Local interior designer repurposes a historic church in the Delmar Maker’s District

Antoinette Allande Interiors, a luxury residential design studio based in Hoboken, executed a significant home renovation in Montclair, New Jersey. The project involved transforming a 19th-century house, built in 1902 and located at 191 Christopher Street, into a modern yet traditional living space for a young family. The property spans 3,174 square feet and originally featured three bedrooms and two bathrooms. The clients, Amy and Tristan Morel L’Horset, are a family with three young boys and a history of international travel. Amy works as a registered dietitian and nutrition professor, while Tristan is a senior managing director at a global service and consulting company. Their brief to Antoinette Allande was to update their traditional home with a fresh perspective, prioritizing beautiful aesthetics alongside practical, comfortable living. They required durable furnishings that were not overly delicate and could seamlessly integrate with their existing collection of French antiques. The home's original formal and ornate exterior and interior architecture necessitated a design approach that respected its historical integrity. Antoinette Allande's design philosophy for this project was coined "Eclectic Traditional with a touch of Whimsy." This approach allowed her to blend modern furnishings with the historical architectural details, incorporating elements of the clients' whimsical preferences. Key design choices included a large, comfortable family room sectional, intended for family time and movie nights. The dining area features vintage pieces—a table, chairs, and a chandelier—acquired by the clients while living in France. These ornate, classical French furnishings were complemented by rich jewel-toned textiles, contrasting with lighter architectural finishes. A contemporary hand-knotted rug from Rejuvenation and antique French chairs re-upholstered in sapphire blue velvet further enhance the eclectic mix. The home's walls are painted in Benjamin Moore’s Moonshine 0C-56, while trim and other white areas utilize Benjamin Moore’s Chantilly Lace OC-65. The entry hall is designed to make a strong first impression, incorporating vibrant colors and patterns to reflect the clients' personality and create a welcoming atmosphere. This space features a commissioned Moroccan carpet, a family tree display, a Mokum by Katherine Martin wallpaper from Holly Hunt New York, an antique British Colonial entry table, an Indian block-printed tablecloth by Roberta Roller Rabbit, a Kelly Wearstler light fixture from Circa Lighting, a CB2 cabinet, and an Arteriors Home table lamp, all contributing to a playful and youthful aesthetic. In the living and dining areas, original built-in cabinetry and millwork were preserved and enhanced by whitewashing dark beams, the fireplace, and paneling. This technique was employed to create a lighter, airier feel, drawing inspiration from early 20th-century designer Elsie de Wolf, known for transforming dark interiors with white and light colors. The project remained within budget and on schedule despite the challenges posed by the pandemic. The property itself is a Dutch Colonial Revival style home, recognized for its ornate period details, symmetrical design, Ionic columns, white painted exterior, dormer windows with curved head sash detail, and black shutters, situated in Montclair's historic Marlboro Park area. Collaborators on the project included Franklin Nunez for painting, Orlando Silva of Golden Wallpaper for wallpaper installation, Ryan M. Brown Photography for documentation, and Brett Fixes for home improvements. Antoinette Allande Interiors operates from Hoboken, offering various design services including renovations, decorating, and art consulting, known for combining vintage and modern elements with contemporary art to achieve relaxed, layered, and eclectic interiors. #MontclairHomeMakeover #InteriorDesign #HomeRenovation #AntoinetteAllandeInteriors #EclecticTraditional #LuxuryResidentialDesign #DutchColonialRevival #VintageModernMix #HistoricalPreservation

This article celebrates the 125th anniversary of House Beautiful by revisiting a remarkable Palm Beach home, originally featured in 1989. The home, a former Shingle-style church built in 1895, belongs to decorator Mimi McMakin and her family. The piece includes a modern-day interview between McMakin and her daughter, designer Celerie Kemble, discussing the enduring charm and unique spirit of their residence. The interview highlights how the church-turned-home has fostered a timeless and free-spirited environment for generations, where memories blend seamlessly, and children are encouraged to express themselves without judgment. Kemble and McMakin emphasize the house's ability to inspire sentimentality and a sense of wonder in all who visit, often being referred to as "the most magical house in town" or "the Fairy-tale House." They share anecdotes, such as the resilience of the original Portuguese tiles on the pink porch, which have withstood 40 years of children's activities, and the house's collection of items, each with its own story, creating an atmosphere akin to a "giant picnic basket" rather than clutter. The article also provides an archival glimpse into the home as it appeared in 1989, featuring a reprint of the original story by Jane Margolies. Margolies' account details the church's history, from its early days when worshipers arrived by boat to its conversion into a residence by the Maddock family in 1940. Mimi McMakin, who initially found the church gloomy as a child, transformed it into a vibrant home after returning to Palm Beach in 1974. The original article describes how McMakin opened up the once-dark church to natural light, creating expansive living spaces despite architectural quirks like widely separated bedrooms and tiny closets. Her design philosophy, characterized by an "irreverence" for traditional furnishings, is showcased through examples like whitewashing antique chairs and incorporating whimsical elements such as painted hyacinths and morning glories on plywood shutters. The pink porch, a key feature, exemplifies her "lightened-up" English style, combining chintz, goose down, and cheerful floral patterns with cool green-and-white tiles and mirrored panels to reflect light, all contributing to a summery, comfortable, and inviting atmosphere unique to Palm Beach’s evolving interior design trends. The article underscores how McMakin’s approach redefined the concept of home, making a historical structure both personal and perpetually welcoming. #ChurchConversion #FamilyHome #PalmBeachDesign #InteriorDesign #HomeRenovation #ArchitecturalHeritage #HouseBeautifulArchive #CelerieKemble #MimiMcMakin

This article highlights 12 instances where historic church buildings have been thoughtfully converted into modern residences. The conversions prioritize preserving the original architectural elements, such as vaulted ceilings, tall windows, and stained glass, while integrating contemporary living spaces. Each project demonstrates a unique approach to adaptive reuse, transforming sacred structures into functional and aesthetically pleasing homes. One example features a couple near Amsterdam who converted the top of a former 19th-century Franciscan chapel into their home and studio. They maintained the large arched windows, which hint at the building's ecclesiastical past, and furnished the interior with eye-catching textiles and artworks against white walls. Another conversion in the English countryside involved a 19th-century Baptist chapel, which was transformed into a residential property with two connected parts: the grade II-listed chapel and an L-shaped meeting house surrounded by a private garden. In San Francisco, a 1915 Neoclassical structure that once served as the Second Church of Christ Scientist was redeveloped into four residential units known as 'The Light House.' These multilevel homes span over 5,300 square feet and retain original features like 30-foot cathedral ceilings, exposed brick, and stained glass windows, with a large great room accommodating various dining and seating arrangements. A more dramatic intervention occurred in Spain, where a 16th-century Basque church near Bilbao, abandoned since the 1970s and in severe disrepair, was revived over three years into a home. The project carefully restored the structure, including an 18th-century bell tower and sacristy, respecting its archaeological and historical value. Brooklyn showcases a conversion of the 1892 St. Mark’s Evangelical Lutheran Church and School into a four-building complex. The renovation emphasized maintaining original architecture, such as facades, archways, brick details, and windows, while connecting the school and church with an infill building. In Morimondo, Italy, a 17th-century church became a 4,843-square-foot residence, preserving its historic charm with brick arches and ceiling frescoes across three levels, highlighting internal heights and architectural finishes. Austin's Bouldin Creek neighborhood saw a 1939 Mission Revival-style church transformed by Rhode Partners into four two-story, loft-style homes, featuring 15-foot ceilings and historic details. These units, which quickly sold, ranged around 1,889 square feet. A Quebecois church was divided into a 2,500-square-foot home and a 1,500-square-foot office, garage, and workshop. The owners aimed to retain historic elements like the bell tower and organ while modernizing the interior to create a minimalist yet history-rich family home. In Los Angeles, a 1905 building with a history as a civil rights meeting place and progressive church was converted into 'The Ruby Street,' a nearly 6,000-square-foot live/work/event space. The designers recognized the building's 'good bones' and potential for a significant metamorphosis. A Greenwich, Connecticut church, decommissioned 30 years prior and haphazardly renovated, was thoughtfully updated, with architects focusing on allowing the iconic exterior to remain largely unchanged, preserving its 150-year-old character. Finally, a 1930s church in Melbourne, Australia, became the Hawthorn Residence. The renovation prioritized undoing previous dark and cramped alterations to bring in natural light and highlight original church features, a significant challenge due to heritage building restrictions. Another Australian example in Willunga, South Australia, features a tastefully renovated 1870 church, transformed into a family home with reverence for its historic elements. #ChurchConversion #AdaptiveReuse #HistoricPreservation #HomeRenovation #ArchitecturalDesign #ModernLiving #ResidentialArchitecture #InteriorDesign #RealEstate

In 1788, the Enlightenment society Felix Meritis, Latin for 'Happy Through Merit,' constructed its namesake clubhouse on an Amsterdam canal. The building, designed by Neoclassical architect Jacob Otten Husly, served as a hub for members to study various disciplines like music, natural sciences, drawing, commerce, and literature, embodying the rational principles of Enlightenment thought through its Corinthian-style facade and geometrically shaped rooms. A century later, after the society's dissolution, the building underwent several transformations, serving as a printing factory, the Dutch Communist party headquarters, and a 1960s cabaret, yet it remarkably maintained its architectural integrity despite wear and tear. In 2014, Amerborgh, an investment firm with a focus on the arts, acquired the landmarked Felix Meritis. The company aimed to repurpose it as a cultural center, leveraging its renovated spaces as event venues to support various programs. Tasked with revitalizing the 50,000-square-foot interior, i29, led by co-founder and partner Jeroen Dellensen, sought to bring the historic building 'into the now.' Their approach involved respecting the original architecture while infusing contemporary design elements to appeal to a younger demographic. This restoration project necessitated a careful balance between preserving historical aspects and introducing innovative designs. Working alongside MATH Architecten, which managed structural renovations, i29 co-founders Jeroen Dellensen and Jaspar Jansen focused on cultivating the individual character of each space. They found inspiration in the building's original use by the Felicians, who organized it by departments, allowing each room to retain its distinct function and story. The building's layout, divided by a five-story wooden staircase, comprises 11 staggered levels. A key requirement from the city was the meticulous restoration of two historically significant areas: the oval Concertzaal, renowned as one of Europe's premier small classical-music halls, and the Zuilenzaal, a colonnaded reception room. In the Concertzaal, where Beethoven's Ninth Symphony premiered in the Netherlands, a chromatic analysis revealed the original wall color between the pilasters was a brown-tinted beige, which was reinstated to restore the room's serene ambiance. To accommodate modern musical performances, i29 incorporated discreet, pivoting wall panels that optimize acoustics and conceal electronic equipment. MATH seamlessly integrated new mechanical systems within the existing structure, rendering them invisible in the auditorium. For the majestic Zuilenzaal, i29 opted for a more minimalist approach, stripping back boiserie and stabilizing cracked wood columns, leaving the room largely in its found state. This 'un-Photoshopped' authenticity required carefully dismantling and reassembling fragile woodwork to integrate modern ventilation and sound systems, making the Zuilenzaal a highly sought-after venue. i29 introduced significant visual diversity in the remaining rooms, utilizing color and texture as primary design tools. They incorporated crisply geometric, often mirrored, built-in cabinetry and furniture to create a striking contrast with the classical surroundings, thereby giving these spaces a unique identity and importance comparable to the historic rooms. The main entry is flanked by a reception area and Felix, a 100-seat restaurant. In the reception, custom tufted-shag wall coverings reproduce an 18th-century etching of a Felician meeting, offering a historical greeting to modern visitors. The restaurant's walls are adorned with woven textiles depicting Amsterdam's skies, immersing diners in a Dutch landscape. The Shaffyzaal, a domed, oval room above the Concertzaal, was once a physics lab and later a popular nightspot. Named after performer Ramses Shaffy, its acoustical perforated-steel panels feature an ombré effect, fading from deep to pale blue, evoking its psychedelic past. Jansen emphasizes that this contrast between contemporary and historical elements invigorates both. In the attic Koepelzaal, exposed timber roof beams lend a modern angularity. Dellensen highlights the firm's narrative approach, embedding stories within the design to add depth to the interiors. In the Teekenzaal, formerly the drawing studio, translucent fabric rectangles suspended from the ceiling diffuse light and symbolize the paper used by the Felicians, bringing the spirit of the Enlightenment to life. #InteriorDesign #ArchitecturalRenovation #HistoricalPreservation #AmsterdamLandmark #CulturalCenter #NeoclassicalArchitecture #i29Design #FelixMeritis #RestorationProject

This article details the comprehensive renovation of a Methodist Chapel in the Cotswolds, originally built in 1790, transformed into a modern private residence by Last Interior Design. The project aimed to restore the building's historical integrity, which had been obscured by years of modern interventions and quick fixes, while simultaneously integrating contemporary design elements to suit 21st-century living. The design team, led by Rachele Bowley, approached the renovation by first stripping back the layers of paneling and modern additions to reveal the Georgian architecture's raw beauty. This initial step was crucial as many historical properties often receive sporadic modern fixes due to budget constraints, rather than integrated, sympathetic restorations. The core principle guiding the design was balance, ensuring the space functioned as a modern, livable home while respecting its original features as a place of worship. The designers sought to maintain the chapel's inherent sense of stillness and reverence, making it warm, functional, and personal. The inspiration for the design flowed directly from the building itself, with its original features informing nearly every decision. The chosen interior design concept emphasized light, neutral palettes, and natural materials like stone and smoked oak to create a calm and restorative atmosphere. Furniture selections included a mix of antique and modern pieces, further reinforcing the dialogue between different eras. A significant structural change involved reconfiguring two planned staircases, allowing for a larger, more practical boot room, utility space, and improved layout for one of the bedrooms and its en-suite. The new, dramatic sweeping staircase, with metal balustrades and oak treads, was designed to sit lightly within the space, offering a contemporary feel without competing with the historic fabric. Modern architectural details and furniture pieces were carefully chosen to contrast with and elevate the original features rather than imitate them. For instance, the minimalist four-poster bed is a modern interpretation of a classic design, fitting seamlessly into the aesthetic. In the kitchen and boot room, flat slab cabinetry with bronze handles provided a sleek, modern look that allowed the existing architectural features to remain the focal point. This Scandi-style approach offered a fresh alternative to the often-expected modern farmhouse aesthetic for such properties. The central vaulted living room, with its soaring ceiling, was made more approachable by adding a mezzanine level, creating a luxurious living area. The intricate stained-glass windows served as natural artwork, influencing the color palette of the textiles and furnishings, with blues, russets, and smoky ambers reflecting the window's hues. Even the rustic front door inspired the shape and texture of the coffee table, demonstrating the deep connection between the building and its new interior. The renovation faced several challenges, particularly compliance with modern fire safety regulations and spatial planning within the original chapel footprint. The collaborative efforts of Palmer + Partners and Barr Build were instrumental in addressing these issues, finding creative solutions to accommodate an open-plan layout, three en-suite bedrooms, and a separate utility room. The choice of natural materials like stone flooring and smoked oak engineered boards, along with lime plaster and breathable paint, ensured that the new elements would age gracefully and allow the original features, such as the windows and arches, to stand out. The project exemplifies a thoughtful integration of historical preservation and contemporary design, creating a nuanced and beautiful home in the Cotswolds. #ChapelRenovation #CotswoldsDesign #HistoricProperty #ModernInteriors #GeorgianArchitecture #InteriorDesign #LastInteriorDesign #SustainableDesign #LuxuryHomes

The Russell, a new 23-room boutique hotel in East Nashville, exemplifies adaptive reuse by transforming the historic Edgefield Cumberland Presbyterian Church. Developed by Anchor Investments and designed by Powell Architecture + Building Studio, the project aimed to preserve the building's impressive architectural heritage while infusing it with the vibrant, eclectic character of East Nashville. The hotel also has a philanthropic mission, with proceeds from its "Room for Rooms" program supporting Nashville’s homeless community through free housing, showers, and meals. The design narrative for The Russell is largely inspired by the building's original 1904 Romanesque facade and its two arresting, 16-foot stained-glass rose windows in the lobby. The color schemes throughout the property, including the bright tile arrangements and the herringbone wood floor pattern in the lobby, mirror the hues illuminated by these windows. The lobby itself is an airy space featuring a 40-foot ceiling, gold chenille curtains that create "confessional" alcoves, and a wall adorned with "church banners" hand-sewn and painted by Chicago-based artist Shelby Rodeffer of Finer Things. One notable banner, _Queens of Country_, pays tribute to Dolly Parton, Loretta Lynn, and Tammy Wynette, drawing inspiration from masonic regalia and local culture. During construction, a significant discovery was made: the church's attic possessed substantial unused volume and potential. This led Powell Architecture + Building Studio to swiftly revise their plans, incorporating the space into the design. The unexpected addition of a third floor resulted in five extra guest rooms, including a bi-level suite that creatively integrates the church’s imposing bell tower into a meditative sleeping area. The guest rooms, largely converted from former auditorium and classroom spaces, welcome guests with illuminated door markers crafted by New York lighting studio Rich Brilliant Willing, which are formatted like Biblical verses. The rooms feature exposed brick walls and headboards fashioned from vintage church pews, blending historical elements with contemporary design. A collective of over a dozen local artists and makers contributed to the modern touches, such as the arched wooden bathroom mirrors by Maple Built and powder-coated sconces by Southern Light Electric. Color-blocked walls, echoing the lobby’s stained-glass window hues, further tie the rooms to the building’s past. Efficient wardrobes designed by Holler Design integrate amenities like a built-in fridge, safe, coffeemaker, and desk. This thoughtful integration of old and new creates a welcoming and uniquely characterful experience for guests, all while contributing to a meaningful cause. #HotelConversion #AdaptiveReuse #ChurchRenovation #BoutiqueHotel #NashvilleDesign #HistoricPreservation #CommunityImpact #InteriorDesign #ArchitecturalHeritage

Designer Rebecca Philipson undertook a significant remodel of a 1990s-built, 5,300-square-foot home in Aurora, Ohio, focusing on transforming the kitchen, great room, and lounge into more open and inviting spaces. The homeowners sought to infuse warmth and an open concept into their residence, a vision Philipson brought to life through a blend of traditional and rustic elements, with distinct French Country influences. Central to the design is the incorporation of Amish hand-hewn ceiling beams and elaborate stonework, which serve as prominent features, particularly in the lounge. This area, designed for relaxation and entertaining, includes a wet bar, a built-in refrigerator, and custom alder cabinetry. The adjacent sunroom houses a pool table, creating a seamless flow for social gatherings and post-dinner interactions. The overall layout was reimagined to foster a sense of togetherness, allowing family and guests to interact comfortably across the connected rooms. Philipson achieved this open concept by strategically removing the wall between the great room and kitchen, then linking the kitchen to the lounge. Archways were introduced to formalize these open transitions. The kitchen underwent the most substantial transformation. Previously walled off, it featured an angled peninsula, an irregularly shaped island, and low-hanging soffits. Philipson replaced these with faux beams to maintain the rustic aesthetic and installed a central island with seating for three. The homeowners' desire for warmth and intricate details was met through design elements such as decorative island legs. Attention to detail extends throughout the kitchen, with intricate touches found in the baseboards, legs, valances, and along the bottom of the island cabinetry. The refrigerator was artfully concealed with cabinet panels and mirrored glass, designed to resemble an armoire rather than an appliance, fulfilling the client's wish for cabinetry that emulated furniture. A built-in coffee maker contributed to a decluttered countertop space. The great room further showcases the sophisticated stonework, with cream-colored stone extending from floor to ceiling around the fireplace. This central feature is flanked by built-in cabinets that mirror the design of the kitchen's concealed refrigerator. Oversized iron hardware on the cabinetry adds a dramatic flair, complementing the multi-tiered iron chandelier, which serves as a focal point. Recessed lighting supplements the chandelier, with all lighting choices made to enhance the room's warm ambiance. The remodel successfully integrated rustic charm with French Country elegance, creating a cohesive and welcoming environment across the main living areas. #HomeRemodel #AuroraHome #FrenchCountryStyle #RusticDesign #KitchenRenovation #GreatRoomDesign #LoungeArea #InteriorDesign #OpenConcept

The Nolintha Residence, an American Foursquare from the 1920s, underwent a significant transformation from a state of disrepair into a fully restored and updated three-bedroom home. The clients, a brother-sister duo and successful restaurateurs, enlisted in situ studio to renovate the historic structure with a layout optimized for large food-related events. The project presented unique challenges, primarily due to the Raleigh Historic District Commission’s (RHDC) mandate to preserve the front and side facades largely unchanged, despite the home’s severely decayed condition. The architects described the existing state as having brick mortar that had turned to powder and rotten exterior trim, allowing water to compromise the walls. Adding to the complexity, the home's prior use as a rental unit with three separate tenant spaces resulted in a "haphazard" layout and compromised load-bearing elements. Consequently, in situ studio performed a gut renovation, which involved removing much of the interior framing and installing new structural components from the top down. Essential systems such as plumbing, mechanical, and electrical were entirely replaced. While the RHDC's restrictions applied to the exterior, the architects were afforded creative freedom with the interior, leading to a contemporary, light-filled refresh. The ground floor was reconfigured into an open-plan layout, integrating the kitchen, dining room, and living area around a central bathroom and storage unit. A significant art wall now defines the entry space, separating the kitchen and informal eating area from the dining and living spaces that connect to the backyard. Notably, a west-wall fireplace was preserved due to structural integrity concerns. Upstairs, the design team created three distinct bedroom suites, providing private accommodations for a guest and each sibling. These bedrooms are designed to be separate, well-lit, and offer views of the surrounding area and downtown Raleigh. The most distinctive feature of the renovation is the rear of the home, which adopted a surprisingly modern architectural style, humorously referred to as a "mullet" design. This stark contrast to the traditional front facade incorporates durable fiber-cement HardiePlank cladding. An updated south-facing deck, sheltered by the upstairs addition, extends from the main floor living spaces to the backyard, enhancing the home’s outdoor connection. Throughout the interior, white oak tongue-and-groove flooring was installed, contributing to a cohesive and elegant aesthetic. The kitchen features Cosmos Quartz countertops, custom Dopko Cabinetry, and a Soapstone backsplash, reflecting a blend of functionality and modern design. An informal eating space is conveniently located beneath the stair, adjacent to the kitchen, while a new staircase, placed next to original windows, ascends to a brightly lit hall above. The project successfully transformed a decaying 1920s American Foursquare into a modern, functional home, ensuring its usability for another fifty years. #HistoricHomeRenovation #MulletArchitecture #InSituStudio #RaleighHistoricDistrict #AmericanFoursquare #InteriorDesign #ModernAddition #StructuralRenovation #AdaptiveReuse

This article highlights a unique interior design project by Clive Lonstein in Litchfield County, Connecticut, transforming a late 1800s Colonial Revival home with a distinctive turret. Lonstein, a designer who previously worked for William Sofield, opened his own studio in 2016. His clients requested bold color, comfort, and an interesting backdrop for their growing art collection, seeking a bespoke design tailored to their tastes. Instead of extensive structural renovations, Lonstein focused on a decorating approach, embracing the architectural personality of the house designed by Ehrick Rossiter, known for his whimsical country homes. Lonstein emphasized the importance of context in his projects, subtly infusing the unique characteristics of the location into the design. The project involved a vibrant use of color, beginning with a candy apple-red front door, an aubergine staircase, and a bubblegum pink kitchen. The sitting room features moss-hued paint, reflecting the clients' desire for the rich colors often seen in English country houses. The living and dining rooms, however, maintain a white base to allow a diverse collection of art and furniture to stand out. Lonstein skillfully integrated the clients' existing furniture, reupholstering pieces and adding new ones. For instance, the living room showcases paintings by Sophie Larrimore, Caitlin Keogh, and Mary Grigoriadis alongside a reupholstered 1950s sofa, chairs by Sergio Rodrigues, and a game table and chairs by George Nakashima. In the library, a vintage Viggo Boesen chair upholstered in sheepskin complements a sofa, with table lamps from Bitossi and a desk and chair by Mira Nakashima. Upstairs, the color scheme continues with a chartreuse bathroom and a collegiate blue bedroom, echoing the hue of an Yves Klein table downstairs. Lonstein’s favorite space, the round turret room, is bathed in a dusty pink that harmonizes with the original elaborate moldings and serves as a backdrop for a richly-hued photograph by Vik Muniz. A collaborative effort with the client’s art advisor, Bridget Murphy, ensured the seamless integration of the art collection into the design. In the dining room, another Vik Muniz photograph after Gustave Courbet enlivens the neutral space, which includes sheepskin-upholstered vintage Saarinen chairs, a Noguchi light, and a 1950s Martin Eisler caned credenza. Lonstein's approach, despite his personal aspiration to minimalism, is characterized by an appreciation for the idiosyncratic, demonstrating his talent for cohesively blending diverse elements and client preferences into a unified and vibrant interior. #CliveLonstein #InteriorDesign #ConnecticutHome #VictorianArchitecture #BoldColors #ArtIntegration #EclecticDecor #HomeRenovation #DecoratorProject

This article highlights three new home decor boutiques that have recently opened in Southwest Florida, specifically between Sanibel and Naples, in 2025. These shops, celebrated for their distinct styles and community contributions, are recognized for bringing character and purpose to the local retail landscape. The first featured shop is the STARability Home Collection, located in the Naples Design District. This expanded home decor shop is noted for its unique business model, where 100% of its proceeds support programs for adults with intellectual and developmental disabilities. The collection primarily consists of high-end, secondhand finds, meticulously sourced and curated. Anne Fleming, the former general manager of Waterside Shops and a 2024 Gulfshore Life Woman of the Year, played a pivotal role in launching this new location, leveraging her luxury retail expertise and extensive network to secure top-quality donations. These donations include items such as Roche Bobois dining chairs, a John-Richard credenza, Natuzzi leather sectionals, velvet sofas, and vintage books, all maintained in excellent condition. Interior designer Monica Lukas is responsible for arranging these items into polished, showroom-ready vignettes, effectively showcasing the breadth and quality of the inventory, which can sometimes amount to a full house's worth of donations. Next, the article introduces 41 Home & Garden, an interiors-focused extension of Christian Busk’s well-established greenhouse and garden shop, also situated in the Naples Design District. Opened in the fall of 2024, this showroom showcases a blend of character-rich pieces, including Art Deco Donald Deskey originals, midcentury modern silhouettes, and Sicilian ceramics, all presented within a refined and relaxed setting. Christian Busk, known for his nearly 50 years of experience in transforming outdoor spaces, applies his keen eye for design to interiors. He personally curates the collection through extensive travel and estate sale exploration, combining deliberate selections with spontaneous finds. The store's unique appeal stems from this mix of precision and serendipity in its curation, inviting visitors to appreciate each item's story and craftsmanship. Assistant editor Annamarie Simoldoni notes the care evident in Christian’s selections, describing the shop as a thoughtful addition to the local design scene. The third shop is Home by Rachel Pierce, a boutique on Sanibel Island that opened last summer. Founded by Rachel Pierce, an NBC-2 anchor turned artist, the shop embodies a beach-forward aesthetic, earning a strong following for its breezy and well-edited collection. Sandy Stilwell Youngquist, a local restaurateur and Gulfshore Life Community Advisory Board member, highlights this shop as a standout new addition to the island. The interior design of Home by Rachel Pierce features seafoam green upholstery, octopus-patterned pillows, and various shell decor, complemented by curated furnishings sourced by co-owner Lauren Speas. Rachel Pierce actively engages her network of local makers, ensuring the shop remains deeply rooted in Sanibel’s creative community and reflects the natural beauty of the island. Collectively, these three establishments contribute to Southwest Florida’s home decor shopping landscape by offering diverse styles, supporting noble causes, and bringing unique curatorial visions to the forefront. #DesignInspiration #HomeDecor #RetailDebuts #SouthwestFlorida #Shopping #InteriorDesigners #LocalBusinesses #Philanthropy #ArtDeco #MidcenturyModern #CoastalStyle

Designer Ernest de la Torre undertook a comprehensive renovation of a 1950s ranch house in Snedens Landing, New York, transforming it into a vibrant, art-filled family home shared with his husband, Kris Haberman, and their son, Parker. The project involved an extensive overhaul, addressing both functional limitations and aesthetic preferences. The original backsplit ranch structure presented challenges, with public rooms on the upper floor and bedrooms downstairs, necessitating a significant reorientation of the interior spaces. After living with the home's initial configuration for eight years, de la Torre conceptualized a radical redesign. The primary modification involved removing a floor to create a double-height living room at the back of the house, better connecting it to the outdoor space. This change also prompted the repositioning of other key areas, including the kitchen, which was originally situated near the front door. The structural changes required extensive reinforcement, an undertaking de la Torre described as a 'master’s degree in construction,' emphasizing that while it would have been more cost-effective to rebuild, preserving the house's original charm was paramount. A central goal of the renovation was to enhance natural light within the formerly dark interior. This was achieved by installing skylights and replacing solid walls with expansive glass, notably custom steel casement windows and matching doors throughout the entire house. Beyond natural light, artificial illumination was a critical design element, with de la Torre incorporating a variety of lamps and overhead fixtures, including a giant bronze cocoon light by Hervé Van der Straeten and Charles Rennie Mackintosh sconces. The interior design emphasizes unique details and a garden theme, albeit with an imaginative, 'wonderland' quality. Examples include a kitchen counter inlaid with petrified wood, brass parakeets as faucet handles, 'cloud' reliefs on plaster walls, blown-glass dragonflies on light fixtures, and raindrop mirrors. De la Torre’s design philosophy prioritizes uniqueness, creating spaces that are distinct and original. Comfort and texture were also integral to the design, influenced by de la Torre's mentor Peter Marino. Furnishings feature diverse materials such as leather, fur, snakeskin, wool, and silk, encouraging prolonged use and tactile engagement. The eclectic mix includes pieces the designer had collected over time, like oversized Wendell Castle newel posts now serving as pedestals, and cast-iron balconies from a 'robber baron’s house.' The blend of historical periods is evident, with an 18th-century Robert Adam mantel juxtaposed with a 1980s cocktail table by Sol LeWitt, creating a dynamic interplay of styles. The renovation culminated with a strict deadline: de la Torre and Haberman's June 2015 wedding, with the reception hosted at their newly transformed home. Just before the event, artist Shantell Martin was commissioned to create a mural in the powder room, depicting the couple's life story. This personal touch symbolizes the completion of one dream and the commencement of another within their reinvented home. #RanchHouseRenovation #UpstateNewYork #ErnestDeLaTorre #InteriorDesign #CustomDesign #ArchitecturalTransformation #LuxuryHome #EclecticDecor #ArtFilledHome

The article explores the transformation of a 1910 Denver Square home into a functional and vibrant space for a family with twin boys, while meticulously preserving its historical character and managing the budget. Interior designers Katie Schroder and Erika Rundiks of Atelier Interior Design spearheaded the project, focusing on a harmonious blend of original details and contemporary design elements. From the exterior, the house maintains its classic appeal, but the interior reveals a surprising infusion of modern color and pattern. Key original features, such as leaded glass windows, the fireplace, and entry woodwork, were retained and highlighted. The designers even fought to keep an original Greek key pattern inlay in the wood floor, emphasizing the importance of preserving the home's intrinsic character. The renovation strategically targeted specific areas, including a full remodel of the dining room, kitchen, and family room. The kitchen, initially small for the house's size, underwent a significant transformation, involving the relocation of walls and the introduction of a substantial island to accommodate a tall family. A custom breakfast-nook banquette was added, designed with Old World-style paneling to seamlessly integrate with the home's existing historical casework. This approach ensured that new additions respected the architectural integrity of the original structure. Other design elements that were preserved include the wainscoting in the powder room and additional leaded glass panels throughout the house. The designers advocated for a balanced approach to renovation, advising against the need to match every new element to existing historical details. They encouraged homeowners to embrace unique features without feeling constrained by them. A notable aspect of the project was the client's openness to bold design choices, particularly patterned drapes, which introduced vibrant aesthetics into the home. The designers successfully blended different patterns, ensuring that scales and types (e.g., curvy organic with linear) complemented each other rather than clashing. The kitchen, despite its all-white cabinetry, was invigorated with pops of color from the backsplash, soapstone countertops, and purple Arborline stools, alongside modern pendant lights. A significant takeaway from the project is the emphasis on strategic renovation decisions. The designers advised tackling projects in stages and being selective about changes to avoid emotional and financial burnout. For instance, the master bath and bedroom's existing color palette was maintained because the designers and homeowners appreciated it, allowing resources to be allocated to other areas. The article also provides practical tips for homeowners dealing with older homes, such as embracing quirks like old hardware and plaster walls, which contribute to the home's character rather than being perceived as flaws. It suggests creative ways to update without major overhauls, like leathering granite countertops or using traditional pieces with organic touches to bridge historical and modern aesthetics. Furthermore, the designers recommend a mix of high-end and DIY art, emphasizing quality framing for all pieces, and splurging on statement elements like a distinctive backsplash to add personality without excessive cost. Custom built-ins are also presented as a cost-effective alternative to finished furniture, offering perfect fit and design flexibility. Ultimately, the project exemplifies how a historic home can be modernized for contemporary living while honoring its past, demonstrating that careful preservation, strategic updates, and a willingness to embrace unique design elements can result in a functional, vibrant, and character-rich space. The success of the renovation lies in the designers' ability to merge eras, creating a home that feels both timeless and current, all while keeping budget considerations in mind and respecting the existing architecture. #HomeRenovation #HistoricPreservation #InteriorDesign #DenverSquare #ModernTraditionalMix #BudgetFriendlyDesign #AtelierInteriorDesign #HomeDecor #ResidentialArchitecture

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

Multimillion-selling music artist Darius Rucker, widely known for his band Hootie and the Blowfish, undertook a significant historic home renovation project in his hometown of Charleston, South Carolina. The project centered around restoring a vacant landmark with a complex past, transforming it into a vibrant family residence while honoring its historical integrity. Rucker's decision to renovate stemmed from a desire to give the house a new chapter, particularly after learning it was built by enslaved people for a slave owner. A core principle of the renovation was to preserve as much of the original craftsmanship as possible, acknowledging the extraordinary skill of the original builders. The renovation process was meticulously documented in the show 'Rucker’s Reno' by The Design Network, which also explored Charleston's rich cultural and social evolution. The project involved a team of experts, including architects, historical consultants, and interior designers, who worked to modernize the home while respecting its heritage. Several key areas of the house underwent remarkable transformations. The kitchen, initially sectioned off with an elevator and office cubicles, was a major focus. By removing these later additions, the team successfully opened up the space, revealing and highlighting original Federal period architectural details such as cornices, a mantle, and wainscoting. The design opted for no upper cabinets to emphasize these historic features, instead incorporating a sensitively designed built-in cabinet for storage, creating a balance between functionality and historical preservation. In the living room, the challenge was to refresh existing intricate details, including ceiling designs, molding, and an original hearth, while simultaneously updating the room to feel lighter, airier, and more contemporary. Architectural historian Kristopher King noted that this room, despite being an addition, remained the primary entertaining space. The renovation involved refreshing finishes, restoring the fireplace, and installing new period flooring, which complements the room's grand scale and high ceilings, effectively blending old and new elements. The dining room required minimal structural intervention. The renovators focused on behind-the-walls improvements, such as rewiring and installing new HVAC systems, carefully avoiding disruption to the original finishes. King highlighted the dining room's exquisite details, including the stunning mantelpiece, cornice work, and wainscoting, which were cleaned and repainted. This room serves as a testament to the skill and craft of the original builders, showcasing how preservation can maintain historical beauty. The primary bedroom presented a unique challenge due to its rounded walls. To accommodate modern amenities like a TV, an innovative solution was devised: hiding the television in the ceiling, controlled by a remote that also managed shades and lights. The large room was thoughtfully arranged to create an inviting atmosphere. Similar to the living room, the bedroom saw refreshed finishes, a restored fireplace, new flooring, and the introduction of a more contemporary design palette, ensuring comfort and modern living within a historic context. Finally, a peculiar, vault-like room with thick concrete walls and no windows was transformed from a former safe into a creative music room. Windows were added to introduce natural light, and the walls were hand-painted to resemble concrete, acknowledging its past while giving it a new, inviting purpose. This conversion turned a dark, functional space into a vibrant area for creativity, symbolizing the broader theme of revitalizing the historic home for a new era. #HomeRestoration #HistoricHomes #CharlestonArchitecture #DariusRucker #BeforeAndAfterRenovation #HomeDesign #ArchitecturalPreservation #InteriorDesign #RenovationProject

This article details the transformation of a formal center-hall Colonial home in Canton into a light, airy, and casual space, a challenge undertaken by mother-daughter interior designers Susan Hayward and Jillian Hayward Schaible. The clients, whose tastes lean traditional, sought a refreshed aesthetic for their long-standing residence. The renovation began in the kitchen, located at the back of the house, which was initially made brighter through the addition of skylights by the builder. The designers' role involved selecting fixtures and finishes to imbue warmth into the all-white kitchen the clients desired. To achieve this, the designers incorporated nickel gap and walnut beams to visually break up the extensive ceiling in the large, cabinetry-filled space. A warm white paint, Benjamin Moore Cotton Balls, served as a foundational creamy hue, complemented by oil-rubbed bronze accents and a hammered copper sink, with the bronze hardware's subtle gold undertones adding depth. A custom walnut top on the dining island introduced a rich contrast to the quartzite used on the perimeter and prep island. The connection between the kitchen and breakfast nook was enhanced by widening the opening, allowing more natural light to flood the spaces. Hayward noted that sunlight now streams directly into the nook, drawing attention to this area, which was further embellished with a textural wallpaper featuring oversized leaves. The breakfast nook also features a curved banquette, strategically implemented to maximize the natural light and views of the surrounding greenery. This design choice also resolved a furniture layout challenge, as the clients' original table and chairs did not fit centrally. Positioning them with a banquette in a corner created a cozy gathering spot. In the front of the house, an office, already featuring new, traditional walnut millwork, was transformed into a feminine retreat. The design process for this room started with selecting wallpaper, with the client being drawn to Lee Jofa panels by Aerin, which provided an old European, romantic garden feel. Complementary elements included a subdued neutral rug, a velvety blue chair, and a distressed iron chandelier adorned with glass crystals. A key objective for the designers was to ensure that the refreshed home did not appear to be recently redone. Schaible emphasized that the design aimed for an aesthetic where everything seemed to have always been in place, belonging naturally within the home's existing character. The article also provides resources for the interior design services and the carpenter involved in the project, along with a correction regarding the carpenter's phone number. #HomeMakeover #InteriorDesign #ColonialHome #KitchenRenovation #BreakfastNook #HomeOfficeDesign #TraditionalStyle #ResidentialDesign #CantonMassachusetts