, artwork above the bed provides a splash of color against a neutral backdrop. Her office maintains an all-white theme with a zebra-skin chair and personal artwork. The kitchen features a modern island and a bubble chandelier alongside a reproduction of an old master's painting and green subway tiles. The "grown-up room" boasts a lenticular image of a ballerina above the mantel, offering a dynamic visual element, and combines high-end B&B Italia chaises with an Ikea shelving unit, showcasing a blend of high and low furnishings. The overall renovation successfully merges historical architecture with contemporary design and personal artistic expression. #VictorianHome #HomeRenovation #ModernInteriorDesign #ArchitecturalUpdate #MasterSuite #EclecticDecor #GraffitiArt #InteriorDesign #GillianPinchin #RobertKeller

This article highlights the transformation of a Victorian terrace in south London, where designer Laura Stephens reconfigured its layout to inject light and modern living while preserving its historical character. The project addressed the common dilemma of modernizing classic townhouses by integrating contemporary elements without compromising original features like paneling, plasterwork, and traditional layouts. Instead of extensive structural changes, Stephens focused on a less interventionist approach, retaining the 19th-century architecture and skillfully adapting the floor plan to suit a modern family. Key changes included relocating the sitting room to the back, moving the kitchen to the middle, and positioning the dining room, which also functions as a small home office, at the front of the house. To enhance natural light, a glazed screen was installed between the hallway and dining room, creating an effect similar to an old-fashioned office partition, which significantly brightened the front of the home. The design incorporated fresh colors, and natural textures like jute and seagrass, along with subtle architectural details to create a living space that feels both contemporary and timeless. The kitchen features periwinkle blue cabinetry designed to complement the high ceilings, contrasted with 'utilitarian' white metro tiles and bronze hardware, which adds a touch of aged elegance. In the sitting room, a new fireplace was installed, and half-paneling was introduced to balance the striped wallpaper. The designer also focused on sustainability and cost-effectiveness by recovering existing furniture pieces such as sofas, armchairs, dining chairs, and an ottoman, demonstrating a commitment to preserving and repurposing items. The main bedroom underwent a significant transformation, with previously 'bleak' wardrobes being revitalized by glazed doors lined with gathered fabric. A gauzy pendant light was chosen for its sculptural quality, echoing the textured pink wallcovering that envelops the room. In the top-floor bathroom, an innovative solution was found when a shortage of mustard and white tiles led to the installation of a mirror panel. This not only extended the striped design but also visually expanded the cozy, eaves-tucked space. Laura Stephens also designed unique rugs in collaboration with Bombay Sprout, incorporating motifs based on antique passementerie and natural jute textures, reflecting the blend of past and present in the home's overall design. Laura Stephens shared her style inspiration, citing her satisfaction with the glazed wall, her preference for 'Spruce' by Paint & Paper Library as a go-to color, and drawing inspiration from interior design books, historical and contemporary, as well as her youngest daughter. She expressed admiration for architect Gil Schafer and the Chrysler Building in New York City. The project successfully created a bright, comfortable, and ageless living space that honors its Victorian roots while embracing modern functionality and aesthetics. #LondonTownhouse #VictorianRenovation #InteriorDesign #LauraStephens #HomeRedesign #ColorPalette #TextureMixing #NaturalLight #KitchenDesign #BedroomTransformation

This article details the interior design transformation of a unique, stoopless turn-of-the-20th-century brick and limestone row house in Park Slope, Brooklyn. The project was spearheaded by Park Slope-based interior designer Jennifer Morris of JMorris Design, who executed a comprehensive renovation and redecoration. The house, notable for its well-preserved original features like woodwork, plaster decoration, and diamond-paned leaded windows, presented a foundation for a glamorous modern aesthetic tailored to the homeowners, a family with teenage twins and a younger son. The residence spans four floors. The ground level features two entrances, leading to a reception room and a service entrance that opens into a hallway, playroom, guest bedroom, and bath. The main living area, referred to as the piano nobile, is located on the high-ceilinged second floor. The third floor accommodates the primary bedroom, a newly designed luxurious bath, and a sitting room, while the children's bedrooms are situated on the top floor. A significant part of the renovation focused on the kitchen, previously a long, dark galley-style space with a single small window, located in a rear extension off the formal dining room. Mark Pennell of Pennell Design redesigned the kitchen within its existing footprint, dramatically improving its character by integrating large expanses of window glass. Jennifer Morris then infused the space with a glamorous aesthetic, blending new acquisitions with existing client pieces. The homeowner's preference for 'Miami energy' — playful, iridescent, and shiny elements — guided some of the decorating choices. Throughout the house, Morris meticulously blended modern design with the home's historic integrity. In the downstairs reception room, elaborate plaster relief panels and parquet flooring were in excellent condition, complemented by new marble tile flooring in the vestibule. The reception area features Philip Jeffries grasscloth wall covering with a subtle sheen, and charcoal paint for moldings and trim. An existing powder room was updated with a water-jet-cut mosaic stone floor, porcelain tile wainscoting, and a compact corner sink. Upstairs, a landing area between the living and dining rooms showcases Trove wallpaper with a falling feather motif, a Julian Chichester console, and a client-owned glass chandelier, alongside an unexpectedly successful IKEA rug. The front parlor, or living room, was envisioned as a serene space with a powder blue and cream color palette, featuring a scalloped pendant light and sofa from Mitchell Gold Bob Williams, blue velvet armchairs with chrome legs, and a modern coffee table from Modern Interiors of Brooklyn. Benjamin Moore’s Mineral Ice provided a silvery cast to moldings against white walls. The dining room stands out as the only area where the original woodwork, including built-in cabinets, a coffered ceiling, and leaded glass pocket doors, was preserved unpainted. This decision maintained a historical contrast to other areas where previously painted wood was refreshed. A round white table from Modern Interiors of Brooklyn was chosen to enhance light, and a Schumacher patterned wallpaper added subtle texture. An original undulating window seat under leaded glass windows received a custom cushion. The primary bedroom was updated with Benjamin Moore’s Veil Cream on moldings, while the adjacent sitting room was furnished with existing client pieces. The primary bath was completely renovated to create a sparkling environment using a mix of glossy and matte glass tiles, with a door leading to a roof terrace. Two top-floor children's baths were also fully redesigned, featuring graphic tile floors and glimmering half-walls with tiles from Nemo, and a utility-style double sink from Kohler. The teenage daughter's bedroom was designed to be feminine yet bold, incorporating magenta accents on the lower walls and carpet tiles for easy future updates. #InteriorDesign #ParkSlope #HomeRenovation #JMorrisDesign #ModernGlamour #KitchenRemodel #BathroomDesign #HistoricHome #BrooklynInteriors

A comprehensive renovation project was undertaken for a landmarked five-story brownstone in Cobble Hill, Brooklyn, prompted by the structural deterioration of its rear wall. The initial repair evolved into a complete top-to-bottom transformation, encompassing significant architectural and interior design changes. The project involved the installation of a new three-story wood and glass window system on the rear facade, enhancing natural light and views. The formerly low-ceilinged attic space was converted into a skylit home office, complete with a kitchenette and access to a newly created roof terrace. The restoration work paid careful attention to preserving historical elements, including the meticulous repair and reinstallation of original lacy plasterwork and other intricate historic details throughout the house. Concurrently, the homeowner, an interior designer, curated an entirely new color palette and furnishings scheme, blending modern aesthetics with the home's 19th-century character. Built in 1850 in the Anglo-Italianate style, the house is part of a unique architectural complex where three row houses are designed to appear as a single, larger mansion. This architectural type, characterized by its approximately 16-foot width and absence of a high stoop, is a notable, albeit rare, feature of the neighborhood. The English basement primarily serves for storage, with utilities entering at this level. The first floor, historically the staff and kitchen area, was reconfigured to improve light, airflow, and sightlines. The front room was preserved as a cozy sitting area with an arched window, while the kitchen and dining area were relocated to the middle and rear, offering expansive views of the backyard. The elegant second floor, known as the _piano nobile_, features a grand staircase leading to a central hall that separates a formal living room at the front from a more casual family room at the rear. The decorative plaster crown moldings on this level were restored, and the staircase was reinforced and given new treads. The third and fourth floors are dedicated to bedrooms, with a primary suite on the third floor and children's rooms on the fourth. The primary suite's layout was reconfigured so that it is entered from a generous hallway in the center of the house, rather than at one end, which is typical for row houses. A fitted closet connects the bedroom and bathroom, with the two-level bathroom design dictated by plumbing considerations. Children's rooms and bathrooms on the fourth floor were designed with vibrant patterns and colors. In the former attic space, The Brooklyn Studio created a functional penthouse study and a central kitchenette/bar area that opens onto an outdoor deck with a brick fireplace. An oval glass insert in the kitchenette floor allows natural light from the new skylight and sliding glass doors to extend to the floor below. The kitchen features a custom brass stove hood, a marble backsplash with prominent veining, and hand-blown glass knobs by Danish artist Nina Norgaard on the stained oak millwork. The design prioritized an airy feel by minimizing upper cabinetry. Throughout the renovation, existing floor structures were maintained where possible, with new parquet veneer flooring laid over original surfaces in some areas to preserve the underlying structure. #CobbleHill #BrownstoneRenovation #InteriorDesign #HistoricPreservation #TheBrooklynStudio #HomeOffice #Kitchenette #RoofTerrace #StructuralRenovation