Meet Anne-Sophie Rosseel | Interior & Furniture Designer, Founder of House of RoRo

This article features an interview with Vanessa Rome, an interior designer based in New York City, discussing her career, business philosophy, and personal recommendations. Rome attributes her success to a Type A personality, strong organizational skills, and an unwavering passion for interior design. She emphasizes that her work feels less like a job and more like a calling, which allows her to dedicate long hours and weekends to her projects without feeling burdened. Vanessa Rome Interiors operates as a boutique residential interior design studio in New York City. Rome deliberately limits the number of projects taken on each year to fewer than ten. This approach ensures that each client receives a high level of personalized attention and meticulous care, reflecting the standard of service she would expect as a client herself. A key lesson she has learned in her career is the critical importance of measuring and re-measuring everything to ensure accuracy and prevent errors in design execution. When asked about recommendations for a friend visiting New York City, Rome suggests a culinary and cultural tour. Her top dining picks include Indochine, a long-standing favorite from her NYU days, and upscale Asian restaurants like Nobu and Mr. Chow. For activities, she recommends walking through the neighborhoods of Tribeca and Soho to explore various clothing and furniture stores, indulging her passion for both fashion and home aesthetics. A stroll through Central Park is also highlighted for its people-watching opportunities and scenic beauty. Rome acknowledges the significant contributions of several individuals and groups to her professional journey. She expresses gratitude for the support of her husband and family, who provide her with the freedom and encouragement to pursue her demanding career. Her team also receives recognition, as she states that she could not achieve her goals without their collaboration and dedication. Additionally, she values her fellow interior designer colleagues, who serve as sources of inspiration, guidance, and emotional support during stressful periods. The article also provides contact information for Vanessa Rome Interiors, including her website (vanessaromeinteriors.com) and Instagram handle (@vanessaromeinteriors). The illustrations accompanying the article are credited to photographers Marco Ricca and Julia Lynn. The interview concludes by encouraging readers to nominate other deserving individuals for recognition through Shoutout Miami's platform, reinforcing the community-driven mission of the publication. #InteriorDesign #VanessaRome #Entrepreneurship #NewYorkCity #DesignStudio #WorkEthic #BoutiqueBusiness #PersonalInterview

Tali Roth, a Melbourne-born interior designer, has carved out a unique niche in New York's design scene, bringing a fresh, personal touch to interiors, particularly within the city's prevalent rental market. After moving to New York in 2013 with her husband and limited funds, Roth initially faced challenges in securing a traditional design role. Leveraging her background in psychology and fashion, she found an opportunity with a start-up agency that facilitated freelance designers, allowing her to utilize social media to build her own brand. This ultimately led to the establishment of her independent design business and the launch of 'The Playhouse,' her innovative 'shoppable office.' Roth's design philosophy is significantly shaped by New York's renting culture, which contrasts with Australia's emphasis on home ownership. She believes that living in a rental for decades necessitates making it comfortable and personalized, demonstrating that extensive decoration and even reversible renovations are achievable. For instance, she transformed her own Chelsea loft by applying a faux concrete finish to the walls and adding wainscoting in a previous apartment, all with the understanding that these changes could be reversed without issue. Her approach challenges the conventional limitations of decorating rental properties, emphasizing comfort and personalization over strict adherence to original conditions. Over six years in Manhattan, Roth has refined her signature aesthetic, describing it as 'pretty but not overly feminine, clean-lined but with a warm, mid-century edge.' Her design rule dictates that every interior should incorporate a mix of vintage, custom, and affordable or retro-fitted pieces, creating a harmonious and layered look. For artwork, she often draws inspiration from Australia, featuring pieces from artists like Minnie Pwerle, Adam Pyett, Stephen Baker, and Leila Jeffreys, and introducing clients to Australian brands such as Dinosaur Designs and Contemporary Editions, as well as glass artist Amanda Dziedzic. Currently, Roth is engaged in diverse projects, including the design of a flagship coffee venue for Bluestone Lane in SoHo, the offices for AWAY luggage, a multi-residential development in Brooklyn, and numerous private apartments, including one for a high-profile couple in the entertainment industry. Her material preferences lean towards glass, wood, and marble, favoring natural states and avoiding overly stained timber. While clients seek her distinct style, Roth prioritizes integrating their personalities into the space. She avoids being prescriptive, preferring to incorporate client-provided items, such as a grandmother's vase, even if they don't align with her personal taste, believing that these sentimental pieces bring joy and contribute to the overall balance and unique character of a home. #InteriorDesign #NewYork #RentalDecorating #HomeDecor #DesignPhilosophy #TaliRoth #MidCenturyModern #AustralianDesignInfluences #PersonalizedInteriors

The inaugural Dublin Design Week is poised to spotlight the significant contributions of Irish architects and interior designers, who are increasingly influential on both national and international stages. Among these prominent figures is Róisín Lafferty, an architect and interior designer renowned for her innovative and meticulously detailed interior architecture firm, House of Design. Lafferty’s portfolio spans a diverse range of projects, including private residences, hotels, unique work environments, spas, members’ clubs, and restaurants, with commissions extending across Ireland, France, Portugal, New York, Miami, and Saudi Arabia. Her distinctive approach involves creating bold, imaginative, and thought-provoking spaces, often incorporating unusual materials in unexpected ways. Her work has garnered recognition in prestigious publications such as *Architectural Digest*, *Elle Décor*, *Vogue Living*, and *THE GLOSS INTERIORS*. One featured project is the reimagining of a late-Georgian farmhouse. Initially a distinguished country residence that had suffered from unsuitable alterations, it presented an opportunity for comprehensive restoration. Lafferty’s firm undertook a two-year design process to transform the farmhouse, addressing the clients' specific request for an "industrial aesthetic." The project involved accentuating the building's original features while configuring and decorating a newly built extension that was an open shell. The result is an unconventional layout with an interior that seamlessly blends historical elements with contemporary industrial design. Another notable project highlights a new-build home on the coast of Ireland, characterized by its ambitious and contemporary design. Located in an area of Special Conservation, the 30-acre working farm site presented unique topographical challenges. Architect Allister Coyne of Ailtireacht was responsible for the initial architectural vision. Lafferty was brought into the project during the early stages of construction to integrate a forward-thinking interior design with the existing architectural framework. The objective was to create a minimalist yet harmonious living space that resonated with the raw beauty of the surrounding landscape, providing a calm retreat from the bustling activities of the on-site stables. A third project, dubbed the “2-in-1” house, involved transforming two separate semi-detached houses into a single, unified living space. A key aspect of this design was the requirement to maintain the possibility of easily reversing the transformation, allowing the property to revert to two separate homes in the future. Lafferty’s team meticulously designed all systems—including heating, sound, electrics, and mechanical—to function as a unified whole while ensuring they could be readily separated if needed. This innovative approach addressed the challenge of creating a flexible, future-proof home. Róisín Lafferty will further discuss her design process and showcase additional projects at a "Design Talk" event during Dublin Design Week. The event, held at Anantara The Marker Dublin on Tuesday, May 20, from 12 pm to 1:30 pm, will feature Lafferty in conversation with architect and broadcaster Amanda Bone. Tickets for this event are priced at €35, with a discounted rate of €20 for students, and can be booked through the Design Week Dublin website, which also provides the full program for the 2025 Dublin Design Week. #InteriorDesign #RóisínLafferty #DublinDesignWeek #ArchitecturalDesign #HomeRenovation #ContemporaryDesign #GeorgianFarmhouse #CoastalHome #SustainableDesign

Anna Franklin, founder and CEO of Stone House Collective, has opened the full-service interior design firm's first retail space in Shorewood, aiming to create a comprehensive home design hub. The new storefront, which officially opened earlier this month, reflects the firm's signature aesthetic of organic textures and serene tones, a style applied to both residential and commercial projects. Franklin's vision for the space is to engage all five senses of visitors from the moment they enter, offering an immersive experience into the world of interior design. The store is designed to meet various design needs, from full-scale home makeovers to individual item purchases. It features a curated selection of products from community partners and manufacturers with Wisconsin roots. These offerings include high-quality fixtures from Kohler, plumbing solutions from Able, and appliances from Sub-Zero. For decor and finishing touches, Talking Walls provides wallpaper, and Twig + Ember offers a signature candle scent. Shoppers can also find new and vintage art pieces, as well as a dedicated lighting display wall, catering to those looking to add fresh elements to their homes without undertaking a complete renovation. Furniture options are also available, including new pieces for those simply wishing to replace a sofa. Franklin emphasizes the store's commitment to quality, stating that all items are sourced to be durable and long-lasting, avoiding what she calls 'throwaway furniture.' While the store offers items across various price points, Franklin highlights that even their entry-level couch, priced at $5,000, is built for longevity. A notable exclusive offering at Stone House Collective is Parachute bedding, making it the only retailer in Wisconsin to carry the brand, which otherwise operates through its own brick-and-mortar stores across the U.S. Franklin clarifies that the intention behind carrying products from other companies is not to compete but to provide a convenient destination for individuals interested in design. If Stone House Collective's design firm cannot provide a specific service, they are committed to referring clients to trusted community partners who can. Looking ahead, the store has plans for a grand opening event on May 30, which will include food, drinks, and live painting to celebrate its arrival in Shorewood. Additionally, Franklin intends to collaborate with Sub-Zero Group, a luxury kitchen brand known for Cove and Wolf products, to host private dining experiences within the showroom. Seasonal additions to the store's inventory will include outdoor furnishings, timed to coincide with the summer season, further expanding the range of products and services available to customers. #HomeDesign #InteriorDesign #Shorewood #RetailStore #AnnaFranklin #OrganicDesign #HomeFurnishings #LocalBusiness

The article provides an intimate look into the Sunfish Lake home of antiques dealer Robert Riesberg and his wife, Christine Hartman, which doubles as both their residence and a by-appointment-only gallery for Riesberg's business. Their Federal-style house, built in 1925, is characterized by a blend of traditional design and warm hospitality, furnished with museum-quality 17th, 18th, and early 19th-century antiques, art, objects, and rugs. Riesberg, with over 50 years of experience, emphasizes buying pieces he would personally want to keep, noting that this passion drives his successful career. The home features a series of formal rooms, including a front parlor with a mahogany drum table, sideboard, and a 1760 cherry New England flip-top secretary desk, with walls painted in Benjamin Moore’s Rosy Apple. A light-filled formal dining room and gallery, added by Riesberg, is used for parties and family gatherings, showcasing French Louis XV rococo console tables with rare brèche d’alep marble from approximately 1760. The exterior of the home maintains its Federal-style architecture, while the kitchen, though the least formal space, is adorned with 18th-century Windsor chairs and Delft tiles depicting manganese figures from the same period. Creative design solutions are evident throughout, such as a small closet ingeniously converted into a walk-in bar with a Dutch door. The sunporch, featuring terrazzo floors and shelves filled with Delftware, opens to a grape arbor, offering a serene space. The fireplace mantel and paneling were custom-designed based on Connecticut fireplace patterns, symmetrically decorated with blue-and-white 18th-century Delftware. The central hallway boasts ash and walnut flooring modeled after traditional French parquetry, complemented by 19th-century oil landscapes, a late 18th-century portrait, and a Regency commode from around 1710. Riesberg’s study, designed with Connecticut inspiration, features millwork painted in a custom green and houses a substantial collection of books and catalogs on antiques, art, landscaping, and architecture. The article also includes five tips from Robert Riesberg and Christine Hartman for incorporating antiques into one's home. These tips encourage individuals to discover their personal taste by visiting various sources like museums and antique shops, and building a file of preferred items. They suggest taking inventory of existing belongings to identify pieces that don't align with one's aesthetic or function, thereby creating space for new acquisitions. The couple advocates for broadening one's scope beyond furnishing a room strictly by a singular period, encouraging the mixing of contemporary furnishings with antique gems to create a space that reflects individual taste and personality. Riesberg advises understanding the craftsmanship of antiques, particularly those made before the machine age (pre-1840), to appreciate their design details and value. Finally, they recommend taking a slow approach to building a collection, emphasizing that a few beautiful, well-chosen pieces are more valuable than a multitude of mediocre ones, and that truly beautiful homes evolve in stages. #HomeDesign #InteriorDesign #Antiques #FederalStyleHome #VintageDecor #HomeTours #LuxuryInteriors #CollectingAntiques

Bee Studios, a luxury, full-service interior design firm led by principal designer Brooke Eversoll, CMKBD, offers comprehensive design services from initial concept to final execution. The firm also acts as a cabinet dealer representative for prominent brands and specializes in home remodeling projects. With over two decades of experience in the design industry, Eversoll has curated a selection of her favorite design elements, ranging from significant statement pieces to vibrant accessories, all characterized by their bold and natural undertones. Among her favored items is the Elitis La Californie – Un écrin de verdure wallpaper. This vinyl wallpaper features a hand-screen printed grasscloth appearance with elements of vegetal fiber, and its imperfect texture adds to its appeal. Another selection is the Donghia velvet in "Smooth Operator," noted for its exceptional softness. Available in eight color options, this fabric is ideal for upholstering chairs or loveseats, offering a pre-worn aesthetic that contributes to its artistic and sophisticated feel. The George Bed by Verellen is highlighted for its ability to balance soft, natural lines with an upscale presentation. Its wood frame accommodates various mattress sizes, providing a strong foundation, while a soft fabric headboard introduces an element of comfort. Eversoll also features the Otto Sphere Pendant by Hubbardton Forge, a large, blown-glass pendant with an adjustable rod. This piece combines industrial and modern aesthetics, with its lighting element enclosed in a frosted tube, offering an optional stainless steel finish for a more industrial look. Eversoll notes its unique design often captivates clients. For floor coverings, the Seora SEO01 rug by Jaipur Living is recommended for its natural and cozy qualities, providing a soft backdrop suitable for diverse design styles, including eclectic, modern, and classic. Eversoll emphasizes the importance of using the largest possible rug size to maximize impact. The Maggie Waterfall Console by Made Goods is presented as a versatile, neutral piece, perfect for entry foyers, behind sofas, or beneath artwork or mirrors. Its natural seagrass construction introduces an organic element and a warm, earthy feel. Eversoll frequently incorporates bold tiles into her designs, particularly favoring the Glazed Basalto line by New Ravenna. This collection utilizes volcanic rock with a striking glaze, creating mosaics that are considered true artistry, capable of distinguishing a home with endless combinations of patterns, colors, and materials. Complementing these bold tiles are soft natural materials, such as the Canterra tile in Square Alma by Zia. This tile, also made from volcanic stone, features small flecks that give it a modern appearance, resembling concrete or terrazzo. #InteriorDesign #HomeDecor #LuxuryDesign #NaturalMaterials #BoldDesign #BeeStudios #BrookeEversoll #Wallpaper #Furniture #Lighting #Rugs #Tiles

The thrill of discovering unique furnishings and the regret of missing out on a coveted piece are common experiences for interior designers, as recounted by nine professionals in the field. These designers share their personal anecdotes of both significant acquisitions and elusive 'holy grail' items, offering insight into the passion and pursuit involved in curating exceptional interiors. Will Meyer, a devotee of Danish design, recently acquired a Hans Wegner daybed but continues his quest for the perfect Papa Bear chair, an iconic piece he believes will eternally remain stylish. Amy Lau's 'big find' was a set of sculptural Dommus chairs by Joseph Walsh, which she commissioned for her New York apartment after a studio visit in Ireland, impressed by their handcrafted and expressive design. Pierre Yovanovitch expresses a long-standing desire for a rare and expensive Uno Ahren masterpiece, specifically his 1927 inlaid Mahogany Secretaire, admired for its flawless execution and unique Garden of Eden imagery. Nate Berkus laments multiple missed opportunities to purchase a Picasso ceramic owl. He first encountered one while working at an auction house in Chicago, unable to afford it then, and later saw others in Paris and on 1stdibs, observing its increasing value with each sighting. Miles Redd's most significant discovery is a mirrored bathroom by David Adler, found in a Chicago salvage warehouse. This unique piece, which he uses as both a bathroom and a dining room, holds special value due to its singular nature and the emotional connection it provides, making him feel as though he is 'inside of a diamond' every morning. Alexandra Champalimaud recalls admiring the Mattia Bonetti Rock dining table at a design fair, describing it as extraordinary and full of personality, but ultimately passed on it due to not having a suitable space. Martyn Lawrence Bullard shares an auction disappointment involving a Jacques Adnet Hermès Saddle leather daybed. Despite thorough research and a set budget, he missed the piece by two bids, regretting his hesitation and emphasizing the importance of passionate pursuit in auctions, as he has been unable to find a similar item since. Robert Couturier maintains a detached perspective on objects, viewing himself as a temporary owner and valuing history over intrinsic monetary worth. However, he holds a particular affection for a painting by Jean Baptiste Greuze depicting an angel. This piece, inherited from his great-grandfather and a constant presence in his grandmother's home, evokes profound memories of his upbringing and the love of his grandmother, offering a sense of 'bonheur' and timelessness. Michael Smith expresses his admiration for the Lovö chair, designed by Axel Einar Hjorth in 1932. He had bid on this dynamic and remarkably modern piece at auction but was unsuccessful, wishing he could have incorporated it into one of his classic yet modern projects. #InteriorDesign #FurnitureDesign #HomeDecor #Designers #LuxuryInteriors #ArtAndCollectibles #DesignStories #Acquisitions #LostOpportunities

The "among-us" installation at Heimtextil 2025, a 650 m² design by Patricia Urquiola in collaboration with Moroso, transformed Hall 12.0 of the textile trade fair. This expansive and open-concept installation serves as a platform for exploring innovative textile concepts, engaging in design discussions, and addressing sustainability. Patricia Urquiola's vision for "among-us" emphasizes the transformative power of textile design, highlighting its enduring influence on human civilization. The installation's title itself, "among-us," signifies togetherness and the celebration of new, hybrid relationships, manifest in a playful landscape populated by imaginative, hybrid creatures. The installation features contributions from various partners, enriching the textile landscape. These include Insula lounge islands by Kettal, upholstered with Kvadrat fabrics, and hanging textiles crafted by cc-tapis using Aquafil’s regenerated nylon yarn. Moroso provides the seating elements, integral to the installation's character. Moroso's contributions include plush lounge seating pieces like '_Gruuvelot_', '_Mushmonster_', and '_Giano_', which challenge conventional perceptions of furniture. These pieces are described as playful, organic, and seemingly alive, featuring dynamic upholstery that introduces varied textures and a mottled, almost squid-like coloring. Heimtextil serves as an international trade fair dedicated to innovations within the textile sector, with a particular focus on advancements in sustainability and new product releases. Patricia Urquiola, founder of Studio Urquiola, views Heimtextil as an ideal venue for fostering dialogue that extends beyond the fair itself, creating continuous engagement with individuals interested in textiles. She values the opportunity for personal exchange, emphasizing a desire to both present new ideas and actively listen to feedback. Olaf Schmidt, Vice President of Textiles & Textile Technologies at Messe Frankfurt, acknowledges the privilege of collaborating with Patricia Urquiola and Studio Urquiola, citing a shared enthusiasm for creative endeavors, trend discussions, and sustainable solutions in textile design. Moroso, established in 1952 by Agostino and Diane Moroso, began by producing sofas, armchairs, and furnishing accessories. The brand quickly became recognized for its commitment to uncompromising quality, innovation, and creativity, driven by a strong design sensibility and efficient manufacturing processes. In the 1980s, the second generation of the Moroso family took leadership, further elevating the brand's profile. Moroso has since partnered with a diverse array of renowned designers globally, including Ross Lovegrove, Konstantin Grcic, and Tord Boontje, continually pushing the boundaries of furniture design. Studio Urquiola, founded in 2001 by Patricia Urquiola and Alberto Zontone, brought a fresh perspective to the design industry. Patricia Urquiola, who studied architecture and design at Universidad Politécnica de Madrid and the Politecnico di Milano under Achille Castiglioni, applies Castiglioni's principle of the "fundamental element" in her work. This principle posits that spaces should be conceived in relation to human experience, a philosophy Urquiola fully embodies by designing spaces and objects that engage both the emotional and rational aspects of individuals. #PatriciaUrquiola #Moroso #Heimtextil #TextileDesign #InteriorDesign #DesignInstallation #Sustainability #FurnitureDesign #StudioUrquiola

The article introduces Daphne Martino and Claudia Barroso, co-founders of M&B Design Studio, highlighting their journey into entrepreneurship as interior designers. Both women, having spent years assisting friends and family with design projects, decided to formalize their passion into a business once their children reached high school and college, providing them with the necessary time and space. Their motivation extends beyond personal ambition; they aim to set an example for their daughters, demonstrating that it is possible to pursue new career paths and achieve significant goals at any age. M&B Design Studio distinguishes itself through its commitment to honesty, transparency, and open communication with clients. This foundational trust is crucial for navigating design challenges and delivering spaces that are aesthetically pleasing and deeply meaningful to their clients. The founders emphasize that their path has involved considerable hard work and perseverance, acknowledging the inherent challenges and frustrations of the interior design industry. Despite these difficulties, they describe themselves as resilient, embracing both the positive and negative aspects of their work and striving to enjoy the process. Their families have been an integral part of their business, offering support with everything from physical help during installations to organizing project spreadsheets. This familial backing is presented as a key factor in their success. The studio prides itself on delivering thoughtful, timeless, and tailored designs that clients genuinely appreciate, reflecting their dedication to their craft. Beyond their professional lives, Daphne and Claudia share insights into their personal preferences and recommended activities in Miami. When friends visit, they curate an itinerary that blends outdoor exploration, culinary experiences, adventure, and relaxation. Their suggestions include a morning visit to Fairchild Tropical Botanic Garden, followed by refreshments from Wayside Market. Sundays feature a stop at the Pinecrest Farmers Market for local produce and artisanal goods. A quintessential beach day in South Beach, complete with lunch at Joe’s Stone Crab, is also on the agenda. For a change of scenery and a more relaxed atmosphere, a trip to Ocean Reef is recommended for boating, swimming, and golf. Their itinerary also highlights Miami’s vibrant art and design scene, with visits to Wynwood for its street murals and creative energy, and the Miami Design District for its architecture, high-end shops, and curated spaces. Relaxation and rejuvenation are factored in with a spa day at The Standard Spa or Tierra Santa at Faena. Dining experiences are diverse and include COTE Miami for a Korean steakhouse, Bouchon Bistro in Coral Gables for French cuisine, and Queen Miami Beach for a glamorous dinner and show. Iconic local spots like Ball and Chain, known for its live music and history, are also included to offer a taste of Miami’s cultural heartbeat. The week concludes with drinks at Bellini at Mr. C Coconut Grove, offering a sophisticated end to their Miami tour. In acknowledging those who have supported their journey, Daphne and Claudia express profound gratitude to their husbands and children. They credit their families with unwavering support, encouragement, and understanding, which have been constant sources of strength throughout the late nights, early mornings, and significant milestones of their entrepreneurial endeavor. Their families are seen not just as supporters but as an integral part of everything they do at M&B Design Studio. #InteriorDesign #Entrepreneurship #FemaleFounders #SmallBusiness #MiamiLifestyle #WorkLifeBalance #FamilySupport #DesignStudio

Rachael Rosenblum, founder of Double R Design, operates her furniture redesign business out of a Fort Greene carriage house. This studio serves both as a practical workspace for storing fabric swatches and works in progress, and as a showcase for her imaginative approach to furniture transformation. The studio itself, located on Vanderbilt Avenue, embodies Rosenblum's philosophy, featuring a blend of vintage and rehabbed pieces, including an antique French chandelier and a baker’s rack repurposed as a fabric library. This setup allows prospective clients to visualize how old items can be given new life and purpose. Rosenblum's work is driven by principles of sustainability and waste reduction. She emphasizes that older furniture is often constructed with superior craftsmanship compared to many modern pieces. Her core belief is in the potential of existing items, encouraging clients to consider how their current furnishings can be updated and transformed before purchasing new ones. To illustrate this potential, she maintains a collection of finished pieces in her studio, demonstrating the dramatic transformations achievable through redesign. Some of these are collaborations with other artists, while others are her own creations featuring carefully selected fabrics. This collection helps clients envision the longevity and renewed aesthetic an old piece can achieve. Rosenblum's passion for craftsmanship and repurposing was instilled in her during her childhood in Ohio, where her parents frequently took her to flea markets and secondhand stores. This upbringing fostered an appreciation for finding unique items and understanding their potential. The catalyst for establishing Double R Design came after 17 years in the fashion industry, when Rosenblum was given an antique bergère chair by her grandmother. She undertook its restoration, and seeing her children interact with the newly redone chair—which had moved from a seldom-used bedroom to a lively TV room—highlighted the chair’s renewed energy and purpose. This personal experience solidified her desire to bring similar joy and transformation to others. Following this realization, Rosenblum pursued interior design studies at Pratt online during the pandemic. She subsequently channeled her fashion background and love for textiles into her new career path. She launched Double R Design with an initial collection of 12 items, which she photographed and showcased to begin building her business. She actively promotes her work and process through local markets and an Instagram presence. Clients can visit her studio by appointment or when the doors are open on pleasant days to explore her offerings. When clients inquire about the cost-effectiveness of restoration, which can involve significant labor expenses, Rosenblum advises that it is worthwhile if the furniture possesses a sturdy foundation, particularly solid wood, or interesting design details. Furthermore, sentimental value, such as with a family heirloom, also justifies the investment. Beyond structural integrity, Rosenblum enjoys experimenting with dimensions and combining diverse colors and textiles in her designs. While prioritizing client aesthetics and ensuring the pieces suit their spaces, she often introduces subtle, distinctive elements, such as decorative tape on a sofa or double-sided pillows with reversible patterns, to add an extra layer of uniqueness to her projects. #FurnitureRedesign #SustainableDesign #VintageFurniture #InteriorDesign #FortGreene #TextileDesign #Craftsmanship #HeirloomRestoration #BrooklynLife

This page provides a comprehensive job board specifically for the interior design industry, hosted by Business of Home. It features a wide array of job opportunities across various roles and experience levels, from entry-level design positions to senior leadership and specialized roles such as architectural drafters and project managers. The jobs are primarily for full-time positions, but part-time, freelance, and internship opportunities are also listed. The platform caters to both job seekers and employers, offering functionalities to filter job listings by location, category, employment type, and compensation. The job board currently displays numerous openings from various design firms and companies. For instance, WECSELMAN DESIGN in Miami is seeking an Interior Designer for high-end residential projects, emphasizing a candidate with strong design sensibility and a curated eye. Jeremiah Brent Design in New York is looking for a Senior Design Documentation Specialist on a contract basis for a historic estate renovation, as well as a Senior Designer specializing in Furniture, Fixtures, and Equipment (FF&E;) for the same project. Mia Todd Studio, also in New York, is hiring a Designer/Senior Designer to lead high-end residential projects from concept to installation. Downey, a boutique residential design firm in New York City, is seeking a Senior Interior Designer with a strong background in architectural design and project management. Bruce Fox Design in Chicago is searching for a Senior Interior Designer with a mature and creative approach to innovative projects. Beyond traditional interior design roles, the board also lists specialized positions. CarbonShack is looking for a Multi-Line Sales Representative for sustainable designer fabrics, Sunthreads, with a commission-based compensation structure and performance bonuses. Marc Phillips Decorative Rugs in Los Angeles has an opening for a Sales Account Manager to cultivate relationships with designers, architects, and trade professionals. Studio Michael Ellison in New York requires a Senior Designer with a passion for luxury interior design and experience in private residential projects. Chused & Co. in Brooklyn is seeking a Senior Interior Designer/Project Manager to lead residential projects, focusing on architectural knowledge and technical drawing ability. Jennifer Messina Interiors in Mill Valley, CA, is hiring an Interior Design Project Manager to oversee all phases of projects, balancing creative vision with logistical precision. Ashli Mizell Inc. in Philadelphia is looking for a Senior Interior Designer for high-end residential projects across the Northeast, coastal Florida, and the Northern Rockies. Jerry Pair in Atlanta needs a Marketing Specialist to engage in various marketing facets within the luxury interior design industry, including e-commerce management and content creation. Julie Hillman Design, an AD100 firm in New York, is seeking an experienced Interior Architect for high-end residential projects. Studio MRS, an Elle Décor A-List firm in New York, is looking for a full-time Interior Architectural Drafter. The platform also provides resources for users, such as a job FAQ section and a dedicated page for employers to submit job postings. Featured jobs are highlighted, indicating potentially urgent or high-profile opportunities. Additionally, there is a classifieds section for other related services, such as office space rentals for designers. The overall structure of the page is designed to efficiently connect interior design professionals with relevant employment opportunities and industry resources. #InteriorDesignJobs #DesignCareers #CreativeIndustry #ProjectManagement #ArchitecturalDesign #SalesAndMarketing #ResidentialDesign #LuxuryDesign

The article details the renovation of Mary Portas's London home, a project undertaken by the interior design firm Space A, founded by architects Amelia Hunter and Anna Drakes. Portas, known for her advocacy for British high streets and, more recently, her book 'Work Like a Woman,' sought to create a living space that reflected her values of collaboration, care, and respect, moving beyond conventional notions of profit and growth. This ethos guided the entire design process, emphasizing the support of talented young business owners and embodying a more conscious approach to living. The collaboration between Portas and Space A was significant, leading to the establishment of Space A itself, born from Project OO, a collective studio that Portas initially approached. Portas highlights the importance of supporting businesses that prioritize values beyond mere financial gain, especially in a post-pandemic world, where empathy and understanding the implications of design choices are paramount. This philosophy is also central to her new book, 'Rebuild: How to Thrive in the New Kindness Economy.' A key aspect of the renovation involved integrating the property's original and pre-loved features. Portas incorporated old church tiles she had collected, as well as those found within the house, to decorate the fireplaces and utility room. The vintage sink in the powder room was retained and given a modern twist with vibrant orange paint and House of Hackney wallpaper, creating a contemporary yet eclectic feel. The design elements throughout the home blend timeless quality with bold contemporary touches. The basement features English oak paneling, herringbone flooring, and custom joinery, contributing to a classic kitchen aesthetic. Upstairs, the two open-plan reception rooms are distinctively divided by color—one side in Dulux’s ‘Olive Grove’ and the other in ‘Powder Pink’—creating visual interest and defining separate zones within a fluid space. Consistent with Portas's persona, the home prominently features British brands and artists, such as Grayson Perry's 'Britain is Best' tapestry, which finds a natural place in the decor. When selecting furniture with interior decorator Louise Donald, Portas prioritized collaborating with individuals who demonstrated kindness, honesty, and genuine passion for their products, rather than just the brands themselves. This focus on the human element and the emotional connection to objects aligns with Amelia Hunter's concept of 'five a day for your space,' equating well-chosen design elements to 'metaphorical vitamins and minerals' for psychological well-being. Ultimately, Portas views her home as an extension of her spirit, a place filled with color, character, and warmth, serving as a sanctuary where she can be her authentic self. The project's success is attributed to working with people who understood her needs as a woman, fostering a sense of nurturing and belonging within her living environment. #LondonHome #InteriorDesign #MaryPortas #SpaceA #FemaleEntrepreneurship #SustainableDesign #KindnessEconomy #BritishDesigners #HomeRenovation

This article explores ten chic decor ideas inspired by Rachel Zoe's personal bedroom, offering readers practical suggestions to recreate a similar glamorous aesthetic in their own spaces. The inspiration is drawn from an exclusive image featured in Zoe's upcoming book, "Living In Style." The first suggestion focuses on establishing a strong foundation with a canopy bed, emphasizing its ability to create a sense of luxury and defined space within a bedroom. This element serves as a central focal point for the overall design. Next, the article highlights the importance of incorporating texture through a faux fur throw. This addition introduces softness, warmth, and visual interest, contributing to a rich and inviting atmosphere. To personalize the space, the article recommends expressing individual style with a fashion print. This allows for the integration of artistic elements that reflect personal taste and add a unique touch to the decor. Fresh cut flowers are suggested to invigorate the room, with an emphasis on single-variety bouquets in white, such as calla lilies, hydrangeas, or roses. This detail adds a touch of natural elegance and freshness. The fifth idea involves playing with pops of color through decorative pillows. This strategy offers an opportunity to introduce vibrant hues and patterns, enhancing visual appeal and comfort without overwhelming the space. Providing plentiful seating with chic chairs is another key recommendation, ensuring both functionality and style. This allows for comfortable areas within the bedroom for reading or relaxation. To organize accessories stylishly, the article suggests utilizing a mirrored tray. This item combines practicality with a touch of sophistication, reflecting light and adding a decorative element to dressers or nightstands. Honoring tea time with a designer kettle is presented as a way to introduce an element of refined living. This detail contributes to a luxurious and thoughtful atmosphere within the bedroom. Adding ambience with a scented candle is advised for creating a calming and pleasant environment. Scent plays a crucial role in setting the mood and enhancing the overall sensory experience of the room. Finally, the article suggests looking to Lucite for lighting solutions. Lucite lamps offer a modern, clean aesthetic, providing illumination while maintaining a light and airy feel to the decor. #RachelZoe #BedroomDecor #GlamStyle #InteriorDesign #HomeDecoration #LuxuryLiving #DecorTips #FashionInspiredHome #StylishLiving

British artist Sophie Smallhorn, whose work explores the relationships between color, volume, and proportion, grew up immersed in a creative environment. Her parents were industrial and textile designers, and her Montessori education, with its use of brightly colored, precisely shaped wooden objects, fostered an early understanding of color, form, and dimension. This upbringing shaped her artistic approach, which is characterized by sophisticated geometric solids and a focus on color dynamics. Initially, Smallhorn pursued a degree in Wood, Metal, Ceramics, and Plastics at the University of Brighton, where she crafted sculptural furniture pieces that, despite their limited functionality, were primarily driven by color. She began creating assemblages from leftover materials for personal enjoyment, eventually selling them informally. Her acceptance of her work as fine art came only after a gallery explicitly presented it as sculpture, reflecting her background in design and making. Early career milestones included significant commissions from the avant-garde fashion brand Comme des Garçons, which provided opportunities for large-scale installations at its Tokyo flagship. These projects broadened her scope, leading to collaborations such as developing a 56-color palette for the London 2012 Olympic Stadium with Populous Architects, where exterior canvas banners in various hues marked spectator entrances. More recently, Smallhorn has ventured into textile design with Designtex, creating an upholstery pattern named Ribbon. This marks her first formal foray into textiles, a field her mother worked in, and one Smallhorn initially resisted due to her discomfort with digital design processes and the overwhelming possibilities of digital printing. However, a clear vision from Designtex's executive design director, Sara Balderi, during their renewed collaboration post-COVID, made the digital process manageable and even a revelation. The inspiration for the Ribbon motif originated from an enameled snuff box with an undulating ribbon, which Smallhorn encountered at the Victoria and Albert Museum. She developed the idea by physically manipulating collage and colored acetates, twisting and folding them, before translating these physical experiments into a digital layout for pattern repeat, palette, and scale. The initial design, which started smaller, evolved into a bold, graphic, and dynamic pattern with a theatrical quality, largely influenced by Designtex. The ribbon on the fabric is not solid but composed of parallel lines, a deliberate choice by Smallhorn to achieve an effect similar to screen printing, where overlapping transparent colors create a third hue, adding a playful and energizing graphic element. A solid version of this pattern, called Flat Ribbon, is available as a customizable wallcovering through Designtex’s Digital Studio website. Smallhorn notes a significant crossover between her two-dimensional prints and her three-dimensional sculptures and installations, as both involve compositions of hard-edged formal shapes. Screen printing serves as a rapid and playful method for developing ideas, allowing for serendipitous color scenarios that often inform her sculptural pieces. While her three-dimensional work does not allow for layering transparent colors, the print table mimics sketching, providing inspiration for new color combinations. She uses the same acrylic paint for both prints and assemblages, viewing the latter as vehicles for exploring and holding a palette. Smallhorn emphasizes the intuitive nature of her color decisions, often repainting pieces multiple times to achieve a desired equilibrium among what she describes as 'easy' and 'less easy' or 'awkward' and 'less awkward' colors, without relying on a predefined system. Her collaborations with brands like Comme des Garçons and COS exemplify her ability to bridge fine art and commercial design. For COS, she created window displays for five global stores, featuring large, overgrown stacks of shapes designed to complement product displays. This dual engagement with both artistic and commercial realms is a comfortable space for Smallhorn, who appreciates working with brands that share a similar sensibility toward color and design. Her career demonstrates a consistent exploration of color, form, and proportion across various mediums, continually seeking synergistic relationships in her chromatic work. #SophieSmallhorn #ArtistInterview #ColorDesign #Sculpture #TextileDesign #InteriorArt #DesigntexCollaboration #GeometricForms #CreativeProcess

This article details the transformation of a dated Rossdale home into a modern, family-friendly abode for Jacqueline Juselius and Jordan Slator, both lawyers. Eight years prior, Juselius discovered the house during a jog, drawn to its river view and downtown proximity despite its need for renovation. The original 1994 construction featured outdated elements such as sponge-painted walls, hunter green tiles, and ornate gold and brass accents. Collaborating with designer Sheri Krug of Sheri Krug Designs, the couple embarked on a gradual renovation process to create a warm and contemporary living space suitable for their growing family, which eventually included four children. The renovation focused on several key areas, including the kitchen, children's bedroom, master bedroom, and living room. The kitchen, a central hub for Juselius who is an avid cook and baker, retained its original layout but underwent a complete overhaul of cabinets and appliances. Quarter-sawn teak cabinets in a light caramel finish from Rdl World Class Kitchens were chosen to achieve a contemporary yet warm aesthetic, avoiding a stark, cold modern feel. Glass cabinet doors were incorporated to break up horizontal lines and enhance the perception of light and space within the linear kitchen. One significant modification involved reconfiguring a large master suite walk-in closet into a 120-square-foot children's bedroom. Sheri Krug designed built-in bunk beds, maximizing the use of the room's small, angular shape. Safety features included a plexiglass divider on the top bunk, while hidden shelf areas at the head of each bed provided storage for books and iPods. A built-in desk was designed for seven-year-old Aidan, and durable Roppe rubber floor tiles were installed for easy cleanup. The master bedroom received a dramatic redesign by Krug, involving the removal of walls and an unused fireplace to create space for a reading nook. Backlit LED strip lighting was integrated into mirrors above an L-shaped, quartz-topped vanity cabinet, contributing to an airy ambiance. A strategically placed mirror at a 90-degree angle to an east-facing window created an illusion of an elongated view of the downtown skyline. Krug emphasized the dynamic contrast between white walls and darker cabinetry, and the transition from lighter maple flooring to darker tiles grounded the vanities for aesthetic balance. Practicality influenced the fixture choices in the master bedroom, where his and her sinks were placed opposite each other in the bedroom itself to maintain existing plumbing lines. The contractor customized Slator's sink to be eight inches higher than average to accommodate his height. Heated tile flooring was a luxurious addition that the couple deemed worthwhile. Despite sacrificing approximately 100 square feet for an additional children's room, the couple felt they retained ample space in their master bedroom, which Juselius described as a sanctuary akin to a hotel room. The main floor's living room also saw updates, including re-tiling the two-sided fireplace with porcelain. The contractor, Robert Hoiland, ensured a seamless transition between the living room and the kitchen/dining room by matching the maple flooring in the living room with the newly installed flooring, replacing previous hunter green tiles. This approach maintained a consistent flow in the open-concept space, addressing Krug's design philosophy of avoiding definitive breaks in flooring within an open layout. #HomeRenovation #ModernDesign #InteriorDesign #FamilyHome #KitchenRenovation #BedroomDesign #CustomCabinetry #SpaceOptimization #RossdaleHome #EdmontonInteriors