How Designer Heide Hendricks Brought Character, Color, and Story to a Lackluster Modern Manhattan Penthouse

Interior designer Neal Beckstedt adopted a unique strategy for integrating color into the House of ELLE Decor, a 4,100-square-foot penthouse in downtown Manhattan. Instead of either completely eschewing color or using it extensively, Beckstedt opted for a sporadic application to guide visitors through the apartment and introduce excitement. He drew inspiration from past issues of ELLE Decor and the palette of Farrow & Ball paints, envisioning a well-traveled international couple as the home's inhabitants. The design aimed to merge traditional and modern aesthetics, reflecting the building's late 19th-century architecture and recent condo conversion. Berwick Edel, an interior renovation company, executed the painting and wallpapering. Beckstedt's approach involved layering colors and creating contrasts to establish a progressive journey through the home, from an intimate foyer to a more neutral living room and culminating in a striking wine room. In the foyer, Beckstedt selected Farrow & Ball’s Pigeon, an earthy green-gray, for the walls to create an intimate welcome. This was complemented by Blue Gray on the wainscoting and Farrow’s Cream, a slightly darker cream, on the ceiling. All three shades were applied in Farrow & Ball’s Modern Emulsion finish. This subtle combination was intended to provide a contrast with the brighter living-dining area, making the white spaces appear crisper. For the expansive living-dining room, Beckstedt introduced an unexpected touch of color with a ceiling alcove painted in Farrow & Ball’s Setting Plaster, a warm, dusty pink, using Estate Emulsion, and an accent of Archive in the same finish. This creative use of color aimed to add a sense of surprise and drama. Beckstedt emphasized that the key to cohesion without being overly matching lies in the relationship between the chosen colors and artwork. In the guest bedroom, a single wall was painted in Farrow & Ball’s Red Earth, a sunbaked terracotta in Estate Emulsion. This bold backdrop was paired with desert-hued furnishings, including custom velvet bedding and a Dan Christensen painting, maintaining a calm and modern feel through a harmonious color family and varied textures. The wine room, located just off the living room, was designed as the most dramatic space. Beckstedt transformed it into a glossy red jewel box by painting the walls and ceiling in Farrow & Ball’s Picture Gallery Red with a Full Gloss finish. The rug, vintage sofa, Napoleon chair, and a Larry Zox painting all matched this scarlet hue, accented by black and brass in the floor-to-ceiling wine rack. This room was the only one to feature a glossy finish, providing a striking contrast to the matte finishes used elsewhere in the penthouse, and served as a focal point for drama and shine within the entire home. #InteriorDesign #ColorPalette #LuxuryPenthouse #ManhattanRealEstate #FarrowAndBall #PaintColors #HomeDecor #ModernTraditionalBlend #Showhouse

Nina Magon, an interior designer and founder of Contour Interior Design, undertook a significant renovation of her 11,000-square-foot home in Piney Point, Houston. Upon purchasing the property, Magon perceived a negative energy within the house, describing it as 'haunted' and 'run down' with a generally unpleasant ambiance. This emotional and energetic state of the house prompted her to seek a solution beyond conventional interior design practices. Magon turned to Vastu Shastra, an ancient Indian system of architecture that her parents faithfully followed and which she had previously applied with success in her earlier home to address financial difficulties. Vastu Shastra, akin to the Chinese practice of Feng Shui, aims to integrate architecture with nature, ancient beliefs, and traditional Indian culture to create harmonious living spaces that positively impact the inhabitants' well-being. Magon enlisted a Vastu master who meticulously mapped out the entire house, dividing it into 16 directional zones. This detailed assessment revealed fundamental issues with the home's layout according to Vastu principles, necessitating substantial architectural changes. For instance, the family room and kitchen had to be swapped, and the swimming pool's location required relocation to align with Vastu guidelines, which prohibit water sources in certain areas. While Magon did not adhere to all Vastu recommendations, such as specific color placements, these significant structural adjustments were crucial for addressing the perceived negative energy. Beyond the Vastu-driven structural alterations, Magon applied her extensive interior design expertise to transform the aesthetic and functionality of the home. The house, originally featuring a cream-colored plaster finish, appeared dull and dark. Magon and her team opted for a comprehensive repaint, predominantly using white tones throughout most rooms, complemented by the installation of brighter LED lighting. This decision resulted in a light-filled, airy interior that minimized the need for artificial lighting during the day. Magon chose to preserve key original architectural elements, such as the high ceilings, beautiful molding, and wood paneling in the main family room, recognizing their contribution to the house's character. Rather than removing these traditional features, she integrated them with modern European design elements, furnishing the home with pieces from renowned Italian brands like Minotti, Riva, B&B Italia, and Flexform. This approach created a contemporary yet character-rich living space. The renovation also included specific updates in various rooms. The kitchen was outfitted with Gaggenau appliances and Eggersmann cabinetry, featuring Cosentino marble for both the floor and countertops, alongside a Gallotti&Radice hanging lamp and Molteni&C chairs. The master bedroom showcases a B&B Italia bed, with a seating area comprising a Meridiani sofa and a Molteni&C coffee table, accented by a Gallotti&Radice bench and end table. The study adopted a muted grey palette to cultivate a cozier atmosphere, furnished with Fendi armchairs and rug, and a Meridiani table. The game room downstairs incorporated a vibrant orange lounge chair from Zanotta and a Davide Groppi table lamp. The master bathroom utilized marble from Porcelanosa and Cosentino. A dynamic table by Karim Rashid for Riva served as the centerpiece in the dining room, complemented by B&B Italia chairs and a sculpture by Alexander Krivosheiw. The parlor featured Minotti seating, a Serge Mouille lamp, and a sculpture by Richard Macdonald, with a Joan Miró painting adorning the main room. The collaboration between traditional Vastu principles and modern interior design sensibilities ultimately transformed the property into a harmonious and inviting residence, alleviating the initial sense of unease felt by the designer. #InteriorDesign #VastuShastra #HoustonRealEstate #LuxuryHomes #HomeRenovation #ModernEuropeanDesign #ArchitecturalChanges #NinaMagon #ContourInteriorDesign

The penthouse residence within a 37-story Neo-Romanesque luxury condominium tower in downtown Brooklyn underwent an extensive renovation, spearheaded by Jaklitsch/Gardner Architects. This landmark building, originally constructed in the 1920s as the Williamsburgh Savings Bank Tower, now houses 179 apartments. The transformation of the 3,000-square-foot penthouse proved to be a protracted endeavor, lasting seven to eight years, in stark contrast to the building's initial two-year construction period. The extended timeline was largely due to the client's demanding schedule, which frequently caused project pauses, and also to unforeseen obstacles, including Hurricane Irene in 2011, which caused flooding in 40 units and significantly delayed work for months. Despite these challenges, the client's adventurous spirit in design collaboration pushed the architects to create a unique living space. The renovation unfolded in two primary phases: an architectural gut renovation followed by interior design. During the architectural phase, significant structural changes were implemented. The apartment's front door was relocated to open into the living area instead of the kitchen, creating a new vestibule and enhancing the sense of arrival and spaciousness. Two existing bedrooms were combined to form a primary bedroom and an adjacent sitting area, separated by three curved, telescoping wood walls. This innovative design allows for both connection and privacy within the expanded space. Throughout the apartment, ebony-stained white oak flooring was installed to provide a consistent and cohesive aesthetic. The interior design phase focused on creating a fluid landscape, where many custom-designed pieces serve as metaphorical representations of nature. Notable examples include a 'fountain' coat rack with looping brass arcs, a 'cumulus' chandelier featuring spheres of cast glass, and a record cabinet adorned with incised white flowers—all conceptualized and designed by Jaklitsch/Gardner Architects. The dining table, another bespoke piece from the firm, is composed of three configurable parts, allowing for flexible arrangements and evoking the appearance of a large tree stump when joined. The designers noted that the themes of 'celestial and landscape' symbolize the apartment's unique position between ground and sky. Stephan Jaklitsch, who founded the firm in 1998, highlighted the intention behind the movable elements, which aim to provide tactility, psychological warmth, and a human scale to the residence. He also pointed out that the building's conversion from offices to residences in 2007 resulted in generic layouts and nondescript interiors, which the firm sought to overcome. The renovation capitalized on the penthouse's prime location, just three floors below the building's gilded, four-sided clock, offering panoramic views of New York City and infusing the interior with a distinctive character. The project ultimately created a sophisticated and unique living environment, harmonizing with the building's historic essence while incorporating modern, nature-inspired design elements. #PenthouseRenovation #BrooklynArchitecture #HistoricBuilding #LuxuryDesign #JaklitschGardnerArchitects #CustomFurniture #InteriorDesign #ArchitecturalRenovation #NewYorkRealEstate

Homepolish designer Tali Roth offers practical advice for renters looking to personalize their temporary living spaces, emphasizing that a rental unit's potential should not be wasted due to its temporary nature. She asserts that individuals often reside in rentals longer than anticipated, making it essential to create a comfortable and personalized environment rather than living in a state of limbo. Roth's own Chelsea loft serves as a prime example of how to infuse personal style into a rental without undertaking extensive, permanent renovations that could jeopardize a security deposit. Roth suggests focusing on easily modifiable elements within a rental. Lighting and window treatments are identified as key areas for impactful changes. For instance, an existing, generic light fixture can be replaced with a more aesthetically pleasing one. In her dining room, Roth replaced an IKEA light with a Synapse chandelier by Apparatus Studio, which helped to make the space feel cozier by lowering the ceiling's visual height. For those hesitant to alter existing wiring, sculptural wall lamps that plug into outlets and can be mounted high are presented as a viable alternative. Installing blinds and full-length curtains is also recommended to add warmth, texture, and privacy, with Roth opting for gray Belgian flax linen curtains to complement her home's modern color scheme. The article highlights Roth's innovative approach to customizing furniture, particularly her collaboration with Semihandmade to transform standard IKEA cabinet systems. Through this, she added custom taupe doors, a counter, and brass hardware to her units, demonstrating how affordable, modular furniture can be elevated to appear bespoke. One of the most significant transformations in Roth's loft was the application of faux concrete to a large wall by i faux. This technique was used to address the challenge of vast, white rental walls, adding significant texture and depth to prevent the space from feeling like a stark, empty box. Roth's design philosophy embraces geometric patterns and chunky forms, which she refers to as a "Flintstones aesthetic," influenced by her appreciation for modernism. This theme is consistently applied throughout her home, evident in sculptural vases, Hubble Wall Sconces by Pietro Russo for Baxter in the living room, and terrazzo wallpaper in the bathroom. While Roth chose traditional wallpaper, the article also suggests removable wallpaper options for renters seeking less commitment. The process of designing each rental space is also presented as a learning opportunity, allowing individuals to refine their tastes and understand what works best for their lifestyle, including considerations for living with young children. Roth shares a personal insight regarding her velvet couch, noting that its susceptibility to watermarks might lead her to choose a different material in future rentals, at least until her son is older. Ultimately, Roth emphasizes that customizing a rental is a common practice, particularly in cities like New York, where landlords generally expect tenants to personalize their living spaces. She reassures renters that most lease agreements simply require the unit to be returned to its original state, detailing her plans to reverse her changes, such as reinstalling the original light fixture, deconstructing the faux concrete, removing wallpaper, and repainting walls white, before moving out. #RentalDesign #LoftLiving #InteriorDecor #HomepolishDesigner #TaliRoth #DIYDecor #ApartmentRenovation #ModernAesthetic #IKEAHacks

The article offers an exclusive tour of interior designer Marissa Corvino's recently designed Hoboken home, highlighting her design philosophy and the practical application of her aesthetic in a family living space. Corvino Design, founded by Marissa Corvino in Hoboken, NJ, aims to create functional, personalized, and architecturally sound spaces. Her design aesthetic is described as bold yet refined minimalism. The home, a renovated townhome on Garden Street in Hoboken, built in 1901, was partially demolished when purchased, providing Marissa with a unique opportunity to create a modern design from scratch. The residence accommodates Marissa, her husband Frank Corvino, and their three children: Mia, Leonardo, and Grace. It features five bedrooms and five bathrooms. The inspiration behind the decor and renovation draws significantly from architectural giants like Le Corbusier, known for functionalism with bold sculptural details, and Joseph Dirand, who combines minimalism with warmth and fullness. Marissa's goal was to create a space that seamlessly integrates adult and children's daily lives within an urban environment where every inch counts. This involved intentionally keeping the middle of each floor plan open and utilizing arches for structural support to give the illusion of a wider brownstone. A key aspect of the design strategy was to conceal belongings, maintaining a minimal yet full aesthetic. For instance, the parlor floor incorporates recessed open shelves with concealed storage underneath. The playroom is thoughtfully designed with toy storage, two desk areas, and a sofa with a trundle bed, providing dedicated spaces for relaxation, schoolwork, and playdates. Three standout design elements in the home are the Calacatta Viola Marble in the kitchen island from Basstone, the extensive use of plaster by Kamp Studios, and custom furniture crafted by Corvino Design. During the renovation process, an unexpected expense arose with the replacement of the sewer line, which was damaged after the removal of an oil tank. A significant challenge during the project was Marissa's pregnancy halfway through, which necessitated a last-minute modification to the floor plan to incorporate an additional bedroom. Marissa emphasizes that the project aimed to serve as a fresh inspiration for family urban living, demonstrating that a home filled with art, plaster, and marble can still be child-friendly and suitable for cooking and entertaining without constant worry. For those looking to update or redecorate their homes, Marissa offers advice: be patient, invest in quality over quantity, and embrace color. The article provides a detailed room-by-room breakdown of specific pieces, materials, and collaborators involved in the project, including Nicole Franzen for photography and Eve Singer from Broyt for styling. This includes custom pouf sectionals, vintage Vladimir Kagan swivel chairs, Calacatta Vagli fireplace stone, custom entry doors in the living room; NR Wood Design millwork, Studio Henry Wilson hardware, Calacatta Viola island stone, and a LaCanche Sully range in the kitchen; Bas Stone Travertine Navona table and a custom dining bench in the dining room; a vintage mirror, Articolo Lighting sconces, and Petra Grey Marble vanity in the powder room; a custom staircase in the hallway; custom nightstands and bed, Allied Maker sconces in the main bedroom; and NR Wood vanity, Arabascato Corchia stone slab, Watermark plumbing fixtures in the main bathroom. Marissa's closet features G’s Woodworking millwork and Calacatta Viola stone, while the playroom has custom millwork by Corvino Design. #InteriorDesign #HobokenHome #MarissaCorvino #CorvinoDesign #HomeRenovation #MinimalistDesign #FamilyLiving #UrbanLiving #ArchitecturalInspiration #LuxuryInteriors

This article showcases a neoclassical-style townhouse designed by Joan Enger of J. Patryce Design in Hoboken, New Jersey. Enger's design approach blends classically informed architecture with modern touches, creating a unique transitional aesthetic. The project, completed in three phases over six years, involved rejuvenating the 100-year-old brownstone's original neoclassical plaster mouldings with contemporary textures, standout neutrals, and modern light fixtures, while also incorporating the client’s extensive collection of English antiques. This eclectic mix harmonizes with the home’s historical structure, preventing it from appearing outdated. The entryway of the townhouse maintains a darker ambiance, using Benjamin Moore's Skipping Stone, a warm gray, to complement the original architectural elements. A trans-LUXE gray-washed lighting fixture and a brass and smoked glass console table from Modern Living Supplies introduce contemporary notes. The living room features an engraved fireplace, and Midcentury modern furnishings, including a circular coffee table from Chairish, originally in the style of Karl Springer. Vintage Jens Risom chairs are upholstered in Toile Chenonceau fabric, and Holly Hunt silk draperies adorn the large windows. Artworks by Heidi Kurko and Jean Wolf are displayed, alongside the client's own sofa and antique side table. A cozy desk nook under the staircase, a result of the deepening designer-client trust, is accessorized with a vintage desk chair, a wall sconce from School House Electric, and a metal wastebasket from CB2. The light-filled kitchen features custom cerused rift white oak cabinetry by NR Wood Design and bright calacatta marble countertops from Langley Stone and Marble. Island pendant lights are from Allied Maker, and bleached walnut stools are by Dennis Miller. Adjacent to the kitchen, the dining area showcases exposed industrial brick, original to the house, contrasted by a contemporary chandelier from Brendan Ravenhill Studio. NR Wood Design also crafted the custom curved dining table and a banquette upholstered in Holly Hunt fabric. Ligne Roset chairs add texture to the space. The transitional guest bedroom is designed around the client’s sleigh bed, with a contemporary O'lampia light fixture featuring brass rings and black and brass Arteriors reading lights. Architectural details are enhanced by varied textures, including an ABC Carpet and Home rug and bedding. A vintage Milo Baughman barrel chair is reupholstered in Rogers and Goffigon fabric, and linen navy nightstands from Bungalow 5 complement Jean Wolf's artwork. The media room features grasscloth wallpaper from Sonia's Place, and a custom built-in media cabinet by NR Wood Design. Window shades use Claremont fabric, the custom sectional is upholstered in Holly Hunt fabric, and an Environment lounge chair uses Claremont velvet. A custom wool flatweave rug matches the linen drum shade, with bookcase lighting from A. Rudin, an occasional table from Gabby, and a faux shagreen coffee table from Dwell. For the daughter's bedroom, updated during the project’s third phase, the design incorporates shades of blue and bright patterns with Benjamin Moore's Sterling paint to create a calming, contemporary space for a teenager. Rebecca Atwood printed fabric is used for window shades, and custom pillows in Holland and Sherry citron fabric contrast with a Wayfair upholstered bed and neutral bedding from ABC Carpet and Home and West Elm. A multifaceted light fixture from Horne adds a modern touch. A clever workspace in the child's bedroom alcove uses Kensington Blue paint as an accent wall, a lacquered Hayneedle chair with Rebecca Atwood fabric, a Blue Dot desk, a bone china chandelier from Horne, and vintage artwork curated by J. Patryce Design. The master bath, inspired by a Florentine boutique hotel, combines serene, glossy textures with subtle colors. It includes a double open-legged washstand, mosaic floor tile from Waterworks, Restoration Hardware medicine cabinets flanked by Waterworks wall sconces, and Lefroy Brooks fixtures and toilet. #NeoclassicalDesign #ContemporaryFurniture #InteriorDesign #TownhouseRenovation #EclecticStyle #JPatryceDesign #HobokenHomes #HomeDecor #TransitionalDesign

Designer Heather Peterson utilized her South Minneapolis family home as a creative laboratory to explore design concepts not yet ready for client projects. What began as a plan for a quick refresh during the pandemic evolved into a comprehensive overhaul involving her entire firm, fostering ideation and innovation among the team. Peterson aimed to showcase a more eclectic, spirited, and modern aesthetic compared to her typical client work, transforming her home into both a personal living space and a design portfolio piece. The main challenge involved designing for her own idiosyncratic tastes and integrating existing high-quality fixtures that she chose not to remove. The home, originally built in 2007, featured a 'modern Scandi' and 'contemporary A-frame' style, providing a strong foundation that Peterson and her team enhanced with rich colors, graphic shapes, and numerous vintage finds to infuse personality. The project also emphasized collaboration with local Minneapolis vendors, highlighting a 'love affair' with the city's talented and unique suppliers. The home spans 2,100 square feet, featuring 3 bedrooms and 3 bathrooms. The living room's layout presented a challenge due to multiple entry points and architectural quirks, including an off-center window and an odd structural element. Peterson addressed this by employing symmetry, leveraging vintage furniture, including a redwood burl coffee table inherited from her parents, to balance the space and add character. Adjacent to the living room is the versatile "Room of Requirement," named after the Harry Potter concept, which has served various functions such as a home office, Lego room, music room, and library. This space is currently a cozy flex area used for work, art, and family game nights. Peterson reinforced its cocoon-like ambiance with a custom brown paint, contrasting white elements, and ample storage to accommodate books, trinkets, and art. The dining room, central to the house with sightlines to several other areas, was designed to anchor the home’s aesthetic through a mix of colors, textures, and silhouettes. To add volume and prevent it from feeling like a mere pass-through, Peterson incorporated a large pendant light, an armoire, and artwork, complemented by cork wallcovering and an embroidered rug. In the kitchen, Peterson opted for a cosmetic facelift rather than an extensive renovation, satisfied with its existing layout and functionality. She transformed the space into a focal point of the first floor by applying a bold, 1970s-inspired green paint to the cabinetry and adding oversized ceramic knobs for a whimsical touch. A countertop lamp contributed to the ambiance, emphasizing Peterson's preference for varied lighting. The powder room was revitalized within its original structure, featuring a fresh coat of Farrow and Ball's Preference Red paint on the washstand-style sink and Sandberg's Raphael wallpaper, a long-loved choice that adds a magical feel to the small space. Theo’s room, for her eldest child, combines bold prints with a sophisticated navy and oxblood palette, using faux-wainscoting and a tall bed system to optimize the room's proportions. The primary bedroom, visible from multiple public areas, was designed for coziness and visual appeal, with paper-backed William Morris fabric on the walls, blending historical and modern elements. The room incorporates three florals and two patchworks, maintaining a dynamic yet cohesive look with a tight color palette. Eleri's room, for her daughter, despite its small size and upholstered goods, achieves visual interest and a calm atmosphere through subtle prints and a palette of dusty blues, greens, and mustard. The primary bathroom retains many original finishes, with strategic updates like Fireclay's rosemary tile, which, with its varied glaze, integrates seamlessly with the marble floor. Wicker accents add warmth, while red faucets introduce a lively element, with textiles completing the cohesive design. Heather Peterson Design is based in Minneapolis, Minnesota, and focuses on translating client tastes into personal, functional, and stylish homes, embracing diverse design styles and blending client preferences into cohesive designs. This home tour serves as a testament to Peterson’s design philosophy and her firm’s creative capabilities. #InteriorDesign #HomeRenovation #EclecticStyle #MinneapolisDesign #HeatherPetersonDesign #VintageDecor #ColorPalette #RoomDecorating #HomeTour

This article explores a historic 1920s double-wide townhouse on the Upper East Side of New York City, which served as the 47th Annual Kips Bay Decorator Show House. The clients purchased the entire building after attending the show house, initiating a gut renovation led by Francis Nicdao, principal designer and chief creative officer of Pembrooke & Ives, and Stephanie Sarkies-Schabot, the firm's managing director of decorating. The renovation, which began during the COVID-19 pandemic, aimed to create a family home capable of displaying a vast, museum-quality art and antique collection without feeling overly formal. The design achieved a balance between contemporary cleanliness and traditional detailing, respecting the building's historical character. The entryway features checkerboard marble flooring and a spectacular spiral staircase connecting five of the six levels, designed to facilitate a smooth transition to vertical living. The living room, expansive due to the home's double-wide layout, is furnished with collectible design pieces and art, creating a grand and impactful atmosphere. Gold accents add a glamorous edge to a soft color palette. The combined breakfast and family room functions as the home's hub, with a custom back-to-back sofa dividing dining and lounge areas. This space, which opens into the kitchen, incorporates rich textures and blue hues, overlooked by Ralph Goings's artwork, _Tom’s Diner_. The kitchen, located on the entry floor, was designed for high functionality and ease of maintenance, with easily cleanable surfaces and ample counter space. Its blue island and barstools create a cohesive connection with the adjacent breakfast room. The wine cellar and wet bar, located in the basement and dining room respectively, demonstrate that even lower-level spaces can be glamorous, featuring specialty lighting for the wine display and a high-gloss blue paint with a mirrored backsplash in the wet bar. The primary suite, one of seven bedrooms, offers a dreamy ambiance with pink details and natural light enhancing its glow. The unique layout connects the bedroom to a walk-in closet and bathroom through a windowed corridor along the back facade. A guest bedroom provides a relaxing retreat with a neutral color palette, plush carpeting, embroidered drapery, a custom upholstered headboard, and a high-gloss wall finish. The primary bathroom integrates decorative lighting as a focal point, with a stunning chandelier and sconces, alongside symmetrical design and stone detailing for a luxurious and modern feel. Finally, the backyard patio, designed by landscape architect Luciano Guibbilei, serves as a “zen-like enclave” in the city, covering approximately 1,500 square feet and featuring a mural by artist Annie Morris, providing a serene outdoor escape. #NewYorkCity #TownhouseRenovation #InteriorDesign #LuxuryHomes #HistoricPreservation #ArtCollection #PembrookeAndIves #KipsBayShowHouse #HomeDecor

The article details the design of Andree Caldwell's Manhattan penthouse by Hutton Wilkinson, showcasing a maximalist aesthetic inspired by Venetian palazzos. Caldwell, a lecturer on 17th-century Old Master paintings, first encountered Wilkinson's work at a design weekend in the Lyford Cay Club, Bahamas, where he spoke about his mentor, Tony Duquette. Impressed by Duquette's aesthetic, which she felt resonated with her experiences in Venice, Caldwell commissioned Wilkinson to design her New York penthouse. The collaboration between Caldwell and Wilkinson is described as a "date with destiny," revealing a prior connection to the apartment. Years before, Wilkinson had found the same apartment for a client, who ultimately did not purchase it. He then intended to buy it himself but was pre-empted by Caldwell, a long-time family friend of the previous owners. Caldwell provided Wilkinson with a budget and complete creative freedom, allowing him to fully express his unique design philosophy. Wilkinson's design approach, similar to Duquette's, emphasizes elevating the ordinary and disregarding conventional rules. This is evident in the choice of materials and finishes throughout the 1,000-square-foot space. Velvet is used to cover walls, while malachite-patterned cotton adorns ceiling beams. Antique chairs are painted green and their silk upholstery is marked with felt-tip pens, which Wilkinson describes as "chic." The decor further includes bed curtains edged with pearls and citrines, golden brocade on baseboards and moldings, and marble tabletops painted to resemble tortoiseshell. Caldwell expressed delight with the results, despite some initial surprises. The penthouse's design aims to create an atmosphere conducive to sophisticated entertaining, reminiscent of the glamorous salons depicted in Woody Allen’s film, *Midnight in Paris*. Mirrors strategically placed on ceilings and walls enhance the perception of space and amplify light from the three terraces, contributing to an opulent and expansive feel. The interior is divided into distinct zones, including a drawing room, living room and bar, and a primary bedroom, each meticulously designed with intricate details. The drawing room, drenched in emerald hues, features Roman shades made from Tony Duquette cotton for Jim Thompson Fabrics and art by Joseph Heintz the Younger. Natural motifs, such as coral and leopard spots, are incorporated to add visual interest. A custom banquette, antique table, and a 19th-century Chinese Coromandel screen further enrich the space. For dining, a deep velvet-covered sofa is positioned alongside an antique table, adorned with tablecloths made from Tony Duquette cottons and complemented by 18th-century English chairs. The living room and bar area continue the theme of graphic patterns with coral and leopard spots. A custom banquette, an antique table, a 19th-century Chinese Coromandel screen, and art by Henri Cartier-Bresson define this space. A Venetian secretary is repurposed as a bar, furnished with Tony Duquette dinnerware for Mottahedeh. The primary bedroom is enveloped in golden brocade and lace, creating an opulent and luminous sanctuary. It features a vintage mirror, an Italian chest, an antique lamp from the Tony Duquette collection, and a custom bed with a canopy, dressed in linens from E. Braun & Co. For entertaining, the article highlights the presentation of Champagne and caviar hors d’oeuvres on a malachite-painted table, accompanied by Georgian candlesticks and Tony Duquette dinnerware for Mottahedeh. The article concludes by noting its original publication in the November/December 2014 issue, with interior design credited to Hutton Wilkinson, photography by Francesco Lagnese, production by Carolyn Englefield, and writing by Frances Schultz. #InteriorDesign #MaximalistDecor #ManhattanPenthouse #HuttonWilkinson #VenetianPalazzo #LuxuryInteriors #HomeDecor #TonyDuquette #HouseTour

This blog post showcases the meticulous redesign of an elegant Brownstone apartment located on 5th Avenue, Upper East Side, NYC, opposite The Met. The apartment is part of a 1926 block and retains classic period details, which the owners were keen to preserve while updating the interiors for modern living. Interior designer Joshua Smith was tasked with this challenge, aiming to create a timeless, elevated, and elegant space that was also highly livable and harmonious, providing a tranquil escape from the bustling city. The design process prioritized classic and timeless aesthetics over fleeting trends. Smith emphasized the importance of considering the building's architecture in relation to the interior design, blending antiques with comfortable, modern furniture to achieve a fresh, light, and serene atmosphere. This approach is evident from the entryway, which was designed to create a sense of arrival. Architectural interest was added through varying ceiling colors, complemented by an antique French mirror, vintage brass lamp, and Swedish chairs upholstered in Fortuny fabric, creating a welcoming and visually engaging space. In the large formal living room, Smith addressed the challenge of its size by creating distinct zones. The room features a desk area, a primary seating arrangement with a coffee table, and a grand piano at the opposite end. Contemporary elements, such as striking lamps from Christopher Spitzmilner, were introduced to balance traditional styles. A light sisal rug was used to add warmth and texture, while silk velvets from Romo Fabrics and detailed finishes like fringe on pillows added sophistication, with careful consideration given to every detail. The kitchen design capitalized on the original architecture, featuring simple cabinets that align with the classic Upper East Side paneled ceiling. Smith focused on functionality, incorporating custom-made barstools in vegan leather with contrasting welting and buttons. The eat-in kitchen area, considered the central part of the house, was designed to be soft and transitional in color. A custom banquette in vegan leather was paired with mismatched antique chairs, utilizing fabrics from Kravet and Schumacher, and wallpaper by Philip Jefferies, to tell a cohesive design story. The dining room serves a dual purpose, functioning as both a dining area and a home library with an inviting seating and reading space. The custom-designed green and cream diamond-patterned carpet served as the initial inspiration, bringing a fresh and youthful geometric element to the room. A 1940s Lucite glass table with a brass base and coordinating vintage porcelain lamps further enhanced the blend of old and new. Antique cameos in gilt frames added a touch of heritage. However, the designer expressed a desire to have used Fortuny fabric for the club chairs in this room for a more playful touch. The primary bedroom was designed to be a serene and beautiful sanctuary, with a focus on rich textures and fabrics to add modern appeal. Achieving the perfect ethereal softness on the walls required multiple attempts. A custom-designed modern bed by Dune, with Sabina Fay Braxton fabric on the headboard and a Christopher Spitzmilner lamp on the nightstand, contributed to the elevated look. The layout of the large bedroom also cleverly incorporates a seating area with a leather-topped antique desk and chair, maximizing the use of space. For the guest room, Smith opted for a more vibrant color palette, combining lavender blue and aqua with custom watercolor stripes on the walls. The Romo fabric on the custom bed served as the starting point for this room's color scheme. Vintage furniture pieces, such as a curved-back 1940s chair upholstered in contemporary purple wool fabric and a custom white lacquer nightstand, added character. The room also features detailed millwork, a custom marble floor, and a tufted Greek edge banquet cushion, demonstrating a cohesive design aesthetic throughout the apartment. The overall success of the redesign is attributed to its classic and timeless approach, consciously avoiding trends, resulting in a cohesive and deeply appreciated transformation by the clients. #LuxuryApartment #InteriorDesign #NewYorkCity #HeritageHome #TransitionalDesign #ElegantInteriors #HomeRenovation #ClassicStyle #CustomFurniture

The article presents a detailed tour of Leena Nasser's landmarked Upper West Side apartment in Manhattan, designed by Molly Torres Portnof of DATE Interiors. Leena, a social scientist, writer, artist, and dancer, sought to create a home that truly embodies her imaginative and free-spirited personality, a concept she refers to as her ‘creative womb’. The apartment, built in 1915, initially featured builder-grade finishes but possessed significant potential with its tall ceilings, exposed bricks, and a gorgeous terrace. The collaboration between Leena and Molly began during the closing of the apartment sale, fostering a strong connection from the outset. Leena's international lifestyle, with residences in New York, London, Argentina, and Saudi Arabia, influenced the design, as she frequently sent Molly ideas gathered from her travels. The design philosophy integrated a classic New York aesthetic with Parisian influences, culminating in a space tailored to Leena's unique tastes rather than being moderated for a broader audience. Molly highlighted the freedom of designing for an individual, allowing for a celebration of her client's identity. A significant aspect of the design involved incorporating Leena's interest in the divine feminine, the female form's strength, and her nature as a dreamer. An example of this is the mural in her bedroom, which was inspired by a dream she had about a waterfall cascading over a woman, brought to life to be a daily source of inspiration. This creative synergy enabled the realization of highly personalized elements throughout the apartment. The apartment is described as a 'feminine goddess sanctuary,' with each room possessing its own distinct 'magic' and feeling like a 'jewel.' Comfort and beauty were paramount, achieved through inviting elements like sheepskin armchairs and plump sofas, creating a soft and feminine ambiance. Live-edge wood shelving and terrace foliage were incorporated to bring natural elements indoors. The bathrooms feature zellige tiles, chosen for their unique textures and ability to evoke a spa-like, escapist atmosphere. Leena's passion for Arab history, forgotten Arab queens, and various cultures and fictional worlds also played a crucial role in the design. Historical elements are thoughtfully integrated throughout the apartment. A collection of her fairy tales, framed by Ilana Lobet, creates an arresting display on the exposed brick walls of the dining area, with over 75 unique pieces. The furniture in the main living space was specifically chosen to be light and movable, accommodating Leena's love for tango dancing and large-scale painting. The project not only resulted in a personalized sanctuary but also fostered a firm friendship between the client and the designer. Molly Torres Portnof shared insights into her design choices, highlighting the joy in Leena's appreciation for the apartment. She pointed to enlarging the terrace doors as a small change with a huge impact, significantly increasing light and life within the space. Her preferred color palette includes golden mustard with deep purples and greens, and she draws inspiration from Australian designers like Tali Roth and Flack Studio. Her favorite building, the Empire State Building, even influenced her company's name, 'Designing A Tiny Empire.' She also recommended the Demolition Depot in Harlem as a hidden gem for unique finds, emphasizing her attachment to her rug collection, which she views as 'pieces of art on our floors' that tell stories. #ManhattanApartment #InteriorDesign #ArtistHome #FeminineDesign #CustomInteriors #ExposedBrick #UpperWestSide #DATEInteriors #LeenaNasser

The article details the design of a maximalist Manhattan penthouse, owned by Andree Caldwell and designed by Hutton Wilkinson, which evokes the opulence of a Venetian palazzo. The collaboration between Caldwell and Wilkinson began serendipitously at a design weekend in the Bahamas in January 2013, where Wilkinson was speaking about his mentor, Tony Duquette. Caldwell, a lecturer on 17th-century Old Master paintings, was deeply inspired by Wilkinson's aesthetic, which she likened to the dreamlike quality of Venice. She envisioned a space where every object was a work of art, with layers of materials, such as coral and candelabra, gold silks, white lace, velvet walls, and black candles that made flames appear to float. Wilkinson's connection to the penthouse predated his meeting with Caldwell; he had previously discovered the apartment for a client who ultimately didn't purchase it, and he himself was outbid by Caldwell. He views this as a fated encounter, adhering to the "tao of design" principle that the teacher appears when the pupil is ready. Caldwell granted Wilkinson a budget and complete creative freedom, allowing him to implement his distinctive design philosophy. This approach, similar to Duquette's, prioritizes exalting the humble, eschewing the overly precious, and disregarding conventional design rules. The penthouse features bold and unconventional design elements, including velvet-covered walls and malachite-patterned cotton on ceiling beams. Wilkinson playfully painted antique chairs green with felt-tip markers and similarly marked their silk upholstery, which he described as "so chic." The bedroom is adorned with bed-curtains edged in pearls and citrines, while golden brocade is applied to baseboards and moldings. Marble tabletops are painted to resemble tortoiseshell. Despite the surprising nature of some of these choices, Caldwell was reportedly pleased with the outcome. The 1,000-square-foot space is made to feel larger and brighter through the strategic use of mirrors on ceilings and walls, reflecting light from its three terraces. Caldwell's desire for the space was to create an environment reminiscent of a fashionable salon, like those depicted in Woody Allen's "Midnight in Paris," where friends could gather for dinner, music, and conversation, feeling as though they were in a warm, sophisticated haven. Wilkinson achieved this vision, effectively creating a "whole new life" for Caldwell through his design. The article then provides a detailed tour of specific rooms within the penthouse, including the drawing room, living room and bar, primary bedroom, and entertaining areas, highlighting key design features and furnishings. The drawing room showcases an emerald-green motif, Roman shades in Tony Duquette cotton for Jim Thompson Fabrics, and art by Joseph Heintz the Younger. The living room and bar area feature natural motifs like coral and leopard spots, a custom banquette, an antique table, a 19th-century Chinese Coromandel screen, art by Henri Cartier-Bresson, and a Venetian secretary repurposed as a bar with Tony Duquette dinnerware for Mottahedeh. The primary bedroom is described as an opulent aerie with golden brocade and lace, featuring a vintage mirror, Italian chest, antique lamp from the Tony Duquette collection, and custom bed and canopy with linens from E. Braun & Co. Entertaining moments are illustrated with Champagne flutes and caviar hors d'oeuvres on a malachite-painted table, Georgian candlesticks, and Tony Duquette dinnerware. #InteriorDesign #MaximalistDecor #ManhattanPenthouse #VenetianPalazzo #HuttonWilkinson #LuxuryLiving #HomeDecor #TonyDuquette #DesignInspiration

Hines Collective undertook a significant renovation of a 2,000-square-foot, two-bedroom apartment located in César Pelli’s 52-story Museum Tower condo on West 53rd Street, New York. This apartment, developed in 1982 as part of the Museum of Modern Art complex redesign, had remained untouched since its original construction, necessitating extensive work beyond simple restoration. The clients, who were described as minimalists with a substantial collection of vintage and contemporary art and design, desired a space that blended 1960s mod inspiration with a gallery-meets-space-station aesthetic. To achieve this vision, the Hines Collective team initiated the project by stripping the apartment down to its studs and slabs, effectively starting from a blank canvas. This comprehensive gut renovation allowed for a complete reimagining of the living space. A key aspect of the redesign involved creative modifications to the floor plan to achieve a balance between form and function. The second bedroom was repurposed into an expansive walk-in closet and dressing area, providing ample storage. Additional closets were integrated along the hallway leading to the primary bedroom, all concealed behind hidden flush doors, maintaining the apartment's minimalist aesthetic. Throughout the apartment, Toka Builders installed a seamless, gloss white epoxy resin floor in a single pour, contributing to the desired sleek and modern look. The installation phase was executed with the precision of a gallery exhibition, emphasizing the display of the clients' art and design collection. In the living area, a custom sectional sofa, spanning approximately 28 winding feet, was designed to create diverse seating opportunities. This sectional not only facilitated conversation and intimacy but also framed views of Fifth Avenue and incorporated a home office space along its back. The office area was furnished with a Skeleton desk chair by De Sede and an AYALA desk lamp, alongside a curved desk and floating corner console. The kitchen, though primarily white with custom cabinetry and Miele white glass appliances, incorporated warming elements through Akdo tiles and a banquette upholstered in Dedar’s Flimflam fabric. The apartment’s design ensures that remarkable objects from the clients' collection are prominently displayed. For example, an untitled Jin Soo Kim sculpture oversees the dining area, which features chairs hand-carved from over 25 hardwoods, complementing Yard Sale Project’s wood Corsican chairs and vintage Eero Saarinen Tulip chairs, upholstered in Vernon Panton fabric by Maharam, surrounding a Mattia Bonetti Vortex table. The primary bedroom features a floating platform bed by Mondo Collection, with a vintage Eero Aarnio Ball chair opposite. The custom headboard is upholstered in Maharam fabric and includes a hidden light source, while a Martinelli Luce Cobra 629 table lamp on a custom night table provides additional illumination. The hallway entrance is delineated by a vintage Eero Saarinen Tulip stool with a white leather seat and a Dino chair by Daniel Arsham, with vintage Giotto Stoppino wall sconces. The walk-in closet is equipped with a custom vanity area, including Katie Stout’s “Bonnet Chair 1” and a table lamp by Carmen D’Apollonio. The primary bathroom boasts a custom vanity with a Nano White “Glassos” countertop, Kohler sinks, and Hansgrohe faucets. #ApartmentDesign #ResidentialDesign #HinesCollective #MidCenturyModern #ArtCollection #LuxuryInteriors #NewYorkApartment #MinimalistDesign #CustomFurniture

Interior designer Trip Haenisch, author of the new book "Personal Space," discusses his approach to decorating Hollywood homes, focusing on incorporating color, using furniture as art, and creating a "collected" feel without appearing dated. Haenisch, recognized as a top interior designer by The Hollywood Reporter, showcases his past projects in the book, which features a foreword by Courteney Cox and includes clients like Laura Dern, Hank Azaria, and WME co-CEO Patrick Whitesell. One prominent project highlighted is the 7,600 square-foot Cape Cod-style home of Erik Feig, founder of Picturestart, and Susanna Felleman, SVP Business Affairs at HBO, in Pacific Palisades. Haenisch infused the home with personality and modern color, adding a playful blue runner in the entryway, orange wallpaper in the television room, and an indigo bar that connects the kitchen and family room. The couple desired a chic yet welcoming environment, and guests frequently comment on the lively color scheme. Haenisch also integrated their expanding art collection, featuring works by artists such as Ellsworth Kelly and Chuck Close, by designing spaces that allow the art to shine. He also emphasized the concept of "furniture as art," creating a custom dining-room table with a unique wood base and an Italian mosaic fabric pattern. Feig's favorite room is the library, while Felleman enjoys the family and living rooms, appreciating the carefully curated pieces. Another project featured is the 8,900 square-foot traditional home in Bel Air belonging to Shannon and Michael Rotenberg, executive director of Matthew McConaughey’s Just Keep Livin Foundation and a partner at 3 Arts Entertainment, respectively. Shannon, who dreamed of a white brick house with black shutters since childhood, wanted lemon yellow incorporated into the interior. Haenisch used this vibrant hue throughout, including a bright door leading to the powder room, and a yellow lucite Alexandra Von Furstenberg game table in the formal living room, which Shannon describes as providing a perfect "pop of color" that balances the traditional style with a contemporary touch. The master bedroom features a soothing lavender and gray palette, with paneling inspired by an old Paul Williams house and unique light fixtures. Haenisch combined traditional elements like the paneling with contemporary pieces such as a Christian Liaigre bed. For their eldest son's room, Haenisch suggested a red-and-white polka dot wallpaper only on the back wall to avoid overwhelming the space. The Rotenbergs' home also includes auction finds like crystal sconces and Biedermeier furniture, alongside modern pieces such as an egg chair and Joe Colombo bar stool. The kitchen prioritizes comfort with a window seat for watching TV, complemented by vintage lights. Michael Rotenberg's wine collection is housed in a wine cellar with vaulted ceilings and a Robert Rauschenberg painting at the end of the corridor, creating a fresh juxtaposition. The backyard boasts an infinity pool and offers an indoor/outdoor California living experience, with sliding doors in the dining room opening to the patio, fostering a sense of togetherness during family gatherings. #InteriorDesign #HollywoodHomes #TripHaenisch #LuxuryInteriors #ColorInDesign #ModernArt #HomeDecoration #CelebrityHomes #DesignBook

The article details Nate Berkus's recent design project for clients on the Upper East Side of New York City, who specifically requested a home reminiscent of his former West Village townhouse, which he famously renovated with his husband, Jeremiah Brent, in 2020. The clients, who split their time between Los Angeles and New York, were drawn to Berkus and Brent's personal style and a similar architectural aesthetic, as both townhouses were built in 1899. Berkus acknowledged the flattery but was careful to avoid directly replicating his and Brent's shared design, ensuring sensitivity to his husband’s original contributions. However, many elements from his former home, such as certain finishes, wallcoverings, and a notable double-height white oak bookshelf, were adapted for the new project. The renovation focused on creating a comfortable, timeless family home. Key design choices included retaining the overall layout of the home to save costs, particularly in plumbing and electrical work. Original architectural features like banisters, hardware, windows, shutters, and marble fireplaces were meticulously restored. The staircase, for instance, was repainted and fitted with a stair runner to conceal wear, maintaining its historical integrity while being cost-effective. The living room features new white oak flooring and a 19th-century French chaise, positioned to connect the homeowners with the city's activity. Vintage French iron sconces and grasscloth-covered walls add texture and warmth to the family room, with a custom-made sofa accommodating the unique space. In the kitchen, the original layout, cabinets, range, and refrigerator were kept, but finishes and other appliances were updated. Cabinets were repainted, and the island was enlarged, making it suitable for large family gatherings. A distinctive Italian stone with a notched edge was incorporated as a key feature. The dining area includes a custom banquette and a natural oak table, complemented by vintage chairs and a ceiling light sourced from 1stdibs, creating an eclectic yet cohesive space. The primary bedroom features an antique tapestry, found on LiveAuctioneers and customized to fit behind the headboard, offering a timeless alternative to a direct replication of Berkus’s own scenic wallpaper. A cherished family chandelier from the clients' parents' home found a new place above their bed, symbolizing a new chapter for them. The primary bathroom underwent a significant transformation, with space reallocated from the home office to create an en-suite with a double vanity, separate WC, soaking tub, and stand-up shower. Berkus chose classic, enduring finishes, such as white oak floors, marble moldings, and a freestanding black enamel tub. The home office retained its original architectural details, which were carefully restored and integrated into the room's design, including a bookcase from 1stdibs, existing sconces, a mirror from Lorfords Antiques, and wallcovering from Holland & Sherry. The home office bathroom, painted in Benjamin Moore’s Great Barrington Green, features a mirror from 1stdibs and a Nero Marquina marble countertop, reflecting the homeowners’ desire for warm, handsome spaces over stark white walls. #InteriorDesign #NateBerkus #HomeRenovation #LuxuryHomes #NewYorkCity #HouseTour #ArchitecturalStyle #TimelessDesign #InteriorDecor