"A fresh expression of an Acts 2 church": How one church's green renovation ushered in a spirit of caring and sharing

This article highlights 12 instances where historic church buildings have been thoughtfully converted into modern residences. The conversions prioritize preserving the original architectural elements, such as vaulted ceilings, tall windows, and stained glass, while integrating contemporary living spaces. Each project demonstrates a unique approach to adaptive reuse, transforming sacred structures into functional and aesthetically pleasing homes. One example features a couple near Amsterdam who converted the top of a former 19th-century Franciscan chapel into their home and studio. They maintained the large arched windows, which hint at the building's ecclesiastical past, and furnished the interior with eye-catching textiles and artworks against white walls. Another conversion in the English countryside involved a 19th-century Baptist chapel, which was transformed into a residential property with two connected parts: the grade II-listed chapel and an L-shaped meeting house surrounded by a private garden. In San Francisco, a 1915 Neoclassical structure that once served as the Second Church of Christ Scientist was redeveloped into four residential units known as 'The Light House.' These multilevel homes span over 5,300 square feet and retain original features like 30-foot cathedral ceilings, exposed brick, and stained glass windows, with a large great room accommodating various dining and seating arrangements. A more dramatic intervention occurred in Spain, where a 16th-century Basque church near Bilbao, abandoned since the 1970s and in severe disrepair, was revived over three years into a home. The project carefully restored the structure, including an 18th-century bell tower and sacristy, respecting its archaeological and historical value. Brooklyn showcases a conversion of the 1892 St. Mark’s Evangelical Lutheran Church and School into a four-building complex. The renovation emphasized maintaining original architecture, such as facades, archways, brick details, and windows, while connecting the school and church with an infill building. In Morimondo, Italy, a 17th-century church became a 4,843-square-foot residence, preserving its historic charm with brick arches and ceiling frescoes across three levels, highlighting internal heights and architectural finishes. Austin's Bouldin Creek neighborhood saw a 1939 Mission Revival-style church transformed by Rhode Partners into four two-story, loft-style homes, featuring 15-foot ceilings and historic details. These units, which quickly sold, ranged around 1,889 square feet. A Quebecois church was divided into a 2,500-square-foot home and a 1,500-square-foot office, garage, and workshop. The owners aimed to retain historic elements like the bell tower and organ while modernizing the interior to create a minimalist yet history-rich family home. In Los Angeles, a 1905 building with a history as a civil rights meeting place and progressive church was converted into 'The Ruby Street,' a nearly 6,000-square-foot live/work/event space. The designers recognized the building's 'good bones' and potential for a significant metamorphosis. A Greenwich, Connecticut church, decommissioned 30 years prior and haphazardly renovated, was thoughtfully updated, with architects focusing on allowing the iconic exterior to remain largely unchanged, preserving its 150-year-old character. Finally, a 1930s church in Melbourne, Australia, became the Hawthorn Residence. The renovation prioritized undoing previous dark and cramped alterations to bring in natural light and highlight original church features, a significant challenge due to heritage building restrictions. Another Australian example in Willunga, South Australia, features a tastefully renovated 1870 church, transformed into a family home with reverence for its historic elements. #ChurchConversion #AdaptiveReuse #HistoricPreservation #HomeRenovation #ArchitecturalDesign #ModernLiving #ResidentialArchitecture #InteriorDesign #RealEstate

This article details the comprehensive renovation of a Methodist Chapel in the Cotswolds, originally built in 1790, transformed into a modern private residence by Last Interior Design. The project aimed to restore the building's historical integrity, which had been obscured by years of modern interventions and quick fixes, while simultaneously integrating contemporary design elements to suit 21st-century living. The design team, led by Rachele Bowley, approached the renovation by first stripping back the layers of paneling and modern additions to reveal the Georgian architecture's raw beauty. This initial step was crucial as many historical properties often receive sporadic modern fixes due to budget constraints, rather than integrated, sympathetic restorations. The core principle guiding the design was balance, ensuring the space functioned as a modern, livable home while respecting its original features as a place of worship. The designers sought to maintain the chapel's inherent sense of stillness and reverence, making it warm, functional, and personal. The inspiration for the design flowed directly from the building itself, with its original features informing nearly every decision. The chosen interior design concept emphasized light, neutral palettes, and natural materials like stone and smoked oak to create a calm and restorative atmosphere. Furniture selections included a mix of antique and modern pieces, further reinforcing the dialogue between different eras. A significant structural change involved reconfiguring two planned staircases, allowing for a larger, more practical boot room, utility space, and improved layout for one of the bedrooms and its en-suite. The new, dramatic sweeping staircase, with metal balustrades and oak treads, was designed to sit lightly within the space, offering a contemporary feel without competing with the historic fabric. Modern architectural details and furniture pieces were carefully chosen to contrast with and elevate the original features rather than imitate them. For instance, the minimalist four-poster bed is a modern interpretation of a classic design, fitting seamlessly into the aesthetic. In the kitchen and boot room, flat slab cabinetry with bronze handles provided a sleek, modern look that allowed the existing architectural features to remain the focal point. This Scandi-style approach offered a fresh alternative to the often-expected modern farmhouse aesthetic for such properties. The central vaulted living room, with its soaring ceiling, was made more approachable by adding a mezzanine level, creating a luxurious living area. The intricate stained-glass windows served as natural artwork, influencing the color palette of the textiles and furnishings, with blues, russets, and smoky ambers reflecting the window's hues. Even the rustic front door inspired the shape and texture of the coffee table, demonstrating the deep connection between the building and its new interior. The renovation faced several challenges, particularly compliance with modern fire safety regulations and spatial planning within the original chapel footprint. The collaborative efforts of Palmer + Partners and Barr Build were instrumental in addressing these issues, finding creative solutions to accommodate an open-plan layout, three en-suite bedrooms, and a separate utility room. The choice of natural materials like stone flooring and smoked oak engineered boards, along with lime plaster and breathable paint, ensured that the new elements would age gracefully and allow the original features, such as the windows and arches, to stand out. The project exemplifies a thoughtful integration of historical preservation and contemporary design, creating a nuanced and beautiful home in the Cotswolds. #ChapelRenovation #CotswoldsDesign #HistoricProperty #ModernInteriors #GeorgianArchitecture #InteriorDesign #LastInteriorDesign #SustainableDesign #LuxuryHomes

The article highlights Jules Stafford, an interior design alumna from George Fox University, and her impactful work at DesignCase, a firm recognized for its community-focused projects. Stafford, a bi-cultural woman with Mexican and Filipino heritage, integrates her understanding of diverse cultures into her design philosophy, emphasizing the creation of hospitable spaces that foster community. A notable project discussed is the Immigrant Food restaurant in Ballston, Virginia, which she helped design. This restaurant is celebrated for its vibrant aesthetic, reflecting various immigrant cultures, and its role as a hub for cultural exploration and community engagement. Stafford's work extends beyond commercial projects to pro bono community initiatives. DesignCase recently revamped teacher lounges in a local K-12 public school, designing intentional spaces for educators across different grade levels. This project deeply resonated with Stafford, who witnessed the profound positive impact these revitalized spaces had on the teachers, reinforcing her belief in the power of design to serve and uplift communities. She views these opportunities as a way to steward her talents and contribute meaningfully to society. The article also delves into Stafford's personal journey, detailing her upbringing in Hesperia, California, within a large family that instilled in her a strong sense of community and a knack for organizing events. Her early experiences with hospitality and planning naturally transitioned into an interest in interior design. As a first-generation college student of color, Stafford faced unique challenges in pursuing higher education. Her family, with no prior college attendees, found the prospect of university cumbersome. She navigated a crossroads between pursuing a design-focused school or a faith-based institution, ultimately finding George Fox University and its Mosaic Scholars Program, which offered both academic and leadership development support. Her transition to George Fox was initially difficult due to the distance from home and financial pressures. Overwhelmed, Stafford considered leaving after only two weeks. However, the unwavering support from university staff, particularly Bryce Coefield and Jenny Elsey, played a crucial role in her decision to stay. They provided her with options and encouragement, demonstrating the strong community ethos at George Fox. Further support came in the form of a nanny position with George Fox’s women’s volleyball coach, Emily Davis, which offered her housing and extended her stay at the university, allowing her to thrive academically and personally. Casey Martin, Stafford's interior design professor, also provided significant mentorship and practical assistance, including helping her secure employment when an initial job fell through. Martin's commitment to connecting students with industry professionals and offering comprehensive support, whether professional or personal, was instrumental in Stafford's success. The collaborative spirit among her peers in the interior design program, where students supported each other through competitions and celebrated collective achievements, further underscored the importance of community. Stafford's story culminates in her securing a position at DesignCase, a moment celebrated by her classmates, symbolizing a shared victory and the fulfillment of her aspirations. She continues to advocate for collaborative design, emphasizing the need for diverse perspectives to create impactful and meaningful spaces, believing that even small organizations can achieve significant positive change. #InteriorDesign #CommunityEngagement #AlumniSuccess #GeorgeFoxUniversity #FirstGenerationStudent #CulturalFluency #ProBonoWork #Mentorship #CareerJourney

A 19th-century brownstone in a Historic District, featuring extensive mahogany woodwork, underwent a significant renovation to balance the preservation of its original details with the creation of a brighter, more contemporary living space. The project was led by architect Kim Letven of NV/design.architecture, with construction completed by Brooklyn-based Burda Construction over 14 months. The brownstone's layout was reconfigured, dedicating three floors to the homeowners and reserving the garden level for visiting relatives. The parlor floor now houses the living room and a new kitchen/dining area, the second floor contains the primary bedroom, a study, and a new bathroom, while the third floor accommodates two children’s rooms and two new bathrooms. A key aspect of the renovation involved extensive structural modifications, including blowing out the rear walls on both the parlor and garden levels. These openings were then fitted with large steel and glass installations to maximize natural light entry. Despite these modern interventions, great care was taken to restore the original architectural elements. The magnificent burled mahogany doors, carved moldings, and plasterwork throughout the house were meticulously retained and repaired, ensuring that the historical character of the home remained intact. Beyond aesthetics, the renovation encompassed a complete overhaul of the building's infrastructure. All mechanical systems, including plumbing and electrical, were replaced. Radiant heating elements were installed beneath new pale white oak floors, which feature a herringbone pattern on the parlor floor and a straight run elsewhere, contributing to both comfort and a clean, modern aesthetic. The interior decor was influenced by the clients' preference for the color blue, evident in the sectional sofa in the front room. Specific design choices highlight the blend of old and new. The kitchen features lower cabinets painted in Benjamin Moore’s Beau Green, complemented by white Caesarstone countertops and matte gold fixtures from Restoration Hardware. A subtle gap in the crown molding above the new window wall discreetly integrates an automatic roll-down window shade. The primary bedroom emphasizes minimalism, allowing the intact original moldings and window trim to stand out. The second-floor study/library is distinguished by blue-backed bookcases and a preserved plaster arch. Bathrooms throughout the house received modern updates. The primary bath employs a subtle color scheme with a custom wood vanity designed to resemble furniture, gold-toned hardware, and gray marble hex tiles. One of the top-floor baths features turquoise glass tiles in the shower and marble mosaics on the floor, while another uses Popham encaustic cement tiles from Ann Sacks. A new large skylight and a wood-veneer pendant from LZF illuminate the top floor landing, further enhancing the home's brightness. Even a boy's room was personalized with a wall covered in a rocket ship blueprint, adding a unique touch. The lower level, designated for guests, also received an expansive kitchen as part of its renovation. #ParkSlope #BrownstoneRenovation #HistoricPreservation #InteriorDesign #ModernHome #ArchitecturalRenovation #BrooklynRealEstate #NVdesignArchitecture

This article celebrates the 125th anniversary of House Beautiful by revisiting a remarkable Palm Beach home, originally featured in 1989. The home, a former Shingle-style church built in 1895, belongs to decorator Mimi McMakin and her family. The piece includes a modern-day interview between McMakin and her daughter, designer Celerie Kemble, discussing the enduring charm and unique spirit of their residence. The interview highlights how the church-turned-home has fostered a timeless and free-spirited environment for generations, where memories blend seamlessly, and children are encouraged to express themselves without judgment. Kemble and McMakin emphasize the house's ability to inspire sentimentality and a sense of wonder in all who visit, often being referred to as "the most magical house in town" or "the Fairy-tale House." They share anecdotes, such as the resilience of the original Portuguese tiles on the pink porch, which have withstood 40 years of children's activities, and the house's collection of items, each with its own story, creating an atmosphere akin to a "giant picnic basket" rather than clutter. The article also provides an archival glimpse into the home as it appeared in 1989, featuring a reprint of the original story by Jane Margolies. Margolies' account details the church's history, from its early days when worshipers arrived by boat to its conversion into a residence by the Maddock family in 1940. Mimi McMakin, who initially found the church gloomy as a child, transformed it into a vibrant home after returning to Palm Beach in 1974. The original article describes how McMakin opened up the once-dark church to natural light, creating expansive living spaces despite architectural quirks like widely separated bedrooms and tiny closets. Her design philosophy, characterized by an "irreverence" for traditional furnishings, is showcased through examples like whitewashing antique chairs and incorporating whimsical elements such as painted hyacinths and morning glories on plywood shutters. The pink porch, a key feature, exemplifies her "lightened-up" English style, combining chintz, goose down, and cheerful floral patterns with cool green-and-white tiles and mirrored panels to reflect light, all contributing to a summery, comfortable, and inviting atmosphere unique to Palm Beach’s evolving interior design trends. The article underscores how McMakin’s approach redefined the concept of home, making a historical structure both personal and perpetually welcoming. #ChurchConversion #FamilyHome #PalmBeachDesign #InteriorDesign #HomeRenovation #ArchitecturalHeritage #HouseBeautifulArchive #CelerieKemble #MimiMcMakin

Annie Brahler, owner of the award-winning design firm Euro Trash, initially dismissed her husband Charles Smith's idea of acquiring an English Gothic church at the intersection of Delmar and Union for their business. Brahler's firm, renowned for its design projects throughout St. Louis and nationally, had been operating its studio and corporate offices separately from its rented warehouses. These warehouses stored a vast inventory of art, antique furnishings, and other items imported from around the world. The logistical challenges and expenses associated with managing separate locations prompted Smith to seek a more integrated solution for their operations. Upon visiting the Westminster Presbyterian Church and its adjacent school building, Brahler quickly recognized the potential of the space. The church, which became available after its small congregation merged with another, offered a more functional layout than traditional warehouses. Brahler envisioned dedicated rooms for textiles, chairs, and paintings, realizing the existing architecture would streamline their inventory management and creative processes. Built in 1916 and completed in 1925, the Westminster Presbyterian Church was designed by Albert Groves and designated an official St. Louis City Landmark in 1975. Its sanctuary features significant stained-glass windows created by Marx and Jones. A crucial factor in Euro Trash's successful acquisition of the property was their commitment to preserving the building's historical integrity. Brahler emphasized their dedication to respecting the church's past as a religious home for decades, assuring former parishioners that no disrespectful alterations would be made. During meetings with the church's former members, some of whom had been part of the congregation since birth, Brahler and Smith conveyed their plans to maintain the building's original features, particularly the stained-glass windows. They proposed illuminating these windows from within and without, allowing them to be appreciated by the broader Delmar Maker’s District community. This approach aimed not only to preserve the landmark but also to showcase St. Louis's architectural heritage as something vibrant and well-maintained, rather than dilapidated. The former congregants responded positively to this vision, easing their concerns about the future of their beloved church. Euro Trash acquired the church in February 2024 and took occupancy in June of the same year. The building was found to be structurally sound, well-maintained, and compliant with current codes, including ADA accessibility. Brahler's approach to the space is one of repurposing rather than remodeling. She explicitly stated that no walls would be removed or spaces torn out. Instead, the firm is updating the interiors with fresh paint, new carpeting, furniture, and art, while retaining the original architectural elements. The former school building's large, open room, featuring expansive windows, crown molding, and an original brick fireplace, has been converted into a shared office space. Brahler noted that this communal arrangement reflects the team's collaborative working style, offering ample room for both group interaction and individual tasks. The church's sanctuary is currently used for storing larger items, such as imported French doors. Brahler envisions the sanctuary serving multiple creative functions in the future, including potentially as a gallery for sizable art installations by artists the firm collaborates with across the country. The fully intact and operational pipe organ in the sanctuary adds to its unique character. Brahler expressed her desire to use the transformed space to inspire others to rethink the potential of historic buildings. She highlighted the importance of preserving architectural heritage and demonstrating how such structures can be adaptively reused without compromising their original design. Unlike some conversions that extensively alter historical spaces, Euro Trash aims to accentuate and celebrate the existing architecture, contributing to the revitalization of the Delmar Maker's District while honoring the church's rich history. #InteriorDesign #HistoricPreservation #AdaptiveReuse #StLouisArchitecture #DelmarMakersDistrict #EuroTrash #CommunityEngagement #ArchitecturalHeritage #RepurposedSpaces

Creed Improvements, an Indianapolis-based company, has established itself as a leading provider of outdoor living solutions around Geist Reservoir. The company specializes in crafting custom decks, pergolas, porches, and docks, focusing on a blend of aesthetics, functionality, and durability. Their services cater to homeowners looking to enhance their outdoor spaces, transforming backyards into functional retreats suitable for various activities such as family gatherings and relaxation. Creed Improvements operates on the principle that outdoor living areas should seamlessly integrate style with structural integrity. The team emphasizes meticulous attention to detail throughout every project stage, from initial design concepts to final construction. Each project is tailored to the homeowner's lifestyle, ensuring that the completed structure aligns with their specific needs and preferences while providing comfort and long-lasting quality. The company is committed to using high-quality materials and employing skilled craftsmanship to construct structures that not only endure over time but also add significant value to the property. With a strong understanding of the outdoor living culture prevalent in the Geist area, Creed Improvements' work extends beyond basic construction. They focus on creating inviting spaces that facilitate family dinners, offer scenic sunset views, and provide opportunities for weekend relaxation. The company has built a reputation for excellence across Geist, Fishers, McCordsville, and Indianapolis, continuously striving to elevate the standard of residential outdoor living. Whether clients envision a contemporary lakeside dock, a multi-level deck, or a comprehensive backyard renovation, Creed Improvements aims to deliver these visions beautifully, efficiently, and with enduring quality. The company is proactively scheduling projects for the 2026 season, indicating ongoing demand for their specialized services in outdoor home improvements. #CreedImprovements #GeistLiving #OutdoorLiving #DeckConstruction #PergolaDesign #PorchBuilders #LakesideDocks #HomeImprovement #Indianapolis

The article profiles Christie Green, ASLA, a landscape architect based in Santa Fe, New Mexico, who runs a one-woman practice called Radicle. Green's work is driven by a mission to repair humanity's fractured relationship with nature, particularly with the plants and animals consumed for sustenance. A significant aspect of her personal life and professional philosophy involves hunting for the majority of her meat, an activity that has profoundly influenced her understanding of ecological systems and her design approach. She views hunting not merely as a hobby but as a visceral connection to the natural world, fostering an awareness of vegetation, water availability, and wildlife patterns that she integrates into her landscape projects. Green's journey into landscape architecture was unconventional. Raised between Alaska and Texas, she developed an early appreciation for wild landscapes. After graduating from the University of California, Berkeley, and working with an environmental education organization called Bioneers, she became deeply involved in the politics of food. This led her to start a design/build company focused on edible plantings and backyard gardens, aiming to counter monoculture agriculture. However, the commercial demands of larger projects often compromised her initial vision, leading to dissatisfaction. The 2008 recession forced her to scale back, inadvertently providing an opportunity to reassess her career path. At nearly 40, she enrolled in the graduate landscape architecture program at the University of New Mexico, where she was recognized for her intelligence, humility, and dedication as a student, even as a single mother commuting daily from Santa Fe. After completing her graduate studies, Green rebranded her firm as Radicle, symbolizing the embryonic root of a seedling. She committed to undertaking only projects that aligned with her core values, such as an outdoor recreational facility for the Ohkay Owingeh Pueblo and the landscape for an immersive art installation. She also ventured into art, using a rented warehouse as a studio to host salons and create installations that explored themes of consumption, waste, and societal ideals. Her art often draws parallels to ecological processes, such as a piece involving mounted elk scat to highlight nature's efficient nutrient cycling. A recurring theme throughout Green's work is food and challenging the mindless approach to consumption. She advocates for a deeper connection to the provenance of food, emphasizing the importance of understanding where sustenance comes from, whether wild or cultivated. Her projects demonstrate a pragmatic and ecologically conscious aesthetic, often utilizing natural or repurposed materials and focusing on long-term sustainability. An exemplary project is the Española Healing Foods Oasis, a community garden developed with Tewa Women United. This project transforms a neglected urban space into a public ethnobotanical garden, employing traditional Tewa techniques for dryland cultivation and water harvesting. The garden not only provides edible and medicinal plants culturally significant to the Tewa people but also serves as a testing ground for innovative ecological strategies like mycoremediation to address environmental contamination. Green's approach is characterized by an intuitive and iterative process, often involving years of soil building and allowing landscapes to evolve naturally. Her designs are not merely aesthetic but deeply functional and responsive to the environment and human behavior. Her work is seen as a bridge between indigenous knowledge and Western technology, translating complex ecological ideas into tangible, community-focused projects. While her uncompromising environmental ethic may limit her clientele, it underscores her commitment to a holistic and integrated understanding of humanity's place within the natural world, reflecting a life lived in the liminal space between urban and rural, wild and cultivated. #ChristieGreen #Radicle #LandscapeArchitecture #EnvironmentalDesign #SustainableDesign #FoodSystems #IndigenousKnowledge #EcologicalRestoration #CommunityGardens

The article discusses the $18.8 million transformation of the Bata Library at Trent University in Peterborough, Ontario, a building considered a significant piece of Canadian architectural heritage. Perkins + Will, the architecture and design firm, faced the challenge of modernizing the 1967 structure while preserving its historical integrity and meeting contemporary academic needs. The original library was designed for traditional book storage and solitary study, necessitating a redesign to support digital access to information and foster collaborative learning spaces. A key element of the renovation is a 278-square-foot (26-square-meter) living wall, installed in the library's atrium using the LiveWall® Indoor Living Wall System. This living wall serves as a symbolic and practical connection to nature, honoring the original architect Ronald Thom's philosophy of harmony with the natural environment. Thom, whose work was influenced by Frank Lloyd Wright's Prairie style and the Bauhaus movement, designed the Trent University campus to integrate with its picturesque 1,400-acre landscape along the Ontonabee River. The Bata Library, with its window-walls and atrium skylight, was conceived to rise organically from the river, and the living wall reinforces this foundational design principle. Beyond aesthetics and historical homage, the living wall also highlights Trent University's commitment to sustainability and green initiatives. While many sustainability efforts, such as energy retrofits, are not readily visible, the prominent living wall provides a tangible representation of the university's environmental values, fostering a connection with the community. Completed in October 2018, the green wall stands nearly 7 feet tall and spans 20 feet in two sections. It is strategically recessed between concrete pillars in the atrium, connecting seating areas, softening the interior, and complementing the existing cedar ceilings. LiveWall® Indoor Living Wall System was chosen for its modular design, which allows for the creation of a 'vertical garden.' The installation process involved attaching vertical furring tracks with a waterproof membrane, bolting horizontal aluminum rails with integrated irrigation components, and then sliding in high-impact, UV-resistant planter boxes. Removable liner inserts holding the growing medium and pre-grown plants are placed into these boxes. The Bata Library's living wall incorporates 150 bluestone-colored LiveWall modular planters with a drip stake irrigation system that delivers water and fertilizer. Specialized LiveWall Norb® (Nutri-Orb) bulbs, white-light LED grow bulbs, provide the necessary light spectrum for plant health while maintaining a pleasant indoor ambiance. Plant selection for the living wall emphasized diversity and suitability for the indoor environment. Horticulturalist Dave MacKenzie, president of LiveWall, highlighted the importance of diverse species for a successful green wall. The chosen plants needed to tolerate near-constant lighting and slightly dry conditions between waterings, given the bright atrium setting. Sasha Liston of Ginkgo Sustainability, the project's green infrastructure specialists, selected seven tropical species with similar light and water requirements. The design features an organic mix of 380 plants, including upright and billowing varieties with varied leaf shapes, variegation, and textures, creating a dynamic, natural landscape rather than a formal, patterned garden. This natural design also offers easier and less expensive maintenance. Ginkgo Sustainability provides bi-weekly maintenance, adhering to LiveWall guidelines. This routine includes visual inspection of plant health, trimming dead leaves and flowers, checking soil moisture, verifying irrigation system functionality, inspecting mechanical components, and adjusting irrigation schedules. Maintenance reports with photos are sent to Trent University Facilities Management, ensuring transparency and accountability. Students are notified of maintenance visits, allowing them to engage with plant experts, ask questions, and learn about the living wall's design and function as a green infrastructure component. A common inquiry from students is whether the plants are real, often prompting them to touch the lush foliage to confirm, demonstrating the wall's engaging presence within the library. #LivingWall #GreenDesign #ArchitecturalRenovation #TrentUniversity #BataLibrary #Sustainability #Biophilia #LiveWallSystem #CanadianArchitecture

This blog post details the comprehensive renovation of a Sydney home, transforming it from an outdated French Provincial style into a functional, social, and contemporary living space suitable for a family with two teenage daughters. The primary goal of the renovation was to create diverse living areas, allowing family members to gather or enjoy personal space, while also updating the aesthetic to a clean-lined interior. The renovation began by stripping back the existing structure, which was in good condition despite its outdated design. A key change involved reconfiguring the ground floor. A previous bedroom and pantry near the kitchen were removed to accommodate a new home study, a spacious linen cupboard, and a dedicated family room. The entrance, which originally opened directly into the living area, was redesigned to include an alcove, improving the flow and privacy of the main living space. This also involved converting a former front garden into a north-facing courtyard with crazy paving, enhancing outdoor living options. Functionality was a central theme, exemplified by a clever, full-height multifunctional joinery unit. This unit, designed on tracks, allows the kitchen and dining areas to be either open-plan or closed off, providing flexibility for different occasions. The choice of materials also reflects the clean-lined aesthetic, with engineered boards replacing various floor finishes to create a cohesive flow throughout the house. The renovation extended to the lower ground floor, where additional communal living space was created. This area now features a bar, a kitchenette, a window seat, and a tropical-themed living area furnished with cane armchairs and a feature wall painted in Dulux Warm Spice. A significant exterior change involved replacing a bulky external staircase, which obscured views of the pool and backyard, with a lighter, spiral staircase from Enzie. This new staircase was strategically placed to maximize views and allow direct, easy access from the pool area without tracking water through the main house. Upstairs, the master bedroom underwent a significant reconfiguration. The previously open-plan bathroom was redesigned to include a separate walk-in robe leading into an en-suite bathroom. False ceilings were removed, and previously covered windows were revealed, dramatically increasing natural light. The addition of five new skylights further brightened the interiors, contributing to the fresh, contemporary feel. The owners sought an interior that would serve as a neutral backdrop for their eclectic furnishings and art, a vision brought to life by interior designer Kathryn Bourke. Brendon Harper of Harper Building Services, who worked on the house, emphasized the owners' desire for a contemporary, clean-lined interior. The project also faced challenges, such as working with existing ceiling heights, which were viewed as design challenges rather than insurmountable obstacles. Ultimately, the renovation achieved a transparent floor plan that balances openness and privacy, successfully transforming the Sydney home into a highly functional and aesthetically pleasing modern residence. #HomeRenovation #SydneyHome #FamilyLiving #InteriorDesign #ModernDesign #FunctionalSpaces #KitchenDesign #BathroomRenovation #OutdoorLiving #ContemporaryStyle

Zen Architects, a Melbourne-based firm with 30 years of experience combining science and art in sustainably minded projects, undertook a comprehensive renovation of an early 1900s Victorian home in Brunswick. The property, untouched for five decades and slated for demolition due to asbestos, was purchased by clients who sought an architect willing to execute a challenging renovation emphasizing local materials, recycled timber, and space for an art studio. The clients desired a design that respected the original cottage's form and detailing, diverging from the prevalent trend of demolishing Victorians for new, often insensitive, developments in an area without historic controls. The project spanned nearly three years, including 18 months of design and documentation and 14 months of construction. The initial phase focused on preserving the original structure. This involved restoring the weatherboard exterior, original Baltic pine timber flooring, and Victorian details. The interior plaster was removed, walls were reinsulated, and windows reglazed. The eastern portion of the roofline was raised to accommodate higher ceilings. To maintain the property's heritage value, all new construction was set back behind the original chimney line. The design team reconfigured the front four rooms: two became bedrooms, one a bathroom, and the fourth a front living room featuring a wood-burning fireplace that utilized the existing chimney. From the light-filled foyer, residents can now access the kitchen, a double-height dining room, and a sunken conversation pit, all offering views of the garden. Throughout the renovation, Zen Architects prioritized local sourcing. Custom lighting was crafted from solid brass, and internal recycled timber details, such as shelving, were produced by local furniture makers. The bathrooms feature custom handmade tiles from a South Melbourne ceramicist, and all fixtures and fittings were also locally sourced. The kitchen incorporates a solid concrete island counter designed for passive heating and cooling; it warms naturally in the summer, and a concealed black heat panel beneath the slab absorbs and releases heat in the winter. An adjacent art studio benefits from ambient diffused south-facing light, providing an ideal space for various artistic pursuits. This project demonstrates a successful approach to sensitively transforming Victorian homes to meet contemporary living standards while adhering to principles of sustainability and local craftsmanship. #VictorianRenovation #SustainableDesign #ZenArchitects #MelbourneArchitecture #HistoricPreservation #RecycledMaterials #LocalCraftsmanship #HomeRetrofit #ArtStudio

In a picturesque English village, the interior design firm Sims Hilditch undertook the transformation of a historic rectory, originally constructed in 1630 with subsequent additions, into a contemporary cottage-style weekend retreat. The clients, seeking respite from the fast-paced London life, desired a home that respectfully acknowledged its rich history while incorporating modern sensibilities. Emma Sims Hilditch, the lead designer, aimed to unify the building's diverse architectural styles into a cohesive and tranquil design. The renovation focused on creating a restful escape, blending historical charm with updated functionality and aesthetics. The dining room, designed to be both peaceful and elegant, features a palette of blue-toned grays and warm woods. A central oak dining table from Neptune is complemented by matching chairs and a glazed rack dresser. Damask curtains, custom-made by the Sims Hilditch team using GP & J Baker fabric, add a touch of sophistication, while dome wall lights from Original BTC and Havwoods oak fossil flooring complete the space. The kitchen's design prioritizes natural light, showcasing a simple yet refined aesthetic with subtle, unique details. Many fixtures, including the lily-white cabinetry, Perrin & Rowe tap, Villeroy & Boch sink, and willow basket, were sourced from Neptune. Sims Hilditch fabricated the blinds using GP & J Baker fabric. The worktop, from Generix Stone Fabrication Ltd., boasts a rich, textured color, and the floor is adorned with lush limestone paneling by Mandarin Stone. A rack from Neptune, originally a coat hanger, finds new utility in this space, contributing to the cottage-style influence evident through exposed wood and a Garden Trading beech paddle board. The mudroom is both elegant and functional, featuring organizing accessories like willow baskets from Neptune. The sitting room introduces vibrant color through tangerines and cerulean blues, with cushions, a coffee table, a lamp stand, and a sofa from Neptune. Custom curtains made from Lewis & Wood fabric and gray wall sconces from Original BTC framing an India Jane mirror enhance the room's character. The drawing room is distinguished by intricate print curtains designed by Sims Hilditch using Colefax and Fowler fabric, alongside Neptune cushions, armchairs, and sofas. An India Jane coffee table and a Capitol Carpets basket-weave rug, paired with an Eichholtz Roman-inspired floor lamp, add to the room's refined ambiance. A half-bath offers charming simplicity, while the master bedroom showcases Sims Hilditch’s expertise in pattern selection with Knowles & Christou wallpaper providing a beautiful backdrop for Neptune furniture, including a king bed, oak stools, and a bedside table. OKA fabric was used for the bed cushions and Libeco linen for the curtains, with Vaughan ceramic table lamps providing lighting. A small vanity, functioning as both a workspace and vanity, creates an intimate routine space. Neptune designed the desk, mirror, and wall lights, complemented by a Robert Langford chair. One of the home's original five bedrooms was converted into a spacious master bath, featuring a Clearwater Baths sleigh tub as a focal point. Porta Romana wall lights, New England Shutter Company shutters, and a Balineum bathmat contribute to a soft, minimalist style. The children’s bedroom maintains the overall design aesthetic but incorporates playful elements, such as trundle beds from Tasha Beds and bed cushions from Neptune. Dome wall lights from Original BTC and a Jim Lawrence star-printed lampshade are featured, with a Balineum laundry basket offering practical storage. The sparsely furnished hallway includes unique pieces like a custom Sims Hilditch twisted leg center table, Eichholtz box wall lamps, and a nine-arm chandelier by Richard Taylor Designs. Capitol Carpets provided the textured carpeting, and Sims Hilditch crafted the Roman blind using GP & J Baker fabric. The study features Pierre Frey wallpaper, an Eichholtz wood and glass desk, table lamp, and print, alongside a Neptune rolling chair and nickel wall lights. #HistoricRenovation #CottageStyle #InteriorDesign #SimsHilditch #EnglishVillage #LuxuryHome #HomeDecor #NeptuneFurniture

The Miller Hull Partnership successfully transformed a 1960s Mid-Century Modern home overlooking Washington’s Puget Sound into the first Living Building Challenge 4.0 Certified remodeled residence. This project exemplifies how sustainable renovation can be achieved even with the complexities of existing structures. The design team prioritized net positive energy and water systems, carefully selecting materials to minimize environmental impact and adhering to the rigorous standards of the Living Building Challenge. This initiative demonstrates that retrofitting existing buildings for high sustainability standards is not only feasible but can also lead to innovative design solutions. Chris Hellstern, Living Building Challenge services director at The Miller Hull Partnership, emphasized that achieving a Living Building certification is not inherently more challenging than other projects, but rather requires a paradigm shift in thinking and a re-evaluation of project aspects. He highlighted the importance of an integrated design approach, fostering collaboration among expert members of the design and construction team to arrive at optimal solutions. This collaborative methodology is crucial for navigating the multifaceted requirements of the Living Building Challenge, which extends beyond conventional green building standards to encompass holistic sustainability. A key aspect of the renovation involved maintaining a strong connection to the outdoors. The team achieved this by strategically opening up the existing home in several areas, incorporating sliding walls and triple-glazed windows and skylights throughout the structure. These elements not only maximize natural light and views of the surrounding Puget Sound but also contribute to the building's energy efficiency. Charlie Hellstern, founder of Charlie Hellstern Interior Design, noted that the interior palette was chosen to reflect the subtle shades of the native soil and rocks, further integrating the home with its natural environment and enhancing the sense of place. Beyond the structural and aesthetic changes, the project incorporated significant ecological enhancements. The property's landscape was designed to include urban agriculture, featuring a variety of edible berries, vegetables, and a mycological foraging forest. This not only provides food for the residents but also promotes biodiversity and ecological health. Furthermore, The Miller Hull Partnership engaged in local advocacy, successfully lobbying Bainbridge Island to amend city codes to permit on-site grey and black water treatment. This achievement has broader implications, setting a precedent for other homes in the area to adopt more regenerative water management systems and highlighting how policy changes can support sustainable development. Hellstern pointed out that many existing building codes are outdated and do not account for designs that operate regeneratively or in harmony with nature, underscoring the importance of such advocacy in fostering more Living Buildings. The project effectively transformed the home's previous layout, converting a maze of small rooms into an open great room. A new stair was installed, leading to a lower-level primary suite, which replaced an underutilized garage. This reorganization improved the functionality and flow of the living spaces while maintaining the original architectural character of the home. The updated interiors, complete with self-sufficient systems, stand as a testament to how modern sustainable practices can be integrated without sacrificing aesthetic appeal or the historical integrity of a mid-century structure. The Loom House’s certification in early 2021 marks a significant milestone as the first renovated home to achieve the Living Building Challenge 4.0 Certification, serving as a model for future sustainable renovations. #SustainableDesign #LivingBuildingChallenge #TheMillerHullPartnership #Renovation #PugetSound #Architecture #InteriorDesign #GreenBuilding #EnvironmentalImpact

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

This blog post from April 3, 2012, presents a collection of home-related news and events for Westchester residents, covering a luxury property, a charitable renovation program, a garden makeover contest, and a floral design workshop, along with a horticultural tip. The article begins by showcasing a luxurious 11-room Colonial house in the Rock Rim Ponds Estates of Pound Ridge, priced at $2.6 million with annual property taxes of $44,959. This property at 5 Miller Rd boasts numerous amenities, including a gourmet eat-in kitchen, game room, craft room, screening room, sauna, exercise room, and a large-capacity wine cellar. Its oversized entertaining spaces offer multiple entrances to a sprawling slate patio and pool. Listing agent Nelson Salazar from Coldwell Banker highlights the community's appeal for luxury living without the typical subdivision feel, emphasizing the home's warm and inviting atmosphere despite its extensive features. Next, the article introduces "Renovation Angel," a new program by Green Demolitions that allows homeowners to donate luxury kitchen and estate items from their renovation projects. Green Demolitions, a Greenwich, Connecticut-based national recycler, professionally removes and transports qualified donated items at no cost. A portion of the resale value of these items is then directed as a "give back" to a charity of the donor's choice. Steve Feldman, president and founder of Green Demolitions and co-founder of Renovation Angel, expresses enthusiasm for the program, viewing it as an incentive for recycling and a no-cost fundraising opportunity for charities. Eligible items for donation include kitchens, appliances, countertops, bathroom fixtures, architectural elements, lighting, artwork, furniture, and home décor. Interested individuals can contact Green Demolitions for qualification details. The blog post also announces a chance for Westchester residents to win a $2,500 garden-bed makeover from Hilltop Farms. To enter, participants need to submit a photo of their garden along with a statement of 200 words or less explaining why their garden deserves the makeover. Submissions are due by May 1, with the winner being announced on Mother's Day, May 13, during Hilltop Farms' annual Mother's Day Tea on the Porch event. Additionally, an opportunity to learn floral design is presented. New York floral designer and stylist Amy Merrick will host a lecture and workshop on April 5 at the Garden Education Center of Greenwich. The lecture, from 10 am to noon, will focus on flower texture and movement, drawing inspiration from natural growth. A workshop at 1 pm will follow a noon lunch, where participants will create their own spring centerpieces using seasonal flowers like flowering branches, ranunculus, tulips, and hellebores. Attendees will also receive Japanese floral shears. Tickets are available for the lecture and lunch, or for the combined lecture, lunch, and workshop. Finally, the article shares a horticultural fact: "Jack Frost" (Brunnera macrophylla) was chosen as the 2012 Perennial Plant of the Year by the Perennial Plant Association. This plant was selected for its ability to thrive in various climates, low-maintenance requirements, and multi-seasonal performance. "Jack Frost" features blue spring flowers and frosty silver leaves with green veins throughout the growing season. It is hardy, prefers shade but tolerates morning sun, is pest/disease resistant, integrates well with other ground-cover perennials, and is deer resistant, making it suitable for Westchester gardens. #LuxuryRealEstate #HomeRenovation #CharitableDonation #GardenMakeover #FloralDesign #PerennialPlants #WestchesterHomes #CommunityEvents

Hailey and Ryan Weller, partners at Concrete Collaborative, undertook a renovation of their 20-year-old home in San Clemente, California, with the goal of creating bright, relaxed spaces for their family and pets. Their primary objective was to lighten the existing dark and dated finishes, infusing a coastal aesthetic inspired by the nearby beach environment. Given their professional background, concrete and terrazzo architectural finishes played a central role in the home's redesign, featuring natural materials reminiscent of sand and rock, abstract patterns suggesting surf culture, and playful color accents. The open-plan ground floor was designed with a neutral palette of whites, creams, and warm grays, serving as a sophisticated foundation for more vibrant elements. Geometric patterned tiles from Concrete Collaborative's Strands x Half Moon collection, designed by Natalie Meyers with a "Scandi-fornian" ethos, were incorporated around the fireplace. The kitchen, characterized by white cabinetry complemented by rattan and timber details, adopted a coastal chic style. Countertops were outfitted with expansive slabs of Concrete Collaborative’s Pacifica extra small marble chip terrazzo, paired with a backsplash from the Strands collection featuring a beige accent that subtly echoed the brass hardware and evoked sandy beaches. Terrazzo tiles were strategically used to establish a seamless flow across the entire ground floor, with their large, rectangular format enhancing the open-plan layout. This design extended to an outdoor entertaining area through large glass doors, facilitating an indoor/outdoor living experience year-round. The outdoor space includes a pool and lounge area paved with Concrete Collaborative Trails pavers and a bar clad in Dwell Tails tiles from the Strands collection, featuring bold, midcentury-inspired colors like Acacia. Additionally, Trestles Circle Breeze Blocks in Beige provided an elevated architectural pattern for a simple block bench. The playful approach to materials and patterns continued into the home's private areas, particularly the four distinct bathrooms. Each bathroom was given a unique character. The guest bathroom, connected to the pool area, aimed for a "lush feeling" using Strands x Dwell collection tiles in Universal Green and Ivory, with color inlaid using the traditional encaustic process for durability. The children’s bathroom adopted a dramatically different palette, featuring a Large Pink Chip terrazzo on the floors and pink striped Strands tiles on the shower walls, balanced with black hardware and a black speckled basin to avoid a overly cutesy appearance. Overall, the renovation successfully integrated Concrete Collaborative's products to achieve a harmonious and functional living space. The design choices, from the natural raw materials of the tiles to the beach-inspired color schemes, were tailored to the San Clemente beachside setting, resulting in a simple, relaxed, and cohesive aesthetic that fulfills the homeowners' vision. #HomeRenovation #CoastalDesign #ConcreteCollaborative #TerrazzoTiles #GeometricTiles #InteriorDesign #OutdoorLiving #BathroomDesign #KitchenDesign