Interior Designer Jennifer Hunter Talks About Traditional Design And Her Career

Laura Kirar, an internationally acclaimed American-born, Mexico-based interior and product designer, shares insights into her unique style, diverse inspirations, and creative process. Her design philosophy emphasizes the combination of raw materials with her deep understanding of art, architecture, fashion, and music. Kirar’s early influences stem from her upbringing in Chicago, where she was exposed to significant art and architectural collections, including works by Daniel Burnham, Louis Sullivan, Mies van der Rohe, Frank Lloyd Wright, Brancusi, Georgia O’Keeffe, René Magritte, and Salvador Dalí. These foundational experiences shaped her perspective, leading her to view furniture as sculptural objects and spaces as canvases for human experience. Kirar's passion for both art and architecture guided her career choice. She describes her approach as abstract, knowing when to adhere to design principles and when to innovate. The ability to create environments where lives unfold is a powerful motivator for her. Her current inspirations include contemporary artists, fashion designers, and musicians such as Peter Zumthor, David Wiseman, Milena Muzquiz, Monica Rezman, and Marcela Diaz. She expresses a particular fondness for coral pink in all its hues, describing it as luminous and soothing, suitable for various applications from walls to textiles. Travel plays a significant role in Kirar's inspiration, leading her to discover unique shops worldwide. In Mexico City, she frequents Trouve for vintage items. New York offers Les Atelier Courbet, The Future Perfect, and Artemest. In London, she highlights The Carpenters Workshop Gallery at Ladbroke Hall, and in Paris, Pierre Frey for textiles, along with various antique and vintage markets like Marche Biron. Mexico itself is a profound source of inspiration, influencing her sense of color, scale, and textures, and fostering her appreciation for traditional crafts found in its mountains, valleys, and cities like Oaxaca and the Yucatan. Kirar is also a passionate collector, believing that artists benefit from surrounding themselves with inspiring objects. Her collections include vintage chairs, ceramics, pottery, art books, hand-woven textiles, vintage cowboy boots, and silver Navajo accessories, all chosen for their stories. She recently acquired her fourth art piece by Cisco Jimenez, suggesting a new collection in the making. Her personal art collection includes a Cindy Sherman photograph, which has inspired the palette for an entire room. Beyond visual arts, Kirar finds inspiration in film, particularly through MUBI, enjoying classic films, film noir, thrillers, and sci-fi. She also has eclectic musical tastes, ranging from The Cure to opera, classical, rock, punk, and jazz, appreciating the intimacy of live performances. Among her extensive product designs, which number over a thousand, she favors the Mar floor lamp and Vargueno chair from her collection with Arteriors. Her Vir Stil and Paletta bath collections for Kallista have been bestsellers for two decades, and her Caviar chandelier for Arteriors has consistently topped its bestseller list since 2010. Kirar also enjoys cooking, drawing on her Italian heritage to create dishes like pici al limone with sautéed radicchio. She also puts a contemporary spin on traditional Mexican chiles rellenos. Her philosophy is that cooking can be spontaneous and creative, often improvising with available ingredients. This reflects her broader approach to design and life – a blend of diverse influences, personal passion, and creative adaptation. #InteriorDesign #ProductDesign #LauraKirar #CreativeProcess #ArchitecturalInfluence #ArtInspiration #MexicanCrafts #DesignPhilosophy #GlobalTravel

Henry Holland, a prominent figure initially known for his contributions to the fashion industry, has successfully transitioned into a ceramics artist, establishing Henry Holland Studio. This article delves into his creative journey and the diverse influences that have shaped his distinctive style, characterized by boldness and playfulness, which he views as a direct reflection of his personality. Holland emphasizes the role of clothing and home decor as forms of self-expression. His artistic inclination was evident from a young age, with teachers recognizing his creativity and early entrepreneurial endeavors like starting a Christmas card business. His mother served as a significant source of inspiration, fostering his creativity and exhibiting a strong sense of style. The profound impact of her loss over a year ago compelled him to actively seek joy in his work, as he believes sadness hinders his creative output. Presently, his inspiration primarily stems from his friends, family, and husband, as he is drawn to human stories and enjoys weaving narratives into his characterful ceramic and homeware designs. Moving to London from Northern England marked a pivotal moment in Holland's development, where he recognized the importance of taste and personal style amidst the city's diverse cultural landscape. His career path has been serendipitous; he initially pursued journalism but found himself drawn to fashion through a hobby that quickly evolved into a brand. Similarly, his foray into ceramics during the pandemic began with lessons and organically grew into his current studio. He highlights the unexpected synergies between the fashion and homeware industries, noting that his fashion background provided invaluable business training, and he now appreciates the more relaxed pace of the homeware sector. Travel has also played a crucial role in shaping his creative vision. Childhood experiences in the French countryside, accompanying his parents to antique markets, exposed him to various design periods, from art deco to mid-century modern. This early exposure instilled a deep appreciation for diverse aesthetics. He is an avid collector of Richard Bernstein's *Interview* magazine covers from the 1970s and 80s, valuing them as miniature pieces of pop culture history that illustrate the nascent intersection of fashion, culture, and celebrity. His most cherished item is a Debbie Harry cover signed by Andy Warhol and Truman Capote. While not an extensive reader, Holland finds value in self-help and spiritual guides, citing Eckhart Tolle's *The Power of Now* as particularly impactful. He also utilizes Blinkist to access condensed book summaries, a testament to his admitted impatience. Film, specifically costume and set design, provides another rich source of inspiration. He admires Baz Luhrmann's visually striking films, particularly *Romeo & Juliet*, and often references 1990s teen movies like *Clueless*, *Hackers*, and *Empire Records* in his fashion work. His musical tastes lean towards 90s pop, influenced by his first job at *Smash Hits* magazine, and he enjoys sharing these playlists with his studio team. Despite not being a keen cook, he hopes a forthcoming kitchen renovation will spark culinary creativity, though he prefers dining out. His favorite restaurant is Brat in London, known for its exceptional food and cocktails and its chef, Tomos Parry, whom he considers a friend. Holland expresses admiration for numerous contemporary creatives. He acknowledges the challenges faced by professional creatives and values the heart and soul they invest in their projects. He is particularly impressed by Es Devlin's set design and fellow ceramicists like John Booth, whose vibrant use of color he appreciates, and Alma Berrow for her humor. He also follows Christabel MacGreevy's transition into ceramics and is a significant admirer of Dirk Vander Kooij's work, especially his innovative use of recycled plastic materials, exemplified by a Melting Pot dining table that represents their first significant home investment. #HenryHollandStudio #InteriorDesign #CeramicsArt #CreativeInspiration #FashionToHomeware #PopCultureInfluence #TravelInfluence #DesignPhilosophy

Rebecca Constable, an interior designer known for creating timeless and inviting homes that also accommodate daily life, recently launched Room by Room Interiors. This new venture offers ready-to-go design schemes, providing an accessible and affordable alternative for individuals seeking design assistance without the commitment of hiring a full-time designer. These schemes include comprehensive guidance, from key design principles to specific recommendations for paint colors, furniture, and accessories. Constable's design journey began after transitioning from a career in management consulting and project management at John Lewis. Following the birth of her children, she sought a more flexible profession, initially redesigning her own home and then assisting friends and family, which organically led to the growth of her interior design practice. She notes the significant overlap between project management and interior design, highlighting the organizational aspects crucial to both fields. Her personal home is characterized by a vibrant and layered approach, incorporating color, pattern, and various textures. Each room is distinct, and Constable frequently uses different fabrics to achieve this variety. She also emphasizes the use of natural materials such as oak floorboards, marble tiles, and quartzite counters, embracing the natural wear and tear these materials exhibit over time. Her favorite room is her and her husband's bathroom, which she describes as a calm and luxurious space for relaxation. Constable's design philosophy is deeply influenced by her Swiss grandmother, whose home featured a rich collection of antiques, self-painted oil paintings, and hand-decorated furniture. This eclectic mix of old and new, combined with a love for color and pattern, defines Constable's style. Her own home reflects this sensibility, blending antique pieces with more modern elements. Regarding her latest endeavor, Room by Room Interiors, Constable explains that the platform addresses the challenge many people face in finding the right design elements for their homes. By curating complete design schemes, the service aims to simplify the decorating process for those who lack the time or inclination to research extensively. This initiative makes professional interior design principles and product selections available to a wider audience. Constable also shared a wish list of ten items that align with her design aesthetic and current preferences. These items include a versatile sofa bed from The House Upstairs, a Folia Scalloped Natural Linen Wall Light from Lights & Lamps for architectural detailing, and a Wilmington Reeded Bedside Table from Alfred Newall, valued for its curves and the timeless quality of limed oak. Other items comprise a Frill Pouffe from Six The Residence for bedrooms or dressing rooms, a Dunes Rug from Pelican House x Lucy Williams, praised for its brown and blue color combination, and an Exton Mirror from Vaughan, considered a timeless piece suitable for various spaces. The list also features Marton Side Tables from The White Company for their utility in small spaces, a Ma Ma Lay Rattan Tray from Kalinko for desk or bedside organization, Brass Wiggle Handles from Bias Editions for a fun and luxurious touch, and a Rosemary Willow Diffuser from Bamford, appreciated for its fresh scent and aesthetic appeal. These selections collectively showcase Constable's commitment to functionality, natural materials, and a balanced blend of classic and contemporary elements. #InteriorDesign #HomeDecor #RoomByRoomInteriors #RebeccaConstable #DesignInspiration #Furniture #HomeAccessories #TimelessDesign #NaturalMaterials

This article features an interview with Jennifer Harkavy, an interior designer and founder of J. Harkavy Interiors, focusing on her career journey, business philosophy, and personal recommendations for Los Angeles. Harkavy discusses the pivotal role of risk-taking in her life, particularly her decision to move from New York to Los Angeles in 2009 during the mortgage crisis. This move, initially driven by a desire for a fuller life, eventually led to her establishing her own interior design firm in 2020. She acknowledges the intimidation of starting a business without prior experience in entrepreneurship but emphasizes that taking the risk was crucial to avoid future regrets. J. Harkavy Interiors specializes in residential design, creating coastal-inspired interiors in Los Angeles. The firm's distinguishing characteristics include meticulous attention to detail and a client-first philosophy, aiming to craft stunning yet functional spaces uniquely tailored to each client's vision. Harkavy expresses pride in clients who embrace bold design choices and fully trust her expertise. She also highlights the collaborative nature of interior design, acknowledging the vital contributions of contractors, carpenters, window installers, and various vendors to the success of a project, underscoring the importance of showing appreciation to these team members. Beyond her professional life, Jennifer Harkavy shares a personalized itinerary for a week-long visit to Los Angeles, filled with her favorite local spots and activities. Her recommendations include a day trip to Lido Beach and Corona Del Mar, biking along the strand to Manhattan Beach with lunch at Esperanza, and enjoying a picnic dinner at Torrance Beach to watch the sunset. For cultural and entertainment experiences, she suggests a morning at the Getty House, an afternoon in Malibu followed by dinner at Nobu, attending a show at the Pantages Theatre, and visiting the Broad Museum. Culinary recommendations feature lunch at Langer’s Deli and dinner at Bottega Louie after shopping in the jewelry district. The interview also delves into the influences behind Harkavy's creativity and passion for interior design. She attributes much of her inspiration to her father, recalling childhood memories of visiting antique shops with him since the age of 10. A particularly cherished memory involves a flea market visit outside London in her early twenties, where she purchased a brass gong, an item she still treasures today. Her father consistently encouraged her to pursue her dreams and take chances, celebrating her successes as if they were his own, which significantly fostered her journey into interior design. This support highlights the importance of mentorship and encouragement in her personal and professional development. #JenniferHarkavy #InteriorDesign #LAInteriors #CoastalInspiredDesign #Entrepreneurship #RiskTaking #LosAngelesLifestyle #BusinessJourney

Holly Hunt, a significant figure in the interior design industry, has been inducted into the 2024 Interior Design Hall of Fame. Born in 1942 in San Angelo, Texas, Hunt initially pursued a career in fashion after majoring in English at Texas Tech. Her early professional experience included an executive training program at Foley’s, a Houston department store, and a role as an assistant buyer in millinery, followed by designing for a costume jewelry company in New York City in 1969. Hunt’s pivotal entry into the design world occurred in 1983 when she acquired R.J. Randolph, a struggling showroom at Chicago’s Merchandise Mart. She rebranded it under her own name, HOLLY HUNT, and embarked on a mission to redefine the showroom experience. Her approach was revolutionary for its time, focusing on elevating customer service, improving product display, and introducing transparency in pricing—a practice that faced initial industry resistance. Hunt curated showrooms that resembled actual living spaces, integrating architectural details, artwork, and a diverse mix of products and styles. She championed established designers like Vladimir Kagan and Rose Tarlow, while also discovering and promoting emerging talents such as glass artist Alison Berger and furniture maker Christian Astuguevieille. The company’s sophisticated branding and marketing materials were developed with the avant-garde graphics studio Thirst, all united by a commitment to superior quality. A key collaboration in the early 1990s was with French furniture designer Christian Liaigre, whose sleek, monochromatic aesthetic resonated with Hunt’s own. Hunt’s company became instrumental in manufacturing and distributing Liaigre’s designs in the U.S., influencing American interior design with rich dark woods and creamy textiles. This partnership gained significant recognition when André Balazs's Mercer Hotel in Manhattan opened with Liaigre-designed interiors in 1997. Hunt’s strategic vision extended to expanding her showrooms, notably opening one in the nascent Miami Design District in 1998. Designed by architect Alison Spear, this showroom deviated from conventional layouts, offering a luxury boutique experience accessible to all. Another Manhattan showroom, intended to open in October 2001, was successfully launched just two months after the 9/11 events, demonstrating Hunt’s resilience and foresight. She navigated the 2008 recession by restructuring her company, which led to the creation of Holly Hunt Modern, a collection that surpassed the profitability of her previous collaborations. In 2014, Knoll acquired HOLLY HUNT for $110 million. Hunt remained CEO for two years, overseeing expansions in Dallas and Los Angeles, and continued as a consultant until 2019. During this period, she undertook design projects such as a penthouse at the Surf Club in Miami Beach. Currently, Hunt leads House of Hunt, a Chicago-based interior architecture and furniture studio, engaging in projects ranging from product design, like the Dune sofa for HOLLY HUNT, to comprehensive home renovations. Her career trajectory is marked by continuous evolution and an adaptability to challenges, consistently eschewing rigid business plans in favor of dynamic engagement. #HollyHunt #InteriorDesign #HallOfFame #FurnitureDesign #ShowroomInnovation #DesignEntrepreneur #LuxuryDesign #ChristianLiaigre #DesignIndustry

Momina Watton, the visionary founder of Atelier278, shares insights into her creative journey and the philosophy behind her furniture designs, which emphasize modern aesthetics, natural materials, and meticulous craftsmanship. Watton's design philosophy is characterized by a "classic with a twist" approach, evident in her personal style and the interiors of her apartment, which combine luxurious materials like marble, linens, and velvets with contemporary chrome and stainless-steel accents, creating unexpected yet harmonious pairings. This consistent aesthetic has been a part of her life since childhood, with her interiors brand, Atelier278, solidifying these long-held inspirations. Her creativity, though not formally studied in art or design, manifested in everyday activities from a young age, such as elaborately setting tables for Saturday morning breakfasts. This innate creative drive eventually led to her career in furniture design. A significant source of inspiration for Watton is Roman architecture, particularly its enduring use of natural stone. The timeless appeal of marble columns and travertine buildings serves as a constant reminder that classic design and natural materials possess lasting relevance. This appreciation for the historical use of stone informs her contemporary pieces, ensuring they feel both ancient and modern. Watton's transition into furniture design was unexpected. Formerly working in beauty PR, the pandemic provided her with an opportunity to explore her passion for interiors. She began by sharing her interior finds on Instagram, which led to sourcing vintage marble furniture for notable figures like Bettina Looney and Suki Waterhouse. This experience eventually spurred her to design and create her own pieces. A memorable acquisition was a vintage marble coffee table, discovered in a reclamation yard, which now resides in the home of Vogue Commerce Director, Naomi Smart. This find underscores Watton's ability to see potential in overlooked objects and her talent for transforming them. Her mother's strong, independent sense of style significantly influenced Watton, teaching her the importance of authenticity in personal expression. When it comes to color, Watton expresses a deep affection for green, from vibrant matcha to earthy olive tones, valuing its versatility and pleasing aesthetic in interiors. Green onyx, in particular, is a favored material for her accessories due to its natural texture and rich color. Travel, especially to Copenhagen, also provides rich inspiration. She admires brands like FRAMA and Yonobi Studio for their immersive experiences that extend beyond mere shopping, fostering a sense of community. Collecting glassware is another passion, as Watton believes the vessel can enhance the drinking experience. Her collection spans diverse origins, from Marrakech mint tea glasses to Parisian wine glasses and cut crystal tumblers for negronis, necessitating a dedicated cabinet in her kitchen. In terms of media, she is drawn to films with exceptional art direction and escapist qualities, citing "Call Me By Your Name," "The Talented Mr Ripley," and "A Single Man" for their incredible interiors and settings. Music also plays a crucial role in her creative process, with playlists featuring artists like Arooj Aftab, Sufjan Stevens, The Cure, Mazzy Star, and The Cranberries. Cooking is another creative outlet, with her signature dish being a sea bass recipe inspired by a restaurant in the south of France. Watton holds admiration for fellow designers, particularly the team at Banda, whose interior designs she finds consistently beautiful. The work of the Bille Brahe family, including Frederik's restaurants and Sophie's jewelry, also serves as inspiration. Among her own creations at Atelier278, the Ellipse Dining Table in Unfilled Romano Travertine, designed for Rosie Huntington-Whiteley, stands out for its organic finish and statement presence. The Octavia Console is also highly popular, largely due to the demand for custom-sized console tables that are often difficult to find. Her accessories, such as coasters, are celebrated for their blend of functionality and style. #FurnitureDesign #InteriorStyle #NaturalStone #Atelier278 #DesignInspiration #MominaWatton #ClassicWithATwist #RomanArchitecture #HomeDecor

This article features an interview with Mary Graham and Nicole Salvesen, co-founders of the interior design firm Salvesen Graham, renowned for their classic-meets-contemporary aesthetic. The discussion centers around the launch of their debut book, ‘A New English Style: Timeless Interiors by Salvesen Graham,’ offering insights into their design philosophy, sources of inspiration, and fundamental style principles. The designers reflect on the book's creation process, noting that it prompted a deeper consideration of their client work, their evolution as a practice, and their aspirations for growth. They emphasize that English style is inherently dynamic, characterized by ongoing change and the layering of new elements onto existing structures. The process also allowed them to revisit earlier projects, confirming the enduring quality of their initial designs even after a decade. Addressing the balance between English style's rich legacy and contemporary relevance, Salvesen and Graham explain that they always begin by examining the building itself. This approach helps identify traditional elements to be preserved, restored, and celebrated, guiding the overall design direction. They stress that homes should be vibrant and lived-in, not static museums. To inject modernity, particularly in traditional settings, they prioritize personal belongings such as artwork, books, and object collections. They highlight the impact of combining a formal drawing room with a striking piece of contemporary art as a central feature. Regarding the influence of location and setting, the designers assert that the essence of English style is not geographically confined. It can be successfully applied globally, adapting its unique character to each new environment. They liken this adaptability to how each project differs based on individual client preferences. The core of their approach lies in the 'spirit of decorating,' which encompasses layering, incorporating antiques, and prioritizing comfort, rather than being dictated by a specific setting. Layering is a fundamental aspect of their style, and they advise confidence in its execution, suggesting that more layering often leads to better results. They advocate for a mix of patterns and plains, alongside a variety of textures, to achieve depth in a room. For instance, the light-absorbing quality of thick cotton velvet can effectively contrast with a light-reflecting chintz. They clarify that layering extends beyond fabrics to include all elements of a room: flooring, lighting, art, books, and the tones and finishes of paintwork. The aim is a considered, not necessarily fussy, aesthetic. The designers emphasize the critical role of antiques in grounding a room and imparting authenticity, advocating for pieces with clean lines and excellent proportions, whether a 1970s glass lamp or a Georgian center table paired with a modern pendant light. They advise a gradual approach to incorporating antiques, adding pieces over time until a personal balance is achieved. Their approach to color involves strategic splashes in unexpected places within traditional spaces, such as inside a larder cupboard or at the end of a corridor. They acknowledge a contemporary conservatism regarding color in homes, contrasting it with historical periods that embraced more vibrant palettes. Often, they derive color inspiration from a favorite patterned fabric, extracting various hues and applying them with differing intensities to establish a room's identity. The designers confess to occasionally bending conventional design rules in their own homes, particularly regarding pragmatic considerations like heating requirements, prioritizing aesthetics over strict guidelines. They also take a relaxed stance on rules concerning wall light height or furniture spacing, believing that comfort and intuition are paramount. Living with their own interiors has reinforced the importance of quality design and craftsmanship. They note that well-made, classic pieces provide a stable foundation around which styles can evolve, allowing accessories, artwork, and furniture coverings to change while the room's essential structure remains. This concept of 'getting the bones right' applies to architectural details, room layouts, and investment pieces. They draw a parallel to fashion, where a timeless core allows for subsequent embellishment. The concept of 'Future Heritage' means creating interiors that honor and draw inspiration from the past while integrating modern aesthetics, technologies, and lifestyles. Their designs aim to bridge historical elements with contemporary innovations, yielding interiors that are both timeless and forward-looking. Ultimately, they hope their book offers readers a versatile, approachable, and accessible guide, encouraging them to celebrate heritage without being constrained by tradition, and to confidently infuse their homes with personal expression. #InteriorDesign #SalvesenGraham #EnglishStyle #FutureHeritage #TimelessInteriors #DesignInspiration #HomeDecor #Layering #Antiques

Colton Dixon Winger, cofounder and owner of the styling agency Cuniform, has expanded his expertise from personal wardrobe curation to sustainable home design. Winger’s approach, rooted in the philosophy of repurposing existing items and sourcing vintage or pre-owned goods, mirrors his successful strategy in fashion. His venture into interior design began with "rearranging services," where he would reorganize a client's current furniture and decorative items to create more cohesive and intentional spaces. This hands-on method stems from his lifelong interest in architecture and interior arrangement, a passion he cultivated since childhood by constantly reconfiguring his own room. Now, Cuniform Interiors operates with a dedicated head of design, Bethanie Jones, and offers comprehensive services, including 3D renderings, structural modifications, and full kitchen remodels. A significant challenge in this expansion has been adapting the sustainable ethos from clothing to home furnishings, as the logistics of transporting and sourcing larger items differ considerably. However, the core principle remains consistent: prioritize what a client already possesses and, when new items are necessary, seek out sustainable and second-hand options. One notable project involved Mia Malave, a long-standing styling client of Cuniform, who sought Winger’s help when moving into a midcentury modern home in West Seattle. Malave desired an open, interconnected living space where conversations could easily flow between the living room, dining room, and kitchen. Her existing kitchen, however, was enclosed by walls and low-hanging cabinets, obstructing the desired open-plan feel. Winger collaborated with Casual Surveying Co., a local design-build firm, to dismantle these barriers, creating an open-concept kitchen furnished with midcentury-appropriate walnut cabinets and a central oak island. For Malave's guest room, Winger skillfully repurposed her existing rug, table, and other decor, augmenting them with unique finds like a vintage metal ladder from Epic Antique to serve as a blanket holder. The furniture for the ground floor was meticulously sourced, with nearly every piece being vintage or recycled. This commitment to intentional, sustainable sourcing often requires patience, as clients may need to wait longer for the perfect, ethically acquired item rather than settling for readily available new products. For instance, a Parisian desk was acquired from local antique dealer Kassie Keith, and a large bamboo dining table was found on Craigslist for a mere $100, complemented by refurbished German chairs. After several attempts to find a suitable sofa, Bethanie Jones located an investment-quality 1970s Milo Baughman piece from her warehouse, which became a central element in Malave’s living room. Malave, still searching for a coffee table, has embraced the deliberate pace and vintage aesthetic, acknowledging that her preference for timeless, well-preserved older items aligns perfectly with the midcentury character of her home. The process highlights Cuniform's dedication to functional design and conscious consumption, demonstrating that beautiful, meaningful spaces can be created through thoughtful selection and repurposing rather than relying solely on new purchases. #HomeDesign #InteriorDesign #SustainableDesign #VintageFurniture #MidcenturyModern #Repurposing #ConsciousConsumption #WardrobeCurator #SeattleInteriors

Jessica Schuster, founder and president of the New York-based design firm Jessica Schuster Design, discusses her journey into interior design, her approach to projects, and her creative philosophy. Schuster's firm handles a diverse portfolio, including residential, commercial, and hospitality spaces across the country, with notable projects such as residences in New York and the Esmé Hotel in Miami Beach. She emphasizes crafting unique spaces that balance the unusual with the familiar, maintaining a global awareness while committing to enduring interiors, defining "timeless joy" as the beauty of well-designed pieces that withstand time. Schuster initially pursued communications at New York University before earning an associate degree in interior and architectural studies from Parsons School of Design. She considers her entry into interior design as more of a natural evolution, influenced by her childhood exposure to design through her parents' home building project in Palm Beach and early internships in the field. When she established Jessica Schuster Design in 2013, she integrated lessons from previous firms, particularly the importance of operational organization, transparency with clients, and fostering a collaborative and innovative studio environment. Her creative energy is sustained through constant engagement with the world, including travel, art galleries, and design fairs, which she believes infuse fresh perspectives into each project. Schuster tailors her approach to diverse clients, ranging from families to bachelors and hospitality clients, educating them on how design can enhance their lives and create personalized luxurious experiences. She notes that each project dictates its unique palette, though she has recently gravitated towards deeper, saturated colors and the juxtaposition of contemporary pieces with antiques, such as Italian and French mid-century or Brazilian designs, to create dynamic and layered spaces. For hospitality projects, Schuster aims to create engaging spaces that spark conversation and evoke emotion. She is currently involved in a project at Windham Mountain Club in New York, where she is designing various spaces, focusing on creating a cohesive narrative while ensuring each area feels distinct. She acknowledges that both the architecture and location of a space inform her designs, but she also strives to create a sense of refuge, especially in bustling urban environments like New York, by balancing architectural elements with interiors that offer an escape. Designing her own apartment has presented a unique challenge, marked by a slower, yet rewarding, process. Her personal space has evolved into a more classical design, inspired by French classic designers and their use of timeless materials, serving as a sanctuary that reflects her current life stage. Currently, her firm is engaged in multiple projects across South Florida, NYC, the Hamptons, Malibu, and the Caribbean. Looking forward, Schuster aims to expand her portfolio further into hospitality and high-end residential design, consistently upholding the firm’s commitment to creativity, collaboration, and elevating spaces. #JessicaSchuster #InteriorDesign #DesignPhilosophy #HospitalityDesign #ResidentialDesign #TimelessDesign #CreativeProcess #ClientCollaboration #NewYorkDesign

Fanny Ward, a London-based interior designer and stylist, shares insights from her extensive career, which spans collaborations with major brands like Fortnum & Mason and Harrods, as well as designing interiors for homes, hotels in locations such as Marrakesh, St Lucia, Geneva, and even super yachts in the Mediterranean. Now in her 70s, Ward reflects on her journey into the design world, which she describes as serendipitous. Her career began after her marriage ended, working at The Dining Room Shop where she discovered a passion for visual merchandising and decorating. An unexpected feature of her home in the Sunday Express by editor Eve Pollard led to a portfolio development through collaborations with renowned photographers like Fritz von der Schulenberg and Simon Upton. Her first significant professional role was with Dulux paint, where she was responsible for promoting their color schemes. This experience, along with her innate 'eye' for design—a trait she attributes to her mother—allowed her to learn on the job and develop a practical approach to interior design. Ward emphasizes that an inherent aesthetic sensibility is crucial and cannot be taught in a classroom setting. Throughout her career, she has worked with a diverse range of clients, but a pivotal moment was her collaboration with Volga Linen and Theresa Tollemache, which led to her taking on a full-time interior design role after decorating a large estate in Scotland. Ward recounts memorable projects, including transforming television presenter Jim Davidson's house into a Moroccan casbah. This project involved extensive customisation using Arabic fabrics, unique chair coverings, abundant cushions, and MDF mouldings to create an authentic atmosphere. She highlights her unwavering passion for good lighting, advocating for 'borrowed light' techniques, as practiced by Georgians, to brighten dark spaces and uplift the mood. She strongly advises against overhead lighting in most rooms, preferring floor or table lamps, with exceptions for bathrooms, kitchens, and strategically hung chandeliers. Her design philosophy also includes tailoring her color palettes to the project's location, incorporating natural elements like lichen yellows and various greens for Scottish projects, and emphasizing textures such as tweeds and chintz to blend the indoors with the outdoors. Ward provides practical advice on furniture placement, suggesting that sofas and chairs should be moved slightly away from walls to create a more inviting space. She also champions the preservation of a building's original character, emphasizing sustainability and the importance of allowing a home's personality to evolve with its inhabitants through quality furnishings. Despite having access to high-end suppliers like Howe London, Love Your Home, George Smith, Little Greene, Annie Sloan, Lewis & Wood, and Nina Campbell, Ward also champions affordable options from Ikea and Dunelm for transforming spaces on a budget. She encourages painting old furniture to give it new life, showcasing her belief that good design is accessible regardless of financial constraints. Currently engaged in a barn conversion in Scotland, Ward expresses her love for working on projects from the ground up, meticulously drawing everything to scale to immerse herself in the design process. She finds immense joy and engagement in her work, which allows her to meet fascinating people and their stories, while also maintaining a healthy work-life balance by setting boundaries for her working hours and taking time for personal life and travel with friends and family. Her advice to aspiring designers is to gain experience by working for others and to be brave in pursuing their passions and building connections. #InteriorDesign #FannyWard #CareerHighlights #DesignPhilosophy #HomeDecor #LightingDesign #ClientProjects #Entrepreneurship #CreativeProcess

Amy Mitchell, a New Hampshire-based interior designer and owner of Home Glow Design, discusses her unconventional path into the design industry and her unique business approach centered around the concept of a 'forever home.' Initially pursuing a career as an opera singer, Mitchell transitioned through PR and marketing before discovering her passion for interior design, inspired by her childhood home's emphasis on quality and lasting design. Her parents, despite a blue-collar budget, invested in well-made furniture, instilling in her a belief that one's environment significantly impacts emotional well-being and that thoughtful purchases should endure. Mitchell's personal journey of decorating her own 'forever home' in New Hampshire highlighted a gap in the market: clients who desire quality and character in their interiors but aren't looking to spend exorbitant amounts or engage in frequent, trendy makeovers. She observed that many homeowners, particularly those in their 30s and 40s in her region, become disillusioned with disposable furniture as their families grow. These clients are ready to invest wisely but often lack the guidance to create cohesive, high-quality spaces. This realization led her to establish Home Glow Design, catering to this mid-priced market segment. Her services are designed to help clients make informed, long-term decisions about their homes. One notable offering is the 'Forever Home Road Map,' an online consultation service. This program helps clients align their personal style with their home's architectural style, especially when the two might seem disparate. It also addresses budget constraints by assisting clients in prioritizing spaces and creating a multi-year spending plan to achieve their design goals without feeling overwhelmed. This approach reflects Mitchell's own experience of renovating her home room by room over several years, guided by a clear vision. The Road Map aims to provide clients with a solid foundation and initial ideas for their priority spaces, enabling them to confidently tackle subsequent rooms. Mitchell also offers 'Forever Room Design Master Plans,' which she describes as a more personalized version of e-design, moving beyond the 'cookie-cutter' aesthetic often associated with such services. She emphasizes sourcing from a diverse range of suppliers, including trade brands and online resources, and provides detailed presentations and source lists. For clients who prefer hands-on project management, this service offers comprehensive guidance. For those seeking a fully managed experience, her 'Full-Service Design' option handles all aspects of a project. Operating in a rural New Hampshire setting presents unique challenges, such as limited access to design centers and manufacturer representatives. Mitchell compensates for this by relying on self-education, networking with metropolitan designers, and her blog, 'The Saturday Blog.' The blog, which she consistently updated for four years, has been instrumental in establishing her authority, sharing tips on investing in quality, and fostering a 'forever mentality' among readers. She uses it to address common homeowner dilemmas, such as updating knotty pine paneling without erasing a home's history, encouraging readers to balance personal style with architectural integrity. Mitchell also navigates the local 'Yankee frugality' mindset, where people often prioritize cost-saving over quality or aesthetic appeal. She combats this by emphasizing the long-term value of investing in durable, well-designed pieces and the positive impact a thoughtfully curated home has on emotional well-being. She advises clients to overcome 'money guilt' associated with discarding old, unloved items, viewing such decisions as sunk costs that free them to create a home they truly enjoy. Her pricing model, involving an hourly rate and a markup on products, is explained as a way to provide clients with high-quality results within their budget, while also covering the inherent risks and administrative efforts involved in sourcing and managing design elements. She reflects on her personal growth, prioritizing her family life and client satisfaction over an endless pursuit of more credentials or industry accolades, finding contentment in helping clients create homes they love. #InteriorDesign #HomeGlowDesign #ForeverHome #NewHampshireDesign #DesignBusiness #Edesign #HomeRenovation #YankeeFrugality

Amanda Khouri and Mary Catherine Murray, the dynamic duo behind the interior design firm Murray Khouri, have been making significant strides in the design world, undertaking projects from New York to Nashville. Their distinctive approach to interior design is characterized by a spirited and unique style that incorporates abundant layers of texture and textiles, aiming to tell a compelling design story in every space they create. Their work recently garnered national attention when they were the only Nashville-based firm to exhibit at Atlanta’s prestigious Southeastern Designer Showhouse & Gardens, highlighting their growing influence and recognition in the industry. The inspiration for their design careers stems from varied personal experiences. Amanda, always a creative individual, discovered her passion for design during the renovation of an early 1900s apartment in Washington, D.C. This experience solidified her desire to transition from a political career, where she had worked on Capitol Hill and as an in-house lobbyist for Twitter and Google. She reconnected with Mary Catherine, whom she had met years prior during a Senate Staff Delegation trip to China, and together they decided to pursue their shared dream of establishing a design firm. Mary Catherine's love for design was sparked at a young age by her grandparents' eclectic collection of global treasures, which illustrated the power of a home to narrate a life story. This early exposure instilled in her a desire to help others craft personalized spaces filled with unique items, a vision she now realizes through Murray Khouri. When asked about their favorite projects, both designers emphasized the importance of client trust and collaboration. They find immense satisfaction in projects where clients are open to their suggestions, particularly those that might initially seem unconventional or risky. These instances, they note, consistently lead to the clients' most beloved spaces within their homes, underscoring the success of their collaborative approach. Their recent participation in the Southeastern Designer Showhouse & Gardens was a significant milestone, occurring rapidly after an unexpected invitation. With only ten weeks to prepare, they chose to transform a lower porch into a space that challenged conventional outdoor design, incorporating readily available antiques and vintage pieces. Their goal was to demonstrate that antiques can be utilized in unexpected settings to create warm and inviting atmospheres, pushing the boundaries of traditional interior design. Their Showhouse space drew inspiration from their travels, particularly envisioning the breezy, open-air ambiance of an old Moroccan hotel. They aimed to create a design that encouraged connection and conversation, making bold decisions while maintaining a sense of livability and serenity. This vision translated into a space that transported guests and invited them to linger. For those seeking to elevate their homes, Amanda advises focusing on the "little things"—the details that often make the biggest impact. Mary Catherine encourages buying only what one truly loves, advocating for patience to find cherished items that bring lasting satisfaction, rather than settling for less. This philosophy aligns with their aesthetic, which Mary Catherine describes as starting with a traditional foundation, then thoughtfully layering interesting and exotic accents to create a collected, energetic, inviting, and timeless feel. In their personal homes, both designers cherish items that reflect their unique tastes and experiences. Amanda's favorite piece is a large portrait by Nashville artist Anton Weiss, admired for its colors and the mischievous expression of its subject, acquired from an estate sale—a testament to her love for finding deals. Mary Catherine is particularly fond of the whimsical chintz wallpaper by Soane in her powder room, a choice inspired by a special piece of art from Marrakesh and reminiscent of Lee Radziwill's consistent use of beloved prints. Looking ahead, Amanda is excited by trends such as authenticity, citrus colors, and increased attention to ceiling design. Mary Catherine expresses enthusiasm for the decline of the open floor plan, preferring the value of cozy, intimate spaces that offer more opportunities for unique and diverse designs. #InteriorDesign #MurrayKhouri #TraditionalDesign #HomeDecor #DesignPhilosophy #Showhouse #ClientCollaboration #DesignTrends

The article presents a curated list of the top ten design stories of 2022, as selected by Wallpaper*'s design editor, Rosa Bertoli. The year marked a significant return of design weeks and events to the global stage, fostering an environment rich with innovation and creativity. The selection encompasses a diverse range of design narratives, from exclusive interviews with prominent figures in the design world to groundbreaking projects and new conceptual spaces. One highlight includes the 2023 horoscopes by Studiopepe, which explored the zodiac signs of renowned 19th and 20th-century designers. Chiara di Pinto and Arianna Lelli Mami of Studiopepe discussed the fascinating connection between astrological traits and the design philosophies of figures like Ludwig Mies van der Rohe (Aries, 'less is more'), Verner Panton (Aquarius, visionary), and Charlotte Perriand (Sagittarius, adventurous). They also noted Ettore Sottsass, a Virgo, whose need for order in everyday life contrasted with the chaos he contained internally, offering a fresh perspective on the geometry in his work. Another significant feature was Kelly Wearstler, a prominent American designer and Wallpaper*'s guest editor for the October 2022 issue. The article delves into her Beverly Hills home, exploring her insights on technology, craft, and her extensive portfolio of interior projects. Wearstler's influence, almost 13 years after being dubbed 'the presiding grande dame of West Coast interior design,' continues to grow, marked by her bold interiors, furniture design ventures, and a substantial social media following. The Tígín Tiny Homes project by Irish social enterprise Common Knowledge presented an alternative to conventional renting solutions. These mobile small homes, whose name means 'small house or cottage' in Gaelic, are designed with thoughtful considerations and eco-conscious materials, making their building information freely accessible. This initiative aims to inspire self-build projects and offer sustainable living options without being a universal housing solution. The article also features an interview with British-Nigerian designer Yinka Ilori, held in his new London studio ahead of his first solo exhibition at the Design Museum. Ilori discussed how traditional Nigerian parables and African fabrics deeply influence his work, emphasizing the power of storytelling as a core element of his creative process. Studio Formafantasma's new Milan studio, located in Assab One, is showcased as a testament to designers Andrea Trimarchi and Simone Farresin's ability to create holistic and aesthetically pleasing designs. The studio, which doubles as an office and home, features bespoke furniture designed to adapt to the post-COVID workspace, reflecting the blurring lines between professional and domestic environments. Collaborations in design are also highlighted, such as the all-season tent developed by Icelandic outerwear brand 66 North and German innovator Heimplanet. This tent, inspired by Icelandic shelters, boasts a geodesic dome structure, inflatable framework, and robust weatherproof materials, designed for extreme conditions and accommodating up to four people. An exclusive interview with Danish designer Bodil Kjær, celebrating her 90th anniversary, sheds light on her philosophy. Kjær, who defines herself not as a furniture designer but as an 'environment designer,' emphasizes solving defined problems with creations that serve as 'elements of architecture,' rigorously considering structure, functionality, and aesthetics. Molteni & C's new pavilion complex in Giussano, designed by creative director Vincent Van Duysen, integrates hospitality into the brand's architectural history. Inspired by Luca Meda and Aldo Rossi’s original showroom, the pavilion serves as a reception, restaurant, and hospitality space, surrounded by gardens, embodying the synergy between architecture and furniture. The Terra Carta Design Lab, founded by King Charles III and Sir Jony Ive, is recognized for its commitment to regenerative design. This initiative champions young designers developing high-impact, low-cost solutions to the climate crisis, emphasizing a shift from merely sustainable practices to restorative ones. Finally, the article explores the growing movement of regenerative design, with architect Michael Pawlyn advocating for a paradigm shift from sustainable practices to actively restoring ecosystems. This approach, which aims for humans to co-evolve with nature, involves nurturing biodiversity and reducing carbon footprints in the production of homes, infrastructure, furniture, and food, emphasizing integration with the web of life rather than separation. #DesignTrends #InteriorDesign #Architecture #DesignInnovation #SustainableDesign #DesignerInterviews #HomeDesign #RegenerativeDesign #LuxuryInteriors

Traditional home design, encompassing styles from coastal grandmother to grand millennial, is experiencing a resurgence in popularity. Unlike modern or contemporary designs, traditional spaces are characterized by a soulful, rich, and warm aesthetic. Crafting such an environment can be more intricate, requiring careful attention to detail and layering. One effective technique to enhance a traditional space is through mixing patterns. Jennifer Beek Hunter, an interior designer, advises focusing on a consistent color palette while varying the scale and proportion of prints. For instance, combining a large floral chintz with a subtle pinstripe can create a fresh yet traditional feel. If pattern mixing proves too challenging, Sarah Solis suggests repeating the same patterns throughout a room or using identical patterns in different colorways to achieve a cohesive look. Comfort is paramount in traditional homes, particularly for seating. Betsy Burnham, principal designer at Burnham Design, emphasizes the importance of plush, deep, and well-tailored sofas and chairs that invite relaxation. She recommends fabrics like washed denim, Belgian linen, and cotton velvet for their appealing texture and durability, though she encourages personal preferences if other materials offer similar comfort. The goal is to create furniture that people genuinely want to spend time in. Layering furniture and decor from various eras is another key aspect of traditional design. Rita Naffas, from Rita Naffas Design, highlights that the best traditional spaces feature classic, timeless pieces that appear to have been accumulated over generations or travels. To maintain interest and relevance, she suggests integrating vintage and modern decor and art. For those without inherited pieces, antique stores and estate sales offer excellent alternatives for acquiring items with a lived-in feel. Adding a stair runner can instantly elevate traditional homes with multiple stories. Kate Marker notes that a striped or playful patterned runner introduces whimsy, while a natural jute runner provides texture and warmth underfoot. Beyond aesthetics, stair runners offer practical benefits by improving safety, especially in households with children or elderly individuals, by reducing the risk of slips and falls. Wallpaper is an essential element for embellishing traditional spaces, offering a richness and depth that paint cannot replicate. Victoria Holly of Victoria Holly Interiors explains that wallpaper, whether featuring a traditional pattern or a grasscloth texture, consistently contributes to a more traditional aesthetic. Sources like Red From Scalamandré provide a diverse range of classic yet bold prints for maximum design impact. Finally, internationally curated details are crucial for making traditional homes truly unique. Sarah Rosenhaus points out that a traditional space is defined by elements such as beautifully wallpapered walls, luxurious drapes with intricate pleats, and well-placed antique pieces. Decorative crown molding, ornate lighting, and richly patterned rugs further contribute to this layered and maximalist approach, where a “more is more” mentality often prevails. By incorporating these elements, homeowners can successfully create a traditional and inviting atmosphere. #TraditionalDesign #InteriorDesignTips #HomeDecoration #PatternMixing #ComfortableSeating #StairRunner #WallpaperTrends #AntiqueDecor #LayeredDesign

This article highlights the design philosophy and personal home of Katie Kath, an interior designer and partner at Jkath Design Build + Reinvent. Kath embarked on building her dream home with her husband, Jesse, on a double-wide lot along Minnehaha Creek, aiming to create a space that prioritizes timeless interiors, exceptional quality, and impeccable craftsmanship, moving away from a standard builder-grade aesthetic. The vision for their 4,000-square-foot home was to incorporate customized features tailored to their family of five, ensuring every detail was intentional and thoughtfully chosen. The construction of the home, which commenced during the pandemic, was completed in a swift eight months. Despite the rapid timeline, design decisions were meticulously made, with Katie acting as both the manager and client. This dual role necessitated careful attention to both major and minor details to ensure the home's enduring appeal. Key design elements on the main floor include reclaimed wood beams from Manomin Resawn Timbers and alder accents in the cabinetry, island, and built-in banquette, which together create a warm and inviting atmosphere. The cast stone fireplace surround, matching the kitchen cabinetry, serves as a contemporary focal point in the living room, with white oak flooring extending up to its base for a seamless look. The home's modern design is enhanced by black-frame windows, which are balanced with gold tones to maintain a comfortable and clean feel. The baseboards and millwork are intentionally taller than standard, adding a traditional touch. Unlacquered brass cabinet hardware from Armac Martin in London provides a desired contrast in the kitchen. Beyond the physical design, the article emphasizes that the true essence of Kath's home lies in the traditions she shares with her family, especially during the holiday season. These traditions transform the house into a cozy, safe, warm, and inviting home, fulfilling her original vision of a timeless, traditional abode with festive flair. Kath also shares practical tips for incorporating seasonal spirit into home decor without overwhelming the space or compromising on timelessness. She advises decorating for the season rather than specific holidays to allow decor to remain relevant for longer periods. Sticking to neutral earth tones for the main color scheme, with bright accents, is another recommendation. Kath suggests focusing decorating efforts on main entertaining areas, like the ground floor, and involving family in the decorating process to make it an enjoyable event. Finally, she advocates for investing in high-quality, reusable decor pieces, such as garland, and taking advantage of end-of-season sales to build a collection of timeless decorations that can be cherished year after year. #HomeDesign #InteriorDesign #TimelessInteriors #HolidayDecor #CustomHome #JkathDesignBuild #Renovation #FamilyHome #SeasonalDecor

The evolution of architectural and interior design philosophies for residential spaces demonstrates a significant shift from strict historical preservation to a more integrated approach that respects the past while embracing modern living requirements. Early movements like the heritage movement, championed by figures such as Sir John Betjeman and Gavin Stamp, instigated a radical change in how historic buildings were treated. This era saw passionate conservationists investing heavily in restoring historic houses to their original states, as exemplified by the work in Spitalfields where structures were meticulously restored and furnished to reflect their 18th-century inhabitants. However, contemporary restoration efforts have moved beyond mere historicism. The current trend is to create comfortable homes that, while sympathetic to their historical context, acknowledge the modernist ideal of a house as a 'machine for living in.' This involves a nuanced blending of styles, the incorporation of open-plan layouts, and the strategic use of modern materials such as steel and glass. These advancements facilitate improved natural light, enhanced thermal efficiency, and designs that cater to contemporary lifestyles, often with reduced domestic help requirements. This approach ensures that a house evolves with its occupants and reflects the era in which modifications are made, much like how Regency, Victorian, and Edwardian additions historically enhanced older properties. A growing number of British architects, interior designers, and builders are at the forefront of this movement. Their collective expertise, deep understanding of historic buildings, and commitment to sustainable practices are ushering in what is described as a 'golden age of restoration.' These professionals are adept at balancing the preservation of historical integrity with the integration of modern functionality. Their work includes using natural, breathable, and durable materials, alongside the installation of renewable energy technologies such as solar panels and biomass systems. This not only ensures the longevity and sustainability of the renovated properties but also addresses contemporary environmental concerns. The article highlights the importance of these innovative practitioners and their clients, whose dedication is crucial to the continued success and evolution of this thoughtful approach to home design and restoration. The philosophy extends to viewing the home not just as a static historical artifact but as a dynamic space that adapts to current needs while carrying forward its legacy. This contemporary perspective allows for a conversation between different eras, where each addition or renovation contributes to the building's ongoing story rather than freezing it in a single moment. The skilled professionals in this field are celebrated for their ability to navigate this complex interplay, creating residences that are both historically rich and perfectly suited for modern life. Their efforts underscore a critical understanding that true restoration involves intelligent adaptation, ensuring that homes remain relevant, comfortable, and sustainable for generations to come, moving beyond a purely academic exercise to a practical application of evolving design principles. #HomeRestoration #InteriorDesign #Architecture #HistoricBuildings #SustainableDesign #ModernLiving #BritishDesigners #CountryLife