The hidden house in Bernal with its own private bridge

Architect David Hicks designed Woodend house, located in the Macedon Ranges of Victoria, Australia, drawing inspiration from European vernacular architecture, particularly villas found in the French, Tuscan, and Puglian countryside. The house features a deliberate windowless facade, a design choice Hicks frequently employs to create intrigue and privacy. This approach ensures that the dwelling's interior experience is revealed only upon entry, rather than from the exterior. The single-story home was created for an older couple seeking to downsize, who had previously owned another windowless property designed by Hicks. Access to the Woodend house is gained through a wrought-iron arched gate situated on the side of the building, leading to a portico and then into an entrance vestibule. The interior walls throughout the house are rendered in micro cement and finished with limewash, imparting a stone-like texture. A vintage chandelier, made from ruched Murano glass, is a focal point in the vestibule, suspended from a circular recess in the ceiling. A central corridor extends from the vestibule, providing access to all the other rooms within the residence. Among the rooms is a 'retreat' area, functioning as a relaxed study and sitting room. This space is furnished with an Eames lounge chair, a multi-armed light fixture by French designer Serge Mouille, and a fireplace framed by a Ceppo marble surround. The same Ceppo marble is utilized for shelves within two arched display niches, adding a cohesive aesthetic element. Double doors connect the retreat to the principal bedroom, which is appointed with luxurious touches including a velvet rug, a satiny headboard, and fluted glass wall sconces. Storage solutions in the bedroom are subtly integrated behind white lacquered panels. The principal bedroom also features an en-suite bathroom where surfaces are covered in pale Calacatta marble. Large sliding glazed doors at the rear of the bathroom offer views of a small brick courtyard, which is adorned with a miniature maple tree. The main living area, a more formal space, contains white armchairs and a curved baby pink sofa, with sheer linen curtains covering French doors that open to the garden. The kitchen, integrated into this area, includes simple white cabinetry and a breakfast island topped with Calacatta marble. The home's powder room showcases extensive use of Ceppo marble, covering the walls, floor, and washbasin with its distinctive pattern. The photography for Woodend house was captured by Shannon McGrath. The project exemplifies a trend in Australian architecture for homes with striking, often unconventional, facades. Other notable examples include the Birdwood house by Peter Besley, which features a perforated screen of terracotta brick and metal mesh, and the Bangalow Road House by Son Studio, characterized by a wall of timber louvres that echo traditional wooden beach shacks. These designs collectively demonstrate a focus on unique exterior treatments that often contrast with rich and private interior spaces. #AustralianArchitecture #DavidHicks #WoodendHouse #VictoriaAustralia #WindowlessFacade #InteriorDesign #LuxuryInteriors #Marble #ResidentialArchitecture

In a departure from Ibiza's reputation for vibrant nightlife, a distinct, more serene aspect of the island's character is highlighted through the design of a contemporary finca. This architectural approach acknowledges the island's historical agrarian roots, where ancient olive groves and the aroma of rosemary and pine blend with the salty sea air. Traditional whitewashed farmhouses, known as fincas, represent centuries of rural existence, largely untouched by the influx of tourism. Blakstad Architects specializes in creating modern homes that respect this local heritage while incorporating contemporary comforts. Their latest endeavor, a collaboration with Natural Asthetik, an interior design studio based in London and Miami and founded by Tom Lawrence-Levy, reinterprets the classic finca for a family seeking a tranquil retreat rather than a party destination. The design principles of the traditional Ibizan finca are deeply rooted in practicality and aesthetic appeal, influenced by the climate, culture, and community. Features such as thick stone walls provide insulation against the Mediterranean sun, while natural materials promote sustainability and integrate with the environment, simultaneously supporting local industries. The arrangement of rooms, often expanded incrementally to accommodate evolving family needs, along with inward-facing courtyards, reflects a harmonious relationship between architecture and the natural world. The 3,500-square-foot residence immediately evokes an Ibizan sensibility, retaining the core tenets of the island's architectural style, including its characteristic cubic form, clean lines, and understated presence. The whitewashed exterior seamlessly integrates with the hillside, enveloped by natural gardens and indigenous forest. Stone walls, exposed beams, and substantial thresholds pay homage to generations of island dwellings. However, a closer inspection reveals modern enhancements, such as microcement finishes that soften the solid forms. Sandstone floors create a continuous flow between indoor and outdoor spaces, and a modern spiral staircase discretely leads to a lower level, maintaining the single-story appearance of the traditional finca from the exterior. Lawrence-Levy emphasized the importance of preserving the finca's essence, aiming for a home that feels naturally integrated into the landscape rather than appearing overly polished. The open-plan interior mirrors the exterior's textures and colors, extending into the six bedrooms and multiple bathrooms. Linen drapes soften the intense Ibizan light, creating a gentle, ethereal atmosphere. Soft, off-white walls echo the island's sandy shores, while warm wood tones reflect the surrounding forest. Accents of natural reds, particularly through the use of Rojo Alicante stone, nod to the local aesthetic. Traditional Moroccan zellige tiles from Mosaic Factory are integrated into wet-space walls, their inherent irregularities providing a subtle counterpoint to the clean modern lines. Reflecting the communal spirit of the finca, the residence is designed to foster shared experiences. The German-British owners, a growing family, envisioned the home as a gathering place for friends and family. The living room features custom Flexform sofas and Cassina accent chairs arranged around a large coffee table designed by Lawrence-Levy, which can be configured as a single unit. Expansive indoor and outdoor dining tables, stretching up to 12 feet, encourage extended meals under the stars. Numerous sofas, daybeds, and intimate conversation areas offer spaces for relaxation, providing a calm escape from the island's bustling elements. Lawrence-Levy highlighted the owners' hospitality, stating that creating a space capable of effortlessly accommodating large groups was a primary objective, aiming for a refined yet comfortable environment where the architecture serves as a backdrop for human connection. The completed project encapsulates the inherent contradictions of Ibiza, showcasing a secluded haven beneath its public persona. The logistical complexities of construction, exacerbated by the home's remote location, serve to underscore the unique charm of a place where time aligns with the natural rhythm of the land. This residence, with its thoughtful modern adaptations, demonstrates that architectural heritage can be respectfully reinterpreted rather than merely replicated or resisted. #FincaStyle #CoastalHideaway #IbizaArchitecture #BlakstadArchitects #NaturalAsthetik #InteriorDesign #ModernFinca #BalearicBeauty #SustainableDesign

This blog post showcases a 4,100-square-foot, four-bedroom, four-and-a-half-bath residence in Naples, Florida, designed by Eileen Marcuvitz of Plum Interiors and her husband, Andrew. The home, built by Big Island Builders and designed by Village Architects of Key Biscayne, Inc., stands out for its minimalist Bauhaus-style architecture, a departure from the repetitive designs often found in the area. The design emphasizes straight lines and flat surfaces, requiring significant skill and precision in its execution. The property's unique features begin with its exterior, a concrete structure featuring a three-step walkway wrapped in porcelain tile, appearing to float over a lit, filtered zero-edge pond. A slatted overhang extends from the roof, contributing to its modern and minimalist aesthetic. The home's design was inspired by a similar structure by Village Architects in South Beach, leading the couple to commission this new build despite initially not planning to do so. Upon entering the home through a large glass and bronze pivot door, visitors arrive directly into the living room. This space is characterized by a back-lit drop ceiling, massive walls of windows, and sliding doors that offer extensive views of the outdoor living area and pool, ensuring abundant natural light. The living room is furnished with Christian Liaigre sofas atop a Tibetan silk carpet from Holly Hunt, with a Robert Natkin oil painting serving as a focal point. Throughout the residence, 24- by 48-inch rectified porcelain tiles with a striated pattern are prominently featured, extending into the outdoor living spaces, pool deck, and even up the side of the building, providing texture to the home's silhouette and a sense of continuity. The kitchen exemplifies uniformity and architectural minimalism with its dark Poliform solid wood cabinetry, where hand-aligned grain patterns extend to the 12-foot ceilings, effectively concealing appliances. The waterfall-edge island and all kitchen surfaces, including those in the hidden pantry and adjoining laundry room, are crafted from Cristallo quartzite. A low linear window behind the double-faucet sink allows for natural light, complemented by white Poliform upper cabinetry that adds linear visual impact and storage. Symmetry is a guiding principle throughout the home, particularly evident in the dining area. Here, a large, custom alabaster and brass lighting fixture by Gabriel Scott is precisely mounted to an inverted drop ceiling, which also conceals curtain rails. A Holly Hunt dining table and chairs complete the space, alongside flush baseboards with reglet trim for a clean finish. The family room showcases the couple's appreciation for high design, featuring a Poliform Mad Joker armchair upholstered in Hermès leather and Poliform fabric, set on a Christian Astuguevieille rug. Wallpapers introduce texture and playfulness in various rooms, such as a peach-colored graphic finish in the powder room and grasscloth gray-blue coverings in the second-floor entertainment room. Upstairs bedrooms maintain a sophisticated yet relaxed ambiance, with the primary suite boasting a wall of glass overlooking the pool, drop-down soffits concealing integrated curtains, and oversized his-and-hers walk-in closets. The primary bathroom continues the use of rectified porcelain tile, complemented by wall-mounted faucets and a tub filler. A third-floor, roof-level sun deck, accessible via elevator, provides views of nearby Cambier Park. The property also features retaining walls around its perimeter to level the site, and the pool's design allows it to spill over on two sides. The porcelain tile from the interior extends below the waterline, creating a seamless flow and ensuring the home makes an impression from every perspective. The project was executed by Village Architects of Key Biscayne (architect), Big Island Builders (builder), and Plum Interiors (interior design), with photography by Diana Todorova Photography. The home garnered three 2022 Sand Dollar Awards, including best kitchen and pool, highlighting its successful integration of innovative design and meticulous craftsmanship. #BauhausArchitecture #MinimalistDesign #NaplesHome #ModernHome #LuxuryInteriors #ArchitecturalInnovation #HomeTour #InteriorDesign #ResidentialArchitecture

This blog explores innovative home designs that integrate indoor gardens, showcasing how properties can achieve lush green spaces even without traditional backyards. The concept of indoor-outdoor living is redefined through examples from various architectural projects worldwide. One featured home is the Wall House in Biên Hòa, Vietnam, designed by Creative Architects CTA. Situated near the Đồng Nai River, the house was conceived to 'breathe' and preserve the existing garden on the land. It comprises eight distinct living spaces surrounded by unfinished walls that allow for air circulation, crucial for Vietnam's tropical climate. Three 'breathing walls,' constructed from hollow bricks, facilitate natural light and ventilation while filtering out pollution and maintaining privacy. An indoor garden serves as a visual extension of the outdoor greenery and mitigates environmental impact on the living space. The communal areas are on the ground floor, with bedrooms and a shared study upstairs, the latter opening to a void connected to the garden below. In Glamorganshire, UK, a sustainable rural home designed by LOYN+CO Architects is built into a hillside. This energy-efficient residence, completed in December 2020, replaced an older dwelling to maximize views of the Welsh countryside. The homeowners, keen gardeners, requested a practical home that could bring the outside in. The entrance leads to a soaring atrium featuring a three-storey indoor garden, supported by an irrigation system and requiring 20 tonnes of soil. This indoor jungle, planted by the homeowners, provides a central focal point and allows for year-round gardening, including plants that would not survive outdoors in the UK. The staircase is flanked by cork and preserved moss walls, which absorb noise, insulate, and purify the air. Christos Pavlou Architecture's 'The Garden House' in Nicosia, Cyprus, emphasizes urban gardening's potential to improve city living conditions and mitigate global warming. The house features two rectangular cubes separated by a green courtyard, blurring the lines between indoor and outdoor spaces. A 79-foot-long glazed sliding door allows the house to open up to the courtyard. The main garden is also connected to a public green space, benefiting the neighborhood. The garden is central to the home's design, with every room offering garden views, and a planted area under the stairs maximizes space. 60% of the ground floor is planted to attract bees, and a first-floor terrace boasts a living roof, providing additional green space and views. Vertical Oasis in Singapore, by HYLA Architects, addresses the challenge of building on a busy road while ensuring privacy. The main spaces are built around a courtyard garden, featuring a double-height living room and dining area that open to a stunning courtyard with two pools, a koi pond, and a towering tree. A glass roof and anodized aluminum trellis protect the interior from rain and sun, provide shade, ensure privacy, and promote ventilation. The master bathroom also includes a planted area, creating a rainforest-like showering experience. Wall House in Khaldiya, Kuwait, by AGi Architects, initially appears fortress-like but reveals a vibrant interior. Designed from the inside out, it replaces traditional walls with glass and greenery. The ultra-modern property features a protective outer shell that encloses a series of atrium gardens. The ground floor's open-plan living area is surrounded by lush greenery, with trees extending to an open-air terrace. Many bedrooms also have private oases. Upper-floor common rooms extend to discreet balconies, ideal for entertaining. Perforated screens provide shade, and the greenery grows across different levels of the home. 66MRN-House in Singapore, designed by ONG&ONG;, is a Zen-inspired home that maximizes nature views and blends interior and exterior spaces with floor-to-ceiling glass and abundant greenery. The house is divided into two sections, with the focal point being an open-air atrium featuring a reflective pool and delicate trees. This 10-foot-wide void extends from the ground to the third floor, ensuring cross-ventilation and natural light. Glass picture windows on the first floor offer courtyard glimpses, and numerous terraces with artificial grass further blur indoor and outdoor boundaries, including a rooftop deck with planted trees. Casa MCNY in Sao Paulo, Brazil, by MF+ Arquitectos, is designed for Brazil's tropical climate, featuring an open-plan living space with retractable, perforated doors for an indoor-outdoor experience. The house integrates with its environment and includes an open-plan lounge, dining area, kitchen, and four bedrooms, all connected to the outdoors. A highlight is the indoor garden spanning the living room, behind sliding glass doors, filled with tropical foliage complementing the wood, natural stone, concrete, and Corten steel materials. The kitchen transforms into a gourmet balcony, and a second terrace leads to a swimming pool. Finally, the Three Gardens House in Mubarak Al-Kabeer, Kuwait, also by AGi Architects, addresses the arid desert climate by creating outside spaces usable year-round. It features three distinct gardens on different floors: the Wet Garden on the ground floor with native plants, a pool, and fountains, surrounded by social spaces; the Summer Garden 13 feet below street level with a large pool for evapotranspiration and air circulation; and the Winter Garden on the roof, covered by a "perforated skin" of anodized aluminum for shade and privacy. These gardens are connected by exterior staircases, with the aluminum screen extending to some exterior walls, allowing sunlight and providing shelter for indoor vegetation. #IndoorGardens #SustainableArchitecture #BiophilicDesign #ModernHomes #GreenLiving #ArchitecturalInnovation #TropicalArchitecture #EcoFriendlyDesign

The Private Brussels Residence features an innovative design by architect Philippe Samyn and botanist Patrick Blanc, located on the outskirts of Brussels. This four-story house is distinguished by its comprehensive integration of vegetation, covering three of its facades and its entire roof. The project, which took eight years to construct with an additional year dedicated to refining plant selection, represents Patrick Blanc’s first opportunity to envelop an entire house in vegetation, including the rooftop. The residence serves as both a home and workplace for a cinematographer and his family. The design philosophy centers on creating privacy and a natural aesthetic on the north, east, and south elevations, which are adorned with curved, vegetated facades. In contrast, the west facade is entirely glass-walled, providing extensive views and exposing the interiors of the ground, first, and second floors. The initial concept for the vegetated facade involved ivy and a patinated copper roof, but it evolved to incorporate a diverse selection of exotic plants chosen by Blanc, extending seamlessly to cover the roof. Construction involved a standard process for vertical gardens, utilizing scaffolding to install a metal structure, attach PVC panels, staple irrigation fabric, and set up a hydroponic irrigation system before planting. The same methodology was applied to the green roof. Patrick Blanc carefully curated numerous plant species to suit the lush, semi-circular facade, considering sun exposure patterns and microclimates. The plant palette for the rooftop was more selective, primarily featuring Aubrieta, Cerastium, Delosperma, Iberis, and Sedum. The house also incorporates a sustainable water management system, collecting rainwater from the rooftop edges for irrigation, supplemented by a well, with any runoff being recycled. The interior layout includes the entry hall, a family room, and a kitchen on the street level, an existing small house incorporated into the design. The living room and stairway are part of a new extension. The second floor accommodates the master bedroom with its bathroom, along with five children’s rooms and sanitary facilities. These children's rooms are designed with mezzanines protected by textile netting, leading to the glass-walled facade. The vegetated roof spans approximately 360 square meters (3,875 sq ft), and the living vertical garden wall covers about 2,100 sq ft. This project highlights a significant advancement in residential green architecture, showcasing how a private residence can be transformed into a living ecosystem. The collaboration between architecture and botanical design creates a unique aesthetic and potentially offers environmental benefits such as improved insulation and biodiversity. The Private Brussels Residence has been featured in various publications, including dezeen magazine, designboom, and AECCafe.com, and was notably on the cover of the 2012 Greenroofs & Walls of the World™ 12 Month Wall Calendar. Patrick Blanc's work on this residence is also documented in his book, "The Vertical Garden: From Nature to the City." #GreenArchitecture #VerticalGarden #GreenRoof #SustainableDesign #PatrickBlanc #PhilippeSamyn #BrusselsResidence #BotanicalDesign #EcoFriendlyHome

The article provides a detailed exploration of Santa Barbara's Bungalow Haven neighborhood, an area characterized by its prevalent Craftsman-style bungalows. The author's initial encounter with the neighborhood occurred during the listing of a property at 1321 Alta Vista Road. The piece delves into the historical context of bungalow architecture in California, citing a 2013 proposal for the neighborhood to be designated a historic district. This proposal highlights the rapid proliferation of bungalows in California during the early 20th century, driven by a warm climate, economic opportunities, and the affordability offered by 'Ready-Cut Bungalow Company' kits. These kits, costing approximately $650 between 1910 and the 1920s, allowed for the delivery of all necessary construction materials to a lot, making homeownership accessible to many. The Bungalow Haven district, generally bordered by Olive, Micheltorena, Alta Vista, and Victoria, played a significant role in housing Santa Barbara's expanding working and lower-middle-class population from 1900 to 1940, primarily due to its walking proximity to downtown. Over half of the houses in the proposed historic district are noted to be in the Craftsman style, reflecting the architectural trend of the era. The article showcases various examples of these bungalows through photographs, including both Craftsman and other bungalow styles, emphasizing their typically small scale. Beyond the predominant bungalow architecture, the author also points out some less aesthetically pleasing structures within the neighborhood, such as an apartment complex and an office building, offering a balanced view of the area's development. Architectural curiosities are also highlighted, such as a ground-level window next to a front door and a front door situated above a garage. The article celebrates bold paint choices on some homes and details various charming elements encountered during the walk, including unique corner stairs, petite roundabouts, and occasional ocean views. A particularly cherished aspect for the author is the presence of cul-de-sacs, which evoke a sense of micro-communities. The narrative includes a humorous anecdote about a misunderstanding with a resident regarding squirrels and macadamia nuts, illustrating the informal interactions possible within the neighborhood. The article also touches upon the nearby Bella Riviera, a planned community developed by the Cottage Health System on the former St. Francis Hospital site, designed to provide affordable housing for its employees. Historical markers at Bella Riviera offer insight into the site's past. Finally, the article concludes by presenting a collection of other interesting details observed during the walk, such as a “HELP ME” sign on a porch, a “kittens” sign, a unique license plate, a flyer, candles, a distinctive mailbox, dog prints in a sidewalk, and a dog bowl. The author expresses the belief that Bungalow Haven deserves official recognition as a historic district, underscoring its unique character and historical significance. The article is part of a series titled "Walk With Me," which explores different neighborhoods. #BungalowHaven #SantaBarbara #CraftsmanArchitecture #HistoricDistrict #NeighborhoodWalk #LocalHistory #UrbanExploration #ResidentialArchitecture

Tenka Arkitektura designed a home in Bilbao, Spain, called Burgatoi, after a nautical term for a curved piece of wood used in shipbuilding. The project transformed a compact, L-shaped space on the top floor of a 1960s residential building into a fluid, open-plan living environment for a young couple and their son. The primary design challenge involved overcoming the limitations of the existing narrow layout, which was interrupted by structural beams, to create a sense of spaciousness and continuous flow. The design concept is centered around sinuous, blue-hued walls that mimic ocean waves, emphasizing fluidity and connection throughout the home. A key intervention was the addition of a curved wall and an outdoor terrace, which strategically delineate public and private zones without resorting to rigid compartmentalization. This curved wall separates high-activity areas, such as the kitchen, from more relaxed spaces like the living room, thereby articulating the relationship between different functions of the home. The architects drew inspiration from Le Corbusier's concept of promenade architecturale, where the dwelling is experienced progressively as one moves through it. The curved geometry of the walls maximizes flexibility and avoids unnecessary segmentation, protecting views and opening up spaces. The fluted cladding of the blue walls further enhances the wavelike effect, using light to create dynamic patterns and reinforce the nautical theme. The chosen blue color palette aims to evoke feelings of freshness, calm, elegance, and joy throughout the interior. The material selection reinforces the cohesive design. The floors are a continuous gray epoxy resin, intended to evoke the vastness of the sea aboard a ship. In the kitchen, stools by Hee Bar by Hay complement the aesthetic. The main bedroom, situated at the highest and most open point of the house, is accessed via a small, sloping corridor. This private area includes an open bathing space, a dressing room, and the sleeping area, all maintaining the sleek, continuous design. Blue tiled walls, specifically Drops by Wow Design, are used in the bathing area, extending the color scheme into the private quarters. The home also features an oak table by Arkaia and Junit pendant lamps by Schneid, adding elements of natural material and contemporary lighting. Structural columns within the home are retained, providing an industrial contrast to the otherwise fluid and organic design. A child's room is discreetly integrated behind the main curved wall, maintaining the overall sense of openness while providing a private space. #ResidentialDesign #NauticalTheme #InteriorArchitecture #CurvedWalls #OpenPlanLiving #BlueColorPalette #FluidSpaces #LeCorbusierInfluence #BilbaoHome

Robson Rak Architects have crafted their third rammed earth house on Victoria’s Mornington Peninsula, a sprawling residence deeply integrated into its natural surroundings. The design emphasizes a sense of solidity and embeddedness, largely achieved through the extensive use of rammed earth. This material choice was central to the clients' brief for a low-maintenance home on their ten-acre plot, a preference shared by the architects for its pure, inside-out building quality, where the material itself forms both interior and exterior finishes. The house is considered a subtle monument, possessing enduring qualities without ostentatious grandeur. Initially, the clients envisioned a symmetrical, rectangular modernist building, but the architects, Kathryn Robson and Chris Rak, felt this design wouldn't adequately respond to the site's unique characteristics. Instead, they proposed a design that broke up the rigid rectangular form, introducing level changes and manipulating the edges to create a more dynamic and textured structure. Despite these modifications, the architects maintain that the house retains a modernist sensibility, albeit one that extends and adapts rather than adhering to a simple, gallery-like cube. Perched at the highest point of the site, the house maintains a low, lean profile, appearing to settle into the earth. Its southern facade features a tiered design, descending into the site with a series of single and double steps, a deliberate strategy to work with the natural slope of the land and create a gentle, quiet presence. The orientation of the house was influenced by a tall plane tree, which became a focal point for a large window in the main bedroom. From this central point, the house extends westward, incorporating a central volume for living, dining, and kitchen areas. A parents' retreat is located at the eastern end, a second living zone to the west, and three additional bedrooms line the northern edge. A terrace spans the southern side, offering views of a fernery at the lower part of the property. The southern orientation is a distinctive feature, designed to avoid the harshness of direct sunlight. The clients preferred a softer, ambient light, which the architects achieved through various strategies, including deep eaves, narrow clerestory windows, and a trio of skylights above the kitchen. These elements not only control light but also introduce diverse lighting conditions throughout the spaces. The design incorporates intimate pockets, such as a window seat next to a fireplace, which benefits from ample sunlight. The entry, an understated three-sided forecourt paved with sleepers and compressed gravel, is another notable space, praised for its quietness and symmetry. The interior design reflects these same qualities, utilizing a restrained palette of earth, glass, timber, and concrete. The materials are harmoniously combined, with slender aluminum window frames contrasting with the substantial four-hundred-millimetre rammed earth walls and polished concrete floors. Greyed timber surfaces, including a central spine wall that cleverly conceals services difficult to integrate into rammed earth, add texture. The architectural focus was on texture rather than vibrant colors or patterns, aiming for an easy-to-live-in space that feels earthy, tactile, and warm, yet timeless. Custom details, such as a bespoke front door handle crafted from found brass objects by an artist friend of the client and custom-designed side tables by Chris Rak, who has a background in sculpture, enhance the home's unique character. The children's bathroom features a carefully proportioned freestanding vanity set back from the wall to allow for floor-to-ceiling windows and linen curtains. The kitchen includes a central island encased in purple-grey tiles for socializing and a discreet butler's kitchen behind a sliding door for practical, everyday use, equipped with a second set of appliances, stainless steel benches, and ample storage. The success of the project is attributed to the exceptional site, a well-defined brief, and a collaborative relationship between the architects and the client. #RammedEarthHouse #RobsonRakArchitects #MorningtonPeninsula #SustainableArchitecture #ModernistDesign #LowMaintenanceHome #NaturalLightDesign #CustomDetails #InteriorDesign #SiteResponsiveArchitecture

This article explores an abandoned circus-themed house nestled in New York's Catskill Mountains, captured through the lens of urban explorer and photographer Bryan Sansivero. The Jacobean Revival mansion, constructed in 1925, was left vacant by its Italian-American owners for unknown reasons. Despite several attempts to sell it, the property was mysteriously delisted in 2018. The exterior of the house reveals a landscape reclaimed by nature, with unkempt grounds and overgrown lawns contributing to a sense of foreboding. Inside, a canary-yellow entrance hall, despite peeling wallpaper, retains original features like hardwood floors and an elegant wrought iron banister. An open door leads to a cellar, hinting at unknown depths beneath the house. The parlor, also in Day-Glo canary yellow, features a grand carved fireplace, but its worn and buckling floorboards suggest damp issues. An ornate cast-iron grate in the hearth indicates the reliance on open fires during cold upstate New York winters. A dilapidated salmon-pink room, bathed in sunlight, holds an unsettling ambiance, with an open umbrella on the dusty floor, considered a bad omen by the superstitious. Heading upstairs, yellow wallpaper clings to the stairwell, alongside recessed alcoves and red crosses, potentially decorator marks or more ominous symbols. The bedrooms on the upper floor embrace a vibrant, kaleidoscope of primary colors, reflecting the home's circus theme. One child's room or playroom strongly resembles a big top, with yellow and purple harlequin borders and croquet mallets and balls scattered as if by a poltergeist. The big top tent design on the ceiling, originally in dramatic yellow and red, is now in significant disrepair. Another adjacent bedroom features a loud color scheme of tonal oranges, moss-green, and a sky-blue ceiling. The master bedroom, once grand, is decorated in powder blue with a royal blue border and a Regency-style fireplace. A French door from this room opens onto a terrace with an intact roof and decent brickwork, suggesting renovation potential. The small bathroom continues the circus theme with bold red and white striped wallpaper, creating a spooky atmosphere, though the washbasin remains intact. A second staircase leading to the top floor has a curious rope handrail and scattered croquet balls. The vast yellow bedroom on the top floor features worn carpet and striped curtains, with a crumbling ceiling. A bizarre discovery is a painting of a bullfighter by Spanish artist Antonio Casero Sanz in a closet. Keys for the property's numerous outbuildings are found on a windowsill, prompting questions about the owners' sudden departure. The sprawling estate includes at least five other buildings, some residential, others commercial in their prime. A rundown stone and wood cottage, though overgrown, appears ripe for renovation. Inside the cottage, a fading fresco of a fantastical landscape covers an entire wall, possibly restorable. A blackened fireplace, solid oak paneling, and grand built-in cupboards furnish the room, where an antique backgammon set sits on the floor, implying unfinished business. Overgrown vines outside hint at the property's past as a winery, a common industry in the region. The barn on the property was used for wine processing and storage, containing a tapped cask, demijohns, and even a demijohn with wine. Labels with a red stag and 'Deerhaunt Wine' suggest a small-scale family operation. Additionally, an abandoned child's treehouse with a slide and rickety swings adds to the eerie atmosphere, evoking a sense of lingering ghosts from the estate's heyday. The property, steeped in mystery, holds many unanswered questions regarding its abandonment. Once a playful space, it has transformed into a derelict, haunting shadow of its former self. #AbandonedHouse #UrbanExploration #CatskillMountains #CircusTheme #JacobeanRevival #HauntedProperty #ArchitecturalHistory #RenovationPotential #Mystery

Interior designer Nicole Fisher of BNR Interiors transformed a four-bedroom, builder-grade row house in Hudson, Upstate New York, into a vibrant home with British charm. The initial state of the house, purchased by a developer, lacked character with generic hardware store moldings and fixtures. Fisher's primary goal was to infuse personality and warmth into the space, moving away from the common 'white on white' aesthetic prevalent in the region. The design process began with selecting a cohesive color palette, largely inspired by House of Hackney’s Avalon wallpaper, a striped and floral pattern used in the dining room. This wallpaper dictated the selection of 14 different paint colors applied throughout the house, aiming to create a distinctly British, rather than farmhouse, atmosphere. The homeowners, being British themselves, were receptive to a bold and layered approach to interior design, having previously embraced unconventional choices like a lime green kitchen in their London home. Fisher embraced the British tendency for playful interiors, characterized by multiple patterns and layers, creating spaces that feel timeless rather than confined to a specific era. The philosophy was to choose elements that the homeowners loved, ensuring they would work together harmoniously if executed correctly. A significant feature of the renovation included the incorporation of two hidden doors—one leading to a pantry and another in the TV room. These hidden spaces serve both functional and aesthetic purposes, providing privacy in a house where the entire length is visible from the front door, and offering practical solutions for entertaining by concealing clutter or creating a 'speakeasy' feel. Attention to detail extends to specific rooms, such as the primary bedroom, where multiple patterns are successfully integrated. The key to this success lies in a common color thread, specifically a cranberry hue, which is consistently pulled through various elements like the bed, wallpaper, and chair tassels. Additionally, Fisher employed variations in scale, combining small and large patterns, such as a chunky floral fabric from Liberty (which held sentimental value for the homeowner as her wedding dress designer) for the headboard. This approach creates a collected, aged feel, reminiscent of a modern grandmother's country house, avoiding a 'too new' or 'too precious' ambiance. The kitchen also showcases unique finds, including a faux marble island sourced from 1stDibs. This island, with its colors complementing the chosen wallpaper, became a central element that set the tone for the rest of the kitchen, contributing to the overall layered and inviting aesthetic Fisher aimed for. Other notable design choices include Sanderson’s Stapleton Park Wallpaper in the dressing room, Farrow & Ball’s Potted Shrimp for the den walls, Phillip Jeffries’s Island Raffia in the living room, Cole & Son’s Frutta e Geometrico in the bar area, Soane’s Scrolling Acanthus in Bloom in the primary bedroom, John Derian wallpaper in another bedroom, and Scalamandre’s Magnus in Indigo Blue in the laundry room. These selections highlight a rich interplay of patterns, textures, and colors, successfully transforming a generic space into a home filled with character and warmth, deeply influenced by British design sensibilities. #InteriorDesign #HomeRenovation #BritishCharm #PatternMixing #WallpaperDesign #ColorPalette #HiddenDoors #HudsonHome #BNRInteriors

This article highlights the design philosophy and execution of a beach house in Pulpos, Peru, owned by Bettina Lolas and designed in collaboration with Venezuelan-born designer Carlos Mota. The home is characterized by its open-air structure and a relaxed, bohemian aesthetic, eschewing traditional beach house tropes. Lolas, a creative consultant based in Lima, acquired the house in 2008, drawn to the laid-back atmosphere of the surfer town and the architecture of the 1980s Juvenal Baracco-designed property. Mota's design approach focused on creating a comfortable and unfussy environment where furniture and decor would gain character and patina over time from the coastal elements. For instance, the outdoor dining table is crafted from butcher's block wood, complemented by folding bamboo chairs that Mota painted black for added drama. The living spaces are kept minimal, emphasizing comfort over extensive furnishings, with a custom sofa banquette topped with pillows from John Derian serving as a key seating area. A notable design choice is the use of museum posters for wall art instead of expensive paintings, contributing to the home's carefree vibe. The primary bedroom features an Indian screen, painted white by Mota, which functions as a headboard, adding texture to the concrete walls, and is adorned with a vintage Turkish suzani bedcover. The bedroom also provides direct access to the pool area, where Mota extended a bamboo wall to enhance privacy from neighboring properties and incorporated a sculptural cactus garden around the pool's edge, chosen for its resilience to direct sun and heat. The collaboration between Lolas and Mota proved highly successful, leading to plans for a second beach house project in Máncora, northwestern Peru. The Pulpos beach house is described as a place where Lolas feels happy, free, and relaxed, particularly when enjoying the terrace overlooking the Pacific Ocean. The article underscores Mota's unique vision of a beach house that blends seamlessly with its natural surroundings while offering a distinctive and relaxed living experience. #CarlosMota #BeachHouse #PeruvianDesign #OpenAirLiving #BohemianStyle #CoastalDecor #InteriorDesign #ArchitecturalRenovation #OutdoorLiving

The Rowan is the newest tiny house model introduced by the online marketplace, Tiny House Listings. This 34-foot-long (10-meter) tiny house distinguishes itself with a useful porch area and an expansive interior layout, uniquely arranged on a single floor. While its length is comparable to many North American tiny houses, its increased width of 10 feet (3 meters) — 1.5 feet wider than the standard 8.5 feet (2.6 meters) — contributes significantly to a more spacious and home-like feel inside. However, this extra width necessitates a permit for towing on public roads in the USA, making it less ideal for frequent relocation. The Rowan is constructed on a six-axle trailer, a notable feature that suggests a design choice to distribute weight effectively. The exterior is finished with engineered board and batten wood, complemented by a metal roof, ensuring durability and a contemporary aesthetic. The interior boasts drywall finishes, providing a clean and modern canvas for residents. Access to the home is through a 6-foot (1.8-meter) porch, which leads into the living room via double glass doors. The living area is well-lit with generous glazing and is designed to accommodate a sofa, a TV, and a cabinet, creating a comfortable space for relaxation. Adjacent to the living room is the kitchen, which is equipped with an induction stove and a sink. It offers ample cabinetry and designated space for additional appliances, catering to practical cooking needs. A breakfast bar with seating for two further enhances the kitchen's functionality, serving as a casual dining or workspace. Moving deeper into the tiny house, past the living and kitchen areas, is the bathroom. This facility includes a shower, a sink, a flushing toilet, and some storage, providing essential amenities within a compact footprint. One of the most significant design aspects of the Rowan is its single-floor layout, particularly evident in the bedroom. Unlike many tiny houses that feature loft bedrooms requiring occupants to crawl, the Rowan’s bedroom offers ample headroom, allowing residents to stand and move around comfortably. Located at the opposite end of the house from the entrance, the bedroom is designed to accommodate a queen-sized bed. It also includes a large built-in closet and washer/dryer hookups, maximizing convenience and storage within the limited space. The Rowan is currently available for purchase at US$92,000. This model aligns with Tiny House Listings' recent offerings, which include the larger duplex-style TinyPlex and the more budget-friendly Cortado, showcasing the marketplace's diverse range of tiny home solutions. The Rowan represents a practical yet comfortable option for individuals or couples seeking a tiny house experience with an emphasis on interior spaciousness and a semi-outdoor living component provided by its porch. #TinyHouses #TinyHouseDesign #SmallSpaceLiving #MobileHomes #AffordableHousing #CompactLiving #MinimalistLiving #OutdoorLiving #ArchitecturalInnovation

The Wadi Penthouse, located in Beirut's Central District within Wadi Abu Jamil, underwent a significant renovation led by Platau to transform a previously segmented two-story layout into a cohesive and functional living space for a family of four. The original design presented challenges in connectivity between the two floors, prompting a comprehensive redesign focused on openness and modern aesthetics. At the core of the renovation is the creation of a double-height space situated centrally within the penthouse. This architectural intervention serves as a focal point, with various functional areas such as living spaces, offices, storage, and bedrooms branching off from it. This central area not only enhances the sense of spaciousness but also improves the flow and interaction between the different parts of the home. The design strategy aimed to address the previous layout's inefficiencies by consolidating core activities around a central void. Adding a distinctive touch to the double-height area is a custom-designed steel and copper light fixture. This fixture, while minimal in its form, serves as an essential design element, drawing attention upward and contributing to the overall aesthetic of the central space. Its integration emphasizes the modern and refined approach taken in the penthouse's redesign, blending functionality with artistic expression. A key material choice in the renovation is the extensive use of wood, which introduces warmth into the predominantly white interior. A "wooden skin" concept was implemented, cladding the now-widened entryway. This wooden skin is characterized by curvilinear vertical boards, providing a dynamic and welcoming entry experience. Beyond its aesthetic appeal, this wooden element cleverly conceals various rooms and closets, maintaining a clean and uncluttered appearance. Some integrated features within this wooden skin include subtle lighting and steel handles that follow the curved lines, showcasing attention to detail and bespoke craftsmanship. The renovation also features a prominent floating staircase, a striking architectural element suspended from the ceiling by vertical steel bars. This staircase is not merely a means of vertical circulation but a sculptural piece that enhances the visual lightness and modern character of the penthouse. Its design complements the wooden skin and the double-height space, creating a harmonious and sophisticated interior. The suspension mechanism of the staircase contributes to its ethereal appearance, reinforcing the overall contemporary design ethos. The project by Platau successfully reimagines the penthouse's interior, transforming it into a contemporary urban dwelling that balances functionality with high-end design. The integration of a central double-height space, a custom light fixture, a curvilinear wooden skin, and a floating staircase collectively contributes to a unique and elegant living environment designed for a modern family. The thoughtful selection of materials and the innovative use of space define the Wadi Penthouse as a notable example of sophisticated residential renovation in Beirut. #Architecture #PenthouseDesign #BeirutArchitecture #FloatingStaircase #WoodenInteriors #ModernRenovation #InteriorDesign #ContemporaryLiving #PlatauDesign

The Itamambuca Residence, a 4,844-square-foot concrete home in Brazil designed by São Paulo studio Arquitetura Gui Mattos, offers a unique indoor-outdoor living experience amidst a verdant rainforest near a beach. The home's orthogonal structure is set on a concrete slab slightly raised off the ground, a design choice that serves multiple functional and aesthetic purposes. This elevated foundation functions as a step leading to the main living areas on the lower level and enhances the residents' views of the surrounding trees and plants. Throughout the lower level, glazed, sliding walls can be fully opened, blurring the lines between the interior and the natural environment. These walls are strategically placed a short distance from the edge of the raised concrete floor, creating sheltered terrace decks. These outdoor spaces provide a perfect setting for the owners to relax, enjoy the garden views, or overlook the adjacent pool, fostering a deep connection with nature. Above the main living area, the roof structure is another concrete slab, but ingeniously designed as an inverted prism. Its tip points downwards from the center of the ceiling, causing the central point to slant towards the four corners. This architectural feature creates a sense of openness within the interiors and offers unobstructed sight lines towards the dense jungle surrounding the property. The roof is supported by eight robust concrete columns, which are angled towards the center of the prism. This angling not only provides structural stability but also maximizes the views from inside the home. Beneath this roof, the lower level houses an open-plan living lounge, dining area, and kitchen, all designed to embrace the expansive natural setting. A wooden box structure spans the width of the roof, housing the private quarters. This upper level accommodates the master bedroom, three additional smaller bedrooms, and two bathrooms. Access to this rooftop structure is provided by a staircase situated between two wooden volumes on the lower level. The front of this elevated box features fully glazed walls that open onto a deck, offering spectacular panoramic views of the lush, green jungle, further integrating the home with its natural surroundings. #ConcreteHomes #BrazilianArchitecture #IndoorOutdoorLiving #RainforestHome #ModernDesign #ArchitecturalDesign #NatureIntegration #UniqueRoofStructure

In 2015, architect Dan Brunn embarked on a unique residential project in the Hancock Park neighborhood of Los Angeles, transforming an empty quarter-acre lot with a brook into an eco-chic, 4,500-square-foot modern dwelling known as Bridge House. The property, situated in a predominantly traditional area, presented a distinct challenge and opportunity for contemporary design. The construction leveraged a prefabricated building system called Bone Structure, a Canadian kit of parts consisting of columns and beams made from 90 percent recycled steel, likened to an Erector Set for adult home construction. This system, combined with infill made of structurally insulated foam topped with spray-on foam, ensured the house achieved net-zero energy consumption. The exterior of Bridge House is clad in panels of knotty grade cedar, providing a natural and refined aesthetic. Access to the property is gained via a rolling entry gate crafted from weathering steel, leading to a courtyard adorned with custom-made pavers. The interior begins with a striking double-height entry and living room, immediately distinguished by a vibrant green wall installed by Habitat Horticulture. This space also accommodates a baby grand piano, reflecting Brunn's personal passion for music, a path he contemplated before pursuing architecture. The flooring throughout the majority of the house is a terrazzo-like porcelain tile, selected for its permeability and featuring a shiny finish in common areas and a matte finish in bathrooms, a choice inspired by Brunn's visit to CERSAIE in Bologna. The linear layout of the house seamlessly transitions into the kitchen area, which is equipped with Caesarstone countertops and oak cabinetry, including a unique freestanding partition designed like an armoire. Adjacent to the kitchen is the dining section, furnished entirely with pieces from EQ3, including an oak dining table and chairs. This dining area extends to a spacious outdoor deck, complete with a fire pit, providing an ideal setting for al fresco dining and relaxation. A notable design element is the long hallway that connects the front of the house to the private rear quarters, which Brunn ingeniously converted into an art gallery. The intention is to collaborate with local galleries to showcase and sell modern and cutting-edge artworks, such as the custom triptych by Tasya van Ree displayed in the living room. The private wing of the house contains four bedrooms and baths, none of which are designed to be excessively large or overtly luxurious. Even the master bedroom, clad in cozy oak, reflects Brunn’s philosophy that the focus should be on the outdoor environment. The lower level of Bridge House serves as a significant recreational space. It features a sound-proof music room, a haven for Brunn’s musical interests, housing drums and a collection of guitars. Toy replicas of the Beatles oversee the musical sanctuary. Additionally, a secondary lounge and kitchen are located on this level, opening through glass sliders to a patio and offering a connection to the neighborhood. The design of Bridge House, despite its contemporary contrast with the traditional surroundings, demonstrates a sensitive approach to its environment and community. Key collaborators in the construction included MODAA Construction, who were integral to the build process, and Habitat Horticulture for the distinctive green wall. The project highlights the integration of sustainable building practices with modern architectural aesthetics, demonstrating how innovative materials and systems like Bone Structure can create a net-zero home. The emphasis on indoor-outdoor living, as expressed through the expansive deck and the architect’s preference for outdoor engagement, is central to the home’s design philosophy. The incorporation of a dedicated music room and an art gallery in the main hallway also reflects the architect's personal passions and a desire to create a living space that is both functional and enriching. #DanBrunn #BridgeHouse #LosAngelesArchitecture #EcoChicDesign #BoneStructure #NetZeroBuilding #SustainableArchitecture #ModernHome #ResidentialDesign

Scallop Path, a nearly 7.5-acre private island property in Cape Cod, is currently listed for $19.8 million. This historic estate, once owned by the renowned designer and horticulturalist Bunny Mellon, offers panoramic water views and meticulously designed gardens. The property comprises a 17th-century main house spanning 5,894 square feet and a guest house constructed by the Mellon family in the 1970s. Thomas Lloyd, Mellon's grandson, is the current seller and has overseen recent renovations, including window and roof updates, and the addition of a new living room window to enhance waterfront vistas. The main house, believed to date back to 1680, was historically moved from mainland Cape Cod to Oyster Harbors, a private island. It features seven bedrooms and five bathrooms, along with distinctive architectural details and hidden passageways that reflect its Colonial American origins, potentially serving as a hiding place during King Philip's War. The Mellon family undertook a sensitive restoration of the property in the 1970s, balancing historical preservation with modern enhancements. Notable interior features include pumpkin pine floors installed by Bunny Mellon and original wood beams. The property's gardens are a key highlight, meticulously designed and cultivated by Bunny Mellon, who was also responsible for redesigning the White House Rose Garden. These lush gardens feature a variety of flowers, herbs, and vegetables, showcasing Mellon's horticultural expertise. To ensure their long-term preservation, Lloyd has collaborated with a local landscaping firm to install an irrigation system and replace annual plants with perennials, making maintenance easier for future owners. In addition to the main residence, the estate includes a guest house with two bedrooms, two bathrooms, a kitchen, and laundry facilities. Other structures on the property include a charming wood shed, a boathouse, and a garage, all maintaining historic architectural elements. The property's strategic location provides 270-degree views of Nantucket Sound and Martha's Vineyard, with every room in the main house offering a glimpse of the scenic surroundings. For potential buyers interested in further customization, architect Patrick Ahearn has developed a video showcasing possibilities for transforming Scallop Path. Ahearn's vision includes preserving the original main house as a secondary living space by moving it, allowing for the construction of a new custom home on its current site. This approach aims to honor the property's historical legacy while accommodating contemporary needs. Interested parties can contact Zenas Crocker for more details on this unique and historically significant Cape Cod estate. #HistoricHome #CapeCod #LuxuryRealEstate #BunnyMellon #GardenDesign #ColonialArchitecture #WaterfrontProperty #InteriorDesign #EstateSale

In Old Havana, a boutique hotel known as A|S Residence offers an intimate lodging experience, blending contemporary design with historical elements. The project is the result of a two-year restoration by Havana-born dancer and musician Sandy Solano Diahave and Dutch fashion designer and artist André Visser. The hotel, formerly a baroque 19th-century mansion, is situated in a city recognized for its diverse architectural heritage, encompassing Spanish colonial, Art Deco, and 1950s styles, many of which face challenges from environmental factors and economic conditions, despite their UNESCO protection. The A|S Residence comprises five suites and four junior suites. The restoration aimed to maintain the original character of the building while integrating modern design. This approach is evident in the preservation of architectural features such as towering five-meter-high ceilings, exposed brickwork, stripped doors, and woodwork. Original elements like carved columns, intricate ironwork, Carrara marble, and handmade floor tiles were meticulously conserved and serve as a foundation for the interior design choices. The interiors are curated with a mix of influences. Rooms feature Italian lighting and are adorned with Cuban art alongside Visser’s abstract canvases. The furniture selection includes modernist pieces, such as Barcelona lounge chairs, complemented by items crafted by local artisans. The blend of European and Cuban design sensibilities creates a distinctive atmosphere within the residence. Beyond accommodation, A|S Residence engages with the local community through its ground-floor establishment, HAV Coffee. This space functions as both a cafe, serving Cuban coffee and brunch, and an art gallery, showcasing works by emerging local and international artists. The hotel also boasts a rooftop terrace that offers views of Havana. This area is available for activities like yoga sessions and dance classes, and it also serves as a tranquil spot for guests to relax with a drink after exploring nearby attractions. The hotel's capacity is limited to ten guests, and it enforces a policy of no children under 16, contributing to its quiet and exclusive ambiance. The location of A|S Residence provides convenient access to significant landmarks and vibrant streets in Old Havana, including Obispo and Mercaderes Streets, Belém Convent, Plaza Belém, the Capitolio, the Museo Nacional de Bellas Artes, and the Gran Teatro de La Habana. The thoughtful restoration and design of A|S Residence contribute to the preservation of Havana’s architectural legacy while introducing a contemporary hospitality experience. #HavanaHotels #BoutiqueHotel #CubanDesign #ArchitecturalRestoration #OldHavana #InteriorDesign #ArtAndCulture #TravelCuba