New construction: Couple enjoys home’s open design

Lindsey and Ruth, a couple from Teesside with two young children, Aria and Ivy, faced significant challenges with their home's layout before renovation. The existing structure featured a cramped living room, kitchen, and dining room, offering limited living space and minimal storage. A major inconvenience was the tiny hallway at the entrance, which opened directly onto the stairs, making it difficult to maneuver a baby stroller and causing a bottleneck for entering and exiting the house. Furthermore, the cloakroom's location near the kitchen meant traversing the entire house to store coats and shoes, highlighting a general lack of practicality in their living arrangement. Despite having a beautiful garden, the house's internal design failed to optimize its potential or cater to the needs of a growing family. The couple allocated £52,000 for the renovation, surpassing their initial budget of £40,000, after securing design proposals from architects Laura Jane Clark and Robert Jamison on the BBC2 show 'Your Home Made Perfect.' They were particularly drawn to Laura Jane Clark's design, which promised to transform their disjointed dwelling into a cohesive, open-plan space. The core of Clark's innovative approach involved relocating the staircase to the left, which dramatically opened up the entrance. This created a spacious, light-filled hallway that not only solved the immediate problem of navigating with a pram but also established a clear connection between the front entrance and the rear of the house and garden. This alteration also provided ample storage solutions, addressing a critical need for the family. The renovation also entailed breaking down walls to merge the previously segmented kitchen, living room, and dining room into a single, expansive open-plan area. This change was crucial for Lindsey and Ruth, who desired an interconnected space where they could easily keep an eye on their children while engaging in other household activities. The new design incorporated bi-fold windows, allowing abundant natural light to flood the interior and offering continuous views of the garden. Although Clark initially envisioned the open space primarily for dining and an open kitchen, the couple adapted it to include a central dining table and a comfortable sitting area, effectively extending the living space by 1.7 meters into the garden. Another significant transformation involved the garage, which had previously served as an overflow pantry due to the kitchen's lack of storage. Despite Lindsey's initial reluctance to convert it for fear of devaluing the property, the garage was ultimately repurposed into a functional utility room, equipped with a washing machine and dryer. The comprehensive redesign included the integration of sleek, modern cupboards throughout the kitchen and in the new entrance hallway, ensuring that storage was no longer an issue. The outcome was a home that not only met the practical demands of the family but also garnered widespread praise from viewers for its stunning transformation and thoughtful design elements. #HomeRenovation #OpenPlanLiving #StaircaseRelocation #HomeDesign #InteriorTransformation #FamilyHome #ArchitecturalDesign #SpaceOptimization #StorageSolutions

David and Emma Engerer, a young couple, have embarked on a significant endeavor to revitalize the historic Stuart Neighborhood in Kalamazoo through the renovation and rental of its aging houses. David, 28, from metro Detroit, and Emma, 22, from Austin, Texas, met at a skateboarding contest in Houston and later married in October 2019. Their venture into real estate began after David's graduation from Western Michigan University, encouraged by his father to purchase and renovate older homes to generate rental income. The couple's commitment to the neighborhood is evident in their hands-on approach to renovations, with David performing most of the restoration work alongside Emma. Their efforts have been lauded by local residents, including Gary Wark, president of the Stuart Area Restoration Association, who notes the positive contrast with absentee landlords. The Engerers are part of a growing trend of younger individuals investing in the historic area, which boasts many houses dating back to the 1870s when it was a thriving community for businessmen and professionals. David emphasizes the importance of maintaining a vision for the properties' potential, despite the inherent challenges of home fix-ups. Their first acquisition was an American Foursquare stucco house at 821 Kalamazoo Ave., built in 1910. Originally a single-family residence, it had been converted into a duplex in the 1920s and suffered from neglect, including foundation, roof, plumbing, and electrical issues. Emma humorously compared it to the 'Money Pit' movie. Despite its condition, the house had existing tenants, and its structural integrity was surprisingly sound. This initial project served as a significant learning experience for the couple. Following this, the Engerers purchased two more 19th-century homes in the neighborhood, with plans for additional acquisitions. One of these is their personal residence, a 4,000-square-foot Queen Anne Victorian at 418 Stuart Ave., known as the French/Allen House, built in 1895. This house, rich in history with four bedrooms, 3.5 bathrooms, stained-glass windows, and a sweeping veranda, was originally appointed by Marshall Field. It was once owned by Dorr French, a justice of the peace and city attorney, and later by Harold Allen, vice president of First National Bank and corporate secretary for The Upjohn Co. They acquired this house in May 2020 at a reduced price, undertaking interior upgrades such as replacing old galvanized steel pipes and plumbing, replicating door moldings, and re-doing bathrooms, all while meticulously preserving the historic integrity. David expresses strong disapproval of renovations that strip old homes of their original charming features. Local historian Sharon Carlson, a resident of the Stuart Neighborhood, commends the Engerers' dedication, noting that landlords who live in the neighborhood tend to be the most effective. In July 2020, they bought another rental property at 500 Stuart Ave., a four-unit dwelling built by George Rickman in the late 1880s, one of three brick Queen Anne-style houses on the street. They are currently performing exterior and limited interior renovations, with more extensive work planned as tenant leases expire. This house, along with its neighbors, is distinctive for its brick construction, unusual for Victorian homes of that era. Emma, who initially had no plans to leave Texas, credits her move to Michigan to her relationship with David and a strong sense of divine guidance. She discovered Michigan's distinct seasons, a new experience compared to Texas. David's background includes a past as an aspiring professional skateboarder and snowskater, sponsored by Ambition Snowskates. He graduated from Western Michigan University with a degree in exercise science, initially intending to become a physical therapist, but discovered a passion for home renovation after summer jobs involving repairs. David's father, a successful physical therapist and experienced home renovator, has been a significant mentor, guiding them with insights into making properties profitable and managing renovations. The Engerers emphasize that while financial viability is crucial for such projects, passion and vision are paramount. They plan to remain in the Stuart Neighborhood long-term, expressing their love for the community and its historical homes. #HistoricHomeRenovations #StuartNeighborhood #KalamazooRealEstate #PropertyInvestment #CommunityRevitalization #QueenAnneVictorian #OldHouseRestoration #RentalProperties #NeighborhoodDevelopment

The article details the design philosophy and interior of "The Ochre Home," the residence of artist and freelance stylist Geraldine Toh and her husband, Vincent Lim. The name "Ochre Home" was chosen by Ms. Toh to reflect the predominant color palette and earthy sensibility of their space, which primarily features shades of brown, yellow, and orange, reminiscent of the natural clay pigment. As an artist, Ms. Toh often uses ochre in her paintings, further solidifying its significance to her home's aesthetic. The home's style is described as mid-century modern inspired with an eclectic mix. Ms. Toh, who studied fine arts, showcases a keen eye for color, proportion, and design. The couple selected a 30-year-old apartment for its spaciousness, airiness, and square layout, which simplified space planning. Key layout modifications included removing a kitchen wall to create an open entrance, repositioning the common bathroom door for discretion, and moving the master bedroom door to facilitate an open-concept walk-in wardrobe. The initial impression upon entering the apartment is one of expansive open space. A central tenet of Ms. Toh's design approach is the belief that furnishing a home should be a gradual process, allowing for the collection of unique pieces with personal stories. She views her home as "forever a work in progress," emphasizing modularity and movability to allow for frequent rearrangements and to maintain visual interest. She favors eclecticism over perfectly matched sets, choosing standalone pieces that complement the overall color scheme and texture, ensuring that new additions enhance rather than disrupt the aesthetic. This approach creates pockets and corners with distinct functionalities within the larger open space. Throughout The Ochre Home, visual interest is evident in various details. Ms. Toh painted a mural of a flower on one wall, and customisable fabric outer jackets on the Toshiba Haori air-conditioning units blend seamlessly with the interiors. The couple dedicated time to assembling their furniture, often thrifting pieces or carefully selecting others for their historical significance and narrative. For instance, their Commune leather sofa was acquired from an expatriate family, and their stackable dining chairs are vintage 1980s Casala Obo Formsitz pieces sourced from AA Furniture, specializing in vintage Japanese furniture. The study area, carved out from the main living space without walls, features a 1960s Danish kidney-bean-shaped desk from local store Noden. Lighting fixtures also hold historical value, such as a vintage 1970s Louis Poulsen Panthella lamp from Aria Design Store, which exhibits a beautiful patina. Other notable pieces include a 1960s Danish coffee table, a thrifted Marcel Breuer cantilever chair, and a Flos Arco floor lamp. A 1970s pinecone wall lamp from a Danish vintage store in Vancouver was hand-carried home by Ms. Toh. Mid-century design signatures are prominent, with an Eames lounge chair, Hans J. Wegner’s CH24 Wishbone Chair, and a special-edition Safari chair by Kaare Klint. Personal touches include a pinewood side table and a kapur wood bench, both crafted by Mr. Lim. Beyond aesthetics, the home was conceived as a creative hub for the couple's artistic and hobby pursuits. A dedicated creative room stores art-making equipment, and plain white walls serve as a canvas for photographic prints, abstract paintings, and Ms. Toh’s first mural. The article concludes by noting that the couple's personal touches and years of inhabiting the space have successfully actualized their vision for The Ochre Home, creating a lived-in and deeply personal atmosphere. #EclecticHomeDesign #MidCenturyModern #OchreHome #ArtistHome #VintageFurniture #CreativeSpace #HomeStyling #SingaporeDesign #PersonalizedInteriors

Emma and Graeme undertook a significant renovation of their 1780-built, four-bedroom detached cottage in Hucknall, Nottingham, transforming it into a modern, open-plan family home with a Scandi-inspired aesthetic. The property, though well-maintained, was dated, featuring numerous small, dark rooms, dusky pink carpets, patterned curtains, and a dark pine kitchen. The couple, with Emma being an interior stylist and Graeme skilled in DIY, decided to create a large open-plan kitchen, diner, and living space by knocking down walls, aiming to complete the major work before their first child arrived. The total project cost was £72,000. The renovation began with the demolition of internal walls to merge four smaller rooms into one expansive area. Graeme utilized a Room Sketcher app to plan the layout, and a builder friend assisted with wall removal and steel beam installation. Emma, inspired by a high-end kitchen design, achieved a similar look on a budget by collaborating with a local company, Inspirational Interiors. They opted for white Shaker-style units with a blue island, incorporating a custom double larder from what was intended to be a boiler box-in, and a built-in microwave in the island to maximize counter space. The dining area features a bespoke reclaimed wood table, replicating a Pinterest design, complemented by rattan pendant lights and Camaro LVT flooring with a wood finish and grey/blue tint. The staircase, initially problematic after wall removal, was custom-built by Graeme using timber for simple spindles, costing only £50, instead of expensive glass that would show fingerprints. The living room was designed with a darker palette, using Farrow & Ball's 'Down Pipe' to create a more formal, luxurious evening atmosphere. Graeme updated the fireplace with reclaimed brick, a wood mantle, and York stone, giving it a high-end look on a budget. Efforts to panel the room were eventually replaced by gloss paint on the walls to give the illusion of wood, and the dark wood window frames were painted white to brighten the space. In the master bedroom, Graeme installed timber panelling on the back wall, painted in 'Inchyra Blue,' while the bathroom, initially featuring a dated corner bath, was upgraded with a navy blue roll-top bath and a custom-made vanity unit crafted by the same furniture maker who built the dining table. The patterned floor tiles in the bathroom served as a focal point, allowing the rest of the decor to remain simple. For their daughter Arla's nursery, the couple attempted a painted wooden floor, which Graeme sanded extensively and filled gaps with rope, though in hindsight, Emma suggested carpet for practicality. Future plans for the property include renovating the rear garden, converting an outbuilding into an office and gym, and eventually transforming the double garage into a guest annexe, reflecting their long-term vision for the home. The project highlights how DIY skills, strategic planning, and resourceful sourcing can achieve a high-quality renovation at a reduced cost, illustrating effective ways to transform a dated property into a functional and aesthetically pleasing open-plan living space. #HomeRenovation #DIYProjects #OpenPlanLiving #BudgetRenovation #InteriorStyling #ScandiDesign #FamilyHome #CostSavingTips #PropertyTransformation

Carole and Don Watanabe have transformed an ordinary 1963 California ranch-style house in Sebastopol into a unique and vibrant living art piece called Chez La Vie. Carole, a multi-talented artist, and Don, an architect, collaborate to create a home that is an ongoing project of artistic expression and precision. The property encompasses multiple structures, including their main residence, an attached apartment for Don's father, an appealing guesthouse known as the Art Chapel, and various utilitarian sheds that are integrated into the artistic landscape. The main house immediately catches the eye with its vibrant ultramarine blue exterior, trimmed with deep turquoise and brick red. A wide berm in front of the property features Carole's "drive-by gallery," where steel frames crowned with corrugated aluminum roofs will display sheet metal paintings by local children, sold to support school art programs. The entrance to their home and Don Sr.'s apartment are adorned with enormous antique Indonesian facades made of intricately carved teak. Tall columns flanking the Watanabe entrance are covered in colorful spirals, created by Carole using abandoned mirrors and broken ceramics, giving them a jewel-box appearance. This use of found and repurposed materials is a hallmark of Carole's work, with a significant portion of the home's materials sourced from salvaged items, often acquired for minimal cost from places like a Santa Rosa Goodwill store. The backyard features a stream circulating water through the Paradiso Pond, which Carole considers her most significant work. The pond, a 4-foot-deep, rubber-lined creation, is landscaped with truckloads of rock and adorned with lilies and other water plants, evoking a Monet painting. On the western edge of the property, an outdoor fireplace, a table under a large tree, painted chairs, tiled tables, carved benches, tiny sculptures, clever mobiles, and painted fences contribute to the whimsical atmosphere. A curving dragon made of random ceramics weaves through the garden, intersected by brick pathways leading to a double-doored gateway to the neighbor's property. Inside, the whimsical aesthetic continues with furniture crafted from discarded wood and an assortment of found objects. Walls are accented with Carole's cursive writing and display her paintings, drawings, and sculptures. Recessed altars and mirrors decorated with colorful tiles are present throughout the interior. The flooring varies from room to room, incorporating area rugs and even a floor covered with squares of fabric and old photographs sealed with Varathane. The master bedroom features a custom-made headboard and Carole's handwriting on the walls, while her studio serves as her creative sanctuary. The Watanabes envision Chez La Vie as an "elder compound" where they can age gracefully amidst their beloved creations. They plan to host art openings in their spacious backyard, with a pizza oven available for guests. Banners of art, much of it created by children, will adorn patios and fences, transforming the home into an interactive gallery open to the public. #HomeTransformation #ArtisticHome #RanchHouseRenovation #SebastopolHomes #CreativeCouple #FoundObjectsArt #GardenDesign #SustainableDesign #SonomaHomes

Marie Lu, a bestselling author, and Primo Gallanossa, a game designer, sought a flexible and inspiring urban sanctuary in downtown Los Angeles's Arts District. They commissioned architecture firm CHA:COL to transform a 1,450-square-foot live/work loft into a space that could accommodate their writing and game design needs between frequent travels. The design brief emphasized creating a creative den for work, relaxation, and retreat. CHA:COL, led by design principals Apurva Pande and Chinmaya Misra, drew inspiration from the couple's professional backgrounds, particularly the game "Monument Valley" and the whimsical geometries of M.C. Escher. The central element of the loft is the "Writer’s Block," a custom-designed, multifaceted piece of oak veneer millwork. This versatile unit functions as a desk on one side, a lounge on the other, and incorporates shelving, effectively dividing the space while offering multiple uses. The design aimed to allow the clients to navigate and inhabit the loft in unique ways, much like Princess Ida moves through different levels in the Monument Valley game. The loft's design integrates both two-dimensional and three-dimensional elements. For example, white oak planks from the Writer’s Block seamlessly transition into FLOR carpet tiles that extend up an opposing wall, complemented by a matching mural. This playful mashup creates an optical illusion, making the two-dimensional elements appear three-dimensional and vice versa. Extensive studies were conducted to achieve the precise geometry for the wall art, eventually simplifying to paint swatches to complete the effect. Beyond the primary workspace, the loft also includes dedicated sleeping and kitchen areas. The kitchen features IKEA cabinets and a peninsular bar designed to encourage social interaction. Acoustic considerations were incorporated into the design, and the space is illuminated by a Zaneen pendant in addition to natural light from a facade of windows. The bathroom features a minimalist, monochromatic aesthetic with a custom white lacquer vanity and Porcelanosa tiles. The sleeping area is discreetly tucked away at the back of the loft, illuminated by a George Nelson Saucer Lamp. The project successfully created a highly functional and creatively stimulating environment. Initially conceived as an occasional getaway, the loft proved so effective that the clients found themselves spending more time there, reducing their need for frequent commuting. The design prioritized a simple, streamlined palette and carefully selected light fixtures that enhanced the spatial flow and movement within the loft, creating an urban oasis that fosters creativity and well-being. #LiveWorkLoft #CreativeSpace #GameDesignInspired #MultifunctionalFurniture #LosAngelesArchitecture #SmallSpaces #InteriorDesign #CustomMillwork

Tony and Charlotte Perez, driven by a desire for freedom and a life of travel and volunteer work, designed and built their 280-square-foot tiny home on wheels. Tony, a builder with over two decades of experience in custom homes, constructed the dwelling for an estimated $35,000. Their motivation stemmed from extensive international travel, having visited nearly 60 countries and lived in Africa for four years, which cultivated a preference for a minimalist lifestyle and enabled them to work less and dedicate more time to volunteering. Currently situated on a friend's five-acre property in Northern California, their tiny home offers mobility, though the couple has found a stable base. The exterior of the home features white-painted standing-seam metal combined with cedar accents near the front door, offering a modern aesthetic with warm, organic touches and requiring minimal maintenance. An expansive deck with an outdoor kitchen extends the living space, seamlessly integrating the structure with its natural surroundings. Inside, the walls and ceiling are adorned with white-painted pine shiplap, and the floors are laid with waterproof vinyl planks, chosen for their practicality and ease of cleaning, even extending to the shower wall. The interior design emphasizes an open and airy feel to compensate for the compact footprint. The kitchen showcases pale gray cabinetry, custom-designed online and flat-packed for on-site assembly. These cabinets are primarily drawers to maximize efficient organization and feature soft-close undermount slides. Practicality is evident in repurposed elements, such as upper shelves crafted from a beloved coffee table that was too large for the tiny space. Innovations include three taps in the kitchen for carbonated water and home-brewed beer, reflecting the couple's personal preferences. An office area and storage are integrated beneath the stairs, and a sliding door separates the kitchen from the bathroom. The bathroom is notably spacious for a tiny home, housing a stackable washer and dryer, a large shower, and a six-foot closet system with ample hanging space and customized soft-close drawers, designed to accommodate varied clothing needs for international travel across different seasons. A thirty-inch sliding wall devised by Tony separates the washer-dryer unit from the toilet area, also concealing a full-length wardrobe mirror. In the loft bedroom, cubbies serve both as storage and a partial screen for privacy. The couple devoted a year to planning their home, meticulously considering every item they owned and its place within the small space. Specific features like a designated spot for a vacuum, cleaning supplies, a Vitamix, a juicer, a coffee bar, a wine area under the stairs, and a pull-out pantry were incorporated to ensure comfort and functionality. A wood-framed chalkboard folds down from the kitchen wall to extend counter space for food preparation or dining. The Perezes completed the construction of their home in two months, acknowledging the challenges but ultimately celebrating the fulfillment of designing and building their personalized living space, which they continue to cherish daily. #TinyHome #MinimalistLiving #DIYHome #SustainableDesign #TravelLifestyle #CustomBuild #NorthernCalifornia #InteriorDesign #OutdoorLiving #CompactLiving

This article details the interior design project undertaken by Lauren Wills of Fort Greene-based Wills Design Associates for a young couple's first home in Park Slope, Brooklyn. The couple, on the cusp of starting a family, acquired a three-bedroom brownstone floor-through apartment. Wills, a close friend of the couple, was tasked with furnishing and decorating the entire space from scratch, as the homeowners possessed only a king-size mattress and two flat-screen TVs upon moving in. The apartment itself was in excellent structural condition, featuring original moldings, tin ceilings, and a large vintage mirror, thus requiring minimal architectural alterations. The primary work involved installing an HVAC system, which necessitated opening up the hall ceiling, and addressing minor cosmetic needs like replacing missing baseboards and molding around one door. Beyond these adjustments, the project focused on cleaning, painting, and furnishing the space to create a fresh, comfortable, and easy-to-maintain environment suitable for a growing family. Wills, a Pratt Institute alumna with a BFA in interior design and prior experience with high-profile Manhattan designers, launched her own firm approximately a year and a half before this project. She managed the budget effectively, sourcing most furnishings from popular retailers like West Elm and CB2, complemented by items from online stores and vintage furniture sites like Chairish. The color palette for the main living areas utilized Benjamin Moore’s White Diamond for walls and Snow White for ceilings, chosen for its clean, fresh, and slightly gray-toned "invisible white" aesthetic, as specified by the client to avoid yellowish off-whites. The living room features a sectional sofa and TV console from West Elm, art from One Kings Lane, and a Verner Panton knockoff chair from Overstock. The dining area includes a distressed green cabinet from Chairish and a concrete composite dining table from CB2, which matches the living room's coffee table. Functional and aesthetic details include a cluster of circular mirrors near the entry to brighten the exposed brick, and ceiling lights from CB2 installed during the HVAC upgrade. In the master bedroom, Benjamin Moore’s Blacktop serves as a statement wall color, paired with a cane headboard from Serena and Lily and artwork from Pure Photo. A discreet bamboo cabinet hides electronics, and blackout shades from Home Depot provide light control without cords. The combo study/guest room is painted in Benjamin Moore’s Blue Danube, with a ceiling light from Jonathan Adler and a wall sculpture from One Kings Lane. An alcove was transformed into an office with a white laminate desk surface and stained-wood shelves. The existing bathroom received a splurge in the form of fish wallpaper from Cole & Sons, with the door painted in a coordinating Benjamin Moore Coral Gables pink. The overall design reflects a thoughtful balance of aesthetics, functionality, and budget-conscious sourcing, tailored to the clients' new phase of life. #InteriorDesign #ParkSlope #BrooklynLiving #FirstHome #WillsDesignAssociates #HomeRenovation #ModernAesthetics #BudgetFriendlyDesign #Brownstone

Interior designer Evans Geisler and her architect husband undertook a significant renovation of their two-story Williamsburg row house, transforming it from a dual-unit bachelor pad into a single-family home tailored for a family with three young sons. The couple purchased the house in 2014 from Geisler’s brother, who had acquired it in 2007. The initial state of the house was characterized by two separate units: one on the ground floor occupied by Geisler's brother's college roommate, and the second floor where her brother resided. The primary goal of the renovation was to consolidate these into a cohesive single-family residence, while also incorporating a small pied-à-terre apartment at the back of the second floor. Geisler described the house's original aesthetic as typical of two young men living in Williamsburg, lacking architectural personality and requiring a comprehensive update. The row houses in Williamsburg are often narrow and basic, prompting Geisler's initial improvement to be the removal of the entryway hallway, which she believed contributed to a sense of confinement. On the main floor, the design strategy focused on creating an open-plan layout by removing as many interior walls as possible, integrating the kitchen and living room into a single fluid space. A key element of this transformation was the restoration of the original staircase, which, along with a newly installed built-in bookcase, became prominent focal points upon entering the home. The original staircase, deemed the only element possessing inherent character, underwent extensive restoration. Layers of paint were meticulously stripped from the newel post, missing balusters were replaced, and the treads and handrail were stained dark, contrasting with white-painted balusters. In the kitchen, the design incorporated Caesarstone countertops and Ikea cabinets, complemented by open shelving. Geisler highlighted her preference for open shelving in the kitchen, noting that maintaining a coordinated look with white, off-white, and wood elements facilitated a clean and harmonious aesthetic. The renovation also extended to the rear of the first floor, where the bathroom was enlarged. A playroom was created in this area, featuring a Murphy bed for accommodating guests and a built-in desk designed for homework, catering to the needs of a growing family. Upstairs, new walls were constructed to define two bedrooms and to functionally separate the aforementioned rear apartment from the main living quarters of the house. Geisler's overarching design philosophy for the home was to create a casual and highly kid-friendly environment, given that she had a toddler and was pregnant during the renovation. This involved avoiding overly fussy or expensive elements and implementing organizational systems to mitigate clutter and manage the daily demands of family life. All three sons share a single bedroom, which is equipped with a crib and custom bunk beds. Geisler acknowledged that some might find this arrangement unconventional but noted its general effectiveness, particularly in fostering interaction among the boys. The interior walls throughout the house were uniformly painted in Benjamin Moore's Chalk White, and the floors were stained to the darkest possible shade. Geisler emphasized the importance of a cohesive design throughout the entire house, asserting that a consistent aesthetic facilitates a smooth transition between rooms and contributes to a unified overall impression. #WilliamsburgRenovation #InteriorDesign #KidFriendlyHome #OpenPlanLiving #StaircaseRestoration #KitchenDesign #CustomBunkBeds #FamilyHome #BrooklynDesign

Ashley and Max, newlyweds, recently transformed their 1,068-square-foot 1920s bungalow in Madison, Wisconsin, into a cozy and personalized home. The couple moved from Boston, where homeownership was financially challenging, to Madison for Max's PhD studies at UW Madison. Inspired by Ashley's father, a civil engineer with a construction background, they sought an older home with character that they could renovate themselves. They purchased the bungalow, which, despite being livable, was in need of significant updates. The kitchen, in particular, was outdated and poorly designed, with an illogical layout that included the refrigerator obstructing a bedroom doorway. The outdoor space was also overgrown, and the interior walls featured bright orange and yellow paint. Their renovation journey began with gutting and revamping the kitchen. Max personally laid the new tile, while Ashley's father and uncle assisted with painting and assembling ready-to-assemble cabinets. This collaborative family effort resulted in the kitchen becoming one of their favorite rooms. Beyond the kitchen, they meticulously repainted all interior walls and the exterior siding and trim. Ashley also worked with a local nursery to select native plants for the yard and uncovered a hidden patio and fire pit, which they later used as the venue for their wedding in July 2022. This personal connection imbued the home with significant sentimental value, symbolizing their shared commitment and teamwork. The couple's personal interests are visibly integrated into the home's aesthetic. Ashley, with a background in art and poetry, and Max, a PhD student in U.S. history and education policy, appreciate older items, which aligns with the bungalow's 1920s architecture. Original features like scalloped arches, a large multi-panel dining room window, and 1920s bathroom tile were preserved and highlighted during the renovation. Ashley curated a gallery wall from her extensive collection of personal artwork, travel photographs, old maps, and souvenirs, creating a deeply personal and meaningful display. Their furniture selections reflect an eclectic approach, combining sentimental family heirlooms, such as a leather chair from Ashley's grandmother, with self-built pieces like a bookcase/TV stand, and budget-friendly finds from IKEA and Facebook Marketplace. This mix of textures, colors, and styles, featuring pops of orange and green against neutral tones, contributes to the home's warm and personal ambiance, with each item holding a unique story. The dining room, open to the living space, stands out as Ashley's favorite area. She envisioned it as a versatile space for work, reading, art, hosting, and games, appreciating the abundant natural light from the large window and the conversational appeal of the gallery wall. A bright yellow front door further adds to the home's charm. Their latest acquisition was an Art Deco mirror, a $20 Facebook Marketplace find, placed above an IKEA bar cart, highlighting their knack for discovering unique pieces affordably. Their advice for creating a beloved home centers on choosing items that bring joy, rather than strictly adhering to matching aesthetics, and experimenting with various colors, materials, textures, and furniture styles to achieve a cohesive and personal space. #HomeRenovation #Bungalow #DIYHome #EclecticDecor #HistoricArchitecture #CoupleGoals #PersonalizedHome #MadisonWisconsin #HouseTour

This article highlights a new-build home in Alabama, designed by Memphis-based designer Sean Anderson, for a couple of empty nesters seeking a relaxed yet elegant living space. The design concept for this hilltop residence, situated between two historic early 1900s homes, aimed to imbue it with a 'sense of permanence,' making it appear as though it had always existed on the site. Anderson describes the style as 'Californian organic modern' blended with classic touches. The exterior and interior of the home utilize natural materials such as exposed stone, limestone, and slate, contributing to its architectural aesthetic and timeless appeal. The owners' appreciation for nature, stemming from their time at a ranch in Montana, influenced the material choices, which also serve as a backdrop for their extensive collection of art and sculptures. The entrance hall features an organically shaped bespoke staircase and showcases a framed black and white landscape, complementing the substantial credenza. The home's layout is designed to be flexible and accommodate large gatherings, with most main public spaces adopting an open-plan design. The goal was to create a comfortable and vacation-like atmosphere for anyone entering the home. A restrained color palette, primarily using Benjamin Moore's Classic Gray and Sherwin-Williams' Iron Ore for subtle depth, allows the natural blonde stone to stand out. This is further enhanced by sophisticated white and cream textiles and natural woven rugs. The Great Room, located at the heart of the home, presented a significant design challenge due to its large size and the need to comfortably seat around 20 people while maintaining a sense of connection. Raw materials like wood, concrete, and steel are incorporated, with their sculptural qualities adding to the sleek look. Slim-steel window frames maximize natural light and offer expansive views. Additional spaces detailed in the home include a snug, where antiques and collectibles introduce an extra layer to the modern scheme, and a sunroom. The sunroom, originally a screened porch area off the kitchen, was transformed into a contrasting dark-painted space with floor-to-ceiling windows, which has become one of the most frequently used rooms. Its design incorporates curtains that enhance a golden glow and a dark ceiling for a unique twist. The kitchen features Calacatta Borghini marble, which elevates its rustic aesthetic. The laundry room includes a tabletop made from black honed soapstone set into a window recess. The bedroom design emphasizes texture and furnishings with patina to add character to the neutral scheme. In the main bathroom, a luxurious Calacatta marble surround is integrated into a bay window, where the bath is positioned. The article concludes by mentioning the designer's future projects and his anticipation for a well-deserved vacation, reflecting the relaxed holiday atmosphere he successfully incorporated into this Alabama home. #HomeDesign #InteriorDesign #SeanAnderson #NewBuildHome #NeutralPalette #NaturalMaterials #AlabamaHome #CalifornianOrganicModern #LuxuryInteriors

This article details the collaborative effort behind the transformation of a formerly notorious beach lot at 11 E. Asheville Street into a modern coastal haven in Wrightsville Beach. The project was a result of the combined expertise of homebuilder Tanner Konrady of Konrady & Son Construction, Architect Eric Jabaley of Dogwood Architecture, and Lead Designer Brandy Crawford of Bridgett Mazer Interiors, all working closely with homeowners Wanda and Ron Copley. The Copleys initially purchased a property known for its past as a fraternity party house, with the intention of tearing down the existing structure and building a new home. Their decision to work with Tanner Konrady stemmed from his previous work repairing their condo after Hurricane Florence, establishing a foundation of trust. Konrady, a fourth-generation builder with extensive experience in coastal construction, emphasized the importance of durability and low maintenance in beach environments. His approach involved building with consideration for salt air, high humidity, storm exposure, and sun damage, utilizing materials like closed-cell foam insulation, sound-dampening interior walls, hurricane-rated windows, and pre-finished PVC siding and concrete-look panel systems that are designed for longevity and minimal upkeep. Konrady's team also facilitated the installation of expansive sliding doors and oversized windows to maximize ocean views and promote indoor-outdoor living, requiring careful structural planning. The architectural vision, led by Eric Jabaley, focused on creating a modern yet coastal-inspired home that blended with the local aesthetic while capturing ocean views. Jabaley worked to incorporate Wanda Copley's sophisticated vision, which desired a modern design rooted in the Wrightsville Beach vernacular. A key design element is the top-floor main living area, which extends onto a spacious wraparound porch through large sliding doors, effectively creating an additional outdoor room for relaxation and entertaining. This seamless transition between indoor and outdoor spaces allows residents to fully experience the coastal environment. Brandy Crawford, the lead designer, guided the interior aesthetic toward a "coastal modern" style, incorporating light, clean lines, and a less fussy approach. Wanda Copley's bold sense of style and love for color, particularly pink, were central to the interior design. This is most notably expressed in "The Pink Room," an office that doubles as a guest suite, featuring a hot pink sleeper sofa, ottomans, acrylic chairs, and pink cabinetry. Other design highlights include a powder bath with a floating, backlit vanity, and a wall-mounted resin art installation by Alex Turco in the second-level sitting room, referred to as "living glass." The home also includes an independent downstairs suite for the Copleys' daughter, complete with a kitchenette, en suite, and private porch, designed for independent living. The success of the project is attributed to the strong synergy and communication among the homeowner, builder, architect, and designer. The team's collaborative approach and shared commitment to the client's vision resulted in a custom-crafted home that reflects a unique lifestyle and personality. The project serves as an example of how a unified team can transform a challenging property into a beautiful and functional coastal residence, built to withstand environmental elements while exuding modern elegance. #CoastalRetreat #InteriorDesign #ModernArchitecture #IndoorOutdoorLiving #WrightsvilleBeach #Architect #CoastalConstruction #Homebuilder #ModernHome #Innovation

A couple residing in Long Beach, California, who had been renting their 1960s home for approximately five years, decided to purchase the property. With a baby on the way, the husband opted to trade in his sports car for a down payment. Following the acquisition, they enlisted the expertise of interior designer Natalie Myers, founder of Veneer Designs, to undertake significant renovations they had long envisioned. The primary focus of this renovation project was the kitchen. Upon her initial assessment, Myers observed that the kitchen, while likely contemporary in its original construction, appeared dated and somewhat "folksy" with a distinct mid-century aesthetic. The existing galley layout presented a constraint, preventing any expansion. Consequently, the design strategy centered on enhancing the brightness of the space. A key factor in managing the project budget was the decision to retain the current positions of most cabinets and appliances. Myers implemented several key updates to achieve the desired transformation. For the cabinetry, she adopted a modern interpretation of "tuxedo cabinets," which traditionally feature white upper and black lower units. Her design incorporated ash-wood cupboards for the upper sections, complemented by grayish-sage doors for the lower cabinets, a color closely matched by the backsplash tile. This color scheme was extended to a new pocket door separating the kitchen from a home office, adding visual interest and creating the illusion of higher ceilings. Another distinctive element introduced was the use of terrazzo for the countertops. Instead of the more common tile form, Myers specified terrazzo slabs, extending the material to wrap around the kitchen peninsula. This particular Alabaster Verde product from Concrete Collaborative was utilized efficiently, with remnant pieces from the custom-fabricated counters forming the peninsula. This feature not only provided an additional surface but also incorporated an opening with a stool and extra cabinetry, designed to accommodate the husband's mother and facilitate her involvement in kitchen activities. In terms of flooring, hardwood was selected over tile, primarily for its cost-effectiveness. Myers noted that hardwood offered significant savings in both material and installation costs compared to tile. Wide-plank boards from Stuga, featuring an ultra-matte sheen, were chosen to provide a natural aesthetic while offering durable protection against everyday wear and tear, particularly important with a new baby. The layout of appliances saw a minor yet impactful adjustment: the dishwasher was relocated to the opposite side of the sink. This modification created space for a recessed microwave and streamlined the post-dinner cleanup process. Myers highlighted the ergonomic benefit of having the dishwasher positioned to the right of the sink for right-handed individuals. A two-drawer dishwasher from Fisher & Paykel was installed, allowing the couple to run smaller, more frequent loads, a practical advantage for handling baby bottles. The backsplash presented a unique design challenge. Myers opted for a combination of Fireclay’s Dot Dash 7 tile and Field tile. While the 4x4-inch squares offered numerous layout possibilities, the wife, an artistic director, desired a dynamic pattern rather than a simple polka-dot arrangement. After exploring various iterations in AutoCAD, a design featuring half-circles and pill-like shapes was chosen and meticulously executed by the subcontractor. The homeowners expressed satisfaction with the comprehensive renovation, equating its value to the sacrifice of the sports car. #KitchenRenovation #GalleyKitchen #HomeRenovation #InteriorDesign #TerrazzoCountertops #TuxedoCabinets #HardwoodFlooring #ApplianceLayout #BacksplashTile

This article details the renovation of a 19th-century Newton home, transforming it into a luxurious yet family-friendly space for a family of six. The homeowners, moving from a condo, were drawn to the original charm of the 1848 abode, including its authentic millwork, curved staircase, and glass-etched double front doors. Their vision was to infuse the historic property with a fresh, modern energy while preserving its inherent character. Interior designer Cara Fineman spearheaded the "glow up" primarily focusing on the first floor. This involved minor modifications to improve livability in the kitchen, pantry, and three bathrooms. Key updates included new countertops, tile backsplashes, brass hardware, and modern fixtures. Notably, the existing custom Kochman Reidt + Haigh kitchen cabinetry was in excellent condition, necessitating only a fresh coat of wispy white paint. The adjacent pantry and wet bar received a more dramatic makeover with bold new color schemes on existing cabinets, complemented by Aux Abris grasscloth and Ferrick Mason wallcoverings, along with linen window treatments, enhancing both functionality and aesthetic appeal. Fineman's design strategy for the study, family, and living rooms centered on integrating soft furnishings crafted from family-friendly textiles and contemporary lighting. In the family room, a spacious and plush sectional, ottoman, and lounge chairs were installed to create a comfortable gathering space. The living room now features a sleek game table made of lacquered swirl resin, designed to encourage board games and social activities. A significant design element across the communal spaces was the strategic incorporation of color and pattern, particularly through wallpaper, fulfilling the clients' desire for a vibrant and dynamic interior. The home boasts a sophisticated yet serene atmosphere, achieved through a diverse material palette including silk, grasscloth, antique brass, velvet, and rattan. A personalized sanctuary was created for the mother of the house in the first-floor study. This feminine space, designed for quiet reading, features an opal wall color, warm artwork, and bookshelves filled with books, accompanied by an overstuffed sofa for relaxation. Despite having four young children under the age of six, the first floor was intentionally designed to feel luxurious and mature without being overly precious or inaccessible to the kids. The design philosophy emphasized materials that were not easily damaged and the rehabilitation of existing elements rather than complete replacement, such as using natural fibers and updating existing cabinetry. This approach allowed for the preservation of the home's originality while adapting it to the contemporary needs of a young family. The playroom, adjacent to the boys' bedroom, features a lively Serengeti wallpaper, beanbags, storage baskets, and wall shelves, designed to be age-appropriate yet durable for a growing family. #HomeRenovation #InteriorDesign #NewtonHome #HistoricHome #FamilyLiving #ModernDesign #LuxuryInteriors #ResidentialDesign

Architects Annie-Laurie Grabiel and Arthur Furman, founders of Austin-based firm Side Angle Side, embarked on a seven-year-long renovation of their 1939 H-shaped bungalow in Texas. Their initial attraction to the property was its footprint, specifically its double-courtyard layout that allowed natural light to permeate from multiple angles, a characteristic appealing to architects. Despite the presence of a large oak tree shading the front yard and the bungalow having only two bedrooms for their family of four, the potential for light and the inherent charm of courtyard homes drew them in. The extensive renovation was unexpectedly triggered by the failure of a quirky, portable dishwasher. This appliance, which required a sink hook-up and was notoriously noisy, became a focal point. When it finally ceased to function, the couple's decision to replace it evolved into a more ambitious project. They reasoned that if they were updating cabinets for a new dishwasher, they might as well tackle countertops and lighting. This domino effect led to considering electrical upgrades, vaulting ceilings, and eventually, a full roofing overhaul. The sheer scale of their ideas initially led to a feeling of paralysis. However, Furman initiated the renovation by dismantling cabinets, creating a situation that necessitated moving forward. They enlisted the help of Waller Building Co. and Fort Structures to execute their vision. A significant change involved a temporary relocation from the house to facilitate a 200-square-foot addition. This seemingly modest expansion enabled the creation of an extra bedroom and bathroom, significantly improving the functionality of their home for a growing family. During construction, the couple demonstrated a commitment to sustainability and historical preservation by reusing many of the original steel casement windows. One innovative design choice was incorporating the home's original facade into the new foyer, maintaining a sense of honesty and creating an intentional sequence of arrival, as described by Grabiel. The exterior, once a faded blue, received a modern update with Sherwin-Williams Peppercorn, a black-gray shade with blue undertones. Internally, the design emphasized material consistency to avoid decision fatigue, with Saltillo tile used across the entryway, kitchen, bathrooms, and exterior courtyards. Reclaimed longleaf pine boards added warmth to the living areas and bedrooms, while crisp white kitchen cabinets and countertops provided a clean backdrop that allowed vibrant greenery, art, and daily objects to stand out. The project culminated with the addition of a swimming pool constructed from chukum, a Mexican resin known for its versatility. This material allowed for a seamless application across all pool surfaces, eliminating the need for coping or waterline tile. The challenging topography of their property, with a rear half climbing over 10 feet, required significant excavation—30 dump trucks of dirt were removed—to accommodate the pool, terraces, and cement retaining walls. Despite initial fears that nothing would grow again, the excavated area transformed into a mini oasis. The architects' goal was to create an inviting outdoor space for relaxation and social interaction, allowing for conversations to be heard without the noise of the old dishwasher, fostering a beloved outdoor lifestyle common in Texas. #ArchitecturalDesign #HomeRenovation #Bungalow #CourtyardHome #AustinHomes #InteriorDesign #SustainableDesign #OutdoorLiving