Moniomi’s meditative medley of limewash paint, hand-carved rugs and micropatterned fabric

This article highlights various home decor and furniture pieces, emphasizing unique designs, craftsmanship, and the stories behind their creation. It features a reintroduction of the Lawrence Peabody chair from 1962, now custom-crafted in America from solid teak or wicker with high-density foam cushions and customizable fabric choices. Another piece is Shanan Campanaro's largest rug collection for Eskayel, inspired by Marrakech and the High Atlas Mountains. This collection includes the Kotoubia/Duomo rug, made from Merino wool and silk blend, hand-knotted with varied weave structures and pile heights. The article also presents a whimsical kitchen apron called 'Siberia' by Helen Wilson of Witch and Watchman, depicting a jungle of animals on a crimson Siberica leaf background, offering an eccentric take on chinoiserie. Pillows designed by Sigi Ahl are showcased, crafted from felt made from recycled clothing by Eileen Fisher, as part of Fisher's zero-waste initiative, which has seen over a million clothing items returned. Joana Aranha's Fingerprint Chaise Longue, made from Indian Acacia wood with an extra matte varnish and a linen-cotton blend upholstery, is also featured. Her pillows incorporate hand-sewn gold zippers and a trademark tassel with the 'flower of India' insignia, inspired by a red flower Aranha found in New Delhi. Adriana Hoyos' Rumba upholstered chair is described with its distinctive silhouette, pronounced curves, generous seat, and gold-finish metal studs on a wooden frame, combining comfort, craftsmanship, and design. The Francis desk, named after Hillary Petrie's father, is presented as a simple yet complex piece with intricate joinery, ideal for floating in a room. This custom version is crafted from natural Douglas fir with a clear water-based finish and saddle leather drawers, all made in Egg Collective's woodshop or in collaboration with New York City fabricators. Michael Wainwright's new artisanal dinnerware brand for Lenox, 'Crafted,' introduces the Pompeii collection, which features durable stoneware with charming blue-on-white patterns and gold accents, designed for playful layering and everyday use. The Margot Chest by Bruce Andrews is highlighted for its dazzling emerald green, piano-ribbed front, and silver leaf-covered solid maple base with contoured legs. Handcrafted in America, this piece measures 40 3/4 inches wide, 18 3/4 inches deep, and 44 inches tall from its 12-inch leg. Aoife Mullane's textiles feature foiling on fabric, drawing inspiration from sea glass and pebbles, incorporating glamorous metallic touches in bronze, copper, and silver. Michele Varian's lighting designs are noted for their use of solid, unplated metals like brass, copper, or steel, with sculptural Mala 'bead' pendants inspired by Constantin Brancusi and modern primitive design, which will naturally patina over time. Alexandra Petrache's HALFDROP textile collection, specifically the Layers Yellow pattern, is shown, inspired by antique Romanian rag rugs. This reinterpretation features bold, organically layered patterns in mustard yellow and complementary grays, with hand-drawn lines enhancing fluidity. These 20-inch pillows are made of 100 percent cotton. The Lake Shore Watercolor Console from John Strauss Furniture is presented as a piece of art, featuring a watercolor by Tracy Hiner digitally printed and applied as a veneer to the doors, protected by an acrylic coating. The console has a satin sheen navy lacquer finish, stainless steel legs, and touch-latch doors with adjustable shelves. Lastly, Stacy Kunstel's Chunky Captain Compass Table, designed with Michael Partenio, features a massive turned maple base painted in a glossy custom Benjamin Moore color, Blueberry Hill, and topped with a 48-inch white-honed Carrara marble. Maggie Cruz’s Alexandra Cane Bench, influenced by her Cuban heritage and Miami, showcases Art Deco styling in a coral dust finish with white-washed cane and optic white linen upholstery. #HomeDecor #FurnitureDesign #InteriorStyling #TextileDesign #ArtisanCraftsmanship #SustainableDesign #ModernPrimitiveDesign #ArtDeco

The article showcases Liz Tew's favorite room, highlighting her approach to creating a relaxing and inviting living space. The design centers on a serene color palette, utilizing Benjamin Moore's Pale Oak for the walls, which sets a calming foundation for the room's aesthetic. This choice of wall color contributes significantly to the overall tranquil ambiance of the living area. Several key design elements are incorporated to enhance the room's visual appeal and comfort. Woven raffia wall hangings are prominently featured, adding texture and a natural, organic touch to the space. These hangings are noted as a growing trend in home decor, indicating a contemporary design sensibility. The integration of art pieces is another significant aspect of the room's design, with a collection from artists Annie Howell, Katie Hinshelwood, Grace Pouch, and Whitney Stoddard creating a cohesive and visually stimulating grouping. This curated selection of art reflects a thoughtful approach to personalizing the space. Natural elements are strategically used to introduce warmth and visual interest. A wooden circular mirror serves as a natural texture element, providing a contrast to the cooler tones in the room and adding a sense of organic elegance. Furthermore, a tall fiddle leaf fig tree is positioned in a corner, adding height and bringing a touch of nature indoors, which contributes to the room's freshness and vitality. Textiles play a crucial role in enhancing the comfort and style of the living space. The couch features throw pillows by artist Laura Park, which introduce patterns and colors that complement the overall design. These pillows are paired with thick banded curtains, creating a harmonious and polished look. The attention to detail extends to smaller accents, such as a beaded decoration on a vintage door knob, illustrating how minor elements can contribute to the room's character and charm. A particularly notable art piece in the room is "ÒLarry LlamaÓ" by local artist Marian Pouch. This painting not only serves as a focal point but also connects the interior space to the local art scene, as a larger version of the piece adorns the Camperdown Plaza in downtown Greenville. This inclusion underscores a blend of personal taste with an appreciation for local culture. Overall, Liz Tew's favorite room is characterized by a carefully balanced combination of calming colors, natural textures, curated art, and thoughtful decorative details. The design emphasizes creating an inviting and aesthetically pleasing environment through a harmonious selection of furnishings and decor, reflecting a contemporary yet timeless approach to interior design. #HomeDecor #InteriorDesign #LivingRoom #PaintColors #HomeStyling #ArtCollection #NaturalElements #TextileDesign #GreenvilleHomes

The article explores the folk decor style as a burgeoning interior design trend, moving away from minimalism towards more characterful and eclectic aesthetics. Folk style is characterized by playful colors, bold patterns, and a rustic charm that often draws inspiration from nature. It is fundamentally a form of storytelling through craft, aimed at making a space feel unique and personal. One primary way to incorporate folk decor is through painted murals. This traditional technique, historically used to convey narratives on walls, floors, or ceilings, is now being celebrated for its naive painting style and resourcefulness. Designers like Tess Newall emphasize creating murals based on personal narratives rather than solely decorative or antique folk furniture. This approach ensures the art reflects the homeowner's unique story and aesthetic. Handcrafted furniture, particularly painted pieces adorned with flora and fauna motifs, is another key element. These unique items, often Swedish or German in style, are instantly recognizable and can be effectively contrasted with modern furniture to add charm and character to a space. Mixing different furniture styles, especially vintage or antique pieces, helps achieve a rich and layered look. Handmade tapestries are essential for introducing coziness and character. Historically used for storytelling with nature-related symbols, tapestries can uplift bare walls. Techniques like appliqué, which create a collage of color, pattern, and texture, are particularly effective in adding a folkloric and personal touch. These tapestries can be styled with other whimsical items to create an eclectic and meaningful entryway or living area. Displaying handmade ceramics, featuring naive patterns of animals and plants, also contributes to a whimsical folk aesthetic. These rustic pieces, handmade and inspired by nature, vary across cultures, such as Hungarian blue and white floral patterns or colorful Scandinavian designs. Their individuality makes them perfect as standalone decorative elements or as part of a vibrant collection on shelves or cabinets. Print and pattern are central to the folk look, typically featuring illustrative and detailed designs of plants and flowers against colorful backgrounds. These patterns are often seen on upholstery or soft furnishings, achieved through traditional methods like block printing and hand embroidery. Incorporating vibrant patterned fabrics on sofas, armchairs, or cushions helps infuse a classic folk style into the home. Travel often influences designers to integrate these patterns into their work, reflecting diverse folk traditions. Finally, a whimsical color palette is crucial for a bold and vibrant folk interior. This style uses extensive color to create warm and happy spaces. Techniques like color-drenching, where an entire room is painted in a single bold color like yellow or pink, are effective. For a subtler approach, color can be introduced through painted furniture or furnishings. The use of vibrant colors is believed to evoke positive emotions, contributing to a welcoming atmosphere. Ultimately, the essence of folk decor lies in the personal story and meaning behind each handcrafted piece. #FolkDecor #InteriorDesign #HomeDecor #HandcraftedFurniture #PaintedMurals #HandmadeTapestries #CeramicArt #WhimsicalColorPalette #PatternAndPrint

If a home's interiors appear bland, boring, or monotonous, incorporating layering techniques can transform these spaces into curated, inviting, and stylish environments. Layering involves combining various textures, finishes, and materials to add depth and make a space feel more "lived in" and vibrant. This approach goes beyond mere aesthetics, aiming to create a multi-sensory experience that engages sight, touch, and movement, resulting in a harmonious flow within the composition. One effective method for layering involves grounding the space by utilizing rugs. Since the floor is often the largest uninterrupted surface, it serves as an ideal canvas for introducing texture and depth. This can be achieved by starting with a large, handwoven base rug made from materials like jute, wool, or a silk blend, which anchors the room. To add personality and create a focal point, a smaller, patterned rug, such as a kilim, Moroccan Beni Ourain, or antique Persian, can be layered on top. Furthermore, using an organic-shaped rug over a rectangular base can soften architectural edges and help delineate specific zones within open-plan living areas, contributing to both visual interest and functional organization. Walls also offer significant opportunities for layering to enhance a room's character. Applying various wall treatments can impart a sense of architecture and tactility. Textured wallpapers, including grasscloth, silk, or linen, can introduce subtle richness and visual interest. Panelling, whether in wood, lacquer, or fluted profiles, creates dynamic shadow play and adds depth to the walls. A sophisticated and finished look can be achieved by combining these elements, for example, by framing a silk wallpaper within slim timber panelling, which adds a tailored touch. Textiles can transcend their traditional roles as upholstery or drapery to become striking art pieces. Hanging a vintage suzani, a woven wall hanging, or a contemporary tapestry can bring softness and a narrative quality to a room. To further enhance dimension and establish a dynamic focal point, a sculptural wall light or a floating shelf can be strategically placed in front of the textile, drawing the eye and adding another layer of visual complexity. Sculptural elements also gain presence when carefully layered with other materials. A ceramic, stone, or bronze sculpture can be positioned in front of a textured wall, such as one finished with silk, timber, or polished plaster, to create a compelling contrast. On shelving units, grouping smaller sculptures with books, framed art, and decorative vessels can contribute to a collected, lived-in feel, reflecting a curated aesthetic. Finally, achieving a balanced and cohesive layered look requires intentional contrasts. Pairing smooth materials like marble with open-weave linen, placing a matte clay vase against a lustrous lacquered cabinet, or introducing woven baskets into a room with clean-lined furniture can effectively soften the overall aesthetic and create a harmonious yet dynamic interior. #HomeDecor #InteriorDesign #LayeringTechniques #TexturedWalls #RugsAndThrows #SculpturalElements #TextileArt #VisualDepth #ContemporaryHomes

Wabi sabi is a Japanese philosophy that values imperfection and impermanence, extending this appreciation to interior design. Similar to the Danish concept of hygge, wabi sabi focuses on finding beauty in the natural process of aging and cherishing well-loved, rustic pieces rather than seeking flawless, mass-produced items. This design aesthetic embraces natural beauty, raw forms, and environmentally conscious details, highlighting asymmetry and imperfection. The core principles of wabi sabi design emphasize simplicity, with a "less is more" approach. Every item in a wabi sabi interior should be intentional and cherished, telling a story rather than merely serving as decor. The style encourages the use of muted color palettes, featuring earthy and neutral tones such as beige, cream, white, brown, tan, and gray. Subtle accent colors like sage green, terra-cotta, dusty rose, or slate blue with warm undertones can be introduced to enhance comfort without disrupting the serene atmosphere. Natural and matte textures are paramount in wabi sabi interiors. This includes organically shaped raw wood furniture, handmade pottery and ceramic pieces with visible imperfections, and natural materials like stone, metal with a faded patina, and unglazed ceramics. Textiles are typically light and airy, made from organic fibers such as linen, bamboo, tweed, cotton, and wool, used for rugs, curtains, blankets, and pillows. The emphasis is on materials that exhibit their natural state and the marks of time or craftsmanship. Functionality takes precedence over mere aesthetics; each piece should serve a purpose. Furniture with rounded shapes and soft edges is preferred, such as curved sofas, papasan chairs, and low-profile pieces, creating a soothing and gentle aesthetic. Layering blankets and pillows contributes to a comfortable and lived-in feel, embracing the concept of imperfection where even unkempt linens add character. Architecturally, wall niches are a distinctive feature of wabi sabi design, often appearing asymmetrically or in unusual shapes. These niches can replace traditional furniture like headboards or side tables and provide functional storage in bathrooms or aesthetic display areas in living rooms for pottery and baskets. Another key aspect is asymmetry in arrangement, intentionally avoiding perfect balance to emphasize the natural and imperfect. Mismatched details, layered rugs, and uneven wall decor are celebrated elements that contribute to the unique charm of wabi sabi homes. While sharing a common Japanese cultural origin and an appreciation for minimalism and intentionality, wabi sabi differs from Japandi design. Japandi, a blend of Japanese and Scandinavian styles, leans towards crisp lines, stark color palettes, and refined materials. In contrast, wabi sabi interiors are inherently warmer and more comforting, prioritizing raw materials, handmade objects, and a visibly organic, imperfect aesthetic. Both styles promote simplicity, but wabi sabi uniquely champions the beauty of impermanence and the honest character of aged, natural elements. #WabiSabiInteriorDesign #JapanesePhilosophy #HomeDecor #NaturalMaterials #MutedColorPalette #ImperfectBeauty #Asymmetry #MinimalistDesign #OrganicTextures

The article explores the growing trend of incorporating soft textures and textiles into home interiors to create more comfortable, cosy, and tactile spaces. This movement is seen as a response to the dominance of digital technology, the anxieties of modern life, and a desire to make homes feel like sanctuaries. The shift towards soft textures builds upon earlier interior design trends, such as the resurgence of wallpaper two decades ago and the preference for moodier paint colours, both aimed at creating cosier environments. Today, designers are increasingly utilizing textiles for walls, floors, and furniture, moving beyond mere decorative elements to provide cushioning and a sense of luxury. These contemporary textile designs often feature natural, plant-based fibres like bamboo, jute, coconut waste, and even vegetable waste, emphasizing warmth and sustainability. Designers employ a mix of traditional techniques like embroidery and modern digital technology to achieve diverse textures, from matt to glossy finishes. The use of sustainable materials and dyeing methods also reflects a growing environmental consciousness within the design community. A key advantage of textiles is their adaptability; unlike rigid fixtures, they can be easily repositioned and layered for enhanced comfort. The Covid-19 pandemic significantly boosted sales of throws, cushions, and rugs, as people sought to make their homes more comfortable during lockdown. Charlotte Bastholm Skjold of Kvadrat highlights that textiles counterbalance the pervasive influence of technology by engaging the sense of touch, providing a human quality to spaces dominated by screens. Historically, textiles have played a similar role, with tapestries in medieval times offering portability and insulation, much like modern textiles provide warmth and softness. Textile artist Alan Oliver notes that wall-hangings and rugs evoke feelings of comfort and safety, fulfilling a deep-seated desire to 'nest.' He also points out the perceived impermanence of textiles, which encourages bolder design choices compared to permanent artworks or furniture. Prominent designers like Sarah Campbell, known for her hand-painted fabrics, emphasize how textiles enliven spaces by reflecting light and showcasing human artistry. Her work, along with that of other textile artists, is currently being exhibited, indicating a vibrant market for craft-based textiles. A younger generation of textile designers is also contributing to this trend, with events like London Craft Week highlighting the renewed interest in this craft, particularly for wall-hangings. Artists such as Singaporean weaver Tiffany Loy explore sculptural and three-dimensional textiles that offer translucency, sound absorption, and flexible space division. Ekta Kaul creates bespoke, hand-embroidered maps, drawing inspiration from historical and personal narratives. The appreciation for large-scale textiles has been influenced by exhibitions featuring artists like Anni Albers and the quilts of Gee's Bend. Claire Coles's silk wallpapers, incorporating appliquéd floral motifs, exemplify the demand for textured, non-repeating wall coverings. The trend also includes a preference for rugged, raw-looking textures, as seen in the large-scale tapestries by Crossing Threads, which use unconventional materials like coconut husk and discarded denim. Aiveen Daly's monumental upholstered panels, with their soothing monochrome colours and layered suede, are designed to evoke peace and tranquility, underscoring the role of textiles in making homes feel like sanctuaries in an anxious world. #SoftTextures #HomeDecor #InteriorDesign #TextileArt #CosySpaces #SustainableMaterials #Craftsmanship #TactileAesthetics #ComfortZone

The 'Lifelines' collection, developed by designer Kirsi Enkovaara, intricately combines abstract painted landscapes with functional furniture, creating a unique series of objects and artworks. This collection features 'The Lifeline Chair' as a central piece, accompanied by a selection of deconstructed paintings. The design concept revolves around the idea of life as a series of fragmented moments and emotions, rather than a continuous, seamless narrative. Enkovaara disassembles her original paintings and reconfigures them into new arrangements, embodying this philosophy through both the visual art and the interactive furniture. 'The Lifeline Chair' is designed to be an interactive element within the collection. Its innovative structure allows the embedded paintings to be manipulated, much like turning pages in a book. This interactive feature enables users to actively change the visible composition of the artwork, thus creating new visual narratives and spatial experiences. The ability to reconfigure the paintings means that the scenery presented by the chair is adaptable and shifts with each adjustment made by the user, providing a variable and personal aesthetic experience. This interactivity challenges traditional notions of static art and functional furniture, blurring the lines between them. The genesis of the 'Lifelines' collection was Enkovaara's process of deconstructing her own painted works. By taking apart and then reassembling these pieces in different sequences, she explores how individual moments and feelings contribute to the broader tapestry of existence. The collection, therefore, serves as a comprehensive study of fragmented yet interconnected experiences, manifesting both through the tangible furniture and the abstract imagery. This approach offers a fresh perspective on how art can be integrated into daily life and how personal narratives can be expressed through design. Each component of the collection, from the chair to the reconfigured paintings, is designed to evoke a sense of a mental landscape. The abstract nature of the paintings, combined with their movable fragments, invites viewers to engage with the art on a deeper, more personal level. The shifting compositions allow for a continuous rediscovery of the artwork, reflecting the dynamic and ever-changing nature of memory and perception. This interplay between memory and form is a core theme, highlighting how our understanding of our own 'lifelines' is constantly being shaped and reshaped by our experiences and interpretations. In essence, the 'Lifelines' collection by Kirsi Enkovaara is more than just a furniture series; it is an exploration of human experience through the medium of interactive art and design. It encourages engagement, reflection, and a dynamic interaction with one's environment. The merger of abstract painting with furniture design results in pieces that are both aesthetically compelling and conceptually rich, offering users the ability to curate their own visual and emotional spaces within their surroundings. The collection ultimately suggests that art can be a fluid and participatory element, reflecting the complex, fragmented, yet cohesive nature of life itself. #LifelinesCollection #KirsiEnkovaara #AbstractArt #FurnitureDesign #InteractiveDesign #ArtAndDesign #MentalLandscapes #FragmentedCompositions #ChairDesign

The article introduces Inner Child, a home decor brand founded by Michelle Pham, which specializes in colorful, handmade, maximalist decor. The author, Tori Polizzotto Jones, shares her personal journey from a minimalist aesthetic to an appreciation for maximalism, influenced by sentimental family heirlooms. This shift in personal style led her to discover Inner Child, a brand that resonates with her newfound love for vibrant and expressive home furnishings. Michelle Pham, the founder of Inner Child, explains her inspiration for starting the brand. She observed a gap in the U.S. market for accessible, handmade textiles and crafts, which are often found only through extensive travel. Her aim was to bring these unique, artisanal items to a broader audience. Inner Child's products are distinguished by their 100% handmade nature, encompassing fabrics, patterns, and textures. The brand offers a variety of home linens, including blockprint tablecloths, napkins, placemats, and table runners. Additionally, Inner Child has developed a sustainable practice by creating recycled paper goods from leftover cotton textile production. The brand's name, 'Inner Child,' reflects Pham's philosophy that joyful and whimsical decor should not be outgrown. She notes that while adult tastes often lean towards muted, minimalist palettes, children instinctively gravitate towards color and experimentation. Inner Child seeks to reintroduce this playful approach into adult homes, encouraging consumers to embrace delightful and colorful items. The brand continuously innovates, transforming new design ideas into stitched realities quickly to meet consumer desires for vibrant home aesthetics. Among Inner Child's bestsellers are the Ocean Wave Waste Bin, made from hand-marbled and block-printed recycled cotton papers. This collapsible, sustainably made bin serves both as a waste receptacle and a chic storage solution. Another popular item is the Araminta Toiletry Bag, available individually or in sets of three. These bags are designed for functionality, featuring four inner pockets and a wipeable plastic liner, with fabric hand-block printed by an eighth-generation artisan team. The Purple & Blue Checkered Reversible Sujani Quilt is another standout, crafted by one of only two remaining families globally practicing the Sujani weaving technique. These cotton-filled quilts take over 16 hours to handloom and offer a unique 'puff pillow' effect. Pham's inspiration stems from her childhood experiences, including reading extensively about crafts and textiles, and traveling widely in her twenties, which exposed her to diverse crafts and ways of living. Her mother, a talented seamstress, also instilled in her a deep appreciation for colors, patterns, and fabrics from an early age. Living in New York City further provides daily inspiration from fashion and people's choices. Pham also sheds light on the realities of running a small business with handmade products. She single-handedly manages all aspects of Inner Child, from design and production to warehousing, shipping, and marketing. This hands-on approach has given her comprehensive mastery over her business operations, from recognizing ideal shipping boxes to understanding fabric compositions and maintaining daily communication with artisans. Despite the immense workload, she finds the work highly rewarding, emphasizing that it is a constant, demanding endeavor rather than a typical nine-to-five job. The brand's core message is to promote the accessibility of handmade items and to encourage adults to embrace joyful and whimsical home decor that allows for self-expression and happiness, regardless of age. #HomeDecor #MaximalistStyle #HandmadeProducts #SmallBusiness #MichellePham #InnerChild #TextileArt #SustainableDesign #Entrepreneurship

Pita and Bloom, founded in 2010 by Florencia Pita and Jackilin Hah Bloom, emerged from their collaborative experience at SCI-Arc and Greg Lynn's Form. The firm, a finalist in MoMA PS1's YAP competition in 2014, is recognized for its distinctive approach to architecture, which emphasizes color theory, abstraction, and pop art influences. Their designs integrate bright color palettes, collage, pattern, and geometry, intentionally embracing ornament in an architectural context. The practice is typically small, consisting of the two founders, and occasionally expands to include one or two designers and interns for specific projects. The motivation behind establishing their practice stemmed from a strong working relationship and friendship developed during their time at Greg Lynn's office. This led to a natural collaboration, initially exploring shared ideas on color and form through competition projects and speculative work. This early body of work provided the foundation for their nomination in the MoMA PS1 competition. Over time, their collaboration evolved from self-initiated projects to commissioned architectural work, with their academic roles at the Southern California Institute of Architecture (SCI-Arc) continuously informing and being informed by their practice. An example of this synergy is Florencia's Los Angeles River studio, which reimagined the infrastructural space as a public landscape through painting the concrete riverbed, leading to the project 'Flat Pools,' featured in 'Art Papers.' One significant challenge faced by Pita and Bloom is grounding their interests and ideas within the rapidly evolving discourse of architecture, which shifts with advancements in arts, technology, and society. Having transitioned from traditional drafting methods to embracing digital technology, and now navigating a landscape where representational techniques define architecture, they employ a range of analog and digital tools tailored to each project. Despite these evolving mediums, their core template remains consistent: defining the parameters of color and form in architecture. Their projects consistently explore color as a material with texture and patterns, and forms that transition from flat to 2.5D through concurrent lines and volumes. The firm does not set specific goals for its size, viewing growth as an organic process. They value the contributions of talented collaborators and project teams, which allows their practice to remain open and experimental while maintaining a serious and earnest approach. The benefits of a small practice, though not always by choice, include the ability to dedicate extensive time and focus to idiosyncratic and self-initiated projects. This affords them the luxury of sustained creative thought and exploration of ideas, contributing to their unique architectural output. The article showcases several projects by Pita and Bloom, illustrating their design philosophy. 'FLAT POOLS' for the Los Angeles River proposes painting the riverbed to transform it into a public landscape. 'LA MEDIANERA' in Tetla de la Solidaridad, Mexico, presents a rural house prototype for Infonavit's 'From the Territory to the Dweller' initiative. 'THE NEW ZOCALO' for Mexicantown, Detroit, was a project for the 15th Venice Architecture Biennale's U.S. Pavilion, 'The Architectural Imagination.' Finally, 'SIGNATURES' is an entry façade installation for the Princeton School of Architecture in Princeton, New Jersey. These projects exemplify their consistent exploration of color, form, and ornament in diverse architectural contexts. #ArchitecturalDesign #ColorTheory #OrnamentInArchitecture #PitaAndBloom #SmallPractice #ArchitecturalInnovation #LosAngelesArchitecture #AcademicPractice #ArchitecturalCollaboration

This article presents a diverse array of innovative products spanning home decor, personal accessories, and lifestyle items, each chosen for its unique design, functionality, or social impact. In the realm of home decoration, the Studio Cubbe Mini Floating Shelf from Lyon offers whimsical storage solutions with customizable colors and grout options, despite its miniature size. Similarly, Ugly Rugly's Amoeba Coaster Set brings playful, water-resistant designs to dining spaces, while &KLevering;'s Coupe Twirl Mint Set reimagines classic champagne glasses with colorful, retro forms. Lighting solutions include Zanwen Li's Heng Balance Lamp, a minimalist and interactive piece that illuminates through magnetic connection, and Siup Studio's handmade Minty Bubble Lamp, known for its experimental, bulbous ceramic form. For larger home accents, HAY's Flat Works Rug, designed by Ethan Cook, provides a blend of bold and subdued colors inspired by woven wall art, suitable for various decor styles. Storage and organization are addressed with DOIY's 'Mystic' ceramic boxes, which offer playful, magic-inspired vessels for trinkets and jewelry. Beyond home decor, the collection features personal accessories and apparel. The article showcases Piatnik's Takenobu Igarashi Playing Cards, originally commissioned by MoMA, which stand out for their timeless graphic design and use of negative space. For footwear, the FEIT + Oliver Jeffers Indoor Slippers, crafted from single-piece vegetable-tanned calfskin, feature illustrations from Jeffers' art book. Apparel items include the MAAP + The Arrivals Alt_Road Haelo Packable Jacket, a stylish and functional cycling jacket made from water-repellant and recycled materials, and The Fillmore Hoodie in Sunflower Embroidery by Taylor Stitch + Ron Finley, an organic cotton hoodie that supports the Ron Finley Project's guerrilla gardening initiatives. Accessories also include American Trench's Retro Stripes Socks, offering a nostalgic nod to the 1950s with durable, colorful designs, and the Q Timex 1972 Reissue watch, celebrating Timex’s iconic collection with a retro gold-tone stainless steel case and red face. The curated selection also highlights items with social or artistic significance. Heart n Soul Greeting Cards, featuring artwork by co-designers with learning disabilities, contribute 100% of profits to the Heart n Soul non-profit, promoting talent and inclusivity. The Galison “The Sunflower Quilting Bee at Arles” Puzzle transforms Faith Ringgold's powerful artwork, celebrating iconic Black American women, into an interactive piece. For pet owners, Dog Ear's Frankenball offers unique, handmade pet toys made from 100% recycled fabrics, emphasizing sustainability and outdoor enjoyment. Unique food and drink items include the Zojirushi PAC-MAN Stainless Mug, a limited-edition collaboration that combines classic gaming nostalgia with functional insulation, and Asha's Hello Kitty Cup Noodles, providing vegan noodles in playful, low-sodium packaging. Fine jewelry is represented by Lightbox Lab-Grown Diamond Cushion Cut Studs, showcasing technologically replicated diamonds in various colors and settings. Finally, the Rock Plan ChungKing Mansion Keychain pays homage to Hong Kong's ChungKing Mansion and Wong Kar-wai's film 'ChungKing Express', blending cultural reference with functional design. This collection emphasizes craftsmanship, unique aesthetics, and sometimes, a commitment to social responsibility or environmental consciousness, providing a comprehensive overview of products that aim to enhance daily life through design and thoughtful creation. #HomeDecor #InteriorDesign #LifestyleProducts #HandmadeCrafts #SustainableDesign #ArtisticCollaboration #GiftIdeas #UniqueDesigns

Mia Jung, the New York–based interiors director at Kligerman Architecture & Design, shares her current inspirations through a curated flat lay. Jung describes her aesthetic as gravitating towards textiles that are "soft, delicate and tranquil," favoring understated yet masterfully crafted pieces over more ostentatious designs. Her mood board, envisioned for a "dream bedroom," celebrates individual materials and their purposeful provenance, reflecting a "quiet beauty" derived from dedicated craftsmanship. The assemblage showcases a variety of artfully executed bespoke styles and handmade designs, encompassing items from hand-blown tinted glass light fixtures to multi-tonal embroideries. Jung emphasizes a feeling of happiness and appreciation when observing these pieces, noting the extensive skill and thought invested in their creation. The detailed breakdown of her selections highlights 14 distinct items, each chosen for its unique contribution to the overall serene and sophisticated mood. Among her selections is a bespoke rug by Sabina Fay Braxton, admired for its dreamy look and feel, and its complex yet simple composition. A hand-silvered Murano glass sample for a Cloud Console by Mia Jung at Charles Burnand Gallery is noted for its remarkable control and technique. For fabrics, she includes Key West linen in 2002 by Sette, valued for its humble, natural quality and versatility, and the soft, subtle hand-woven alpaca chenille DW-149 bespoke fabric by Mitchell Denburg, which adds richness to upholstery. Lauren Hwang New York's Khadi Jute fabric in Stone is chosen as a fundamental natural fabric, serving as a background for layering. Additional fabric choices include Byram fabric in Juniper by Colefax and Fowler at Cowtan & Tout, which provides saturation and texture without being overpowering, and a custom embroidery by Lesage Intérieurs, appreciated for its handmade quality and ability to add depth. Lighting is represented by Cherry Bomb Pendants in White and Olive Green samples by Lindsey Adelman, described as soft, pastel, and star-like. For furniture, a Yarrow Cabinet in dyed parchment by Roman Thomas is highlighted for its beautiful color and simple form, allowing the material to shine. Decorative elements include a Living World églomisé panel in Peonies sample by Confluent Studios, which Jung suggests using as an art piece within furniture, and a custom surface art sample by Studio HK, featuring an ash rose-colored ombre plaster ideal for stunning walls. Finally, for floor coverings and hardware, she selects a mohair curtain in a custom colorway by FJ Hakimian for its wonderful weave and color, a GK Series crystal door knob by E.R. Butler & Co. for its feminine and crisp jewelry-like touch, and a light blue mohair carpet by FJ Hakimian, valued for its beautiful color absorption and interesting variations. #InteriorDesign #HomeDecor #DesignInspiration #MaterialSelection #HandmadeDesigns #TextileArt #LuxuryInteriors #BespokeFurniture #Craftsmanship

Artist Stephanie Dillon and her husband, Reilly, were captivated by a model home in Eden Prairie, which boasted a blend of whitewashed shiplap and shakes on its exterior, creating a timeless and airy aesthetic. The interior featured light-filled communal spaces, each with a distinct character, moving away from conventional floorplans. The color scheme ranged from calming charcoals and pale neutrals to deep greens and rich terra-cotta, evoking a European atmosphere. Kelli Fontana Vogelgesang, owner of West Bay Homes and the designer behind the model, drew inspiration from her travels to Paris, characterizing the style as French contemporary farmhouse. She envisioned the kitchen as a French pastry shop, integrating multiple layers of meticulously detailed materials throughout the 5,000-square-foot residence. The kitchen's design incorporates three types of glazed tiles for the backsplashes, with a small hexagonal tile chosen for its light-reflecting properties, contributing to an elevated visual experience. Dillon, an acrylic and mixed-media artist known for painting her emotions, found a kindred spirit in Vogelgesang, whose design philosophy also prioritized passion and feeling. Dillon retained Vogelgesang to complete the interior design of their new home. The designer expressed enthusiasm for incorporating Dillon's extensive rug collection. Elements like shiplap and painted charcoal, seen on the exterior, were repeated inside on the basement's fireplace wall and the vaulted ceiling of a lounge area adjacent to the kitchen, along with charcoal-colored square tiles extending from counter to ceiling in the kitchen backsplash. This repetition of color ensures cohesiveness and a holistic progression throughout the home, where all environmental elements relate to one another. Vogelgesang skillfully managed the abundance of materials, preventing a busy or cluttered appearance, much like Dillon blends colors on her canvases. Some design choices stand out, others recede, and some shimmer, collectively defining the mood of each space. The materials coalesce into a balanced and proportionate composition, resulting in a home tailored for an artist. Vogelgesang aims to create spaces that are timeless and elegant without being overly delicate or cost-prohibitive. The lower-level bar area features charcoal shiplap around the fireplace, painted in Sherwin-Williams’s Dorian Gray, and steps down into a sunken media room, showcasing the designer’s preferred brass and gray combination. Brass hardware also adorns the front entry doors. Light fixtures, including those from Mitzi on the library ladder, were strategically chosen. The unexpected entry leads to a "dining hall" that functions as a grand foyer, as described by Vogelgesang. This space features nine-inch-wide-plank white oak floors laid in a herringbone pattern, with ceiling beams bisecting its soaring height, allowing ample natural light. The built-in bar features a backsplash of alternating light and dark neutral tiles, custom cabinetry with dental molding, and a marble sink skirt. Open shelving in the kitchen displays two sizes of backsplash tiles from The Tile Shop, with custom alder wood cabinetry finished with a clear whitewashed stain and brass hardware for an enhanced shimmer. The kitchen, inspired by Parisian pastry shops, includes two islands for ease of navigation, with only one housing a sink to allow for uninterrupted dining on the other. The mudroom boasts large-format heated tiles combined with white oak cabinetry, finished in a whitewash stain, offering an industrial concrete look harmonized with French country cabinetry. A basement guest bath incorporates vibrant color through whimsical floral tiles from The Tile Shop on one wall and Sherwin-Williams’s Perfect Periwinkle on the adjacent wall. The library features a bold mix of Sherwin-Williams paints: Canyon Clay on the walls and Gauntlet Gray in a high-gloss enamel finish on the moldings and doors, complemented by chartreuse chairs. A wide-plank whitewashed cedar wall on the rear deck provides privacy. The prep kitchen off the mudroom embraces color with Waverly Classics wallpaper by York, cabinets painted in Sherwin-Williams’s Green Onyx, and a hammered copper sink, showcasing how personal touches can enhance practical areas. The powder room dazzles with an antiqued mirrored glass tile wall from The Tile Shop, a custom white oak vanity with a marble shelf, and Savoy House sconces. The floors throughout the home incorporate patterned ceramic tiles from The Tile Shop. The home's floor plan, while a traditional rambler, diverges into an unconventional layout where the front entry opens into a vaulted foyer and dining room, serving as a pass-through to the kitchen and great room. #HomeStyle #InteriorDesign #HomeTours #FrenchContemporaryFarmhouse #CustomCabinetry #TileDesign #ArtisticHome #ArchitecturalDetails #EuropeanInfluence

The article highlights a growing trend away from mass-produced items towards unique, handcrafted furniture and home decor pieces that emphasize creativity, craft, and time-honored techniques. It showcases 15 such items from various global makers, positioning them as collectible interiors pieces that are worth investing in now for their potential to become future design classics. The featured items begin with a modern take on a classic: the Canopy Armchair from Marchmont Workshop, a handcrafted stickback chair inspired by woodlands and priced at £3,600. This piece reflects a return to traditional craftsmanship with a contemporary aesthetic. Following this, the article introduces hand-painted lampshades by Spanish artist-designer Alvaro Picardo, which can be custom-matched to interior paintwork and wallpaper using Farrow & Ball paints, starting from £110. These lampshades are presented as artistic finishing touches for living spaces. Another innovative item is the Vine Vase by Wobbly Digital, a Glasgow-based artist who creates eccentric 3D-printed objects from recycled and bioplastics, priced at £350. This vase is noted for its viral potential, akin to the popular Gluggle Jug, and is recommended for dried flowers only. Scarlett Farrer, a rising star in hand weaving, is featured for her rustic textiles, specifically wall hangings made from undyed British wool. Her work, ranging from £250 to £1,800, gained recognition after she won the 2024 Young Weaver of the Year award. The article then presents a statement chair designed by Esto Estudio in Madrid, which combines a tubular steel frame with vibrant orange fabric, blurring the lines between furniture and sculpture, starting from approximately £800. Rich Miller, a ceramic artist and judge on 'The Great Pottery Throw Down,' offers unique cone-shaped pendant lights inspired by antique sugar cones, each priced at £2,425. These lights explore the history of the sugar trade and Miller's cultural ancestry. Sustainability is a key theme, exemplified by Jacob Marks' resin lamps, made from pine resin, with the Red RF Lamp I priced at £730. These lamps were a highlight at the London Design Festival for their use of unusual sustainable materials. Xanthe Somers, a Zimbabwean ceramic artist, contributes surrealist stoneware from her 'Sisters Toil' series, which explores women's work and crafts, with pieces ranging from £6,500 to £9,000. Loney Abrams and Johnny Stanish of Wretched Flowers create mesh murals and chain mail lamps, drawing inspiration from diverse sources such as museum archives and medieval armor. These shimmering wall hangings are available on application. James Shaw's sustainable seat, priced at £2,000, is crafted from recycled plastic waste like milk cartons and shampoo bottles, transforming discarded materials into unique, organic forms. The master plasterers Ffion and Steven Blench, known as Chalk Plaster, produce marbled, fluted sidetables using scagliola, a 16th-century technique imitating marble, priced at £7,800. Freya Bramble-Carter, a ceramicist, offers wheel-thrown pots in earthy shades, blending traditional techniques with an expressive approach, starting from £900. Maria Sigma, a textile designer and weaver, focuses on zero-waste wares using natural, often undyed, fibers for her throws and cushions, with her 'Apricity' throw priced at £890, though it has an eight to ten-week waiting period. Joe Sweeney's terracotta stoneware butter dish, priced at £300, is described as a charming and functional addition to the breakfast table. Emsie Sharp, a glassblower, presents candy-colored drinking glasses made in her Dorset studio, priced at £38 each, as a modern alternative for smart dinner tables. Finally, the article highlights Matthew Raw's tiled bedside table from his 'Welcome' collection, inspired by tiled facades of train stations and buildings. These pieces, featuring handcrafted and glazed tiles, are priced at £5,180 for a sidetable with a drawer, indicating a growing presence in contemporary home design. #FurnitureDesign #HomeDecor #HandcraftedItems #SustainableDesign #CollectibleArt #InteriorDesignTrends #Craftsmanship #ArtisanalProducts #LuxuryInteriors

The Ambiente, Handcrafted Rugs, an atelier specializing in consciously-designed rugs, draws its name from the concept of 'ambience,' reflecting its belief that a rug significantly influences the atmosphere of a living space. The brand aims to encapsulate the diverse characteristics and mood of a surrounding through its products. Each handcrafted rug is a blend of rich craftsmanship and modern, seamless design, featuring playful textures and colorful yarns created using various traditional weaving techniques. A key commitment of the brand is the exclusive use of hypoallergenic natural fibers in their carpets. The Ambiente operates under the umbrella of Bhadohi Carpets, a prominent 35-year-old manufacturer and exporter in the Indian carpet industry. This parent company boasts an extensive network of over 10,000 artisans spread across 49 weaving centers, providing a strong foundation for The Ambiente's operations and expertise in carpet manufacturing. The brand was co-founded by Avani Khandelwal and her brother-in-law Ayush Baranwal. Avani, originally from Jaipur, brings a deep interest in design, craft, and culture to the venture. Their motivation stemmed from identifying a gap in the Indian market for genuine, handmade rugs that offered a balance of quality and accessible pricing. The Ambiente, Handcrafted Rugs was thus established with the mission to make the luxury of handwoven rugs available to a broader Indian clientele. Embodying the established values and strengths of its parent company, The Ambiente positions itself as a new-generation luxury rug atelier. Its design philosophy centers on creating rugs that align with current trends, encompassing styles from modern and vintage to boho and neoclassical. The brand prioritizes both the functional utility and aesthetic appeal of its rugs, aiming to cater to a wide range of customers with varying tastes and needs. For its exhibition at ADDS 2024, The Ambiente, Handcrafted Rugs plans to unveil two significant collections. The 'Saga' collection will feature high-end pure silk rugs, designed to evoke a regal and enchanting aura. Alongside this, the 'Neo' collection will present rugs characterized by intricate weaves, subtle colors, and soft textures. The brand also intends to showcase a distinct statement piece at the event, further highlighting its design capabilities and unique offerings. #HandcraftedRugs #HomeDecor #LuxuryRugs #IndianCraftsmanship #InteriorDesign #ADDesignShow #ArtisanProducts #TextileDesign

In this installment of the "What I Love" series, San Francisco–based designer Noz Nozawa shares the inspirations behind her vibrant interiors, which she describes as an “earth-toned rainbow” of brick reds, burnt oranges, and turquoise blues, infused with bold graphic prints. Nozawa's design philosophy is heavily influenced by jewelry, particularly statement-making shapes and earthy gemstone hues. This inspiration is evident not only in her general design work but also specifically in her debut lighting line for Corbett Lighting, where gold chains and antique jewelry styles played a significant role in her flat lay and product designs. Nozawa emphasizes a palette that feels both "buzzy and electrically cheerful" yet "mellow and vibrationally chill," driven by a high density of earth-toned colors. She details 14 specific items that embody her current aesthetic and creative process. These include the improvisational color combinations of Dirk Van Der Kooij's Meltingpot table, a piece she personally owns as a dining table. Her selection of ceramic tiles from Fireclay Tile in Vintage Leather, Bryce Canyon, and Huckleberry demonstrates her appreciation for saturated yet grounded color palettes. She is drawn to textiles like Métaphores' Hamac fabric in Epice, a "sexy see-through gingham" that she admires for its contradictory nature and wishes to incorporate into clothing. For material depth, Nozawa highlights Nakamoto Forestry's Suyaki Wood with black tung oil, admiring the natural pest and fire resistance achieved through the traditional Japanese Yakisugi (shou sugi ban) process, along with its aesthetic appeal. Her sensory preferences extend to fragrances, with Flamingo Estate's Roma Heirloom Tomato candle being a favorite for its unique, non-floral, and non-cloying scent. Jewelry remains a core inspiration, exemplified by Marla Aaron's Turquoise Rondelle Strand and Stoned Chubbylock with Turquoise, reflecting her childhood love for turquoise and appreciation for mechanical yet luxurious jewelry. She also finds inspiration in rug samples, such as the Busra rug from Safar Rugs, particularly admiring its neutral base complemented by earthy brick-red tassels. Her own creative process is represented by sketches of the Bezel and Daith sconces for Corbett Lighting, which are directly inspired by her cherished antique Victorian flush-set ring and a coveted Georgian-era stick pin. Textile choices further illustrate her eclectic taste, with Voutsa's Tartan Sea wool fabric offering a refreshing take on plaid with its unique color palette and 100 percent wool composition. Ralph Lauren's Sartorial fabric in Loden at Designers Guild, a houndstooth pattern with a hunter green tweed character, appeals to her husband's aesthetic and adds a cozy, handsome element. The Riviere chandelier sample for Corbett Lighting, featuring gold-leaf oversize mariner links, reflects her favorite chain style. Wallpaper selections like Kate Capone at Supply's Nookshelf wallpaper in Sail Away present a delightful riff on checkerboard patterns in colors she envisions for a powder room. Her collection of vintage items, such as a Japanese tin Daruma toy found in Paris, speaks to her consistent habit of acquiring Japanese antiques in Paris and French antiques in Tokyo, highlighting an idiosyncratic approach to sourcing. Finally, Gastón y Daniela's Santa Fe fabric in Rojo/Azul, with its folk pattern mixed with checkerboard and high-contrast colorways, perfectly encapsulates her "earthy play on primary colors" vibe, rounding out her "earth-toned rainbow" aesthetic. #InteriorDesign #DesignInspiration #ColorPalette #TextileDesign #LightingDesign #JewelryInfluence #HomeDecor #NozNozawa #MaterialSelection

The article discusses various methods interior designers use to create a cozy and inviting atmosphere in a room, emphasizing comfort and warmth. Designers Shawn Henderson and David Jimenez explain that the essence of a cozy space is to make occupants feel like they can relax and put their feet up. Key strategies include manipulating wall treatments, flooring, lighting, material choices, furniture selection, and decorative accessories. Regarding wall treatments, designers suggest techniques that make a room feel enclosed and secure, rather than expansive. Painting walls in rich, dark colors or using textured wallpaper can achieve this effect. Jenna Chused, for instance, used scenic wallpaper with gray tones in her sitting room to create a surrounded feeling. Wood paneling, such as V-groove paneling, is another recommended option for adding visual interest and reducing the perceived scale of a space, making it feel more intimate. For ultimate softness and acoustic benefits, wall upholstery is mentioned, with Henderson using it in bedrooms of his country house. Softening the floor is another crucial element for coziness. Area rugs, especially thick or shaggy ones, can add significant warmth and comfort. The practice of layering multiple rugs is also highlighted as a way to enhance softness and expand coverage. Tamara Honey, a designer, effectively used layered vintage rugs and repurposed rug pieces into throw pillows and floor cushions in a lounge area, promoting floor lounging. In another instance, she utilized a shaggy circular rug to define a seating area, creating a "conversation pit" ambiance. Atmospheric lighting plays a vital role in setting a cozy mood. Designers recommend focusing on table lamps and floor lamps that provide soft, shaded light, strategically placed to offer functional illumination without overwhelming the room. Ceiling fixtures are generally less preferred for their broad light distribution; however, if used, they should incorporate diffusers and warm-toned LED bulbs (around 2,700 Kelvin), along with dimmers, to allow for adjustable and warm lighting. Ms. Chused's choice of a fabric-wrapped pendant lamp exemplifies this approach. The article also emphasizes incorporating natural materials, particularly various types of wood and natural grasses, to enhance warmth. Shawn Henderson's design of his living room, which combines painted wall paneling with unfinished rough-hewn wood posts and beams, illustrates the appeal of mixing wood textures. Similarly, Sherwood Kypreos often blends different woods and uses natural grass window coverings and lampshades to contribute to a warmer visual environment. Furniture selection is presented as critical for creating spaces that invite relaxation. Comfortable pieces are characterized by lower seat heights, deep cushions, and plush fillings. Examples include oversized leather club chairs with sheepskin drapes, backless settees or daybeds positioned by fireplaces for dual viewing and conversation, and wing chairs for their embracing quality. The use of soft accessories, such as numerous pillows and throws made from materials like velvet, mohair, and alpaca, is encouraged to boost comfort and allow for personalized coziness. Finally, layering a space with art and personal decorative items is essential for making a room feel homey and reflective of an individual's passions and collected memories, ultimately fostering a deeply comforting environment. #InteriorDesign #HomeDecor #CozySpaces #Furniture #LightingDesign #Textiles #WallTreatments #AreaRugs #NaturalMaterials

The article details the design of a 6,600-square-foot home in Miami for a couple in their sixties, the Talwars, designed by MONIOMI, a firm founded by Ronald Alvarez and Monica Santayana. The design approach is characterized by a fearless use of bold colors, layered textures, and unexpected materials, aiming to create vibrant, energetic, and lively spaces. The collaboration between MONIOMI and the Talwars spans several years and multiple properties, culminating in their current "forever home" overlooking PortMiami. The Talwars, who have lived globally, desired a home that could comfortably host their grown children, grandchildren, and extended family, emphasizing the importance of family gatherings. They also enjoy entertaining, necessitating a layout conducive to hosting friends. The Miami residence is a result of combining two units, with one side dedicated to common areas like the foyer, kitchen, breakfast nook, living room, dining room, and family room, all centered around a distinctive bar. The other side of the home houses the bedrooms and a serene sunset lounge, offering expansive views of Biscayne Bay. Throughout the home, subtle references to the Talwars' Indian heritage are integrated through color palettes and pattern play, intentionally avoiding an overtly ethnic feel. The design prioritizes family togetherness, evident in dedicated spaces like the breakfast table and various terraces and balconies designed for family hangouts. Each bedroom is uniquely tailored to reflect the personalities and needs of their children, while also anticipating future family growth, including grandchildren. A significant element of the design is the incorporation of traditional Indian artistry through two custom chandeliers, located in the kitchen and foyer. These pieces were created in collaboration with Klove Studio, based in New Delhi. The foyer chandelier, part of Klove's Goa collection, holds special sentimental value for the couple, referencing the city where they first met and spent meaningful time, thus bringing a piece of their personal history into their home. Alvarez expresses pride in how the home encapsulates both the Talwars' spirit and MONIOMI's design philosophy, particularly their signature use of bold colors and material combinations, while maintaining a warm and inviting atmosphere for multi-generational family use. Santayana advises approaching color carefully in design, suggesting that if not working with a professional, one should choose a preferred shade and explore its various tones (lighter for brightness, darker for depth) rather than mixing too many contrasting colors. This method helps achieve a harmonious and impactful aesthetic. #MiamiHome #EclecticDesign #MONIOMIDesign #BoldColors #LayeredTextures #IndianHeritage #FamilyFocusedDesign #KloveStudio #HomeDecor

Feng Shui, an ancient Chinese practice focused on harnessing 'chi' or energy flow, offers principles to create a harmonious and calming home environment. This practice emphasizes how a space feels rather than just its appearance. In a fast-paced world, adapting Feng Shui principles can transform a home into a tranquil oasis, providing a refuge from daily stresses and an opportunity for rejuvenation. One of the foundational rules of Feng Shui is regular decluttering. Removing unnecessary items creates an organized space, promoting positive energy flow and preventing chaos. Another key aspect is the strategic use of color. Soft, neutral hues like beige, white, or pale blue are recommended for walls to foster a peaceful and relaxing atmosphere, contrasting with bright, bold colors that can disrupt energy. Integrating natural elements is crucial. Bringing in plants improves air quality and introduces a sense of nature and tranquility, whether through potted plants, vertical gardens, or indoor jungles. Strategic lighting is also vital; soft, warm lighting and dimmer switches create an inviting and relaxing ambiance, differing from harsh lighting which can be disruptive. Establishing a focal point in each room, such as a piece of art or furniture, helps balance and distribute energy, grounding the space. Water elements, like fountains or aquariums, are powerful symbols of wealth, prosperity, and calmness. The gentle sounds and visual presence of water can enhance tranquility. Choosing comfortable furniture, from plush sofas to supportive mattresses, promotes relaxation and a nurturing environment. Incorporating natural textures, such as wood, stone, and wool, brings an outdoor feel indoors, fostering balance and a warm atmosphere. Maintaining a clutter-free bedroom is essential for restful sleep and overall well-being. A tidy bedroom becomes a retreat that supports relaxation. Finally, creating a peaceful outdoor space, such as a garden, patio, or balcony, extends the harmonious energy of the home and provides a connection with nature. By applying these principles, one can cultivate an environment that nurtures the mind, body, and spirit, leading to a more serene and restorative living space. #FengShui #HomeDesign #InteriorDecor #Decluttering #ColorPsychology #NaturalElements #Mindfulness #HomeHarmony #RestorativeSpace

Julia Sobrepeña King, the designer behind Studio Roene in San Francisco and Los Angeles, is known for her ability to blend contrasting prints and colors, balancing bold hues with neutral tones and a mix of small- and large-scale patterns. Her current mood board is inspired by a recent trip to the Cabanon de Le Corbusier, a colorful seaside vacation home on the French Riviera, aiming to evoke a playful spirit with bright tones and natural woods. The resulting scheme highlights a balance of opposites, combining vibrant finishes and textiles with earthy, organic materials. King also incorporates hand-crafted pieces collected from her travels to add a personal touch, making the overall aesthetic adventurous and exciting. King details several elements that contribute to this unique mood board. These include one-of-a-kind colorful plastic cord baskets from Antiga Oaxaca, discovered during a trip to Oaxaca, which are woven by prisoners trained in traditional basket weaving. A custom Temples rug by Mark Nelson Designs is featured for its graphic nature, depth, and texture. The Alpi Quadra Noce Veneer by Patricia Urquiola at Alpi, with its modernist grid pattern, is envisioned for custom cabinetry or tables. Hard Maple with an oil finish by Sawkille is chosen as a less common yet refined and durable hardwood alternative to oak. The Seaside Bronze metal finish by Urban Electric Co. is appreciated for its worn copper or bronze verdigris appearance, offering a fresh, minty color and aged character. The mood board also incorporates a hand-glazed mustard tile called Thin Brick Tile in Pumpkin Field Gloss by Country Floors, a unique and saturated color ideal for a backsplash or bathroom. A custom woven fabric from Narda’s Handwoven Arts & Crafts, a famous weaving shop in the mountains of Baguio in the Philippines, is included, reflecting King's passion for collecting one-of-a-kind fabrics during her travels. Gotland Shearling in Natural Gray by Howe at 36 Bourne Street provides heavy texture, transforming gray from potentially dull to balanced when paired with fun colors and textures. A custom woven rug from Stark Carpet in a bright green spring color with a subtle geometric square pattern adds dimension and interest. Additional selections include Solana Honed Concrete Tile in Mocha by Concrete Collaborative, valued for its muted, earthy tone that pairs well with bold marble or ceramic tile. Unlacquered polished copper is chosen as a classic material that ages beautifully, ideal for combining with natural rustic woods and moody colors for a touch of shine. A vintage necklace made by her architect grandmother, featuring rare amber cylindrical beads and a unique gold medallion, adds a personal and inspiring element. The Primavera fabric in Claret by Lauren Hwang, with its hand-crafted feel and deep eggplant polka-dot pattern, offers elegance. Douglas Plank Flooring with a light oil finish by Dinesen is selected for its light color and contrasting grain. Orange Zellige Tile by Otto Tiles & Design, described as a shocking dull neon orange, is proposed as a surprising element for a powder room. The Ria fabric in 0741 by Raf Simons for Kvadrat, with its embroidered feel and subtle floral pattern in pastel colors, contributes a cheerful note. The Cambridge Strie Braid Tape in Heather by Samuel & Sons, a moody purple tone, is suggested as an accent for drapery or upholstery. Finally, the Saru fabric in No. ZFSU-02 by Zak+Fox, a playful tapestry with metallic yarns and rich blue tones, is deemed perfect for a pillow, alongside a hand-made ceramic bowl, which brings a personal, imperfect, and storytelling quality to the curation. #DesignInspiration #InteriorDesign #MaterialSelection #ColorPalette #GlobalCrafts #SustainableMaterials #TextileDesign #HomeDecor #ArtisticCuration