Shama Hyder and Jared Skinner Shake Up the Architectural Design Space

This article highlights 25 influential power duos comprising high-end clientele and their style gurus who collaborate to curate spectacular interiors, ranging from private homes and palaces to public monuments and retail spaces. These partnerships are notable for their impact on the design world, setting high standards for aesthetics and functionality. The article details various collaborations, showcasing the diverse styles and approaches employed by these design teams. One prominent duo features hip-hop superstar Kanye West and Belgian designer Axel Vervoordt. Vervoordt, known for his tasteful minimalism and admiration for the Japanese aesthetic concept of wabi (exalting simplicity), was enlisted by West to perfect his Los Angeles crib's look. Vervoordt's client list also includes Bill Gates, Sting, and Calvin Klein, underscoring his reputation in high-end design. Actress Gwyneth Paltrow partnered with Robin Standefer and Stephen Alesch of Roman and Williams for the Goop Lab in Brentwood, her first permanent store. Roman and Williams, named for their grandfathers, also opened the Guild, a showroom and café in Soho, indicating their expanding influence in the design and lifestyle sectors. Fashion mogul Tom Ford and William Sofield, an inseparable pair for 25 years, have redefined luxury retail spaces. Their collaborations on stores in Madison Avenue and Rodeo Drive are renowned for their opulent design, challenging conventional retail aesthetics. Sarah Jessica Parker initially sought decorating tips from movie executive Eric Hughes in the '90s. His design career officially launched in 2002 after Parker commissioned him to design her Bridgehampton home. Hughes is currently working with architect Morris Adjmi to merge Parker's two West Village townhouses, demonstrating a long-standing and evolving client-designer relationship. The Beckhams, Victoria and David, chose antiques dealer Rose Uniacke to decorate their $44 million Holland Park palace in London. Uniacke is celebrated for her ability to modernize historical settings, creating a unique blend of classic and contemporary design. Lauren Santo Domingo, co-founder of Moda Operandi, continued a family tradition by enlisting French designer Francois Catroux to work on her 18th-century Paris apartment. Catroux has a history with the Santo Domingo family, having worked with them since the early '90s. LVMH CEO Bernard Arnault consistently collaborates with architect Peter Marino, who has designed numerous Louis Vuitton stores, including the flagship on Place Vendôme, showcasing Marino's significant role in shaping the luxury brand's physical presence. Actor Brad Pitt engaged starchitect David Adjaye for sustainable housing projects in New Orleans following Hurricane Katrina. Pitt's Make It Right Foundation, with Adjaye's involvement, constructed over 100 homes in the Lower 9th Ward, highlighting a commitment to socially conscious design. Adjaye later gained acclaim for his work on the National Museum of African American History and Culture. Raf Simons, during his tenure at Calvin Klein, relied on artist Sterling Ruby to infuse the brand's shows, headquarters, and flagship store with distinctive, vibrant energy. This partnership highlights the intersection of art and fashion in design. Collectors Edythe and Eli Broad have a long-standing relationship with Pritzker Prize winner Frank Gehry, commissioning him for their Brentwood manor and the Walt Disney Concert Hall in Los Angeles. Their collaborations underscore their patronage of groundbreaking architecture. French luxury boss Francois-Henry Pinault entrusted Parisian designer Pierre Yovanovitch with his personal office and the Hôtel de Clermont-Tonnerre, the headquarters of his Artémis conglomerate. Yovanovitch is known for incorporating vintage touches into contemporary settings. Former Vice President Joe Biden and his wife Jill selected Victoria Hagan, known as the “queen of restrained elegance,” to design their official private residence. Hagan's clean, timeless interiors aligned with the Bidens' aesthetic preferences. Designer Robert Couturier, celebrated for French-inspired exuberance, is collaborating with artist Jeff Koons to combine two Upper East Side townhouses. This partnership merges Couturier's classic style with Koons's grand artistic vision. John Pawson and Ian Schrager have a two-decade-long friendship and professional collaboration, extending from apartments at the Gramercy Park Hotel to Schrager's penthouse at 40 Bond, and now the West Hollywood Edition hotel. Their work emphasizes minimalist yet luxurious design. Tory Burch first met designer Daniel Romualdez in the late '90s and subsequently hired him for her apartment at the Pierre, followed by numerous homes and over 100 stores, including her Long Island location, showcasing a long and fruitful design partnership. Fashion designer Alexander Wang and Ryan Korban are close friends who collaborate on various projects, including Wang's flagship store and private residences, highlighting a youthful and contemporary approach to design. Ken Fulk, known for his flamboyant designs, is the trusted designer for Silicon Valley's elite, including Instagram's Kevin Systrom. Fulk designed Systrom's home and his wedding, demonstrating his versatility in creating bespoke experiences. Jamie Drake, known for his crisp and colorful rooms, has designed multiple properties for Michael Bloomberg, including his Upper East Side townhouse and his Georgian estate in Southampton, and also restored Gracie Mansion during Bloomberg's mayoral term. Michael Smith decorated the private residence of the Obamas in the White House, earning praise from former First Lady Michelle Obama for upholding the building's history. Smith also designed their 8,200-square-foot Kalorama home after their departure from office. The bond between decorator Stephen Shadley and Oscar winner Diane Keaton spans over 30 years and four homes. Keaton even documented their creation of her 8,000-square-foot Brentwood compound in her book, "The House that Pinterest Built," illustrating a deep, enduring creative partnership. #DesignDuos #InteriorDesign #LuxuryHomes #ArchitecturalPartnerships #CelebrityDesign #HomeDecor #HighEndClientele #ResidentialDesign #CommercialDesign

Universal Design Studio (UDS), an architectural practice founded in 2001 by Edward Barber and Jay Osgerby, is celebrating two decades of groundbreaking work. Documented in their new book, 'Inside Out' (Phaidon), the studio’s success is attributed to its collaborative spirit, involving over 240 individuals throughout its history. Unlike traditional design firms that emphasize a singular artistic vision, UDS operates as an “experimental playground” where multiple thinkers contribute to a diverse portfolio of projects. These projects span retail spaces for luxury brands like Stella McCartney and Mulberry, hospitality ventures such as the Ace Hotel in Shoreditch and a cocktail bar for Fortnum & Mason, exhibition designs for the V&A Museum and Frieze Art Fair, and workspaces for IMB and Jimmy Choo. Barber and Osgerby initially established UDS to differentiate their architectural and interiors work from their product and furniture design studio. They recognized that while a multidisciplinary approach was common in Italy, it was less understood in the UK. This led them to create a new division focused on architecture and interiors, with a strong emphasis on collaboration. The studio maintains an egalitarian approach, where no single author dictates a project's direction. Instead, teams work collectively, valuing diverse perspectives to break new ground and challenge conventional thinking in each sector. UDS is also known for its commitment to reusing and repurposing existing buildings, prioritizing how spaces are utilized and how they serve their communities over demolition and new construction. Despite being an architectural practice, Osgerby notes that they primarily focus on interior and adaptive reuse projects rather than constructing new buildings from the ground up. Jason Holley, director of UDS, explains that the studio's principle is to work 'from the inside out,' focusing on human experience and the specific context of a building. This ensures that every design solution is tailored to its site and users, rather than adhering to a signature stylistic approach. Key projects illustrate UDS's impact. The Stella McCartney stores in New York and London, completed in 2003, were early successes, demonstrating the seamless integration of bespoke product, industrial design, and interior architecture. The custom-made tile used in these stores exemplifies the studio's philosophy of bringing the detail of furniture design to architectural spaces. In 2012, the interactive Google Web Lab at the Science Museum showcased UDS's ability to blend physical and digital worlds, creating an engaging space for technological exploration and storytelling. The Ace Hotel in Shoreditch, completed in 2013, marked a pivotal moment for both the studio and the surrounding neighborhood. UDS, despite having no prior hotel experience, embraced the challenge and collaborated closely with the Ace team. This project, which blended hotel functionality with local culture and casual workspace, became a significant contributor to the area's identity. This success led to a long-term partnership with The Office Group, for whom UDS designed Tintagel House and other workspaces. Looking ahead, co-director Paul Gulati identifies future areas of focus, including improving experiences in healthcare for the aging community and revitalizing high streets, leveraging their expertise in creating community-focused spaces. Mobility and electric vehicles are also areas of interest. Holley emphasizes the studio's goal of creating spaces that people deserve, seeking clients and collaborators who share their passion for openness and innovation. Osgerby reflects on the studio's core aim as recreating a 'campus atmosphere,' reminiscent of his time at the Royal College of Art, where interdisciplinary collaboration fostered productive and exciting exchanges of ideas. #UniversalDesignStudio #ArchitecturePractice #InteriorDesign #CollaborativeDesign #SustainableDesign #EdwardBarber #JayOsgerby #HospitalityDesign #RetailDesign

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

This article highlights seven innovative design studios from across the globe, showcasing their unique approaches to architecture and design. These emerging practitioners are recognized for transcending traditional disciplinary boundaries, from product design blending technology with furniture to architectural firms challenging physical space limitations through virtual installations. Norman Kelley, based in Chicago and New York, is featured for its sly and conceptual approach, often playing with visual expectations. Their "Wrong Chairs" exhibit, for instance, exaggerated elements of the iconic Windsor chair, making them appear "wrong" yet fully functional. Principals Carrie Norman and Thomas Kelley emphasize a rigorous playfulness in their work, valuing impact and gratification over overwhelming designs. Despite being geographically separated, they maintain constant collaboration, blurring the lines between academic and professional practice. Their work extends to residential rehabs and commercial projects, such as their first retail space for Aesop in Chicago, where they utilized reclaimed common brick, and a subsequent project in New York's Tribeca district, using ombré paint to reflect the neighborhood's character. Homeowner Sam Vinz, who commissioned Norman Kelley for a residential project, praises their ability to refresh existing concepts in an accessible manner. San Francisco-based Branch Creative, led by Nick Cronan and Josh Morenstein, specializes in making technology discreet or "invisible." Their product, Plume, replaces traditional Wi-Fi routers with hexagonal pods that blend into home decor, providing efficient wireless connectivity. Both Cronan and Morenstein bring extensive industrial design experience, having worked for notable companies like fuseproject and Ammunition. They ventured into developing futuristic devices, including the modular Google Ara phone and Athos exercise clothing that provides real-time muscle activity feedback, which they refined to be seamless and intuitive. Despite their focus on technology, they are passionate about furniture design, creating pieces for Council's Drift collection that combine classic forms with subtle illusions, emphasizing longevity and sophistication. SIBLING, a young Melbourne-based firm, is recognized for its experimental and participatory approach to design. The five directors—Amelia Borg, Nicholas Braun, Jane Caught, Qianyi Lim, and Timothy Moore—engage in a wide array of projects, including exhibitions, commercial fit-outs, and residential designs. They actively initiate their own research projects, such as the ON/OFF exhibition, which explored the digital and physical worlds by creating a space that blocked smartphone reception. These conceptual investigations inform their commercial work, exemplified by the DUST retail space that integrated a digital commercial platform into a physical setting. SIBLING's freedom from established practice allows them to design a business model that is unique to their founders' processes, clients, and community. Refik Anadol, a media artist based in Los Angeles, explores the intersection of architecture and digital art. Inspired by the Walt Disney Concert Hall, Anadol created large-scale video artworks that transform architectural facades into dynamic canvases. His collaboration with Gehry Technologies and the Los Angeles Philharmonic resulted in immersive experiences like "Visions of America: Amériques," where real-time custom software projected images responsive to music and conductor movements. Anadol's work also extends to public art commissions, such as "Virtual Depictions: San Francisco" for 350 Mission, which uses Twitter data to generate animations on a large LED display, exploring how public art interacts with public data. He envisions a "post-digital architectural future" where media architecture transcends traditional screens and VR. Tropical Space, from Ho Chi Minh City, focuses on eco-friendly and avant-garde architecture that utilizes simple building materials. Founders Nguyen Hai Long and Tran Thi Ngu Ngon specialize in designing porous homes that "breathe" in tropical climates, moving away from conventional closed-off modern Vietnamese housing. Their projects, such as the Terra Cotta Studio and the two-story Termitary House, showcase innovative facades made from traditional red baked bricks, providing both graphic appeal and natural ventilation. They also design custom furniture from recycled materials, emphasizing simplicity and cost-effectiveness while fostering social interaction within living spaces. APRDELESP, a Mexico City-based architecture office, distinguishes itself through a multidisciplinary approach that integrates commercial ventures with design practice. Founders Rodrigo Escandón and Guillermo González operate a variety of "subspaces" including a restaurant, a café that doubles as a furniture showroom, an art gallery, and a print shop. This model allows them to experiment with how space is used and to circumvent traditional design practices. They view these ventures not merely as revenue streams but as experimental projects to foster new thinking and better conditions for their design work. Their unconventional approach to client engagement and public relations emphasizes dynamic interaction over formal style, resulting in a design methodology that documents the full lifespan of a project through casual snapshots and detailed drawings of everyday objects. LCLA, led by Colombian architect Luis Callejas with bases in Oslo and Medellín, integrates landscape, cartography, and botany into architecture. Callejas, who gained prominence through public competitions and his work on the Aquatic Center in Medellín, challenges conventional architectural typologies by blending natural elements with built structures. His conceptual motif of the "island" highlights the potential for unique developments within contained environments. Callejas advocates for cultivating atmospheres rather than prescriptive sequences, using evocative collages as a key representational tool. His work, like "The River That Is Not" study for the Medellín River, proposes integrated strategies for hydrologic remediation and public engagement, demonstrating a political resonance in his designs. His current projects explore topographical sites in the Andes and Norwegian mountains, applying large-scale thinking to residential jobs. #ArchitecturalInnovation #DesignStudios #ProductDesign #SustainableArchitecture #MediaArt #UrbanPlanning #InteriorDesign #ExperimentalDesign #EmergingTalent

The blog post highlights a significant shift in interior design trends, moving away from the previously dominant straight lines and minimalist aesthetics influenced by Scandinavian and Japanese styles, towards an embrace of curves and organic shapes. This transition is prominently showcased through examples from 'The Block,' a popular design show. Designer Shaynna Blaze notes that for a long time, architects and designers favored straight lines, and she herself wouldn't have predicted the resurgence of curved elements a decade ago. However, she now expresses a fondness for this evolving trend. The article points to several instances where contestants on 'The Block' have integrated curves into their designs. Luke and Jasmin are particularly noted for their innovative use of curves in both their bathroom, featuring a curved wall and a circular skylight to create a warm and organic feel, and their kitchen, where a gentle curve in the wall connects different areas of the house. Daniel and Jade further exemplify this trend with their Christian Cole curved benchtop and dining area, echoed by a curved living room wall. Sarah and George also softened their large Dolomite stone island bench with a curved corner, demonstrating the versatility of this design element. Shaynna Blaze attributes this renewed interest in curves to a desire for something different, following a period where architectural design had become somewhat monotonous with its emphasis on simplicity and rigid structures. She observes that around two years prior to the article's publication, curves began to subtly appear in elements like doors, leading to the current widespread adoption of the style. Beyond mere fashion, Blaze suggests a deeper reason for the shift towards softer, more organic living environments: the uncertainty of the current world. Drawing on her knowledge of design history, she indicates that periods of adversity often correlate with a societal move towards more fluid and comforting forms in design, serving as a counter-reaction to austerity. These organic shapes are seen as reflecting nature and contributing to a sense of comfort and less rigid living. Block contestant Sarah also expresses her enthusiasm for curves, appreciating their aesthetic appeal and the visual interest they add to a space. She views the introduction of curves as a welcome change from the long-standing prevalence of strong, angular architecture in homes, finding it a 'cool' inclusion. The article concludes by reinforcing the idea that curves are not just a fleeting trend but a meaningful design movement, possibly reflecting a broader cultural shift towards seeking comfort and organic beauty in challenging times. #DesignTrends #InteriorDesign #TheBlock #ShaynnaBlaze #HomeInspiration #CurvedDesign #OrganicShapes #ModernInteriors #RenovationTrends

The United States is recognized globally for its diverse and innovative architectural landscape, featuring everything from towering skyscrapers to avant-garde community spaces. This rich environment is shaped by numerous architecture and design firms that continuously push the boundaries of design. This article highlights 15 leading firms across the USA, each contributing significantly to modern architecture through their unique philosophies, approaches, and iconic projects. Skidmore, Owings & Merrill (SOM), based in Chicago, is a multidisciplinary firm established in 1936, known for seamlessly integrating architecture and structural engineering. Their collaborative approach focuses on creating sustainable and iconic buildings with a commitment to achieving zero carbon emissions. Olson Kundig, founded in Seattle in 1966, emphasizes designing for human experience and balancing rational and intuitive thinking in projects ranging from museums to residential spaces, with a strong focus on sustainability. Perkins & Will, established in 1935, is a global design practice dedicated to creating harmonious spaces that integrate humanity and nature. They are recognized for high-performance and sustainable architecture, driven by creativity, research, and technology. Gensler, headquartered in San Francisco and founded in 1965, is one of the world's largest architecture and design firms. They specialize in diverse projects, including commercial offices, retail centers, and urban complexes, aiming to enhance human experiences through well-being and inclusivity. Steven Holl Architects, with offices in New York and Beijing, is celebrated for its innovative blending of architecture, emotion, and urban design. The firm's projects are characterized by dynamic forms, masterful use of light, and contextual sensitivity. Kohn Pedersen Fox Associates (KPF), established in 1976, is a preeminent global firm known for architecture, interiors, and master planning, with a strong emphasis on contextual sensitivity. HOK, founded in 1955 in St. Louis, combines art and science to address design challenges, focusing on creative expression and sustainable building optimization across three continents. ZGF Architects LLP, based in Portland, Oregon, and founded in 1942, is a pioneer in sustainable and regenerative design. Their work emphasizes the relationship between buildings, people, and the environment. Gehry Partners LLP, a Los Angeles-based firm founded by Frank Gehry in 1962, is renowned for its extensive experience in design and construction, with Frank Gehry directly involved in each project, fostering deep client collaboration. Weiss/Manfredi, a New York-based multidisciplinary practice founded in 1989, integrates architecture, landscape, art, and infrastructure, recognized for bold, iconic forms and clear design vision. Rockwell Group, an interdisciplinary firm with offices in New York, Los Angeles, and Madrid, specializes in creating extraordinary experiences across hospitality, culture, healthcare, and residential sectors, driven by curiosity and innovation. Feldman Architecture, a San Francisco-based studio established in 2003, focuses on creating soulful and site-sensitive residential and commercial architecture that harmonizes with natural contexts, emphasizing modern aesthetics and problem-solving. Perkins Eastman, a global firm founded in 1981 in New York City, aims to positively impact human lives and the built environment through sustainable and resilient designs, supported by extensive research and innovation. Sasaki, founded in 1953 by landscape architect Hideo Sasaki, is an international firm with offices in Boston, Denver, and Shanghai. It specializes in interdisciplinary design, integrating people, buildings, land, and context. SHoP Architects, established in 1996 in New York City, operates across five continents, offering architectural services for large-scale master plans, residential, and commercial structures. Their design philosophy, "Our Work is in the Future," anticipates and designs for future architectural trends. #ArchitectureFirms #DesignFirms #USArchitecture #ModernArchitecture #SustainableDesign #ArchitecturalInnovation #UrbanPlanning #ContemporaryArchitecture #ArchitecturalGiants

This article details the gut renovation of a 1913 factory floor in Carroll Gardens, transformed into a modern two-person home by architect Alex Delaunay of SABO project. Initially, Delaunay was commissioned only for a bathroom refurbishment, but upon discovering the building's hidden industrial character, he proposed a complete overhaul, which the owners embraced. The building, originally constructed in 1913, had been converted into residential property in the 1980s, a process that involved covering exposed wood and beams and dropping ceilings by four feet to reduce heating costs. Delaunay's primary objective was to reveal the historic elements of the building and maximize natural light throughout the space. The six-month renovation involved removing partitions that had created small, confined rooms, resulting in a single, open 1,333-square-foot living area. Existing and newly added interior walls were kept to a height of approximately eight feet, with the space above them fitted with glass. This strategic use of glass allowed natural light to penetrate deeply into previously dim areas like the kitchen and bathroom, significantly enhancing the apartment's overall brightness and sense of openness. The kitchen was outfitted with sleek white cabinets designed to align with the windows, promoting visual continuity. The bathroom received a distinctive character through turquoise tiles and a custom seven-foot bathtub, the largest available, accommodating the owners' preferences. Delaunay emphasized that the contemporary design elements served to highlight the hundred-year-old rough, industrial features of the building, bringing them to the forefront. Given the apartment's size, many design choices incorporated dual-purpose functionality. For instance, the bathroom features a wide basin with two sinks and extra-large cabinets, providing much-needed storage space that is otherwise limited in the bedroom area. A prominent artistic wooden-box installation, extending from the kitchen to the mezzanine, serves as both shelving and storage, with each cubby custom-sized to its specific contents. The renovation uncovered concrete columns and 12-foot ceilings, which had been concealed behind drywall. The dropped ceiling was removed, and the Sheetrock walls were taken down, exposing the original industrial framework. The bathroom design includes an Italian-marble backsplash from Calacatta quarries, and the white-oak boxes are arranged in horizontal bands to visually extend the room. The walk-in closet features walls capped at six feet six inches, and the box-like cabinets offer varied opening mechanisms. The single bathroom accommodates both owners with a hand shower and rainfall showerhead, and the concrete ceilings reveal the grain of the forms they were poured into a century ago. The seven-foot bathtub rests on a Corian deck and integrates with one of the building’s original concrete columns. Tiles from Stone Source are arranged in a pattern resembling windblown leaves, adding an organic touch to the industrial aesthetic. #DesignHunting #HomeDesign #LoftRenovation #IndustrialInterior #OpenConceptLiving #HistoricPreservation #ModernDesign #SaboProject

Contemporary design is explored through the perspectives of four prominent figures in the home industry, as presented by Andersen Windows & Doors. These individuals, characterized as "possibility makers," are recognized for setting trends rather than following them. Brandon Berg, Senior Vice President of Research, Development, and Innovation at Andersen Windows & Doors, highlights that contemporary design balances various styles while pushing creative boundaries, and Andersen aims to collaborate with those bold in design and performance. Justina Blakeney, a designer known for her lifestyle brand Jungalow, champions confidence, creativity, and joy. Her work is inspired by her childhood in Berkeley, California, where she spent time in nature and nurtured her artistic talents. Her parents, both developmental psychologists, encouraged her to follow her heart and explore her passions. After graduating from UCLA, Blakeney lived in Italy for seven years, where she admired the Italian approach to mixing old and new, and bright colors with neutrals. Returning to the West Coast in 2009, she infused her 1920s Los Angeles bungalow with greenery, bold colors, prismatic patterns, and earthy textures, sharing her journey on her blog, Jungalow. She defines contemporary design as an "osmosis of things coming together when we’re feeling our most creative and inspired." Blakeney emphasizes that even small changes can impact how we live, encouraging individuals to consider the activities their home should support and then experiment with colors, patterns, and textures. Her brand is committed to environmental sustainability, planting at least two trees with every order, and offers diverse product lines for home decor. Cavin Costello, an architect and co-founder of The Ranch Mine, moved to Phoenix after earning his master's degree, driven by a pioneering spirit. Alongside Claire Aton, he established a firm dedicated to honoring the past and inspiring the future through architectural design, drawing inspiration from the region's ranching and mining history. Their firm gained recognition for transforming homes with a focus on individual passions. Costello's background includes hands-on experience building his family home with his civil engineer father. He emphasizes that contemporary design should be "free of style" and responsive to people, place, culture, and climate. An example of his work includes a solar-powered home designed for a couple's passions for music, yoga, and sustainability, featuring compact windows that reveal desert vistas during yoga practice. The Ranch Mine also received an HGTV Designer of the Year Award for their Red Rocks project, which reconfigured a 1970s Spanish Colonial Revival to connect with the outdoors and Arizona's natural beauty. Jessica Davis, an interior designer and founder of Nest Studio and Atelier Davis, has been passionate about design since childhood, even sending landscape plans to *Southern Living* magazine at age 12. Her global upbringing in Sydney, Hong Kong, and Dallas, along with degrees from Princeton and the New England School of Art & Design, shaped her perspective. After working in hospitality design, she settled in Atlanta and became known for her creative contemporary vision, blending luxurious and accessible elements. Davis developed this dynamic approach while working on the TV show *Bob Vila’s Home Again*, sourcing furniture and decor. She launched Nest Studio, an award-winning hardware company, which quickly gained traction through her early adoption of blogging and Pinterest. Her collections feature mixed materials and layered dimensions. At Atelier Davis, her team injects personality into spaces that tell the stories of their inhabitants. Davis, a mother, operates both studios as women-owned businesses, supporting work-life balance for talented working mothers. She defines contemporary design as what is "happening now" and responsive to evolving needs, citing her own plans for a home addition with a stronger connection to the outdoors and an open floor plan, incorporating steel frame windows reminiscent of her childhood in Hong Kong. Jeff Sweenor, a builder, founded Sweenor Builders after a background in competitive rowing, which instilled in him a team-oriented mentality. His work ethic was also shaped by growing up in his family's fifth-generation candy business, where he learned carpentry, plumbing, electrical, and refrigeration skills by building and renovating their shop. This entrepreneurial spirit led him to build his first home, learning alongside local professionals. Over 30 years, Sweenor Builders has grown from building spec houses to creating legacy homes along the New England coastline. The company integrates various capabilities, including an in-house millwork and cabinetry shop, providing a seamless client experience. One notable project involved renovating a 1971 residence, transforming its congested floor plan and scattered windows to optimize riverfront views. The renovation maintained coastal character while incorporating sleek, modern materials like black vertical longboard and cypress cladding. The firm optimized overhead space with a low-pitch roof and clerestory windows, enhancing natural light. Sweenor’s dedication extends to community engagement, offering on-the-job opportunities to local students, a practice he sees as building the next generation of skilled professionals. #ContemporaryDesign #HomeIndustry #DesignTrends #Architecture #InteriorDesign #Building #Jungalow #TheRanchMine #AtelierDavis #SweenorBuilders

Camille Jobe and Ada Corral, principals of Jobe Corral Architects, a women-owned-and-operated architecture firm based in Austin, Texas, discuss their design philosophy, recent projects, and collaborative working style. The firm specializes in residential architecture and interiors, with a strong emphasis on adapting designs to the unique and often harsh climate of Texas. Their work frequently incorporates sustainable and context-specific building methods, while also maintaining a strong aesthetic. One of their notable projects, River Ranch, is a modern house located in the Texas Hill Country. For this residence, the architects utilized traditional rammed earth construction, a method chosen to conceptually link the structure to the clients' deep appreciation for the land. The rammed earth, composed of decomposed granite, Portland cement, and water, is poured in layers to create distinct, striated walls that are a central design element throughout the home. These walls dictated particular attention to texture, color, and the interplay of warmth and coolness in adjacent materials and furnishings. The interior furnishings for River Ranch were selected to complement the bespoke nature of the structure, focusing on well-crafted items with notable provenance or distinctive assembly, transforming them into new 'artifacts' within the space. Looking ahead, Jobe Corral Architects are engaged in diverse projects. They are designing the architecture and interior for a young company's headquarters in Austin, aiming to imbue the large commercial space with a residential feel. Additionally, they are working on a public restroom project for Lady Bird Lake in Austin, contributing sculptural, boutique-style facilities constructed from terracotta tile, concrete, and steel, featuring a repurposed concrete pipe for the sink. Their working relationship is defined by a clear division of roles: Jobe focuses on the 'big picture,' while Corral manages the details. Both principals reside in post-World War II concrete block houses on the same street, and they jointly designed additions for their homes post-partnership. Their individual backgrounds significantly influence their creative approach; Jobe, from a family of engineers and artists, found her niche in architecture as a blend of rationality and creativity. Corral, hailing from Puerto Rico, where smaller, efficient homes are common due to climate and resources, emphasizes functionality and efficiency in her designs. The Texas climate and lifestyle play a crucial role in their design thinking. The extremes of cold and heat, coupled with high humidity, directly inform architectural forms and how living spaces function. The informal nature of Texas life also influences their designs, leading to considerations like the traditional role of a 'front door' in a casual, expansive environment. The relatively young architectural landscape of Austin, with fewer historical constraints, offers a 'clean slate' for their contemporary designs. Both architects stress the importance of physical activity—Jobe as a rower and Corral as a runner—as a vital component for managing the stresses of an architectural practice and maintaining well-being. #ArchitecturalDesign #ResidentialArchitecture #InteriorDesign #SustainableConstruction #RammedEarth #TexasDesign #WomenInArchitecture #ModernArchitecture #DesignPhilosophy

The article highlights six innovators in Denver who are using design ideas to address problems and foster significant developments within the city. These individuals and firms represent diverse fields, including real estate development, museum direction, furniture design, and home technology, all contributing to Denver's evolving aesthetic and functionality. Mike Blea and Breton Lujan, co-founders of Raw Creative, are presented as pioneers in a comprehensive design-build-fabricate model. Their firm handles architectural design, construction, and custom furnishing fabrication, creating unique commercial spaces like Señor Bear and Morin restaurants. Their integrated approach allows them to maintain control over design concepts, pushing boundaries that might challenge others unfamiliar with fabrication. They emphasize their hands-on involvement, from architectural planning to the actual building process, which they find rewarding. The co-founders recall solving budget constraints at Table 79 by manipulating inexpensive materials to achieve a high-end Scandinavian look and meticulously designing hair-cutting stations for Elle.B Salon Central based on observed stylist movements. Looking ahead, Raw Creative is exploring micro-housing concepts to address Denver's affordability issues and expanding into residential projects, focusing on modest, comfortable, and sustainable designs, particularly in areas like Aspen. Alex Capecelatro, co-founder and CEO of Josh.ai, introduces Josh, an AI-powered home assistant designed to understand natural human speech and control home automation systems. Unlike other voice assistants, Josh integrates advanced intelligence to monitor various home aspects, including energy usage, weather patterns, and even specific room locations to tailor responses. Josh Micro, the hardware component, is designed with aesthetic appeal, featuring a concave shape inspired by Richard Serra sculptures and an invisible LED ring that indicates listening and touch controls. The device primarily processes data locally, ensuring customer privacy. Capecelatro envisions future home technology focusing on health and wellness, with products monitoring indoor air quality, water quality, and sleep patterns to improve residents' lives. Jonathan Alpert, a partner at Westfield Company, discusses his firm's contributions to Denver's development, including the Mission Ballroom, Stanley Marketplace, and S*Park, a sustainable condo community with an urban farm. He explains how Westfield Company collaborated with AEG to develop the Mission Ballroom as part of the larger North Wynkoop project, which includes offices, retail, and future residential and hotel components. Alpert defines sustainable development as encompassing environmental, social, and economic viability, exemplified by S*Park's urban farm. He acknowledges the challenges of Denver's growth, particularly regarding housing affordability, and advocates for public-private partnerships, expedited permitting for affordable housing projects, and increased efforts to build more financially viable affordable homes to ensure Denver remains an inclusive and thriving city. Nora Burnett Abrams, the new director of the Museum of Contemporary Art Denver (MCA), shares her vision for the institution. Having previously worked at prestigious New York museums, Abrams highlights Denver's unique culture of risk-taking and entrepreneurial spirit, which allows for greater artistic experimentation. She aims to build upon MCA's strong foundation, prioritizing support for local artists and expanding outreach to teen and young adult audiences, offering free admission for teens. Abrams also plans to embed the museum more deeply within the city through partnerships with other organizations, exploring topics beyond aesthetics, such as environmentalism, social justice, and mental health. She envisions MCA as a versatile space for both social gatherings and intellectual discovery, fostering curiosity and appreciation for contemporary culture. Richard Shirtcliffe, co-CEO of Noho, a Boulder and New Zealand-based furniture company, details his innovative approach to furniture design rooted in sustainability and human physiology. Motivated by the pervasive plastic pollution in oceans, Shirtcliffe co-founded Noho to create good-looking furniture from sustainable polymers and upcycled ocean plastic. His collaboration with Formway, a company known for dynamic comfort in commercial furniture, led to the development of chairs that support blood flow and improve cognitive function. Their first product, the Move Chair, is designed to flex and move with the body, made from repolymerized plastic, and features interchangeable wool toppers. Shirtcliffe emphasizes Noho’s mission to build a thriving business that positively impacts the world and individual well-being, starting with significant steps towards addressing environmental challenges through commerce. #DenverDesign #ArchitecturalInnovation #SustainableDevelopment #HomeAutomation #UrbanPlanning #ContemporaryArt #FurnitureDesign #AffordableHousing #CircularEconomy

The Viking apartment block in Waterloo, Sydney, designed by MHN Design Union for Crown Group, features a facade with a kinetic and optical illusion effect. The building's design draws inspiration from the work of Israeli artist Yaacov Agam, known for his brightly colored kinetic sculptures. Nineteen triangular bay windows protrude from the north side of the building, each colored red on one side and yellow on the other. This dual coloring means that the building's appearance shifts between dominant red and yellow hues depending on the observer's viewing angle, creating a dynamic visual experience as one moves around it. Waterloo, a former industrial district, is undergoing redevelopment into a residential area, and the Viking apartment block contributes to this transformation. The structure's form is acutely triangular, tapering to a point at the rear, which allows for triangular floor plates that vary in height from ten stories at the front to seven at the back. This unique shape is said to reflect the triangular nature of the site and its orientation towards the city skyline. While the north side showcases the interactive, color-shifting windows, the east and west facades are characterized as long and calm. In contrast, the south facade, facing a busier traffic street, presents a kinetic art facade, embodying an outward-looking, positive, and joyful aesthetic. The building comprises 110 apartments, and their glazed walls are equipped with mechanical shutters. These shutters serve both practical and aesthetic purposes: when closed, they provide privacy and sun shade, covering the building's flanks with a muted bronze-colored grille. When open, they project outwards like fins, revealing brightly colored hinges, adding another layer of visual dynamism to the building's exterior. Further enhancing the residential experience, a 25-meter-long swimming pool is situated on the second floor. Encased by glass balustrades, the pool offers swimmers panoramic views of the city and the adjacent parkland. The Viking apartment block has garnered recognition in the architecture community, being shortlisted for two awards at the World Architecture Festival, scheduled to take place in Singapore. John Gollings provided the photography for the project, and the article also lists numerous project credits, detailing the various consultants involved in the development, including those for accessibility, acoustics, sustainability, civil and electrical engineering, fire services, geotechnical analysis, hydraulics, landscape design, lifts, mechanical systems, post-tensioning, reflectivity, structural engineering, surveying, town planning, traffic management, waste management, and wind analysis. #ResidentialArchitecture #FacadeDesign #OpticalIllusion #Sydney #MHNDesignUnion #KineticArchitecture #ApartmentDesign #UrbanDevelopment

Architects Noam Dvir and Daniel Rauchwerger, founders of the New York-based firm BoND (Bureau of Noam and Daniel), share insights into their design philosophy, creative process, and the unique challenges and inspirations behind their projects. Having met in 2010 at the Venice architecture biennial and later forming BoND in 2015, the duo has become known for their nuanced approach to physicality and use in design, particularly in New York City and Fire Island. The discussion highlights the specific considerations for working on Fire Island, a narrow stretch of land susceptible to environmental factors like climate change and sea-level rise. Dvir and Rauchwerger explain how these environmental realities, combined with the island's rich Modernist architectural legacy, necessitate innovative design solutions. They detail how new ground-up constructions must be elevated significantly, prompting questions about the aesthetics of the house's base when typically seen nestled within dunes. The architects also touch upon the increasing sophistication of buildings and the challenge of incorporating technology without making it part of the problem. Material choices are also evolving; for instance, the rising cost of traditional cedar has led them to explore alternative wood materials, such as a silvery-toned wood from Texas that offers easier assembly and application. BoND's approach to renovating existing Modernist homes on Fire Island involves viewing the house as a cohesive whole rather than focusing on isolated areas. They aim to unify design elements, such as extending cedar siding where it wasn't originally present, and infuse utilitarian spaces like bathrooms with humor and sexiness. Custom furniture design plays a crucial role in re-imagining social conditions within these homes, creating spaces for various interactions, from pre-dinner gatherings to intimate conversations on a rainy night. The architects emphasize the intentional orchestration of social situations in their designs, creating platforms for living and socializing that encourage interaction and engagement. They strive for openness and connectivity between spaces, maximizing the dramatic interplay with the surrounding landscape. Their client relationships are deeply integrated, often stemming from personal connections and shared communities. Many clients are younger, having acquired homes post-Covid, and have specific priorities, such as cooking, which BoND meticulously addresses in their designs for these often smaller spaces. The firm's background in architecture journalism significantly influences their project approach, with a strong emphasis on narrative and storytelling. Each project is seen as an opportunity to create a unique story or fantasy that captures the imagination of their community. BoND does not differentiate significantly between commercial and residential projects, applying a consistent "style of thinking" that seeks unique elements within each program. They find excitement in New York City lofts, particularly in understanding and integrating the existing character of a space into new designs, distilling its core attractive qualities. Art serves as a major driver in BoND's work, viewed as a reflection of cultural attitudes and a source of aesthetic inspiration for color palettes and contextual contrasts. They often select art for their projects, maintaining relationships with artists to stay attuned to cultural trends. While they consider architecture a beautiful craft rather than an art form, they acknowledge art's role as an emotional and personal component of a home. Dvir and Rauchwerger also share insights into their partnership, highlighting their complementary strengths and the collaborative nature of their work, with Noam as the managing partner and Daniel as the creative director, though both are deeply involved in all project phases. Finally, they discuss the concept of "sexiness" in architecture, defining it as a cultural construct and an integral part of their clients' desire topology. This manifests in design decisions, such as the placement of an outdoor shower or views within a house, aiming to create a sense of "flirty intrigue" that makes people look and feel great in their spaces. #BoNDArchitects #NoamDvir #DanielRauchwerger #FireIslandDesign #ModernistArchitecture #SustainableDesign #InteriorDesign #CustomFurniture #ArchitecturalJournalism

Jessica Schuster, founder and president of the New York-based design firm Jessica Schuster Design, discusses her journey into interior design, her approach to projects, and her creative philosophy. Schuster's firm handles a diverse portfolio, including residential, commercial, and hospitality spaces across the country, with notable projects such as residences in New York and the Esmé Hotel in Miami Beach. She emphasizes crafting unique spaces that balance the unusual with the familiar, maintaining a global awareness while committing to enduring interiors, defining "timeless joy" as the beauty of well-designed pieces that withstand time. Schuster initially pursued communications at New York University before earning an associate degree in interior and architectural studies from Parsons School of Design. She considers her entry into interior design as more of a natural evolution, influenced by her childhood exposure to design through her parents' home building project in Palm Beach and early internships in the field. When she established Jessica Schuster Design in 2013, she integrated lessons from previous firms, particularly the importance of operational organization, transparency with clients, and fostering a collaborative and innovative studio environment. Her creative energy is sustained through constant engagement with the world, including travel, art galleries, and design fairs, which she believes infuse fresh perspectives into each project. Schuster tailors her approach to diverse clients, ranging from families to bachelors and hospitality clients, educating them on how design can enhance their lives and create personalized luxurious experiences. She notes that each project dictates its unique palette, though she has recently gravitated towards deeper, saturated colors and the juxtaposition of contemporary pieces with antiques, such as Italian and French mid-century or Brazilian designs, to create dynamic and layered spaces. For hospitality projects, Schuster aims to create engaging spaces that spark conversation and evoke emotion. She is currently involved in a project at Windham Mountain Club in New York, where she is designing various spaces, focusing on creating a cohesive narrative while ensuring each area feels distinct. She acknowledges that both the architecture and location of a space inform her designs, but she also strives to create a sense of refuge, especially in bustling urban environments like New York, by balancing architectural elements with interiors that offer an escape. Designing her own apartment has presented a unique challenge, marked by a slower, yet rewarding, process. Her personal space has evolved into a more classical design, inspired by French classic designers and their use of timeless materials, serving as a sanctuary that reflects her current life stage. Currently, her firm is engaged in multiple projects across South Florida, NYC, the Hamptons, Malibu, and the Caribbean. Looking forward, Schuster aims to expand her portfolio further into hospitality and high-end residential design, consistently upholding the firm’s commitment to creativity, collaboration, and elevating spaces. #JessicaSchuster #InteriorDesign #DesignPhilosophy #HospitalityDesign #ResidentialDesign #TimelessDesign #CreativeProcess #ClientCollaboration #NewYorkDesign

This page serves as a comprehensive guide for architects, designers, and firms interested in submitting their work for consideration in Architectural Record's various annual awards and special features. It outlines the opportunities available throughout the year for showcasing contemporary architecture, residential projects, interior designs, and innovative products. The primary goal is to encourage submissions to several prestigious competitions and features that celebrate excellence and innovation in the field. The Architectural Record Awards are a key highlight, scheduled for inauguration in the fall. These awards aim to recognize the year’s best built and unbuilt projects, as well as leading design voices, with winners being celebrated at the annual Innovation Conference. This new award program will complement the magazine's long-standing tradition of highlighting architectural excellence in its print editions. Specific details for submission to these awards are provided through a dedicated link. Another significant feature is "Record Interiors," an annual issue that has for decades showcased outstanding contributions to building interiors. This competition invites architects and interior designers to submit projects that demonstrate clever solutions and innovative material choices, with a primary focus on interior scope. The page offers links to submission details and archives of past winners, providing aspiring entrants with examples of previously recognized work. "Design Vanguard" is presented as a program recognizing emerging firms and individual practitioners who represent the next generation of architects. Since 2000, this award has honored ten international winners each year, specifically targeting practices that have been established for ten years or less. This initiative aims to highlight fresh talent and innovative approaches within the architectural community, with application details and a list of past winners accessible on the page. "Record Houses," established in 1956, is an annual issue dedicated to residential design. It seeks projects that challenge expectations, push disciplinary boundaries, and creatively redefine established architectural vocabularies. The platform provides detailed submission guidelines and links to previous winners, offering insights into the types of residential projects that have historically been celebrated. The "Kitchen & Bath" competition focuses on novel approaches to these utilitarian spaces, encompassing both commercial and residential contexts, and even public infrastructure. This category encourages submissions that showcase innovation in design and functionality within kitchens and bathrooms. Information on entering this competition and viewing past winners is also made available. "Record Products of the Year" is a long-running competition that identifies the most innovative building materials, components, and furnishings introduced to the North American market within the past year. A panel of experts, including architects and designers, selects winning entries based on criteria such as inventiveness, functionality, sustainability, and aesthetics. The awardees are featured in the December issue of RECORD, and the page provides entry details for the upcoming cycle and a list of previous product winners. The "Cocktail Napkin Sketch" contest, open to U.S.-based architects, students, and related professionals, celebrates the art of sketching. Entrants are required to submit a sketch on a white cocktail napkin using a pen. Two grand prize winners, one licensed architect and one related professional, receive a gift card and a set of custom cocktail napkins. Winning sketches are announced at the Innovation Conference and published in the November issue and on the website. This contest is sponsored by Construction Specialties. Finally, the "Guess the Architect" contest is a monthly challenge from the editors, inviting readers to identify the architect of a historically important building. The contest runs throughout the month, with a chance to win a $500 Visa gift card. This contest is sponsored by Pac-Clad Peterson. The page concludes by inviting general project submissions, providing links to submission guidelines and the editorial calendar for those who wish to have their work considered for publication outside of the specific contests. #ArchitecturalAwards #DesignCompetitions #EmergingArchitects #ResidentialDesign #InteriorDesign #BuildingProducts #ArchitecturalSketching #InnovationConference #CallForEntries

The article features an interview with interior designer Jennifer Hunter, who shares insights into her career and her approach to traditional design. Hunter's journey into interior design began at a young age, influenced by her family's background in development and real estate. This early exposure led her to pursue a five-year architecture program at the University of Texas at Austin. During her studies, she interned with renowned designer Albert Hadley, who advised her to further her education in American Fine and Decorative Arts at Sotheby's Institute of Art to gain historical knowledge. After completing her master's, she helped establish Harry Heissmann's design office before founding Jennifer Hunter Design four years prior to the interview. Hunter describes her personal design style as traditional yet seen through fresh eyes, characterized by a unique balance of tailored and eclectic, glamorous and relaxed, bold and subtle elements. She expresses enthusiasm for the resurgence of traditional design, believing that classic styles are enduring. She notes that both designers and clients are increasingly drawn to the playful patterns, bolder color palettes, and classic silhouettes inherent in traditional furniture. She acknowledges contemporary trends like "new traditional" and "grand millennial" (or "coastal grandmother") as fun interpretations that incorporate traditional design with a playful twist, and she is relieved to see a shift away from minimalist and sterile aesthetics. When sourcing furniture and decor outside of trade channels, Hunter recommends online platforms and retailers such as Chairish, Serena and Lily, Scout and Nimble, and Annie Selke. For a traditional home, she emphasizes the importance of good "bones," including quality hardware, doors, and moldings. These foundational elements should be complemented by significant pieces such as art, an heirloom case piece, or a vintage Oushak rug, which then inform the rest of the design. Layers can then be added, including floral prints, classic ticking stripes, timeless paint colors, and meaningful accessory items. Looking ahead, Hunter anticipates seeing traditional design trends with a modern edge in the coming year, such as oversized floral patterns or bolder recolorations. She also observes a growing demand for more intricate trims and moldings in renovations and new builds, including multi-piece crown moldings, picture moldings, and paneling. Clients are also requesting these architectural details to be painted in accent colors. Conversely, Hunter predicts that minimalism and monochromatic, "no-color" aesthetics will be phasing out in 2023. She shares her expertise on mixing patterns, explaining that the key lies in balancing color and scale; for instance, a large-scale floral in saturated colors can be effectively paired with a small-scale pinstripe in a more muted tone. Regarding challenges in the interior design industry, Hunter highlights the lingering impact of supply chain issues, which particularly affect new-build and gut renovation projects. While her firm has established reliable vendors, they remain dependent on contractors and their material procurement during construction, necessitating flexibility and adaptability. She expresses particular pride in her Bronxville project, completed during the pandemic, where she successfully created a sophisticated yet family-friendly dream home for clients, integrating vibrant colors and playful patterns. #InteriorDesign #JenniferHunter #TraditionalDesign #HomeDecor #DesignTrends #PatternMixing #SupplyChainIssues