ahochdrei turns a coal cellar into a home cinema in a mies van der rohe designed villa

This article explores the unbuilt architectural project, Mies van der Rohe's Brick Country House, conceived in 1923 or 1924. The project is significant as an early representation of Mies's visionary ideas regarding architectural forms and construction, influencing his later works such as the Barcelona Pavilion. Although never constructed, the Brick Country House is widely recognized, largely due to a couple of charcoal drawings: a three-dimensional sketch and a floor plan. The floor plan, in particular, has garnered considerable attention for its aesthetic qualities, reflecting Cubist spatial concepts and resembling De Stijl paintings. This drawing is often reproduced and has served as a pivotal image in architectural history, even gracing the cover of 'William Curtis’s Modern Architecture Since 1900'. The article delves into the project's historical context, noting that while it may have been a conceptual work, there is evidence Mies considered building it for himself. Both drawings were instrumental in establishing his reputation, circulating widely in modernist exhibitions across Europe and the United States. Mies's explicit aim with this design was to achieve a 'higher unity' between nature, houses, and people, challenging conventional enclosed room layouts. He stated that the design abandoned the traditional concept of enclosed rooms in favor of a series of spatial effects, where walls lose their enclosing function and instead articulate the 'house organism'. This term 'organism' is described as both ambiguous and resonant, highlighting the fluid, undefined boundaries between rooms and with the exterior. Frank Lloyd Wright's influence on Mies's work, particularly in this project, is acknowledged. The article also references Werner Blaser's later floor plan, drawn under Mies's supervision, which meticulously detailed the placement of each brick. This specific detail is presented as a post-hoc articulation of Mies's method, solidifying his approach for critics and historians. The author then describes their own model of the house, interpreting the cantilevered sections as covering patios and the closely spaced parallel walls in the largest room as enclosing stairs to an upper floor. The internal layout is characterized by a dense, defined section on the right, transitioning through a narrow middle section to a more open area on the left. This plan is noted for its precise, asymmetric logic and an energetic quality that suggests endless extension through its non-intersecting exterior walls. The three-dimensional sketch, while preliminary, appears to exclude landscaping elements like trees, emphasizing the horizontal character of the house and portraying nature as a 'sheer plane'. This creates an impression of order and serenity, but also isolation. From a practical standpoint, the design promotes an open lifestyle, facilitating interaction among inhabitants due to full visibility. The layout suggests potential uses for different areas: utility or servant quarters on the right, a library or den in the middle, and formal social spaces on the left. The second floor, being separate and private, is posited for bedrooms and other intimate spaces. Mies's original floor plan only provided general labels of 'living space' and 'service space', further underscoring the abstract nature of the design. The article acknowledges the practical conundrums of the design, such as the ambiguity of front, back, or main entrance, which could be interpreted as a deliberate rejection of conventional formalities in a country setting. The exterior walls are highlighted for their intriguing layout, creating three distinct outdoor areas accessible only through the house, implying complete dominance over the estate but lacking functional definition for these segregated yards. The author admits the challenges of completing the unbuilt design, emphasizing the need to preserve the original concept while addressing practicalities. The creation of a second-floor plan by the author involved making structural assumptions based on design guidelines rather than conventional use, aiming to maintain the open dynamics and horizontality of the original concept. The author poses open questions about resolving design and construction conflicts, the suitability of Mies's vision for contemporary society, and the enduring relevance of his artistic assumptions for architects today. #MiesVanDerRohe #BrickCountryHouse #UnbuiltArchitecture #ArchitecturalTheory #ModernArchitecture #ArchitecturalHistory #DesignProcess #ConceptualArchitecture #FloorPlanDesign

This article details an award-winning subterranean home cinema installation designed and executed by FAB Audio Visual, an St Albans-based installer. The project, which earned a CEDIA Award for Best Home Cinema under £40,000, involved converting a pre-wired basement room into a sophisticated home cinema that could also function as a family living area. The client had tight deadlines, requiring decisions on AV requirements and electrical point positioning within 48 hours of purchasing the property. A key design element for maintaining an uncluttered aesthetic was the construction of a false wall to conceal the three front speakers. Video projection is handled by a Digital Projection iVision30 projector, ceiling-mounted behind the seating area. This particular projector was selected for its high light output of up to 3100 ANSI lumens, which delivers high-quality images on the large screen, as well as its compact size and near-silent operation, eliminating the need for a separate housing cabinet. The entire room's functionality is managed through a Phillips Pronto TSU-9600 touchscreen remote, a Crestron CP2E processor, and a custom software module developed by FAB AV for seamless interface between the two systems. All primary equipment is discreetly housed within a full-height 19-inch rack located in a mechanically-ventilated cupboard at the rear of the room, further contributing to the spacious feel. The room's dual purpose for entertainment is supported by light, neutral wall tones that enhance the perception of space. The Lutron lighting system, integrated into the whole-house lighting, includes low-level floor washers beneath the screen for added visual impact. The transformation from living room to home cinema is automated: selecting a movie on the controller triggers the amplification and source equipment to power up, and the lights to dim, instantly creating an immersive viewing environment. The installation features a comprehensive kit list, including a Screen Excellence 110-inch fixed 16:9 acoustically transparent projection screen, an Onkyo PR-SC5507 AV processor, an Onkyo BD-SP807 Blu-ray player, two Sky HD receivers, and a Nintendo Wii games console. Audio components comprise Genelec AIW26 active speakers for the front, AIW25 active speakers for the surrounds, and a Genelec HTS4B active subwoofer. The Genelec subwoofer, despite its compact size, boasts a frequency range of 18-120Hz and offers adjustable controls for sensitivity, bass roll-off, and crossover phase-matching to optimize its performance within the room's acoustics. The in-wall placement of the Genelec active speakers further enhances the stealth design of the audio system, ensuring that powerful sound is heard but not seen. The control system incorporates a Kramer Sierra Pro video switcher, which is part of a broader house-wide video distribution network, allowing multiple sources in the equipment rack to be routed to the cinema. The mood lighting system, controlled by the main house system, facilitates the transition of the room from a day-to-day living space to a dedicated home cinema. This project exemplifies a successful integration of high-performance audio-visual technology with thoughtful interior design, creating a versatile and sophisticated entertainment space. #HomeCinema #AVInstallation #SmartHome #CEDIAAward #ProjectionScreen #AudioVisual #CustomIntegration #LutronLighting #GenelecSpeakers

Transforming a home into a personal screening room offers an escape from everyday reality, combining ample seating and deluxe sound systems with thoughtful interior design. This article explores 17 creative home theater ideas, demonstrating that these spaces can be as aesthetically pleasing as any other room. From Ralph Lauren's rustic Colorado residence to a luxurious film retreat in the US Virgin Islands, these examples showcase how to integrate comfort and style into a home cinema. One prominent idea is the incorporation of velvet curtains, which add a touch of Old Hollywood glamour. For instance, Ralph Lauren's Double RL Ranch features red cotton-velvet curtains around the screen, complemented by exposed wood beams, oversized textiles, and Pendleton and Beacon blankets draped over leather armchairs, creating a pastoral atmosphere. Another suggestion emphasizes matching pillows and blankets to enhance the cozy movie-watching experience. In the US Virgin Islands retreat of designers Tony Ingrao and Randy Kemper, coordinated throws and pillows on each seat elevate the comfort level, making the home theater experience superior to a public one. Creating a multipurpose space is also highlighted, where a home cinema can serve dual functions. A Brazilian villa designed by Isay Weinfeld includes a sunken seating area with shelves above the windows, functioning as both a home movie theater by night and an at-home library by day. For those seeking an authentic cinema feel, luxurious leather recliners are recommended. John Cattrell's Texas ranch features a screening room with 36 leather-upholstered, motorized seats, complete with individual cup holders, emphasizing comfort and convenience. Mixing seating options provides versatility and accommodates different viewing preferences. In Will and Jada Pinkett Smith’s Malibu residence, the screening room boasts club chairs alongside a cushioned daybed suspended from the ceiling, offering varied lounging experiences. Accessorizing with faux fur adds warmth and softness, creating a swaddled cinematic experience, as seen in Khloé Kardashian’s Los Angeles home. This encourages a relaxed environment where falling asleep during a movie is perfectly acceptable. Leaning into a theme can enhance the immersive factor, particularly for family-oriented spaces. A Connecticut home theater, designed by Theo Kalomirakis, evokes a 1950s drive-in, complete with a snack bar and theater seats modeled after vintage cars. For a touch of drama, a speakeasy-style home theater can be hidden behind a secret door. Studio Munroe designed a Bay Area home with a hidden bookshelf door leading to a dedicated home theater, expanding on a cocktail-hour vision that includes a custom wine room and lounge kitchenette. Swathing walls in upholstery improves acoustics and adds textural depth. Samantha Gallacher of IG Workshop designed a theater room as a cocooning retreat with warm neutrals and upholstered wall coverings by Élitis, softening acoustics and creating an enveloping ambiance. Building a bar area within the home theater ensures easy access to drinks and snacks, as demonstrated by Micaela Quinton of Copper Sky Design + Remodel, who transformed a basement into a vibrant media lounge with a thoughtfully designed bar. Going bold with color can make the space inviting and lively. Annsley McAleer’s family-friendly media room in a Boston suburb features soft fabrics and vibrant colors, including Sister Parish wallpaper and a fuchsia throw blanket, offering a cheerful alternative to traditional monochromatic schemes. Bringing the outdoors in, even in windowless basements, can connect the theater room to its surroundings. Rumor Designs’ Anglers Retreat project in Colorado uses neutral tones and cozy textures, combined with a custom wet bar, to make the space feel both comfortable and high-performing. Adding ambient lighting, such as dimmable lights on shelves and media units, infuses subtle personality and aids navigation, as seen in a Miami home theater by House of One, which features vibrant blue suede wallpaper and harmonizes with an outdoor water feature. Finally, stadium seating maximizes space and comfort in larger home theaters. Amy Storm & Company designed a theater with tiered seating, deep sofas, and ottomans, accommodating multiple groups simultaneously. Fabric-wrapped acoustic panels and wool carpeting further enhance the sound experience. Swapping armchairs for daybeds promotes relaxation and shared enjoyment. Banda Studio’s London cinema room, designed for around 20 people, features playful oversized daybeds and sconce lights for a warm, moody ambiance. Reeded wall panels offer a modern, textural element in minimalist home theaters, like one by JFY Designs, which incorporates walnut reeding and double chaises. Creating a hub for movies and memories involves personalizing the space with movie posters and memorabilia, such as the Lego collections in a home theater by New Age Interiors, turning the room into a nostalgic journey. #HomeTheater #InteriorDesign #HomeDecoration #LuxuryLiving #CustomDesign #EntertainmentSpace #CozyInteriors #ModernLiving #ResidentialDesign

This article details the seven-year restoration project undertaken by Gustavo Antonioni, a former Hollywood executive, to transform an 18th-century nobleman's villa, Masseria Partemio, in Puglia, Italy, into a stylish and soulful home. Antonioni, a cosmopolitan individual born in Argentina to Italian and Greek parents and raised in Mexico, moved to the U.S. in the early 1980s. After falling in love with Puglia's raw beauty during a visit in 2010, he decided to pursue a career change and search for a property in the region. The villa, located in Latiano, was a derelict masseria (agricultural estate) spanning over 40 acres, which had been vacant for nearly five decades and was inhabited by approximately 200 goats when Antonioni first encountered it. The property lacked basic amenities like electricity, heat, and running water, and its structure was in a state of decay, with no foundation, floor tiles, or windows. Despite its dilapidated condition, Antonioni was captivated by the estate's energy and historical significance, noting its unique blend of Spanish, Greek, and Italian architecture. The property, Parts of the Palladian structure date to 1753, when it was built as a hunting lodge, while sections of it, including a Moorish-style tower, were added in the mid-1800s. It was later owned by Benedictine nuns and then a wealthy family. The acquisition process itself was challenging, as the property was not initially for sale and was entangled in family disputes common to historic properties in Puglia. Antonioni finally closed on the property in June 2017. Antonioni, who holds a degree in architecture from Carnegie Mellon and has experience with renovations in London, Miami, and Los Angeles, was drawn to the historical preservation aspect of the project. He collaborated with local architect Maria Formosi, known for her work on churches in southern Puglia, to navigate the region's strict rules for renovating historic buildings. The restoration aimed to integrate ancient elements with contemporary desires, respecting traditional materials and building techniques. For instance, the distinctive Pompeian-red and ochre-yellow facade colors were recreated using traditional methods, including boiling animal bones and mixing the paste with ferrous oxide. Inside, the renovation revealed striking blue frescoes beneath layers of calcium paint, commonly used as a disinfectant. The 13 vaults of the house, each forming an eight-pointed star, had to be reinforced. Antonioni opted for contemporary flooring, using terrazzo made from marble chips and cement, and traditional cementina tiles in the entry. The decor features a seamless blend of local crafts, linen upholstery, and Antonioni’s personal art collection. Significant structural changes included combining four small rooms into a large living area and converting the eastern stable into suites using recycled materials, and the western stable into a modern kitchen and dining room with stainless-steel counters and custom oak tables. The project, initially estimated to take three years, extended to over seven due to challenges such as conflicts with contractors, pushback from city officials, and the global pandemic. Antonioni temporarily left for two years to work remotely in the Netherlands before returning with a more relaxed approach to complete the renovation. The property now features a unique swimming pool inspired by 1970s Capri, and the Moorish-style tower serves as a social hub for gatherings. Antonioni moved into Masseria Partemio in June 2024 and plans to convert a smaller structure into a guest house and operate the estate as a luxury bed-and-breakfast, embodying the Italian saying, “Slowly, slowly, you will go far.” #Puglia #Italy #HistoricRenovation #VillaRestoration #MasseriaPartemio #HomeDesign #ItalianArchitecture #GustavoAntonioni #LuxuryRealEstate

Ben Ratossa and Adam Perry purchased their 2,645-square-foot, 1951 Avondale Estates cottage in 2016, with plans for extensive renovations. Both being over 6 feet tall, they found the existing second floor, a finished attic with low, slanting ceilings, largely dysfunctional, especially the cramped master bathroom. Their initial renovation in 2016 focused on the bottom floor, opening up spaces and completely redoing the kitchen. This involved removing walls, restructuring the roof, and replacing interior and exterior elements. In 2019, they embarked on a second major renovation for the top floor, aiming to raise ceilings and expand the living areas to better suit their needs. The project adhered to the Avondale Estates Historic Preservation Commission guidelines. The couple worked with architect Allyson McCarthy of Truco McCarthy and builder Jessica Murphy of Her Cave Atlanta. The renovation team completely rebuilt the second floor, adding dormers and raising the ceilings to create a more functional layout, including an 8-foot-long shower in the master bathroom. The home now features a chic transitional style with industrial touches and warm woods. Key design elements include exposed architectural beams, wooden and metal railings, and a mix of materials. The kitchen, a focal point for Ratossa (who loves to cook) and Perry (who enjoys baking), boasts a spacious, uncluttered island topped with Polarstone Carrara Quartz counters. Bright white ice beveled ceramic wall tile and perimeter cabinets in alabaster-painted maple provide clean lines, complemented by Brazilian walnut floors and island cabinets in a riverwood finish. A custom barn door by Jessica Murphy allows the breakfast nook to be closed off. Throughout the home, Sherwin Williams Morning Fog paint creates a soft, versatile background, appearing differently in various lighting conditions. Personal touches are evident in areas like the entryway, where a gallery wall displays collected items representing their lives, including wooden clocks in the shape of states they've lived in and a sentimental turtle lamp from Ratossa's youth. The living room features a sofa from Ashley HomeStore and art from Finders Keepers Consignments, along with an Oriental rug from Sharian Rugs, creating a comfortable seating area. The master bedroom is strategically placed at the central peak of the roof, with newly raised, slanting ceilings planked with stained cedar, matching the vanity in the master bathroom and the home's exterior cedar. Perry's office, one of the few rooms not structurally altered, maintains its cozy, low-ceiling character. Ratossa's office is situated in one of the newly added dormers. The upstairs guest bath showcases a vibrant Stratford decorative porcelain tile floor and blue shower tiles, a departure from their usual neutrals, complemented by a dark navy floating vanity. Practicality is also considered, with an adjustable bed in the master bedroom and a conscious effort to keep spaces clutter-free for visual clarity. The home now offers five bedrooms and three bathrooms, reflecting a thoughtful blend of style and functionality tailored to the owners' preferences. #HomeRenovation #AvondaleEstates #IndustrialDesign #TransitionalStyle #KitchenRemodel #MasterBathroom #InteriorDesign #CustomWoodwork #HistoricPreservation

This article details the comprehensive renovation of a 1889 brick-and-brownstone row house in Minneapolis, which was previously gutted in 1979 and converted into condominiums. The homeowner, Seth Goodspeed, sought to blend historic elements with modern functionality in his 1200-square-foot condo, occupying half of the second floor and the entire top floor. He enlisted David Heide Design Studio, valuing their creative problem-solving and artistic finesse in tight spaces and their respect for the building's architectural heritage. The 1979 renovation had drastically altered the interior, removing original woodwork and plaster, and converting the space into an open-concept layout with an unusual third-floor balcony opening to the dining room. The only original feature remaining was the staircase, with its balustrade hidden behind knee walls. Goodspeed and the design team opted not for a strict historical recreation but rather to redefine the condo with a clear floor plan, incorporating historically accurate elements that nod to the building's age while accommodating contemporary living. Significant improvements included adding a closed utility/storage room, relocating a bedroom door to create a more public den/TV room, and, notably, filling the floor gap that created the odd balcony, thereby adding 40 square feet to the dining room. Historical character was restored through the replacement of hollow-core doors with paneled oak doors featuring Emtek hardware, the addition of an arched opening reflecting original brickwork, and the reintroduction of period-appropriate millwork, painted black for a modern contrast. Financial resources were strategically allocated, allowing for some splurges like a checkerboard marble surround for a new gas fireplace, while incorporating budget-savvy solutions such as the homeowner-installed black IKEA kitchen. The designers subtly enhanced the IKEA kitchen to give it a custom, built-in appearance. Other thoughtful details included a unique obscure plate glass "shower door" on the bathroom window for privacy and light, and the careful sourcing of vintage and antique lighting fixtures from various regional shops. The project earned David Heide Design Studio the 2019 ASID MN Design Excellence Award for Historic Restoration/Preservation. A considerable portion of the article is dedicated to discussing the exposed brick walls, a feature inherited from the 1979 renovation. While traditionally frowned upon by preservationists due to potential issues like dust, spalling, and reduced insulation, the design team embraced this existing condition. The article acknowledges the historical debate surrounding exposed brick, particularly in old homes where plaster was often removed for a minimalist aesthetic in the 1970s and 80s. However, it also notes a shift in contemporary taste, where exposed brick in well-maintained conditions is now appreciated for its warmth and texture, especially in adaptive reuse projects. In Goodspeed's condo, the exposed brick walls were found to be well-laid and sound, contributing to the home's charm despite some thermal fluctuations and a lack of sound dampening. The project aimed to interpret, rather than strictly restore, the poorly executed 1970s condo conversion, integrating the client's extensive art collection, which is often juxtaposed against the historic elements of the house. #HomeRenovation #HistoricPreservation #MinneapolisRowHouse #InteriorDesign #AdaptiveReuse #DavidHeideDesignStudio #ExposedBrick #PeriodAccents #ArtCollection

Meredith Rothman, a manager at Anonymous Content, initially envisioned a Spanish Revival home but was drawn to a modern, boxy house in Beverly Hills due to its floor-to-ceiling windows, natural light, and canyon location, which evoked childhood memories. She sought the advice of interior designer Lauren Waters, who convinced her of the property's potential as a "wonderful blank canvas for intriguing furniture and great art." This affirmation led Rothman to purchase the 2,500-square-foot spec house and commission Waters to transform it into a personal retreat suitable for entertaining and showcasing her art collection, which includes works by Analia Saban, John Baldessari, and a charcoal drawing by her grandmother, Luddie Waters. Rothman emphasizes the importance of collecting art by artists she connects with. The primary bedroom, located on the top floor, is designed as a serene space, featuring a custom wall-to-wall upholstered headboard and large windows offering views of the lush hillside and a 200-year-old oak tree, creating a treehouse-like ambiance. Waters initially advocated for a neutral palette, a decision Rothman now credits for improved sleep quality, with a rust velvet bench from Lulu and Georgia providing the only prominent color accent. A second bedroom on this floor has been converted into a gym. On the main level, a previously clunky electric fireplace with crystals was replaced by an open bookcase. This new feature serves to divide the dining and living areas while also providing a display space for Rothman's dishes, books, and art objects, such as a sculpture by Lauren Tsai and ceramics by Cody Hoyt. The kitchen underwent updates including brass hardware from Rejuvenation and cabinets painted in Farrow & Ball’s Railings, a soft black with blue undertones, to inspire Rothman's culinary pursuits. The living room is furnished with a custom sofa, inspired by Adrian Pearsall's cloud design, upholstered in cream bouclé and adorned with ball pillows made from vintage silks. Complementary pieces include a vintage French standing lamp and a Charlotte Perriand stool. John Baldessari’s screenprint, _Two Sunsets (One With Square Blue Moon)_, hangs above a vintage woodworking table from Amsterdam Modern, which functions as a credenza. Sliding doors connect the living room to an outdoor area featuring a vintage André Dubreuil wrought iron Spine chair. Notably, Rothman opted against placing a television in the living room, desiring a more meditative space conducive to conversation, while a custom sectional in Erica Shamrock rust velvet in the home's ADU is dedicated to movie and series watching with her husband, Jamie Iovine, co-founder of NTWRK. Vintage Benny Linden teak chairs, reupholstered in Zack & Fox fabric, surround a concrete table from Restoration Hardware, creating an inviting workspace. Rothman, who once preferred Spanish Revival, now finds her modern home perfectly suited to her lifestyle. #HomeDesign #InteriorDesign #HollywoodHomes #SpecHomeRenovation #ModernHome #ArtCollection #LuxuryLifestyle #BeverlyHills

This article details the renovation of a late 19th-century row house in Red Hook, Brooklyn, a project spearheaded by architect Allison Reeves of arDesign as her first solo endeavor. The homeowners initiated the renovation by demolishing many of the small, dark rooms, setting the stage for a comprehensive gut renovation. The building, which had not been updated in decades, was transformed into a single-family residence, with an open-plan living room, kitchen, and dining area situated on the top floor to maximize natural light and views of the skyline. Reeves' design philosophy for this project centered on a modern yet warm aesthetic, emphasizing natural materials and a balanced palette. The extensive demolition provided an opportunity for selective rebuilding, allowing the architect to integrate elements like bare brick and wood, which contribute significantly to the interior's warmth and character. A major structural change involved the complete removal and reconstruction of the rotted, sloping roof. Reeves implemented a distinctive "double flat roof" design, featuring a higher front section, a lower rear section, and a new clerestory window in the middle. This innovative roof structure visually enhances the sense of space while only minimally increasing the building's overall height. Material selection played a crucial role in achieving the desired aesthetic. The homeowners sourced reclaimed barn wood from a Pennsylvania company, which was subsequently used for the new ceiling and roof beams on the top floor, as well as for the flooring throughout the house. General contractor John Fasano oversaw the construction process. The exterior underwent significant changes, including the replacement of the original, deteriorating brick with new black brick. A striking design feature is the large, slanted window on the front facade, strategically punched out and tilted to optimize natural light and views, and which also functions as an interior window seat. The installation of new triple-glazed European windows, including casement and tilt-and-turn styles, further enhances energy efficiency and aesthetic appeal. Inside, the existing brick was cleaned and left exposed, complementing the homeowners' collection of vintage Danish modern furniture and a sofa from Design Within Reach. Reeves provided the kitchen layout, with the homeowners collaborating with a kitchen company for appliance, cabinetry, and finish selections. The original steep and narrow staircase was replaced with a new one in the same general location, featuring oak treads made from the reclaimed barn wood. Eidan Dehri was responsible for the custom steelwork, including the railing. A glass panel in the floor allows light from a large skylight and glass doors on the roof level to filter deeper into the house, contributing to a brighter interior. The staircase extends to the roof, where a deck was installed. Mindful of previous storm damage, particularly from Hurricane Sandy, a bulkhead was incorporated to house the home’s mechanical systems, such as the hot water heater, air-conditioning condensers, and manifolds for the radiant heating system installed under all floors. The ceiling beams on the second floor, which contains two bedrooms and a bathroom, were retained as original features, preserving a connection to the house's history. Lesley Unruh provided the photography for the project. #RedHookRenovation #AllisonReeves #arDesign #ReclaimedWood #ExposedBrick #ModernDesign #RowHouseRenovation #BrooklynInteriors #NaturalMaterials

This article features the renovated Victorian villa of interior stylist Bea Lambos, located in Melbourne’s south-eastern suburbs. Built around 1890, the four-bedroom house, complete with a pool, became home to Bea, her husband Peter, their children Grace (23) and Will (20), and their dog Freddie, in 2020. The villa was already in excellent condition when purchased, allowing Lambos to focus on softening its aesthetic through strategic design choices. She introduced wall colours, floor-to-ceiling sheer curtains, and a significant collection of art to imbue the home with a personal touch. A key element in the home’s transformation is a red sideboard in the hallway, custom-designed by Lambos with Nick from Float Joinery, featuring Porter’s paint colours and a Cadrys runner. The study stands out as a favourite room, serving as a versatile space for work-from-home activities and a quiet retreat. It includes two work zones and a window seat, which Lambos highlights as perfect for weekend siestas and frequently used by all family members, including Freddie. The window seat cushion, made by Harbro, is crafted from plaid with a strong UV rating to withstand direct sunlight. The study also accommodates a round desk from IKEA, adapted for Lambos’s use, alongside a painting titled 'Elvis in Drag' by Nick Osmond. Throughout the house, art plays a crucial role in defining the atmosphere. An artwork by Aubrey Tjangala is displayed alongside a mesh cupboard, which Lambos appreciates for offering glimpses of the treasures within. In the lounge, a print by artist Elsbeth Shaw complements a mix of old and new furnishings, including a glass coffee table from Curated Spaces and a rug from Loom. These selections reflect Lambos's skill in blending contemporary finds with the Victorian charm of the villa. Lambos shares insights into her design philosophy, advising others to observe their home’s inherent beauty over a season or two before making significant decorating decisions. This patient approach allows for a more considered and harmonious integration of additions and subtractions. Her future plans for the villa include potentially adding new paint colours to a ceiling or two, but she expresses contentment with the current state, describing it as having reached a “gorgeous, sweet spot.” The article also touches upon Lambos's local recommendations, including Riserva for Italian food, Millstone Patisserie for coffee, and In Good Company for home and decorating items, providing a glimpse into her lifestyle and local community. Her design approach exemplifies how thoughtful interior styling, combined with a curated selection of art and furnishings—even those from accessible retailers like IKEA—can transform a well-maintained property into a personalized family haven. #VictorianVilla #InteriorStyling #HomeRenovation #ArtIntegration #FamilyHome #BeaLambos #HomeDecor #IKEAFinds #MelbourneHomes

The article showcases the Martha's Vineyard home of Seth Meyers and Alexi Ashe, designed by Ashe Leandro, an interior design and architectural firm. This property is one of eight featured in the firm's new book, "Ashe Leandro: Architecture + Interiors." The design of the home, completed in 2022, was largely a carte blanche project for the designers, Ariel Ashe and Reinaldo Leandro, given their prior collaborations with the couple. The house is situated in Chilmark on Martha's Vineyard, adjacent to Ashe's parents' summer home. The exterior of the barn-like structure features bright cedar planks, chosen for a modern aesthetic over traditional cedar shingles, which are expected to weather to a grey tone characteristic of Martha's Vineyard. The home's frame utilizes reclaimed timber, intentionally left exposed inside to provide an aged patina that belies the new construction. Outside, artfully placed boulders, original to the property, and a traditional New England stone wall complement the natural surroundings, reflecting the area's farmland aesthetic. Due to Chilmark's strict building codes limiting size and footprint, the designers created an open-concept main floor with a double-height living room. A prominent limestone, wood-burning fireplace serves as the central anchor, extending to the barn-style beams above. A moody grey limewash treatment on the overmantle adds a touch of sophistication. The flooring transitions from grey stone tiles to French oak floorboards, leading to the kitchen. The kitchen is centrally located and designed to blend seamlessly with the living space, appearing more like a wall of built-ins than a conventional kitchen, complete with a camouflaged refrigerator and sink. The black cabinetry is a nod to the family's Manhattan home, also designed by Ashe Leandro, which reportedly popularized black kitchens. The home emphasizes communal dining, offering multiple dining areas: a smaller breakfast nook with antique Gustavian chairs and a Carlo Scarpa light fixture, and a larger dining area with Scarpa dining chairs and picture windows offering an outdoor dining sensation with views of the oak grove. For actual outdoor dining, a covered porch and a secondary outdoor space with a fireplace by sculptor Eben Armer, crafted from local boulders, are available. Upstairs, arched doorways lead to bedrooms with subtle nautical themes. The boys' room features a porthole-esque window providing a view of their grandparents' home, and an upcycled porthole serves as their bathroom mirror. Vibrant red bunk beds add color against a backdrop of earth and wood tones, furnished with antique pieces. The overall design embraces aged designs typical of Martha's Vineyard but with a sparse, oversized furniture arrangement that fills the space without clutter. Notable interior elements include an unfinished 17th-century Portuguese silk tapestry in the primary bedroom and a repurposed hulking burled wood secretary desk serving as a bar, stocked with Alexi's collection of silver-plated Gucci Stirrup Cups with Elk Head. Small, impactful touches are found throughout, including a sconce from a Parisian flea market in the powder room and miniature oyster paintings. The designers and family agree that the home truly comes alive when filled with people, particularly during mealtimes and gatherings, fostering a vibrant, family-centric atmosphere. #Martha'sVineyardHome #AsheLeandro #InteriorDesign #ArchitecturalFirm #SethMeyers #AlexiAshe #LuxuryHomes #ModernFarmhouse #ReclaimedMaterials

This article details the development and installation of a dedicated home cinema room by Cinema Rooms for a client in 2019. The client, a known home cinema enthusiast, sought to create a bespoke viewing experience, drawing inspiration from a prior visit to the Artcoustic showroom. The project faced initial delays due to the COVID-19 pandemic, which impacted material availability and construction schedules for the wider home renovation, allowing the first-fix for the cinema room to commence while other parts of the house were being completed. The technical design phase focused on acoustics and equipment integration for the 7 x 4m room. A bass simulation was conducted to determine the optimal subwoofer placement and quantity to achieve Dolby’s 115db reference output. This analysis led to the decision to install four subwoofers: two Artcoustic Sub 3 units (each with two 10-inch long-throw woofers) at the front and one Artcoustic Sub 4 unit (featuring four 10-inch long-throw woofers) for the overall bass response. The client's preference for 3D movies, particularly after the release of new Avatar films, necessitated a projector with 3D capabilities and sufficient 3D glasses for the seven planned seats. Space constraints for air conditioning, due to a bar area and hidden projector, were addressed by utilizing the projector’s lens shift capability to offset its position, allowing a ducted air conditioning unit to be integrated within the bar area. The construction process involved building out the screen and side walls. The screen wall was extended by 300mm to create a carcass for housing the Artcoustic LCRs and a central subwoofer, with the void filled with rockwool for sound insulation and then clad with OSB. Similar, smaller carcasses were built into the side and back walls for the surround speakers. A dropped ceiling was installed to create a coffer at the front of the room, again incorporating rockwool and OSB cladding. A bespoke bar cabinet was constructed along the back wall to discreetly house the AV rack, projector, and air conditioning unit, complete with antique mirrors, LED lighting, and a custom grill for the projector. A stage was also built to elevate the second row of seating, ensuring optimal viewing angles. Window and curtain coffers were lined with the same material as the bar and stage step cladding to maintain a cohesive aesthetic throughout the room. To enhance acoustic quality, 12mm foam was applied to the walls and ceiling, over which acoustically transparent fabric was stretched to create a seamless finish. The majority of the fabric was navy blue, complemented by a contrasting gold feature band. A starscape ceiling was installed within the ceiling coffer, with its perimeter matching the material used for the bar, window liner, and stage cladding. Post-fit-out, the equipment was installed and calibrated, with multiple subwoofers strategically placed to mitigate room modes identified during the design phase, resulting in an exceptionally flat bass response across all seating positions. The system achieved the capability to deliver Dolby's reference bass levels at 115db, extending below 20Hz. The installed equipment included a Sony VPL590 projector, chosen for its picture quality, lens shift, and 3D functionality. The client's existing Oppo Blu-ray player was integrated, alongside a Zappiti Neo with NAS SE for movie versatility. A Starscape Infinity modular star panel system and Rako lighting control were incorporated to enhance the room's ambiance. Seating consisted of two rows of FrontRow Serenity chairs, with the middle front pair offering a lounger option. The client expressed high satisfaction with the outcome, particularly praising the thoughtful design, exceptional sound, and overall aesthetic. The room was named "The Majestic," a homage to a movie about an old, restored cinema, reflecting the client’s passion for film. #HomeCinema #AcousticDesign #SmartHome #CustomInstallation #AudioVisual #InteriorDesign #LuxuryCinema #ProjectManagement #SoundCalibration

Mecanoo designed 'Villa Vught,' a remote residence in the Dutch countryside, by reinterpreting the traditional Dutch farm typology, known as the 'hoeve.' This traditional form consists of farmhouses and living quarters loosely arranged around a central courtyard, which provides a protected yet open space connected to the surrounding landscape. This spatial arrangement informed the villa's configuration, which distributes its functions across three distinct volumes, creating the impression of a small village. Two of these volumes are designed as gabled barns, seamlessly integrating with the gardens. The third, taller volume contrasts with these and offers expansive views of the surrounding landscape. This prominent structure houses the master bedroom on the ground floor, children's rooms on the upper floors, and a roof terrace, optimizing the scenic vistas. One of the barn-like volumes contains the main living areas, including a living room, a kitchen with a dining space, and a large veranda oriented towards the south-west. The first floor of this barn features a workspace and a playroom. The second barn is dedicated to a cooking studio, equipped to host up to 20 participants for culinary classes, workshops, and team-building activities, catering to the client's interests. Adjacent to the cooking studio are a garage, a storage area, and a guest suite located on the first floor. The layout strategically connects the residential functions while preserving the detached character of a traditional farmstead. A half-sunken corridor, ingeniously concealed beneath a grass mound, creates a discreet link between the taller volume and the main living barn. In contrast, the barn housing the cooking studio and guesthouse remains completely detached, ensuring unobstructed sightlines from the central courtyard to the picturesque landscape. The architectural design of Villa Vught extends its homage to the farmstead typology through its construction and material choices. The exterior is clad in dark bronze anodized aluminum, profiled to mimic the corrugated iron roofs commonly found on nearby farm buildings. This cladding extends from the façade to the rooftop, creating a cohesive aesthetic. The window frames, traditionally brighter, feature a lighter bronze aluminum finish, providing subtle contrast. Each building thoughtfully frames views of the adjacent farmlands, offering curated scenes of the natural environment. The interior and structural elements heavily feature wood, specifically cross-laminated timber for the structure and European silver fir for interior surfaces, chosen for its sustainability and warmth. The villa boasts an energy performance coefficient (EPC) of 0.26 and utilizes electric heat pumps for both heating and cooling, underscoring its commitment to energy efficiency. The project, designed between 2016 and 2018, was realized between 2018 and 2019, covering an area of 683 sqm. #VillaVught #Mecanoo #DutchArchitecture #FarmhouseTypology #SustainableDesign #ResidentialArchitecture #CountrysideLiving #ArchitecturalDesign #Netherlands

The Villa Veth, designed by Rotterdam-based 123DV Architects, is a contemporary residential structure located in Hattem, a wooded suburb of Zwolle, Netherlands. This project adheres to the studio's characteristic design philosophy of creating pristine white buildings situated within natural, verdant landscapes. The villa is notably positioned above a utility room and a car-port, with a direct staircase providing access to the entrance hall. The architectural design emphasizes functionality and aesthetic integration with its surroundings. The lower level, which includes the utility room and car-port, is subtly rendered in a dark color to help it blend seamlessly with the natural environment. The primary living spaces and bedrooms are situated on the first floor. This floor features an L-shaped arrangement of private areas, encompassing two studies, a music room, four bedrooms, and a master suite. These private quarters are intelligently separated from the main living area by an internal wall of integrated cupboards, offering both privacy and efficient space utilization. The main living space of Villa Veth is characterized by its bright and open design. It is enveloped by seamless, curved glass walls that offer expansive views of the exterior wooden decking and the surrounding trees, fostering a strong connection between the interior and the natural outdoor setting. The entire first floor is unified by a polished concrete floor, which creates a sleek and continuous surface throughout the space. Elements such as the integrated kitchen worktop, prep area, and breakfast bar are designed to appear as if they are floating, contributing to the villa's modern and minimalist aesthetic. The dining, cooking, and sitting areas form a single, spacious, south-facing zone. This large open-plan area is complemented by an over-sailing rectangular roof, which provides shaded and covered sections for the wraparound terrace. This design choice extends the usable living space outdoors, allowing residents to enjoy the terrace in various weather conditions. The kitchen itself is described as sleek and contemporary, aligning with the overall modern design of the villa. The master bathroom also reflects this contemporary design language. Ellie Stathaki, the Architecture & Environment Director at Wallpaper*, reviewed the villa. Her expertise as a trained architect and established journalist, with a focus on global architecture and leading architects, provides a credible perspective on the design. The article highlights Villa Veth as a significant addition to the modern residential architecture scene in the region, showcasing 123DV Architects' commitment to purist design, functional layouts, and harmonious integration with nature. #VillaVeth #123DVArchitects #NetherlandsArchitecture #ModernResidential #ContemporaryDesign #ArchitecturalInnovation #Hattem #ArchitecturalPhotography

Ren von Hasseln and her husband, Kyle, sought a new home in Ojai, a town two hours north of Los Angeles, driven by the escalating costs of living in their previous city. They discovered a run-down ranch house, which presented an opportunity for Ren, a ceramicist, to apply her artistic skills and personal touch to a home renovation. The project focused on transforming the midcentury structure, blending its original character with modern aesthetics and functionality. The renovation journey involved an extensive hands-on approach, particularly from Ren, who integrated her craft into various aspects of the house. This included the use of colorful brick for exterior and interior elements, handcrafted tiles that added unique textures and patterns to bathrooms and kitchen spaces, and the incorporation of glazing techniques throughout the design. The aim was to create a vibrant yet cohesive living environment that reflected their personal style and Ojai's relaxed, New Age-inspired atmosphere. The initial state of the ranch house required significant structural and aesthetic improvements. The couple undertook the challenge of modernizing the home while preserving its midcentury essence. This balancing act involved careful selection of materials and finishes, ensuring that each addition complemented the existing architecture. The project served as a creative outlet for Ren, allowing her to experiment with various design elements and bring her artistic vision to life within their living space. Throughout the renovation, the focus was on creating functional and aesthetically pleasing spaces that would cater to their lifestyle. The integration of unique, handcrafted elements distinguished their home from typical renovations, imbuing it with a sense of individuality and warmth. The transformation of the midcentury ranch into a personalized haven in Ojai highlights the potential for artistic expression in home design, demonstrating how personal skills and passions can be woven into the fabric of a living environment. The project ultimately resulted in a home that not only met their practical needs but also served as a testament to their dedication and creative collaboration. #HomeRenovation #MidcenturyModern #Ceramicist #OjaiLiving #HandcraftedTile #ArchitecturalTransformation #DIYHome #InteriorDesign #CaliforniaHomes

AOC, a London-based architecture firm, has extensively remodelled an Edwardian semi-detached house in Golders Green, North London, transforming it into a family home known as the Hearth House. The project aimed to update a property that had remained largely untouched since the 1940s, addressing its previous issues of being dark, spatially undifferentiated, and retaining the residue of past residents. The clients, a couple with three teenage sons, sought a home tailored to their specific needs, enabling the potentially separate lives of the family members to coexist harmoniously and beneficially. The design process began with a 'spatial constitution' developed through conversations, acting as a bridge between the family's evolving needs and a concrete three-dimensional architectural proposal. The renovation significantly increased the usable floor area by 20% within the existing building footprint and dramatically re-ordered the internal spaces. A key design element is the introduction of a triple-height space that brings natural light into the previously dark, north-facing rooms. At the base of this light-filled void, a heated poured concrete hearth and a matching stair serve as a relaxed central hub for family life, suitable for both active and leisurely use. The concrete surface of the hearth and stair incorporates a parquet pattern, echoing the reclaimed chevron parquet flooring elsewhere in the house, thereby connecting an unfamiliar material with domestic and historical associations. Externally, the house maintains a familiar appearance, yet its character is subtly altered. Existing openings were retained, but all doors and windows were replaced with black-stained timber frames and single panes. This change enhances the perceived weightiness of the facade, shifts the scale to that of a larger dwelling, and significantly increases natural light penetration. The ground floor now features a series of open-sided rooms, designed to be visually connected by long sightlines while remaining distinct enough to accommodate various simultaneous activities, such as dinner parties, musical practice, and homework sessions. Upstairs, the layout reverts to a more traditional cellular form, providing private spaces for each family member. Thoughtful integration of nooks, internal windows, screens, and openings ensures that family members can easily engage with communal areas while maintaining their desired level of privacy. The staircase design is particularly innovative, combining multiple styles to meet both functional and aesthetic requirements. It features a Victorian-moulded timber balustrade for a formal ascent, a laser-cut plywood balustrade offering a more enclosed path to the bedrooms, and a modern open-tread steel stair leading to the attic, which maximizes natural light from above and creates a sense of lightness. Throughout the home, traditional domestic elements are re-appropriated for new uses; for example, stair balustrades support a desk, picture frames function as wardrobe handles, and a skirting board becomes a handrail. This collage of new and repurposed elements is unified with the existing structure through a consistent application of warm off-white paint, giving the home a sense of instant maturity and cohesion. #AOCArchitects #HearthHouse #EdwardianRenovation #LondonArchitecture #InteriorRedesign #ConcreteHearth #PlywoodStaircase #NaturalLight #FamilyHome #SuburbanRenovation