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Turning Remnants Into Rugs
Martha Magane, a retired librarian from Eastham Public Library, has embarked on a new creative career crafting unique chenille rugs from fabric remnants. Her journey into rug making began after her retirement in 2011, sparked by a sewing book and a rekindled childhood interest in sewing and dissecting mechanical objects. As a child, Magane repaired her grandmother’s 1930s-era sewing machine, a hands-on experience that fostered her fascination with construction and a desire to create her own garments.
The specific technique that captured Magane's attention involves layering stacks of fabric, stitching them together with diagonal channels, and then cutting these channels open to reveal the inner layers. This process creates a textured, plush surface akin to chenille. Initially, Magane sought denim remnants for this technique, but when she couldn't find them at the Truro Swap Shack, she adapted by using heavy upholstery fabric samples. These samples offered a wider array of colors, enhancing the aesthetic diversity of her rugs.
After sewing and cutting the layered fabrics, Magane meticulously brushes the cut edges by hand to fray and soften the material, forming the chenille texture. The resulting fuzzy, colorful panels are then backed with denim and assembled into approximately three-by-five-foot rugs. A critical step in her process involves washing and scrubbing the completed rugs to further loosen the fibers and remove lint, followed by trimming the surface to achieve an even pile. Each rug, branded as Slash Products, is inherently one-of-a-kind due to the use of salvaged and donated materials.
Magane's initial foray into selling her creations at craft fairs revealed her preference for the creative process over sales. Consequently, her rugs are now retailed at Repurfect in Provincetown and Adorn in East Orleans. Over more than a decade, her designs have evolved from simple pieced squares to more complex patterns featuring wider, longer strips and Klimt-esque motifs. She draws inspiration from nature, observing how colors and shapes naturally interact in the environment, and incorporates these observations into her designs, often utilizing blues with bright contrasting accents.
Her material sourcing primarily involves thrift shops, where she discovers thick fabrics like winter scarves and woven blankets, which are ideal for achieving the desired chenille effect. Often, a single piece of found fabric dictates the entire design of a rug. Recently, Magane has also begun integrating yarn to introduce varied textures. The demanding nature of her craft has led to the wear and tear of two sewing machines; her current toolkit includes a heavy-duty serger, electric scissors, and a robust “walking foot” machine designed to handle thick fabric stacks and heavier threads. This work, requiring solitude and patience, aligns well with Magane’s personality, allowing her to engage in another creative pursuit: memorizing songs for her performances with the Outer Cape Chorale.
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