agustín lozada designs casa clausura as an introspective courtyard house in argentina

Architect Nicolás Campodonico designed Casa T&G;, a two-story residence in Rosario, Santa Fe, Argentina, characterized by its distinctive faceted concrete facade. The design prioritizes privacy from the busy street while creating a rich and varied internal spatial experience. The house is conceptualized as a concrete volume strategically placed between two courtyards: a front courtyard shielded by the opaque concrete facade and a rear courtyard bordered by a glazed wall. The exterior of Casa T&G; features a bare concrete facade with triangular facets, creating a folded appearance that distinguishes it from its urban surroundings. This T-shaped facade, constructed using a combination of prefabricated and cast in-situ concrete, acts as a screen to protect the private living areas from the public street. The vertical stem of the 'T' separates the pedestrian and vehicle entrances, with the concrete appearing to be diagonally folded at its center, imparting a unique visual emphasis to each entry point. Upon entering, a deliberate sequence of spaces unfolds, moving between covered, open, closed, and re-covered areas, enhanced by varied lighting and material palettes. This spatial progression aims to create diverse atmospheres and visual interest throughout the home. The architect emphasized that the variety of sections within the house provides different dimensions and distinct points of light entry, which animate the spaces and create a dynamic interplay of tension. The entrances are secured with black metal gates featuring diagonal grillwork, leading into a covered, paved parking area that transitions into a gravel courtyard. Within this courtyard, two slanted white walls guide visitors towards the main living areas, forming a funnel-shaped corridor. Stepping stones laid across the gravel define a pathway. These white walls extend into the house's interior, delineating a kitchen on one side and a bathroom and bedroom on the other. Clerestory windows are positioned above these angled walls, allowing natural light to penetrate the concrete ceiling slab. The ground floor primarily hosts a large living room, featuring polished concrete floors, white walls, and exposed concrete ceiling slabs. A significant glazed wall at the rear of this space incorporates wide sliding doors that open directly onto a terrace and an expansive garden beyond. A thick concrete strip, slightly lower than the internal ceiling, spans the boundary walls, forming a canopy over the terrace. A slender strip of glass fills the gap between the two slab heights, aligning with the height of the clerestory windows in the bedroom and kitchen. An internal well near the kitchen houses wooden stairs, leading to the upper level which contains an additional bedroom and bathroom, both featuring matching wooden floors. Floor-to-ceiling windows on this upper floor offer views of the gravel-covered garage rooftop and the concrete parapet of the facade, overlooking the street. An oblong section of grey concrete extends from one side of the upper story and rests atop the facade, providing a partial screen for privacy from adjacent properties. The architectural design of Casa T&G; skillfully balances privacy and openness, utilizing a robust material palette of concrete, glass, and wood to create a contemporary and functional living environment. The strategic placement of courtyards and windows, combined with the distinctive facade, contributes to a home that is both an architectural statement and a sanctuary within an urban setting. #CasaTG #NicolasCampodonico #ArgentinianArchitecture #ConcreteFacade #CourtyardHouse #Rosario #SantaFe #ModernResidentialDesign #UrbanPrivacy

The "Courtyard House," designed by A3gm Arquitectos, is located on the outskirts of Santo Domingo de Silos, Spain, on a regular, flat plot accessible from two opposite sides. The architectural design responds to the client's brief for a primary residence that also accommodates social activities, achieving this by organizing the living spaces around a central courtyard. This layout facilitates the compaction of private rest areas, separating them from the more public-facing kitchen and dining room. The house's design addresses specific environmental considerations of the region. The architects incorporated large thermal inertia into the building envelope to help mitigate the extreme temperature variations typical of the area, providing natural heating in winter and cooling in summer. Complementing this, an air conditioning system based on aerothermal heat pumps and underfloor heating/cooling ensures year-round comfort with high energy efficiency. Hot water is supplied through aerothermal systems, while photovoltaic panels on the roof contribute significantly to the house's electrical consumption, aiming for near self-sufficiency. The material palette and construction methods were chosen for their durability, thermal performance, and aesthetic integration. The house features a facade composed of an exterior brick leaf, a robust thermal insulation system, and an interior brick or dry lining leaf, depending on the internal finish. This layered approach contributes to the building's thermal mass and acoustic insulation. The flooring throughout the house is made of ceramic tile, chosen for its resistance and ease of maintenance, and is integrated with the underfloor heating and cooling system. The roof system employs a non-ventilated inverted flat roof design, incorporating a gravel finish. This design choice contributes to thermal insulation and protection against weathering, aligning with the project's emphasis on long-term sustainability and reduced maintenance. The structural system primarily utilizes load-bearing walls, a traditional and efficient construction method that complements the thermal mass strategy and integrates well with the brick facade. Outdoor living is a significant aspect of the design, with the central courtyard serving as a private, sheltered outdoor space that enhances natural light and ventilation within the home. In addition to the courtyard, the house includes outdoor porches and a swimming pool, offering residents diverse options for relaxation and social gatherings while extending the functional living areas to the exterior. The integration of these outdoor elements ensures a strong connection between the interior and the surrounding natural environment, providing a harmonious living experience. #ResidentialArchitecture #CourtyardHouse #SustainableDesign #ThermalEfficiency #SpanishArchitecture #AerothermalSystem #PhotovoltaicPanels #BrickFacade #UnderfloorHeating #OutdoorLiving

The Courtyard House, completed in 2019, is situated in the hills of Boliqueime, Portugal, an area characterized by mild winters and hot, dry summers. The architectural design by cal30.arquitectos, with a total area of 273 square meters, strategically positions the house to maximize natural light and views. Access to the property is from the north side, which allows the dwelling spaces and gardens to benefit from optimal southern sun exposure. The entrance sequence involves skirting a vegetated bench, leading into the shade before opening up to a light-filled patio, creating a sense of arrival and transition. The project involved a comprehensive team of specialists. Catarina Rebelo de Sousa and Gilberto Veiga de Oliveira served as the lead architects. The design team included João França Felix and Ana Manta, with MONDA contributing to the overall design. Structural engineering was handled by Miguel Villar of BETAR, while Andreia Cardoso, also from BETAR, managed hydraulic engineering. Climate installations were overseen by Gonçalo Brito of EACE, and mechanical & electrical engineering was provided by Maria João Azevedo, also from EACE. João Caramelo, another EACE member, was responsible for electromechanical installations. Thermal engineering expertise was provided by Liliana Manhita of BIGDEAL. The general contractor for the project was Martinho Luz of LUZNOVIT. Site management and supervision were carried out by Pedro Moreira and João Lage from ALGARVE SURVEYORS. Key manufacturers and suppliers involved in the construction and finishing of the Courtyard House included Technal, Bega, Grohe, Amop, Astral Pool, Binderholz, CIN, Efapel, Farrow & Ball, FLOS, Fassa Bortolo, Foscarini, Ikos, JNF, Represtor, Roca, and Smeg. These companies contributed various materials and products, ranging from windows and sanitary ware to lighting and kitchen appliances, ensuring a high standard of quality and aesthetics throughout the house. The architectural text emphasizes the house's integration with its natural surroundings and its response to the local climate. The design prioritizes the panoramic views of the ocean to the south, while the northern access point contributes to a thoughtful progression from entry to the main living areas. The use of a courtyard as a central element suggests a focus on creating intimate outdoor spaces that are protected from the elements while still allowing light and air to penetrate the interior. The house is a notable example of residential architecture in Boliqueime, Portugal, reflecting a modern approach to design that respects its context. #ResidentialArchitecture #CourtyardHouse #Boliqueime #Portugal #cal30Arquitectos #NunoAlmendra #ModernDesign #ArchitecturalProject

Arquitectura-G has completed the Patio House, a single-story residence in Aiguablava, Spain, which integrates domestic life within a continuous flow of natural light, air, and shade. The design employs a courtyard typology to bridge the gap between the natural landscape and the architectural structure, creating a space that feels both contained and expansive. The house is strategically set back from the original plot boundary, establishing a square perimeter that preserves the surrounding natural terrain. Within this boundary, a roofed porch forms a perfect square, encapsulating a 15 x 15 meter central courtyard. This courtyard is distinguished by a colonnade and features a shallow reflecting pool, along with three trees whose canopies naturally filter sunlight, contributing to a unique microclimate within the space. A thin roof plane is designed to appear as if it floats above the columns and perimeter wall, unifying all the internal and external areas under a single, cohesive horizon. The architectural team for the project includes lead architects Jonathan Arnabat, Jordi Ayala-Bril, Aitor Fuentes, and Igor Urdampilleta, with a project team consisting of Diogo Porto, Siddartha Rodrigo, and Jesús Jiménez. Structural engineering was handled by Ofici:Arquitectura, MEP engineering by TDI Enginyers, and surveying by Xavier de Bolòs. All photography was done by Maxime Delvaux. The Barcelona-based collective Arquitectura-G reimagines the traditional Mediterranean patio house, transforming it into a contemporary dwelling characterized by its disciplined design, material clarity, and intelligent environmental integration. The interior layout revolves around a continuous corridor that encircles the central courtyard. This transitional area, functioning as a variable-width porch, dynamically shifts in its spatial character, ranging from a narrow passageway to more expansive communal zones such as the living room and kitchen. Each room within the residence features direct access to the courtyard through large glazed panels and adjustable louver screens. These elements are crucial for controlling the ingress of natural light and ensuring optimal ventilation throughout the house. The use of exposed concrete surfaces defines the interior, contributing to the minimalist aesthetic, while storage areas are discreetly fronted with wooden doors, maintaining a cohesive design language. The design emphasizes a deep connection with the outdoors, allowing residents to experience the changing light and seasonal variations of the natural environment from within the comfort of their home. The project, known as Patio House, is located in Aiguablava, Girona, Spain. The deliberate placement of the house creates an untouched ring of natural terrain around its perimeter, enhancing its integration with the local environment. The colonnaded courtyard, with its reflecting pool and trees, acts as the heart of the residence, providing a serene and climate-controlled outdoor space. The floating roof design not only serves an aesthetic purpose but also functionally unites the various elements of the house, creating a sense of openness while providing shelter. The selection of materials like exposed concrete and wood for interior finishes underscores a commitment to both durability and aesthetic simplicity. The integration of adjustable louver screens offers a flexible solution for environmental control, allowing inhabitants to customize their living environment. This thoughtful approach to design ensures that the Patio House offers a sophisticated interpretation of a traditional typology, focusing on sensory experience and seamless indoor-outdoor living. #ArquitecturaG #PatioHouse #AiguablavaSpain #CourtyardArchitecture #ResidentialDesign #MediterraneanArchitecture #FloatingRoof #SustainableDesign #ArchitecturalInnovation

Architect Luciano Kruk has designed Casa Mach, a 1,528-square-foot residence located on the outskirts of Buenos Aires, Argentina. The house is characterized by its board-marked concrete construction, a technique where the grain of pine planks used as formwork is imprinted onto the concrete surface, giving it a rough, wood-like texture. This method is a signature of Kruk's previous residential projects, which include homes built into sand dunes with infinity pools and retreats amidst maritime pines, all sharing a similar material and aesthetic language. The client specifically requested a home that echoed the materiality and aesthetic of a previous exposed concrete summer house Kruk designed for his father. This led to the extensive use of concrete throughout Casa Mach, not only for the exterior walls but also for the floors and roof, reinforcing a sense of material unity and a protective, stony ambiance. The square-shaped residence is organized around a central inner courtyard, reflecting the client's desire for a space featuring plants and water. This courtyard incorporates a smaller reflecting pool and vegetation, serving as a tranquil core for the home. The layout of Casa Mach follows a three-by-three orthogonal grid of rooms, with the central courtyard acting as a focal point. An open-plan kitchen and living room occupy the back edge of the house, designed to open onto a concrete terrace, a swimming pool, and a large garden through floor-to-ceiling glazed doors. Two bedrooms and two bathrooms are situated on a more secluded side of the house, offering privacy and a quieter living environment. Environmental considerations are integrated into the design, particularly concerning sun control. The house incorporates passive solar design principles, utilizing semi-covered areas to regulate the amount of direct sunlight entering the building. This design choice contributes to maintaining comfortable indoor temperatures. The windows are framed in dark bronze aluminum, complementing the stark, contemporary aesthetic of the angular structure. The concrete construction further aids in temperature regulation, helping to keep the interiors cool during Argentina's summer months and retaining heat in cooler periods. The project team included Belen Ferrand as project manager, with collaborators Josefina Perez Silva, Andrés Conde Blanco, Alice Salamone, Isabelle Ducrest, Denise Andreoli, and Darío Cecilian. Daniela Mac Adden provided the photography for the project. #LucianoKruk #ConcreteArchitecture #ArgentinianHouses #ModernResidentialDesign #ReflectingPool #BoardMarkedConcrete #PassiveSolarDesign #BuenosAires #CourtyardHouse

Grupo Boreal, an architecture studio based in Córdoba, has completed Casa Elisa, a 170-square-metre residence located in the mountainous region of San Clemente, southwest of Córdoba, Argentina. The house features a striking bright white exterior, drawing inspiration from Ibizan architecture with its white walls, wavy plaster, and rounded edges. The studio strategically placed Casa Elisa on the highest point of a seven-hectare plot, which encompasses mountain ranges, native forest, and a stream, to maximize the panoramic views of the surrounding mountains. This elevated position ensures that the main rooms of the house benefit from these scenic vistas. The design prioritizes natural light, especially during winter, through a U-shaped layout that embraces a north-facing patio. This outdoor area is also sheltered by a roof of colonial clay tiles, providing essential shade in the summer months. The single-story residence includes an external staircase, crafted from herringbone-patterned red brick, leading to a roof terrace. This red brick detailing extends to the outdoor flooring and the accessible roof deck, where tiles in a similar reddish hue enhance the Mediterranean aesthetic. The roof also integrates photovoltaic panels and a solar hot water tank, reflecting an environmentally conscious approach to energy generation for the home. Inside, Casa Elisa maintains a rustic, farmhouse-inspired ambiance with white walls and ceilings. Architectural details include arched wood doorways and openings that connect different rooms, along with exposed tree trunk-like beams across the ceilings. Wooden floors are used throughout the interior, complementing the natural material palette. The kitchen features wooden cabinets and an island topped with a curved stone counter. The bathroom incorporates a wooden sink, white-painted brick walls, and stone flooring. Casa Elisa is a testament to Grupo Boreal's vision of blending Mediterranean influences with the rugged Argentinian landscape, creating a dwelling that is both aesthetically pleasing and functionally integrated with its environment. The project highlights a commitment to sustainable living through its energy solutions and thoughtful consideration of natural light and views. The design successfully marries traditional architectural elements with modern living requirements, offering a serene and picturesque retreat. #CasaElisa #GrupoBoreal #ArgentinianArchitecture #IbizanInfluence #WhiteHouses #ResidentialDesign #SustainableLiving #MountainHome #RusticModern

The article describes the transformation of an old Mexican house into an artist's retreat for financial adviser Dorsey Gardner, located in San Miguel de Allende. Gardner initially sought a small studio but acquired a significantly larger 19th-century cottage, which was later expanded to 12,000 square feet. The property, built in the late 1700s, was surrounded by high walls and presented several challenges. Upon acquiring the property, Gardner faced initial issues, including a dense "cactus farm" on the premises. Hundreds of cacti, including a large candelabra cactus, were carefully relocated. The house also featured numerous false ceilings installed in the 1950s in its oldest section, which architect Sebastian Zavala removed to restore the original height and appearance of the rooms. Zavala also enhanced some ceilings with grand wooden crossbeams and refinished existing 1950s wood doors and windows with a light whitewash. During the renovation, a hand-painted frieze in the primary bedroom was uncovered and preserved. Gardner, who had previously undertaken remodeling projects on his own homes in Boston, entrusted the design of this Mexican property to Zavala and Paris-born, San Miguel–based designer Anne-Marie Midy. Gardner expressed a preference for a neutral aesthetic, distinct from traditional Mexican decor. He provided the designers with inspiration from magazines and gave them "carta blanca" for the project before embarking on an extended trip. Midy, along with her partner Jorge Almada, founded Casa Midy, a design firm specializing in furniture and accessories. Gardner's house became their first major interior design project. He had discovered Midy and Almada at their former bistro, Plum, known for its distinctive all-purple decor, which Midy noted was an effective way to attract clients. Zavala converted the original structure into a three-bedroom, five-bathroom artist's retreat, maintaining the house's Spanish Colonial architectural elements, stone walls, and archways. He added a spacious studio and installed robust columns on the patio, using locally quarried stone. A new second-floor guest room was also added, offering views of the 17th-century parish church's Gothic-style tower, an 1880 addition inspired by European postcards. Midy and Almada adhered to Gardner's request for a more understated Mexican interior design. They avoided extensive use of decorative elements like talavera tiles, except for a minimal application in the kitchen, and chose muted colors. However, they integrated rich local decorative resources, using jute from Yucatán for curtains, linens from local cotton mills, and furniture sourced from regional antiques shops. Even the traditional lime-and-pigment paint was mixed with San Miguel dirt to achieve a warmer tone. Midy and Almada also designed furniture and accessories for the house, such as iron sconces, a leather cocktail table, and bed linens. They collaborated with Zavala to create trench-like fountains inspired by hacienda horse troughs. The project concluded after a year, with Gardner expressing immense satisfaction, declaring the house fit for a king. #MexicanDesign #ArtistStudio #SanMiguelDeAllende #HomeRenovation #InteriorDesign #SpanishColonial #ArchitecturalRestoration #CasaMidy #LuxuryHome

This article details the renovation and interior design of a 1920s Spanish Colonial style home in Los Feliz, Los Angeles, owned by Australian designer and photographer James Houston and his Scottish husband, Brian McGrory. The couple, having relocated from New York, sought a property that offered more space, especially for their daughter, Dylan. Their chosen residence, nestled in the Hollywood Hills, underwent extensive restoration and thoughtful enhancements to blend its original Spanish charm with Moroccan-inspired elements. The renovation began with exterior improvements, including stripping the original stucco for a smoother finish and adding a round tile roof to the entry tower, which was previously missing. James Houston also designed a drought-tolerant garden, replacing a mature palm tree with cypress trees to frame the newly renovated tower. The turquoise front door, featuring gleaming brass hardware, opens into an entryway with a restored original terrazzo floor. Inside, the 5.5-meter-high living room was furnished with a palette inspired by an original fireplace tile. The fireplace, initially constructed from wood, was rebuilt to adhere to the period's authenticity. The room features a walnut coffee table designed by James and mid-century Italian wingback chairs, reupholstered in blue velvet, sourced from 1stdibs. A gallery wall showcases a mix of artworks, including three of James's photographs, an Annie Leibovitz nude, and vintage paintings from a Paris flea market. The kitchen, created from a series of smaller rooms, now boasts a pitched roof with white oak beams, giving it an airy feel. The cabinets are painted in Farrow & Ball 'Hague Blue', complemented by Calacatta marble benchtops and a glossy black La Cornue 'CornuFé 90' stove. The kitchen also incorporates a custom daybed and Moroccan-inspired geometric tile flooring with underfloor heating. The adjacent dining room extends the kitchen's aesthetic with Italian marble tiles, vintage French bistro chairs, and handmade lighting from Apparatus Studio. The home’s design emphasizes an indoor/outdoor lifestyle, with new sliding doors leading to a courtyard and a wooden deck featuring a vintage Belgian table under an olive tree. Steps descend to a large swimming pool, cleaned with an ionic system, and a 3.5-meter daybed flanked by Moroccan lanterns from Pottery Barn. The master bedroom features a raised ceiling and a new window offering views of the Griffith Park Observatory, leading to a 1930s-style master bathroom and dressing room. A mezzanine balcony overlooks the living room, adorned with a large photograph by James. #SpanishColonial #HomeRenovation #LosAngelesArchitecture #InteriorDesign #MoroccanInfluence #DroughtTolerantGarden #LuxuryInteriors #VintageFurniture #ArtCollection

An art director, after a decade of renting in Los Angeles's Hancock Park neighborhood, purchased a 1934 Spanish-style house in 2018. The acquisition followed four years of being outbid in a competitive housing market. The opportunity arose unexpectedly when he discovered the house with a 'reduced' sticker during a walk to a local restaurant, leading to him being in escrow within 24 hours. Given his architectural background, the prospect of restoring a Spanish-style home within a historic preservation district was appealing. He enlisted the help of project manager Ari Engelman from Tim Barber Architects and interior designer Tricia Portelli of Scribe Studio to undertake the renovation. The renovation began with addressing dated elements, including magnesite tile in the entry and stairwell, and a 'ketchup-and-mustard' color scheme in the kitchen, all slated for removal. A unique challenge was the faux wood ceiling in the dining room, which the homeowner insisted on keeping despite its red and orange hues. Portelli strategically incorporated an almost-black shade of green paint, 'Nitty Gritty' by Portola, on the walls to connect with the ceiling and create a cohesive atmosphere for entertaining. The den, which doubles as a game room, features existing wood paneling and reclaimed doors that received a fresh stain. The color palette for the home was inspired by a beloved pie chest in the primary bedroom, an antique acquired in Nantucket, and also by the homeowner's travels to safari lodges and various collected objects. A significant design decision involved the entryway, which was initially dim. To introduce more light, a custom rondel glass door was installed. This door, crafted by J. Michael Designs and Leslie Osinoff of Osinoff General Contractors, incorporates round glass disks characteristic of 1930s homes in the area. This design ensures privacy while allowing ample natural light to enter the space. In the primary bathroom, a marble-clad soaking tub is a focal point. Wood flooring extends into this area for visual warmth, and a brass shower enclosure was extended to the ceiling to create a makeshift steam room when the ventilation window is closed. The homeowner's personal preferences also influenced the home's ambiance, notably his choice of incense, 'Tuscon' by Astier de Villatte, discovered at the Nickey Keyhoe store. This scent has become a signature element of the home, frequently noted by visitors. The overall renovation focused on blending the home's historic Spanish style with contemporary design elements, personal collections, and practical functionality, transforming the house into a personalized living space. #HomeTour #SpanishStyleHouse #LosAngelesRealEstate #HistoricPreservation #InteriorDesign #HomeRenovation #ArchitecturalRestoration #DesignInspiration #HancockPark

Lote Studio has designed and constructed Casa CG, an elevated residence located on the coastal edge of Punta Hueso in Chile's Coquimbo region. The architectural design by Juan Pablo Gutiérrez García and José Ignacio Ferreira centers on a grid-based structure composed of nine distinct parts. Eight of these sections, forming the outer perimeter, are crafted from wood, while the ninth, central section is a concrete spiral staircase that functions as the main entrance to the home. The entire structure is raised off the ground, a deliberate choice that minimizes disruption to the underlying plants and soil, allowing natural elements like wind and sunlight to move freely beneath the house. This elevated position also grants the residence expansive scenic views in all directions, particularly of the Pacific Ocean. The primary framework of Casa CG utilizes laminated wooden beams, which are strategically connected to the central circular concrete core. A layered system supports the main floor, starting with larger wooden beams, followed by smaller beams placed atop them, and finally, horizontal wooden purlins. This intricate system effectively conceals the spiral staircase from an immediate view upon approach. Upon ascending the central concrete spiral staircase, visitors arrive at a small hallway. From this point, the interior layout is divided into distinct public and private zones. The public area encompasses the living room, dining room, and kitchen, each occupying one of the three designated wooden sections. The private quarters, comprising a bedroom and a bathroom, are situated within two other wooden sections. A core philosophy of simplicity guides the design of Casa CG, extending from the interior spaces to the exterior. This design ethos culminates in a balcony, which is integrated into the remaining three wooden sections. This balcony offers residents and guests uninterrupted panoramic views of the Pacific Ocean and is specifically oriented to provide optimal views of the sunset over the water. The elevation of the home and the careful placement of the balcony emphasize a connection with the natural surroundings, allowing for an immersive experience of the coastal environment. The construction predominantly features wood and concrete as the main materials. The central concrete core bears the majority of the structural load, while the wooden elements define the rest of the building's form and aesthetics. The innovative system of beams and purlins ensures the stability of the raised floor while significantly reducing the environmental impact on the site. The deliberate nine-section grid organizes the interior spaces into a coherent, boxy shape, with the circular concrete core serving as a distinctive focal point and entrance marker. The spiral staircase acts as a symbolic and literal transition, connecting the ground to the elevated living spaces and subtly hinting at the natural vistas awaiting those inside. #CasaCG #LoteStudio #ChileanArchitecture #ElevatedResidence #WoodAndConcrete #SpiralStaircase #CoastalDesign #SustainableArchitecture #PuntaHueso

The Courtyard House, designed by Leckie Studio Architecture + Design Inc., offers a compelling model for biophilic and passive solar architecture. The project emphasizes a deep, enduring connection between its inhabitants and the natural environment, contrasting with a common local architectural trend in Vancouver that prioritizes maximizing built square footage for resale value over enhancing the lived experience. This design philosophy champions quality over mere quantity, presenting a holistic approach to residential living. Located in Vancouver, Canada, the 2500 square foot house was completed in 2021, with photographs by Ema Peter. Key contributors to the project include Adisa Homes Ltd. as the General Contractor, Chalten Engineering for structural engineering, and Terran Geotechnical Group for geotechnical engineering. The design team from Leckie Studio Architecture + Design Inc. was led by Michael Leckie as Project Architect, with James Eidse and Emily Dovbniak as Project Lead Design, and Denise Liu and Charlotte Kennedy handling Project Interiors. Additional support was provided by Andrea Zittlau, Irena Jenei, and Holden Korbin. This residential project highlights several design principles. Biophilic design, which integrates natural elements and processes into architecture, is central to the Courtyard House. This approach is intended to foster a sense of well-being and connection to nature for residents. Coupled with this is passive solar architecture, a design strategy that aims to heat and cool a building naturally by strategically using sunlight and ventilation. This not only reduces energy consumption but also enhances the comfort and environmental performance of the home. The project's commitment to "less but better" reflects a deliberate choice to prioritize thoughtful design and sustainable practices. Instead of expanding the building's footprint, the focus was on creating well-crafted spaces that offer a rich, integrated natural experience. This challenges conventional development models that often lead to larger, less efficient homes that may not fully cater to the residents' long-term quality of life. The Courtyard House serves as an example of how architectural design can blend environmental responsibility with a high quality of life. #ResidentialArchitecture #CourtyardHouse #BiophilicDesign #PassiveSolar #SustainableDesign #VancouverArchitecture #CanadianArchitecture

The Silverlake Terrace Bungalow project by ARA-la Studio involved a comprehensive interior renovation of a 1946 hipped roof bungalow, alongside a minor addition and the conversion of an Accessory Dwelling Unit (ADU). The homeowners, having resided in the property for nearly a decade, possessed a detailed understanding of their functional and aesthetic requirements, as well as the inherent constraints posed by their urban corner lot. This in-depth knowledge facilitated an optimized use of space and resources, enabling the studio to achieve a significant transformation within a modest budget. The renovation focused on modernizing the living spaces while preserving the structural integrity and historical character of the original bungalow. Key aspects of the design included reconfiguring interior layouts to enhance open-plan living, maximize natural light, and improve connectivity between different areas of the home. The design incorporated a blend of contemporary finishes and fixtures with subtle nods to the bungalow's mid-century origins, creating a cohesive and timeless aesthetic. The material palette likely emphasized natural elements such as wood, concrete, and carefully selected textiles, contributing to a warm and inviting atmosphere. Attention was paid to optimizing functionality in high-use areas such as the kitchen and bathrooms, integrating modern appliances and smart storage solutions. The minor extension aimed to thoughtfully expand the usable footprint of the home without overwhelming the existing structure or the lot size. This addition was seamlessly integrated, ensuring that the new elements complemented the original architecture. The ADU conversion represented a strategic decision to enhance the property's utility, potentially serving as a guest suite, a home office, or a rental unit. This conversion likely involved adapting existing spaces to meet current building codes and functional requirements, demonstrating a resourceful approach to increasing property value and versatility. The project’s success is attributed to the collaborative effort between ARA-la Studio and the homeowners, whose intimate familiarity with the residence guided the design process from concept to completion. Throughout the renovation, the design prioritized spatial efficiency and aesthetic refinement. The studio's approach to transforming the 1946 bungalow involved careful consideration of each square inch, reflecting a commitment to maximizing utility and comfort. The project exemplifies how a deep understanding of a property's history and an owner's needs can lead to a highly customized and successful architectural intervention, especially within the confines of an urban environment and a limited budget. The outcome is a revitalized home that meets contemporary living standards while respecting its heritage, showcasing innovative solutions for renovation and extension in residential architecture. #ResidentialArchitecture #HomeRenovation #Bungalow #ADUConversion #ARAlaStudio #LosAngeles #InteriorDesign #UrbanLiving

Architects Mathias Klotz from Chile and Carolina Pedroni from Uruguay have collaborated to introduce three new structures to a 12-acre private vineyard estate in José Ignacio, Uruguay. This location, known as a chic alternative to the bustling Punta del Este, transitions into a tranquil South American oasis during the off-season. The project includes a villa, a guest house, and a yoga pavilion, all designed to seamlessly integrate with the rustic vineyard setting while offering refined accommodations. The architectural approach for these buildings employs a consistent modernist aesthetic. Each structure features crisp, rectilinear forms clad in native *lapacho* wood, characterized by its reddish hue. This material is used extensively, from the exterior siding to the sun-screening sliding doors and folding shutters, creating a unified visual identity across the compound. Pedroni emphasizes that this wooden 'skin' not only provides cohesion but also offers privacy and flexibility, allowing spaces to be either completely open or strategically divided. Internally, the structures are finished with light-hued eucalyptus or *abedul* woods, further reinforcing the sense of unity throughout the interiors. The guest house, conceived as a prototype for future accommodations, is a two-bedroom unit situated on a wooden platform that doubles as a deck, offering views of a nearby pond. Its design is modular and intended to be adaptable to various locations on the estate. The villa, a one-bedroom structure framed in concrete, and the yoga studio are also positioned near the pond. Klotz highlights the high level of craftsmanship involved in these structures, despite their seemingly simple designs. The buildings, sharing common materials and a unified sensibility, are described as siblings, suggesting a potential for future expansion to include additional guest quarters, a pool, or a restaurant, though the possibility of no further development is also noted. Named Las Musas, meaning 'The Muses,' after the owner's wine label, the property's design is intended to foster a connection with nature. This connection is particularly evident in the yoga pavilion, which Pedroni notes offers exceptional acoustics due to its wood cladding and vaulted ceiling, making it an inspiring venue for creative activities, including classical music performances. The project sources mention specific products and suppliers, including Delta Light ceiling lights through Trios Lighting, side chairs through Mad For Modern, stone flooring in the villa by Anibal Abbate, and cushions by Camila Oks. Throughout the property, Duravit sinks are utilized. The overall design prioritizes an indoor-outdoor living experience, with features like large sliding glass doors in the living area that open to expansive decks and floor-to-ceiling folding shutters that can screen the villa's outdoor living space, enhancing comfort and privacy while blurring the lines between the built environment and its natural surroundings. #MathiasKlotz #CarolinaPedroni #UruguayArchitecture #VineyardDesign #ModernistArchitecture #LapachoWood #YogaPavilion #GuestHouseDesign #IndoorOutdoorLiving

Cloud House, a new residence in Bondi designed by Akin Atelier, serves as a serene sanctuary for a couple who divide their time between Singapore and Sydney. The design prioritizes careful consideration of apertures and subtle textures to foster a sense of expansive space and lightness within the home. The clients sought a house that would offer relaxation, facilitate enjoyment of the outdoors and sunlight, and eventually serve as a family home. A key design challenge was the clients' desire for the living space at the rear, which was the south-facing end of the site. Kelvin Ho, founding director of Akin Atelier, emphasized the meticulous attention given to junctions and openings, which he described as an opportunity to test their understanding of light and space. The design effectively uses various apertures and angles to fracture light into the building's core, ensuring ample sunlight despite the south-facing living area. A central courtyard, a double-height glazed wall, a raked ceiling, and strategically placed skylights are integral to illuminating the interior. These elements, combined with materials chosen for their interaction with light, create a calming and comfortable environment. The house's architectural composition features simple white geometric forms encircling a central courtyard. This courtyard not only ushers northern light into the living area but also functions as the main entry point, accessed via an external, bamboo-lined walkway. Glazing frames the courtyard, with an outdoor shower discreetly positioned among plants adjacent to the fence. The living, kitchen, and dining area, located behind the courtyard, appears simple but is a highly refined arrangement of materials and forms. A striking 6.1-meter glazed wall bathes the living space in sunlight, highlighting the textures and shadows of the adjoining white brick wall. A raked ceiling and gentle curves subtly guide movement and light deeper into the kitchen and dining areas. Functional elements are seamlessly integrated, such as a concrete step transitioning into a fireplace plinth, and shelving and cupboards evolving into kitchen cabinetry and a benchtop, all beneath a still-generous three-meter ceiling that defines a more intimate atmosphere. Minimalist glass doors connect the living space to a narrow side garden and a rear deck, stacking externally to maximize the indoor-outdoor connection. Project architect Georgia McGowan conducted extensive research to select glazing systems that balanced light maximization, indoor-outdoor flow, and cost-effectiveness. Slim-profile windows were chosen for critical openings, while standard profiles were used for side elevations. A flush floor finish and a fine-edged steel track further enhance the sense of uninterrupted space, with a slender circular column providing discreet structural support. This attention to detail extends throughout the house. Glass doors in the adaptable front room (serving as a guest bedroom, study, or family room) also retract into a wall. A distinctive round window in the bathroom pivots horizontally, contrasting with the facade's rectilinear lines. A skylight spanning the length of the staircase offers views of the sky, and slim-profile windows upstairs open to the courtyard. The second floor accommodates two bedrooms and a bathroom at the front, with the main bedroom and ensuite at the back. A passageway creates a natural division, allowing for the creation of private zones. The clients' bedroom, bathroom, and walk-in robe are arranged for spatial fluidity, with timber wardrobes divided by a vanity and a skylight illuminating the shower. Timber screens and neighboring bamboo create a secluded, sanctuary-like ambiance in the main bedroom, which also benefits from plants cascading from the roof. Operable rosewood timber screens, designed to weather and grey over time, contribute natural color and texture to the exterior while providing privacy. Elevated skylights create dynamic light and shadow effects. Ultimately, Cloud House exemplifies a design where seemingly disappearing windows, doors, and screens create a continuous and effortless sense of space, embodying Kelvin Ho's philosophy that "You don’t notice when you walk into a space, but you feel it." #ResidentialArchitecture #AkinAtelier #BondiBeach #NaturalLightDesign #IndoorOutdoorLiving #ModernHomeDesign #ArchitecturalApertures #Materiality #ContemporaryAustralianArchitecture

The Orchard House is a private extension and renovation project located within the Wickham Conservation Area, completed in the summer of 2021 by AR Design Studio. The project involved replacing previous piecemeal developments to reorient the house towards its garden. This renovation is situated in Hampshire, United Kingdom, and covers an area of 320 square feet, completed in 2020. Martin Gardner provided the photography for the project. The architectural design was led by Andy Ramus, with Tom Ford serving as the architectural designer. Structural engineering services were provided by AWA. Dell Developments acted as the general contractor for the project. The materials used in the renovation include wood, glass, and brick, contributing to a modern aesthetic while respecting the conservation area's context. The design aimed to create a more integrated living space that capitalizes on the connection with the outdoor environment. The project falls under the categories of houses and renovation, highlighting the transformation of an existing structure into a more functional and aesthetically pleasing home. The reorientation of the house towards its garden suggests a focus on natural light, views, and an improved indoor-outdoor flow, common objectives in contemporary residential architecture and renovation projects. The use of specific manufacturers such as Russwood, Smart Systems, Vande Moortel, and Velfac indicates a selection of quality materials and systems for various components of the house, including windows, doors, and other structural or finishing elements. The context of the Wickham Conservation Area implies that the design adhered to specific guidelines and regulations to preserve the historical and architectural character of the locality. This often involves careful consideration of external materials, building massing, and how new additions integrate with the existing fabric and surrounding environment. The project's success in achieving its goals within such a sensitive area underscores the expertise of AR Design Studio in balancing modern design with historical preservation. Overall, The Orchard House represents a thoughtful renovation that revitalizes a residential property by improving its layout, enhancing its connection to the garden, and utilizing contemporary architectural solutions within a conservation-sensitive setting. The project showcases how modern extensions can breathe new life into older homes, creating functional and visually appealing spaces that meet the needs of contemporary living while respecting their historical and environmental context. #ResidentialArchitecture #HouseRenovation #ARDesignStudio #UnitedKingdom #Hampshire #ConservationArea #ModernDesign #BuildingMaterials