Atlanta couple turn home’s outdated, choppy floor plan to flowing, modern motif

Lindsey and Ruth, a couple from Teesside with two young children, Aria and Ivy, faced significant challenges with their home's layout before renovation. The existing structure featured a cramped living room, kitchen, and dining room, offering limited living space and minimal storage. A major inconvenience was the tiny hallway at the entrance, which opened directly onto the stairs, making it difficult to maneuver a baby stroller and causing a bottleneck for entering and exiting the house. Furthermore, the cloakroom's location near the kitchen meant traversing the entire house to store coats and shoes, highlighting a general lack of practicality in their living arrangement. Despite having a beautiful garden, the house's internal design failed to optimize its potential or cater to the needs of a growing family. The couple allocated £52,000 for the renovation, surpassing their initial budget of £40,000, after securing design proposals from architects Laura Jane Clark and Robert Jamison on the BBC2 show 'Your Home Made Perfect.' They were particularly drawn to Laura Jane Clark's design, which promised to transform their disjointed dwelling into a cohesive, open-plan space. The core of Clark's innovative approach involved relocating the staircase to the left, which dramatically opened up the entrance. This created a spacious, light-filled hallway that not only solved the immediate problem of navigating with a pram but also established a clear connection between the front entrance and the rear of the house and garden. This alteration also provided ample storage solutions, addressing a critical need for the family. The renovation also entailed breaking down walls to merge the previously segmented kitchen, living room, and dining room into a single, expansive open-plan area. This change was crucial for Lindsey and Ruth, who desired an interconnected space where they could easily keep an eye on their children while engaging in other household activities. The new design incorporated bi-fold windows, allowing abundant natural light to flood the interior and offering continuous views of the garden. Although Clark initially envisioned the open space primarily for dining and an open kitchen, the couple adapted it to include a central dining table and a comfortable sitting area, effectively extending the living space by 1.7 meters into the garden. Another significant transformation involved the garage, which had previously served as an overflow pantry due to the kitchen's lack of storage. Despite Lindsey's initial reluctance to convert it for fear of devaluing the property, the garage was ultimately repurposed into a functional utility room, equipped with a washing machine and dryer. The comprehensive redesign included the integration of sleek, modern cupboards throughout the kitchen and in the new entrance hallway, ensuring that storage was no longer an issue. The outcome was a home that not only met the practical demands of the family but also garnered widespread praise from viewers for its stunning transformation and thoughtful design elements. #HomeRenovation #OpenPlanLiving #StaircaseRelocation #HomeDesign #InteriorTransformation #FamilyHome #ArchitecturalDesign #SpaceOptimization #StorageSolutions

This article details the home renovation project undertaken by Victoria and Marcus Ford, focusing on the transformation of their bedroom, bathroom, and laundry room. The couple's approach to home decor is described as "intentional," selecting items that reflect their personalities and bring soul to their living spaces. The bedroom makeover centered on creating a tranquil retreat using a light blue paint color for the walls, complemented by darker blue tones in a patchwork quilt and a Kazak-style rug. Personal touches such as souvenir pennants, vintage tennis rackets, and an old state fair sign were integrated to add meaning. A gallery wall above the bed features reproduced "Black ABCs" flash cards, reflecting Victoria's appreciation for African American culture. For functionality, a multipurpose desk replaced traditional nightstands, accommodating work-from-home needs and paired with a repurposed barrel chair. The bedroom also incorporated a pillow-top mattress from the Country Living Welcome Home collection to enhance comfort. Nautical elements, including a flag with Captain James Lawrence's famous order and wooden African American sea captains, were introduced on a dresser, which was painted in Sherwin-Williams' Courtyard, to align with Marcus's interests. The bathroom underwent a significant reconfiguration, moving from an off-center vanity layout to a symmetrical design featuring two wooden vanities. This transformation incorporated a mix of ribbed hardware, brass sconces, chrome faucets, and brass-framed mirrors to create a layered, evolved aesthetic. A large-scale, four-inch hexagon tile flower motif on the floor provided a fresh yet nostalgic feel. A key design element was the sixty-inch-tall blue beadboard wainscoting, adding both height and texture to the space. The shower area was also expanded by removing a glass door, and its walls and ceiling were covered with handmade dusty blue subway tiles, designed to seamlessly integrate with the bathroom's blue theme. For the laundry room, an unused bedroom and an extra hall closet were combined to create a dedicated and spacious area. The new layout features a space-saving laundry tower, built-in cabinets with folding space, and a small work sink. The couple chose a navy and white striped shirt motif wallpaper, which Victoria found appealing and appropriate for the room's function. A large checkerboard tile floor, laid diagonally, was selected to visually expand the space and complement the wallpaper and navy high-gloss paint on the millwork. A vintage sink, reminiscent of Victoria's childhood, was installed, accompanied by a print from artist Elizabeth Mayville. The article highlights the detailed choices and personal touches that defined each room's renovation, resulting in spaces that are both functional and deeply personal to the homeowners. #HomeRenovation #InteriorDesign #DIYProjects #BedroomMakeover #BathroomRemodel #LaundryRoom #DecoratingIdeas #CountryLiving #HouseTour

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

This article details the renovation of a 19th-century Newton home, transforming it into a luxurious yet family-friendly space for a family of six. The homeowners, moving from a condo, were drawn to the original charm of the 1848 abode, including its authentic millwork, curved staircase, and glass-etched double front doors. Their vision was to infuse the historic property with a fresh, modern energy while preserving its inherent character. Interior designer Cara Fineman spearheaded the "glow up" primarily focusing on the first floor. This involved minor modifications to improve livability in the kitchen, pantry, and three bathrooms. Key updates included new countertops, tile backsplashes, brass hardware, and modern fixtures. Notably, the existing custom Kochman Reidt + Haigh kitchen cabinetry was in excellent condition, necessitating only a fresh coat of wispy white paint. The adjacent pantry and wet bar received a more dramatic makeover with bold new color schemes on existing cabinets, complemented by Aux Abris grasscloth and Ferrick Mason wallcoverings, along with linen window treatments, enhancing both functionality and aesthetic appeal. Fineman's design strategy for the study, family, and living rooms centered on integrating soft furnishings crafted from family-friendly textiles and contemporary lighting. In the family room, a spacious and plush sectional, ottoman, and lounge chairs were installed to create a comfortable gathering space. The living room now features a sleek game table made of lacquered swirl resin, designed to encourage board games and social activities. A significant design element across the communal spaces was the strategic incorporation of color and pattern, particularly through wallpaper, fulfilling the clients' desire for a vibrant and dynamic interior. The home boasts a sophisticated yet serene atmosphere, achieved through a diverse material palette including silk, grasscloth, antique brass, velvet, and rattan. A personalized sanctuary was created for the mother of the house in the first-floor study. This feminine space, designed for quiet reading, features an opal wall color, warm artwork, and bookshelves filled with books, accompanied by an overstuffed sofa for relaxation. Despite having four young children under the age of six, the first floor was intentionally designed to feel luxurious and mature without being overly precious or inaccessible to the kids. The design philosophy emphasized materials that were not easily damaged and the rehabilitation of existing elements rather than complete replacement, such as using natural fibers and updating existing cabinetry. This approach allowed for the preservation of the home's originality while adapting it to the contemporary needs of a young family. The playroom, adjacent to the boys' bedroom, features a lively Serengeti wallpaper, beanbags, storage baskets, and wall shelves, designed to be age-appropriate yet durable for a growing family. #HomeRenovation #InteriorDesign #NewtonHome #HistoricHome #FamilyLiving #ModernDesign #LuxuryInteriors #ResidentialDesign

Miles Redd, a renowned designer, returned to his hometown of Buckhead, Atlanta, to undertake a significant design project for his mother. The endeavor involved transforming an underused library into a functional office space, drawing inspiration from the New York Public Library's lighting design, which features pairs of lights illuminating tables. For this office, Redd utilized a Lee Jofa's Althea chintz dining table with Samuel & Sons fringe, noting that a table skirt effectively conceals items like correspondence and shopping bags, while lamp cords were discreetly snaked beneath the table and rug. Redd's design philosophy emphasizes symmetry to instill a sense of order and calm. This principle is evident in his styling choices, including the placement of table lamps, which were acquired at auction and fitted with shades from Gracious Home. The dining room received a notable upgrade with a breakfront, painted in an 18th-century-inspired chalky green, one of his mother's preferred hues. A taffeta table skirt provided a soft contrast to the room's mahogany ladder-back chairs, contributing to a refined aesthetic. The home also showcases a curated collection of heirlooms, reflecting his mother's Virginian roots and appreciation for fine items. Tiffany & Co. silver and D. Porthault linens adorn the table, highlighting a blend of collected and cherished pieces. In the family room, Redd reimagined the art display, clustering blue and white china, previously purchased at auction, for a striking visual impact. He also rehung existing artwork throughout the home to enhance its overall presentation. The petite powder room features a playful element: a poodle figurine, a nod to Mrs. Redd's fondness for the breed. The master bedroom was designed for serenity and luxury, with custom curtains and pelmets crafted from pea-green silk taffeta with cream trim, replacing existing shutters. A Stark carpet adds an additional layer of softness to the room, aligning with Redd's belief that every bedroom benefits from a touch of comfort. The article also includes an image of Miles Redd showcasing his Schumacher fabrics, including Brighton Pavilion, Deconstructed Stripe, The Wave, Peacock, and Capri, to his sister, Sarah McCain, and parents, Buddy and Sue Redd. This familial collaboration underscores the personal nature of the design project, which blends traditional aesthetics with thoughtful, practical updates. #InteriorDesign #HomeRenovation #TraditionalStyle #AtlantaHomes #MilesRedd #DesignInspiration #HomeDecor #LuxuryInteriors

Architects Frank and Megan Lin, co-founders of Austin-based Co(X)ist Studio, undertook the renovation of their 1962 ranch-style home, aiming to modernize it for their lifestyle and showcase their firm's design capabilities. The original house, located in South Austin's Sherwood Oaks neighborhood, was characterized by its dim interior, compartmentalized layout, and lack of connection to the outdoors. The renovation involved opening up the floor plan, adding an extension, and constructing a spacious back porch, while also incorporating several reclaimed materials. A key feature of the redesigned space is the unobstructed living area, where a sliding glass wall facilitates a seamless transition from the dining room to the back porch. This porch also provides access to the guest room and the master bedroom. A deliberate cut-out in the porch's canopy accommodates the branches of a crepe myrtle tree, offering additional shade, which is particularly beneficial in the Texas climate. This design choice not only enhances the aesthetic appeal but also promotes cross-ventilation and maximizes natural daylight, thereby reducing the home's electrical consumption. The architects implemented a 'Y' shaped split in the new addition, which effectively separates the master bedroom from the other bedrooms, ensuring greater privacy. This split also creates a corridor that channels more light into the interior, transforming a previously uninspired area into a vibrant space. Furthermore, the garage was converted into a studio office, serving as a functional workspace and a direct reflection of Co(X)ist Studio's architectural practice. This dedicated studio allows the architects to meet clients in a professional environment that embodies their design philosophy. The project demonstrates a thoughtful approach to modern living, balancing functionality with aesthetic improvements and environmental considerations. By addressing the original home's shortcomings, the Lins created a residence that is not only a comfortable live/work space but also a living portfolio for their firm. The renovation emphasizes natural light, outdoor connection, and efficient use of space, all while maintaining a commitment to sustainable practices through the use of reclaimed materials. #RanchHomeRenovation #LiveWorkSpace #AustinArchitecture #CoXistStudio #ModernRenovation #SustainableDesign #OutdoorLiving #ArchitecturalDesign #HomeTours

Marie Lu, a bestselling author, and Primo Gallanossa, a game designer, sought a flexible and inspiring urban sanctuary in downtown Los Angeles's Arts District. They commissioned architecture firm CHA:COL to transform a 1,450-square-foot live/work loft into a space that could accommodate their writing and game design needs between frequent travels. The design brief emphasized creating a creative den for work, relaxation, and retreat. CHA:COL, led by design principals Apurva Pande and Chinmaya Misra, drew inspiration from the couple's professional backgrounds, particularly the game "Monument Valley" and the whimsical geometries of M.C. Escher. The central element of the loft is the "Writer’s Block," a custom-designed, multifaceted piece of oak veneer millwork. This versatile unit functions as a desk on one side, a lounge on the other, and incorporates shelving, effectively dividing the space while offering multiple uses. The design aimed to allow the clients to navigate and inhabit the loft in unique ways, much like Princess Ida moves through different levels in the Monument Valley game. The loft's design integrates both two-dimensional and three-dimensional elements. For example, white oak planks from the Writer’s Block seamlessly transition into FLOR carpet tiles that extend up an opposing wall, complemented by a matching mural. This playful mashup creates an optical illusion, making the two-dimensional elements appear three-dimensional and vice versa. Extensive studies were conducted to achieve the precise geometry for the wall art, eventually simplifying to paint swatches to complete the effect. Beyond the primary workspace, the loft also includes dedicated sleeping and kitchen areas. The kitchen features IKEA cabinets and a peninsular bar designed to encourage social interaction. Acoustic considerations were incorporated into the design, and the space is illuminated by a Zaneen pendant in addition to natural light from a facade of windows. The bathroom features a minimalist, monochromatic aesthetic with a custom white lacquer vanity and Porcelanosa tiles. The sleeping area is discreetly tucked away at the back of the loft, illuminated by a George Nelson Saucer Lamp. The project successfully created a highly functional and creatively stimulating environment. Initially conceived as an occasional getaway, the loft proved so effective that the clients found themselves spending more time there, reducing their need for frequent commuting. The design prioritized a simple, streamlined palette and carefully selected light fixtures that enhanced the spatial flow and movement within the loft, creating an urban oasis that fosters creativity and well-being. #LiveWorkLoft #CreativeSpace #GameDesignInspired #MultifunctionalFurniture #LosAngelesArchitecture #SmallSpaces #InteriorDesign #CustomMillwork

The article details the renovation journey of Christine Bayles Kortsch and her husband, Daniel Kortsch, as they transformed their 1924 Craftsman bungalow in Denver's Congress Park neighborhood. The initial challenge with their 1,800-square-foot home was its traditional bungalow floorplan, characterized by a cramped, narrow kitchen at the back of the house. This layout presented several issues, including a significant lack of natural light, which was crucial for Christine's food photography, and a highly inconvenient back door placement that opened onto an L-shaped staircase, making grocery carrying difficult. A single-width door between the kitchen and dining room also created a constant point of congestion for their family of four, who frequently entertained guests. After years of attempting minor cosmetic fixes like painting dark cabinets white and updating living room furnishings, the couple realized these superficial changes were insufficient to address the fundamental problems of the dysfunctional layout. This realization prompted them to undertake a comprehensive kitchen remodel during the pandemic. For this significant project, they enlisted the expertise of Christine’s sister-in-law, Vivian Bayles, a Manhattan-based interior designer and architect, and local builder Jim Copeland of Copeland Craftworks. The core of the renovation involved a strategic overhaul of the floorplan. Instead of simply modifying the partition wall at the back of the kitchen, they removed it entirely. The small, unusable nook was transformed by replacing its window with a 10-light glass door leading to a new exterior deck. The area previously occupied by the nook now serves as a spacious landing for a new, straight staircase to the basement, significantly improving accessibility and flow. Furthermore, the narrow doorway connecting the dining room and kitchen was dramatically widened, creating a more open and integrated living space. Another key improvement was the removal of a hard-to-access, recessed pantry located behind the old kitchen, above the back stairs. This change allowed for the installation of a full-depth refrigerator, a high priority for Christine, aligning seamlessly with the new cabinetry and appliances. Storage capacity was also enhanced by extending the new cabinets to the ceiling, maximizing vertical space. Rick Lutz, a kitchen designer from Home Depot, assisted with the cabinet configuration, emphasizing efficiency within the existing footprint. To maintain the home's historic character while integrating modern functionality, crown molding was added throughout the kitchen, dining, and living room, sourced from Austin Hardwoods to match the period. For finishes, Christine prioritized texture and a sense of aged patina, moving beyond standard modern choices. She selected durable Super White dolomite for the countertops, which offered a neutral surface ideal for photography while adding a distinctive natural stone element. The backsplash features Liberty thin-brick Clé tile, inspired by early 20th-century New York City, chosen for its uneven, rough texture that introduces character. A notable design decision was to conceal the microwave in a custom cabinet beneath the countertop, avoiding its traditional placement above the range, and Daniel designed and built a custom plaster-and-white-oak hood. The dining area received an unobtrusive chandelier by the Light Factory, a refurbished wooden table, a custom-built bench by Daniel, and vintage 1960s Danish chairs, fostering a rustic, communal atmosphere. The renovation also integrated the kitchen's new aesthetic with the rest of the main floor by updating the living room's fireplace hearth with leftover dolomite and white-oak trim, tying it to the new white-oak floors and complementing the home's existing bold wallpaper. Christine emphasized that the project, constrained by footprint and budget, fostered creativity, resulting in a bright, efficient, and cohesive space that respects the home's history while meeting contemporary needs. #HomeRenovation #CraftsmanBungalow #KitchenRemodel #InteriorDesign #DenverHomes #HistoricPreservation #FloorplanTransformation #CustomCabinetry #ArchitecturalRenovation

Randall, a Texas native, initially planned to renovate his two-story Austin home. However, an aerial view via drone revealed the potential for a third story with a downtown view, prompting him to pursue building a taller home from scratch. His initial blueprints were drafted with his builder brother-in-law, and Davenport Builders and interior designer Taylor Clouse were engaged to execute the vision. Midway through the process, Randall and his partner, Sebastian, became engaged, necessitating a reevaluation of the home's size to accommodate both their remote work needs and shared living spaces. This led to a significant design modification, extending the third-floor roof deck to include Randall's office and creating a dedicated office for Sebastian on the second floor. A central challenge in the design process was to imbue the new-build with a sense of established character, avoiding a sterile, off-the-shelf appearance. Clouse guided the couple to draw inspiration from unconventional sources like Ted Baker suits, black-sand beaches in Iceland, and 1970s films such as *The Holy Mountain*, rather than typical home design references. Sebastian also contributed his ideas, and Clouse facilitated the integration of their diverse inspirations. The open-concept living area was strategically furnished with a mix of substantial pieces, like two side-by-side Menu coffee tables, and lighter elements to define distinct zones. Custom textiles, including a blue-green chenille cushion, velvet Zoffany ombré fabric, and Pierre Frey fabric on the pillows, added texture and depth. For the dining area, a lightweight oak table from ABC Home was chosen for its versatility, allowing easy repositioning for entertaining. This was grounded by a 1920s Baluchi pictorial rug and paired with Bruno Rey dining chairs. The couple developed a passion for art and collecting, with Sebastian contributing pottery pieces inherited from his Nicaraguan grandmother, displayed on open kitchen shelves. Randall, during construction, amassed a collection of 60 to 70 pieces from estate sales and online auctions, which Clouse meticulously mapped out for display. Strategic placement, such as hanging a Gertrude Abercrombie painting in the primary bedroom windows and using a continuous drapery rod, was employed to create visual symmetry in an otherwise offset wall. Budget considerations were balanced with a desire for elevated aesthetics. In the bathroom, black stone subway tile from The Tile Shop was combined with luxurious Paonazzo gold marble slabs, creating a historic feel. The walls were painted in Farrow & Ball’s Mouse’s Back. Clouse emphasized the importance of small, layered details in achieving an aged aesthetic. Contemporary white oak floors received a lived-in finish, while window frames were painted standard black. The stair railing was accentuated with Farrow & Ball’s Brinjal, a moody aubergine, and the first-floor ceilings were painted a pale green to enhance the sense of space. The primary bedroom features Sarah Sherman Samuel’s painterly striped fabric from Lulu and Georgia for roman shades and curtains. A smaller bolster pillow is upholstered in Pierre Frey’s Yeti fabric, reminiscent of a dirty martini. An overscale Max Ernst painting hangs above the bed, flanked by Hay nightstand lights. To source unique items, Clouse visited the Round Top Antiques Fair with the clients, where they acquired Hans Olsen leather sling chairs and a Svante Skogh love seat for reupholstering. Affordable elements, such as $7 Amazon kitchen cabinet handles and Tile Shop tiles, were integrated to manage costs. Initially, Randall expressed concern about the prominence of red and green in the color palette, fearing a "Christmas house" aesthetic. However, Clouse reassured him that by utilizing varying shades, such as a merlot velvet bed paired with an olive green Pierre Frey pillow, the complementary colors would blend harmoniously without a holiday connotation. On the third floor, a black marble CB2 table and a round Persian Gabbeh rug create an inviting flow at the top of the stairs, adjacent to a bar area. The third-floor bathroom features a vibrant red theme, with Portola Paints limewash custom-matched to the bar shelves and a clay sink by Nood Co, culminating in what Randall calls the "party bathroom." The terrace patio is furnished with Hay’s sage green outdoor chairs surrounding a travertine dining table, with a portable Hay lamp that transitions between indoor and outdoor use. #AustinHomeTour #NewBuildOldFeel #TaylorClouseInteriors #CustomHomeDesign #ColorPalette #VintageFinds #InteriorDesign #HomeOffice #ArtCollection #BudgetDecor

Shanti Crawford of Indigo & Ochre Design transformed a 2,600-square-foot, four-bedroom penthouse in Brooklyn from a "modern white box" into a vibrant, functional family home. The clients, a family with three daughters and a dog, sought to add warmth, color, character, and personality to the new build, which initially felt cold and barren. Crawford's approach emphasizes socially responsible and sustainable design, reflected in her use of colorful, thoughtfully collected, and layered decor. The primary goal was to create distinct and intimate areas within the open-plan layout, allowing each family member to engage in various activities simultaneously, such as working, studying, socializing, dining, and playing music. This was achieved through strategic furniture arrangements, custom built-ins, and the transformative power of color. AThe design process began with the clients' desire for a fresh start, especially as their children were growing older. Crawford provided guidance from the pre-closure phase, focusing on integrating character into the developer's clean, modern aesthetic. Key to her design was the incorporation of beloved pre-existing items, including a massive patchwork kilim from Morocco and a rustic sideboard. She aimed to ensure these pieces felt intentionally integrated and harmonized with the new, streamlined elements of the apartment. Crawford used color as a declarative element to define spaces. For example, the entryway was painted in a pale pink hue, Benjamin Moore Wheatberry, which subtly appears in other areas of the home, creating a cohesive visual flow. The entry also features practical storage solutions like hooks, baskets, and cubbies from Room & Board to accommodate the active family's needs. Texture was added through a ceramic disc wall hanging and a woven Tuareg mat. In the living room, the vibrant patchwork Moroccan kilim served as the primary inspiration for the color palette, influencing the selection of seating, artwork, and accessories. Crawford also introduced a gentle antique Oushak rug to complement the kilim without competing with its intricate patterns. The dining room features the clients' cherished kilim, anchored by a sleek Artisan Latus table and Gubi Beetle chairs, with brass legs that echo other metallic accents in the adjacent sitting area. This intentional mix of rustic and modern elements ensures balance and visual interest. The family room, referred to as a 'snug,' was designed to be a cozy, intimate space. It was painted in a warm, deep gray, including the ceilings, to embrace the lack of natural light. Deep jewel tones and lush textures, such as velvet upholstery, were incorporated, along with a vintage Heriz carpet to add personality. Custom walnut shelving units were built to span an entire wall, providing depth and delineation, and housing a Samsung TV and Noguchi Akari floor lamp. The master bedroom was conceived as a serene retreat, adhering to principles of "soothing neutral colors, simple and clean lines, texture over pattern." The primary colors are neutral, with subtle pops of deep color from peacock sconces and a luminous mouth-blown carafe and glass. The bed frame is custom, and the bedding and throw are from Wolves Within. The study, designed for multiple functions including a home office, occasional guest bedroom, and storage, features a custom-designed built-in bookshelf that frames a Kalon Studios daybed. A vintage Paul McCobb desk and a vintage Swedish Kilim rug complete the space, demonstrating how distinct areas were created while maintaining an open flow within the larger apartment. The collaboration with landscape designer Laura Harmon of LFH Studio for plants further enhanced the natural integration of the design. #InteriorDesign #ApartmentDecor #FamilyHome #ColorPalette #CustomBuiltIns #StrategicFurniture #BrooklynDesign #VintageDecor #SustainableDesign

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

Stacey and Peter Paulsen, who own Royal Crest Homes, decided to move to a 6,500-square-foot English Arts and Crafts house in Westlake after seeing a floor plan designed by Southlake-based Heritage Design Studio. The couple, along with their two sons, found the open-concept living and kitchen area, grand dining room, large media/family room, and primary bedroom appealing. Stacey Paulsen engaged Dallas designer Emily Larkin of EJ Interiors, with whom she had previously collaborated on their Keller home, to customize the new residence. Larkin participated in architect meetings, helping Paulsen modify the floor plan to suit their lifestyle. One significant alteration involved converting a planned wine bar into a functional prep kitchen, enhancing its daily utility for the family. The architectural design of the home draws inspiration from England, an aesthetic consistently maintained throughout the interior. This was achieved through the incorporation of cozy fireplaces with ornate mantels, varied textures, crown molding on walls, and traditional furniture. Each room in the house was approached with a distinct design concept, often beginning with a specific element like a fabric, an overarching vision, or a piece of artwork. For instance, the primary bedroom's blue-and-purple color scheme was developed around a floral Schumacher print, which Larkin identified as the central inspiration for the entire room due to its subtle lilac and gray tones. The piano room, originally intended as an office, was repurposed to accommodate the Paulsens' sons' piano lessons. To create a sense of larger space within this smaller room, Larkin opted for a dark color palette, influenced by a William Curtis Rolf photograph displayed above the fireplace. In the powder bathrooms, Larkin experimented with bold and playful designs. One bathroom features an Hermès print, which was initially outside Paulsen's comfort zone, paired with black trim to evoke the feeling of an English garden. Another powder bathroom, designated for the pool area, showcases a graphic Kelly Wearstler print, selected to achieve a more modern and vibrant aesthetic. The main living area also underwent an unconventional redesign; a breakfast nook was removed to make way for a second seating area. Paulsen preferred this arrangement over another dining table, considering the existing bar seating, dining room, and outdoor dining space. This new layout allowed the children to use the space for homework while she cooked. The kitchen furnishings were expertly handled by Lauren Haskett, a designer based in Houston and a long-time friend of Larkin's. The home's design has evolved over time to align with the family's changing needs, particularly as the sons have grown older, with one now attending college. Larkin has continued to adapt the design to accommodate these lifestyle shifts. The Paulsens' collaboration with Larkin highlights a personalized approach to home design, blending traditional English influences with functional and distinctive interior choices. #HomeDesign #InteriorDesign #WestlakeHomes #EnglishArtsAndCrafts #CustomHome #LuxuryInteriors #EmilyLarkin #ResidentialArchitecture

This article details the renovation journey of Audrey and her husband, who transformed their 1,001 sqft 4-room HDB flat in Geylang into a bright, open-plan 2-bedroom home. Initially, they expected a straightforward renovation for their recently MOP-ed (Minimum Occupation Period) unit, budgeting between $40,000 to $50,000. However, upon handover, they discovered numerous issues, necessitating a more extensive overhaul and an adjusted budget of $50,000 to $60,000. The couple's primary design goal was to create a spacious feel reminiscent of their childhood homes from the 1980s, which meant maximizing communal areas and natural light. They achieved this by removing the walls of two common bedrooms, merging them into an expansive living and dining area. This reconfiguration created a 'dumbbell layout,' with the master bedroom and a new study flanking the central communal space. The decision to convert the 4-room flat into a 2-bedroom home was also a strategic move to future-proof their living space, allowing for potential children to share a large room, echoing their own upbringing. A key design element was the open-concept kitchen, which now extends into what was originally the dining area. The island, featuring a sleek black countertop, serves as a central gathering point and provides ample space for cooking and baking. Appliances and taller carpentry are flushed against the wall, maintaining a seamless look. Modifications included changing a louvre window in the kitchen to a fixed glass pane for easier cleaning and better enclosure when cooking, and installing a full-height pantry. The original living room was converted into an enclosed study, providing privacy for remote work and creating a distinct foyer area. A pocket sliding door, intentionally transparent, enhances the open feel and allows light into the kitchen. In the master bedroom, a wall was pushed out to accommodate a wardrobe, and an open wardrobe design was chosen to save on carpentry costs. The room is also arranged to comfortably fit a king-size bed and a future baby cot. Bathroom renovations included minor cosmetic changes in the common bathroom, such as replacing feature tiles with white ones and upgrading fixtures. The master bathroom underwent more significant layout changes, with the shower area relocated for privacy and optimized for length. The sink was shifted to accommodate a long vanity, and a sliding door replaced a swing door to save space. Overhead pipes in both bathrooms were boxed up for a cleaner aesthetic. Audrey and her husband collaborated with The Association, an ID firm, which aligned with their vision of creating a flexible, canvas-like home that could evolve with their needs. They prioritized an ID firm that understood their design principles, emphasizing minimal built-ins. Furniture sourcing was challenging due to the ongoing renovation and logistical constraints, leading them to purchase items one by one and embrace pre-loved pieces from platforms like Carousell. Their general rule for furniture was that materials, colors, and shapes should complement each other, especially crucial in an open-concept home where spaces blend seamlessly. Reflecting on their journey, Audrey highlighted the challenges of property hunting during the lockdown and the unexpected lack of transparency in the renovation industry, which required them to be proactive in coordinating schedules and managing expectations. A key lesson learned was that if they had known the extent of the overhaul required, they might have chosen a flat with a more appealing original layout or one truly in need of a complete makeover. She advises new homeowners to leverage hand-me-downs and pre-loved items for furniture and to prioritize a clear vision of their lifestyle over a rigid design style, encouraging flexibility and evolution in their home's aesthetic. #HDBRenovation #HomeTransformation #OpenPlanLiving #InteriorDesign #SpacePlanning #SingaporeHomes #HomeownerStory #RenovationBudget #ModernHome